Documente Academic
Documente Profesional
Documente Cultură
Knowledge of Students
[ ] Readiness
[x] Interests -- Many students will have at least some exposure to (and
perhaps interest in) music videos and/or hip hop.
[ ] Preferences:
[ ] Styles
[ ] Intelligences
[ ] Other (e.g. environment, gender, culture)
Need to Know
Brief informal talk -- Take 5 minutes, either at the end of this lesson or at
the beginning of the next, to ask the class for their general impressions of
the videos. Look for any comments that indicate stereotype and use it as
an opportunity to draw a distinction between videos that carry a message
and those that don't. Explain how Shad and War Party are 'conscious'
rappers: they rap to entertain, but also to deliver a message.
Differentiated Instruction Response
CURRICULUM CONNECTIONS
Analysing Texts -- 1.7 analyse both simple and complex oral texts, focusing
on the ways in which they communication information, ideas, issues, and
themes and influence the listener's/viewer's response
Learning Goal:
Assessment/Success Criteria
Thinking
Asks students to closely consider artists' motivations for using imagery.
Application
Uses process of inquiry modelled in this lesson to consider instances of
imagery outside of class (ie. in ads, film)
Assessment Tools
PRIOR LEARNING
Materials
• copy of lyrics to Shad's "Brother" and War Party's "All For One"
• compact discs of Shad's The Old Prince and War Party's The Reign
• internet connection, projector, speakers
Internet Resources
• Youtube
• www.shadk.com -- Shad's blog and website, updated regularly.
Reading
• Dalton Higgins, Hip Hop World -- A concise yet very helpful survey of
hip hop, its history, its proponents, and its continued influence in the
world.
Whole Class / Individual Response --> Image Montage / 'What does the
image remind you of?'
• The teacher presents the class with 10-12 images. The images will
include some that will be familiar, including some that were introduced
earlier in the unit (ie. the gates of Auschwitz, a raised fist, the
protester facing tanks in Tiananmen Square), and others that
presumably will be less familiar (a residential school, a black circle
painted on a billboard). Students respond individually as the images
are presented, spending only about half a minute on each image and
encouraging students to write down on sticky notes their initial
thoughts and associations.
• Students are then encouraged to share their responses by placing
sticky notes around the corresponding images at the front of the
class. Responses are read aloud. Students are encouraged to explain
their responses and look for patterns. What associations, for instance,
arise when confronted with the image of a raised fist? Does it make a
difference if the fist is white instead of black?
• 'Minds on' wrap-up and segue: Images can be deliberately used to
achieve a certain effect (like oppression or resistance). We call this
imagery.
ACTION
• What issues do the images in this video give rise to? Why might Shad
have chosen these images instead of others?
• Refresher:
o Imagery can apply to visuals in videos and films, but also to
language (in books) and sounds.
o Images have meaning, and are chosen and used to create
particular reactions in those you read/see/hear them.
• Pass around handout on Imagery: definition and examples (with
reference to Shad's video).
• Homework task: Each student is to find an example of imagery: it can
in advertisements on public transits, on television, in a newspaper.
Students will present their found examples of imagery and explain
how they work next class.