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A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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ABCDEFGHIJKLMNOPQRSTUVWXYZ
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EHT
The bloom is off the rose. light italic 16/20
Type design has lost its urgency,
and has regained its soul. In the mid to late
90s I was working completely alone in a
windowless studio, and traveling extensively.
Routinely, I would find myself conducting
workshops and lectures at American design
schools. These alternating frames of solitude
and activity left me with an uncanny feeling.
It was as if I were watching time-lapse pho-
tography of the graphic design field in flux.
This perspective, however warped, made
it quite easy to put a finger on the pulse of
design in America.
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How black?
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meduim italic 10/14 How thin?
meduim italic 11/14 Thinner?
meduim italic 12/14 Thicker!
meduim italic 13/14 Bigger!
meduim italic 14/14 Blacker!
meduim italic 15/14 Smaller!
meduim italic 16/14 Whiter!
meduim italic 17/14 Grayer?
meduim italic 18/14 Closer?
meduim italic 19/14 Farther!
meduim italic 20/14 Tighter?
meduim italic 21/14 Too tight!
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It was the 80s. bold 28/34
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We were young, upper middle class, ultraconservative
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Catholic boys and girls and we had a paucity of
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0 1 2 3 4 5 6 7 fashionable role models.
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0 1 2 3 4 5 6 7 bold italic 8/11
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I should point out that these
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( ( ( ( ( ( ( ( (
) ) ) ) ) ) ) ) ) (
)
.pu k*@f eht kcab ,lleW ”?nigeb uoy od erehW“ “ .yas uoy raeh I ”!tiaW
c i s u M
is the appropriate metaphor. In
music, rigorous study of repertoire, theory,
and physical application is what allows the
musician the improvisational freedom to
move the listener. Musical instrument per-
formance represents the perfect synthesis of
theory and practice. Theory is study under-
stood and finally applied.
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But the essence is
that theory
You must trust yourself, and work by feel.
(or thinking) black 15/17 15
Rely on the totality of your experience. Rely
Wait!” I hear you say. “ “Where do you begin?” Well, back the f@*k up.
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F. H, Ernest Schneidler, type desginer and teacher, designed
Schneidler Old Style in 1936 for the Bauer foundry.
The Stempel Schneidler, a completely reworked and tuned
font family made by D Stempel AG in Frankfurt, is a fine,
legible text font that also works well in display.
One of Schneidler’s more unique features is its question marks.