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Music of the Lowlands of Luzon 1: Music for Liturgy and Devotional Music
The music of the Lowlands of Luzon, particularly on the Music for Liturgy and
Devotional Music.. The Lowlands of Luzon consist of several ethnolinguistic groups..
Throughout the lesson, one will discover how the people of the Lowlands of Luzon
express their feelings towards each other and the environment, their history, and
their religious beliefs through voice and musical instruments. A group performance
inspired by the Lowlands musical examples will culminate the educational
experience.
Vocal Music
1. The Mass -, a form of sacred musical composition, is a choral composition that
sets the invariable portions of the Eucharisticliturgy (principally that of the Catholic
Church, the Anglican Communion, and Lutheranism) to music. Most Masses are
settings of the liturgy in Latin, the liturgical sacred language of the Catholic
Church's Roman liturgy, but there are a significant number written in the languages
of non-Catholic countries where vernacular worship has long been the norm. For
example, there are many Masses (often called "Communion Services") written in
English for the Church of England. Musical Masses take their name from the Catholic
liturgy called "the Mass" as well.
Masses can be a cappella, that is, without an independent accompaniment, or they
can be accompanied by instrumentalobbligatos up to and including a full orchestra.
Many Masses, especially later ones, were never intended to be performed during
the celebration of an actual mass
Songs in Mass
a. Kyrie is the first movement of a setting of the Ordinary of the Mass:
This is from the ancient (Biblical New Testament) Greek language, unlike the rest of
the mass which is Latin.
Kyrie movements often have a structure that reflects the concision and symmetry of
the text. Many have a ternary (ABA) form, where the two appearances of the phrase
"Kyrie eleison" consist of identical or closely related material and frame a
contrasting "Christe eleison" section. Or AAABBBCCC' form is also found later on.
Famously, Mozart sets the "Kyrie" and"Christe" texts in his Requiem Mass as the two
subjects of a double fugue.
b. Gloria is a celebratory passage praising God and Christ:
Gloria in excelsis Deo et in terra pax hominibus bonae voluntatis. Laudamus te,
benedicimus te, adoramus te, glorificamus te, gratias agimus tibi
Glory to God in the highest, and on earth peace to men of good will. We praise
You, we bless You, we adore You, we glorify You, we give thanks
propter magnam gloriam tuam, Domine Deus, Rex caelestis [coelestis], Deus
Pater omnipotens.
to You for Your great glory, Lord God, heavenly King, almighty God the Father.
Domine Fili unigenite, Jesu Christe, Domine Deus, Agnus Dei, Filius Patris, qui
tollis peccata mundi,
Lord Jesus Christ, only begotten Son, Lord God, Lamb of God, Son of the Father,
who taketh away the sins of the world,
miserere nobis; qui tollis peccata mundi, suscipe deprecationem nostram. Qui
sedes ad dexteram Patris, miserere nobis.
Have mercy on us; You who take away the sins of the world, hear our prayers.
Who sits at the right hand of the Father, have mercy upon us.
For You are the only Holy One, the only Lord, the only Most High, Jesus Christ,
with the Holy Spirit in the glory of God the Father, Amen.
In Mass settings (normally in English) composed for the Church of England's Book of
Common Prayer liturgy, the Gloria is commonly the last movement, because it
occurs in this position in the text of the service. In Order One of the newer Common
Worship liturgy, however, it is restored to its earlier season.
c. Credo, a setting of the Nicene Creed, is the longest text of a sung Mass:
the only-begotten Son of God, begotten of the Father before all time;
God from God, Light from Light, true God from true God;
Who for us men and for our salvation came down from Heaven.
and was made flesh by the Holy Ghost out of the Virgin Mary, and was made
man:
Crucifixus etiam pro nobis sub Pontio Pilato passus, et sepultus est,
He was also crucified for us under Pontius Pilate; He suffered and was buried:
And ascended into Heaven, and sits on the right hand of the Father:
And He shall come again, with glory, to judge the living and the dead:
And I believe in the Holy Spirit, the Lord, and Giver of Life,
Who, with the Father and the Son, is similarly adored and glorified,
Since the Second Vatican Council composers have mostly ignored writing melodies
for the Credo in vernacular languages. Today, the Creed is usually recited by the
congregation.
Organizers of international celebrations, such as World Youth Day, have been
encouraged by Rome to familiarize congregants in the Latin chants for the Our
Father and the Credo, specifically Credo III (17th century, Fifth Mode) from theMissa
de Angelis (the Mass of the Angels). The purpose of singing these two texts in Latin
is to engender a sense of unity in the faithful, all of whom thus sing the prayer of
Jesus and the shared belief of the universal Church in the same language.
d. Sanctus
The Sanctus is a doxology praising the Trinity:
Sanctus, Sanctus, Sanctus Dominus Deus Sabaoth; pleni sunt coeli et terra gloria
tua
Holy, Holy, Holy Lord God of Hosts; Heaven and earth are full of Your glory.
Hosanna in excelsis
A variant exists in Lutheran settings of the Sanctus. While most hymnal settings
keep the second person pronoun, other settings change the second person pronoun
to the third person. This is most notable in J.S. Bach's Mass in B minor, where the
text reads gloria ejus ("His glory"). Martin Luther's chorale Isaiah, Mighty in Days of
Old, and Felix Mendelssohn's setting of the Heilig! (German Sanctus) from his
Deutsche Liturgie also use the third person.
e. Benedictus
The Benedictus is a continuation of the Sanctus:
Hosanna in excelsis is repeated after the Benedictus section, often with musical
material identical to that used after theSanctus, or very closely related.
In Gregorian chant the Sanctus (with Benedictus) was sung whole at its place in the
mass. However, as composers produced more embellished settings of the Sanctus
text, the music often would go on so long that it would run into the consecration of
the bread and wine. This was considered the most important part of the Mass, so
composers began to stop the Sanctushalfway through to allow this to happen, and
then continue it after the consecration is finished. This practice was forbidden for a
period in the 20th century.
f. Agnus Dei
The Agnus Dei is a setting of the "Lamb of God" litany:
miserere nobis.
miserere nobis.
grant us peace.
In a Requiem Mass, the words "miserere nobis" are replaced by "dona eis requiem"
(grant them rest), while "dona nobis pacem" is replaced by "dona eis requiem
sempiternam" (grant them eternal rest).
What is Senakulo?
Lenten play depicting the life, suffering & death of Christ
Comes from Spanish word cenaculo meaning cenacle -> room where the Last
Supper took place
takes at least 8 nights -> (Pam Sunday Easter)
Uses both songs and recitation
Modernization
Sources
http://en.wikipilipinas.org/index.php?title=Senakulo
5. Pabasa ng Pasyon
What is Pabasa?
Every year during Holy Week celebrations some Filipino Catholics get together. This
tradition is called Pabasa.
Pabasa starts on a Holy Wednesday until Good Friday. Which are often held in
community chapels.
How do we celebrate this festival?
Pabasa festival is more like a tradition when old folks in particular read a book called
Pasyon ( The Passion of Christ ).
But instead of reading it, they chant it or read it in a tune. Singing the whole book
phrase by phrase, line per line.
http://edisonism.com/index.php.option=com_content&view=article&id=321%3Aaqu
otpabasaaquot-a-filipino-chatholic-tradition-during-the-holy-weekcelebration&catid=39%3Aedisonism&Itemid=1
6. Salubong;
An Extra-Liturgical Activity
It is an Easter Sunday ritual done before dawn at exactly 4am
Reenacts the Risen Christs meeting with His mother
Originated from Marinduque
It is performed in the churchyard under a specially prepared arch where the veiled
image of the Virgin Mary has been placed
A child dressed as an angel that is on a high platform being held up by ropes, lifts
the mourning lambong (veil of the grieving)off image of the Mother
Confetti is thrown into the air and songs of joy are sung to celebrate the Risen
Christ
How is it Performed
The church bells are rung and there is a procession of the images of Christ and His
mother that ends up in the church
The participants in the procession are segregated by gender
The men follow the image of Christ while the women follow the image of Mary
The procession ends with the two groups meeting inside the church where the mass
is held
Music Used
Songs of Praise
Joyful Hymns
At Present Time
The Salubong is still being performed on Easter Sunday
It is most popular in places like Marinduque, Cebu, Bulacan and Rizal
Now, instead of using a toddler to lift the veil from the image of Mary, they now use
stronger 12 year olds
7. Flores de Mayo
8. Santacuzan
Square trellis to which goodies (candies, fruits, small trinkets, etc.) are tied with
strings.
Suspended on a strong branch or pole.
Children jump to try to pick the goodies while someone jerks it up and down
repeatedly until all the goodies are gone.
http://en.wikipedia.org/wiki/Flores_de_Mayo
http://education.ezinemark.com/flores-de-mayo-santacruzan-4dc49f43651.html
http://www.asiarooms.com/en/travel-guide/philippines/philippines-festivals-andevents/flores-de-mayo-or-santacruzan-festival-in-philippines.html
http://www.philippinecountry.com/philippine_festivals/santacruzan.html
unplayable for years. After that, the pipes were stored in the old sacristy and were
forgotten about until around 1917 when a tourist rediscovered its beauty.
It was only in 1972 when the bamboo organ restoration project began. Johannes
Klais Orgelbau was the one who was awarded the contract, and he had the organ
shipped all the way to Bonn, Germany in 1973. After about a couple of years, the
bamboo organ returned to its homeland in 1975.
Location
The St. Joseph Parish Church in Las Pias houses the Bamboo Organ, and it is about
ten kilometers south of the heart of Metro Manila. Built between 1797 and 1819,
the church has an earthquake Baroque architectural style and is mainly made out
of adobe stones. It had to undergo renovation with the assistance of the local
community and the neighboring area, in order to restore the structure and the
grounds to its original state. Architects Francisco Bobby Maosa and Ludwig
Alvarez effectively spearheaded the renovation from 1971 to 1975.
Located within the grounds of the church is the Antillan House, which serves as the
point of entry to the Bamboo Organ Foundation Inc, its souvenir shop, the museum,
and the Parish Adoration Chapel. This place used to be an old Spanish convent, and
is now being used as a passage to the Bamboo Organ as well.
The Festival and the Foundation
Ever since the bamboo organs rigorous restoration, the people celebrate this work
of art through the International Bamboo Organ Festival every February. The
Bamboo Organ Foundation Inc. organizes this annual musical and cultural event, in
cooperation with the people of Las Pias. The festivals aim is to pursue and develop
the rich cultural tradition of Las Pias, and a number of established foreign and local
artists have participated in this event. It attracts a lot of local and foreign tourists,
as well as all kinds of music aficionados.
The Bamboo Organ Foundation Inc. is a non-stock and non-profit group that
endeavors to preserve and maintain the Bamboo Organ. Aside from organizing the
yearly festival, it is also involved in the educational, spiritual and social enrichment
of the people in the city. The foundation has also sent scholars to Austria who have
managed to make a name for themselves in their chosen fields. Theres Armando
Salarza who specialized in organ performance and church music, Gerado Fajardo
who concentrated on choir conducting, as well as Cealwyn Tagle and Edgar
Montiano (+) who focused on organ building.
Source: http://laspinascity.gov.ph/home/article?cat=ls
Cultural Context (History and Traditions)
Spanish colonisation,
Spanish colonization
The invasion of the Filipinos by Spain did not begin in earnest until 1564, when
another expedition from New Spain, commanded by Miguel Lpez de Legaspi,
arrived.Permanent Spanish settlement was not established until 1565 when an
expedition led by Miguel Lpez de Legazpi, the first Governor-General of the
Philippines, arrived in Cebu from New Spain. Spanish leadership was soon
established over many small independent communities that previously had known
no central rule. Six years later, following the defeat of the local Muslim ruler,
Legazpi established a capital at Manila, a location that offered the outstanding
harbor of Manila Bay, a large population, and closeness to the sufficient food
supplies of the central Luzon rice lands. Manila became the center of Spanish civil,
military, religious, and commercial activity in the islands. By 1571, when Lpez de
Legaspi established the Spanish city of Manila on the site of a Moro town he had
conquered the year before, the Spanish grip in the Philippines was secure which
became their outpost in the East Indies, in spite of the opposition of the Portuguese,
who desired to maintain their monopoly on East Asian trade. The Philippines was
administered as a province of New Spain (Mexico) until Mexican independence
(1821).
Manila revolted the attack of the Chinese pirate Limahong in 1574. For centuries
before the Spanish arrived the Chinese had traded with the Filipinos, but evidently
none had settled permanently in the islands until after the conquest. Chinese trade
and labor were of great importance in the early development of the Spanish colony,
but the Chinese came to be feared and hated because of their increasing numbers,
and in 1603 the Spanish murdered thousands of them (later, there were lesser
massacres of the Chinese).
The Spanish governor, made a viceroy in 1589, ruled with the counsel of the
powerful royal audiencia. There were frequent uprisings by the Filipinos, who
disliked the encomienda system. By the end of the 16th cent. Manila had become a
leading commercial center of East Asia, carrying on a prosperous trade with China,
India, and the East Indies. The Philippines supplied some wealth (including gold) to
Spain, and the richly loaded galleons plying between the islands and New Spain
were often attacked by English freebooters. There was also trouble from other
quarters, and the period from 1600 to 1663 was marked by continual wars with the
Dutch, who were laying the foundations of their rich empire in the East Indies, and
with Moro pirates. One of the most difficult problems the Spanish faced was the
defeat of the Moros. Irregular campaigns were conducted against them but without
conclusive results until the middle of the 19th century. As the power of the Spanish
Empire diminished, the Jesuit orders became more influential in the Philippines and
obtained great amounts of property.
Occupation of the islands was accomplished with relatively little bloodshed, partly
because most of the population (except the Muslims) offered little armed battle
initially. A significant problem the Spanish faced was the invasion of the Muslims of
Mindanao and the Sulu Archipelago. The Muslims, in response to attacks on them
from the Spanish and their native allies, raided areas of Luzon and the Visayas that
were under Spanish colonial control. The Spanish conducted intermittent military
campaigns against the Muslims, but without conclusive results until the middle of
the 19th century.
Church and state were inseparably linked in Spanish policy, with the state assuming
responsibility for religious establishments. One of Spain's objectives in colonizing
the Philippines was the conversion of Filipinos to Catholicism. The work of
conversion was facilitated by the absence of other organized religions, except for
Islam, which predominated in the south. The pageantry of the church had a wide
plea, reinforced by the incorporation of Filipino social customs into religious
observances. The eventual outcome was a new Christian majority of the main Malay
lowland population, from which the Muslims of Mindanao and the upland tribal
peoples of Luzon remained detached and separated.
The Philippines was not profitable as a colony, and a long war with the Dutch in the
17th century and intermittent conflict with the Muslims nearly bankrupted the
colonial treasury. Colonial income derived mainly from entrept trade: The Manila
Galleons sailing from Acapulco on the west coast of Mexico brought shipments of
silver bullion and minted coin that were exchanged for return cargoes of Chinese
goods. There was no direct trade with Spain.