Documente Academic
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ENGLISH
LITERATURE
Recent catalogues:
1410 Music
1409 Enterprise: Merchants, Manufactures & Commerce
1408 From the Library of Lord Olivier
Recent lists:
2011/13 English books, New Acquisitions
2011/12 De Jure: Manuscript and printed civil & canon law
2011/11 Graecia. Works in Greek.
2011/10 Theology & Science. The Library of Dr W.G. Kerr: Part Seven.
The cover illustration is taken from item 13
2011/14
THE LIBRARY OF
DR W. G. KERR
PART EIGHT: ENGLISH LITERATURE
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First edition. The work expounds the careers of celebrated actors and actresses,
playwrights, composers, etc. of the time. The eighteenth century was something of a
golden age for the theatre, a renaissance following Puritan restrictions during much of
the seventeenth. Perhaps best known is the Theatre Royal at Drury Lane, London,
which saw great performances from the likes of legendary Shakespearean David
Garrick. The Dictionary is necessarily selective; the most insignificant [thespians] are,
in justice to their demerits, consigned to oblivion (the advertisement).
2. [ANONYMOUS]. A visit to the Bazaar... London, for Harris & Son, 1820.
16mo, pp. [2], 92; 32 full-page plates; lightly toned and foxed, dampstain to a few
leaves; still a fair copy in contemporary red quarter-roan over marbled boards, flat
spine gilt-ruled; edges speckled blue; joints and corners worn, spine chipped at head
and foot; signature of Arthur Loveday to front paste-down.
500
Third edition (first, 1818). A childrens book, recounting a trip to the Soho bazaar, a
most respectable institution, founded by John Trotter to provide a source of
maintenance to the bereaved womenfolk of Napoleonic soldiers. A light-hearted look
at 19th century consumerism, examining the eclectic and exotic wares proffered by the
bazaar, with a moral undertone of honest trading.
Opie B336
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7. BYRON, George Gordon Noel, Lord. English bards, and Scotch reviewers;
a satire... London, James Cawthorn, 1810.
8vo, pp. v, [1], 84, [1], [3] publishers advertisements; untrimmed; toned, a little
foxing; a good copy in contemporary paper boards; lightly soiled, some losses to
overlaid paper spine.
100
Third authorised edition, (first, 1809). A variant of Wises authorised edition
(Kohler). Byrons first major poem, (ODNB) a satire, with explanatory, and often
acerbic, footnotes by Byron:
But who forgives the Seniors ceaseless verse,
Whose hairs grow hoary as his rhymes grow worse?
What heterogeneous honours deck the Peer?
Lord, rhymester, petit-matre, pamphleteer*!
The Earl of Carlisle has lately published an eighteen penny pamphlet on the state of the
Stage, and offers his plan for building a new theatre; it is to be hoped his Lordship will
be permitted to bring forward any thing for the Stage, except his own tragedies.
Kohler 13; Randolph p. 16 Scarcer than the first edition; Wise, p.24..
9. BYRON, George Gordon Noel, Lord. The Prisoner of Chillon, and other
poems London, John Murray, 1816.
8vo, pp. [2], 60, [1] blank, [5] advertisements; a few small marks; a very good copy in
later limp black morocco, title gilt to upper board, inner dentelles and edges gilt. 250
First edition, first issue of Byrons 392-line narrative poem. The Prisoner tells the
story of the incarceration of Franois Bonivard, a monk imprisoned in Chillon castle,
on Lake Geneva, from 1532-1536.
Kohler 122.
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10. BYRON, George Gordon Noel, Lord. Sardanapalus, a tragedy. The two
Foscari, a tragedy. Cain, a mystery. London, John Murray, 1821.
8vo, pp. viii, 439, [1]; foxed; a good copy in contemporary half-roan over paper boards,
panelled spine gilt; extremities and boards lightly worn; contemporary annotation Vol
5 Byrons Works to fly.
150
First edition, the issue with the reading Sardanapalus on the fly-title B1. A variant,
priority not established, reads Sardanapalus / A Tragedy (Randolph).
Sardanapalus develops the life of the (possibly fictional) Ctesian Assyrian King, who,
legendarily decadent, when under siege in Ninevah preferred to burn himself and all he
possessed rather than be taken by the Medes.
The most splendid specimen our language affords of that species of tragedy which
was the exclusive object of Lord Byrons admiration (Lake).
Randolph, p. 75; Stratman 847; Wise II, pp. 32-3.
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11. BYRON, George Gordon Noel, Lord. The Siege of Corinth. A Poem.
Parisina. A Poem. London, John Murray, 1816.
8vo, pp. [4], 89, [3], [2] advertisements; lightly toned and foxed; a good copy in
twentieth century quarter cloth over marbled boards by John Durham & Son; signature
in ink to half-title.
200
First edition, describing a key battle of the Ottoman conquest of Greece in the seventh
Ottoman-Venetian war, which witnessed the tragic massacre of most of the Venetian
garrison as well as the inhabitants of the citadel. The story came full circle when, in
1823, Byron fought in the Greek War of Independence, struggling to reclaim Greece
from the Ottomans of his poem.
Kohler 115, Lowndes 339, Randolph 55, Wise I,107.
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12. BYSSHE, Edward. The art of English poetry. Containing I. Rules for
making verses. II. A collection of the most natural, agreeable, and sublime
thoughts, viz. allusions, similes, descriptions and characters, of persons and
things; that are to be found in the best English poets. III. A dictionary of
rhymes London, Samuel Buckley, 1708.
Three parts in one volume, 8vo, pp. [12], 36, [2], 482, viii, 36; toned, a little foxing, a
few small marks, printers device excised from the half-title of the second part, with
loss to a few words of the list of abbreviated authors names and Horatian motto; a
good copy in contemporary speckled calf; panelled spine; extremities worn, spine
chipped at head; contemporary signature of and annotations by Rebeccah Wilson to
flyleaf.
200
Third edition, with large improvements (first, 1702). Quoting from perennial
favourites such as Shakespeare, Milton and Donne, Bysshes popular work sets out the
choicest morsels of English verse in an attempt to cultivate juvenile tastes.
Case 225 (c).
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13. [COMBE, William]. The tour of Dr. Syntax, in search of the picturesquein
search of consolation in search of a wife. A poem. London, R. Ackermann,
[1812, 1820, 1821].
3 vols, 4to, pp. iii, [3], 275, [1, blank]; [6], 277, [1, blank]; [4], 279, [1, blank], with 80
hand-coloured aquatints; minor repairs to some leaves and plates, otherwise a fine copy
in full red morocco gilt by Riviere; edges and inner dentelles gilt; very faint annotation
to recto of frontispiece vol. 1.
1500
First editions, individually issued in 1812, 1820 and 1821. Written as a parody of the
prevailing mode for travel books, the works, following the fortunes of a clergyman and
a priest with text by William Combe and caricature-style illustrations by Thomas
Rowlandson, were an instant success, and were much imitated, as indicated by the
preface to volume three in which Combe writes:
And I, surely, have no reason to be dissatisfied, when Time points at my eightieth
Year, that I can still afford some pleasure to those who are disposed to be pleased.
The tour of Doctor Syntax is Combes most famous work: Combining light-hearted
satire of William Gilpin's theory of the picturesque in art with a central character
modelled on Cervantes Don Quixote and Henry Fieldings Parson Adams, Combe
created a lovable eccentric whose misadventures on the road structure the Tour. For
over a century the many editions and numerous imitations of the Tour attested to the
popularity of Combes humorous hero (ODNB).
Abbey (Life) 265-7. Tooley 427-9. Ray 34.
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POPE, Alexander. The rape of the lock. An heroi-comical poem. In five cantos
London, Bernard Lintott, 1715.
Fourth edition. The first edition of the poem in this five-canto shape had appeared in
1714, preceded by a two-canto version in 1712.
Foxon P946; Griffith 43.
[PHILIPS, John.] Cyder. A poem. In two books. With the splendid shilling;
Paradise Lost, and two songs, &c. London, H. Hills, 1709.
Early edition of Philips best work, a black verse poem on cider-making and the virtues
of cider written in imitation of Virgils Georgics, first published in 1708 to great
acclaim. In this edition, signature A3 is printed under and oft.
Foxon P241.
POPE, Alexander. The temple of fame: a vision London, Bernard Lintott, 1715.
Second edition, published in the same year as the first, of Popes Temple of fame, an
allegorical poem the inspiration of which Pope declares in the Advertisement: The
Hint of the following Piece was taken from Chaucers House of Fame. The Design is in
a manner entirely alterd, the Descriptions and most of the particular Thought my own:
Yet I could not suffer it to be printed without this Acknowledgment, or think a
Concealment of this Nature the less unfair for being common. The Reader who would
compare this with Chaucer, may begin with his Third Book of Fame, there being
nothing in the Two first Books that answers to their Title. Allegory itself as a rightful,
millennial tool of poetics is the subject of the final excusatio, an apology designed to
reinstate classical rhetoric figures, attacked as unnatural contrivances by a faint but
growing naturalistic outlook on art, within the realm of poetry.
Griffith 45.
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20. FIELDING, Henry. The works of Henry Fielding, Esq. With an essay on
his life and genius, by Arthur Murphy, Esq. London, J. Johnson, 1806.
10 volumes, 8vo, pp. [4], 500, with frontispiece portrait; [4], 480; [4], 550, [2] blank;
[4], 463, [1] blank; [4], 428; [4], 554; 538; [4], 480; [8], 431, [1] blank; [4], 467, [1]
blank; silk bookmarks to all volumes; a few small marks, light scuffing at foot of K2 of
vol. IV, text affected but sense recoverable; a nice set in contemporary tree calf, gilt
borders; spines with gilt-tooling and contrasting lettering pieces, a few with some small
losses, some joints cracked; spine of vol. X heavily worn.
100
A new edition. The essay on his life and genius was first included in the 1762
second edition.
PRESENTATION COPY
21. [FRAZER, James George, Sir]. Selected passages from his works. Chosen
by Georges Roth. Paris, Libraire Hatier, [1924].
8vo, pp. 64; lightly toned, small mark to title; a good copy in quarter-cloth over
marbled boards; presentation copy, with To Louis Clarke with kindest regards from J.
G. Frazer inscribed in ink to title-page.
50
First edition. A bipartite work composed of Glimpses of Ancient Lands and History,
and Literary Pieces, including the touching Dream of Cambridge in which Frazer is
transported back to his youth and to the company of a now long-deceased friend. The
pieces have been selected by Roth from Frazers various publications and writings.
22. GAWSWORTH, John.
London, Collins, 1943.
Legacy to love.
8vo, pp. 80, with frontispiece portrait; a very good copy in the original publishers
green cloth with the original dust-jacket; extremities a little worn with small losses to
one corner and head and tail of spine; with an annotated publishers review slip. 25
First and only edition. John Gawsworth was the pseudonym of Terrence Ian Fitton
Armstrong. Armstrong is better known as King Juan I of Rodonda, a literary kingdom,
which he inherited from the author M. P. Shiel, along with the rights to his literary
estate. The publisher Jon Wynne-Tyson, (aka King Juan II), considered the bizarre
succession to be a pleasing and eccentric fairy tale; a piece of literary mythology to
be taken with salt, romantic sighs, appropriate perplexity, some amusement, but without
great seriousness. It is, after all, a fantasy.
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23. GAY, John. Fables. In two volumes. [Vol 1]. London, for J. Tonson and J.
Watts, 1729; [vol. 2] London, for J. and P. Knapton, 1738.
2 vols; 8vo, pp. [8], 194; [8], 156; engraved title-page vignette, and 50 half-page
engravings to vol. 1, decorative tail-pieces; engraved frontispiece and title-page
vignette and 16 engraved plates to vol. 2; tear with loss of a single letter of the running
title to pp. 79-80 of vol. 2., bookplates removed from the title-page versos of both
volumes, with small losses to the blank margins only; a very good set in later half-calf
over pebbled cloth, all edges red, red shelfmark sticker to top of vol 1; panelled spines
with raised bands, green morocco lettering pieces, extremities lightly worn.
250
Third edition of vol. I, first edition of vol. II. John Gay, best-known for his drama The
Beggars Opera, was adept at a wide range of literary genres and was a member of the
Scriblerus club, alongside titans such as Swift and Pope. It was the latter who published
the second book of Fables posthumously, following the authors death in 1738. The
first volume, of fifty fables, was first published in 1727; as a testament to the works
enduring popularity, it has seen some 350 editions to 1900. The Oxford DNB remarks
that the work relies less on ironic wit than on their anthropomorphic and proverbial
charm. The second book of Fables, Gays last work, sees the author taking on a more
political approach: in these last Fables corrupt ministers, their pimps, spies and
placemen, are usually exposed and vanquished (ODNB).
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24. GOLDSMITH, Oliver. The Vicar of Wakefield. Perth, R. Morison and Son,
1791.
8vo, pp. [2], iv, 145, [1] blank; occasional foxing, otherwise a good copy in
contemporary tree calf, gilt-panelled spine with contrasting lettering pieces; armorial
bookplate to front pastedown.
100
Handsome later edition of one of the most read 18th-century novels, widely cited in
contemporary literature, including by George Eliot, Austen, Dickens, Shelley and
Charlotte Bront. Often regarded as sentimental novel, sometimes as a satire of the
sentimental novel, The Vicar is Goldsmiths most famous work. Complete in itself, this
volume is the 3rd volume of Morisons seven-volume Miscellaneous Works of Oliver
Goldsmith.
Offered with volumes 4, 5, 6, & 7, including Citizen of the World: letters from a
Chinese philosopher, residing in London, to his friends in the East; Poems for Young
Ladies, The Good-Naturd Man, and She Stoops to Conquer, uniformly bound.
25. HAZLITT, William. Literary Remains with a notice of his life by his
son, and thoughts on his genius and writings by E. L. Bulwer, Esq, M.P. and
Mr Sargeant Talfourd, M.P. In two Volumes. London, Saunders and Otley
1836.
2 vols., 8vo, pp. [8], cxli, [1], 362; [6], 468; with the engraved frontispiece portrait after
Bewick in volume 1; lacking advertisements in volume 2 but complete with both halftitles; occasional light browning throughout, otherwise a good copy in half-calf over
marbled boards; spine elegantly gilt; extremities worn; bookplate of Cornelius Walford,
F. S. S. on the front pastedown of volume 1.
150
First edition, comprising twenty-two essays. Essay XIX, My first acquaintance with
poets, first published in The Liberal, describes Hazlitts first impressions of Coleridge
in 1798 upon hearing him preach Poetry and Philosophy had met together, Truth and
Genius had embraced, under the eye and with the sanction of Religion. Hazlitt was
invited to stay with Coleridge in Somerset, where he met Wordsworth, gaunt and Don
Quixote-like, and heard the poets read from manuscript the poems of the Lyrical
Ballads: There is a chaunt in the recitation of both Coleridge and Wordsworth, which
acts as a spell upon the hearer, and disarms the judgment. Other essays in the
collection include Hazlitts contribution to the Encyclopaedia Britannica, On Fine
Arts, and pieces On Liberty and Necessity and On Self-Love. William Hazlitt the
younger provides a lengthy Biographical Sketch with numerous letters, and there are
also appreciative essays by Bulwer-Lytton, Talfourd and Charles Lamb.
Keynes 102.
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28. HUNT, Leigh. Bacchus in Tuscany, a dithyrambic poem, from the Italian of
Francesco Redi London, John and H. L. Hunt, 1825.
8vo, pp. xix, [1] blank, 224, [1], 296-298, [2], with errata slip; lightly toned, a very little
light foxing; a very good copy, untrimmed in contemporary paper boards, spine
defective and partially detached with substantial losses; contemporary signature of Mrs
Whiting to fly, repeated though partially erased to title.
350
First and only edition. Hampered by illness in Italy in 1824-5, Hunt strove still to
work, and so chose the lightest and easiest translation (Autobiography, 1850, iii, 109;
from Brewer) he could think of: a poem by the seventeenth century physician and
occasional poet Redi, a hugely successful, exuberant and extravagant extolment of wine
and its merits, in which Bacchus gets drunk in human fashion on a hill outside the walls
of Florence and is borne away in ecstasy by a draught of Montepulciano (which he
pronounces to be King of Wines). Reviews were not generally favourable even by
Hunt himself, who identified enough errors in the publication to call it the worst
[translation] ever printed (Brewer).
Luther A. Brewer, My Leigh Hunt Library (New York, Franklin, 1970), pp. 128-31.
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30. JEWSBURY, Maria Jane. Letters to the Young. London, J. Hatchard and
Son, 1829.
12mo, pp. [12], 240; light foxing, a few marks, tear to p.63-4 with loss of upper outer
corner affecting a few words of text; otherwise a good copy in contemporary half calf
over marbled boards, edges marbled, gilt panelled spine with green lettering-piece;
signature of Mrs Henry Smith, Gamlingay to front free endpaper.
30
Second edition, (first, 1828). Letters to the Young, exhort[ed] its youthful audience to
eschew worldly desires and to concentrate on a humble life of duty, aimed at attaining
eventual immortality its rhetoric sometimes comes across as self-castigation, as if
bearing witness to Jewsburys inner conflicts (ODNB).
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33. [LANG, Andrew translator]. Aucassin & Nicolete. London, David Nutt,
1896.
8vo, pp. xx, 51, [1] blank; lightly toned; a good copy in contemporary half-calf over red
cloth, title gilt to flat spine; extremities lightly rubbed.
50
Reprint of the first edition of the 1887 English translation of this medieval French
chantefable, a loving pastiche of the excesses of courtly-love romances (OCEL).
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35. MANT, Alicia Catherine. Ellen: or, the young godmother. A tale for youth.
London, Law and Whittaker, 1815.
12mo, pp. 148, with engraved frontispiece; foxing throughout, a good copy in twentieth
century quarter cloth over marbled boards by John Durham & Son; black lettering piece
with gilt text to spine.
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Third edition (first, 1812) of a didactic work for youth.
Mathiass Pursuits of Literature, or, What you will, a wide-ranging satire with
extensive notes on the conceit and licence of contemporary authors, appeared
anonymously in four dialogues the poem is confessedly of its political moment,
declaring openly that literature is an important tool of government The British
Critic approved of the poem as a strenuous enemy and assailant of democratical
principles, and of that monster, French, or Frenchified philosophy (8.3536) (ODNB).
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38. MAYHEW, Augustus. Paved with gold or the romance and reality of the
London streets. An unfashionable novel ... with illustrations by H. K.
Browne. London, Chapman & Hall, 1858.
8vo, pp. viii, 408; with 26 plates: 10 vignettes including the illustrated half-title, and 16
bordered illustrations; occasional foxing to plates (offset), but otherwise a good copy;
bound in half-calf over marbled boards, rubbed and worn.
65
First edition. Paved with Gold is an important work written to show the horrors of
slum life, especially for working class children (Sutherland). In the preface, Mayhew
declares the extreme truthfulness with which this book has been written. The
descriptions of boy-life in the streets, the habits and customs of donkey-drivers, the
peculiarities of trampdom and vagrancy, have all resulted from long and patient
inquiries among the individuals themselves. Illustrated by Browne, whose drawings
for this novel have been particularly noted for their brilliance and vitality (Sutherland).
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39. METEYARD, Eliza. Dr. Olivers maid. A story in four chapters London,
Arthur Hall Virtue & Co., and Berlin, Adolph Enslin, [1857].
8vo, pp. 187, [1]; small mark to title, otherwise a good copy in contemporary half sheep
over marbled boards, title gilt to spine; extremities and boards lightly rubbed; bookplate
of St Fort to front pastedown.
60
First and only edition, a work of moralistic prose telling the tale of the honest and
virtuous Honour Freeland, maid in the house of a London Doctor.
Dr. Oliver is perfectly satisfied with the reply he has had from the Rev. Mr Seddon. He
will, therefore, expect Honor Freeland to come home to her place on Monday evening
next, at eight oclock.
That one word, home, struck the finest chord in the desolate creatures heart.
Throughout her coming years with Dr. Oliver, it is ever present with her, urging her to
duty, inspiring her to faithfulness; as he wrote it, he knew not the price it would be his
to receive.
4to, pp. 32; illustrated title-page and fourteen further illustrations; heavy foxing and
browning throughout; several fore-edges frayed; a good copy in twentieth-century
quarter-cloth over marbled boards, preserving the original printed paper wrappers. 50
Established 1833. Peter Parley was a pseudonym of Samuel Griswold Goodrich,
bookseller and publisher. Parleys Magazine, one of several he edited, contained (inter
alia) stories, poems and natural history. The publication ran until 1844 then merged
with Parleys Merrys Museum for Boys and Girls.
41. POOLE, Joshua. The English Parnassus: or a help to English poesie.
Containing a collection of all rhythming monosyllables, the choicest epithets
and phrases. With some general forms upon all occasions, subjects and
themes, alphabetically digested Together with a short institution to English
poesie, by way of preface. London, Henry Brome, Thomas Baffett, and John
Wright, 1677.
8vo, pp. [30], 639, [1] blank; title printed in red and black; toned, occasional foxing,
section excised from title at head; some errors in pagination; a good copy, binding
defective, boards detached and spine split.
350
Second edition, (first, 1657). Choice titbits selected from the literary greats, including
extracts from Shakespeare, Milton and Denham. While not always absolutely accurate
in his quotations, Pooles work has been labelled a plagiarists handbook (OHehir),
its palpable intention being to facilitate the ready use of literary allusions in everyday
conversation.
Wing P2815.
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42. PIOZZI, Hester Lynch. Anecdotes of the late Samuel Johnson, LL. D.
during the last twenty years of his life ... London, printed for T. Cadell ...
1786.
8vo, pp. viii, 306, [2], with postscript but lacking half-title and errata slip found in some
copies (see Rothschild 1550); sheet K (pp. 129-130, signed *K) a cancel (see note),
small hole to pp. 11-12, affecting text but sense recoverable, larger hole to pp. 279-280,
again affecting text; otherwise a good copy in calf, neatly re-backed; panelled spine
with red morocco lettering-piece and gilt text, and the bookplate of William John
Campion of Danny to front pastedown.
250
First edition. Although Mrs Piozzi was one of Dr Johnsons closest friends, the
distinguishing feature of her style is a continual protestation of veneration and
admiration combined with anecdote after anecdote, which do not redound to Johnsons
credit. Walpole called it wretched; a high-varnished preface to a heap of rubbish, in a
very vulgar style, but as James Clifford notes, these same qualities which irritated
Johnsons contemporaries give for modern readers a delightfully human touch to the
writing. Apart from the anecdotes, the volume includes the first printing of twentyfour poems by Johnson, mainly light verse addressed to Mrs. Piozzi or improvisations
which she had copied down.
The removal of sheet K was intended to suppress the one really offensive passage about
Boswell (his remaining appearances in the Anecdotes are insignificant) an attack
based on the false belief that he had written the scurrilous letter about the Thrales that
had appeared in The St. Jamess Chronicle after Henry Thrales death. This, however,
did not suffice to prevent bitter private resentment and a growing public animosity
between the rival biographers.
Courtney & Nichol Smith, p. 161; Liebert 116; Rothschild 1549; James L. Clifford,
Hester Lynch Piozzi (second edition, 1952, 1968), chapter XII; Mary Hyde, The
Impossible Friendship (1973), chapter III.
.
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43. POWYS, John Cowper. Wolf Solent. A novel. New York, Simon and
Schuster, 1929.
2 vols., 8vo, pp. [6], 490; [4], 491-966; a very good copy in the original purple cloth,
vol. 2 with the original blue and white dust-jacket with a photograph of the author,
edges frayed, small loss at foot of spine.
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First American edition, (first published in London in the same year), of the first of
Cowper Powys Wessex novels, and his first work to meet with commercial success.
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46. RAMSAY, Allan. Poems To which are prefixed, a life of the author, from
authentic documents: and remarks on his poems, from a large view of their
merits. London, T. Cadell Jun. and W. Davies, 1800.
2 vols., 8vo, pp. [2], clxxviii, 380; viii, 608; + engraved frontispiece portrait and
facsimile of a handwritten note by the author; occasional annotations in pencil; some
foxing; a good copy in contemporary half-sheep over marbled boards, panelled spine
with gilt-tooling and text, worn, spines chipped at head, joints cracked.
60
A new edition; first collected poems published in 1720.
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48. ROCHESTER, John Wilmot, Second Earl of. Poems, (&c.) on several
Occasions: with Valentinian; a Tragedy ... London, Jacob Tonson ... 1696.
8vo, pp. [10], xv, [7], 208, 177-224 (i.e., 256); title-page laid down at head with
small section provided in facsimile, title lightly soiled with traces of old ownership
inscription, a few marks, short wormtrack at foot in blank margin of a few leaves, two
small repairs; otherwise a good copy in eighteenth century half-sheep over marbled
boards, panelled spine, all edges blue; spine lacking lettering piece.
1250
Second authorized edition, reprinting Tonsons superior edition of 1691, edited by
Thomas Rymer and some other of the late Earls friends. Pirate editions had previously
appeared at Antwerp (1680) and in London (1685). Valentinian, with a prologue by
Aphra Behn, is an adaptation from Beaumont and Fletcher, originally printed in quarto
in 1685.
Wing R 1757; Wither to Prior 987; Woodward & McManaway 1302.
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51. STAGG, John. Miscellaneous poems, some of which are in the Cumberland
dialect Workington, W. Borrowdale, 1805.
12mo, pp. xii, 237, [1] blank; a good copy; uncut; bound in quarter-roan over red cloth
boards, edges rubbed and cover worn; spine with paper lettering piece, heavily worn at
top.
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Second edition of this collection of poems (first issued in 1804), although a previous set
of different Miscellaneous Poems was published in 1790.
52. STEELE, Richard, Sir. The Dramatic works of the late Sir Richard Steele.
Containing I. The conscious lover. II. The funeral. III. The tender husband.
IV. The lying lover. London, W. Feales, [1730-1732].
12mo, pp. [2], 1-72, 65-75, [1], 82, [2], 70, [2] 83, [1]; historiated metalcut initials,
head- and tail-pieces; lightly toned, a little foxing; a good copy in calf, blind-tooled to a
panel design; rebacked, yet spine split and joints cracked; various ownership
inscriptions to endleaves, armorial bookplate of Rev J. Molesworth to front pastedown,
extensive scholarly annotations in ink to rear endpapers.
150
Third edition of the first work, as published by Jacob Tonson in 1730. Sixth edition of
The Funeral: or, grief a-la-mode, published in 1730 by Jacob Tonson. The 1731 fifth
edition of The tender husband: or, the accomplishd fools, issued by Jacob Tonson.
Fifth edition of the final work, The lying lover: or, the ladies friendship, as published
by Bernard Lintot in 1732.
53. [STEELE, Richard, Sir]. The Englishman: being the sequel of the guardian.
London, Samuel Buckley, 1714.
12mo, pp. [4], vi, 292, [12]; engraved vignette to title, decorative headpieces and
initials; toned, a little foxing; a good copy in twentieth century natural morocco,
presentation inscription to Professor Trevelyan by the Hynnig Bindery stuck in at front;
contemporary signature of Jacob Bridges to fly.
50
First collected edition of the periodical, originally published three times a week:
London, Sam. Buckley, 1713-1714. The period covered is 6 October 1713 - 15
February 1714; a further publication, The Englishman (1715), was later published as a
second volume to this work in 1716.
55. SYMMONS, Charles. The life of John Milton London, Nichols and
Son, [1810].
8vo, pp. [6], 646, [16], + engraved frontispiece of Milton and facsimile of a handwritten
poem to John Rouse; a little foxing, particularly to plates, otherwise a good copy in
half-calf over marbled boards, panelled spine with gilt-tooling; spine chipped at head;
ownership inscription to title, armorial bookplate to front pastedown.
95
First separate edition, originally published in 1806 as part of a seven-volume edition of
Miltons works.
The history of John Milton a man, who, if he had been delegated as the
representative of his species to one of the superior worlds, would have suggested
a grand ide of the human race, as beings affluent with moral and intellectual
treasure
London,
3 vols., 12mo, pp. [2], 294; [2], 311, [1] blank; [2], 302; tears without loss, mostly
marginal, to pp. 247-8 and 251-2 of vol. 3 touching a couple of words, endpapers
lightly foxed; otherwise a good copy in contemporary half-calf over marbled boards;
flat spines gilt; edges speckled blue; worn; armorial bookplates of C. Cuningham to
front pastedowns.
450
40
First edition. Continuing in much the same vein as her notorious factual account of the
same year, Domestic Manners of the Americans, Trollopes first foray into fiction sends
a small family of the English elite across the Atlantic to further elucidate the cultural
divide. In her former work, noted the Westminster review, she could only tell us
what ungainly people our descendants are; but now she can show them to us in action,
in contrast ... with the refinement of the mother country.
Sadleir 3235; Wolff 6825.
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