Documente Academic
Documente Profesional
Documente Cultură
Yu k i e S a s a k i
D r. E i j u n S e n a h a
Scholar and Scholarship
S e p t e m b e r. 2 9 , 2 0 0 4
To l k i e n s B a c k g r o u n d o f t h e T h o u g h t b e h i n d T h e S i l m a r i l l i o n :
An Annotated Bibliography
1. Introduction
The aim of this research is to collect the primary and
s e c o n d a r y m a t e r i a l s t h a t d e a l w i t h J . R . R . To l k i e n ( 1 8 9 2 - 1 9 7 3 )
a n d h i s e p i c f a n t a s y, e d i t e d b y h i s s o n , C h r i s t o p h e r To l k i e n , T h e
Silmarillion (1977).
r e a d e r s t h e s o u r c e o f To l k i e n s l i t e r a r y i n s p i r a t i o n a n d t w o
contradictly ideas, mono theism and polytheism, coexist in
To l k i e n s w o r k s .
I n t h i s a n n o t a t e d b i b l i o g r a p h y, I d i v i d e t h e m a t e r i a l s i n t o
three sections.
c h r o n o l o g i c a l a n d a l p h a b e t i c a l o r d e r.
the
the
selected
primary
Silmarillionthe
work
sources
itself,
after
a u t h o r s
publication
letters,
and
of
the
The
12
i s n o t a c o m p l e t e w o r k a r r a n g e d b y To l k i e n h i m s e l f , c r i t i c s
Sasaki
The
About the
a u t h o r s l i f e a n d p e r s o n a l i t y, t h i s r e s e a r c h p r e s e n t s H u m p h r e y
C a r p e n t e r s f i r s t b i o g r a p h y, J . R . R . To l k i e n : A B i o g r a p h y ( 1 9 7 7 ) ,
a n d t h r e e o t h e r a u t h o r s s t u d y b o o k s . C a r p e n t e r p r o v i d e s u s
w i t h To l k i e n s g e n e r a l b i o g r a p h i c a l i n f o r m a t i o n , s o t h a t h i s
w o r k i s c o n s i d e r e d a s t h e m o s t r e l i a b l e b i o g r a p h y.
Other
w r i t e r s a l s o r e f e r t o t h e i m p o r t a n c e o f r e a d i n g To l k i e n s i n t e r e s t
in the European myths and his Catholicism in the works, so that
I picked up them as the main biographical sources that appeared
from the late 70s to late 90s.
2004.
This
project
omitted
the
materials
before
The
S i l m a r i l l i o n s p u b l i c a t i o n a n d t h a t d e a l w i t h o n l y To l k i e n s
former works.
T h e t e r m s f o r r e s e a r c h a r e To l k i e n , T h e S i l m a r i l l i o n ,
M i d d l e - e a r t h , m y t h , m y t h o l o g y, r e l i g i o n , f a i t h , C h r i s t i a n i t y,
C a t h o l i c , C a t h o l i c i s m , b a c k g r o u n d , f a n t a s y, n a r r a t i v e , s t r u c t u r e ,
a n d h i s t o r y.
R i c h a r d C . We s t s To l k i e n s C r i t i c i s m : A n
A n n o t a t e d C h e c k l i s t ( 1 9 8 1 ) , J u d i t h A . J o h n s o n s J . R . R .
Sasaki
To l k i e n : S i x D a c a d e s C r i t i c i s m ( 1 9 8 6 ) , a n d Wa y n e G .
H a m m o n d s J . R . R . To l k i e n : A D e s c r i p t i v e B i b l i o g r a p h y ( 1 9 9 3 )
a l s o s u p p l i e d p l e n t y o f i n f o r m a t i o n a b o u t To l k i e n s w o r k s .
Besides, the references of the three anthologies th at were
published in 2000 are helpful to know the important critics and
s c h o l a r l y b o o k s o f To l k i e n s t u d y t h r o u g h t h e l a s t h a l f o f t h e
c e n t u r y.
Although this work was edited and published after the
a u t h o r s d e a t h , T h e S i l m a r i l l i o n i s c o n s i d e r e d t h e n e c e s s a r y
work to understand the structure of Middle -earth, the stage of
To l k i e n s w o r k s , b e c a u s e i t e x p l a i n s i t s h i s t o r y a n d m y t h i n e p i c
prose style.
I n t h i s s t o r y, t w o o f t h e m a i n c h a r a c t e r i s t i c s o f
To l k i e n s w o r k s , t h e b o r r o w i n g f r o m N o r t h e r n m y t h a n d t h e
i n f l u e n c e o f C h r i s t i a n i t y, a r e e x p r e s s e d f a r m o r e a p p a r e n t l y
than in The Hobbit (1937) and The Lord of the Rings (1954-55).
A s To l k i e n s l i f e w o r k , t h i s s t o r y i s b a s e d o n h i s a t t e m p t t o
r e c r e a t e E n g l a n d s l o s t m y t h t h a t h a d a l r e a d y g r o w n i n a u t h o r s
mind during the 1910s, and the revising had continued to the
end of his days.
T h e w h o l e o f To l k i e n s t u d y b e c a m e d e e p e r a n d w i d e r
a f t e r 1 9 7 7 , b e c a u s e T h e S i l m a r i l l i o n a n d C a r p e n t e r s b i o g r a p h y
supplied more detailed information about Middle -earth and the
author himself.
L i k e C a r p e n t e r, T. A . S h i p p e y, B r i a n R o s e b u r y,
a n d m a n y o t h e r c r i t i c s p o i n t o u t t h e t e n d e n c y o f To l k i e n
criticism is split into two opposite flows: admiration and abuse.
Sasaki
For
e x a m p l e , E d m u n d Wi l s o n w h o c l a i m e d T h e L o r d o f t h e R i n g s a s a
p r o d u c t o f e s c a p i s m i s f a m o u s a s To l k i e n s a n t a g o n i s t .
The evaluation of The Silmarillion was not so high soon
a f t e r i t s p u b l i c a t i o n b e c a u s e o f i t s l e n g t h a n d l a c k o f u n i t y.
It
was boring for general readers, and many critics questioned its
value as a literary work, like Neil D. Isaacs comment in 1981
shows.
H o w e v e r, a s t h e a u t h o r s s t u d y p r o c e e d e d a n d To l k i e n s
in
the
80s,
the
critics
gradually
appreciated
The
S i l m a r i l l i o n s m e r i t a s t h e s o u r c e o f M i d d l e - e a r t h w o r k s , a s
Richard Mathews says.
To l k i e n s a t t e m p t t o m a k e t h e w h o l e
c o m p a r i s o n b e t w e e n t h i s w o r k a n d M i l t o n s P a r a d i s e L o s t , m y t h
c r i t i c i s m a n a l y z e d t h i s w o r k w i t h J u n g i a n t h e o r y, a n d f o l k l o r i c
study
suggests
Kalevala.
text
to
the
narrative
similarity
between
Edda
or
N o w, T h e S i l m a r i l l i o n i s c o n s i d e r e d a s a n e s s e n t i a l
understand
the
meaning
of
historical
or
mythical
L i k e S h i p p e y a n d Ve r l y n F l i e g e r,
Sasaki
2. List of Abbreviations
Amon Hen
A m o n H e n : T h e B u l l e t i n o f t h e To l k i e n S o c i e t y
FS
On Fairy Story
Hobbit
The Hobbit
HM
J FA
Letters
T h e L e t t e r s o f J . R . R . To l k i e n
Mallorn
M a l l o r n : T h e J o u r n a l o f t h e To l k i e n S o c i e t y.
M y t h l o r e : a j o u r n a l o f J . R . R . To l k i e n , C . S . L e w i s ,
C h a r l e s Wi l l i a m s , G e n e r a l F a n t a s y a n d M y t h i c
Studies.
LR
Seven
Sil
The Silmarillion
UT
T h e U n f i n n i s h e d Ta l e s
Sasaki
3. Primary Sources
1977
[ 1 ] To l k i e n , J . R . R . T h e S i l m a r i l l i o n . E d . C h r i s t o p h e r To l k i e n .
1 9 7 7 . 2 n d e d . L o n d o n : H a r p e r, 1 9 9 9 . N e w Yo r k : D e l R e y, 2 0 0 1 .
Collected myths and historical episodes of Middle -earth
t h a t a r e b a s e d o n To l k i e n s a t t e m p t t o r e c r e a t e
E n g l a n d s l o s t m y t h .
r e p e a t e d l y a p p e a r i n To l k i e n s w o r k s , l i k e t h e
confliction between good and evil, the creation and the
destruction, and the power that causes characters
degradation.
o f e v i l , s o t h a t S i l m s n a r r a t i v e m o d e i s c o n s i s t e n t l y
tragic.
1980
[ 2 ] To l k i e n , J . R . R . U n f i n i s h e d Ta l e s . E d . C h r i s t o p h e r To l k i e n .
L o n d o n : A l l e n & U n w i n , 1 9 8 0 . L o n d o n : H a r p e r, 1 9 9 8 .
The first collection of the rough drafts of Silm and LR.
Narn i Hn Hlin and The History of Galadriel and
Celeborn supply the more detailed explanation of the
episodes that show us the similarity between myth and
To l k i e n s s t o r y.
1981
Sasaki
[ 3 ] To l k i e n . J . R . R . T h e L e t t e r s o f J . R . R . To l k i e n . E d .
H u m p h r e y C a r p e n t e r.
H a r p e r, 1 9 9 5 .
T h e c o l l e c t i o n o f To l k i e n s p r i v a t e a n d b u s i n e s s l e t t e r s
from 1913 to 1973.
I n p a r t i c u l a r, t h e l e t t e r s f r o m 1 9 3 7
1983
[ 4 ] To l k i e n , J . R . R . T h e B o o k o f t h e L o s t Ta l e s , P a r t O n e . E d .
C h r i s t o p h e r To l k i e n . Vo l . 1 o f T h e H i s t o r y o f M i d d l e - e a r t h . 1 2
v o l s . L o n d o n : A l l e n & U n w i n , 1 9 8 3 . L o n d o n : H a r p e r, 2 0 0 2 .
C o n t a i n s t h e e a r l i e r v e r s i o n s o f S i l m s e p i s o d e s .
Some
It is
1984
[ 5 ] To l k i e n , J . R . R . T h e B o o k o f t h e L o s t Ta l e s , P a r t Tw o . E d .
C h r i s t o p h e r To l k i e n . Vo l . 2 o f T h e H i s t o r y o f M i d d l e - e a r t h . 1 2
v o l s . L o n d o n : A l l e n & U n w i n , 1 9 8 4 . L o n d o n : H a r p e r, 2 0 0 2 .
Contains the earlier and more detailed version of the
Sasaki
T h e l a s t c h a p t e r, T h e H i s t o r y
o f E r i o l o r l f w i n e i s o n e o f t h e p r o o f s o f To l k i e n s u s i n g
of English legend.
1985
[ 6 ] To l k i e n , J . R . R . T h e L a y s o f B e l e r i a n d . E d . C h r i s t o p h e r
To l k i e n . Vo l . 3 o f T h e H i s t o r y o f M i d d l e - e a r t h . 1 2 v o l s . L o n d o n :
A l l e n & U n w i n , 1 9 8 5 . L o n d o n : H a r p e r, 2 0 0 2 .
The alliterative verse style of two of the main story of
C h r i s t o p h e r To l k i e n s e t s t h e s e v e r s e s a s t h e
c h i e f s o u r c e s o f t h e T r i n a n d L t h i e n s s t o r y.
1986
[7]
To l k i e n ,
J.
R.
R.
The
Shaping
of
Middle-earth.
Ed.
C h r i s t o p h e r To l k i e n . Vo l . 4 o f T h e H i s t o r y o f M i d d l e - e a r t h . 1 2
v o l s . L o n d o n : A l l e n & U n w i n , 1 9 8 6 . L o n d o n : H a r p e r, 2 0 0 2 .
Describes
the
shaping
of
the
chronological
and
Sasaki
1987
[ 8 ] To l k i e n , J . R . R . T h e L o s t R o a d a n d O t h e r Wr i t i n g s . E d .
C h r i s t o p h e r To l k i e n . Vo l . 5 o f T h e H i s t o r y o f M i d d l e - e a r t h . 1 2
v o l s . L o n d o n : A l l e n & U n w i n , 1 9 8 6 . L o n d o n : H a r p e r, 2 0 0 2 .
C o m p l e t e s t h e e x a m i n a t i o n o f h i s w r i t i n g a b o u t Va l i n o r
a n d M i d d l e - e a r t h s h e r o i c l e g e n d s b e f o r e t h e s t a r t o f
writing of LR, 1937-38.
1993
[ 9 ] To l k i e n , J . R . R . M o r g o t h s R i n g . E d . C h r i s t o p h e r To l k i e n . Vo l .
1 0 o f T h e H i s t o r y o f M i d d l e - e a r t h . 1 2 v o l s . 1 9 9 3 . L o n d o n : H a r p e r,
2002.
The manuscripts of later history of Silm.
The text of
1994
[ 1 0 ] To l k i e n , J . R . R . T h e w a r o f t h e J e w e l s . E d . C h r i s t o p h e r
To l k i e n . Vo l . 11 o f T h e H i s t o r y o f M i d d l e - e a r t h . 1 2 v o l s . 1 9 9 4 .
Sasaki 10
L o n d o n : H a r p e r, 2 0 0 2 .
The later history of Silm from the point where it was left
in vol.10, and refers the history of the First Age of
Middle-earth, mainly the conflicts of the High Elves and
the Men who were their allies with the power of the Dark
Lord.
B o o k o f L o s t Ta l e s .
1996
[ 11 ]
To l k i e n ,
J.
R.
R.
The
Peoples
of
Middle-earth.
Ed.
Vo l . 1 2 o f T h e H i s t o r y o f M i d d l e - e a r t h . 1 2
C h r i s t o p h e r To l k i e n .
v o l s . 1 9 9 6 . L o n d o n : H a r p e r, 2 0 0 2 .
The
supplement
fragmental
reveals
us
of
writing
the
appendices
related
To l k i e n s
to
new
Silm.
insights
to
LR
and
Part
two
and
new
c o n s t r u c t i o n s i n h i s l a s t y e a r s , i n p a r t i c u l a r, t h e
nomenclature of the Elves and detailed information
a b o u t M e n , D w a r v e s , a n d Wi z a r d s .
2002
[ 1 2 ] To l k i e n , J . R . R . T h e H i s t o r y o f M i d d l e - e a r t h I n d e x . E d .
C h r i s t o p h e r To l k i e n . L o n d o n : H a r p e r, 2 0 0 2 .
Covers the various indexes contained in the whole HM.
It provides the readers all the peoples, places, and other
s i g n i f i c a n t e n t r i e s o f M i d d l e - e a r t h i n a l p h a b e t i c a l o r d e r.
Sasaki
11
4. Biographical Information
1976
[ 1 3 ] K i l b y, C l y d e S . To l k i e n & T h e S i l m a r i l l i o n . W h e a t o n : H a r o l d
S h a w, 1 9 7 6 .
A r e p o r t a g e o f To l k i e n a n d h i s a t t i t u d e t o t r y t o c o m p l e t e
Silm.
T h e m o s t o f t h e i n f o r m a t i o n i s b a s e d o n K i l b y s
i n t e r v i e w w i t h To l k i e n .
d e t a i l e d a b o u t t h e r e l a t i o n s h i p b e t w e e n To l k i e n s w o r k s
and his Catholic faith.
1977
[14]
C a r p e n t e r,
H u m p h r e y.
J . R . R . To l k i e n : A B i o g r a p h y .
L o n d o n : A l l e n & A n w i n , 1 9 7 7 . L o n d o n : H a r p e r, 2 0 0 2 .
The
most
reliable
biography
of
To l k i e n .
Carpenter
s u c c e e d e d i n d e s c r i b i n g To l k i e n s c o n v e r s i o n o f a C a t h o l i c
and the process he had a strong interest about myth and
legend of Europe in detail.
I t s h o w s To l k i e n s r e l i g i o u s
1981
[ 1 5 ] C r a b b e , K a t h a r y n F. J . R . R . To l k i e n . N e w Yo r k : U n g a r,
1981.
A n a u t h o r s s t u d y t h a t e x p l a i n s t h e c o n t e n t s o f S i l m .
It
Sasaki 12
e v a l u a t e s S i l m a s t h e c o r e o f To l k i e n s w o r k s a n d t h e
most difficult to understand part because of its length
a n d l a c k o f u n i t y.
[ 1 6 ] P e a r c e , J o s e p h . To l k i e n : M a n a n d M y t h . 1 9 9 8 . L o n d o n :
H a r p e r, 1 9 9 9 .
An
a u t h o r s
study
biographical facts.
whole
works,
and
book
that
mainly
owes
to
the
out
To l k i e n
was
often
the
similarities
between
Silm
Chapter 6
and
Genesis,
M i l t o n s P a r a d i s e L o s t , a n d A u g u s t i n e T h e o l o g y.
Sasaki 13
5. Secondary Sources
1978
[17]
F o s t e r,
Robert.
The
Complete
Guide
to
Middle -earth:
To l k i e n s Wo r l d f r o m A t o Z . R e v. e d . N e w Yo r k : B a l l a n t i n e , 1 9 7 8 .
An index of the terms, name of the places and people,
things, and historical events about LR, Sil, and Hobbit.
All the terms are arranged according to alphabetical
o r d e r.
of the information.
[ 1 8 ] M a t h e w s , R i c h a r d . L i g h t n i n g f r o m a C l e a r S k y : To l k i e n , T h e
Tr i l o g y, a n d t h e S i l m a r i l l i o n . S a n B e r n a r d i n o : B o r g o , 1 9 7 8 .
S u m m a r i z e s To l k i e n s m a j o r w o r k s a s a g e n e r a l g u i d e .
Evaluates Silm as a myth rather than a novel because of
i t s n a r r a t i v e s p e c u l i a r i t y, a n d p o s i t i o n s i t a s a p r i m a r y
source of LR.
1981
[ 1 9 ] H e l m s , R a n d e l . To l k i e n a n d t h e S i l m a r i l s : I m a g e n a t i o n a n d
M y t h i n T h e S i l m a r i l l i o n . N e w Yo r k : H o u g h t o n , 1 9 8 1 .
D e l i n e a t e s To l k i e n s g l a d f u l c r e a t i o n , a n d t r a c e s s o m e
of
the
sources,
analogues,
themes
and
publication
Sasaki 14
To l k i e n s
other
works.
Tr a c e s
as
influences
from
Wi l l i a m M o r r i s , t h e B i b l e , M i l t o n , t h e K a l e v a l a , t h e
R.
R.
To l k i e n :
Six
[Johnson, Judith A.
Decades
of
Criticism .
B i b l i o g r a p h i e s a n d I n d e x e s i n Wo r l d L i t . 6 . We s t p o r t :
G r e e n w o o d . 2 11 ]
[ 2 0 ] I s a a c s , N e i l D . O n t h e N e e d f o r Wr i t i n g To l k i e n C r i t i c i s m .
E d . N e i l D . I s a a c s a n d R o s e A . Z i m b a r d o . To l k i e n : N e w C r i t i c a l
P e r s p e c t i v e s . L e x i n g t o n : U P o f K e n t u c k y, 1 9 8 1 . 1 - 7 .
R e v i e w o f t h e c r i t i c a l t e n d e n c y o n To l k i e n s w o r k s u p t o
Evaluates Silm is not argued enough, so that it i s
1981.
o n l y u s e f u l t o p r o o f t h e r e l a t i o n s h i p b e t w e e n To l k i e n s
motivation for writing and his Christian faith, with a
c i t a t i o n f r o m P a u l K o c h e r s b o o k .
[ 2 1 ] K o c h e r, P a u l . M i d d l e - e a r t h : A n I m a g i n a r y Wo r l d ? E d . N e i l
D.
Isaacs
and
Rose
A.
Zimbardo.
To l k i e n :
New
Critical
P e r s p e c t i v e s . L e x i n g t o n : U P o f K e n t u c k y, 1 9 8 1 . 11 7 - 1 3 2 .
Wi t h
citation
geographical,
Middle-earth
from
FS,
historical,
and
real
proofs
the
biological
world.
similarity
of
elements
of
Points
out
the
Sasaki 15
To l k i e n : N e w C r i t i c a l P e r s p e c t i v e s . L e x i n g t o n : U P o f K e n t u c k y,
1981. 163-167.
Introduces Silm as a predecessor of LR.
S i l m s
importance
To l k i e n s
works
to
that
understand
considers
the
every
Emphasizes
worldview
event
of
as
the
[ 2 3 ] We s t , R i c h a r d C . To l k i e n C r i t i c i s m : A n A n n o t a t e d C h e c k l i s t .
T h e S e r i f S e r. 3 9 . K e n t : K e n t S t a t e U P, 1 9 8 1 .
An annotated bibliography of the primary source s and
c r i t i c a l e s s a y s a b o u t To l k i e n s w o r k s i n c l u d i n g b o o k
reviews
and
Ph.D.
dissertation.
About
critical
1920s
to
1981.
Provides
three
categorizes
order:
of
list of
To l k i e n s w r i t i n g s , l i s t o f b o o k s , l i s t o f t h e e s s a y s t i t l e s ,
checklist of Dissertations, a nd information of major f an
organizations and publications.
[24]
Wi c h e r,
Andrzej.
The
Artificial
Mythology
of
The
S i l m a r i l l i o n b y J . R . R . To l k i e n . K w a r t a l n i k N e o f i l o l o g i c z n y 2 8 .
3-4 (1981): 399-405.
Sasaki 16
Insists on the sources of Silm are both the Bible and the
Greek/Nordic myth.
These
1982
[ 2 5 ] S h i p p e y, T. A . T h e R o a d t o M i d d l e - e a r t h . L o n d o n : A l l e n a n d
Unwin, 1982.
E x p l a i n s t h e c o n n e c t i o n b e t w e e n To l k i e n s c r e a t i v i t y
and
the
sources
of
his
inspiration.
Discusses
the
c o n t r i b u t i o n o f S i l m a n d U T t o To l k i e n s m y t h - c y c l e ,
s h o w i n g h o w To l k i e n s m o r e d i f f i c u l t w o r k s c a n b e r e a d
enjoyably and seriously by readers of his earlier books.
[ h t t p : / / w w w. a m a z o n . c o m / e x e c / o b i d o s / t g / d e t a i l / - / 0 6 1 8 2 5 7
608/qid=1097171436/sr=8-1/ref=sr_8_xs_ap_i1_xgl14/10
2-0038638-9744948?v=glance&s=books&n=507846]
1983
Sasaki 17
[ 2 6 ] F l i e g e r, Ve r l y n . S p l i n t e r e d l i g h t : L o g o s a n d L a n g u a g e i n
To l k i e n ' s Wo r l d . G r a n d R a p i d s : W M . B . E r d m a n s , 1 9 8 3 .
D i s c u s s e s t h e i m a g e s o f L i g h t a n d D a r k n e s s i n To l k i e n s
world and their meaning, especially these motifs in Silm
and LR.
Ta k e s u p To l k i e n s c o n v e r s i o n a s a n i m p o r t a n t
1984
[ 2 7 ] E l t o n , D a v i s L a r r y. A C h r i s t i a n P h i l o s o p h i c a l E x a m i n a t i o n
o f T h e P i c t u r e o f E v i l i n t h e Wr i t i n g s o f J . R . R . To l k i e n . D i s s .
S o u t h w e s t e r n B a p t i s t T h e o l o g i c a l S e m i n a r y, 1 9 8 3 .
Tr i e s t o f i n d To l k i e n s a e s t h e t i c l i t e r a r y p r e s e n t a t i o n o f
evil can be best described as a mystic portrayal of the
Augustinian classical Christian view of evil.
Chapter
S i l m , h i g h l i g h t i n g To l k i e n s e m p h a s i s o n t h e d o c t r i n e o f
the Fall and his reliance on a free -will explanation of the
origin of evil. [DAI-A44/12 (1984): 3712]
[ 2 8 ] P u r t i l l , R i c h a r d L . J . R . R . To l k i e n : M y t h , M o r a l i t y, a n d
R e l i g i o n . S a n F r a n c i s c o : H a r p e r, 1 9 8 4 .
Suggests the basic source of Silm is the Christian belief,
especially the creation myth (Ainulindar), in chapter 7,
but the two points are different from Judeo -Christian
Sasaki 18
theology:
A i n u r s
male/female
To l k i e n s
role
feature.
artistic
as
subcre ators,
Analysis
writing
these
technique
and
their
differences
to
use
as
pagan
m y t h o l o g y t o r e p r e s e n t C h r i s t i a n i t y, l i k e R e n a i s s a n c e
Christian artists.
[29]
Rawls,
Melanie.
The
Feminine
Principle
in
To l k i e n .
1985
[30]
Burgess,
Michael.
Orom
and
the
Wi l d
Hunt:
the
d e v e l o p m e n t o f a m y t h . M a l l o r n 2 2 ( 1 9 8 5 ) : 5 - 11 .
Analyzes the similarity between Orom, one of the gods
i n S i l m , a n d t h e Wi l d H u n t , t h e h a u n t e d h u n t e r i n
Northern Europe folklore.
p e o p l e s a w e f o r t h e h a r d w e a t h e r l i k e a t h u n d e r s t o r m ,
and the Elves fear when they first hear the sound of
O r o m s r i d e i s s i m i l a r t o t h i s r e a c t i o n .
Sasaki 19
[ 3 1 ] C r o s s l e y, R o b e r t . A L o n g D a y s D y i n g : T h e E l v e s o f J . R . R .
To l k i e n a n d S y l v i a To w n s e n d Wa r n e r. E d . C a r l B . Yo k e a n d
D o n a l d M H a s s l e r. D e a t h a n d S e r p e n t : I m m o r t a l i t y i n S c i e n c e
Elfin.
Wi t h a c i t a t i o n f r o m M i l t o n s P a r a d i s e L o s t ,
Egan defines
t h a t t h e m a i n c o n c e r n o f To l k i e n a s a m y t h m a k e r i s a
question of evil, and points out the similarity between
Melkor/Morgoth and Satan.
[ 3 3 ] K o c h e r, P a u l . I l v a t a r a n d T h e S e c r e t F i r e . M y t h l o r e 4 3
(1985): 36-37.
A n a l y z e s I l v a t a r, t h e g r e a t e s t g o d o f t h e w o r l d i n
To l k i e n s w o r k s .
T h e t h r e e n a m e s o f t h e G o d , I l v a t a r,
E r u , a n d t h e O n e s u g g e s t a k i n d o f t r i n i t y, a n d t h e
S e c r e t F i r e m e a n s t h e e t e r n i t y o f i t s p o w e r. B e c a u s e o f
its power and the relationship between the Fire (the
Sasaki 20
1986
[ 3 4 ] F l i e g e r, Ve r l y n . N a m i n g t h e U n n a m e a b l e : T h e N e o p l a t o n i c
O n e i n To l k i e n s S i l m a r i l l i o n . E d . T h o m a s H a l t o n a n d J o s e p f P.
Wi l l i m a n . Wa s h i n g t o n D C : C a t h o l i c U o f A m e r. P, 1 9 8 6 . 1 2 7 - 1 3 2 .
An philosophical analysis of Silm.
To l k i e n s d e s c r i p t i o n o n I l v a t a r i s i n c o m m o n w i t h t h e
Neoplatonic thoughts about the God that consider him as
the One.
I l v a t a r s a n o t h e r n a m e , E r u , m e a n s a n a m e
[35]
Johnson,
Judith
A.
J . R . R . To l k i e n : S i x D e c a d e s o f
C r i t i c i s m . B i b l i o g r a p h i e s a n d I n d e x e s i n Wo r l d L i t . 6 .
We s t p o r t : G r e e n w o o d , 1 9 8 6 .
A n a n n o t a t e d b i b l i o g r a p h y o f To l k i e n s p r i m a r y w o r k s
and critical essays about the works from 1922 to 1984.
Chapter
contains
21
primary
sources
and
461
of
shock.
H o w e v e r,
evaluates
it
as
a n
i n t e r e s t i n g s o u r c e b o o k t h a t h e l p s To l k i e n s s c h o l a r t o
deepen theirs understanding.
Sasaki 21
[36]
Mende,
Lisa
Anne.
Gondolin,
Minas
Tirith
and
the
confession,
absolution,
resurrection,
and
eucatastrophe.
1987
[ 3 7 ] A g y, N i l s I v a r. A N o d a l S t r u c t u r e i n To l k i e n s Ta l e s o f t h e
First Age? Mythlore 50 (1987): 22-25.
Compares the episodes that are shared in Silm, LR,
H o b b i t , a n d H M a n d d i s c u s s e s To l k i e n s t e n d e n c y t o u s e
the
same
r e p e a t e d l y.
these
images
The
stories help
and
to
similar
to
revise
episodes
the
same
which
understand the
episodes
appears
in
nodes in the
[ 3 8 ] E v a n s , R o b l e y. To l k i e n s Wo r l d - C r e a t i o n : D e g e n e r a t i v e
Recurrence. Mythlore 51 (1987): 5-8, 47.
Explains the narrative structure of Silm and LR.
sets
degenerative
recurrences
as
the
main
Evans
plot
of
To l k i e n s w o r k s b e c a u s e t h e c r e a t i o n a n d t h e d e s t r u c t i o n
Sasaki 22
that
creation
always
contains
the
seeds
of
possess
better
thing,
and
possessiveness
is
1988
[39]
Greenman,
David.
The
Silmarillion
as
Aristotelian
E p i c - Tr a g e d y. M y t h l o r e 5 3 ( 1 9 8 8 ) : 2 0 - 2 5 .
I n d i c a t e s A r i s t o t l e s P o e t i c s i n f l u e n c e s S i l m a n d i n s i s t s
To l k i e n e x p a n d s A r i s t o t l e s n o t i o n s b y t h e m a t t e r s o f
language, spectacle, magnitude, and plot.
In the level
o f c h a r a c t e r s , F a n o r, T h i n g o l , a n d F i n r o d s f a t e a n d
personality are presented as the exam ples of hamartia
i n G r e e k t r a g e d y.
[40]
Ve i t h ,
Gene
Edward.
Fantasy
and
the
Tr a d i t i o n
of
Christianity
as
the
backgrounds
of
many
a u t h o r s o f m o d e r n f a n t a s y l i t e r a t u r e , s u c h a s To l k i e n ,
Lewis, MackDonald.
Ve i t h s h o w s t h e a r t s t r a d i t i o n
and
C h r i s t i a n i t y.
the
process
these
had
mingled
with
Sasaki 23
1990
[ 4 1 ] B r o a d w e l l , E l i z a b e t h . E s s a n d N a r n : N a m e , I d e n t i t y, a n d
N a r r a t i v e i n t h e Ta l e o f T r i n Tu r a m b a r. M y t h l o r e 6 4 ( 1 9 9 0 ) :
34-44.
Analyzes the magical aspects of the naming as the
figuration
of
individual
or
social
identity
that
is
His
names
the
and
these
meanings
interrelate
with
[ 4 2 ] P r o v o s t , Wi l l i a m . L a n g u a g e a n d M y t h i n t h e F a n t a s y
Wr i t i n g s o f J . R . R . To l k i e n . M o d e r n A g e 3 3 . 1 ( 1 9 9 0 ) : 4 3 - 5 2 .
Ta k e s u p t h e m y t h i c a l e l e m e n t s o f l a n g u a g e a n d i t s
a c t i o n i n To l k i e n s w o r k s , e s p e c i a l l y S i l m a n d L R .
Evil
[ 4 3 ] S y m e , M a r g a r e t R u t h . To l k i e n a s G o s p e l Wr i t e r. D i s s .
Mcgill U, 1989.
C i t i n g To l k i e n s e v a n g e l i c t h e o r y i n F S , S y n e e v a l u a t e s
To l k i e n a s a g o s p e l w r i t e r w h o u s e s t h e a l l u s i o n s t o
b i b l i c a l a n d c l a s s i c a l m y t h o l o g y. D e s c r i b e s To l k i e n s
Sasaki 24
1991
[44] Barnfield, Marie. Celtic Influences on the History of First
Age. Mallorn 28 (1991): 2-6.
Points
out
that
Silm
and
LR
contain
i n f l u e n c e s i n s p i t e o f To l k i e n s d e n i a l .
many
Celtic
As the proof,
[ 4 5 ] B e a c h , S a r a h . F i r e a n d I c e : T h e Tr a d i t i o n a l H e r o i n e i n T h e
Silmarillion. Mythlore 67 (1991): 37-41.
A n a l y z e s f o u r h e r o i n e s i n S i l m u s i n g J u n g i a n t h e o r y,
the
Fair
and
Dark
Heroines
archetypes.
After
1992
[46] Obrien, Donald. The Genesis of Arda. Mallorn 29 (1992):
44-53.
A c h r o n o l o g i c a l r e c o r d o f To l k i e n s w o r k s f r o m 1 9 1 6 t o
Sasaki 25
1973.
f o r m e r m a n u s c r i p t s , T h e B o o k o f L o s t Ta l e s , a n d t h e i r
stage of writing and their process of revising.
Through
[ 4 7 ] R o s e b u r y, B r i a n . To l k i e n : A C r i t i c a l A s s e s s m e n t . N e w Yo r k :
S T. M a r t i n s P, 1 9 9 2 .
Tr i e s t o r e v e a l t h a t To l k i e n s o r i g i n a l i t y a n d m o d e r n i t y
i n e a c h w o r k s n e i t h e r o v e r - p r a i s i n g n o r d i s p o s a b l e v i e w.
Compared
Silm
to
LR,
Rosebury
says
they
are
f u n d a m e n t a l l y d i f f e r e n t f r o m e a c h o t h e r, a l t h o u g h t h e y
s h a r e t h e s a m e p l a c e s a n d h i s t o r y.
1993
[ 4 8 ] D e A n n a , L u i g i . T h e M a g i c o f Wo r d s : J . R . R . To l k i e n a n d
Finland.
Ed.
K.
J.
Batterbee.
Scholarship
&
Fantasy:
P r o c e e d i n g s o f T h e To l k i e n P h e n o m e n o n , M a y 1 9 9 2 , U n i v e r s i t y
o f Tu r k u , F i n l a n d . Tu r k u : U o f Tu r k u , 1 9 9 3 . 7 - 1 9 .
R e f e r s t o t h e r e l a t i o n s h i p b e t w e e n To l k i e n s w o r k s a n d
old Finnish saga, Kalevala, as a source of his inspiration.
Sasaki 26
Being
exemplified
with
T r i n s
tale
in
Silm
and
K u l l e r v o s s t o r y i n K a l e v a l a , L u i g i e m p h a s i z e s t h a t
[ 4 9 ] D o d d s , D a v i d L l e w e l l y n . Te c h n o l o g y a n d S u b - c r e a t i o n :
To l k i e n s A l t e r n a t i v e t o t h e D o m i n a n t Wo r l d v i e w. E d . K . J .
B a t t e r b e e . S c h o l a r s h i p & F a n t a s y : P r o c e e d i n g s o f T h e To l k i e n
P h e n o m e n o n , M a y 1 9 9 2 , U n i v e r s i t y o f Tu r k u , F i n l a n d . Tu r k u : U
o f Tu r k u , 1 9 9 3 . 1 6 5 - 1 8 6 .
Refers
to
the
similarity
between
technology
and
the
imagination.
products
of
h u m a n s
free
will
and
I n h i s C h r i s t i a n v i e w, To l k i e n d e f i n e s
c r e a t i o n a s t h e G o d s a c t i v i t y, s o t h a t M e l k o r a n d A u l s
creation
without
the
permission
from
Ilvatar
is
[ 5 0 ] D u r i e z , C o l i n . S u b - c r e a t i o n a n d To l k i e n s T h e o l o g y o f
S t o r y. E d . K . J . B a t t e r b e e . S c h o l a r s h i p & F a n t a s y : P r o c e e d i n g s
o f T h e To l k i e n P h e n o m e n o n , M a y 1 9 9 2 , U n i v e r s i t y o f Tu r k u ,
F i n l a n d . Tu r k u : U o f Tu r k u , 1 9 9 3 . 1 3 3 - 1 5 0 .
Explains
To l k i e n s
Christian
theology
i m a g e s o f n a t u r e a n d g r a c e i n t h e s t o r y.
through
the
Duriez insists
t h a t To l k i e n c r e a t e s h i s f i c t i o n a l w o r l d a s a f u s i o n o f t h e
Sasaki 27
in
pre -Christian
[51]
Heinemann,
Literature.
Ed.
Fredric
K.
J.
J.
To l k i e n
Batterbee.
and
Old
Scholarship
Icelandic
&
Fantasy:
P r o c e e d i n g s o f T h e To l k i e n P h e n o m e n o n , M a y 1 9 9 2 , U n i v e r s i t y
o f Tu r k u , F i n l a n d . Tu r k u : U o f Tu r k u , 1 9 9 3 . 9 9 - 1 0 9 .
Shows the relationship between Silm and Icelandic saga,
i n p a r t i c u l a r, t h e p o i n t
Heinemann suggests
tradition.
M o r e o v e r,
S i l m s
episodes
of
the
P r o c e e d i n g s o f T h e To l k i e n P h e n o m e n o n , M a y 1 9 9 2 , U n i v e r s i t y
o f Tu r k u , F i n l a n d . Tu r k u : U o f Tu r k u , 1 9 9 3 . 3 3 - 5 1 .
Investigates
the
cultural
sources
of
Middle -earth
Sasaki 28
Wi t h t h e r e f e r e n c e s f r o m t h e h i s t o r i c a l s t u d i e s o f J . D . E .
L i e b l e i n a n d W. S t u c k l e y, S c u l l p o i n t s o u t t h e s i m i l a r i t y
between Middle-earth and real world, not only Northern
and mediaeval, but also Egyptian, Celtic, and Roman.
[ 5 3 ] S h i p p e y, T. A . To l k i e n a s a P o s t - Wa r Wr i t e r. E d . K . J .
B a t t e r b e e . S c h o l a r s h i p & F a n t a s y : P r o c e e d i n g s o f T h e To l k i e n
P h e n o m e n o n , M a y 1 9 9 2 , U n i v e r s i t y o f Tu r k u , F i n l a n d . Tu r k u : U
o f Tu r k u , 1 9 9 3 . 2 1 7 - 2 3 6 .
S u g g e s t s t h e c h a r a c t e r i s t i c o f To l k i e n s i d e a a b o u t t h e
nature of the evil is parted into inner and outward one.
The
former
that
considers
the
inner
confliction
or
w e a k n e s s a s a n e n e m y i s b a s e d o n t h e C h r i s t i a n i t y, o n
the other hand the latter that represents the battle
against an enemy is based on Northern heroic saga.
[54]
Gough,
John.
SilmarillionNorthern
To l k i e n s
or
Not?
Creation
C h i l d r e n s
Myth
in
Literature
The
in
To f o c u s o n t h e e p i s o d e o f t h e c r e a t i o n
o f t h e w o r l d , h e p r o o f s t h e s i m i l a r i t y o f To l k i e n s w o r k s
and myth is not only pagan, but also Christian.
The
Sasaki 29
the surface.
[55]
Hammond,
Wa y n e
G.
J . R . R . To l k i e n : A D e s c r i p t i v e
B i b l i o g r a p h y . Wi n c h e s t e r : S t P a u l s B i b l i o g r a p h i e s ; N e w C a s t l e :
Oak Knoll, 1993.
An
annotated
works.
bibliography
of
To l k i e n s
all
primary
and
paintings
with
detailed
publication
data.
1995
[ 5 6 ] A g y, N i l s I v a r. Q u i d H i n i e l d u s c u m C h r i s t o ? N e w
Perspectives
on
Sub-Creation
Goodnight.
To l k i e n s
T h e o r y.
Ed.
Theological
Patricia
Dilemma
Reynolds
and
and
his
Glen
P r o c e e d i n g s o f t h e J . R . R . To l k i e n C e n t e n a r y
[ 5 7 ] B a r k l e y, C h r i s t i n e . P o i n t o f Vi e w i n To l k i e n . E d . P a t r i c i a
Sasaki 30
Proceedings of the J. R. R.
To l k i e n
1992.
Centenary
Conference
Altadena:
Mythopoeic;
M i l t o n K e y n e s : T h e To l k i e n S o c i e t y, 1 9 9 5 . 2 5 6 - 2 6 2 .
Based on the diagram of levels of interpretation by
H a z a r d A d a m s , e x a m i n e s To l k i e n s t e c h n i q u e o f u s i n g a
l i m i t e d o r o m n i s c i e n t p o i n t o f v i e w.
[ 5 8 ] H o s t e t t e r, C a r l F. a n d A r d e n R . S m i t h . A M y t h o l o g y f o r
England.
Ed.
Patricia
Reynolds
and
Glen
Goodnight.
P r o c e e d i n g s o f t h e J . R . R . To l k i e n C e n t e n a r y C o n f e r e n c e 1 9 9 2 .
A l t a d e n a : M y t h o p o e i c ; M i l t o n K e y n e s : T h e To l k i e n S o c i e t y, 1 9 9 5 .
281-290.
Recites the five figures in Silm and HM that show the
influences from Anglo -Saxon legend.
Their episodes
a n d m e a n i n g s o f n a m e s v o u c h f o r To l k i e n s c r e a t i v e
attempt to make his own story as supporting episode of
r e a l E n g l i s h h i s t o r y.
Sasaki 31
t h e a n g e l s a s G o d s a g e n t s w h o o b e y h i m , a n d c a r r y o u t
the creation of the world instead of the God.
[60]
Lewis,
Silmarillion.
Alex.
Ed.
Historical
Patricia
Bias
in
Reynolds
the
and
Making
Glen
of
The
Go odnight.
P r o c e e d i n g s o f t h e J . R . R . To l k i e n C e n t e n a r y C o n f e r e n c e 1 9 9 2 .
A l t a d e n a : M y t h o p o e i c ; M i l t o n K e y n e s : T h e To l k i e n S o c i e t y, 1 9 9 5 .
158-166.
Analyzes
Silm
as
an
English
translated
historical
L e w i s s u g g e s t s t h a t t h e d e f e c t o f S i l m s
M o r t a l s a n d r e b e l l i o u s m i n o r i t y o f E l v e s ( F a n o r i a n s ) s
deeds are distorted.
[61] Sanford, Len. The Fall from Grace Decline and Fall in
Middle-earth: Metaphors for Nordic and Chri stian theology in
Sasaki 32
works.
e l e m e n t s c o e x i s t i n t h e s t o r y.
about
straggle
between
heroes
and
monsters
inner
[62]
S c h w e i n i c h e r,
Silmarillion.
Ed.
Eric.
Patricia
Aspects
of
Reynolds
the
and
Fall
Glen
in
The
Goodnight.
P r o c e e d i n g s o f t h e J . R . R . To l k i e n C e n t e n a r y C o n f e r e n c e 1 9 9 2 .
A l t a d e n a : M y t h o p o e i c ; M i l t o n K e y n e s : T h e To l k i e n S o c i e t y, 1 9 9 5 .
167-171.
E x p l a i n s t h e c a u s e o f e a c h r a c e i n t h e w o r k s F a l l a s t h e
d e s i r e f o r f u r t h e r p o w e r, p o s s e s s i v e n e s s , a n d m i m i c r y o f
creation.
a n d A d a m a n d E v e s e x p u l s i o n f r o m G a r d e n o f E d e n , a n d
the passage about creation and sub -creation in FS,
Schweicher
shows
that
these
three
desires
are
[63]
St.
C l a i r,
Gloriana.
An
Overview
of
the
Northern
I n f l u e n c e s o n To l k i e n s Wo r k s . E d . P a t r i c i a R e y n o l d s a n d G l e n
Goodnight.
P r o c e e d i n g s o f t h e J . R . R . To l k i e n C e n t e n a r y
Sasaki 33
I n t r o d u c e s t h e O l d N o r s e L i t e r a t u r e a n d m y t h o l o g y, s u c h
a s E d d a , T h e Vo l s u n g a S a g a , a n d N j a l s S a g a , a s t h e
s o u r c e s o f To l k i e n s w o r k s .
1997
[ 6 4 ] D r o u t , M i c h a e l D a v i d C r a i g . I m i t a t i n g F a t h e r s : Tr a d i t i o n ,
Inheritance and the Reproduction of Culture in Anglo -Saxon
England. Diss. Loyola U of Chicago, 1997.
Discusses
inheritance
and
tradition
that
shape
and
Albert
S.
Cook
as
two
influential
A n g l o - S a x o n i s t s c h o l a r s o f t h e Tw e n t i e t h c e n t u r y w h o
try to resurrect long-dead Anglo-Saxonist identities.
[DAI-A 58/03 (1997): 334]
[ 6 5 ] F l i e g e r, Ve r l y n . A Q u e s t i o n o f T i m e : J . R . R . To l k i e n s R o a d
to Falie.
K e n t : K e n t S t a t e U P, 1 9 9 7 .
C o m b i n e s To l k i e n s l o n g i n g f o r O t h e r T i m e ( p a s t ) w i t h
his notion about Falie, the other world that has a
different flow of time, especially in The Lost Road and
LR.
Insists
on
To l k i e n s
thought
about
the
p a s t s
Sasaki 34
s o c i e t y, t h e o n e o f t h e m a i n p l o t o f h i s w h o l e w o r k s .
[ 6 6 ] I r i g a r e y, R i c h a r d o L u i s . To l k i e n a n d C h r i s t i a n F a i t h . D i s s .
Universidad de Navarra, 1996.
Endeavours to study the implicit theological contents of
To l k i e n s w o r k s w i t h a m a t t e r o f To l k i e n s C h r i s t i a n
f a i t h . T h r o u g h t h e d i s c u s s i o n a b o u t To l k i e n s l i t e r a l l y
myth,
c r e a t u r e s
o n t o l o g y,
the
problem
of
evil,
P r o v i d e n c e , f r e e w i l l , a n d c h a r a c t e r s s p i r i t u a l g r o w t h .
[DAI- C 58/02 (1997): 357]
1998
[67]
Hein,
Rolland.
Christian
Mythmakers:
C.
S.
Lewis,
M a d e l e i n e L E n g l e , J . R . R . To l k i e n , G e o r g e M a c D o n a l d , G . K .
Chesterton & Others. 1998. Chicago: Cornerstone, 2002.
A handbook about the modern Christian fantasy writers
and
their
meaning
works.
of
similarity
good
between
Explains
and
evil
their
S i l m s
in
the
characters
summary,
work,
and
and
the
the
biblical
characters.
[68]
Whittingham,
Ainulindal:
Elizabeth
To l k i e n s
A.
Creation
The
of
Mythology
Hope.
J FA
of
the
(1998):
212-228.
C i t i n g R o l a n d B a r t h e s s t h e o r y a b o u t m y t h , e v a l u a t e s
Sasaki 35
the
world.
Through
the
analysis
on
the
three
1999
[ 6 9 ] G a r b o w s k i , C h r i s t o p h e r. T h e h i s t o r y o f M i d d l e - E a r t h : f r o m
a Mythology for England to a Recovery of the Real Earth.
t h e o r y,
and
the
biographical
facts.
S u g g e s t s To l k i e n c o n s i d e r s s u b - c r e a t i o n a s a r e f l e c t i o n
of the real events in the world and a tool to recover from
the wound.
G o n d o l i n a r e r e f l e c t s To l k i e n s t r a u m a t i c e x p e r i e n c e i n
WW .
Mirror on Middle-earth: J. R. R.
To l k i e n a n d t h e C r i t i c a l P e r s p e c t i v e s . D i s s . U o f Tr o n t o , 1 9 9 8 .
General
history
of
To l k i e n
a u t h o r s s e l f - c r i t i c i s m .
study
that
includes
the
Sasaki 36
that
influences
on
the
critical
t e n d e n c y,
and
[DAI-A 60/01
(1999): 143]
2000
[ 7 1 ] E g g i n t o n , M a r k . To l k i e n s C o r r u p t Wo r l d . A m o n H e n 1 6 4
(2000): 20-22.
P o i n t s o u t t h a t t h e m o s t o u t s t a n d i n g t h e m e o f To l k i e n s
works,
includes
Silm,
is
corruption.
Through
the
structure of the good and the evil the good stay good
and the good turns bad/the bad always been bad stays
badshows the firmness of the binary between good and
evil.
[72]
Evans,
Jonathan.
The
Dragon-Lore
of
Middle-earth:
To l k i e n a n d O l d E n g l i s h a n d O l d N o r s e Tr a d i t i o n . E d . G e p r g e
Clark and Daniel Timmons.
J . R . R . To l k i e n a n d H i s L i t e r a r y
We s t p o r t : G r e e n w o o d , 2 0 0 0 . 2 1 - 3 8 .
Vlsunga Saga.
T h e e p i s o d e o f T r i n s b a t t l e a g a i n s t
Sasaki 37
of
the
Sigurd
type
and
Thor
type
that
[ 7 3 ] K o c h e r, P a u l H . A M y t h o l o g y f o r E n g l a n d . E d . H a r o l d
B l o o m . J . R . R . To l k i e n : M o d e r n C r i t i c a l Vi e w s . P h i l a d e l p h i a :
C h e l s e a H o u s e , 2 0 0 0 . 1 0 3 - 111 .
Explanations
about
To l k i e n s
fundamental
aim
of
H o w e v e r, K o c h e r e m p h a s i z e s t h e i r
and
tragic
matters,
for
To l k i e n
accepts
the
I l v a t a r,
the
mightiest
God
and
the
[74]
Noad,
Charles
E.
On
the
Construction
of
The
S i l m a r i l l i o n . E d . Ve r l y n F l i e g e r a n d C a r l F. H o t e t t e r. To l k i e n s
Legendarium:
Essays
on
The
History
of
Middle -earth.
C o n t r i b u t i o n s t o t h e S t u d y o f S c i e n c e F i c t i o n a n d F a n t a s y. 8 6 .
We s t p o r t : G r e e n w o o d , 2 0 0 0 . 3 1 - 6 7 .
C h r o n o l o g i c a l r e c o r d o f To l k i e n s w r i t i n g p r o c e s s o f S i l m ,
Sasaki 38
HM.
E x p l a i n s h o w To l k e i n s t i c k a b a l a n c e b e t w e e n h i s
[75]
S e n i o r,
W.
A.
Loss
Eternal
in
J.
R.
R.
To l k i e n s
J. R. R.
To l k i e n a n d H i s L i t e r a r y R e s o n a n c e s . C o n t r i b u t i o n s t o t h e S t u d y
o f S c i e n c e F i c t i o n a n d F a n t a s y. 8 9 . We s t p o r t : G r e e n w o o d , 2 0 0 0 .
173-182.
Combines
the
outstanding
theme
of
To l k i e n s
works
[ 7 6 ] S h i p p e y, T. A . J . R . R . To l k i e n : A u t h o r o f t h e C e n t u r y .
London: HarperCollins, 2000.
E v a l u a t e s To l k i e n a n d h i s w o r k s , e s p e c i a l l y L R , a s o n e
o f t h e m o s t s i g n i f i c a n t b o o k i n t h e 2 0 t h c e n t u r y.
Also
of
To l k i e n s
work.
[ h t t p : / / w w w. a m a z o n . c o m / e x e c / o b i d o s / t g / d e t a i l / - / 0 6 1 8 2 5 7
Sasaki 39
594/qid=1097176690/sr=1-2/ref=sr_1_2/102-0038638-974
4948?v=glance&s=books]
[ 7 7 ] S l y, D e b b i e . We a v i n g N e t s o f G l o o m : D a r k n e s s P r o f o u n d i n
To l k i e n a n d M i l t o n . E d . G e o r g e C l a r k a n d D a n i e l T i m m o n s .
J.
R . R . To l k i e n a n d H i s L i t e r a r y R e s o n a n c e s . C o n t r i b u t i o n s t o t h e
S t u d y o f S c i e n c e F i c t i o n a n d F a n t a s y. 8 9 . We s t p o r t : G r e e n w o o d ,
2 0 0 0 . 1 0 9 - 11 9 .
Analyzes Silm as a story of long series of creations and
falls through the moti fs of shaping the world, through
t h e c o m p a r i n g o f b i b l i c a l a l l u s i o n i n M i l t o n s P a r a d i s e
Lost.
While
M i l t o n s
religious
view
is
based
on
P r o t e s t a n t i s m , To l k i e n b e l i e v e s R o m a n C a t h o l i c , s o t h a t
Silm
and
its
system
of
world
are
medieval.
The
image
of
darkness,
and
the
function
of
female
characters.
2001
[78] Chance,Jean. A Mythology for England. Lexington: UP of
K e n t u c k y, 2 0 0 1 .
Beginning
mythology
To l k i e n s
for
aim
Engla nd,
of
writing
Chance
to
create
analyzes
a
the
Silm is
Sasaki 40
[ 7 9 ] H e y d t . B r u c e . J . R . R . To l k i e n . B r i t i s h H e r i t a g e 2 2 . 6
(2001): 14-16.
A biographical
essay
about
To l k i e n .
Refers
to
his
a n d s u g g e s t s i t c a u s e s S i l m s i n c o m p l e t i o n .
2002
[80]
C o o p e r,
Susan.
There
and
Back
Again:
To l k i e n
[81]
F l i e g e r,
Ve r l y n .
Cautiously
Ta l e .
The
Chesterton
R e v i e w : J . R . R To l k i e n M y t h o s a n d M o d e r n i t y i n M i d d l e - E a r t h
28 (2002): 97-103.
M e n t i o n s To l k i e n s s h o c k f o r W W a n d , a n d i n s i s t s
these are reflected into the wars and the damage to the
Elves and the Men in Silm.
F l i e g e r s a y s To l k i e n s
Sasaki 41
[ 8 2 ] Ty l e r, J . E . A . T h e C o m p l e t e To l k i e n C o m p a n i o n . 3 r d e d .
London: Pan Books, 1976. London: Pan Macmillan, 2002.
A r e f e r e n c e b o o k o f t h e t e r m s a b o u t a l l To l k i e n s w o r k s
related to Midle-earth.
UT and HM.
2003
[83]
B i r z e r,
B r a d l e y,
J.
To l k i e n :
Man
Behind
the
Myth.
S i l m s
biblical
characteristic
Suggests that
reflects
To l k i e n s
[ 8 4 ] E l l i s o n , J o h n . F r o m F a n o r t o D o c t o r F a u s t u s : a c r e a t o r s
path to self destruction. Mallorn 41 (2003): 13-21.
Compares the episode of Fanor and Doctor Faustus
stories written by Goethe and Thomas Mann, and shows
t h e i r s i m i l a r i t y : c r e a t i v i t y, e a g e r n e s s f o r k n o w l e d g e ,
Sasaki 42
To l k i e n s
warning
for
modern
world,
because
he
h u m a n s
potential
longing
for
myth
and
L i s t s t h e s u p p o s e d s o u r c e s , n a m e l y, o l d l a n g u a g e ,
N o r s e m y t h o l o g y, A n g l o - S a x o n M y t h o l o g y, a n d t h e B i b l e .
L R s r o m a n t i c a n d n o s t a l g i c e l e m e n t s o f C a t h o l i c i s m ,
and explains good and evil in Middle -earth are based on
Christian notions.
[87]
Whittingham,
Elizabeth
Ann.
The
Final
Vi c t o r y :
The
Sasaki 43
E v o l u t i o n o f J . R . R . To l k i e n s T h e H i s t o r y o f M i d d l e - e a r t h .
D i s s . S t a t e U o f N e w Yo r k a t B u f f a l o , 2 0 0 2 .
G e n e r a l i z e s To l k i e n s w o r k s e v o l u t i o n f r o m t h e e a r l i e s t
stage of manuscripts in 1910s to his death, through the
b i o g r a p h i c a l f a c t s a n d t h e d e v e l o p m e n t o f To l k i e n s t e x t s ,
f o c u s i n g o n t h e c o s m o g o n y, t h e o g o n y, m e t a p h y s i c s , a n d
eschatology
of
his
world.
Concludes
the
most
[DAI-A 63/08
(2003): 2884]
[ 8 8 ] Wo o d , R a l p h C . G o o d & E v i l i n M i d d l e - e a r t h . C h r i s t i a n
characters,
figure
Melkor
M e l k o r s
and
I l v a t a r,
his
disobedience
A i n u r,
and
subordinates.
and
rebellion
the
Satanic
Suggests
are
the
that
main
m o t i v e s f o r s i n i n To l k i e n s w r i t i n g , a n d t h e F a l l c a u s e d
by characters pride are repeatedly appears through his
works as an archetype of Evil.
Sasaki 44
6. Index
[A] Agy: 21, 29
[B]Barkley: 29
Barnfield: 24
Beach: 24
Birzer: 41
Broadwell: 22
Burgess: 18
[ C ] C a r p e n t e r : 11
Chance: 39
Cooper: 40
C r a b b e : 11
Crossley: 19
[D] De Anna: 25
Dodds: 26
Drout: 33
Duriez: 26
[E] Egan: 19
Egginton: 36
Ellison: 41
Elton: 17
Evans. J: 36
Evans. R: 21
[F] Flieger: 17, 20, 33, 40
Foster: 13
Sasaki 45
[G] Garbowski: 35
Gloge: 42
Gough: 28
Greenman: 22
[H] Hammond: 29
Hein: 34
Heinemann: 27
Helms: 13
Heydt: 39
Hostetter: 30
Houghton: 30
Howerd: 42
[I] Irigarey: 33
Isaacs: 14
[J] Johnson: 20
[ K ] K i l b y : 11
Kocher: 14, 19, 37
[L] Lewis: 31
[M] Mathews: 13
Mende: 21
McLellan: 15
[N] Noad: 37
[O] Obrien: 24
[P] Pearce: 12
Provost: 23
Sasaki 46
Purtill: 17
[R] Rawls: 18
Rosebury: 25
[S] Sanford: 31
Scull: 27
Schweinicher: 32
Senior: 38
Shippey: 16, 28, 38
Sly: 38
St. Clair: 32
Syme: 23
[T] Timmons: 35
Ty l e r : 4 0
[ V ] Ve i t h : 2 2
[ W ] We s t : 1 5
Whittingham: 34, 42
Wi c h e r : 1 5
Wo o d : 4 3