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September 3, 1990
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EDITORIAL
BLOOD, OIL
AND POLITICS
NOTES ONOUR
PATRIARCHAL
STATE
GORE VIDAL
Thomas Jefferson. This is where it all begins.
With his Declaration
of
Independence,
he
created the ideo of the American Revolution, as
opposed to the less glamorous and certainly less
noble business of simply deciding who pays tax
to whom. Along with the usual separated-colony
boilerplate, there wouldbe a new nation founded
upon life, liberty and the pursuit of happiness.
The first two foundation stones were familiar if
vague. What, after all, is liberty? Liberty from
what? From everyone else?From decent opinion?
From accountability? That debate goes on. But
the notion of freedom from tyranny is an ancient
one and everyone thinks he knows what Jefferson meant, including dreamy Tom himself.
The pursuit of happiness is the real joker in
the deck. No one is quite sure just what Jefferson meant, but I suppose he had it in mind that
governmentwouldleaveeachcitizen
alone to
develop as best he can in a tranquil climate to
achieve whatever it is that his heart desires with
35
minimum distressto the other
pursuers of happiness. This
was a revolutionary concept g
in 1776. It stillis.With
a
(Continued on Page 202) , 377
-I
186
The Nation.
LETTERS.
SEMI-FICIIONALBURP
KAUFMAN REPLIES
Blarrstown, N J .
New York Crty
Starting ones day with m e Nation is seldom Although I read Ursula Penins letter on a EMPEROR OF THE UR-SCREAM
an aid to digestion, but David Kaufmansar- relatively empty stomach, I still feel the need
ticle The Semi-Fictional Solution [June 181 to defend and perhapsclarify my original Capon Brrdge, W.Vu
of painterly
made me choke on my breakfast doughnut. argument. If anything, my discussion of Ella Arthur C Dantoschecklist
Kaufman reports that since we now have Lefflands The Knight, Death and the Devrl, tracks to the ur-scream m the work of FranW.D.
Wetherells
Chekhovs Skter, Jay as Bacon [Art, July 301, an apparent atsimulated news events,fictionalbiographies and creativelicensein nonfiction Parinis 77te Lmt Stotron. and to a lesser ex- tempt to crack the metaphysical code of
writing, long-held barriers are eroding with tent Michael Herrs Walter Wmchell, was in Bacons primary, and early, image, is a tora vengeance. Tom Wolfe, he says, has seen response to my own dismayconcerning a turedexercise that leaves the reader kneethe future of the novel and uttered his pro- growing tendency on many fronts to obfus- deep in words, words, words. (Astonishingly,
nouncement -research. Literature has just cate the difference between fact and fiction. Danto ignores a painting that ought to have
taken a giant step forward with the novelist Butgiven
the stunning results of these been basic to his point of view: David Alfaro
as researcher, the novel as a-fictional.
novelists, I endeavored to surmount the prej- Siqueiross 1937 Echo of a Scream.)Whats
exKaufman may be earnest, but he is also udice I share with Perrin against the very the polnt of such extraordinarily obvious
%oncept of fictional biographies:to discover plication? Like an eager Zen novice, Danto
naive. The fiction writer has always been free
to loot the worlds history or his or her own. that thereis nothing inherently odious in renders thefat and discards the lean. Bacons
a burgeoning literarytrend that combines the art is a splendidexplanation: The agonis
This is called matenal. The fictionwriter
Danto cannot
then breaks up the material and rearranges materials of fact with the techniques of fic- self-sustaining.Apparently
the pieces. Fiction is an art form. The final tion, and to celebrate these particular novels bear what may have been Bacons mocking
product, the work of fiction, has no reality as achievements in any case.
self-defense aganst ignorance and fatuity,
except as an object. WhenKaufman talks
inspired by critics,when he described hlmself
I evidently erred in failing to emphasize
about a healthy and activeexchange be- the point, but each of those authors (aswell in that famous interview as a mere technitween what is real and what is imagined in as their respective publishers)was careful to cian of screams.
literature, he has confounded the process of present his or her book as a work of fiction.
What a bore! Its summer. Its hot. I
writing with the product. The truth of fic- Leffland, for one, takes extra precautions to scream, you scream, weall scream for ice
tion can never supplant historical truth. It explain in a preface why the fictional a p cream.
James ffashrm
is a dlfferent kind of truth entirely.
proach seemed more effective for captunng
It worriesme that Kaufmandoes not her contradictory subject, Hermann Goring. CLEARING BUCHAREST
understand the absolute difference between With even graver concern, she stipulates in
what a novelist does and what a journalist an afterword where the facts stopped and Tmro, M m .
does. I know, I know. Hes saying that reali- herimaginationbegan,neverthelessincorIf I correctly understand your front-page
ty is oh so prismatic and there is no one porating ten yearsofpalpable
and solid editorial in the issue of July 9, you approve
truth, and consequently, weve got this lovely research. The danger instead in what Perrin of Romanian President Iliescus use ofabout
creative license. Well,sorry, I dont buy it. calls The Age of Lies is in the reverse,
as I 7,000miners brought in from the north in
Who says Its O.K. to write fictional biog- also alluded to It: in presenting a work such clearing the city center of Bucharest. As I
raphies? I find that concept repulsive. As for as LillianHellmans Pentimento-or more understand the facts, what was happening in
creative licensein journallsm -its scarcely currently Gronowiczs Gorbo- as a work of the clty centerwas peaceful assemblyto proa new problem. Whats new is the journalist nonfiction, when the cumulativeevidence
test the conduct of the government, and
of the Unabashed Ego, whogives us his biases suggests suspect motives and a corruption or what the miners drd was club down peaceful
undiluted and then Insists that we applaud. exploitation of such categonzation.
protesters. Will it be all right withyou, then,
I share Kaufmans belief that fiction can
What I hoped to convey above all else in the nexttimetheres
a peacefulmarch in
provide a certain kind of passionate insight The Semi-Fictional Solution is that these Washington against whatever bullying miliinto history. But for most of us, the quality very questions have perhaps acquiredan un- t a r y interventionPresident Bush maynext
of that experience IS determined by the precedented urgency in an era that demon- comnut aganst another nation, for Bush to
writers ability to transform his or her strates less respect for the difference between bring in, say, 7,000 superpatriots from the
material. not by the material alone. Writers fact and illusion, truth and deception, ac- Southwest to help clear the city center by
of fiction, Mr. Kaufman, are primarily curacy and distortion; or as I wrote, long beating up the protesters? Please clarifyyour
manipulators of words. I know you will fmd after images supplanted words, the reality attitude towardthose
7,000 governmentthat both set out to capture [has] become in- Inspired thugs.
that shockmg, but there it is.
Dugger
Ronnle
So Im all for keeping the barriers Intact. creasingly polluted and remote.
I expect that Pemn would find much to Whothappened in Buchomt inJune was
What we need is more clarity. not less. The
ugly. But the editorial was not on the confacts havent failed us. we have failed them. adrmre in ChekhovsSlster,TheKnight,
doubts about the
Whats mssing in The Age of Lies isa public Death and the Devil and The Last Station, duct of the miners, Iliescus
loyolty of h a secunty forces or his charges
withcritical
habits of mind, the ability since each of these novels (for novels they
protest was fascktto separate fact from fiction. It was a bit of are) has discovered a unique and penetrating thattheoppositron
fiction presented as history that helped get way for devising a kind of poetic truth to rspired. If was abour the feeding frenzy of
the Germans Adolf Hitler. I refer to the comment on more elusive realities,no matter Westerncornmentotors,whoappeor to ahow slippery and subject to perspective we ped Eastern European countria, no matter
Thousand Year Reich.
"A-fictional" literature? Hey! Shakespeare know them to be. To end this letter as I end- howrudrmentarytherrdemocrotictradiRevered as Researcher! As for nonfictioned the piece-with a quote from Chekhovs trons, to behave like Denmark or Belgium.
history, biography, journalism- Ill take Skter-we need to wrench
back
the The Wests demion rn July to deny econommne straghtup, please, wth nomaraschino language from the politicians and the dic- I C ard to Romanra CF a furtherdepresrng vincherries and as littlecreativegarbage
as tators and the propagandists and so find the drcatron of our feors for thatcountrys
possible.
Ursula Perrrn balm to assuage the pain. Thls is precisely future.
- The Editors
CONTENTS.
LETTERS
186
EDITORIALS
COLUMNS
189
190
192
193
RichardMcKerrow
Herbert Kohl
Calvin Trillin
Alexander Cockburn
ChristopherHitchens
Edward Sorel
ARTICLES
187
Gore Vidal
David Corn
Roger Nonnand
Illustrations by Ed Koren
Edrtor, Vlctor Navasky
EDITORIALS.
Blood, Oil
(Continued From Front Cover)
and police force are created to enforce the new order, and
the bully announces that he is "withdrawing" his troops as
soon as peace is restored.
The international organization responsible for the region
votesoverwhelmingly to condemn the invasion, but that
hardly deters the bully,whosehegemonic appetite is insatiable and whose "national interest" provides the moral
188
The Nation.