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LIBRARIES
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LIBRARY
EDITED BY
T. E. PAGE, LITT. D.
W. H. D. ROUSE, LITT.D.
MENANDER
|
:
MENANDER."
wo/SA-2/// or A/a/AAA'7S, BoS 70/v.
MENANDER
rur pal real.
FRAGMENTS
-
is translation by
FRANCIS G. ALLINSON
|-ER-TUR
---
** *
- - |O N
-N1
WILLIAM -
- YORK : G. P. "J.
S SONS
*.
-
MENANDER
THE PRINCIPAL FRAGMENTs
WITH AN ENGLISH TRANSLATION BY
FRANCIS G. A LILINSON
PROFESSOR OF GREEK LITERATURE AND HISTORY
IN BROWN UNIVERSITY
CONTENTS
PAG
GENERAL INTRODUCTION :
.
-
.
-
.
-
.
-
vii
viii
ix
xii
XV
. . . .
xix
XX
. . . . . . .
xxiii
...
XXV
BIBLIOGRAPHY :
Translations .
xxvii
-
. . . . . . . xxviii
xxix
Editions
Tii E ARBITRANTS
129
195
283
307
308
463
V
CONTENTS
PAGE
475
534
. . . . . . . . . . . . .
537
Menander . . . . . . . . . . . . . . . Frontispiece
A Comic Poet Rehearsing a Mask . . . To face p. 131
vi
GENERAL INTRODUCTION
ILLUSTRATIONs
GENERAL INTRODUCTION
THE TRANSLATION *
viii
GENERAL
INTRODUCTION
GENERAL
INTRODUCTION
GENERAL INTRODUCTION
GENERAL
INTRODUCTION
LIFE
GENERAL INTRODUCTION
GENERAL INTRODUCTION
Menander, however, was born to be a playwright,
not a philosopher. Whatever impulse was needed
may well have come from his uncle Alexis, whose
long life spans the century from Aristophanes to
the death of Menander and whose two hundred
GENERAL INTRODUCTION
GENERAL INTRODUCTION
the seduction
or violation of a
GENERAL INTRODUCTION
GENERAL INTRODUCTION
Many 1 of his
GENERAL INTRODUCTION
Chorus.The ." chorus
Inno
GENERAL INTRODUCTION
GENERAL
INTRODUCTION
xxi
EXTANT WRITINGS
EXTANT WRITINGS
Although
xxiv.
THE TEXT
For the other minor fragments the text has been based
upon Kocks Comic. Attic. Fragm. (collated with Meineke,
Dbner, Reitzenstein) and Demianczuk's Supplem. Comicum.
Supplements in the text are indicated by half-brackets, "",
superior to the line. Conjectural insertions are indicated by
angular brackets, < -, and, in the translation, assumed
context is indicated by brackets. The paragraphus,
indicating in the MSS. a change of speaker, is inserted under
>
In broken portions
THE TEXT
xxvi
BIBLIOGRAPHY
TRANSLATIONs'
H. Grotius, H. Stephanus, F. Dbner (Latin), prose and
verse. Minor Fragments in Dbner's ed. Menandri et Phile
monis Fragmenta, Paris, 1846.
B. P. Grenfell and A. S. Hunt, Georgos, Oxford, 1898:
and fragm. of Periceiromene, Ox. pap. 1899; and partial
trans. of Colac, Perinthia, Misoumenos, O.C. pap. 1903, 1908,
1909.
BIBLIOGRAPHY
EDITIONS
BIBLIOGRAPHY
Perinthia, Phasma, and St. Pet. fragm. (as Fab. Incerta ii.),
very full bibliography, Teubner,
Subsequent to 1910:
Ada Adler, Den graeske Litteraturs Skaebne, Studier fra
(0 J y-)
BIBLIOGRAPHY
//
||
##
Jahr. ber. 1914 (1tes heft, pp. 1314); James Loeb, The New
Greek Comedy (translation of Le Grand, Daos, see above),
with an introd. by J. W. White, London and N.Y. 1917;
XXX
BIBLIOGRAPHY
Josef Mesk, On Epitr. 357, B.Ph. W. 33, 1913; idem, De
Compositione des plautinischen Miles Gloriosus (Contaminatio
from Menander ?), Wien. Stud. xxxiv.; idem, Hydria," R.M.
lxxi.; A. de Molin, Les Comdies de Mnandre, Bibliotheque
Univ. et Revue Suisse, lxii., Avril, 1911; C. H. Moore, Txm
IIpoxoy (ovara, C. P. xi. 110; idem, Some New Comic Frag
ments, C.P. xi. 1916 (both of these deal with the alleged
Menander Fragment in P.S.I. 126); M. Mller, Beitrge zu
Textkritik (zu Menander), Progr. Patsckau, 1912; G. Pas
quale, Sul dramma Attico, Atene e Roma, 1917, pp. 117189,
and 1918, pp. 1124; Fr. Poland, Zur Charakteristik Menan
ders, N. Jahrb. xxxiii. and xxxiv. 1913; C. R. Post, The
Dramatic Art of Menander, H.S.C. P. xxiv. pp. 111145,
1913; Fred. Poulsen, Ikonographische Miscellen, Copenhagen,
1921; H. W. Prescott (three articles), Interpretation of
Roman Comedy, C. P. xi. 125147, 1916, Antecedents of Hellen
istic Comedy, C.P. xiii. 113137, 1918, and C. P. xiv. 108135,
1919; C. Robert, Zu den Epitrep, des Menand., Sitz.ber. d. k.
preuss. A. d. Wiss. xxii. 1912; idem, Tyro, Hermes, 51,
1916; H. Rubenbauer, Der Bau des iamb. Trimeters bei
Menander, Tbingen, 1912; idem, Der B. d. troch. Tetram.
bei M., Philolog. 72, 1912; W. Schwering, De Ovidio et
Menandro, R.M. lxix., 1914; A. Sehrt, De Menandro Euri
pudis imitatore, Giess diss." 1912; P. E. Sonnenburg, De
Menandri Heroe, R.M. lxix. 1914; F. Studniczka, Das
MENANDER
THE ARBITRANTS
THE ARBITRANTS 1
INTRODUCTION
I
* Inst. x. 1, 70.
INTRODUCTION
INTRODUCTION
pting and
page 1U.
INTRODUCTION
INTRODUCTION
conversation.
INTRODUCTION
INTRODUCTION
INTRODUCTION
II
Line Numbers.
l
X, p. 13 or
. 15 2
x'
15, 16
or Y, 12?
1 In this
Teubner,
Numbers.
Edition.
Ed. No. 2.
1357
Qwaternion
Pages.
358407 450-499
429448
,,
YR2 + lacuna 14 +
408-428
,,
YR1 + lacuna 14 +
and
Y, pp. 312
Y, pp. 1314
4316431
6-4155
463-497
420743115
||Y, p. 15
Y, p. 16
Z1 + lacuna ca. 23
lines
,,
1-357
358408
428-462 | 4081-4206
lines
lines
,,
1357
358427
Z, p. 1
498532
Z2 + lacuna ca. 28
lines
533567
Z, p. 2
568-637
Z, pp. 3, 4
|
500569
(Q2, 583590)
638707 || 432501
Z, pp. 5, 6
-*
(Q1, 591599)
Cairo 81 + Q2
Lacuna 10 + lines; Cairo
62 + Q1
.# # &
744776 : " | ###|Z, p. 8
1236 recto)
(U2, 576-581)
83
600-671
Cairo H3, H4
End of play missing = ?
84
lines
708743 |3,
'##
Z, p. 7
* : | #:
777810 |&g
# 3 |Z, p. 9
s' * ~ 3
811847 |>
# F * Z, p. 10
848919
920
520591
Z, pp. 11, 12
|Z, p. 13
INTRODUCTION
The delimitation into the conventional five acts is now
,,
260 +
,,
297
5 *
268
5 *
circa 200 + .
Total 1225 + lines
this
mosaic-like
text from
the
recognize that the recto belonged to this play and who placed
the fragments at Act IIIIV. The allusion, lines 3335,
just before the entry of the Chorus, seemed, with other
IO
INTRODUCTION
INTRODUCTION
The
twenty-one verses of which about one half are new and give
several clues to the speakers. Third: the other half of
these verses overlaps a portion of the mutilated fragments,
INTRODUCTION
6. Fragments U1 and U2. The placing of these small but
important fragments has caused much controversy. In the
second Teubner edition (1912) the order: H; U; Q;
#pi:
32
Sudhaus, who
died before his second edition was completed, left U" and U
outside of the consecutive text. They are there printed at
the end.
I3
'EIIITPEIIONTES MENANAPOT
TA TOY APAMATOX IIPOSQIIA
Mayetpos
'Oviouos
>pluspvns
Xatpotpatos
> pluias
Xuptorkos
AGos
'A6ptovov
Xapiorios
IIapid i\n
Xoppvn
Xops orvpatorw
p
I4
THE ARBITRANTS
DRAMATIS PERSONAE
I5
EIIITPEIIONTEX
MENANAPOY
ACT I
oNHXIMOX
SCENE.
Kat A.
A.
I6
THE
ARBITRANTS
ScENE.
He did indeed . . .
MENANDER
idharas
oivor8atro
v6potos oivov
avto Tour'N'Touan
tout'
6 kTAfft'Touat
D :16
x/
&yoy.
&T
2[.
Tovt eryo
8
T
8 2T
Tpooreuevow' ovtos epTrea ov ouao'ceog
/
3/
Tov epota.
>MIKPINHS
>
ov,
deka.
ever (as in L*, K*, and Capps's edition), the numbering begins
again with the first line preserved in the Cairo papyrus.
* Roughly: obol = 1; d. (or .03 cents); drachma = circa
9%d.; mina = circa 34; talent = circa 225.
I8
THE ARBITRANTS
ScENE.
SMICRINES, CHAERESTRATUS
(later SIMMIASP)
(Smicr nes, father of Pamphila, coming from the city, is
soliloquising about the reports which have reached him in
regard to the dissolute life which his son-in-law, Charisius, is
leading. The project of inducing his daughter to separate
from her husband is already forming in his mind. It is with
the financial side of the situation that he seems to be chiefly
occupied at this first visit to Pamphila.
The beginning of his monologue is lost. He does not at
first see Chaerestratus, who interjects various side remarks.)
Out
cHAERESTRATUS (aside)
'Tis just what I expected ! He'll rush in
MENANDER
>MIKPINHX.
(15)
XIMMIAX (?)
"Xaptai's
a'e"Tpoa Al
avel, Xaup"at
pate."
6.
p
/
.."
(20)
WrN'Tpuav
. . . . . . . . . gay Yvvaika . . . . . .
.
.
.
.
.
. tol
. . S
17 frts 58 40'rl 5%, Jern. suppl., rather long. /ris & Girl,
S*, who reports MS. . . . . . T. M. YNukutate . otms. . . . . . . .
7 timp.
THE ARBITRANTS
SMICRINES
CHAERESTRATUs (aside)
Well reckon'd that!. Two obols by the day!
About enough for gruel for a hungry man :
sIMMIAs *
He
CHAERESTRATUS
MENANDER
XAIPEXTPATOX
Awm Xye
r
*T
Avatata y
>MIKPINHS
>
(25)
T2
3/
"bpdao'uev.
XAIPEXTPATOX
r
5.
Tudata'tov.
XIMMIAX
"Ti Ayel's;
XIMMIAX
r
THE ARBITRANTS
Nay you go feed the crows ' Go join the dead and
howl | 1
How he splits
A household !
SIMMIAS
MENANDER
xAIPEXTPATo: ,
, ,
Tm ve/umw;
XIMMIAX.
"thu o'v y.
ACT II
SCENE.
ONHSIMOS
ONHXIMOX
(40)
836 K.
"yepao'v
o ekeuvos o katapatos w2/ukpuums
(I.
T
5 (N \
e-
3 (N3
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------------------------
THE ARBITRANTS
CHAERESTRATUS
What? Mine?
SIMM IAS
Yes, yours |
ACT II
ONESIMUS alone
ONESIMUS
fragmentary words.
teristic moralising:
For me,as my thought goes,-one's master is at once
- - -
MENANDER
os Aa. .
etto x . . . . . . . . . . . . . . . . .
(45)
&Toev . . . . . . . . .
towt? Tu . . . . . . . . . . .
kata to a . . .
. . . . Kop . . . . . . . . .
. Pa. . . . . . . . . .
SCENE.
. .
. .
. .
qbevyets to 3icatov.
AAOX
*-
avkopavte's, 8votvyns.
>TPIXKOS
*
*/
3.
183 K.
tutpertov tuvi
att Tepi Tovtov.
>TPIXKOX
SovKouai.
AAOX
/
Kpuwue6a.
42-49 See Hutloff, op. cit., for traces of additional letters.
Lines 15. Changes of speaker follow pap. punct. except
line 3, where 80% Aouat : is assumed from pap. 80%Nouai /
THE ARBITRANTS
ScENE
I agree.
DAVUS
Let's arbitrate.
27
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THE ARBITRANTS
SYRISCUS
* Who shall it be P
DAVUS
Good sir,
MENANDER
7Tal/Tooly.
AAOX
Tavros.
XMIKPINHX.
drcovaroplav Ti yap
to coxvov; all Totepos, a totw, Aye.
AAOX
3o
23 . g I in l. margin.
THE ARBITRANTS
DAvUs (aside)
I've grappled no mean orator,
Why did I give him part in this?
SMICRINES
By my decision? Say.
syRiscus and DAvUs (together)
Of course.
SMICRINES
Ill hear.
For what's
syRiscus (interrupting)
About just these our quarrel !
3I
MENANDER
AAOX:
>
5 *
ov/c X. yetv.
&
>MIKPINHX.
kai ucatos.
>MIKPINHS
Xye.
AAOX
/
X.ryo.
"dvleixumv.
T
N14
atrij}\6ov oixa
8 air &Xov.
#8
3/
ef
e/
go
55
4 4.
3/
35
37 D*, quat, y, p. 4.
THE
ARBITRANTS
DAVU8
I will.
straightway then,
Ere I could tell him everything, he begged and
begged;
So, Davus, blessed be your lot ! at every word
Exclaiming. Then: Give me the baby! So, good
luck
33
MENANDER
50 ottos Nev6epos.
ov;
AAOX
>wpuok'.
>TPIXKOX
<&yoy'.
AAOX
e/
catrpure.
tets tat';
>TPIXKO>
trovv
AAOX
at NAdry).
>
*/
THE
ARBITRANTS
Yes, I did.
DAVUS
I did.
DAVUS
Bu
|->
2, map
&fivros, ra 8:
arrents
2/
ox #vovaras;
sign.
. .. . .
*
-
&
[.
os.
r
-T a
T
THE ARBITRANTS
I that.
All right,
Then I come after.
37
MEN ANDER
e
* *
90
As
95
3/
100
3.
*/
&
722 K.
39
105
4 g.
39
180 K.
ey
38
THE ARBITRANTS
Reared 'mongst
working-folk
He will despise our doings, his own level seek
And venture on some action suiting noble birth :
Will go a-lion-hunting; carry arms; or run
A race at games. You've seen the actors act, I know,
And all of this you understand. Those heroes once,
Pelias, Neleus, by an aged man were found,
A goatherd in his goatskin dressed as I am now,
And, when he noticed they were better born than he,
He tells the matter, how he found, how took them up,
He gave them back their wallet, with birth-tokens
filled.
39
*...
a.
* <
est-
a"
:
rus Bud ovahtahat...i.
2%*#*x:
#. gato,
r".
M.F
-
rog
&beM'v. yr dwig':
-->
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rnpei, Trp) roMAoi Taij6 &p:#
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as #
P
e- " a
"
/ 33
>
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3*
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-
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ob. Sort Biratov et r* r. Lato'
*E
ronval,
cal roprow, be #
to data
r
# *repoy rowmpet of
--
[...]
|-
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&\'
&rr rvra "
P
ro ret'How 'art ro.
C
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&
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sMIKPIN's
. . . . .ex.
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||
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yvoo'ou.'
t
l Ata, .
vTos, Toi Roll #: T8: *a*. s
*
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--> *: .
.
...' .
THE ARBITRANTS
But had a Davus found those things and sold them off,
That he might profit by twelve drachmas' for himself,
Through all the coming ages they had been unknown
Who were such great ones and of such a pedigree.
And so it is not fitting, father, that I here
Should rear his body and that Davus seize meanwhile
His life's hope for the future, make it disappear.
A youth about to wed his sister once was stopped
By just such tokens. One a mother found and saved,
And one a brother.
All right.
MENANDER
>TPIXKo
euv
6' Y "kpials,"
T
T
e/
qbmui.
AAOX
Beuvri y
*
145 )
kp'igus,"
qb
T----' "
pe Taxv.
AAOX
ti yap y
rtpeyra towto;
>MIKPINHX.
8s Tot', pyaatipuov.
AAOX
THE ARBITRANTS
SYRISCUS
Yes.
DAVUS
A verdict rank
Else may
Here, quick!
DAVUS
*MIKPNH
E.A
v. S.,
* r caramrnodes r).
x"pis"):
9
[.
* * *
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60%."
Tlo"Tove
OUA
al/
AAC
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:
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2.
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#pd ev64.
eilot/wev '
evotpa, bett . 1.
-
*...*
L
CCDCon Cul
-
J. :
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THE ARBITRANTS
1)AVUS
# , rotona, dresser". A
s
...
*TO
[...]
... "
":
".
.
-
*i.
ativeTalk"''
r: aft:
organ's
arria:-.
brxavaos.
airs gunpois. EY'''://
:
Exedo.'"; 8.
'.
THE
ARBITRANTS
Let's
SYRISCUS, ONESIMUS
633
+7
MEN ANDER
XTPISKOx
of
iv.
3.
at 8 el ris;
ONHXIMOX
f : 13-42 3
a'u'ros o Tl.
>TPIXKOX
Ts;
ONHSIMOX
XoAs.
ONHXIMOX
"ov d'Txedev.
>TPIXKOX
180 r"olov'
otiv oppavon
T8 to a 60 at Xp juat
6
Tai'8s, TpogeX6v eivs pteiv BAret.
"Tov Ba'ktAtov 6s, bmu.
/
>
ONHSIMOX
48
THE
ARBITRANTS
Who is ?
ONESIMUS
The ring.
SYRISCUS
You're cracked !
ONESIMUS
Our ring :
get it from ?
SYRISCUS
MENANDER
STPIXKOx
5
ONHXIMOX
y;
190
Xatpeatpatov
siu oicrns.
a
6%e
tourov
data As
TX
"A
[...")
h'uo 8'0s v' &y'o ato' Trapxo av.
x
r/
>
>
ONHSIMOX
SovMouat
ars' buxatteuv.
>TPIXKOX
ONHSIMOX
THE
ARBITRANTS
SYRISCUS
That's settled.
He lost it.
SYRISCUS
I prefer
Myself as guard.
SYRISCUS
5I
E 2
|
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---
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oi viv
cacas &
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L
6 Zel's droMzau.
a/3w,
*
caxs'
dare'd
THE
ARBITRANTS
SYRISCUS
ACT
III
ONESIMUS alone.
ONESIMUS
'Twas well
MENANDER
ScENE.
ONHXIMOX, ABPOTONON
ABPOTONON
t u', ice revo ae, cai un uot caca[/ Tapxet'. uavrijv, s ouxev, d6X'ia,
XXma XXevatova' paffa'i Tpoorekov,"
6etov 8 utore? aloos v6pots u tw.
oicri u yap ow8 catacetadat, TXav,
Tap' airw, dANa Xopis.
/
215
*/
ONHXIMOX
>
>
*/
taxas
*
220
920 K.
5.
e-
THE ARBITRANTS
ScENE.
ONESIMUS, ABROTONON.
ABROTONON
No ! Nonsensical
"
<"
ScENE.
In there ! Give back, good sir, that ring, or once for all
the Panathenaea, for example, see Aristophanes, Lysistrata,
646
55
MENANDER
ONHEIMOX
p
TolouTol/l,
>
3/
* Q2
230 ort, ol
>
akpuffs,
ouToo l,
Xaptaiov,
*
*-
Ts, d8ATepe;
ONHXIMOX
>
>
ONHXIMOX
o8 Bouai.
241 Hesych.
THE ARBITRANTS
I must be off.
ONESIM US
Him father of the child with whom the ring was found.
SYRISCUS
MENANDER
>"PIXKOx
Tata 8,
245 "##"o
8wapaucoveis TrAuv yap pxouat
Il/
T
3
Troely.
ABPOTONON
/
e.
a/\",
*/
ONHXIMOS
"s' bnaiv.
ABPOTONON
scal Tovtovi
w
>
>
*/
67tep \ryo,
\
>
dTrSaxev 8, bris,
Tavpotroxious avtv;
ONHXIMOX
58
THE
ARBITRANTS
SYRISCUS
Yes, so he says.
A BROTONON
'Tis as I say,
Its mother no one knows.
ABROTONON
Yes, he
Was in his cupsat least, the slave attending him
Informed me so.
59
MENANDER
ABPOTONON
m Aan
a'o Trapovans;
ABPOTONON
Trpwat, vai,
...]
3/
5/
*/
*/
>
ONHXIMOX
5/
Tatpos Tivos
#kova as;
ABPOTONON
5.
ONHXIMOX
6o
THE
ARBITRANTS
ABROTONON
I could inquire.
She was the women's friend, the women whom I
served.
ONESIMUS
A BROTONON
MENANDER
ABPOTONON
Ti Xph Trosiv
ue vv;
ABPOTONON
eq."
THE ARBITRANTS
ABROTONON
I do not know.
Well, Abrotonon,
MENANDER
o"ca'c's"uvrot Ayets.
Ti obv Trojaei tus;
ABPOTONON
6aa', 'Ovijaus,
295 v avvapay arou Toijuov'v'6%umu pa.
uv Trojaouai to Tp'yula T'o'0t' ya,
tov Baxt:Nuov Aa/3 ob'a'a t eigo tovtovi
182 K.
vo).
ABPOTONON
*S*
>
ONHXIMOX
>/
>
dpuat y v6pTov,
286 C*, quat, y, p. 11.
293 Ov / in r. margin.
294 A8p / in r. margin.
64
THE ARBITRANTS
65
- 2.
a
es
* *
**
Pe* ye vl.
25repos*xon,
ravra. eat
Mall Too #: &
ONH31NO3:
* *
*-
AEPOTON ON
rd
solva
raur. 8"...declotual's
no
...A
as A.
*
#20 &
*
@S
-
TO.
S. "29.
nar:
fillria 8 ol rAeo # 1'.
-
*n
* off.
> * > A Corr. I di.
*
#11
817 . . ri, . J*.
THE ARBITRANTS
ABROTONON
Delightful |
Good |
By Helios!
ABROTONON
Good!
ABROTONON
Heracles !
a BROTONON
To cap it all
I'll say: So here you have a baby born to you !
And I will show the foundling.
-
ONESIMUS
O Abrotonon,
. *
MENANDER
. . .
** ** *
- -,
&
#.
... 3
320.*\v obros
abro, thy cpnw.
...t'ward
axoxiv.
:
X
ONHXI
#:
|-
2.
* :*
A.
2.
&ceivo 5 ob Ary
Af
**
-F
ABPOTONON
|
ove o
*
-
P-
2.
Sov.otump 8
*
-
&v.
s:
ONH2SI * 2 *
* -
* *)', ''
f
-------
U.
A.
*** * * * ":
1.5
&
THE ARBITRANTS
ABROTONON
I wish he might,
But I don't know.
ONESIMUS
At any rate,
You fool
MENANDER
ABPOTONON
oxotiv a vyad''ak"
pe'ak'el orot;
ONHXIMO<
*
ovvapaket 8tabpos.
&v yap calconevam, uaxobuat a on Tte.
335 vv foopal yap. v 8 to Tapvti viv
topaev el tot atuv.
ABPOTONON
ovkobv avvoket;
ONHXIMOX
ad'Avata.
ABPOTONON
Xdu/3ave.
ABPOTONON
981 K
ONHSIMOX
ONHXIMOX
>
339 Aristaen. 2. 1.
THE ARBITRANTS
ABROTONON
Is it a bargain then ?
ONESIMUS
A bargain, certainly.
For if you play your tricks on me, I'll fight you then;
I'll have the vantage ground. But, as things stand,
let's see
Of course.
ABROTONON
ONESIMUS alone
ONESIMUS
".
# "ToozSou.'"
yuat earl T repl rigs
Taxo" day yap etped war's
exei'pov urnp te rob *
-* *
|;
*#" ** raft,
ev
*pt:
*- .
Rpm,
'
#:
v aro
inely r "
Eski.
: It'. ~
THE
ARBITRANTS
w: <65->,
lin.
%2 J suppl.
364 J2 ''
365 "p'yaara, y, J*... rob's, S'. I rp"repov yap ABodrovov ti
"p Yvava'i, Wilam. // Text combined from Ji and Wilam.
73
*
-
scent surpin
*
... ." --
* {4
&
AGO/COM)
Trivet
To:
.. . .
''':
cataloxwovra ust
---
Ero', ; . .
-
- *
--
to N A&
ouoi, Txas .
couvovo's . . .
-
Trpooij}\6 . . .
te thw. . . .
380 ruv6avuevos"
Aot, . . . .
MO."
begins, left.
entified Frag. *
369 (ric"........s..
|
--
-| -
."
THE ARBITRANTS
Enter Smicrines.]
75
MENANDER
. . . . . . . . . . . . . . . . Ney.
Touki Aov,
platov apuat)auv.
MATEIPOx (?)
3
r_< 1
*-
e/
yo kata TroMX'd.'
. . . . . . . . . . . os &AX av TrAuv
395 A.
. (S Tivos
400 . .
TQ
.. .
. .
. .
. . ket
.
t1/
Tra . . . . . . . . . . . . . . &T'a?
KCl
61/01/.
SMIKPINHX.
He . . . . . . . . . . . . . . . ut"ap ye
391 AeA or Aet, J*./ Bey=ol] 6 4y[4, Allinson. VX ends.
392 Allinson restored from : obeis a . . . . . . . . repos, Ji.
Perhaps sc. for 391-392: "rolobros total yp uysipos, ol 4%|
obels Xixexikos & repos buiv : Troikixov, cf. Plato, Rep. Xixextkhw
But
moirixlav bywy, see A.P.A. Trans. vi. p. 121, Allinson.
J gives :
repos, S*.
393 pirra riv: J2, with : uncertain.
76
D* = (NT2 M2 VX2).
THE ARBITRANTS
COOK
SMICRINEs (aside)
A dainty lunch
Is this they're having !
COOK
[Exit Cook.
present.
398 Xu / in r. margin.
401 VX begins (left).
405 Xap / in l. margin.
MENANDER
(
.
?)
. . . . . . . . . . . . #'xovat 8%
Of .
(?) ,
ey
__9 . .
(),
. . . . . . . . . . . . . . . . Ta Xpm/ia7a
410 at . . . . . . . . . . . . . . v iiNikm
el.
644.
. . . . . . '80% Aouat
.
SIMMIAX
& Hodk}\ets
?
. . . . . . . Xuuias
*
. 'v) Tv "HXtov
aTlopa ey
&yoy drNoMa . . . . . . . . . . . . . .
kvmpo's . . . . . . .
>MIKPINHE
420 teita 8
. . . .. . . . . . .
6vyatpa[.4 . . 8. . . . . . . .
TeTOke, k'atoloa l/v1
. . .
/
Xa/3vt d . . . .
Tapakax'ea . .
425 uakpwe . . . .
THE ARBITRANTS
(At 473,
It is Charisius
ra
Xap to
. . . . . ..
5.
*
BeSoyuvov
won rvyxft":#aal.
Gry: S
--
1.
*
-
*-
M "
, oo Tus Tm v um. *_:
*
*/
|-
--
* =**
a ".
(*IMMIA:
.
|- :
**
''
*
. --> ...i. l *
-
J.
* *****
-
THE ARBITRANTS
--
MENANDER
(XMIKPINHX ?)
am a' . . . . .
cairep . . . . .
*-
8tov.
Tov jv \eyuevov tootov #2--4-->
puael
&T'uve welr Troi, 8 let
exel
. . .
. .
. .
. .
. ") . .
. Ous
:-"
Oll/
67'kel/
&\\ . . . . . . . . . . . . . . . . . et
. .
atra
Ppos T' . . . . . . . . . . . .
*
XI.
m an A. et et Tys.
e
*-
#8"
3.
mutv icekmo'evX
XAIPEXTPATOX
*
THE ARBITRANTS
(sIMMIAs?)
He hates this so-called gay life. He was drinking
with so-and-so; last night he had such and such a
girl; he will provide ior having such and such a one
to-morrow."
CHAERESTRATUS
in prose.
83
G 2
MENANDER
(XMIKPINHX3)
*
*"... ."
ovic oi'uoketal
ACT IV
ScENE.
SMIKPINHS, IIAMCPIAH
IIAMpIAH
84
THE
ARBITRANTS
SMICRINES
|Exit Smicrines.
(CHAERESTRATUs? or sIMMIAs 2)
he will come back, bringing
(help to carry her off) of course.
-
SCENE.
SMICRINES, PAMPHILA
PAMPHILA
85
MENANDER
>MIKPINHX.
-h
-* *
qbovijv adjuela'.
ei kpu et Myetv,
"##ael uy due'X's,
#8os, 'all'8' 'o" ap8pa.
*"
o8' olxiav oi'kota' eaffeins t &y
r.... Se
<MIKPINHX.
--
>
*/
THE ARBITRANTS
SMICRINES
87
MENANDER
a'ot SoftMo'uat . . . . . . . .
ket . . e. . . Not . . . . . . . .
ScENE.
TIAMdIAH
#ervdim, uv oiv
184 K
k\dova'a.
*
-x.
3%
>nd PONH
XaXeTv, IIapupi\m,
566 K.
THE ARBITRANTS
. . . . . .
. . . . . . . :
With weeping ! . . . . . . . . . . . . . . . . . . . . .
SOPHRONA
89
MENANDER
%.
ABPOTONON
"To trautov"
cAavuvpigetat, TAav.
Topewa ouat.
ABPOTONON
u ka Nets;
ABPOTONON
eya:
THE ARBITRANTS
For,
look,
Yes.
(again to Pamphila)
MENANDER
IIAM-p1AH
Tiffs 8 et a 6:
ABPOTONON
Ix ."
our
>
Tpoore.Toma'dumv,
*
>
>
ea
TIAM.dpi.AH
Xapuatov.
646 ris 3' et aw;/(A8.) xeroa, S2 and J%. , Allinson queries:
. . y(t) [10 letters] ra 5 . . po, and suppl. (continuing all to
Abrotonon), a.kohv 5& 7&xit 7a betp uot thv ahv 5(Sov, cf.
Soph El 30, 0&etav kohv Tols uois A670's 5,800s.
THE ARBITRANTS
PAMPHILA
.*
ABROTONON
Sweet lady, tell: Came you last year to see the show,
The Tauropolia? You spoiled a pretty dress?
PAMPHILA
Charisius.
*wr's ow of
ow offerav; "
4 to dis areavri.
.
a .wallia
Moura warragov.a.
#
. . .
t . *
T. T.
-
**
-
.."
ScENE.
*
QNH:
ors:
#:. .
. .
... .
&
* .
--
... * *: *****
&
&"
* ".
Tu Teg.
to preserve apotro:#keryos
at
.
l
****
:
THE ARBITRANTS
PAMPHILA
Yes, he himself!
Yes, yes.
ABROTONON
O woman blest,
ONESIMUS alone.
ONESIMUS
95
~~~
MENANDER
* . *
e
[540]
>
55
<< 3-...A." -. A - - -
**
>
>
3/
685
e/
>
3/
690
>
[550]
**
SCENE.
>
>\
*/
>
*/
96
THE ARBITRANTS
To tell.
saw !
Out he comes !
(to
MEN ANDER
/
695
* /no
x/
*/
*/
to
8aluvuovvta6 &bet: v6potos (ov.
a
Tptakakatuov, cai uya buo's kai XaXets.
f
>
ep
3.
a.
ef
705
. . . . 8dp/8apo's'
. . . . . . . . . . . a 'vv Tavrm orops
. . . . . . . . . ' uretat 8ta TAovs
. . . . . . 8au'vov tus 8 Tatip
atpet'atat aut' fi" Xp foetal-ti uot tatps;
"p' 8wappijnv. duoi av, Xuukpivn,
"un"TpeXe Tpayuat'. ovic atroxettrel u' yvv.
t obv tapttels scal Sudim IIapixmu;
710
715
[ONHTXIMOX #pxeral")
*
* *
*\
V."
\}''
*
THE ARBITRANTS
99
MEN ANDER
ONHXIMOX
*
[...]
5/
Tvv
8 calcs xo a bpa,
rg"
oitos takpodiuevos
ey
720
| *
3/
[.
'p'
uoi"Aaffeiv
T-A
"...a
[...a
*
Tvt Takpodaeu.
ONHXIMOX
["A
8powtvta.
XAPIXIOS
THE ARBITRANTS
T248 suppl.
725 tarexels, S2 suppl. // Remainder, Allinson suppl. /
*piepyos &v, TAas; S".
MENANDER
xAPIXIOx
Xapiate,"
ox ola'6a Trv.
XAPIXIOX
Q.5
ok ol' yd;
ABPOTONON
*
to trauiov
*
ovk mu
2|[...'
. plov.
3/
|[.
5.
* /h?
3/
-l
yuvii.
XAPIXIOX
'Y'et aq'bs;
ABPOTONON
r
oadbatar', pt 'Ovijauov.
XAPIXIOX
THE
ARBITRANTS
Not know P
I said that
AbRotoNoN.Perfectly sure.
Ask Onesimus.
MENANDER
ONHXIMOX
Awmr Awa)(ov,
/
ei yap 6dbeXev.
ABPOTONON
TIapbiXms to Tavov
[":
* ...?
&T
ovtos ap m v;
ABPOTONON
IIapixms;
THE ARBITRANTS
Pamphila's
Abrotonon, I pray, don't make me walk on air !
(Lacuna of circa 9 lines to fragment 82.)
740 This womans oath assigns the words to Abrotonon,
exe?v' &p'
Io5
MENANDER
ABPOTONON
753
. . . . . . . . . . . . osIT) y (; ?) TAav
. . . . . . . . . . . . To'iv Trvt eivau.
*
> C. r
ONHXIMOX
an a
. . . . . . . . . . . . p6s Ayets
. . . . . .
. . . . . .
. 9/49 :
ABPOTONON
. . . . . . . . . . . . . . dN'Tepe
760
. . . . . . . . . . . . . . . . . . Guos
(XAPIXIOX)
To'5To 8%
. . . . . . . . . . . . . . . . SoMouat
. . . . . . . . . . . . . . Tody'uata
764 .
-
e-
fx o Po"
ACT V
SCENE.
ONHXIMOX, XAIPESTPATOX
. . . . . . . . . . . . . . . ab'etuvov
. . . . . . . . . . . . . ta'vrm's 5'7"ep'
/
THE ARBITRANTS
In the dozen lines (753764) down to the end of the act only
mutilated verse-ends remain, but the sense yielded by them is
entirely consistent with the claircissement in the above scene.
Abrotonon, apparently, is at first explaining why she
pretended to be the mother, and tells Charisius, in the fourth
line, that she could not betray her real belief until she knew
everything.
ACT V
ScENE.
ONESIMUS, CHAERESTRATUS
MENANDER
. . . . . . . . . . . . . . vavrilov'
770
. . . . . . . . \ ok . . . tra ascert'ov"
Xau'pa To'a6' #8e to ueta ta' 5ta, Bet a', pm,
tros"8ta'uevels v Xaptaio" to Trv"
T
ols Tot'ola 6aTriats. oil yap a'ri tol
&raupivov tour o8 to T' T Tu Troel.
atov85 cal Trauaptov juiv eipev
f
XAIPEXTPATO:
e!"
775
770 "rb rv, Leo. / pixos, Arn. and Ell., S*, who reports
. . . . . . as another verse-end for 8.
THE ARBITRANTS
Look now,
For next thereafter, See to it,
# airw is
MENANDER
SCENE,
(XAPIXIOX)
[570]780 &T'aito'v . . . . . . . . . .
(XAIPEXTPATOX)
dutos 'A3'ptovov . . . . .
(XAPIXIOx)
dXX &#atrat".6a u . . .
ONHXIMOX
*
-
. . . . . .
tott . . . .
. . . . . . ka).
5
. .
. .
e i T ka Nov
g .
Z..T.
6a Tep Xvic'os . . . . . . .
er
790 &TeX,j\v6'ev
atoat'epeir
bC . . . . . . . . . . . . . .
-
8tat .
,
(T.
ov kpt volual
795 scal v .
e/
do a A.C. . . . . . . . . . . . . .
#v Plot . . . . . . . . . . . . .
vov Tot.
ouxev : oil
800 .
. . . . .
. 007TC . .
. .
. . . . . .
THE ARBITRANTS
MENANI) ER
815
. . . . . . . . . . . . . . . y Pu oil :
. . . . . . . . . . . . . . . whi'ov Ata
. . . . . . . . . . . . . . avtov to a bpa
. . . . . . . . . . . . . . . os duo'Aoy) :
[580]
. . . . . . . . . . . . . g's u &Aret
820 .
. . . . . . . . . . . D4+ . . ate . . Af
. . . . . . . . . . . . . . . . . exa/3
. . . . . . . . . . . . . . . Tov[.. . ;
. . .
. .. . .
. . . . . . . Till : . at .
. . &
. . . . . . . . . . . . . \ovt()ka . . . "
825
. . . . . . . . . . . . . . . . . . . )tto
. . . . . . . . . . . . . . . A890'Tovoy
. . . . . . . . . . . . .
830 .
-
.
-
.
-
C. V.
-
. Tyel/
.
-
.
-
.
-
. QTOU
-
Otle
. . . . . . . . . . . . . To'0t', d'AXa aw
. . . . . . . . . . . . . to tovtov't
835
. . . . . . . . . . . . Q.
THE ARBITRANTS
824 -kard,
Capps, S*.
831 S* reports v \ . v A C . I :
8315 Verse-ends reported by J.
834 S2 suppl.
835 g, J*. A, S*.
848 H*, quat. Z, p. 11.
II 3
*",
LE
ctor*roMotumv. vov6er:* *
4&
+
9
/
W
6) ...A. on "g
TodaS Crayo Tip O'
|
-
ox 6:v\aShoat
>
;
3 *
1.7%
#.
inality (mrs."
# 6pa Taunted
-
THE
SCENE.
ARBITRANTS
SMICRINES alone
MENANDER
SCENE.
SMIKPINHS, ONHSIMOS
ONHXIMOX
ijkov;
XMIKPINHIS
&yoye, Totaxatpate.
ONHXIMOX
v
870
Kai pud Ma
174 K.
a.
3/
Xyets 8e ti;
ONHXIMOX
875
[630]
THE
SCENE.
ARBITRANTS
SMICRINES, ONESIMUS
ONESIMUS
You're right.
Quite so,
SMICRINES
r
*
# - ||
!"
"preuw
&dar.
w
S Tobrow
6 iMacon
Ander droTop
400 d/206S, "T.
2
*E 8
9
5%
*
*
ei
2
XMIKPINH2: .
T207-lite
s.
epow.e.,
m
OUAOS,
*
&
".
duaffs ru,
ONHXIMO:
T
"T
5:
#01);
|->
" *
.k."
NH SIMOS,
*
-:
*-
TVoyage6's
ox 6 Tp:
(, lyti (0%
-
< %."
THE ARBITRANTS
SMICRINES
What
Well, do not then the gods look out for us? you'll
say.
It is smashing you !
SMICRINES
You see ?
*
|-
* \
as
5.
a 9.
4.
* .
>MIKPINH3 "
"
'"
- -
| | ||
rparty 5uota
905 &rptouen.
rewrunua ratia
.
. .
.__
*MRPINH: "'
ove ol 5 Tu Myes:t
onasnos,
[.
e,
e.
."
&
- L'IKPINF =
"
#9 bpov,
.
5.
THE ARBITRANTS
ONESIMUS
He caught
And drew her from the dance andGet my meaning?
Literally pachyderm, giving a different turn in
English.
I2 I
''
ONE:O:
*~
|-
". r
.''8'dyad.
awayvapuapos atroovsk.
* *
*
-
# *, *.
* .
SCENE.
. . ."
--
s-
SMIKPINHX, ONHXIM
>MIKPINH-i-m
2. "
Ti pnouv, lept vXe y/a),
a-i
&
"
sacron.
|
-
*"
Traffavouvn.
Trpa's A&yet viv.
915 &tye's
or)
yap r
* .
. . "
uppl. obtos, *
assigned to .
-
====
- ".
e-
g-
>*
es'
".
**i."
p
... "
* * T* * Wilam./ .
. . . . .' *
THE ARBITRANTS
SMICRINES
Yes
ONESIMUS
What's that ?
You're daft P.
SOPHRONA .
Monstrous
this
oNESIMCs (interrupting)
I know at least, know well,
The crone was first to see through this.
Sophrona answers by quoting from the Auge, a lost play
by Euripides, in which (also by means of a ring) Heracles is
identified as the father of Auge's child. (See Capps, ad loc.)
123
MENANDER
XMIKPINHX.
Tveuvov Ayets.
>04,PONH
[670]
I 24
THE ARBITRANTS
SMICRINES
Outrageous tale !
SOPHRONA
125
OTHER FRAGMENTS OF
EIIITPETIONTEX
l.
894 K
850 K.
2.
3.
. . . . . . . . . . . . . Ti 3 oil Troe's
*
>
e.
Toxi,
#6%ta
8
Try a-64
a6Auditepos,
6iet urnv.
but Adala'y''a
/
5.
178 K. . . . . . . . . . . . . . tra Taoa
*
a.
ey
> \
e/
a.
179 K
185 K
xivos . . . . . . . . . . . . . . . .
8.
OTHER FRAGMENTS
ARBITRANTS "
OF
1. (CHARISIUs?)
3. (oNESIMUs to cook?)
Now why don't you serve breakfast? He's sprawled
out there long since upon the couch, and chafes.
4. (sMicRINEs P)
An idle man in health is much more wretched than
8.
St. Pet.
127
gives the title to the play, may have been made very promi
nent in the missing acts.
I 30
M
rs
that
und T
ei
s
ne
In
es:
is
is
50,
h:
e
d
1.
$|
INTRODUCTION
Demeas
INTRODUCTION
INTRODUCTION
I 33
Me
l'
fof
rox.
A.
M
A.
A.P
O)
T
r*
Ko. trips*@
Compare
I35
>AMIA MENANATO:
*
ACT II || ||
SCENE 1.
AHIME:
-
,
-
ARMBA:
C
C.
uaivoual' . . . . . . .
Aagov &n &yaff & ". . . .
THE
GIRL
FROM
SAMOS
ACT II
SCENE 1.
DEMEAS alone
*
-
NTD'.
MENAN
Awp., 582 p, atov *. Lai.
-
-----
*2
# T'J'. '"
-
fE
*-:
#
#:
** airm
- 6apdraw, &ev6 pa B viv.
-- r radiow
*vow."
7-
*:e.
as
3 * >
"
&
9 :
Af
&
* .
/.
~ a e &
[.
e e
D.C.: OE
tw.jkou, Js.
#.
#
THE GIRL
FROM SAMOS
.. . . . . . . . . . .
then to a serving-maid
I 39
---, -,
...[2.2.
---
8)
&
Gro? |
.
. .
**. "
* :*:b. .: . .
"." ".
. ****
45 *::::A;
**
# , *
* >
ait)
ca's, rirn, ore,
&al 5.2
34%|cal
- c, -->> . . . . . . . .
, e,
**
[R]
*-
&
*-/
3.
**
5 go a
* *
-:
-
3)
32
*.
- /
3.
2.
9.
> CN / is
Dr.
~~~~
*******::
:
, - 's:
"N-ter"
*:
:=
---
T=
.#
Kata/wa',
** *
."
Ex: Wi:k
*
Where ?
MENANDER
65
70
*/
SCENE 2.
>
ef
mAPMENnN
[70]
MADEIPOX
T'p'oa"Taige's uoi,
ilt';
IIAPMENON
yd;
MADEIPOX
75
ScENE 2.
What?
You ignoramus?
PARMENON
I?
CATERER."
1.
the scene in The Counterfeit Heracles, fragm.
No. 518 K, below.
143
MENANDER
e
*/
IIAPMENON
katakTTets y ue,
6
F /T
ei Mav6avel ae, 'bi'XTat', eis replicptuata,
ox dos tuxev.
s
MADEIPOs
3/
otuoge.
IIAPMENON
kai ai Tofft ye
*
e/
Travtos vec',
*/
II applvov.
IIAPMENON
5
u Tus kaxe?;
AHMEAX
<ae- vaixt.
IIAPMENON
Xalpe, 8a tota.
AHMEAX
*
dyadi Tym.
AHMEAX
Tob"Tov
uv ov'v,
dos yual, Xav6avel.
Z[.
18"
ST
T
5
5/
3/.
86 Headlam.
SAMOS
Go hang !
PARMENON
The same
Hist, Parmenon |
Ah!
Greeting, sir.
DEMEAs (sternly)
You stow that hamper and return.
PARMENON (disturbed)
Luck help me, yes.
(Parmenon slips into the house nith the basket.)
DEMEAs (alone)
There's not a thing, I take it, that escapes this man.
He's quick to know what's going on. A meddler he,
If ever anyone. Enough ! He's banged the door.
He's coming.
5:3. Te Ko
pos airff riv be "pass
-
".
AHMEA}}
----Z.w
-
as
Q3)
T# woe: Fog",
[on]
#.
tt atkpw,
IIAPMENON
>
**
AhmeAx '-'.
rove 8' v
#
--~~
".
*";
tyrs) v.;
AHMEA:
avyapreus r, wrps /
IAPMENON
&
*/
- 5
AHMEA*,
*,
**
by:
5.
6///U * OU
eas. I reas:#axe. L.
---, *.-...----isons.
*::::
-->
DEMEAs (sarcastically)
What must you do? Come from the door.
A little further.
PARMENON (obeying)
Well?
DEMEAS
PARMENON
You !
Look here.
I47
MENANDER
IIAPMENON
i80' 0 &\tro."
AHMEAX
/
*/
#vTo Tavov-;
AHMEAX.
XD--
"A
Tuvos e at spot.o.
IIAPMENON
Xpwrat'80s."
AHMEAX.
Tatps 8 to 0;
IIAPMENON
[100]
a 6'v y otiv.
AHMEAX.
AHMEAX.
M' "atuv,"tt a
vola 6a aw,
tis bm'auv;
AHMEADS
Well, there
I do.
DEMEAS
Is whose, I ask.
PARMENON
WellChrysis's.
DEMEAS
'Tis yours.
DEMEAS
PARMENON
What, I ?
DEMEAS
MENANDER
IIAPMENON
a.
110 ti Tovtov
IIAPMENON
a tigeus u;
AHMEAX
*I" T
#78'm y'.
IIAPMENON
atAoAa.
AHMEAX.
X8 airv.
6 TAugua
Y'6"ovs,
Aa Kekpottias
raekp
/
*/
5/
3/
>
Jensen.
THE GIRL
FROM SAMOS
PARMENON
What's that ?
Concealed !
-*.
By Helios'
Me P
Tattoo P
DEMEAS
Yes, now.
Restrain thyself.
Endure.
" | ##|
||
1:)
T
& "kalp'Sovietoavr
rou roi"ear
** gap ruflavov sh't uot ||&:#
"...# avra. gopulov cal ord'ppova * # w
.--
. . .
[130]
**
-
Z-S
5*
5)
A.
'o -
"--~~
"...
inserted.
/(0.
-D. **
1-1-
L.
til
R.
*.
***, *from:
.* F*, quat, y, p. 5.
139
y, Se..."
E.I."
*P. ha'ws:
* ,
-s:
- --
.>:
DEMEAS, CATERER
MENANDER
AHMEAX
/
k Tov Learov
va"ye oreautw,
MATEIPOX
e
[150]
155
3.
ScENE 4.
AHMEAX, XPYXIS 1
AHMEAX
*/
5.
a.
*/
*/
8va uopos
AHMEAX
4
& a SN-2
55
val, vaaopos.
*
>
Tavao a y,
door.
DEMEAS, CHRYSIS
DEMEAS
Begone !
CHRYSIS
I 55
*.
MENANDER
XPTXIX
ti "rooijo av;
AHMEAs
ua toto cal
XPTXIX
/
4. g.
Tl
>>
Kal;
AHMEAX
[160]
ox jTuatpumv;
3
3/
&
Xut.
XPTXIX
*
TL Ovy;
AHMEAX
/
>
e/
pavXos tpattes.
XPTXIX
*
vv 8 ris;
163 <e5-> insert and continue to Demeas, Allinson./<ob>
insert Ell., Wil., and give <ob> uav6vo to Chrysis. There
is no (:) and no paragraphus.
156
THE
That, and
CHRYSIS
Yes, that.
well:
MENANDER
AHMEAX
a uot AdAet.
el's
T
advris
Tvta
Tpoatimut
a ot,
I-2
T
170 "iov, 6'epa Taivas, Xpwat' k the oikias
Tg
/*
Tru64.
XPTXIX
Tt uot 8taxyet;
XPTXIX
An 8acijs.
AHMEAX.
[170]
Ti a Tuv;
AHMEAX.
dXX ail
p
e \
3/
obtro. 8devel.
ey
outos
AHMEAX
158
DEMEAs (impatiently)
-
Out of my house.
Begone !
-
CHRYsis (aside)
This thing's some gust of wrath. I must make up to
him.
(To Demeas, pleadingly)
Dear sir, look here
DEMEAS
But you,
You've got yourself a son, you've all you want.
ChRYSIS
Not yet;
You're grieved.
(Once more appealing to him)
Yet still
DEMEAS
MENANDER
XPTXIX
*/
to uya Tpyu'.
*/
e/
v ti TAet
5/
*/
Troauv.
*
*/
*\
* Qo
er
>
XPYSIS, NIKHPATOX
NIKHPATOX
3/
But, see,
A slave accompanies
)
-
NICERATUS, CHRYSIS
NICERATUs (soliloquizing)
This sheep here, when it's sacrificed, will furnish all
That's called for by the godsand goddesses to boot.
For it has blood; has bile a-plenty; handsome bones;
A spleen full bigjust what Olympians require.
* For Greek money values see table, p. 18 above.
161
M
MENANDER
ey
f/
5.
XPTXIX
k88Amk ue
val.
NIKHPATOX
ua ti;
XPTXIX
8va to trautov.
NIKHPATOX
Good Heracles
Who?
Demeas?
CHRYSIS
Yes.
NICERATUS
Why?
CHRYSIS
I 63
M 2
MENANDER
XPTXIX
*
6s kai bpdoras
Amuas XoA";
(Lacuna of circa 140 verses to F".)
At the end of the preceding scene Niceratus offered Chrysis
the shelter of his house, into which they retired, with the child
and nurse. At this point the unfounded suspicions which
Demeas harbours against Moschion and Chrysis were cleared
up (vv. 412 ff.). Probably Moschion has heard of them from
Parmenon, whom he has met in the city. We must assume,
further, that after Demeas retired into his house to resume the
interrupted arrangements for the wedding Moschion and
Niceratus held a conversation, in which the latter, curious
ScENE.
AHMEAS, NIKHPATOS
AHMEAX
8
to oeuva
v
*@
ukpov;
*/
164
THE
ScENE,
DEMEAS, NICERATUS
DEMEAS
165
" " - a
|ftov- At'.
T
'.
+
| '
-* ,
#9
-
|,
*-
KXels.
Ex:
NIKHPATO:
.A
NIKHPATO
5%
unb riv cp
*#):
* /
'%'.
6a7s
#.
Aft) *
**i.
--
uromaeiv,
T1. 1, Jens...}'':
=
a.i.a'l-k-l.
"
*
---
#g *:
- ****
* .
****
-
*);
":- "...]"
f #. f
F:
. -: * *
.
".
Yes, by Zeus.
Why,
character
&
Cyclone he, or
thunderbolt,
Not a trace of human in him.
|
-
...
2.
NIKHPATO: -- .
* >*
AHMEAX:
*
ovrodira
signerjnce": t rotarous role case: ;
-
*Y*Y
20]
-
Af
5)
obbertwrot'
sis rouarny
jured
as
*
. . . . . . .H. L.
olba rapax v. art uvros t
/
arabs
.
-
}}#}:
-
&
i.
."
.."
*"
the best
Here! Chrysis
CHRYsis (benildered)
Who is calling?
169
MENANDER
AHMEAX
eiao Tpxe.
NIKHPATOX
*/
6s oux', y,
Amua,
370 ctoov &TeX6'. a ue yevuevov to 5 trauiov
ryxpath to Tpryu koborat Tv yuvaukw.
AHMEAX
Mauvetat.
d'AXa tv7rtifaeis u;
NIKHPATOX
yoye.
AHMEAX
[230]
6ttov elapdpm6, a .
&AA unv c'yo'ye'. bebye, Xpwai, kpeittov ati
Alov.
Taut' y uapTwpouai.
374 rpteposvvvi : pap. / Continued to Demeas, L, JP. If
rair, J. Irobt', L
17o
Yes, sir!
MENANDER
AHMEAX
ov/coqbavte's.
AHMEAX
Acal av yap.
NIKHPATOX
w
to Trauiov
"y\otov. Tovuv;
NIKHPATOX
*
"Tepiue'v'. v6potrol,
NIKHPATOX
378 /. . . . . . , J suppl.
This is blackmail.
DEMEAS
Nonsense !
Mine P
NICERATUS
Bawl !
Once inside.
DEMEAs (aside)
Here's a sorry mess again.
I'll prevent him.
(To Niceratus, threateningly, again blocking his nay)
Where now P Stop there!
NICERATUS
MENANDER
AHMEAX
8% [...]
kate Xe on ae'avtov.
/
NIKHPATOX
[240]
p a 6s ue tals
vtepio cev;
AHMEAX
Xvapels.
p
Treputatijao;
AHMEAX
THE
GIRL
FROM
SAMOS
DEMEAS
Calm yourself.
NICERATUS
You're shown
NicERATUs (suspiciously)
by him
bamboozled ?
DEMEAS
I go walking ?
DEMEAS
MENANDER
AHMEAX
to TXelatov.
&AAa ri
[250]
oiuot Txas,
toto.
Xinletal uv a boSob
6elov 8 &at', akpuSs <ola,> to yeyev
<v=muvov,
176
Woe is me !
Who are sprung from gods, yet you, sir, think this
chance a dreadful thing.
Chaerephon here, first and foremost, never has to pay
his scot
MENANDER
NIKHPATOX
*
[260]
6vou,
Tatra'."
AHMEAX.
*
ra
tvov eitpetri);
NIKHPATOX
Trojao.
AHMEAX
178
SAMOS
-
NiCERATUS
DEMEAS
to Dana in
Danaes !
I79
N 2
MENAN
l
NRHPATO:
| .
D.
E.
"
. . ." .
#
*::::2&pw & woxxiv. race this 6'e
AHMEADS
**::
* :
k;
o's
*-
i.
--
D---
X O p O of 1
|
-
*----
**
-#|
-~
* ACT III :
scent 1, Moxin
-s--
Moxinx
.---|--
airtas' | *
iyrnad'.
ro56 teaway strx" guavy's "'op",
breakov. 4, 8 MaxNow & ows:
sal my
5: 55 gro".
.
#ov/vmy
s /
/
*
("% tao a T0
...]
* ,
'ely, Zi VA.
---
#.
*.
":
".
.
-
**
D.
*Tobia HS
:# quat, y, p. 13.
:- :1 --~~
416 J*, S*.
|
--|--
ill--> *
| #7 is 1.
to
|
-
CHORUS
ACT III 1
MOSCHION (alone)
MOSCHION
><
|-
"
3.
".
[*
sces. 2. Moxin
IAPMENGN...
*
,, ,, #
-->
...
Rail r) J.T. #
[A
-
-- "Feron.co."
a key oueffa ;
5:Nev6pay
#6ev of 8v IIa u"
/
la
->
" ** *
*-
#* *
--~~~!" ":"
s
|
-
[Re-enter Parmenon.
ScENE 2.
MOSCHION,
PARMENON
But
blame.
MENANDER
offros.
IIAPMENON
z
Xaupe ov.
MOXXION
ti Troja ov;
MOXXION
/
5.
a Tr6mv y arou;
MOXXION
Kai Tax".
449 J*, S*.
450 I*, quat, y, p. 14.
451 orb, ra's, Capps. / offrws, L*.
452 Allinson
kai . . . . . . e, L*. / J* reads re at end
hence 5'euxralte, K2, S2.
''
THE
Our house.
GIRL
FROM
SAMOS
Some one
Of those within has owned to this.
that ?
Now what of
In not one
thing.
Why did you run away then? What is that, you fool?
Well, then, he scared me.
threatened me,
Said he'd tattoo me.
That's absurd.
Brand a name.
He
It makes no
whit
Well.
Go within.
Be quick!
PARMENON
My errand, what?
MOSCHION
I?
185
MENANDER
IIAPMENON
eti Ti;
MOXXION
ti 8 to Tpryu';
MOXXION
si xivirouat
IIAPMENnN
Tu
T
o'Uly
3.
a.
*-
186
What for P
MOSCHION
What is up?
MOSCHION
If I can find
A strap
PARMENON
No, no !
I'm off.
MOSCHION
187
MENANDER,
-
- *
-
Scene 3. Moxon, I
IIAPMENQN
|-|->.
*
-
--
s.
"dile's
-
MOXXION
5.
& 3.x-
". . .
IAPMENQN
roloffol, yao
go TOPS
royo @@
y :"...is
Y&P @@
obros, o bpsus:
7
uertval rhy
earcy
* .
ri i ! / . . . . out
*
but there is
".
ScENE 3.
MOSCHION, PARMENON
PARMENON
Do you bring?
PARMENON
189
mAPMENow.
ri rosets, Mooxha,
...
#
MOS:XION | * *
"|
-
#.
| IAPMENON
-,
, , ,
MO:IGN... .
# ... :
* * **
-
---
mAPMENnn
Ba, v.
for:
-
Tuya taxw.
Moxin'
*Yes,
'.
...
#:
>
Saatcom.a. To
-
THE GIRL
FROM
SAMOS
Moschion |
MOSCHION
In
I am going. Zeus!
Mickle mischief.
MOSCHION
Still delaying?
PARMENON (opening the door and pointing nithin)
Look, in truth the wedding's on.
MOSCHION
#*.#
|s|
"A ve"rat"
# FRAGMENT ..],
#25
a.a. 'Savorw * at 8 &res "Tp, I'
5*
*
-
*,
... .
|
#
-
g
-
.
E.
I 93
.
.
."#|
THE
GIRL
WHO
GETS
HER
.
-
|
*
THE
GIRL
WHO
GETS
HER
INTRODUCTION
198
INTRODUCTION
I 99
"
# IIEEMPOMENH MENAN*
-
TA
Toy
APAMATOX IIPOX
Iox4",
TAvrpa
Socias
Aopis
Ayvola 6es
Xopos orvurorw
Pataecus.
CHORUs of revellers.
SCENE: A street in Corinth
and Pataecus.
2O i
IIEPIKEIPOMENH
MENANAPOY
ACT I
SCENE.
The initial scenes, now lost (about 120 verses), created the
situation in the household of Polemon which remained un
changed until near the end of the play-Glycera living as a
refugee in a neighbour's house, Polemon trying by every means
to regain her. One of the first scenes was an interview between
these two, ending in a rupture which seemed irreparable.
The evening before (vv. 33, 180) Polemon had seen Moschion
kissing Glycera and, ignorant that he is her brother, had
departed in violent anger to a place in the country, promising
to decide at a later time upon his course of action (v. 39).
The night he had spent in an effort to drown his sorrow
TIOAEMON
569 K.
2O2
THE
GIRL
WHO
HAIR.
CUT
GETS
HER
SHORT
ACT I
ScENE.
POLEMON, GLYCERA
GLYCERA, DORIS
With the help of her maid, Doris, Glycera carries out her
Scene.
*** * *
ATNOIA
ATNOIA
||
* * * "' adopt
-
#||
5.
A.
p:
-
||
* -
SCENE.
MISAPPREHENSION
MISAPPREHENSION
Wa
| | | | MENANDER
-
p".
&
5..." .
I. :
> * >
care\etrero' -
Hala
NX -->
2.5 otpatorms of *
*Obora Texpo5, toz'suv.
*7ivv', o8 &ceivov SoAero:
*
*
elve.
Bokobvta
Nag'
6, els
#
. . ."
8 uera Axay,
"yaftiv,
fivao
6
&v
8&owev
|| #"
" ***, ',
" /
2 No.
>
as
*/
-* * *
art 4", a 5 *
Af
arv"...ots:
*...?
...
&
".
[. 2. I
6 *
"6",
06:
t/"
. . . . .''.
* * **
&
A.
&
40 airiv <>Tu
Sowet?", " 8" &epv art
a w
68%pe6 3rt rair obe &ev6pos woetw
.
. . . . .
#earw airff. Travra 8 &#ecdeto 2 : */
2 : G. A
* @
' ,
>
E.
3.
* .
|- " -
*"...r-------.
os, Wil:
5...Br. ft Toei's
'Reinach.//
==
4259
-*
"... r. , 13 6 ty:
# =
-
w.
. . . .
.. -
* ...-
#,
EI*
MENANDER:
-
vra robrov,-px)y
** ****
-
|
*Woredo's
Aft
- P
-*
--
.[.
-
.--
s",
&
*-
#4ty,
6eaTat, ca.
"
*...*Ta
. Moutra oggers.
E.
ACT II
stras.
ScENE.
[.
AQPIX
".
*''."
- -
3O+IAS:
-
9"
... .
it
"... p.
".
After carazweis,
car wrov to
>
Dr.
&
as
*:
-
* *
&
*:
York: **
ACT II
ScENE.
**
#01/
#:
Ever 'X.
</. /.
&
--
.."
---
||
Ah, Doris !
sosias (aside)
How she has grown up !
looks!
N.'"
~\
_X
4.Y.
&SOSIAS
(aside)
--"
"
".
MENANDER:
&
G F.A.T.A.
s.
---
-.
ACT III
scene. Moxxion, AA .
,
MOXXION
"I
-:
*-
#| ||
#.
-
**
** *
Rya::1:ffff:
.* ".
ScENE,
DAVUS (alone)
That's
what I think.
ACT III
MOSCHION, DAVUS
MOSCHION
See note on
2I3
MENANDER
in
AAOS
, o,
p.
R.
AAOS
a T-
".
**
a **
":
-*."
cal. &
Tex''' A.#. &et &
A. ~.O's ... . .
-
* -
-,*
Tax
*
-*.
; :
*... . .
**
#76 3'0' !.
*:
***. .
Frobir &n.6
MOXXION
pa to uvA26petv epartarov;
Aaos
-
E. T.
Mosx1:
--~~~~-->
*ll'ii.
Ithe treadmill?
MoschioN (objectively)"
Now, thinks he,
2 I5
MENANDER
#.
AAOX:
unbe'u'uff' rx:
MOSXION
* -:
7parorov,
s
AAOX:
-
L., .
oil uAet F :
fy
S.
T.
- 5
MO:ON
s:
&ra . . . . . . riftwarra-
H. .
'
AAO
'
Travronoxety'. Aloud."
Mooxlov,
"
**
** *
Mazzouze: inter":
-
-***
| Taxat'Tpe."
1.
... ".
sell
For my rle . . . is . . . . . .
rather.
MOSCHION
Zeus !
MENANDER
AAOX
ka)\60s
To6ets"
*/ T T
*/
epue
*-
AAOX
Tropeva opiat.
MOXXION
8
D I
A
6
Teputatov oe Tpoa u'ev'o are, <Aae, Tpoate Tow
*-
6vpv.
[110]180 &XX &etev uv Tu Toto36 60s Tpoa #N6"ov'a Trpas:
Tpoor&pauvt. ovic & pvyev, a NAa repuSaxoja'
t'atra'ae.
174 J*, quat, y, p. 8.
'...}
= r
As for me,
In a matter
such as this
I will go.
MOSCHION
Moschion
soliloquizes.]
Well, when I approached last evening, this is how
she then behaved :
MENANDER
185 Mooxtov,
pTtm.
AAOX
e
>
* (N*
ev
ovicol 6 tw.
arov 8voukei Teputatoba'
# be unitmp
8
T
8
>
evtpetes
3/
5.
5.
[120]190 "ua"Ai'a".
MOXXION
vv Tlot'v'vv Ay x'6"ov.
AAOX
it O . . . . Co.
189 Cairo pap, has obk eiu at beginning. / Capps omits obk
and makes interrog./Wilam., K* transpose off to end and
give to Davus.
190 wa Afa etc., S2 suppl. from J.
22 O
No, by Zeus.
MOSCHION
DAvUs (obeying)
As you see, I'm off again.
(Davus re-enters the house.)
* For the Greek formula: Make obeisance to Adrasteia
Adrasteia (the
MENANDER #.
-
MOXXION
few rpreo6au, iv re
-
-----> \; \ , -->
--
>*
ar.
>
Az
G:
-*.
-
**.
*
#
. . ..
: *.
30]200
..
*...
-->
is: t end, p:
->
Yes, by Zeus,
It's too queer. Why, when I entered, told your
mother you're at hand,
Straight she says: No more of that, sir. Adds:
From whom, pray, has he heard?
Is it you who've told your master that, because the
girl was scared,
Here with us she's taken refuge May you not live
out the year.
Off, says she, Off to perdition
Slave, begone,
away, away !"
Listen now to one thing more, sir: all our scheme
-
is ruined quite;
223
MEN ANDER
MOXXION
Aao Twyia,
T-X
RX
...1%
Ti bijs;
Ts
3.
*/
ap
*/
5.
5.
evek
s
n Tu Tpayu ;
ovX
eptov
5.
*/
>
[140]210 '8%arov.
MOXXION
>
*
...]
>
N";
[.
*-
va uvnuovevo.
MOXXION
kai boxeiv
Whipping post,
You have duped me !
DAvus
What is that?
I say that?
By Apollo, no,
not I.
MOSCHION
MENANDER
AAOS
..
ODA GX
yoy Emelow.
MOXXION
* * *
AAOS
MOXXION
--
#axpay.
|s.
#- is
AAO:
MOSXION
Es:
$Xuapets wrps as
AAO:
2.
."
* -|
**
. . .
...A.,
! *C.
-
... W.
o
&yoy,
Gdy drovo/S.
TVXOP
&
r
67
8
5620's
G. :
Z
&
*A6ev.
#:''':
MO:N
|*
*T/
Tot'6
**
*:
-
#. to Davus,
-
#
*9
*::
1)
TG
".
|
#.
Where 2
Cut it short.
MOSCHION
MOXXION
...
or
#7tos
"t of c'ns "ps tile AQA
Awkas
E.
| | | | ||
-
i Txt".
-si
|'' .
AAO:
i.
1-
* *
six:
.*
r*
"I -
re
5-
**
g.
* .
5.
MOXXION
UN
, -
Taff's,"dpa.
Aao:
d
F.T.
Change your
tactics in a way:
Of course.
I give in ; I do it gladly.
(Erit Moschion into the house.
MENANDER
#.
AAO:
>OXIA:
Ot): Guy"://0%
S. Q. "
D-
* **
.*.*.
h.
| "...in all
E:
r
-
* I'
##
7-'.
\
-*.
SOSIAS
23 I
>
*::::
MENANDER
AAOX
avao"Tp'bel"
"v6'potos pyuguevos Tta"roatia oual.
XOXIAX
evtsi)6ev ei;
AAOX
T
DAvUs (aside)
The fellow's coming back
Again enraged; I'll stand off here a littleso.
SOSIAS
Perhaps.
MENANDER #.
1.
AOPIS
"...
Ka:
:
~
&vp'au;
AAO2:
.. .
... . . . .
# ua Ata, we'rpr''85'
(*M*
- WiMedf
Y
&
D
-
>
*I.,
--
S.
# doeMyot's 6
Txeuv;
AAOS
>OXIAS:
AAO:
Tetpabpaxuous,
dxuous, L*, S*.
2.// Remainder S#
who con*...] it's Sosia:"
AIM-A.: #Aliiola.
|| ||
-
What? Men?
recruits!
Four-obol 1 raw
No, we hadn't.
Never !
See
text.
MENANDER
XQXIAX
buv 'b6apvitas;
Tpos tv oleoff", eit8 uot,
f_T
*
>
to
Tovmpdv,
6\te,
[.
AT
5
/*
T-."
*/
AAOX
*/
TrXtv
275 oikobvres
AAOX
ai'8'ot, Afyouaw
orapto av
AAOX
5/
T.'"
3/
3r
eos
eOl/cas O. K.
267
268
272
275
236
Walpos
e/
OuTGo's.
votvyes
sosIAs (interrupting)
Yes, some of you destroyed ! But tell me now, with
whom
We city-dwelling folk
DAvUs (interrupting)
We havent her.
SOSIAS
Oh!
Bosh!
MENANDER
AOPIX
'X'oaia.
XOXIAX.
{-|
T
Aoot
orv' puev et Tpoor'et u'ot, Adopt, ueya Tt arol kakov
T-X" ... A
"8"dia.o.
*/
e/
a.
: Xalata, J.
278 S1 suppl.
56ao, Arnim.// Lef suppl.
Suppl. Housman.
283 80%Aouai : L*.
S*, J suppl. from / . . . . giv'.
rt uhu, Capps suppl.//tt &AAo vov, Allinson.//Xogia; J2.
DORIS
Hist!
Sosias!
SOSIAS
She in fear
Off somewhere to a woman?
DORIS
Yes, to Myrrhina,
Else may no wish of mine
come true.
sosIAs (tragically)
You see where she has gone ! Gone to her darling,
here !
DORIS
Of course.
Be off!
As Polemon and
Mr.Nasorn
ABPOTONON
* : * : 2nsas
T.eldev 'get yo, Mat eixntos uol
*
maraikos
cev8 &nreMdiv, & uacpus, rs uxas.
f
. . .
20XIA: .
. .a. '
#Troy; BS Trvos .
Treka"?nt uou.
-
>
|ool y ep.
ScENE.
-
sosIAs (submissively)
What is it you're commanding me?
POLEMON
MENANDER
XOXIAX
A&ptovov, tuariumvov,
IIATAIKOX.
eiao tovtovi
-
3/
&
outoa'i ue yap
6 IItaukos #6XXvauv;
XOXIAX
*/
>
ox a 6' jyeudov.
ABPOTONON
&Tpxoplat.
IIOAEMON
*/
*/
$et,
- -
What?
'Tis he,
sosIAs (grumbling)
Well, he's no captain, no.
ABRotoNoN (trying to coax him anay)
Now come, sir, by the gods, be off.
sosIAs (nith dignity)
I will withdraw.
PoleMoN 1
MENANDER:
'Scans. IOARMON, IATAIRes'
mATAroz ... . . :
*:
|| ||
*,
"
2- : *.
-y
#*
re
s:
":
1:/"
IOAEMON
*=
7.
* 3
#ov \e?:*
rift um
. .. .
."
# , IATAIKOX
u) a,
"m:"
crewon
": |
IATAIKox
Travu RaxS.
*
2/
9.
as
#peares airff
Tuxov loos,
p." S
2. vv 8 obser'*... ...A
3.
>
T.
-
".
-:
IOAEMON
3.
%.
->
2.
.
-
tour ol depuSs, s *8 w
woul,
* ... . . . . .e.: *
drw Magr.
Earl, rol. " * # / It!
#ketum !
y?
".
P.
s.1%.R."
-*
c.
S2 to Pat.
from eip
-
3. Wilam
eipz and L*.
--->
b. -. *...
* fe * " ".
-
w$ = EP, l. 18
-
ScENE,
POLEMON, PATAECUS
PATAECUS
POLEMON
All right.
PATAECUS
no more.
And she has gone for good because you treated her
In ways unseemly.
POLEMON
What? Unseemly ?
Beyond all else has cut me deep.
PATAECUS
The lover.
245
MENANDER
IIOAEMON
68 bued;6apkos uob
tovtos airi)w ox uke! ";
IIATAIKOX
ey
>
>
>
5 s r.
*/
o' pa vv;
IIATAIKOX.
5 CS5
o8 pa vv.
IIOAEMON
oic ol 6 ru
6ps, Toeiv.
IIOAEMON
Aetpios.
387 IIat/ in r. margin.
246
POLEMON
P
ataecus:
Pretty fair.
2.47
MENANDER:
#
ICAEMON
A.
d puffy, Idrause:
m 'gril' garmpia rob modyuaros.' I
: Trnot jtnemy 5os
* Trvra buxoruotusvos
5% el 6eopffaraws
&
. ..
E-
IIATAIKOX
. . .
.
A% A@$
rows"
IATAIKox
& IIcreto'v.
IOAEMON
||
..
epp'.
||
IIOAEMGN
/ .
* :*
els urv
- 1.
-'
==": it litera.
PoleMoN
Here! come here !
What dresses !
dressed up
In this or that !
perhaps.
Nay, come.
PATAECUS
O yes, I have.
POLEMON
MENANDER
momenon
IIATAIKO
.
Trapay.
ICAENON
- * sizpxouai.
ACT IV
scene. Moszion
MOXXIQN
"e
#(ol', Ol' to
, ot
*
# #vovs;
*
>4
---
#.
*...*&# 1 r.
*:
, 273/.3:
#"
60%%
R.
*:24
el/Ol
... ."
* \:
*
*,
5':-Soo's ekovoai
*"
D
... *
F.
| -
* &
|----
---
#5
*::
L wi.
---
But at least
PATAECUS
You first.
POLEMON
I go.
MOSCHION
251
* *
MENANDER .
--- *
#
s:--
p.
...
#.
"...a
sy
". .
sy
staff: Totov",
to
dyusev airw.
"A
la
----..."
88 **@ 79 XPOP9 #
P
\
2
*A
#A
se z*-7
*PGPOS ZIPOS GP2PTOP CAGOP"
@Tuka
** .
|-
[.`
@TOS. G
T
**
* -
|tiva, pap.
lives,
Agreement.
IATAikos, .
TAYKEPA,
| |
. .
MOXXION
*.
* .. .
-
. TATKEPA
. . ."
s.
-*-
>
2.
3.
44.
is.
*...]
** as
ow's 4owro56,raipav 8 wa u :
str o etvrov.rovs y &rarevov, Tv,
*0 abrs := &ceivos, dax traus six ra: A
7" -
is,
|- *
|-
* .
, S2.
Capps suggests im
apps. / Toir, L.H.S.
-
*...*
g
GLYCERA,
PATAECUS,
DORIS,
MENANDER
I'ATKEPA
oix" i8ptotics"
yyove to betww.
TATKEPA
ovXet;
TATKEPA
[310]
Well, what is
Your wish 3
GI.Y CERA
You've given up
The fellow utterly? What, dearest, do you want?
GLY CERA
MENANDER it
maratros
-
mpax6.
:-
*:*
/ or - #:
|TATKEPA
*****
-
*.
a ru.' puot?'.
|.
IIATAIKOS
&
---
00"QS
[...f."
a.
#8
56
##
* s:
*
67
TrkepA
Aople'olbe.
...t.
maraiko-
| -
exegaro r, Aara's
. . . . . . . . .. .
AOPIS
&#
*.
his
--
uppl., Capps.
-
"
-
*..."
Aft
A foolish business !
Should see
GLYCERA (interrupting)
I know what's best for me.
PATAECUS
My Doris knows.
PATAECUs (to an attendant)
Go, someone, call out Doris here.
ova:61, thv xpliv 86's #1, S2./ The before & uncertain. // Awp/
in r. margin.
MENANDER
ti c'xatets, d6Xia;
IIATAIKOx
f
[...A
NT
3 -
T2.-->
Trtrov64 ..T.Z.
tu,
*
T.2/
SCENE
*/
646 Lp. a.
ou
#p,
Some he-goat?
Or an ox
Worked on it?
GLYCERA
So much I know.
And here's
MENANDER
MOXXION
#18
a.
>
MoscHIoN (aside)
A thing impossible is this, methinks, as I
Now turn it over, that my mother brought to birth
And shamelessly exposed a daughter born to her.
But if this happened and if she's my sister, mine,
Why then I'm ruined utterly, O luckless me!
-
PATAECUS
GLYCERA
Why, no.
263
MENANDER
Tarano: ,
ki.
-]
-
- -
i.
&
... " ..
Q A
s:
E:::
*
*) -
. . .
. .
"-
- -
* --
Tarkha
IIATAIKOX:
[..."), A
"
>
TIATAiko:
\
|-
|
-
67
" .. "
, ..
.** *
IATAIKO:
g .. .
".
&
Q \
a g
. .''
* *||
-".
*/(s)
''
*:
i.
sul
pl | *
-
* ->
:-----
K s'
-
"--"
-it."T. S.
-
Where on earth am I?
PATAECUS
MENANDER
IIATAIKOX
>
>
5/
T.
* T 2...' "
685
*-
."
r.
tw.
[...I.A..."
* ~
DATKEPA
r
*/
*-
690
bAkua
*"yna'dum 6 Tro'Xw vta Tavia
Tppleuv d'8ow"Nov Tavtex0s dwpos Tptov."
"#8wata
uvtol &tmu'tov tvtov tk'va'.
A -2F.C.. X-T Y. A To...-1.- .
to Troi'ov tu' \\'ouT'e;
TATKEPA
Amyv6 foetau.
#v cai Bpaua\--.kai--T...."
Spa'x's Tis7-dva
y \vdos
3.--~1...
4
r
~ *
a.
What is it happened?
How I tremble!
Ah, poor
me !
PATAECUS
267
MENANDER
IIATAIKOX
695 kel'vov'dva6edou'e6'.
DATKEPA
Ti 'biis; .
DATKEPA
. . . . . . . . 8m'Xabi.
MOXXION
>
I"A"KEPA
8'adav's Ts XA'avi'lov"
Xova Te uitpaTvta "ka &v eipmuva.
IIATAIKOX
// Paragraphus
margin, S*.
-
268
Why so?
GLYCERA
There was.
girls
MOSCHION
PATAECUs (convinced)
MENANDER
MOXXION
ScENE.
6at . . . uot . . .
(Lacuna of circa 100 lines to Oxyr. fragm.)
ACT W
SCENE.
IIOAEMQN, AQPIX
810 .
"allevo's"
Xyos
Xyets
Gol/
l/
Plot
(Lacuna of 19 verses.)
-
l/
(Lacuna of 10 verses.)
-
(Lacuna of 3 verses.)
-
as :
1/
850 .
. (09.
(Lacuna of 4 verses.)
27o
Tol
MOSCHION
[Who am I?
I'm Moschion.]
-
ScENE.
POLEMON, DORIS
Moraxtov'. 'I For new scene and metre see Capps ad loc.
806. Oxyr. col. 1.
808809 K has Cuevo and Avows.
27 I
MENANDER
IIOAEMON
TrAuv"
av Tpo6vum65s k
857 ff. cf. Gren, and Hunt, and Blass. Oxyr. col. ii.
859 rAuv, van Leeuw.
- /~
Myself to throttle.
DORIS
How can I,
Back again
Doris dear,
What now :
MENANDER
AOPIX
*
>
875
IIOAEMON
T
5..."
880
>
Tiffa'vrepos"
to\\6 pavel yobv.
-
IIOAEMON
274
Good news.
POLEMON
She mocked at me !
DORIS
"Twere
That rite
MENANDER
AQPIX
t'v,
885
atropage?";
'bvy'ev. Cacov too'oto'v jv 6paw "Aroqbeiv;"
eforetul kaiti) avutoria ova', 'ei Tu Bet."
SCENE.
890
885 S" suppl. e. nevity)arov too ot."vv8. paw. . . MS./ o't To".
3p'kovts a til thy, Capps.
886 a vuroa ova, Capps, K*] a vurovha ova', S'.
890 (5' 5pal, S2.
276
>
And see .
He too
PATAECUS, GLYCERA
PATAECUS
PATAECUS,
GLYCERA,
POLEMON,
|--
""
IIATAIKO
17
9 orou Bibou.
Homeron
1.
P &
* * *
IATAIRo
*.*.*.
moorer's rojans wh98 & Troff to rept.*
*...*
... . .
ICAEMON - , , ,
9
S. Fer:
QPQ. 9.1%;"
-
1. magi'.
* * ...
* -
I accept.
PATAECUS
Right, by Zeus!
GLY CERA
MENANDER
IIATAIKOX
e
T.
tpovs 'n'tmtow4T.
>
* *
MoxxinN
()THER FRAGMENTS
28o
I must
MOSCHION
OTHER FRAGMENTS
Another fragment preserved may belong to the dialogue
between Pataecus and Polemon, where Polemon, grateful for
the intervention of Pataecus, may exclaim :
281
THE HERO
THE
HERO 1
INTRODUCTION
...'
which
284
INTRODUCTION
Pheidias,
. # , ||
".
#POX MENANAP |
. . ..
... :
-
".
E.
6.
reorgis.
Howra Tijs vedivubos,
, 27.
*
* ,
A.
'" *:
*:::
9 in 9
&
"
r:
* .
AGos
Xayyptos
Topy"
"Hpos 6es
|--
WTTTE
i/S
*.
For #8
... : y its la':
.. |- # d., ad
l:
&
is metrical hypothesis
D.
#es in narration),
THE HERO
HYPOTHESIS 1
GETAS, a slave.
See below.
287
HPQX MENANAPOY
ACT I
ScENE 1.
TETAS, AAOS
I'ETAX
[20]
*/
ey
oiuot.
TETAX
>
THE
HERO
ACT IPROLOGUE
ScENE 1.
GETAS, DAVUS
GETAS
Or why
DAVUS
Ah me !
GETAS
289
ER
AAO:
--
arly uv ove oi *:
Xeyuan wrpy".
* appat,
Ed)
T
#"| | ||
IFTAs:
* M: catap,
|-
---
*:
&
--
* -
TETAX
-->
Aft
TV 9"
.. . . .
Arets, eps
AAO:
TETAX
#.
*
AAOX:
-
. . . .
FETAX
20 SoAn 'arriv;
AAOI:
>
>
$477 Aain':
| #oiset. /*
suppl. l = 62002 (no inter's
| #.
-
* "arrin
~
it. " : *-s
a
As in F. margin, Jr.
. . .. .
*
* *
-
THE HERO
DAVUS
What?
A lover, you ?
DAVUS
I am.
GETAS
So she's a slave P
DAVUS
Yespartlyin a fashionyes.
You see, Tibeius was a shepherd dwelling here
In Ptelea, though once a house-slave in his youth.
To him, as he gave out the tale, these babies, twins,
Were bornthis Plangon, she with whom I am in
love
MENANDER
PETAX
25 vv uav6vo.
AAOX
3.
5f
oitos. 6v jn ypov
0 Ti Setos o Tathp eis Tpoqbijv ye Napivet
towtows Tapa to 'uot beattov uvv, kal TAuv
30 Auos yap jvavv, eit & Tak}\m.
*
r */
>
I'ETAX
thv Tpirmw
dos obic d"rebiov tuxov Sea Ttms 0 ads;
e
[50]
AAOX.
II\ayyov 8 ti;
AAOX
Tattokm;
25
30
37
38
292
Aa/ in r. margin.
27 Aa/ in r. margin.
Tet / in r. margin.
36 Ter/ in r. margin.
Aa/ in l, margin.
te: Traiiakm: ravv, L* Capps. // Aa in r. margin.
THE
HERO
GETAS
Yes, when
Perhaps.
A maiden serves |
AAOX:
indivy
TETA:
* roy 'AmrANo.
#- , rera:
ti affy ot, ri
|-off.
i.
#:
4: .
@TOD:
"..
- *
*
-
2.
A46p2
uv, Hoff,
- 2" . 8
| 4
|
3.
TETAX
,, :
AAO:
#An
Sos $3:
"Loos
w
_.
-
THE
HERO
DAVUS
She's perfectly
You're laughing at me, Getas ?
GETAS
By Apollo, no!
DAVUS
Well, then,
To sacrifice.
MENANDER
AAOX
Toxi, T'petrvtos
kai kaxs"
f
>
AAOX
*
>
>
Acakw. T
No. 2
296
HERO"
1.
297
MENANDER
No. 3
5
210 K.
Xobs cekpapivov
*/
3/
*/
214 K.
*/
>
215 K.
ows
No. 9
216 K.
8vatvYijs, el u, Satel.
868 K.
No. 10
/
>
298
A pitcher-full.
. . . . . . . . . of well-mixed wine
Scarce from the spell set free, dear sir, you're drugged
again.
6.
These hunters from the city who have just come up.
7.
*
--
|-
No. 11
Fr'gments""
from
Cairo MS.
[.
2.
xli.
... 66'No', o . . .
zou. . . . Toto 7 . . .
"...'. Kop ror
. Scese.
5 . . . . . Stoopt vub" . . . . . . . . .
--
. . . . . . . . Allah . . .
. .. . .
. .
. . at a . . . . yveral . . .
tort tims . ToMA's v . A
&yo. . . " II . . . . . .
.
. O't ... O
row to : "ro . . . . . . . . .
9.
2.
37
Gorily "O"& .
m.
4-8-,
D.
-T
*::gments
by S. See als"
"d to Actto Eger. Dined in '#er
e accredited
are
n
..
Other co:
: by
S2 (J2) and
#if:
-
* - " in
a
a signe
-
---
p Aryes: to My
"
(LACHEs)*
Good Heracles!
overhear.
But it isn't.
MYRRHINA
What
LACHES
MENANDER
Fr. Beg"20 . . . . . . . . on Tp . . . . . . . . .
T
. . . TtT7)Al . . . . . . . . . .
#axvve o'to's . . . . . .
30 'AAas 'A6avs . . . . . . . . .
. . . . Ta
kat A. .
Fr. O' . . . . . . . . . . . . . . . . . . . . ye aw
. . . a
6tt
. Xe'patatov:
35 . . . . . . . . . . . . . . . . Tootov Aye.
18 &ropia : J*./ roppet, L*, K* to Laches.
22, 23 Restored from Kock, 211, by Krte. // In pap.
..] tavra ... tvkou .../. . . . . . . s v. . pSoxas ex ..., L*
LACHES
Nay!
You stand
Yes. . . . . . . . . . . . . . . . . .
LACHES
(LACHEs P)
. . . . . . . . . . . . . first tell.
393
* *
kpia.
ur-.
son. To Myr.,
...it
m. These (revised by #.
N. :
# "n
Verso: .
Recto
. . . . Mororo . .
. .al guvBorrel. .
eltonA.For ..., .
*A6ery greafts:
wh Tby Ild * 5.
Asgeir oxo . . . .
*Aftir.
02/
.#
...too
|
->
*
(MYRRHINA P)
How did . . . ?
When . . . . .
305
PLAYS
AAEAqOI
AAIEIX
ANAPIA
ANEVIOI . .
APPH4OPOX
AXIII .
BOIOTIX
PEOProx. . .
AAKTTAIOX .
AEIXIAAIMON .
AHMIOTPI'OX .
AIATMAI . . . .
AIX EEAIIATON .
ATX KOAOX . . . . . . .
EATTON TIMOPOTMENOX
EMIIIMIIPAMENH
-
EIIATI'EAOMENOX .
EIIIKAHPOX
ETNOTXOS .
Eq.EXIOX .
HNIOXOX .
0AIX. . . . . . .
OEOqPOPOTMENH
THE COUSINs
THE PEPLOS-BEARER .
THE SHIELD .
KAPINH
THE
THE
THE
THE
THE
BRIDAL-MANAGER .
GIRL TWINS
DouBLE DECEIVER .
PEEWISH MAN .
SELF-TORMENTOR
KNIAIA
KOAAE
KTBEPNHTAI . .
KONEIAZOMENAI
-
341
341
343
345
349
351.
351
353
353
355
357
357
359
361
36]
363
365
367
THE HEADDRESS .
367
369
369
369
37]
38]
383
KAPXHAONIOX .
KATAVETAOMENOX
KEKPT pa/\O . .
KIOAPIXTH>
308
IMBPIOI
. .
IIITIOKOMOX
3.13
315
317
319
319
323
323
HXATPOX
OPAXTAEQN
TPOPOX .
IEPEIA
THE BROTHERS
THE FISHERMEN
THE TOADY
THE PILOTS
THE WOMEN WHO would
DRINK HEMLOCK .
397
399
AETKAAIA
MEOH . . .
MISOITNHX.
MIXOTMENOX .
NATKAHPOS
2ENOAOI'OX
OATN& IA
ANGER
THE SLAVE
THE CONCUBINE
THE GIRL FROM PERINTHUs
THE NECKLACE
THOSE OFFERED FOR SALE
THE
GIRL
WHO
GETS
FLOGGED
THE MAN FROM SICYON .
THE SOLDIERs
THE LADIES AT LUNCHEON
THE WET-NURSE
TROPHONIUS
THE URN
HYMNIS .
THE COUNTERFEIT BABY
PHANIUM
THE GHOST
THE BROTHERS IN LOVE
THE FEAST OF THE COPPER
-
IIAAAAKH
IIEPINOIA
IIAOKION .
II.O.AOTMENOI .
PA IIIZOMENH
XIKTONIOX .
>TPATIOTAI
>TNAPIXTOXAI
TITOH
TPOpoMIO:
TAPIA
TMNIX
TIIOBOAIMAIOX .
q, ANION
q, AXMA .
q, IAAAEA pol
XAAKEIA .
401
403
405
409
415
4.17
417
417
419
421
423
429
433
435
435
437
437
439
439
441
441
443
447
448
457
SMITHS
YHPA
.
vEmAHPAKAH >
*O404 EHX.
-
457
459
THE COUNTERFEIT HERAcLes 459
46]
THE NOISE-SHY MAN .
THE WIDow .
MHNATTPTH>
NOMOOETH >
OMOIIATPIOI
TIAPAKATAHKH
IIPOTAMOI
IIPOEI'KAAQN
<TNEPOXA
>TNE4 HBOI
[XAAKI2].
3o9
INTRODUCTION
The omitted
INTRODUCTION
1 K
3 K.
4 K
5 K.
3 Q \
>
5.
3/
6 K.
e/
e/
BROTHERS
MEN ANDER
*
8 K.
9 K
. . . . . couv Ta Tw biXov.
10 K.
12 K.
13 K.
14 K
15 K.
3/
vmya yovro.
?sc. (cf. Terence, Ad. 866867), kpighs, xaxerb, yeyd
pumka vv.
3I4
Allinson.
THE
FISHERMEN
MENANDER
. .
. .
. . . . . . . .
..
. . ... . . . . .. . . . .
5/
e/
*/
*/
24 K
**
5/
3/
>
39 K.
>
To l/eoTTLOly.
w
48 K.
THE
LADY
OF ANDROS
The
eyebrow-lifters"
claim
that
solitude
ministers to invention.
Give
3 I7
* --> : * >
-->
- -
MENANDER
*-
ANEvrol
** * **, g* , s:
*w &ua 8 of 64:
*] Gaby Avo.
/
>
&
>
le.
|s as
is
* **
Q\
- >
-
* *** .
- - -->
s:
&
--
5-
..
it.
.
APPH2OPO2 + ATAHTPR.**.
* #.
*.
- E
es.
--
---
pla
5 ef
#rado 6' 0Naos.
~
~.
---
*_#.
[.
*-
. . .
&
--
# sk."
-
*
r
-
THE
COUSINS
wed !
B
Well then, go on. But heaven send you come off safe.
On a real sea of troubles you're embarking now
No Libyan, no Aegean, nor Sicilian sea
Where three boats out of thirty may escape from
wreck
MENANDER
67 K.
Toei to BuvTuov.
v
6Amv tivouev
*
*/
68 K.
>
69 K.
&Ta.
A
-
71 K
72 K.
5.
*/
I'
The Dodonaean
night in addition.
Yes, once.
A.
MENANDER
AXIIIX.
74 K.
& TowadAuot
75 K
76 (a and
b) K
77 K.
*/
*/
*/
78 K.
79 K
88 K.
89 K
lessness.
BOEOTIAN GIRL
#.
MENANDER
THE
FARMER
Y.
DRAMATIS PERSONAE
...
MENANDER
..
= -
TEOPTO:
...
*
(Z)
>
1 ...
*** *
*
* * * *-*.*.* *
* * : ...:
...: 'Totogoff evos o-'.
* 3: Town'93'55"vy finapr
six.
*...a...
: yd:
*..."
The
rose
ris' v. *
rhetourn:
T.T *
Wwate's
* **'.
ye,
8vardheimera
2
8)
SW
* @,
Af
* : * ..
."
3.
:)
[.
g.
ow
<-- a
5:
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|<
ps o3
A& %)*
g
#"
#.'*'.
#
*#
- ".
"rre (bayou"...
to * ".
[
|-
---
*
-
*--~
-
''',
* ... "
**
..
... t.
| 1 , --->
*
**
". .
..-6-0 7 god
10 Bury suppl.
9 Nic. suppl.
* * * * Bavyetv/ex: N.W.
?"
---
Dal) -
* ~
e56kovy
(Erit Z.)
vvvi, pap.
13 tponw uxalu, S2 suppl.
11 . . . . . .
L-El
. . .. . . . .
*"...MYFPINH, &LAINNA
**. #
***,
T& E.A. aftoos eth'uv, & Muy-y-a, roys M.
**
%,..."
5 a
.
*: #". "
Ayo.
. . . .
**
in as w
. . .
>
-->
"'
(bs.) sai, vi r
#y, Auspot, Bal are
*# 6%pav%oba & owl wasrada revit. H
# o Tobrov elTel, Boatpov. " | ||
ye, Jayuy-v-a,
34:... (p.) r! #
**,
*
- .
- -
E.
E.
|
-
# * 0.4.
"
-
<>
ist:
...,
.#.,
a -r
"E.
-D
D.
. .. .
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^*
rt Troy, O.M.
>
Nic.
|-
'no.'s ""
0.
G.-H.
*
*:::... "..."
I'll |
.
-
ScENE 2.
MYRRHINA, PHILINNA
Here we have
Let's
PHILINNA
MYRRHINA (urgently)
It really would be wise, by Zeus.
ScENE 3.
(in concealment)
DAVUS*
MENANDER
MS. /
46 &ypbv, G.-H.
47 Nic. restor.
48 Kaibel restor.
5152 Sov6&v . . . abrw = fragm. 98 K.
in, it pays back fair and squareno more, but just the
same amount! (Turning tonards the house of X.)
Here, Syrus, take in all of this together, whatever
we have brought. All this is for the wedding. (To
Myrrhina, nho, nith Philinna, comes out of concealment.)
My best greetings, Myrrhina.
MYRRHINA
Oh dear me !
DAVUS
Hush, Gammer !
DAVUS
MENANDER
& a 2/
3/
>
*/
a.
**
na'
kelvos atuv
[...]
8 oiugetv u'ak'pv.
D
ey
e /
A'e'yov &Travtes, o be
a 0s
vis,
oiovel
* *
*
6". &i=-r
T
wouia as avrot Tatp, atop6"6'ora's Taxuv
*
60 #Newbev, &#tpuSev,
&6Tvi'ev,
bayev
[...]
6
ck
3/
5.
*/
57 G.-H.
61
62
63
64
65
67
68
69
70
332
over with him, it's time to bid him the long fare-ill !
But your son, as though he thought Cleaenetus his
own father, raising him up again, kept on anointing
Dear child !
DAVUS
MENANDER
T...] *
*
* T
k'all ToluT
80
85
[XOPO1"
334
Why
MYRRhINA
to do.
PHILINNA
88 &y'y's, S* conject.
335
MENANDER
ACT
ScENE.
TOPPIAS, pIAINNA
(? Top.) towoff't . . . . . . . .
atpoSet . . . . . .
TouT
. . . . . . .
thv "Aprepav . . . . . . . . . . . . . .
110 y cax y' . . . . . . . . . . . . .
scal vov ti Toijao. . . . . . . . . . .
h Tpos ua Max'. . . . . . . . . . . .
to Trauiov ca'X . . . . . . . . . . .
Ti Taota Tis T . . . . . . . . . . . . .
Tappmata" Tm
opovta TavT . . . . . . . . . . . . . .
hus Te Tows . . . . . . . . . . . . . .
. . . . . rett . . . . . . . . . . . . .
. . . . . . . . . . . . . . .
traat 8 al. . . . . . . . . . . . . . .
e
/co/l/LaT .
C.
. .
. . . .
. . . .
. . . .
. .
125 oikeuot'mt . . . . . . . . . . . . . . . .
336
ACT
ScENE.
G.ORGIAS, PHILINNA
MENANDER
OTHER FRAGMENTS 1
97 K.
94 K
two
ey
3/
*/
ey
>
3 vs a
>
93 K
95 K.
100 K.
>
OTHER FRAGMENTS
(CLEAENETUs?)
I am a country boor, even I will not deny it, and
I am not perfectly acquainted with city ways, but
time keeps improving my knowledge.
(cLEAENETUs () to (?) the son of Myrrhina)
Now he, whoever he is that has wronged you in
your poverty, is possessed by an evil genius in com
mitting this injustice of which perhaps he'll have his
share. For even if he's very wealthy, he wantons
insecurely. Yes, for Fortune's current is swift to
change its course.
MENANDER
AAKTTAIOs
102 K.
103 K.
oicautov vuuqbiov
* r *
AEIXIAAIMQN
A
109 K.
eixtos, , b\ivabe:
oatpos yap jv, a v 8 ukpoxryos p o 6Aov
kauvas Tpiao 6al.
110 K.
34o
THE
RING
Arbitrants.
MENANDER
544 K"
3/
>
6 s \
e/
3/
342
THE
BRIDAL MANAGER
343
MENANDER
AIX EEAIIATON
123 K.
Sov'Ambpos
thv juetpav, 6) Amua, tookatAa/3es
paauw.
124 K.
>
A.
344
PEEWISH
MAN
PAN.(?)
(addressing the spectators" and speaking the prologue)
Please assume that this place is Phyle in Attica,
and that the Nymphaeum from which I come forth
is that of the Phyle-folk.
You babble about money, a matter insecure. For
if you have knowledge that this will abide with you
for ever, keep it close and share with none, but be
yourself its lord and master. Whereas if you possess
all this, not as your own but Fortune's, why should
MENANDER
10
129 K.
e/
>
*/
130 K.
/
xora
2Aora ytre+ inuxia
Aewet? kai Tivo
Q
a 7Toll/Ta.
/
134 K.
135 K.
oixettmta, 8ep.
#ya'ye, Tyrwhitt, & yd ae, MS.
* koiras, MS., kirtas, Grot., Kock.
346
-4
Vincit.
MENANDER
EATTON TIMOPOTMENOS 1
Supplementum Comicum, Demianczuk, p. 54; Terence,
Self-Tormentor, 6164, q.v.; and Kock, 140, for lines 2 and 3.
. . . . . . . . . . . . . . . "tt Yap'
Tpos the 'A6ms Batuovs, ye yovos tm
toga56'; 6plot, yap atuv #jkovt arol
"h scal TAov', kal Tw "AApart Xoptov
kekrmuvos cNXuatov ei, vi Tov Ata,
v Tols Tolaiv ye" cat, to ua captditatov,
w
**
*/
ra
datuktov."
>
>
142 K.
143 K
145 K
5f
>
THE SELF-TORMENTOR
MENANDER
EMIIIMIIPAMENH
154 K
* /**
3/
**
f.
*/**
EIIATTEAOMENOX
160 K.
161 K
*/
THE
PROMISER
35 I
5 purvia Aaxioratov.
a Bapi wood reras...:
a rap duavros *: .
of waivres i.
# Tpets was
** x*x
A&#-e Bo
.
r.
* to://
*:
*
f
# 3et uvow
#v yewuevow warpa waibar droarss-3.
***
oire to uera Tar ori Toi Biow Trusp. . .
M
* 5 aw &os weapes:
ico E
-
2.
s&
|...w..
&vay.'
-
*.
FRAGMENTs
THE
HEIRESS
live
EUNUCH
one might infer from Terence, Eun. 688, 689, who trans
lates: weazel. L. and S. sub voce, incorporate his mistake.
353
A
-*
#aaff
of Geo.
or bioruv - *
is *E.
... -->
* = he at #8, as #,* *
intoxos
receixario, fift
r"#beukew stropias r. #
*pov, elafoxiiv
by v wraphs , unwr airi 6ew,
''.
. ->
202 K offbels u
... ."
*:
2.
":
We "#.
: *
#ck's red
**, *:: I'...
---, (as
:*
**
|
| .#
... *
For instance,
they,
Being themselves immortal, overlords of all
And everything, have pleasures endless evermore."
THE MAN FROM
EPHESUS
THE CHARIOTEER
MENANDER
>
i-
*4
e.
ey
...
*-
>
*>
e/
>
WITH
MENANDER
OHSATPOS
235 K.
358
'Twere
TREASURE
MENANDER
236 K.
*-
>
*/
237 K.
*/
*/
240 K.
*-
241 K
360
~~~
Knon, thyself.
In many ways the saying Know thyself is not
well said. It were more practical to say: Know
other folks.
MENANDER
3/
>
>
IEPEIA
In vol. x, No. 1235, Oxyrhynchus Papyri (q.v.), are
preserved considerable remains of three consecutive columns
362
translation of the
pp. 8687, is here
82, op. cit.
Possessed with a
PRIESTESS
him away as being mad. At the same time . . . the old man
having recovered his son marries the priestess, and the son
receives the daughter of the priestess whom he had loved, and
the marriages of all three pairs are celebrated. . . . Such are
the incidents of the plot. The play is one of the best and . . .
363
MEN ANDER
*-
3/
*/
3/
>
The
364
IMBRIANS
The opening words and a few lines of the plot are preserved
in the Oxyrhynchus argument (see above, p. 362), enough to
identify the meaning of the title. We read (in Oxyr. pap.
1235, lines 103121): This is the beginning of The
Imbrians' :
365
MENANDER
IIIIIOKOMOX
249 K.
(A)
6 pueryiotn Tv 6ew
vv ova', 'Avael', el 6eov kaxelv are bel.
Probable.
366
THE GROOM
(A)
There was a certain Monimus, a wise man, Philo,
(A)
The wallet! He was a three-bagger! But he
uttered a saying not at all resembling, by Zeus, that
maxim: Know thyself, nor yet the saws so often
cited, but far beyond them, the squalid beggar though
he was. For he said that every several assumption
was vanity.
THE CARIAN WAILING-WOMAN
In the first fragment preserved we have an apotheosis of
Effrontery like that of Misapprehension in the postponed
prologue of the Periceiromene. She is a more vigorous
sister to personified Persuasion, addressed by Abrotonon in
the Arbitrants. The personification was canonical, for
in the Court of the Areopagos the accuser stood on the Stone
of Shamelessness (A(60s 'Avatetas), while the defendant,
accused of homicide, stood on the Stone of Outrage (A(60s
"T8peals).
367
MENANDER
KAPXHAONIOX.
For the use of this play as a source by Plautus in the
Poenulus and by Ovid, Ars Amatoria, see Schwering,
R.M. lxix. 1, pp. 238 ff.
#8
18'
e/
>
262 K.
e
*/
epyov ex
Toxxon Xpovov
263 K.
*\
265 K.
5/
KATAVETAOMENOX.
268 K.
KEKPTdpAAOS
272 K.
ptal Tv66aeros
274 K.
368
--==-
---
CARTHAGINIAN
THE FALSE-ACCUSER
HEAD
DRESS
369
B
MENANDER
KIG)APIXTH>
. o quxttm
. . . . . . . . . m Bevg'v'at
5 .
. . . . et k'a'ptav
. . . v ydgov
. . . . . Pia
. GP9
. . catAutres
10 .
15 .
. . . . . . . . a 'vva"ripket 8 uot
60
. Q
Te 8.)
-
col/
. .-vos Ts qbvo
y Xyov Tpxets
20 .
. -67 all
. #8pet to yeyovos
. . . Sial
-
anrpa
-gau Tu arou
o'56evs
oily 86t
. Adpal
25 .
. . pov
(Lacuna of 3 lines.)
31
. . . . . . . . . . . Tr'v6' 6aa
-QS
PLAYER
A MATRON (?).
A FRIEND of MoscHION (A).
THE FATHER (LACHES 2).
MosCHION, his Son.
PHANIAS, the Cithara Player.
The Berlin MS. opens with some 34 mutilated lines from
the beginning of the play. In these someone is apparently
conversing with a woman about his love affair. In column II.
a young man, perhaps the same person as the speaker above,
tells a friend about his marriage with a rich Greek maiden.
The context is lost.
MENANDER
.."
. . . . . . . . . . . . . . . . . . Xp'ol'ou
Col. II
36
40
>
*/
vtat:6a
thy yuvaika ka" thu[2 ovoia'y;
18'
T
>
e/
5.
*-
>
(A.)
50
5.
c.
5.
e/
ey
A and MOSCHION
MENANDER
.
|
-
". . . . . . .
. M
* 1: .
.#.
*
.* }.
|
-
#
-
Z-.
3/
-Q.
&
fift
*.
-
8 :sto &A60tu.
88.
***.
*
du de A47 ru%7,
MOXXION (AAXHX)#
MO:"N
*
-"from
...
"7th", s.
# suppl":
$ suppl.:
K suppl"
-
...--a-...
3.
.*.*...
...
Law...s.l.4%a
d'Arate
p
*
D
I.
? LACHES (alone)
Greeting!
My dearest father!
375
MENANDER
(Aa.)
(Mo.)
76
(Aa.)
(Mo.)
Ty
ei Tap6vov 8, TolTepov . . . . . . . .
/
*\
*/
*/
3.
376
. . . . . . . .
MENANDER
3/
. . .
OTHER FRAGMENTS
3r
281 K
10
282 K.
5.
283 K.
284 K.
>
378
- -
Never . . . .
OTHER FRAGMENTS
--
MENANDER
*-* *
s_
|
##
depoato Xau/3dvets:
2 - #:
--"
...' ...
|Ae
*
-
}* :
--
- |-
".
-
->
#.
" .
D
-
KNIAIA
-
a g.
| |
ITG 3 'UTR ov
| | ||
-6:
To DPO's
vgov, M.S.
381
MENANDER
KOAAE
Terence, in his prologue to the Eunuchus (1. 30 ff.).
makes specific acknowledgment of his obligation to this play
of Menander for the characters of the flatterer-parasite and of
the boastful soldier. In Terence's play the flatterer is Gnatho,
while in Menander's play two of these flatterers or parasites
are found, Gnatho and Struthias, both of these being stock
names" for the type. In Terence the boastful soldier is
Thraso; in this play, Bias. Menander develops a somewhat
different type in the character of Polemon in the Periceiro
mene, and Thrasonides in The Hated Man. All four
of these are nomina ad sensum.
From the 1301403 lines preserved, some of them hopelessly
mutilated, only a few features of the Comedy can be inferred.
Terence's obligations to the two plays of Menander, the
Colax." (Toady) and the Eunuchus respectively, cannot
now be definitely determined.
. .
. . . . .
'tel yap
"6 Tathp
. . ov tv Tat'pov u'uvmuvos
. . s 56v, s Touv 80'x's"?.
#TXevaev ti Tpdgets Tuv's,
catAttew o'liciav uoi ceviv
5/
10
"tmi
s yao
a 'wobos
huw Yu
y't"veral
Tyou, Tetpas
yap a
'vuooos muov
. . . . . . . atuatop 8ea"T'tms
. . . . . . . 8xeat e . . . . uot
(Lacuna of ? lines.)
For suppl. etc. not otherwise noted, see G.H., Oxyr. iii.,
also Oxyr. v. appendix i. p. 313, Kretschmar, De Menandri
Reliquiis, and Krte, 2nd ed.
11 5earirms, G.-H.
382
-.
---
DRAMATIS PERSONAE.
DoRIS, a maid-servant.
ScENE.
ATHENs
PHEIDIAS (alone)
|..
MENANDER
CU
6%
TO
&l)"
...
:
-
|
-
-...
a refron
s:
* .*
. "I
'Ayo & 6appe", pet'. (pet.) 6apps: #0.
'8%uato, dTuxta's #'s rarms uvet'. f
C
##
* (w*
..) E/JE/ *
G/2
g".
&
*NN 66
z - oft's
[.
' ' - #.
i.
:
'i'
* *:
** :
* "
l/l/*
. .. .
**.
|-
".
384
#.
)ws, TAeus
"A": * * *
#
-
's T Trpia
~
K.I., anot-ners"
*-
# *
>
.. .
. ..
. . .
. .
l: ,
*
. .. .
FRAGMENTS
FROM IDENTIFIED
PLAYS
385
MENANDER
Leo suppl.
32 Wilam. suppl.
Assign (end) to Doris? or to Davus ? See on line 41.
(end) rapt... ras, pap.
brio 6ev space rep. by S*=? change of speaker.
Krte, Introd.
4950 Restored from fragm. 731 K, see K.
386
--~~
DoRIs (? DAvus)
This man here powerful . . . so wretched last
-
year
. . . . . . . . . . . . . . . . . . . . . . . .
PHEIDIAS
(PHEIDIAs)
No one gets rich quickly if he is honest. For the
honest man collects and saves up for himself, while
one of the other sort gets all by plotting against the
one who has long been careful.
(DoRIs)
What an impossible situation that !
(PHEIDIAs)
I swear, by the Sun, if it were not that my slave
is walking behind carrying the jars of Thasian, so
that there would be suspicion that I had been drink
ing, I'd be following him along forthwith in the
Market-place and bawling out: Fellow, last year
you were a beggar and a corpse, and now you're
wealthy. Come, tell me, at what trade did you
* Some play on words is omittedperhaps Bi-thys (Bithy
387
C C 2
MENANDER
r
[.
...]
*/
*/
4.
carca;
. .
. .
. .
. .
. .
. .
. .
. *.
. rAle: Pat
*
*/
. . . . . . . . . . . cat TreToarc
apa
/
. . . . . . . . . . . . . a XTibov
. . . . . . . . .
. . . . . Kelvov/leva)
. . . . . . . . . . . . . vnv &ntov
60
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
as xpatv
. . . . . . . . . . Tovtov.
65 .
s \apu/3avov :
ScENE. (? AAOS), TNA00N
ovkobv Tv6ov
. . . . . . . . . . . . ovye : 6) Tv6a,
(Lacuna of ? lines.)
52 Ox. pap. col. i. No. 1237 begins. k Tija"Be ys, Wilam.
suppl. //tp'alae, G.-H. / x tis '6600; ural ore, S*.// k rma.
wore. Tl 515aa . eus kak, O.C. pap. v. p. 313. / Ov. pap.
-
- -
388
~/~
389
MENANDER
E"
R
War. As
RQX,
or TNA9QN), +FIATA:
.
i.
e.
'' .
|
-
"
as
2.
- *
i.
---
67
* \
as
(Lacuna ?)
Trpoiyot/cy & Co. . . . . . . . .
&
85 row wropvo&oaco'l/ .
matrop.
Troy .
..
*:::::: >Toov
ScENE,
ScENE.
39 I
MEN ANDER
. . . . . ootto avtob . . . . . . . . . .
ui Adu/8avev
*:::: <g."
IDENTIFIED
FRAGMENTS FROM
R.
* Because you
her go perforce.
-
*\
PLAYS
But if now
-
SLAVE-DEALER (alone)
(sLAve-DEALER)
" . . . . . . . . . . . . . . . . . . . are they
not starvelings, with violence in their hands and not
one thing else? My neighbour was trying to pur
chase her, but if this one gets wind of it he'll come
up bringing" along sixty companions, as many as
Odysseus came to Troy with, bawling, threatening:
If I don't (settle) youyou whipping post! You've
sold my girl to one who had more gold. I put her
up for sale . . . . ? No, by the twelve gods, no
. . . just for him ! Why, she alone all but brought
in ten. She wins three minae daily from the stranger.
But I'm afraid to keep on like this taking receipts.
For will they not, when occasion arises, carry her
off on the street?
\.
MENANDER
OTHER FRAGMENTS
292 K. 1
(Ma'y.) a tow8
Tets;
297 K.
295 K.
296 K
PLAYs
OTHER FRAGMENTS
CATERER
STRUTHIAs (a toady)
You've drunk more than Alexander the King.
BIAS
Not less.
No, by Athena !
STRUTHIAS
(GNATHo?)
I laugh when I recall that remark to the Cyprian."
struTHIAs? (to BIAs?)
You've had Chrysis, Corone, Anticyra, Ischas, and
very beautiful Nannarion.
(PHEIDIAs?)
Now I am not able to find even a single chief of
our clan, although there are so many, but I am cut
off alone.
* -
|--
* -
-. . .
**** 6puaros -
|(a
:**
* : -3:
&
**
*** %
* ...
a
".
2.
- **
1. *
ov, d\,
**
(at
37.*
to
"...- *> *
"
2 (-2-
''*...
- -
/* a
s.
&
(A
&
* *
as
a."
*-
9.
E:
==
&s==
#7
gy.
citation, dead'?
* ... --> = *h's *...***
Antiphanes, Corinthia (126, K), in
"../ &rrw
*T*:
PILOTS
And on.
None
have I
MENANDER
|
*ONEIAZOMENAI
mutilated 1 lines in ti
3. R. ry
2.
---.
|
C.
O.
Q- 2 -
7)
gu
.
C-C,
...
o-o-o-o-
*,
*, *
- -
"...l.,.
e.
A.
&
A.
(A) &raffia 8:
TOL)
Sets. ''.
*
|
todo;
5. EUID.
ET.
-
rivp; E.
> .
* 77%a Toy,
#ch
wilamy. *p etc.
K*.
<
WOMEN
WHO
WOULD
DRINK
HEMLOCK
ScENE.
MENANDER
T-X
T.
>
,-]
et um tot eTovma
wate
6)
ey
>
*/
20 to ads yap
dyado
Tpqbaats
TouTo
Tyuvetau.
ANOTHER FRAGMENT
v
307 K.
in
* (N -
4)
|-
AETKAAIA
For the story of Phaon, with which legends about Sappho
were entwined, see the fragments of Phaon by Plato of the
Old Comedy (cf. Kock, Comic. Attic. Fragm. i. p. 645).
Turpilius, like his contemporary Terence, made over into
Latin plays matter from the New Comedy. Six of his titles
are on Menander's list.
310 K.
ANOTHER
FRAGMENT
Knon Thyself."
This Know Thyself means if thou wilt inves
tigate thy own circumstances and what should be
thy own line of action.
THE
LADY
OF
LEUCAS
In our uncertainty
An Itching Palm.
He who holds out his hand to have coin dropped
in is ready for evil, even though he deny it.
this hackneyed
MENANDER
>
A
t
Tepuevos Trept 3Aevicaoos
arctims.
*
MEQ)H
>
*-
e/
>
e/
>
3/
fragment.
* Te Codex A. | T Mein.
* vravexeiv, Dobree. /ve Netv, Codex A.
402
'
MENANDER
*
320 R.
u yap 8vtput/rev 6
kou'rtatos divpv Xatpeditov, tepov ya"ov
qbaakov Trojaeiv Bevtpav' per' elicaa
ka0 airw, iva T5 tetpv * bettruff Trap tpous:
t tijs 6eo yp travtaxs xetv ca}\60s.
r
321 K
Apoteta kai
6ea akv6potre Nueat, avy'yuva kete.
MISOITNHS
(XIMTAOx)
w
325 K.
*/
>
* (N*
*/
* *
d
Yet there
weddings. But here the Fourth may mean the 24th, i.e.
the fourth day after the twentieth, or, more probably, the
27th, i.e. the fourth (the third) day before the New and the
Old. But see note on (the text of) fragm. 292 K above.
* See note on line 184 of The Girl Who Gets Her Hair
Cut Short.
405
MENANDER
10
326 K.
at 8' 0NAvov,
327 K.
Axel be ypapplateitov
ketoe biupov kai Tapda Tagus, uia
8paxp.
uvvut a on Tov"HAtov,
# unu & Totoeuv Got 'ypdinv kakoaeos.
/
328 K.
(A
*
329 K.
Xaip, 6 TAvicptov.
(TATKEPION)
scal av.
(A)
6
Toxxoat Xpvo
opo ore.
330 K.
331 K
X\apa'8a, cavatav,
Xyxmv, dptmv, iuditta,
333 K.
406
Greeting, Glycerium.
GLYCERIUM
Or girdle.
407
MENANDER
MIXOTMENOX
"miceiu"
Fr. I (R)
"yetto'v
Tmuixa
. ."
Fr. II(R)
ogtow b . . .
d'kova ouat aab's
"y"ntos ctTov.
Fr. III(R). . . . . . . . . . . .
6 .
10 .
.
*
.
*
.
*
.
*
pagovi"87s affalas
*
dv'6"platov Aa/3eiv
tov'Ti Aq/36v :
(Am.) . . . . . . . . . . . . (KA.) Amuas
*
- -
15 .
Tms
vos ov yp5
q'e Amua
*
sps y
. . . . Tayti Ayet
GETAS, a slave.
CLEINIAS (a young man *).
DEMEAs, father of Crateia.
THRAsoNIDEs, the jealous soldier-lover
FATHER of Thrasonides.
(CRATEIA, the young girl.)
(In lines 1-17 Getas and Cleinias appear to be talking with
Demeas.
Cleinias.)
DEMEAS
18 . .
weeping,
musicale !8
MEN ANDER
T. r
". Ta'
25
". Tarp"
Toi)"crt."
Fr. II (V)
"uo . . .cx, .
Fr.III(V) . . . . . . Xm
Tetrv6aplew : (B.) t . . . . . . . . . .
30 . . 6aou Tobro ti . . . . . . . . . . . .
Aoba'a uplo. . . . . . .
ovNevt'ov. . . . . . . . . . . . . . .
fiv et To"Tel . . . . . . . . . . . . .
(0p.) & Tob Tapa. . . . . . . . . . .
Tathp Kpateias . ov. {6}. A [.dip
. . .F T.
...]
*
Fr. 5 (R)
it 6)"
"gat"
T .
4 Io
_=
father."
CLEINIAS
THRASONIDES
41 I
*:
~"
(WTHER
FRAGMEN:
. . . .
. . .
".
-
*-
"s:
as a
--->
...
"
-*
...
s :
[R]
841,842K
A.
|
--->
---
%
* *r,
," al-
E. ***.
MeinAll#3
ovels
TS3:#iev
F.--Fore,
MS.
rs *
-2. MS
*a . Ren
. . *
-
5.
Caienste
", Suid. Phot: to "...
* Note scension in fourth foot.
* Koek".
-
**-->
4ia
cRATEIA (?)
For drunkenness will on a time strip off this your
manner, assumed and calculated to deceive.
THRASONIDES
MENANDER
-
-*
".
* NATKAHPO2 . . .
'
A.
: ... - .
** *-* .
-
ow 4xuwpov 480s :
[.
-:
*
**
% * **
"Ol' ol' et"::"T". A 2.6000/06/0" ":
S''' 5S
*TPAT6N
MENANDER
BENOAOFOX
354 K
356 K.
5/
e/
6s ukov, 6tav
aev (bva is
Txm cakot.
363 K
5.
e-
* This was the play with which Menander won his first
victory.
LADY
FROM OLYNTHUS
MENANDER
367 K.
T 2
Il 2
#8
etepov evs Tetaptmv'," evta Teploettvov
TNuv.
e/
et Ta,
(A) ubaivetal
6Tu Tpa batos jv tuxptos. (B) kai Toivoua
Ti Ayets; (A) d'Adatop, bnai.
IIAIAION
370 K.
MENANDER
e
a}\vorvov
372,373K
378 K.
399 K.
GIRL FROM
PERINTHUs
42O
=.
case with Terence's Lesbia (see Andria,228 ff. and 481 ff.)."
But this may have been the same also in the missing
sequel of the Perinthia. The more recently discovered
fragments (Ox. pap. vol. vi. p. 150 ff.) give a scene of
some twenty lines, nearly intact, supplementing the nine
short fragments previously known. Of these latter, three must
certainly precede the longer fragment; the order of the others
is uncertain. In the lines preserved no mention is made of
the girl from Perinthus who, like the Samian girl, gives the
title to the Comedy. It may be inferred, however, that in
Perinthus, the city on the Propontis, the girl had been left as
a child and that her real Athenian provenance was ultimately
discovered by some happy accident, as in the case of the girl
from Andros, or in that of the Samian girl. The vivid scene
where the slave is threatened with burning throws rather a
MENANDER
lurid light on the power of the master over the slave. The
actual burning is, of course, not consummated, but, even if it
was the master's intent merely to frighten his erring slave,
Davus gives no intimation that Laches is exceeding his rights.
No parallel exists in Greek Comedy except the threatened
holocaust of Mnesilochusa free man /in the Thesmo
phoriazusae of Aristophanes." Terence (Andria, 860)
tones this down to ordinary torture and fetters, probably
following Menander's Andria.
TIEPINOIA
/
e/
397 K
/
393 K
3.
>
}his
-
slaves.
Characters inferred:
423
MENANDER
>
a.
5/
Taxi,
"t x'. t'elgau, Ae, thv Travovpytav
txum tuv' epov 8tabvydov t' v6ve ue.
(Aa.) Txwmv yc; (Aax.) vat, Ae, to uv tparyuova
kai kot bow atatv " 'yap att beatrny
15 b)\vapos. (Aa.) i, jv. (Aax.) el 66 Tis thv Tw
/
9%
>
>
Q&
**
ppevw
This
*
-
-- **
lighted torch.
LACHEs (giving orders)
Put the wood around him quickly. Now, Davus,
make an exhibit of your rascality by finding some
device and making good your escape from me, from
here.
DAVUS
I!
A device P
LACHES
(as Laches,
perhaps, hands the torch to a slave)
Oh!
Look!
f
LACHES
MENANDER
*-
394 K.
395
396
399
400
401
*/
*/
>/
5.
K Alvtelos yNos.
17-18 6akeXav, cf. Ar. Pax, 241, 6 rat rolv riceolv. This
expression in the Pax (cf. also, perhaps, Eccles. 742, hard to
parallel outside of Lucian, see F. G. Allinson, Selections from
Lucian, p. xxxviii), is interpreted by some proktologists
as referring to a disaster, caused by fear, as in Frogs, 308.
20 Aax. between lines.
21 was suprascriptum. / K*.// Trias, G.H.
426
The scamp !
DAVUS
Set fire . . . . . . . . . . . . . . . .
(PYRRHIAs?)
When he came . . . . . . . . . . . . . . . . . .
(Two more unintelligible lines to end of fragment.)
OTHER FRAGMENTS
A slAvE (?)
I've never envied an expensive corpse. He and
the very cheap one go alike to the self-same dignity.
Collecting all your movables, make your escape,
friend, altogether from the city.
On the wagons in the parade some very ribald
abuse goes on.
Not even I, thanks to the gods, am wooden within.
Nor
let
him
even
touch
persons.
.." . ,
IIAOKION. . . .
mpos' '
#euw aaretpyaarat it':
*
By 4. To
#:
#8
%
[.
Xaffety &u', &catiosea
rAavra
*
5.
g-
Saadoop UCO27C/TOMOP
6
T^@
*...*
P
*
9
* **
* *
>
* ...
9
. .
;-
(A) |
Frn
'ape
WIrr'.". H'
h to Aeyuevow
6eot, M &
12 rhy
of ros
-
+4444
-
*
-
s' *...**
as < *
3 *
Georg.
*. s
-
Now then,
For
|al
***
'' "ATONA
%2f": x:
be utire
|->
uit dw &rvXija as sist couvroi'",
- - - -
*:
g".
, ""
a.
.
*
37
&
-
".
#:
- Ers
# *#)',
*.
La--
*~ *
*
|
#.
-
#.
. . . ..
I know it well.
PARMENON (?)
Whoever wishes, though a poor man, to live in
the city is desirous of making himself still more
despondent. For whenever he turns his eyes upon
the luxurious man who is able to live at his ease,
*
6 boow & #ns u.
*- :
"... g's
=*
#.
- i.
~~
* '.
g-
".
"...
'.
"
g-
*
|-
* .. . "
-"
#.
-
. .. . .
#
|ICAOTMENO':
(**
Supplementum Comicum,
Demia: :
** *
''')
&
: Tuov 6:
-
* r * and 4xpm
PARMENoN (?)
Surely the country is for all men a teacher of
virtue and of the freeman's life.
MENANDER
PATIIZOMENH
425 K.
426 K.
#8%
4 8
atvynua kikmua
6taqbopay xet
to uv 8ta Txmv yivetat, to 8 aipget.
5.
*/
427 K.
433 K.
438 K.
439 K.
440 K.
5/
441 K
MENANDER
442 K.
Steatobvn,
Ta &va.
*
*/
1.
STPATIOTAI
447 K.
448 K.
58
3.
STNAPISTQSAI
449 K
"Epos 8 Tw 6ew
laxiv xov TAetatny tri Tovtov Beixvvtau
ta totov tuopicobal Tovs AXovs 6eos.
*
450 K.
/
ao *Tetov To pum)
*/
*A
451 K
*-
452 K.
>
436
--w
~~
437
* ': i.
MENANDER #.
'.
*. #
. 5.
..
# , cal row rt
/
s.
5.
[7
dyarmapuv, ol
'y:voy a NY:
E.
**:
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... ',
L- -
*>
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s
D-
| TIT@H
T
I.
it.
grijaak
|| ||
*:
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* .
Tpotonio:
(A)
--
cTI
** -
1:..."
*"
*
-
*...*
* -
- ".
* #.
**
About what ?
You
suffer mischance
|
-
-*
".
&
*
-
|
*"Avi" tois New
*
# TAC'raf irogrcess re'. #
".
--
"
#nfluvnrivra Spuare.
Li'l
v cal buxavptrous'
-
TAPIA
* ,
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&
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*.
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"
:/cal
T6. AervT,
unb 8v
#.
N:- r
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* :
* triu' & * Tp boy '' #S.
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5A
oi Oprces, ASv,
Tpes waxobvraw wavra vv #8m 'at?d
".
470 K oi B card Xeupw Maffvres repuvot
469 K
g-
i.
*- /
|-
-->
o
* :
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|- w
*ALA" as
MS.
...t.
---
... '"
Q,"
-
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II
re's
MENANDER #
*.
-
.. .
axobvras e 68exter:
#######6av rob Ayovros, o,
r yap x'svv arty si * :
%u Tia."
|
| ||
#.
*
: ... . . . .
#TTIOLAIMAIOX
.
".
- at and
-->
It
"
| E:
": . . .
":
\ryo,
eafteba * * '' *
*T/PPPP POP/oop Tap elude Top 2:
3/
3.
2.
OGI/Sf
"u":
*=
agaros, MSS.
[]
*
-
"
.
l
-
.
*...*, *.
-:
5. :
*
#"
A, a
=#,
*s
- .. .
d **
"...
|
-
RUSTIC
cf. Dbner:
longaevus.
443
"
L
.
-
#%
#vola 8 6vnry *::
": d'Anju *: # *are co, uu. *m
. ard.6" 6a a voojaev" Myousy #) orpt
fift
. . .
. . . . . . . . . . .''.
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10 Bet scal rodwoav Ty 6eby saxeiv u #
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riv 8 ryeuovav Tw 5xov row due #.
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445
MENANDER
488 K.
494 K
497 K.
T.'..."
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498 K.
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499 K.
500 K.
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447
MENANDER
THE GHOST
448
~/~.
DRAMATIS PERSONAE
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. . . . . . rv Advais' L.
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: rk woubfow oat'pove?'"
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# (#!.
p:
- * 'i-e- ~
- MS ..]
E.
* ,
-S-2
A (?)
of the Dionysia . . . . . .
the accomplishing you may grasp
the bridegroom yourself to be
**
prudent
B (PHEIDIAs?)
Very well, thus will I act. For what else could
one do?
[Exit Pheidias 2
ScENE. (Prologue.)
For the
MENANDER
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ScENE.
1/07 .
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. . . . to t
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40
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**Servant * *
*A*.
MENANDER
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[.
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501 K
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PHEIDIAS
455
MENANDER
QPIAAAEAqbOI
504 K.
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XAAKEIA
510 K.
5.
456
~~~
457
MENANDER
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514 K.
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. . . . . 'b:
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461
AN UNIDENTIFIED COMEDY
AN
UNIDENTIFIED
COMEDY
eX . .
ka oGov
Adptupa .T-4 . .
en, autoff op?
5
3.
"yettooruv eToup.
. . .
. .
Tv ykecket .
Tai, Moaxtov . .
peoTayirms eart
10 &til yap a "Taipov .
s/
DRAMATIS PERSONAE
CHAEREAS
u He does
me wrong, although he's suffered naught
from me.
465
MENANDER
*/
>
-/
#etp:ydorato.
3.
*/
(Xal.) v.) Tv
"HXtov
Traffo'v;
17 Restored by J* for "cereva eyw:, J* reports the (:) at
end as certain.
00' . . . . . . .
AN UNIDENTIFIED COMEDY
MENANDER
LPS*36 . . . . . . . . . . . . . . . . . . . \ps
ToS mu
uot:
40 . . . . . . . . . . . . . . . . ka!Ns xet
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'yoye.
(Aa.) *TTs
[" 2...A.T S [2:
2I 8 xpi
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/
29 tour', Tov", pap., J.// phs a', (Aa.) pmut, J*.//Xalpa: J*.
30 Tob" Yp ti 80%xfou' vrix'"yeiv, S*. / To Cleaenetus,
Allinson./ To Laches, S*.// u Tobs 6eos suppl. and continued
to Cleaen., Allinson. / kaxs Tov to Chaereas, S*.
468
\e . . . . .
(Turning to Laches)
Do you assent to that?
LACHES
469
|
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\
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as
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i.
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|
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P
27
...
$fts;
AN UNIDENTIFIED COMEDY
CLEAENETUS
Just as I say.
LACHES
What's that ?
MENANDER
472
AN UNIDENTIFIED COMEDY
LACHES
In naught 3
Why, then, did he come here and shout?
CLEAENETUS
Perhaps he wished
LACHES
473
MINOR FRAGMENTS
INTRODUCTION
INTRODUCTION
477
10
15
e/
532 K.
3/
cy
3/ /m3
e.
...:
* *op of yewider'
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u My,
is u,
X-----~~~~"
read: yvos P. . .
. . . . . .';*#
is good,
He, mother, he, though Aethiop, is nobly born.
A Scyth, you say? Pest ! Anacharsis was a Scyth !
i.e. caveat emptor /
481
9|
5. N. N.
'airov over
rO
**
4 & 8
-
#8
d'Tol
Tap'
*AA.)."
&repa
'. ###
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*
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Toa'Yaa
Tt
/
f
# Taxos to);
T
-
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through.
Ut widi, ut perii / "
By Athena, gentlemen, I cannot hit upon a figure
that will match what has actually occurred, as I turn
over with myself what brings me swift to ruin. For
cf. Lucian, Gallus, 27, for a comparative study of various
avatars made by the Pythagoras-Cock.
483
I 1 2
MENANDER
/
e/
10
537 K.
>
>
ey
e/
538 K.
e.
* C. r
e/
* /19
*
*
*
*
484
B. add. udvows.
kt, K./ kat, MS. / &AA, Meineke.
abro's, Kock and Meineke 2 / abrw, MS.
Xpvov, Meineke cum Grotio. / xpvos, MS.
Yet none
Look thou
485
.. . .
- ..
# Z.E. '. )
####"
dvaro'oa
/ -
"
A.D.I.", Tape):
88 ft ovrias at
*::/"
*#.
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-
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2%
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s
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cal rv to Avuartevv. *:
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to ge."
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e-es
Zs
5 to 2 rtov on of res. G
20/'
* *
---
ov * * *::s
|
a rados poros
3r', *PW'
3%,
*.
* . .
(Reconstructed fromWyttenboeh.)
put ,
p. 56.
|-
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*.
- "
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...
*** *
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it, s: *::::.
* craft 3% # '. e
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EDUS"Tavt my
*
#.
#:
s
#Tij\6e catalye Mv
f
Q- *-
-"
. .
-
A face
same girl,
Their eyes would be for them the same criterion.
Some pleasure in companionship entices love?
Why, then, in spite of this does one man suffer naught,
But off he goes and mocks, while this man's done for
quite :
-
487
MENANDER
3/
#8
1 ...
muvveto
543 K
3/
>
-(T.
UNIDENTIFIED MINOR
FRAGMENTS
* Literally: a scoop.
489
MENANDER
546 K
>
*/
>
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e C. \
* Q \
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>
549 K.
sa
*:
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S. H.",
Foxxiv.
T. et'Aoxy
to: Stovar '7"
.
s".:*
**
#
# Tvta T'airv' & Sovas
@@# 1 ||
s ,, , ,
- **
*offairgwat Baiuo'o,
cal car's desiv, "w agro "res.
10 *@*.
-
3.
/7
...,
&
"
..
**
#08 Stov,
/
* :
| ock,
who also o:
#.
*:--- " : ./ favr, 's i:
Capps/ drp. MS. . . . *
De Propinquitate.
If you're a neighbour to a neighbour who is bad
you must in everyway learn or suffer what is bad.
But if you are neighbour to a neighbour who is
good, more and more good reciprocal you both teach
and learn.
De Amicitia.
MENANDER
555 K.
6 ypas Sap,
557 K.
560 K.
561 K
*iarps, as in Ar. Eccl. 363, Pl. 406. cf. below, fragm, 591
and 677.
Stoic Equipoise.
Hurts and misfortunes bear with grace and dignity.
That is the way of any man possess'd of sense,
Not his who jerks his eyebrow up and cries, Ah me!
But his who bears his troubles with self-mastery.
Anti-Expansion.
In the front rank of man's woes is grasping greed.
For they who are fain to annex their neighbours'
holdings frequently are defeated and fail, and to
their neighbours' possessions contribute their own in
addition.
495
"rs 8) r) "pajua r
&
s]
*** *** * *:
#:#S.'os vaSaivov. &y'.
Not SX ray &rent
- *
* : ,
es
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Xavdveuw tas oMerau ratt's:
JA
},
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rvXXaudvet.
E.
Racifts...i.a.
* rAsov, Bentley. /
\i
-
From
Where,
He looks like a
7: Norytorus
[.
y-
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,,
4.
Tp#5 Toote's'.
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". . .
* : *,
...
*, *
..
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als
. . .. . . .. .
*,
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1 ra isofa,
2
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-
###.
*
*: *
Dindorf. I &et, M |
D.
|N
. *: -.
"
..". -
|-
UNIDENTIFIED MINOR
FRAGMENTS
For no one,
MENANDER
/
580 K.
Ti otakevns
et Xpmatos;
<et yap="
o 3beatorms
T
T2
8
*
ar
581 K
* *
582 K.
*/
>
3//m3
*/
583 K.
584 K
>
>
5.
586 K.
*/
- - - --
Patrimony v. Matrimony.
To be rightly happy a man must needs inherit
from his father.
as lucky man.
I feel shame, Cleitophon, before my father only.
I shall not be able to look him in the face if I do
"
.
"
evolvedt"2. #
*: rw aft:y }'s
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9.
* "
f|
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7:
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*
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* K to pueradoxas Xaipovaaravro.
obv frt brewbos rob', &ray "'
Sleatos icos repur&n *gift#'.
*
. . . . . . . .
*
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K. ** **** ove.
*# o,
*
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1:
**
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of 7067
...
-
**
Fortune a Scapegoat.
Fortune cannot possibly have any corporeal exist
ence; but the man who cannot bear events in
--
its forty
4xplore. 1.
,, . " ' " -
7"
- ". .
Xe'rds cal
r8wnsey #2':
p >* **
s :
*
." -
os rr d6%varov #etw'
"...:
&rarra boxset ad
to 0.25 9eraxgy at
-
,, ,
.. .
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.
. deve? 88
. .
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60l. K
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traffort its
|->| |
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-
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-
".
MENANDER
*
603 K.
*/
,s
Tv # avtot).
604 K
605 K.
to 3 e5 ppeuv
attv Totoutov, av vvy uvos ppetv,
kai un 'trim Aov thv twynv to AAois Toffs.
*/
*-
608 K.
609 K.
610 K.
611 K
ed
*/
*-
612 K.
*-
506
>
UNIDENTIFIED MINOR
FRAGMENTS
MENANDER
613 K.
>
e/
pyietal
616 K. m
8 evtatpeta
pixyyeA6s" re Tap6vos
p
p
5
e/
>
618 K.
5/
3.
3.
>
619 K.
620 K.
621 K
508
Oslerizing.
That's a fine custom, Phanias, of the Ceians
that a man who cant live well does not continue
to live ill.1
MENANDER
*/
*/
*-
*/
the incredible"
has sometimes
MENANDER
631 K
63.2 K.
633 K
634 K
635 K.
636 K.
637 K.
638 K.
r C.
p.
>
>
as
>
639 K
=-
/~
*
-*.
The man who hath some load upon his mind, even
though he be very bold, him conscience turns into a
perfect coward.
The poor must labour while life lasts, for idleness
cannot support even the frugal life.
The envious man is his own enemy; he is forever
grappling with vexation self-imposed.
The laws are a very fine thing, but he who keeps
his eye too close upon the code turns out to be a
backbiter.
MENANDER
640 K.
641 K
642 K.
3/
3/
>
5.
3/
648 K.
>
ep
649 K.
650 K.
651 K
5 I4
MENANDER
*
652 R.
*-
*-
655 K.
656 K.
657 K.
658 K.
duymp eTuryapuos,
*/
*/
>
e/
cav
659 K
e/
>
660 K.
661 K
662 K.
ev
* : *repos bs v j, Porson.
516
- - -
UNIDENTIFIED MINOR
FRAGMENTS
MENANDER
663 K.
664 K.
665 K
666 K.
*-
>
668 K.
*-
*-
*-
a.
*/
669 K.
670 K.
671 K
*-
>
672 K
673 K.
>
yoke-mate Fortune.
1 Reference to the third athlete who sat by waiting
to fight the winner in a contest.
* cf. Fragm. 672.
* Text (q.v.) is uncertain.
519
p.
OW/GBP Nav % 4 *
#:
(*) &
".
* Ad uXXov caraxa)\#
.."
'85':0
--
*.
1s
U.
"
|
-
C.
2:01.724.2%
POS to
** 2
C.
|
22%2002.4%.:
.
-- " D
-
* *
-*
:i.
37
... : :"
8 . ..
re
, :
||
|
-
7.
g".
Troy: avs.
KGI's G:
-
&" " -
**
*4) a.
# dums be u,
--3.
(t
* --
#: "...:
MENANDER
*
686 K.
687 K.
uvvov
avhp
picov P.I..
"Yvvauxi
8' *5atus
X-." 2 -.'
8
8t
*/
*/
688 K.
* -
690 K.
601 K
692 K.
kaup Tov eitvYovta coxakevov biXos katpot, pixos Tbvicev, oxi too biXov.
r
*-
*-
693 K.
a-
*-
694 K.
*/
695 K.
*-
MENANDER
697 K.
698 K.
699 K.
700 K.
701 K
702 K.
papuakov.
703 K
704 K.
705 K.
708 K.
>
MENANDER
e/
719 K.
720 K.
724 K.
>
725 K.
* /19
ey
526
young
by
The
man who fails to support
his trade
the mother who bore him is a barren offshoot from
the stock.
MENANDER
728 K.
729 K.
730 K.
>
732 K.
734 K
Trs o un bpovw
737 K
*
5.
739 K.
*/
738 K.
>
>
AleTeXel's Alepos.
w
742 K.
744 K
tov t bljael
oicetov obels catpos &\\Tptov Toei.
5
>
Tvta yap
Ta's vexexeiaus catatovetta. Todyuata.
-
atu 8
745 K.
528
MENANDER
*** **i. i.
796 K \varet ue 805xos usigov oixrov (ppovw.
797 K opy, buxovvtov oxigov laxwel Xpvov.
805 K vuos yovebouw loodovs Tupas vuetv.
809 K j y v dexqbols otiv uovoias pos.
810 K aloxvvuevos ataxiata Teviav v (bpous.
Perhaps trochaic uh [Koplv6/?] rioteve umb: xp, etc. cf.
Meineke.
53o
You speak, and what you speak you speak for gain.
There is no greater equipment in life than
effrontery,
There is no
Effrontery.
more
illustrious
goddess
than
531
M M 2
MENANDER
Aats.
* 56, Meineke. / 5n, MS., Kock. // trpov, Kock. / Trov, MS.
532
UNIDENTIFIED MINOR
FRAGMENTS
533
AM (pISBHTHXIMA
*
1092 K.
1093 K.
1094 K.
1100 K.
*/
1109 K.
*-
5.
>
534
See
Epitrepontes
A'.
Apollinaris, Sidonius, xi
Apollodorus, xvi; 313
Arcadian, 439
Areo
, 367
Aristophanes, x, xiv., xv, xx;
Acharnians, 5, note ; 403, note;
xii;
(ad
Periceiromene,
note
#).
Aristotle
miral), 416 (357 K)
Atilius, xx, note 4
Auge, 123
(Unident.
line
Chaerephon, 130;
401; 405; 419
Samia,
Chaerestratus, 15;
Epitrepontes,
passum
537
Halae, 349
Hedeia, 325
Hegesippus, 313
Herodotus, 344, note; 525, note;
529, note
Homer, xi, note 1
Horace, 535, note (1092 K)
Hymnis, 441, note 2
Misow
Lachares, 365
Laches, 287; 371; 423; 465. Hero,
Citharistes, Perinthia, Unident.
Dercippus, 489
Dion Chrysostom, x, note 3
Dionysia, 365; 451
Diphilus, 313
Dodonaean bronze, 320 (66 K)
(647K)
Lamia (-ae), 428; 429, note
Lamprias, 313
Luscius, xx, note 4; 359;
L'us.
Colav, passim
)
Epicurus, xiii
2; 358 (235 K)
Eudoxus, 443
Euonymeus, 377
Euphron, 313
Euripides: xiv.; xv, xviii; xx; Auge
of, cited in Epitrepontes, line
; 483, note;
368
(268 K);
Piscator,
Quomodo
Hist.
Symposium,
#.
#. T#
, note;
Timon,
409,
527, note;
538
note,
Vitar.
Mende, 403
Menippus, 489
Messenian, 310
Misapprehension
Agnoia
Monimus, 367
(prologue),
see
Nannarion, 395
Neleus, Epitrepontes, line 109 (110)
Nemesis, 221, note; 404 (321 K)
Niceratus, 135; Samia, passim
Nymphaeum, 345
Samian, 310
Sangarius, 287, note; Hero, passim
Sappho,
400; 401; 403 (312 K),
line 1
Pamphila, 15; Epitrepontes, passim
Pamphilus, 513 (631 K)
Panathenaea, 447 (494 K)
Parmenon, 135; Samia, passim ;
433; 443 (481 K)
Pataecus,
201; Periceiromene, pas
stn't
Peiraeus, Epitrepontes, line 536
Pelias, Epitrepontes, line 110
Perinthian, 310
Persia, Persian, 317; 457
Phanias, 371; Citharistes, passim ;
509 (613 K)
Pl:
EP"
Epitrepontes, passim
409, note;
INDEX
OF
PROPER NAMES
(Perinthia
Trojans, 441
Troy, Colax, line 107 (p. 392)
Thrasonides,
409;
Misowmenos,
Passim
Virgil, 365
T'ophone
Epitrepontes,
line
Zeno (Stoic), xiii
AL READY
PUBLISHED
Latin Authors.
APULEIUS. The Golden Ass (Metamorphoses.) Trans, by W. Adlington
(1566). Revised by S. Gaselee. (3rd Impression.)
AUSONIUS. Trans. by H. G. Evelyn White. 2 Vols.
BOETHIUS : TRACTS AND DE CONSOLATIONE PHILOSO
PHIAE. Trans. by Rev. H. F. Stewart and E. K. Rand.
Trans, by E.
O. Winstedt.
2 Vols.
Trans.
by
M.
Heseltine; SENECA :
APOCOLO
2 Vols.
Greek Authors.
ACHILLESTATIUS. Trans. by S. Gaselee.
AESCHI NES.
Trans. by C. D. Adams.
Trans. by S. Gaselee.
Trans, by E. Cary.
9 Vols.
Vols. I to VI.
2 Vols.
Vols.
IN
PREPARATION
Greek Authors.
AENEAS TACTICUS, ASCLEPIODOTUS AND ONESANDER, The
Illinois Club.
AESCHYLUS, H. W. Smyth.
MIDEs.
THEAGES
Lamb.
PARMENIDES,
P'
Fowler.
Latin Authors.
AMMIANUS, C. U. Clark.
AULUS GELLIUS, S. B. Platner.
WILLIAM HEINEMANN.
New York -
G. P. PUTNAM'S SONS.
London
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MAY 1 9 1987
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JUN 17 198
JUL 17 1987
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A/24/5
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APR - 1 ||37
MA. 19.
JUN 17 198
MAY | 9 1987
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