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APPENDICES
( Three extracts from Sdttvata-samkitd)
I . T h e D iv in e T w e n t y - f o u r - f o l d M a c h i n e r y
of

E x is t e n c e

The ninth chapter of Sattvata-samkitd, after having


-enumerated the thirty-nine vibhava-s, twelve sakti-s,
and principal bodily ornaments (divine ornaments
a n d weapons) continues:
vaksye bhavopakaranam girvdnaganam uttamam |
ndndvibhavamurtindm yo vatisthate sdsane || (90)

a n d then gives the following extraordinary list (w . 91-4):


1. Tim e (kalah)
6.
2. Space (viyat)
7.
3. Regulator (niyantr)
8.
4 . T he sdstra-s with anga-s1 9.
-5. T he Vidyadhipati-s
10.

T he Rudra-s2
T he Prajapati-s
In d ra and his retinue
The seven sages of old3
The planets and fixed
stars

1 lastram nSnangalak$anam, by which must be m eant the trayi


including DharmaSastra, Purana, etc. (see above p. 126), and
possibly the Vedanta-s (U panisad-s), but not the [non-Vedantic]
philosophical systems, these being referred to by nos. 17 and 18.
2 samudrah saganak Siva}}.. T his passage appears to be corrupt,
thou gh samudra is, indeed, am ong the epithets o f Siva.
8 munayak safita ptirve ; cf. Bhagavad-gtta, X . 6 (and above
J>. 71, note 2).

170

INTRODUCTION TO THE PANCARA.TRA

11. The Vidyadhara-s1


12.
13.
14.
15.
16.
17.

18. Inferior Knowledge:


(apara vidya) ;2
The Naga-s
19. Fire
T he Apsaras-es
20. W ind (air)
T he plants
21. The moon
The animals
22. The sun
The sacrifices with anga-s 23. W ater
[Higher] Knowledge (^') 24. E arth
T hen follow the concluding words:
ity uktam amaleksana |
caturvimsatisamkhyam ca bha{a)vopakaranam mahat II

The non-inclusion, in this list, of men and asura-s,,


pisaca-s, etc., is explained by the word girvdnaganam in
verse 90 quoted above. For plants as devatd-s, cf.
Buddhism. The inclusion of animals, however, is
strange. I t is also noteworthy th at the Gandharva-s
are evidently included in In d ra s retinue, while the
Apsaras-es are not.
II.

F o u r K in d s o f W o r s h ip

Sittvata-samhita, II. 2-12 3

Samkarsana said: Tell me concisely, O E tern al


One, in w hat m anner worship (updsd) is enjoined on the
worshippers devoted [to the Lord].
1

clouds

i.e. atmospheric gods; cf. nabhaicard

khecarah and the names o f their kings (Jim uta-vahana, Jlm iitaketu) in Nagananda.

2 H ere w e have once more the two sciences m entioned above


pp. 111-2.
3 A very different (premature) translation o f m ost o f thispassage has been given by Bhandarkar in his Vaifnavism, etcpp. 39 ff.

APPENDICES

171

The holy Lord said: L isten! I will duly explain to


thee th at which thou hast asked me, having known
which one may be freed from re-birth.
T h at pure Brahman (sad brahma) abiding in the
heart which was the goal (ideal) of those [Siddha-s] who
held their [respective] offices at the beginning o f
creation,1worshipping the [greatlight] called V asudeva:2
from It has sprung a supreme iastra expressive of Its
nature (tadrk), bestowing discrimination, a great theo
sophy (brahmopanisadam mahat) containing the divine
path (divya-marga) and aiming at liberation as the one
[desirable] fruit [to be attained]. I will im part to thee,
for the salvation o f the world, that original [sastral
existing in m any varieties, bestowing perfection (or
magical powers) and liberation, the pure one, mysterious,
one, leading to great success.
(1)
T he Yogin-s familiar w ith the eightfold yoga,
devoted to the worship of the heart: they [alone] are
authorized for [the worship of] the One dwelling in the
heart.3

1 Literally either since creation or till creation


In th e
latter case the m eaning would b e : until creation, properly speaking,
began (begins) by the appearing o f the rajo guna, that is the activ
ity o f god Brahman. A srsfer adhikarinal} is an epithet o f the ideal
first m en also in Ah. S. (X V . 11),
2 Cf. above p. 60, note 3: vasudevShvayam mahaf}, etc.
3 This worship, connected with the diagram o f sounds ( varnacakra), the six attributes o f God, etc. is described from v. 13 to th e
end o f the chapter.

172

INTRODUCTION TO THE PANCARATRA

(2) O n the other hand, the Brahmana-s fond o f 1


mixed worship and extolling the Veda-s2 are authorized
for the worship, w ith mantra-s, of the four vyiiha-s.
[They should] not [worship the Lord] in any other
way.
(3) Again, [those of] the three [other castes,
namely the] Ksatriya-s, etc. who have sincerely taken
refuge w ith the Lord, should also, but not w ith mantra-s,3
perform the several rites connected w ith the worship of
the four vyuka-s.
(4) But for [the worship of] the mantra diagram
relating to the [thirty-nine] mbkava-s* and for the cere
monies connected therewith none are authorized but
the [truly] seeing ones, w ho have completely cast off
the idea of mine are satisfied w ith doing their duty
and wholly devoted, in deed, speech and mind, to the
Highest Lord.5
Thus much about the authorization of [those of]
th e four castes who have embraced the [Sattvata]
creed, supposing they have been duly initiated w ith
th e mantra-s prescribed.
1 For muklanam read yuktanSm.
a Cf. above p. 112, note 1.
3 Cf. our resum i o f Ah- S ., X X X V I , p. 146.
4 Explained in chapter 9 o f the Sam hita, some later chapters
Toeing apparently also referred to. In Ah. S. the vaibhavarn
devaia-cakram described in chapter 56 m ight be compared.
*
T his fourth class, then, consists o f those Brahmana-s, am ong
the Pancaratrin-s, w ho have abandoned m ixed, that is Vedic,
worship, and, on the other hand, prefer th e path o f devotion to that
of yoga (com patible with V edic worship, p. 134 above). They are
of course, also qualified for vyuha worship.

173

APPENDICES

III.

D e s c r ip t io n o f t h e f o u r

VtOhas,

for

the

PURPOSE OF MEDITATION

Sattvata-samhita, V. 9 -2 1 1

Now, the first form of the Lord is as beautiful


[as to complexion] as [are] the snow, the jasm ine
and the moon [united].2 I t has four arms, a gentle
face and lotus-like eyes. I t has a garm ent of yellow
silk and is glorified by a golden ensign.3 W ith its
chief (frontal) right hand it announces peace to the
tim id, while w ith the corresponding left hand it is
holding a wonderful conch. W ith the other right hand
it is holding the sudarsana, and w ith the other left a
heavy club resting on the ground. Let him imagine a
Vasudeva thus-shaped [dwelling] in the eastern direction.
H aving the [beautiful red] appearance of the
Sindura tree and the Sikhara,4 one-faced and four
arm ed, with a garm ent resembling the [blue] flower of
1 T his passage being badly preserved in the edition, I have had,
several tim es, to follow its (slightly m odified?) reproduction in
L aksm i Tantra (X . 27 ff.). Laksm i Tantra actually mentions
Sattvata-samhita in X I . 28.
2 T hat is: in the Krta age. In the next age (when the raja guna
appears) it changes gradually into red, then, in the Dvapara age,
into yellow, and finally, in the K ali age, into black, an analogous
change taking place as to the other vyiika-s both as regards their
com plexion and the colour o f their garment.
3 This is, o f course, the eagle ensign (garuda-dhvaja ) . It
m ust apparently be im agined as being carried by someone o f the
Lords retinue (a nitya ) ; cf. below the note on Pradyum nas banner.
4 O r Sikhara, the com pound (sindurasikharakdra) adm itting o f
both readings, w hich mean respectively a kind o f ruby and a species
o f the hem p-plant. Sind&raJikhara m ay be also translated: th e
crown o f a Sindura tree.

174

INTRODUCTION TO THE PANCARATRA

th e Atas! (flax-plant), distinguished by a palm yra tree


]as his ensign] j1 equal to the first Lord as regards his
frontal pair of hands, but holding a plough-share in
the hand in which the other has the discus, and a pestle
where the other has a clu b : on such a Samkarsana
[dwelling] in the southern direction let [the devotee]
meditate.
[Let him further meditate on] the third highest
X,ord, of the splendour of a m ultitude of fire-flies
assembled in a night of the rainy season, one-faced and
four-arm ed, wearing a garm ent of red silk, adorned
w ith his ensign (banner) showing the M akara (seaanim al) .2 His frontal pair of hands should be imagined
as before; in the rem aining left hand there is a bow,
while in the right there are five arrows. In this m anner
let him imagine [as dwelling] in the western direction
him who is known as Pradyum na.3
Let him, finally, meditate on him who resembles
"[as to complexion] the [deep blackness of the] A njana
m ountain, wears a fine white garment, is four-armed,
1 W hen Siva is called talanka, the word tala means a cymbaL
(cf. his damaru). But Samkarsanas tala is a dhvaja, as can be seen
from the parallelism in the description o f the vyiika-s, not to
speak o f other reasons. I f H indu sculptors represent Balarama with
a cym bal(?), this would seem to be a case o f sculpture influenced by
literature misunderstood. T h e palm banner is nothing extra
ordinary; Bhisma, for instance, is said to have had one.
2 Compare the same banner (ensign) carried by an apsaras in
th e description o f Pradyum nas earthly namesake (Cupid).
3 T his, as will have been noticed, is essentially a description o f
K am a, the Indian Amor, as, indeed, Pradyumna is also the nam e o f
X a m a re-born after his destruction by. Siva; cf. p. 52 above.

APPENDICES

175

largte-eyed, and glorified by the deer1 as his ensign.


His first pair of hands is described like th at of the first
[Lord]; with the two others he is carrying: in the
Tight hand a sword, and in the left one a shield (or club).
I n this way let [the devotee] meditate on Aniruddha
[dwelling] in the northern direction.
All of these [four] w ear2 the garland of woodflowers, are distinguished with the Srivatsa (Visnus
curl o f hair on the breast), and are embellished w ith the
Jung of jewels, the K austubha, on their breast, [further]
w ith lovely diadems and crowns, necklaces, armlets and
anklets, bright marks (made w ith sandal-paste, etc.)
on the forehead, glittering ear-rings in the shape of
a makara (sea-animal), excellent chaplets of manifold
ilowers, and with camphor and other delicious perfumes.
As adorned w ith all o f these: thus should they always
lie m editated upon.

1 T he mrga (deer, antelope) is also the lanchana o f one o f


th e Jain Tlrthamkara-s (Santi), all o f w hom can be seen represent
e d , with their respective emblems added above (or below) them ,
ju s t like labels attached to portraits, on the wall o f one o f the cave
tem ples o f Bhuvanesvara (Orissa).
* For the first three items, cf. above pp. 60-1.

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