從直接攝影到「非影像」書寫：以張照堂影像美學和〈非影像筆記〉為線索

From Direct Photography toNon-ImageWriting: In Light of Chang Chao-tang
s Image Aesthetics andNotes on Non-Image
page.
105
From Direct Photography to Non-Image Writing: In Light of Chang

Chao-tangs Image Aesthetics and Notes on Non-Image
Wang Sheng-hong
The Ph. D. Program Artistic Practice and Critical Research, Department of Fine Arts,
Taipei National University of the Arts
27
Journal of Taipei Fine Arts Museum
page.
106
2013 1959-2013

page.
107
Abstract
The exhibition TIME: The Images of Chang Chao-Tang, 1959-2013 grandly held at the
Taipei Fine Arts Museum in 2013 opened up new possibilities for reinterpreting Chang Chaotangs image aesthetics. The venue not only brought Changs magnum opus into spotlight,
but also presented a large number of his random notes and reflections on photography. This
exhibition enabled us to review the creative constellation that consists of the practical results
achieved by the documents originally defined as peripherals and the photographs always
been regarded as the core. To wit, many mutual-mapping and resonating elements exist amidst
Changs written texts and photographic practice, and Chang successfully wove these elements
into a virtual and invisible image plane. It implies that we can never gain a full picture of
Changs image aesthetics merely from his static photographs or experimental films. If his
texts and images are essentially complementary to each other, the other critical component of
Changs image aesthetics lies consequentially in the non-image writing that has not yet been
actualized into real images, since his texts are as highly contagious as his photographs.
This essay treats Changs efforts in developing a formal language of photography as the point
of departure, from which it investigates the spiritualized subject embedded in Changs image
aesthetics. By means of seeking to pioneer an analytic approach to Changs ref lections on
photography, this essay extends the scope of discussion to the specific space created through
the interplay and resonance between Changs written texts and photographs. The genres of
Changs creation encompass static photograph, mixed media, installation, and experimental
film. Therefore, we can make a holographic map of the interesting texture of Changs image
aesthetics only by exploring the blocs of sensation in his works of different genres.
Keywords: actualize, virtual, non-image, reflections on photography, spiritualized subject
27
page.
108
5060
70 80
2010118

page.
109
607080
2011 V-10
6070 2009
2013
20133
60
2011 19-30
1702013/1060-64V-10
2009125-140
200394-111
19701959-2013
2013/1053-64
27
page.
110
1977-801989
ACT
2013 1959-2013

bloc of sensation5
2011
201155-64

page.
111
2010118 6070
201253
19 6 0

5Gilles DeleuzeFlix GuattariWhat is Philosophy ?
sensation
self-sucient
autonomypure being of sensation
Vincent Willem van Gogh
Gilles
Deleuze and Flix Guattari, What is philosophy ? (London: Verso, 1994; New York: Columbia University Press, 1994), pp.
163-168.
27
page.
112

2 0125 4

60 1994253

60
201127
V-10
6080
V-10
2009129

page.
113
7080
70
vs.
Wa lt e r
Benjamin
70
201124-25
27
page.
114
200096
201364
80

page.
115
spiritualized
subject
Mike OldfieldOmmadawn , 1975
70 7
19871
19701959-2013
201353-64
27
page.
116
1 198728x40
Peter
Friedl History in the Making

8
19872013

page.
117
identity10
index
Peter Friedl, History in the Making, e-flux 18 (Sep. 2010).

http://www.e-flux.com/journal/history-in-the-making/.2013/12/21
10
Gilles Deleuze
Dierence and RepetitionGilles Deleuze, Dierence and Repetition , trans. Paul
Patton (New York: Columbia University Press, 1994), pp. 129-167.
27
page.
118
encounter
the object of encounterDeleuze, 1994: 139
1988-89
ACT

page.
119
201183
fragility
tuch
virtual11
11
Ibid., p. 208. Virtuel potentiel

potentialvirtual
virtualvirtual
realactual
27
page.
120
actualize
1989
19751215
201130
1973629
2010118-
119

page.
121
12
1975912

1977310
1977117
12
1959-2013
ideal
2013190-191
27
page.
122
2003
2003 2
198331995 4
1976

page.
123
6
20101213
2 2 0 03
28x40
3 198320x24
13
2011Le Festin de Chun-te
http://www.chun-te.com/action_20110601/press_2_c.swf2013/12/28
27
page.
124
4 199520x24
5
1978
6 1980

page.
125
actual image
Henri Bergson virtual

virtual reality
Deleuze, 1996: 179
virtualactualization
Mat te r an d
Memory14

actualityP
virtuality
Ssingular point
S
14
B
A'
B'
A"
B"
S
PS
Bergson, 1911: 195-197
27
page.
126
S P
S S

page.
127
15
16
15
2012
16
The brain is the screen.
The Brain is the Screen: An Interview with Gilles Deleuze. in The
Brain is the Screen: Deleuze and the Philosophy of Cinema , trans. Marie Therese Guirgis, ed. Gregory Flaxman (Mineapolis:
University of Minnesota Press, 2000), p. 366.
27
page.
128
17
2013191
17
resonance
Gilles Deleuze, Dierence and Repetition , pp. 208-209.

page.
129
1989
2010117-119
2011 ACT50 82-95

2012 70 ACT5152-59
2013 190-191
2012
2011
55-64
2000
19946070 40 90
2013 1970 1959-2013 5364

2009 V-10
125-140
200394-111
2011
19-30
2013
34 4-23
201011-12
2013170 60-64
Bergson, Henri (1911). Matter and Memory. (Nancy Margaret Paul & W. Scott Palmer, Trans.). London: George
Allen and Unwin.
Deleuze, Gilles (1994). Difference and Repetition. (Paul Patton, Trans). New York: Columbia University Press.
(2000). The Brain is the Screen: An Interview with Gilles Deleuze. (Marie Therese Guirgis, Trans.). In
Gregory Flaxman (Ed.), The Brain is the Screen: Deleuze and the Philosophy of Cinema (pp. 365-373). Mineapolis:
University of Minnesota Press.
Deleuze, Gilles and Flix Guattari (1994). What is Philosophy? London: Verso; New York: Columbia University
Press.
Deleuze, Gilles and Claire Parnet (1996). Dialogues . Paris: Flammarion.
Friedl, Peter (2010/9). History in the Making, e-f lux, 18.
http://www.e-f lux.com/journal/history-in-the-making/.2013/12/21
103 216103 411

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From Direct Photography toNon-ImageWriting: In Light of Chang Chao-tang

s Image Aesthetics andNotes on Non-Image

From Direct Photography to Non-Image Writing: In Light of Chang

Taipei National University of the Arts

Keywords: actualize, virtual, non-image, reflections on photography, spiritualized subject

Mike OldfieldOmmadawn , 1975

Friedl History in the Making

Peter Friedl, History in the Making, e-flux 18 (Sep. 2010).

Patton (New York: Columbia University Press, 1994), pp. 129-167.

the object of encounterDeleuze, 1994: 139

Ibid., p. 208. Virtuel potentiel

2011Le Festin de Chun-te

Henri Bergson virtual

The brain is the screen.

The Brain is the Screen: An Interview with Gilles Deleuze. in The

2011 ACT50 82-95

2013 1970 1959-2013 5364

103 216103 411

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