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Defensible
b Ownership
c Territory
d Enclosure
Space
21. The ability of individuals or groups of individuals to control their visual, auditory,
and olfactory interactions with others
a Territoriality
b Privacy
c Individuality
d Anonimism
22. The study of the symbolic and communicative role of the spatial separation
individuals maintain in various social and interpersonal situations
a Proxemics
b Ergonomics
c Anthropometric d Territoriality
s
23. Something that represents something else by association, resemblance, or
convention, especially a material object used to represent something invisible or
immaterial, deriving its meaning chiefly from the structure in which it appears
a Meanings
b Semiotics
c Symbols
d Ekistics
24. Behavior setting studies include
a A Rrecurrent
b A Milieu
c A Specific Time
d All of the
Activity
Period
above
25. The architect whose dictum includes less is more
a Alvar Aalto
b Le Corbusier
c Ludwig Mies
d Frank Lloyd
Van der Rohe
Wright
26. The art and science of shaping, ornamenting or assembling materials in building
construction
a Semiotics
b Tectonics
c Ergonomics
d Bauhaus
27. Colors which are equidistant to each other on the color wheel
a Analogous
b Borderline
c Triad
d Complementar
Colors
Hues
y
28. It is associated with a feeling of lack of control over the environment that leads to
negative behavior because they are related causally to social overload
a Tectonics
b Environment
c Proxemics
d Social
Behavior study
overcrowding
29. The science of human settlements
a Ethnocentrism
b Proxemics
c Ekistics
d Tectonics
30. Habitual disposition to judge foreign peoples or groups by the standards and
practices of ones own culture or ethnic groups
a Semiotics
b Ethnocentris
c Territoriality
d Regionalism
m
31. A series of discontinuous movements in the 19th and 20th centuries that opposes
both the Zeitgeist and the Single Strand theories that propose continuous evolution
of styles
a Modernism
b Revivals
c Critical
d Ethnocentrism
Regionalism
32. Rerfers to the name of a color
a Red
b Tint
c Tone
d Hue
33. Resulting color when a primary color is mixed with a secondary color
a Analogous color b Indigo
c Tertiary color
d Complementar
y Color
33. Inventor of Geodesic Dome which was based on the
principle of Spaced Frame
a Lucio Costa
b Buckminster
c Marcel Breuer
d Felix Candela
Fuller
34.Architect of the Sagrada Familia
a Leandro Locsin
b IM Pei
c Walter Gropius
d Antonio
Gaudi
35. The founding father of Deconstruction
a Jacques
b Marcel Breuer
c Alvar Aalto
d Lucio Costa
Derrida
36. The study of the pragmatic dimension comprising the
question of the meaning of the art-forms
a Contextual
b Metabolism
c Iconology
d Iconography
Architecture
37. The formal study of the logical constructions of symbol-systems without taking
into consideration its relationship to reality
A Semiotics
b Syntactics
c Semantics
d Sarcastic
38. Architect whose believes that Beauty grows from necessity not from repetition of
formulas.
a Eliel Saarinen b Eero Saarinen
c Toyo Ito
d Michael Graves
39. Asian architect who ones says that A city must be subject to growth, decay and
renewal.
a Francisco
b Ieoh Ming Pei
c Minoru
d Kenzo Tange
Manoza
Yamasaki
.
.
.
.
62. It is the result when an architect treats an elevation as a two-dimensional surface.
a Distortion
b Paper
c 3D Design
d Sectional
.
.
Architecture
.
.
Elevation
63. A transformation where a form can be transformed by the addition of elements to
its volume
a Subtractive
b Additive
c Dimensional
d Transfiguration
.
Transformation
.
Transformatio .
Transformation
.
n
64. The process of changing a form by subtracting a portion of its volume. The form
may or may not change its identity depending on the extent of the subtractive
process
a Subtractive
b Additive
c Dimentional
d Transfiguration
.
Transformatio .
Transformation
.
Transformation
.
n
65. It requires that the two forms must have flat, planar surfaces that are parallel to
each other.
a Edge to Edge
b Face to Face
c Spatial Tension
d Interlocking
.
.
.
.
Volumes
66. It requires that the two forms are relatively close together or share a common
visual trait, such as shape, material or color.
a Edge to Edge
b Face to Face
c Spatial
d Interlocking
.
.
.
Tension
.
Volumes
67. It requires that two forms must interpenetrate each others space.
a Edge to Edge
b Face to Face
c Spatial Tension
d Interlocking
.
.
.
.
Volumes
68. It consists of a number of secondary forms clustered about a dominant central
parent form.
a Cluster
b Grid
c Centralized
d Radial
.
.
.
.
69. It is a sense of equilibrium or equality.
a Balance
b Contrast
c Unity
d Proportion
.
.
.
.
70. Characterized by a composition where in which the elements are arranged in
precisely the same manner
a Occult Balance
b Asymmetrical
c Unsymmetrical
d Symmetrical
.
.
Balance
.
Balance
.
Balance
71. Refers to the difference or unlikeness in the qualities of an object
a Character
b Scale
c Balance
d Contrast
.
.
.
.
72. It is the relation of the part of the composition to another.
a Scale
b Unity
c Proportion
d Character
.
.
.
.
73. It is merely the ratio of a certain part to the whole.
a Relative
b Human Scale
c Absolute Scale
d Absolute
.
Proportion
.
.
.
Proportion
74. It is the classical method of deriving the proportion of a rectangle.
a Triangular
b Golden Mean
c Post and Lintel
d Classical
.
Arrangement
.
.
.
Orders
75. It is the relation between the parts of a composition and a certain abstract unit of
measurement.
a Scale
b Proportion
c Ken
d Module
.
.
.
.
76. The size of a building element relative to other forms in its context.
a Human Scale
b Module
c Generic Scale
d Abstract Scale
.
.
.
.
77. This is similar to timing or movement which is the basic foundation of music.
a Tone
b Rhythm
c Scale
d Accent
.
.
.
.
78. It is the consistent integration of the elements of a design.
a Character
b Scale
c Motif
d Unity
.
.
.
.
79. A type of character that results directly from the purpose of use of the building.
a Character
b Personal
c Functional
d Traditional
.
.
Character
.
Character
.
Character
80. It is sometimes called as associated character.
a Functional
b Traditional
c Personal
d Motif
.
Character
.
Character
.
Character
.
81. It is a structure erected as a memorial of some past occurrence.
a Memorial Park
b Cathedral
c Tradition
d Monument
.
.
.
.
82. It is also referred to as fenestrations
a Door
b Openings
c Entry
d Window
.
.
.
.
83. It is a style developed in the 10th century which was inspired by the architecture
of the Greeks and the Romans.
a Historical Style
b Contemporary
c Revivals
d Structural Style
.
.
.
.
84. It is a need to answer the desire to make something which is not strictly
utilitarian.
a Architecture
b Aesthetics
c Design
d Engineering
.
.
.
.
85. An emotional need where architecture became a medium of expression of mans
spiritual existence.
a Religious
b Self Expression c Recognition
d Prestige
.
Need
.
.
.
86. Architect who believes that he most important material is man.
a Pier Luigi Nervi
b Adolf Loos
c Richard
d Oscar
.
.
.
Joseph Neutra .
Niemeyer
87. Ceiling with deeply recessed panels and often highly ornamented covering.
a Hemispherical
b Depressed
c Coffered
d Decorated
.
Dome
.
Ceiling
.
Ceiling
.
Ceiling
88. These are made of arches so arranged that the bases make a circle and the top
meet at the center of the ceiling.
a Domes
b Coffered
c Tiers
d Vaults
.
.
.
.
89. These should be developed from the use of the building as expressed in modern
materials and not from styles of the past.
a Historical Style
b Structural Style c Revivals
d Contemporar
.
.
.
.
y Style
90. It is the natural domestic architecture of a people including simple communal
buildings such as churches, warehouse and barns
a Folk
b Contemporary
c Regional
d Filipino
.
Architecture
.
Architecture
.
Architecture
.
Architecture