Documente Academic
Documente Profesional
Documente Cultură
EDITOR
Taylor Durden
SOLICITOR
Nate Tyree
FOUNDER
Devan Sagliani
PUBLISHER
disproductions
FEATURING
Adrian Stone · Mel Bosworth · Matt DeBenedictis · Nate
Innomi · Gregg Williard · Kenneth Radu · Jim Parks ·
Roxane Gay · Ben Spivey · Mark Richardson · Michael J.
Martin · David Erlewine · Ethel Rohan · Margaret Chrsti ·
Teresa Houle · Will Spires · Black Conrad
CONTACT
thirstforfire.com
fire@thirstforfire.com
from the editor
I’ve had a great time being part of putting this,
the first issue since 2006, together with my
cohort Nate Tyree. My thanks to P. H. Madore
for asking me to be a part of this project and to
Devan Sagliani for lighting the fire back when;
it’s been a party in my panties where the cops
are called and there are naked people and
dancing and some light drug use.
I hope you enjoy these dirty little gems as much
as I’ve enjoyed mining them for you. Thanks to
everyone who submitted and to the authors
whose work appears in this quarter’s issue. You
are the worm in my mezcal!
Yours,
Taylor Durden
Ryan Long
Richard's Grave //Adrian Stone
reminds me of birth.
“C'mon.” Tom says.
“After you.”
Halfway //Mel Bosworth
The cleaning lady steps off the bus and thinks, “That
man’s voice sounds the way shoe polish smells.” She
walks to the office building she cleans and thinks, “A
witch is just a female bartender ahead of her time,”
and “Chicken manure spells the beginning of the End
Times,” and, “Ship of Fools is a book by Katherine A.
Porter,” and, “My sister dated Hitler,” and, “Rob Petrie
washed the Petri dishes,” and, “13 Ghosts required
blue and red glasses,” and, “Are you a Mexican or a
Mexican’t?” and, “Are you a muffin mom or a muffin
maun?” and, “Swing your part, nerd!” and, “Of
bicycles there can be no richer sport, than to speak
of spokes clothes-pinned with a royal flush,” and,
“Live life as if the next toilet is the Grail,” and, “The
story of the saints is written in menstrual blood that
sings Karen Carpenter,” and, “The bent prong is like
a curl in every port,” and, “Loss of tattoos is the boss
of taboos,” and, “Of algorithms and albinos,” and,
“The stop here bucks,” and, “The California paint
comes in no-fault flamingo and rose.” She goes into
the office building, down to the basement, opens the
housekeeping closet, rolls out her cart and gets to
work.
Beauty //Kenneth Radu
It's a living. Maybe that's why they call it the life. I've
often wondered.
It's depression proof, recession-proof, proof
positive that men and women are just right for each
other, but - and this is the hell of the story - it just
isn't bullet proof. As outlaw and raunchy as the life
is, it just isn't something that is done any which old
way. There are rules, ways of doing things, little
courtesies and not a few tender mercies - all in the
eye of the beholder.
So.
I don't think anyone was surprised when the
shootist came looking for the Jack of Diamonds,
Diamond Jack to most who hadn't played the game -
but just plain Jack to we who lived on the row.
The row.
You have seen it all before, whether you knew what
you were looking at - or not. You may have caught a
glimpse, just a glimpse, from the window of a
squealing, grating, hooting, farting train rolling
slowly in or out of town, or through the windshield
of a taxi as you waited out one of those inexplicable
traffic jams that happen most any afternoon in any
big city as you made your way from the airport to the
expense of the hotel accounted for through
TFF|FALL09 //37
1.
It was Kevin who got the game for Christmas. Angry
Anus, the latest board game from Milton Bradley.
None of the kids were playing it. Kevin got it from
his parents because it made a cheap gift.
We stood around a desk in his bedroom on
Boxing Day—Kevin and I—trying to decipher the
instructions and figure out how to play the game. On
that desk was the Angry Anus itself: a plastic
rendition of the lower human torso in a pinkish hue.
The torso itself was utterly sexless: no penis or
vagina to denote any kind of sex. All there was the
beginnings of two legs, which the game stood
upright on, and the Angry Anus itself. That in
question was a plastic asterisk squeezed between
two flabby half moons of plastic. On top of the flat
upper side of the torso was a screw-top opening,
which appeared to be used for pouring the dark
liquid contained in a pouch that also lay on Kevin’s
desk. There was also a sliding compartment on the
side of the torso for batteries to be placed.
Littered around the desk were various implements,
like plastic logs and twigs. There were also plastic
rocks and other knick-knacks to be used, like tiny
plastic combs and scissors. The game
itself rested on a sheet of newspaper on Kevin’s
desk, lest things get a wee bit on the messy side.
This is what it said on the instruction sheet: