Art July 2015

ART
Flaka Haliti - Speculating on the Blue

Sternberg Press 2015 ISBN 9783956791505 Acqn 25127
Hb 18x22cm 176pp 9col ills 12.95
Edited by Nicolaus Schafhausen
Contributions by Markus Miessen, Vanessa Joan Mller
Published in conjunction with Flaka Halitis solo presentation conceived for the Kosovo Pavilion at
the 56th Venice Biennale, this book continues the artists invitation to encounter a visual field in
which territorial boundaries are referenced and mediated by the sensory. Through the use of a
saturated blue colour altered by light and demarcated by architectural forms, the installation at the
Venice Biennale reflects on the salient concept of the border.
The United Nations building in Pristina was a point of departure for the exhibition, as Vanessa
Joan Mller backgrounds in her essay on the project, as well as relating to concerns of the
threshold and the horizon line: Concatenated concrete pylons form a tall, compact barrier which
separates the UN building at the city limits from that very city. The concrete of the barriers was
painted on the outside to downplay the appearance of a military safety zone. Different shades of
blue. The conversation between Markus Miessen and Haliti in the book tracks topics from
migration to subjectivity, material states in relation to the digital and the status of internationalism.
Halitis approach is to recontextualize these politics into a spatial and visual abstraction. The
accompanying book follows through on the exhibitions experience of place and the notion of the
horizon as emblems of both possibilities and limitations; bounded by a deep blue, pages have
been set as colour fields and the typography of the texts shift in scale. Speculating on the Blue
offers multiple entry points for imagining present and future relations to histories and institutions.
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+ Que 20 Ans Apres

Pb 21x28cm 480pp 400ills 200col 32
Contributions by Anna Sigrdur Arnar, Christa Blmlinger, Georges Didi-Huberman, Sabine Folie,
Rachel Haidu, Tom Holert, Gabriele Mackert, Michael Newman, Elisabeth von Samsonow
From 2008 to 2014 Sabine Folie was the director of the Generali Foundationmore than twentyyears after (plus que 20 ans aprs) the collection and exhibition venue formed in 1988. She
helped establish the institutions reputation for generating new critical discussion on
contemporary art through revisiting modernism. This survey publication, richly illustrated with
photographs and source materials, indexes and contextualizes the works acquired for this
definitive collection during Folies tenure, along with giving insight into how the corresponding
exhibitions were curated. Reviewing the collections relation to recent art-historical discourse, the
essays selected for the publication, written by theorists and artists, reflect on themes in
contemporary art including linguistic devices, the dismantling of representation and the
reorganization of pictorial space, the changing roles of the artist and the museum throughout
modernity, the relationship between the subject and the environment under conditions of
globalization and postcolonialism, and the artistic processing of history and the production of
memorial culture. Commentary and works are featured by Lothar Baumgarten, Marcel
Broodthaers, Ernst Caramelle, Harun Farocki, Morgan Fisher, Stphane Mallarm, Josef Strau,
Ana Torfs, Jolle Tuerlinckx, and Ian Wallace, among others. The artworks in the Generali
Foundation, some of which have never been exhibited before, are organized here as an
exhibition in book form. Moreover, a key focus of both artistic production and the collection during
Folies directorship was on the book as work and medium. The book is not only a topical
medium that historicizes Conceptual art, but also a means to place the interests of this collection
in focusnamely, revisions of modernity in the context of the contemporary proliferation of the
reproduced image and modes of display.
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Winter Family - No World + CD

Dis Voir 2015 ISBN 9782914563741 Acqn 24775
Pb 17x22cm 64pp 75col ills 27
NO WORLD is an original piece in an audio book composed from daily images, sounds and texts
collected through the Internet, songs, poems, interviews and field recordings created by Winter
Family between 2011 and 2014 while living in both Paris and the Caribbean neighbourhoods of
Brooklyn, NYC.
WINTER FAMILY is a weird wave music duo Ruth Rosenthal & Xavier Klaine from Tel-Aviv. They
have released several albums on the Sub Rosa, Alt.Vinyl and Ici Daileurs labels. They have
played, as well as recorded in, clubs, galleries, museums and churches around the world since
2004, and also created documentary theatre performances in Centquatre / Paris and The Vidy
Lausanne Theater.
WINTER FAMILY collaborated with the artist Yochai David Matos for this book.
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You Say Light, I Think Shadow

Art And Theory Publishing 2015 ISBN 9789198087482 Acqn 24839
Hb 17x24cm 336pp col ills 88.50
To formulate this collection, graphic designer Sandra Praun and artist Aleksandra Stratimirovi
posed the question, What is light? to an international array of creative and eclectic individuals,
from artists, lighting designers, and writers, to architects, photographers, and film-makers. The
spectrum of responses they received in return is compiled and visualised in this surprising and
boldly conceived volume incorporating poetic and personal thoughts, visions, memories,
definitions, stories, and much more. Page after page, it presents a fascinating portrayal of the
essential and pervasive concept embodied by light in the workings of the creative mind.
Contributors: Acrobalance, Katja Aglert, Alberto Alessi, Roy Andersson, Momoko Ando, Tadao
Ando, Gustavo Aviles and Talina Aguila, Uta Barth, Bo Bergstrom, Christian Boltanski, Tommaso
Bonaventura, Elettra Bordonaro, Ulrike Brandi, Mark Braun, Didi Bruckmayr, Chris Burden, Huai
Yan Chang, Dawid, Elisa Del Prete, Philip-Lorca diCorcia, Dinell Johansson, Jan Ejhed, Carin
Ellberg, Juan-Pedro Fabra Guemberena, Federico Favero, Christof Fielstette, Form Us With
Love, Monica Forster, Tamar Frank, Vellachi Ganesan, GRAD, Sophie Guyot, Robin Hayes,
Steven Holl, Vesa Honkonen, Takeshi Hosaka, Rolf Hughes, Torbjorn Johansson, Lutz John,
Ronald Jones, Gjorgje Jovanovik, Klaus Kada, Naseh Kamgari, Madeleine Karlsson, Anna
Kleberg, Josef Kleindienst, Matti Klenell, KramWeisshaar, Mischa Kuball, Ivan Kucina, Marika B.
Lagercrantz, Uno Lai, Light Collective, Tuija Lindstroom, Lundahl & Seitl, Alessandro Lupi, Kaoru
Mende, Niclas Reed Middleton, Bernard Murigneux, Jonas Nobel, Jean Nouvel, Tomaz Novljan,
Eiji Okuda, Olsson and Linder, Performing Pictures, Axel Petersen, Katja Pettersson, Iakovos
Potamianos, Tessa Praun, Branimir Prijak, Leonard Qylafi, Farvash Razavi, Rudy Ricciotti,
Pipilotti Rist, Valentin Ruhry, Stefan Ruitenbeek, Thomas Sandell, Helene Schmitz, Ann-Sofi
Siden, Amy Simon, Skart, Minja Smajic, Snhetta, Charles G. Stone II, Carouschka Streijffert,
Nino Strohecker, Surrey NanoSystems, TAF, Elisabeth Toll, Dietmar Tollerian, Tamara Tomic
Vajagic, Ulay, Ignacio Valero, Srdjan Valjarevic, Paulina Villalobos, Sakari Viika, Jesper
Waldersten, Marijke van Warmerdam, Annika Wik, Yoko Yamano, Aleksandar Zograf
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Sophie Calle - Suite Venitienne

Siglio 2015 ISBN 9781938221095 Acqn 24573
Hb 14x20cm 96pp 60ills 56col 27
After following strangers on the streets in Paris for months, photographing them and notating their
movements, Sophie Calle ran into a man at an opening whom she had followed earlier that day.
"During the course of our conversation, he told me he was planning an imminent trip to Venice. I
decided to follow him," she writes at the beginning of Suite Vnitienne, her first artist's book and
the crucible of her inimitable fusion of investigatory methods, fictional constructs, the plundering
of real life and the composition of self. Over the course of almost two weeks in Venice, Calle
notates, in time-stamped entries, her surveillance of Henri B., as well as her own emotions as she
seeks, finds and follows him through the labyrinthine streets of Venice. Her investigation is both
methodical (calling every hotel, visiting the police station) and arbitrary (sometimes following a
strangera flower delivery boy, for instancehoping someone might lead her to him). This Siglio
reissue is a completely new iteration of Suite Vnitienne (first published in 1988 and long out of
print), designed in collaboration with Calle to be the definitive English-language edition. Printed
on Japanese paper with a die-cut cover and gilded edges, this beautiful new Siglio edition allows
readers to devour this crucial and compelling work.
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Speculations (The future is ____ )

Triple Canopy 2015 ISBN 9780984734658 Acqn 24587
Pb 12x19cm 300pp 15.95
In summer 2013 Triple Canopy invited writers, artists, scientists, activists, economists and
technologists to bet on the future: which future do you want to see realized? How precisely can
you describe it? What demands might this future make on the present? The answers were
presented as Speculations ("The future is ______"), 50 days of lectures and discussions at
MoMA PS1, Triple Canopy's contribution to the exhibition EXPO 1: New York. This book, a
lexicon of the central terms of Speculations, conveys the relationship between ideation and action
and suggests viable approaches to interpreting and changing the world. Triple Canopy considers
economic interventions ("guaranteed basic income"), political abstractions ("autonomy,"
"prometheanism"), figments of the imagination ("planetary colonization"), modes of expression
("science fiction") and useful neologisms ("hedge-fund utilitarians").
Text by Gopal Balakrishnan, Ray Brassier, Ted Chiang, Jace Clayton, Samuel Delany, Silvia
Federici, Rivka Galchen, David Graeber, N. Katherine Hayles, Josh Kline, Rachel Kushner, Lynn
Hershman Leeson, Naeem Mohaiemen, Evgeny Morozov, Hu+o+ng Ng, Trevor Paglen,
Christian Parenti, Srikanth Reddy, David Rieff, Kim Stanley Robinson, Norman Rush, Astra
Taylor, et al.
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Conjunctions 64 - Natural Causes

Bard College Of Art 2015 ISBN 9780941964807 Acqn 24594
Pb 15x23cm 350pp 11.95
As we struggle to understand how our natural environment is swiftly changingglacial poles
beginning to melt, forests and jungles denuded and compromised, fellow creatures increasingly
endangeredour fragile, intimate connection to nature is more than ever thrown into focus. And
yet nature pervades our lives in the most essential, complex ways, and will surely outlive any
human follies that might threaten it. Conjunctions: 64, Natural Causes radically reimagines the
venerable genre of nature writing, collecting fictional narratives in which landscape is central,
sometimes even a character, along with essays on our far-flung habitats, which are thriving as
well as suffering. It presents works of ecopoetry, poetic incursions into the seemingly infinite
communities of nature's outposts, from coral reefs to tundras, lush alpine meadows to droughtstricken plains. Contributors to this issue include Russell Banks, Joyce Carol Oates, Noy Holland,
Miranda Mellis and many others.
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Supports / Surfaces
Ceysson Editions d'Art 2015 ISBN 9782916373713 Acqn 24621
Hb 23x23cm 120pp 88ills 83col 23
Perhaps the most under-recognized French art movement of the twentieth century,
Supports/Surfaces emerged amid the intellectual and political upheaval of 1960s France, on the
cusp of modernity and postmodernity. Steeped in the philosophy of Derrida, Lacan and Barthes,
and inspired in their political militancy by figures such as Marx, Freud and Mao, 15 artists from
the South of France converged around a shared ideological and artistic goal: the dismantling and
demystifying of the painting as object, both physically and philosophically. Artists such as Louis
Cane, Daniel Dezeuze, Bernard Pags, Patrick Saytour, Claude Viallat, Andr-Pierre Arnal and
Nol Dolla explored the physicality of the painting's stretchers and canvases, deconstructing it so
as to question and reaffirm the medium and its implications. This first-ever English publication on
Supports/Surfaces includes a poster with a timeline of key works.
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Portraits From The Ecole Des Beaux-Arts, Paris

The Drawing Center 2015 ISBN 9780942324907 Acqn 24630
Pb 15x23cm 92pp 50col ills 15.95
This publication explores 400 years of portrait drawings from live models. Forty-four portraits
have been chosen from the collection of Paris' cole des Beaux-Arts based on criteria such as
the social class and profession of the model, male and female gestures, caricature and frontal
gaze. The goal of this project is to explore the notion of drawn portraiture and to provide
alternative readings of this genre of art-making within a contemporary context. The selection of
works is extensive, ranging from never-before-exhibited drawings by Jean-Auguste-Dominique
Ingres, Jacques-Louis David and Charles Garnier, to the work of modern and contemporary
masters Henri Matisse and Georg Baselitz, to portraits by recent graduates of the cole des
Beaux-Arts.
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Xanti Schawinsky - Head Drawings And Faces Of War

The Drawing Center 2015 ISBN 9780942324891 Acqn 24633
The oeuvre of Bauhaus artist Alexander "Xanti" Schawinsky (190479) encompasses a range of
social and political investigations. Schawinsky spent a lifetime relocatingfrom Switzerland to
Germany to Italy to the United Statesand in the process developed his central themes, which
include the responsibility of the individual and the repercussions of machine warfare. His
Bauhaus training is manifested in his work's complex interpretation of the interrelationship
between art, craft and design, and his practice traversed avant-garde theater, experimental
photography, the Bauhaus jazz band, mechanical music and dance, and graphic design. This
publication focuses on Schawinsky's work on paper from the 1940s, particularly the Head
Drawings and Faces of War. Schawinsky's 1940s series reveal the existential struggle of an artist
informed by Bauhaus idealism coping with the devastation of war.
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Nicholas Wong - Crevasse

Kaya Press 2015 ISBN 9781885030207 Acqn 24645
Pb 15x20cm 80pp 4ills 12.50
Crevasse, Hong Kongbased writer Nicholas Wong's newest collection of poetry, starts with an
epigraph from Maurice Merleau-Ponty that notes the impossibility of observing one's own physical
body and, therefore, the necessity of a "second," "unobservable" body from which to view one's
own. The poems in Crevasse seek to uncover the thread connecting these mutually observed
and observing bodies. Like Samuel Beckett and others before him, Wong has deliberately chosen
to write in a non-native languageEnglish, his second language after Cantonese. Freed from the
assumptions and conventions of his mother tongue, Wong strips down, interrogates and
ultimately reorients the fragmented complexities of the multiple communities he inhabitsqueer,
Asian, poet, reader, loverin a collection of poems that exposes the gap between familiarity and
the inevitable distance of the body.
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The Geologic Imagination

Sonic Acts Press 2015 ISBN 9789082321609 Acqn 25144
Pb 17x24cm 334pp 200ills 100col 17.50
Inspired by geosciences, Sonic Acts zooms in on planet Earth. Fundamental to 'The Geological
Imagination' is the thesis that we live in a new geological epoch, the Anthropocene. Human
activity has irreversibly changed the composition of the atmosphere, the oceans, and even the
Earth's crust. Humanity has become a geological force. Consequently, the perspective has
shifted from the human at the centre of the world to the forces that act on timescales beyond the
conceivable. The way we see the world, understand the systems and processes of nature, and
out intentions and interactions with the planet are central to this book. This book examines how
art and science map and document new insights, and how the changes and transformations that
occur on a geological scale can become something humans can feel, touch, and experience.
The Geologic Imagination features new essays by Timothy Morton, Douglas Kahn, Paul Bogard,
Michael Welland, and Raviv Ganchrow; there are interviews with Dipesh Chakrabarty, Matthew
Coolidge, Liam Young, Noortje Marres, Kodwo Eshun, Kurt Hentschlger, and Mario de Vega;
and visual contributions by Femke Herregraven, Mirna Belina, Ellsworth & Kruse, the Center of
Land Use Interpretation, Marijn de Jong, and BJ Nilsen & Karl Lemieux. The publication
accompanies the Sonic Acts festival 2015. A major part of contributions is connected to the Dark
Ecology project that started in October 2014. The book also contains unearthed, a new
soundwork BJ Nilsen made during the Dark Ecology explorations of the border zone between
Kirkenes (Norway) and Nikel (Russia).
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Sterling Ruby Scales

Xavier Hufkens 2015 ISBN 9789491245121 Acqn 25145
Hb 30x25cm 80pp 23ills 15col 22.50
Published in conjunction with an eponymous exhibition of work by the prolific and multifaceted,
Los Angeles-based artist Sterling Ruby at Xavier Hufkens in Brussels, this catalogue features his
recent endeavours making balanced hanging sculptures comprised of assemblages of random
objects three-dimensional manifestations of his collages that in turn recall the spirit of Alexander
Calders mobiles. Full-colour photographs of each of the fifteen shown works are contrasted by
black-and-white installation assembly views. A comprehensive list of materials (the objects
employed in the making of these scales) is presented at the beginning of the publication.
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Sterling Ruby Eclpse

Hb 30x25cm 80pp 35ills 28col 22.50
Published in conjunction with an eponymous exhibition of work by the prolific and multifaceted,
Los Angeles-based artist Sterling Ruby at Xavier Hufkens in Brussels, this catalogue features his
recent collage works. According to the text by Natasha Garcia-Lomas, Collage is everything for
Sterling its the root and core of his output. Made from cardboard salvaged from the floor
coverings in the artists studio, the artworks reflect a newfound sense of simplicity and formality.
The abstract shapes, which are reminiscent of suns, moons and overlapping landscapes, are
painted in bright, primary colours. The book also includes black-and-white photos of the
production process.
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Ane Hjort Guttu - Eating Or Opening A Window Or Just Walking Dully Along
Pb 21x26cm 224pp 118ills 91col 24.95
Edited by Martin Clark, Steinar Sekkingstad, Ane Hjort Guttu
Contributions by Martin Clark, Ekaterina Degot, Ane Hjort Guttu, Halvor Haugen, Pablo Lafuente,
Steinar Sekkingstad, Kim West
On the occasion of Ane Hjort Guttu's 2015 Festival Artist exhibition at Bergen Kunsthall,
presenting her latest film work, this substantial monograph gathers reflections on recent projects
and offers insight into the artists work and methodology.
Guttus new film Time Passes (2015), commissioned by the institution, debates the contradictory
and complex issues around the uses of and rights to public space, urban poverty and inequality,
and the responsibility of the artist to produce commentary. An essay by Kim West introduces
Guttus work as portraiture filmmaking crossing the gaze of the documentarian with a decidedly
subjective point of view; Pablo Lafuente situates the work in relation to the responsibility of
education and critical consciousness; and Ekaterina Degot draws out questions on the egalitarian
character of contemporary art, particularly in light of the ideals highly present in the social
imagination of Norway, the last welfare state. The texts are accompanied by visual essays and
an artist interview with Halvor Haugen. This publication presents a framed view on this artists
recent works, and takes a position on the role of the artist and the potential of art as a critical and
political tool.
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Walter Swennen - Works On Paper

Pb 12x18cm 144pp 70ills 55col 19.95
Walter Swennen started his artistic life as a poet, but switched to painting as his primary means
of expression in the early 1980s. Although his oeuvre varies greatly in scale, style, and materials,
it can be seen as an ongoing exploration into the nature, potentialities, and limitations of painting,
the fundamental question of what subject matter to choose, and how to depict it. Swennen is
recognised for his experimental and associative approach to painting, in which meanings
perpetually float and shift across images that recall a familiar place or situation a place where
something has happened. This compact but dense catalogue is filled with numerous such works.
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Subway 4
4478Zine 2015 no ISBN Acqn 25141
Pb 17x24cm 32pp 34ills 29col 5.75
Subway is an artists magazine by Erik van der Weijde and his imprint, 4478zine. Much of its
content comes from eBay and Wikipedia, but works by contemporary artists are also featured.
The magazine focuses on a fresh mix of art, photography, poetry, facts and fun. This fourth issue
includes work by Jochen Lempert, Rafal Rozendaal, and Go Itami. Furthermore, it tells the story
of the AK-47, gives an overview of tourism in Florida, features informative pages on bananas, the
Paris subway and the Eiffel Tower, and reproduces quotes from Jerry Saltz, Jerry Seinfeld, and
more.
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Mathilde ter Heijne - Performing Change

Edited by Mathilde ter Heijne and Amy Patton
Contributions by Kristine Agergaard, Anke Bagma, Togb Hounon Hounougbo Bahousou, Elke
Bippus, Esma Boz, Sabeth Buchmann, Anselm Franke, Susan Greenwood, Mathilde ter Heijne,
Mark Kremer, Christine Litz, Ulrich Meyerratken, Amy Patton, Mamissi Da Povi, Janne Schfer,
Sophia Trollman, Engin Yardmc
Performing Change, a collection of interviews by artist Mathilde ter Heijne, explores the idea of
open-ended, collaborative art processes and their transformative potential beyond the confines of
art. Designed as an artists book and published in conjunction with her exhibition at the Museum
fu r Freie Kunst in Freiburg (November 8, 2014February 22, 2015), the book shows
handwritten revisions, annotations, and drawings from contributors including voodoo priest Togb
Hounon-Hounougbo Bahounsou and priestess Mamissi DaPovi, women from the Kartal Kadn
ru nleri Pazar (Womens Products Market) in Istanbul, ayahuasca shaman and biologist Ulrich
Meyerratken, ceremonial magic anthropologist Susan Greenwood and artists, curators and critics
Sabeth Buchmann, Anselm Franke, Elke Bippus, Amy Patton, Mark Kremer, Janne Schfer, and
Kristine Agergaard, with a preface interview by Museum fu r Freie Kunst curators Christine Litz
and Sophia Trollmann.
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Politics Of Study
Open Editions 2015 ISBN 9780949004123 Acqn 25172
Pb 16x21cm 126pp 16
Universities and art schools alike have been subjected to the pressure of recent austerity politics
and the ongoing attempt to transform higher education according to the demands of reigning neoliberals. In this context, it is urgent to conceive of alternative frameworks and methodologies of
study--whether within, outside or at the margins of academic institutions.
This book examines the current interest in education through a series of conversations with
artists, theorists, activists and educators--including Suhail Malik, Brian Holmes, Ruth
Sonderegger, Gerald Raunig, Judy Chicago, Gal Kirn, Mohammad Salemy, Melissa Gordon,
Marina Vishmidt and Andrea Fraser--who are all actively involved in developing new models of
study. Ranging from self-organized learning to critical teaching methodologies, the alternatives
gathered here offer a resource for those interested in the renewed politicization of education, new
modes of knowledge production and teaching methodologies.
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Beyond The Display - Phenomenal Art And Design In The 21st Century
BNN Inc. 2015 ISBN 9784861009518 Acqn 25174
This book introduces the latest works and projects in Art & Technology, Spatial Design, Media
Arts, Speculative Design, and Kinetic Sculpture, as well as exploring the connections between the
visual arts and science technology through art works that created phenomena beyond the display
by using technologies developed since the year 2000. Organized by the categories: Light, Wind,
Sound, Space, Sculpture, Performance, this book covers various phenomena from the individual
to complex. Included 55 works/projects such as ART+COM Studios, Ryoji Ikeda, Olafur Eliasson,
Zimoun, Yuri Suzuki, Sputniko!, Troika, Daito Manabe+Motoi Ishibashi, Tatsuo Miyajima,
Random International and more.
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David Austen - Twilight. A Wall Of Gouaches

Ingleby Gallery 2015 ISBN 9780993155116 Acqn 25148
David Austen works as a painter, sculptor, printmaker and filmmaker. Whatever the medium the
elements of his work come together as if part of a strange but wonderful story which reveal a
dark, yet endearing vision of the world. His paintings on flax canvas, delicate watercolour and
gouache works on paper, suspended objects and staged scenarios borrow from film noir and 19th
Century literature creating a bittersweet, psycho-sexual world inhabited by strange and lovelorn
characters.
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Craig Murray-Orr - Thirty Small Paintings

Ingleby Gallery 2015 ISBN 9780993155123 Acqn 25149
Hb 28x22cm 72pp 30col ills 20
Craig Murray-Orrs fifty-year career as a sculptor of meticulously carved wooden forms, and as a
painter of intensely concentrated landscapes, has been shaped by a mix of childhood memories
of that vast, rough landscape and by more recent travels in Asia and North Africa. His works are
deliberately austere and sensuous reductions of life filtered through memory and imagination that
ultimately reflect the complexities of an emotional or mental state, rather than the specifics of
geography. For the past three years he has worked exclusively on a series of small oil paintings
on identically sized wooden boards, thirty of which will be the subject of this presentation. A new
book will be published to accompany the exhibition. The book illustrates all thirty of Murray-Orrs
beautiful abstract landscape paintings and includes the transcript of an insightful discussion
between Murray-Orr and Richard Ingleby.
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Flaka Haliti - Speculating on the Blue

+ Que 20 Ans Apres

Winter Family - No World + CD

You Say Light, I Think Shadow

Sophie Calle - Suite Venitienne

Speculations (The future is ____ )

Conjunctions 64 - Natural Causes

Portraits From The Ecole Des Beaux-Arts, Paris

Xanti Schawinsky - Head Drawings And Faces Of War

Nicholas Wong - Crevasse

The Geologic Imagination

Sterling Ruby Scales

Sterling Ruby Eclpse

Walter Swennen - Works On Paper

Mathilde ter Heijne - Performing Change

David Austen - Twilight. A Wall Of Gouaches

Craig Murray-Orr - Thirty Small Paintings

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