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disabled people are marked, not just by constitutional pathology but also by aesthetic unruliness. Disability
represents deficit in competence and beauty. Eugenics, for example, promised to make humanity not just strong
and smart but beautiful as well (Pernick, 1997: 91). The ontological disparagement of disability in the modern
Medical
and aesthetic prejudice work in combination to produce the view that
disabled peoples inabilities and deficiencies are products of the natural
distribution of competence and beauty rather than the social organisation
of opportunity. Insofar as one cannot exchange what one has not got or
(easily) transform a deficit into a credit, the disabled body is blocked in its
possibilities to acquire cultural, economic or symbolic capital (see Blackmore and
Hodgkins in this volume). Correction/rehabilitation involves the attempted erasure
of deficits of credibility that are simultaneously mechanical and
undesirable. To be what not to be is to be a stakeholder at the margins of
the human community with few opportunities to escape misrecognition
and exile. Correction offers a tangible promise of redemption, through to
steal a phrase from Bourdieu (1984: 251) ontological promotion. Making able (rehabilitation) offers
period is a double-edged sword. It thrusts and slashes in the quotidian spaces of the civilising world.
term handicap relates to divergence from a norm of social performance and refers to a disabled person who,
through medical means, is to be re-adapted. Rehabilitation also signifies betterment indicating a moral element to
correction.
clearly evident in the field of therapy and rehabilitation. Aides that facilitate the up-right stance and comportment
of people with mobility impairments are regarded as tools for enhancing physical capital. The difference between
homo erectus and his slouched, primate predecessors might have a quite a lot to do with our disdain for those who
do not walk tall as well as with the pervasive (nondisabled) view that a wheelchair is a place of confinement rather
than a vehicle of liberation. The medical term prosthesis is derived from the Greek word meaning addition,
suggesting nature in deficit. In a literal sense, note Mitchell and Snyder (2000: 6 ),
a prosthesis seeks
to accomplish an illusion, perhaps a deceit. It covers-up. It attempts to
represent what an individual is at the level of biology and ontology so
that she can be embraced by a community that will not tolerate her as she
is. Therapies improve and correct, some cure. The goal of speech and language therapy, for example, is to
transform deficit communicators by providing them with the tools to develop civilised speech patterns. Recipients
of the therapy are taught like the heroine of George Bernard Shaws Pygmalion to embody the protocols of
The
person with the speech impairment is presented as a portent of social
mess. To offend against protocol attracts aversion. Yet, these protocols
are themselves carnally informed and arise from the ways in which nondisabled bodies leave their imprint the imprint of normalcy on the
forms of communication that come to be defined as acceptable.
Impairment, in these normalised social spaces, is always an ontological
lack. Rehabilitation from the Latin habilitare, to make able is a corrective, a
pedagogical solution to our aversion for the disruption caused by an
ontological splinter in the otherwise perfect fleshy fabric of a slick social
encounter . Speech impairment is treated as a creeping unruliness that threatens civility. From a noncompetent communication and be able, therefore, to participate effectively in civil social encounters.
disabled perspective, the corrupting presence of ontological deficit is a source of moral apprehension.
collapses, the individual is caught in a deceit that may have profoundly negative consequences for her social
relationships.