Documente Academic
Documente Profesional
Documente Cultură
CINDERS
GEORGE STILES
ANTHONY DREWE
Josef Weinberger
SOHO CINDERS
Copyright 2015 by George Stiles, Anthony Drewe and Elliot Davis
Edition Copyright 2015 by Josef Weinberger Ltd., London
All Rights Reserved
PHOTOCOPYING THIS COPYRIGHT MATERIAL IS ILLEGAL
SOHO CINDERS
Cast
NARRATOR
ENSEMBLE
Photographers, Crowd, Launderette Customers,
Party Guests, Members of the Press, etc.
Musical Numbers
ACT ONE
1.
2.
2a.
3.
4.
4a.
5.
5a.
6.
6a.
7.
7a.
8.
ACT TWO
9.
Entr'acte (Ensemble)
10.
11.
12.
13.
15.
16.
Bows (Company)
17.
Playout (Instrumental)
Soho Cinders
SOHO CINDERS
ACT ONE
SCENE ONE Old Compton Street
A soundscape of London noises taxis, buses, crowds. Musical intro to Old
Compton Street starts. The sound of our Narrators voice is heard for the first
time.
Narrator
Act One
Robbie
Lord Bellingham Are you sure you wont come for a drink?
Robbie
Soho Cinders
Clodagh Heads!
(She drops a cardboard box.)
Robbie
Thats my stuff.
Dana
Robbie
Dana
Act One
Dana Heads!
Robbie
Clodagh
Dana
And thats not all. When Dad gets out of prison he wants the
launderette back too.
Clodagh
Dana
Clodagh What?
Dana
Robbie
Clodagh
Yes it was. But its not anymore is it? (To the urn.) Because silly
Mummy didnt leave a will, or had you forgotten?
Dana
Soho Cinders
William
James
Job done.
Crowd
WE LOVE TO SPOT CELEBRITIES
AND NOBODY CAN BLAME US
THOUGH ALL TOO OFTEN WE FORGET
THE REASON WHY THEYRE FAMOUS
BUT ROLLING THE RED CARPET OUT
IS BOUND TO CAUSE A BUZZ
AND THEN WE STOP AND RUBBERNECK
COS EVERYBODY DOES
All
CATCH THE RHYTHM OF OLD COMPTON STREET
WHERE THE BRIGHT YOUNG THINGS TURN UP THE HEAT
POUND THE BEAT, NO HOLDS BARRED
Robbie (with Ensemble hums)
ALL CITIES HAVE THE SAME
ONE STREET THAT KNOWS NO SHAME
Act One
Velcro
Soho Cinders
Sidesaddle
Velcro
Seems like only yesterday Becky was this size. Hey, I could
bring you in some of her old stuff if you dont mind handmedowns.
Sidesaddle
Mind? Id love it. Now how much do I owe you for this lot.
Velcro
Sidesaddle
Robbie
Thanks, Rob. I owe you. Have they opened Frith Street yet?
Theyd shut the road. By the theatre.
Velcro
Robbie
Sidesaddle
Lovely. Just imagine waking up next to that. Ill see you later.
(Sidesaddle exits.)
Velcro
Act One
Velcro Who?
Robbie
Velcro
Robbie
And thats not all. Theyve put the rent up on this place.
Velcro
This whole thing with Les makes me sick. It was your Mums
launderette. It wouldve gone under if it wasnt for us. Of
course shed have left it to you, but . . .
Robbie
Velcro
Robbie
Velcro
Robbie
Velcro
Robbie
Velcro
I spent half me life trying to get out of Staines, and now here I
am in a launderette trying to get stains out.
Robbie
Velcro
Its the dirtiest place in the world. The sheets that come in here
are so full of bodily fluids I could wring em out and start a
fertility clinic.
Robbie
Mum knew what she was doing when she opened this place.
Soho Cinders
Velcro
I miss her you know. It was so hard when she didnt really
remember me . . . not at the end.
Robbie
Velcro
(Robbie takes the cash Bellingham gave him from his pocket.)
Whered you get that money from? You still seeing that guy?
Robbie
Velcro Which?
Robbie
Its complicated.
Velcro
Robbie
Velcro
If Id have you. Nah, aint gonna happen, fag hag to the West
End, thats me. How hard can it be? I just want to settle down.
Robbie
Robbie
Velcro
Robbie
Velcro
Act One
10
Velcro
JUST IMAGINE POURING YOUR CORNFLAKES
LOOKING UP AND SOMEONES THERE
SOMEONE YOU HAVE JUST SPENT THE NIGHT WITH
SOMEONES LIFE YOURE PROUD TO SHARE
HAVENT PUT MY FACE ON
HAVENT DONE MY HAIR
HAVENT HAD TO WORRY
AS ITS HIM STANDING THERE
Robbie
JUST IMAGINE OUT ON THE DANCE FLOOR
TURNING ROUND AND THERE HE IS
ITS YOUR MAN THE ONE YOU CAME IN WITH
THREE YEARS ON, YOUR HAND IN HIS
LIVING IN A SEMI
MAYBE HAVE A CAT
NOTHING THATS TOO FANCY
TELL ME WHATS WRONG WITH THAT
Both
WISHING FOR THE NORMAL KIND OF DREAM
NOTHING TOO EXCESSIVE OR EXTREME
HOPING FOR THE HUMDRUM IS THAT AIMING HIGH?
OTHERS SEEM TO FIND IT
TELL ME WHY ON EARTH CANT I?
WISHING FOR THE NORMAL KIND OF DREAM
TROUBLE IS THEYRE HARDER THAN THEY SEEM
AM I TOO AMBITIOUS?
AM I OUT OF TOUCH?
AM I WISHING FOR TOO MUCH?
Velcro
Who is it?
Robbie
Velcro
Soho Cinders
Robbie
Velcro
Robbie
Velcro
Robbie
Velcro
Feeding time?
Robbie
Velcro
Robbie
Velcro
Robbie
I mean its hard to get together. Hes so busy its texts. Its
Skype. Then when I do see him, I just want more . . .
11
12
Act One
Velcro
JUST IMAGINE BREAKFAST IN BED
Robbie
JUST IMAGINE OWNING A SHED
Velcro
JUST IMAGINE DOING THE SCHOOL RUN
Robbie
GOING FOR PICNICS
Velcro
KEEPING A GOLDISH
Both
WISHING WISHING
HOPING FOR THE HUMDRUM IS THAT AIMING HIGH?
OTHERS SEEM TO FIND IT
TELL ME WHY OH WHY OH WHY CANT I?
WISHING FOR THE NORMAL KIND OF DREAM
TROUBLE IS THEYRE HARDER THAN THEY SEEM
Velcro
GOING TO A NIGHTCLUB
CINEMAS AND SUCH
Robbie
EATING IN NICE RESTAURANTS
HAPPY TO GO DUTCH
Both
AM I TOO AMBITIOUS?
AM I OUT OF TOUCH?
AM I WISHING FOR TOO MUCH?
Robbie
JUST IMAGINE CLEANING THE VOLVO
Velcro
JUST IMAGINE PLANTING A ROSEBUSH
Soho Cinders
13
Robbie
JUST IMAGINE HAVING A MORTGAGE
Velcro
JUST IMAGINE KEEPING A GOLDFISH
Robbie
A goldfish?
Velcro
Robbie
You saddo.
William
James
William
James Tea?
Sasha
Act One
14
William
Or to give her her full name. Tea, milk and two sugars.
Hyphenated.
Marilyn Unbelievable.
James (Turning on William.) I thought we agreed . . .
William
James
William
I dont say so, I know so. I dont think, I do. Page 5 is pretty
good for a piece like that. Now we just have to fill in the pages
in between Marilyn, I dont suppose youd consider a page 3?
Marilyn
Hey!
James
Well I am.
William
Sasha
Soho Cinders
15
William
Good. Hang out with heroes makes you look tough. Ooh, and
therell be a pole. Marilyn pole dancing opp.
Marilyn
William
Marilyn
Sasha
Im alright.
James
William
James
How we run the campaign reflects how we will run City Hall. I
dont want anything to be fake.
William
Youre not doing it. I am. Thats the difference. Its not my job
to keep clean its my job to make sure you are Londons next
Mayor.
James
James . . .
James
16
Act One
James
HOW CAN YOU GO WRONG WITH HONEST?
HOW CAN YOU GO WRONG WITH SIMPLE TRUTH
PLAIN TALKING THATS WHAT PEOPLE WANT
SINCE WHEN DID DECENCY BECOME OLD-FASHIONED
HIDDEN BY A SMOKE SCREEN OF CLICHE?
I PROMISED THAT ID PLAY IT STRAIGHT
BUZZ WORDS WILL JUST HAVE TO WAIT
I INTEND TO WIN THE RACE IN MY OWN WAY
William
James
HOW CAN YOU GO WRONG WITH HONEST?
HOW CAN YOU GIVE WAY TO LIES AND SLEAZE?
I ASK YOU WHAT IS THERE TO GAIN?
AND WHO MADE ARROGANCE A JOB REQUIREMENT
FOR THE PUBLIC SERVANTS WE ELECT?
WHO THINK THAT ONCE IN CITY HALL
SOMEHOW THEYRE ABOVE IT ALL
I THINK LONDONERS DESERVE FAR MORE RESPECT
William
AT THE END OF THE DAY ITS ALL ABOUT A CROSS IN A BOX
YOU MAY BE THE OARSMAN BUT REMEMBER IM THE COX
ILL STEER YOU TO VICTRY
THROUGH ALL THE BIG DEBATES
DOWN STREAM
THAT DREAM OFFICE AWAITS
Sasha & Office Workers
SPIN
SPIN OUT OF CONTROL
SIGN THE PAPERWORK AND SELL YOUR SOUL
SPIN
DOCTOR EVERY WORD YOU SAY
SPIN UNTIL YOU WIN THE DAY
Narrator
Soho Cinders
17
Lord Bellingham William, Im looking at this guest list. This fundraiser is not just
about you squeezing money out of people, its about having
the right people there who you can squeeze in the future.
William
And . . .
Act One
18
Lord Bellingham And you and I may not share the same idea about who is
the right sort of person. My money, my office, my guest list.
Agreed?
William Agreed.
Lord Bellingham Last push before the nominations close. The people at this do
could make or break this campaign.
William & Ensemble
SPIN
SPIN OUT OF CONTROL
SIGN THE PAPERWORK AND SELL YOUR SOUL
SPIN
DOCTOR EVERY WORD YOU SAY
SPIN UNTIL YOU WIN THE DAY
SELL YOUR SOUL, ITS GONNA PAY
SPIN A WEB FOR IN A WEB THE SPIDER WILL ENSNARE HIS PREY
William
SPIN UNTIL YOU WIN THE DAY
Ensemble
SPIN, SPIN, SPIN
(Its the end of day, James goes to leave.)
William
James
. . . Alone!
Soho Cinders
19
James
NOBODY GETS HURT
MEETING IN THIS PLACE
GYPSIES OF THE ETHER
WANDERERS IN SPACE
Act One
20
Robbie
Soho Cinders
21
James Now?
Robbie
James
Robbie
James Squdge?
Robbie
James
Oh that is gay.
Robbie
James
Robbie
Cro, you know I cant talk now . . . not another one. Okay, Ill
sort it.
Robbie
James
Robbie
Act One
22
Leave it.
James
Robbie
Couple of days?
Robbie
James
YOU ARE MY INTIMATE STRANGER
YOU ARE MY FAR AWAY FRIEND
James & Robbie
TWO SOULS LINKED BY A HIGHWAY
James
AND THE MESSAGES
Robbie
AND THE MESSAGES
Soho Cinders
23
Both
AND THE MESSAGES
WE SEND
Clodagh
Dana What?
Clodagh (Referring to the Narrator.) Im hearing voices.
Dana What?
Clodagh
Narrator
Dana Whatever.
Clodagh
Eurgh! Ive got a tongue like Ghandis flip flop. I need a drink.
Dana
Clodagh
Yeah, but when Les is out well get the launderette. Planning
permission will be no prob. We can knock through. Expand.
Go up market.
Dana
Clodagh
Dana
Act One
24
Clodagh
Dana
Clodagh
Dana Well?
Clodagh Married.
Dana Bastard.
Clodagh
Dana
Clodagh
Exactly. "My wife!" he goes. I said, "I thought she was away?"
He says. "She was." Then I hear footsteps, not wheels, on the
front path.
Dana Unbelievable.
Clodagh
Dana
Clodagh
Bowling ball?
Dana
I tell you, Im getting too old for this game. Too many
disappointments.
Dana
Soho Cinders
Dana
I WISH THEYD INVENT A NICORETTE PATCH
TO HELP ME GIVE UP MEN
JUST SLAP IT ON
YOUR CRAVINGS ARE GONE
BUT HOW WOULD I FILL MY DAYS THEN?
ITS ALWAYS THE WRONG MR RIGHT
WHO SUDDENLY LANDS IN MY LAP
THEYRE SHITS WHO PASS IN THE NIGHT
FALLING IN LOVE IS CRAP
A LOAD OF OLD BULL
FAREWELL TO NIGHTS ON THE PULL
IM SO OVER MEN
I DONT NEED A GUY
AND AS FOR THE SEX
THERES ALWAYS DIY
SOME SEEM HOT TILL THE RUMPY PUMP STARTS
THEN THEYRE NOT WORTH THE SUM OF THEIR PARTS
LIE ON YOUR BACK
TRY LOOKING IMPRESSED
FAKE IT AND SCREAM "YOURE THE BEST"
IVE SAID IT BEFORE AND ILL SAY IT AGAIN
IM SO OVER MEN
Clodagh
I WISH I COULD JOIN AN ANONYMOUS GROUP
REHAB TO GIVE UP MEN
JUST SAY YOUR NAME
FACE UP TO THE SHAME
CONFESS YOUVE BEEN SHAGGING AGAIN
THEN MAYBE ILL FIND I HAVE STRENGTHS
AWAY FROM THE RAGES AND RANTS
25
Act One
26
Clodagh
Dana
Robbie
Clodagh
I dont know why Dad didnt just kick you out when your Mum
died. Youre like a milestone around his neck.
Robbie
Clodagh
Dana
Basically . . .
Clodagh
Soho Cinders
Dana
Clodagh
Or nuffin . . .
Both
Dana
IF THEY HAD A JAB
ID GIVE IT A STAB
TO MAKE ME IMMUNE TO MEN
Clodagh
PAINLESS AND QUICK
JUST ONE LITTLE PRICK
Both
INSTEAD OF THE USUAL TEN!
(They laugh raucously.)
IM SO OVER MEN
SPECIALLY WHEN THEYRE PISSED
THOSE WHOVE TURNED US DOWN
DONT KNOW WHAT THEYVE MISSED
Clodagh
ACT LIKE ICE BUT THEN TRY NOT TO MELT
Dana
MY ADVICE WEAR A CHASTITY BELT
Clodagh
NO FOOTBALL TO WATCH
FAGS IN THE SINK
Y-FRONTS TO WASH I DONT THINK SO
Dana
COLD PIZZA CRUSTS AND BEER CANS TO CHUCK
DO WE MISS THEM?
27
28
Act One
Both
DO WE FUCK!
IVE SAID IT BEFORE AND ILL SAY IT AGAIN
IM SO OVER MEN
Dana
NO MORE PREGNANCY TESTS
NO MORE NEED FOR PRECAUTIONS
Clodagh
NO MORE OVERNIGHT GUESTS
NO MORE GETTING SMALL PORTIONS
Dana
NO MORE "IM GOING BALD"
NO MORE LOVE BITES NEED HIDING
Clodagh
NO MORE "MY WIFE JUST CALLED"
NO MORE HANDS THAT NEED GUIDING
Both
NO MORE "CANT WE BE FRIENDS?"
NO MORE "FIRST MEET MY MOTHER"
NO MORE "HERES WHERE IT ENDS"
NO MORE "MADE FOR EACH OTHER
IVE SAID IT BEFORE AND ILL SAY IT AGAIN IM SO OVER MEN
Narrator
William (To Sasha.) Relax. Its just selling, but youre selling a candidate.
Now come on, lets see the confident posture.
Sasha
I find it hard to . . .
William
Sasha
Soho Cinders
29
William
William
Good girl. Now, just watch and learn. (To Clodagh and Dana.)
Hello, ladies.
Ladies?
Clodagh
Who . . . us?
Sasha
Clodagh
For what?
William
Dana (To William.) Ooh, and what do you have to offer a single girl
thats gonna make her put a kiss in your box?
William
William
Dana
Sasha
Er, no!
Clodagh
Well nows your chance, come on. Just dont touch the seats,
theyre still wet.
Act One
30
Lord Bellingham Ive been happier. Cutting to the chase, William. Youve
screwed up.
William
In what way?
Lord Bellingham Reach inside your cheap, shiny Primark suit and take out the
fundraising invitation.
William
The invitation?
Oh, Christ.
Lord Bellingham Well, you could say that. No sponsor, no money. No money,
no party. You see how it works? William?
William
Yes, I see.
Lord Bellingham Our error? Your error. Since you did manage to at least include
my address on the invitations I assume you wish the event to
be held here, as planned?
William
Lord Bellingham I hope your candidate runs London better than you run his
campaign.
William
Im sorry . . . I just . . .
Soho Cinders
31
Shit, shit, shit, shit, shit, shit. Sasha, back to the office.
Clodagh
William
Give me that.
(He grabs the invitation from Sasha and tosses both of them
away.)
Come on.
Clodagh
Dana
Clodagh
Dana
Oh no, we cant.
Clodagh
Oh yes we can.
Act One
32
Both
Oh yes we will.
Marilyn
James Who?
Marilyn
James
Soho Cinders
Marilyn
James
Marilyn . . .
33
Marilyn What?
James
Marilyn
I know . . .
James
Marilyn
I know . . .
James
And Im sorry.
Marilyn
For what?
James
Marilyn
Yes it will, and itll probably get worse. If you get in.
James
And if I dont?
Marilyn
James Ah!
Marilyn
James
Marilyn
That bad.
Act One
34
James
Marilyn
REMEMBER WHEN
OUR HEADS WERE FULL OF BIG IDEALS
REMEMBER THEN
James
I DONT REMEMBER HOW THAT FEELS
BUT WHEN YOURE YOUNG
THEN SOMEHOW EVERYTHINGS A PLUS
REMEMBER WHEN
Marilyn
REMEMBER . . . THEN
REMEMBER US
REMEMBER WHEN
YOU DREAMT YOUD BE LIKE ROBIN HOOD
REMEMBER THEN
James
I KNOW NOT ALL OF IT WAS GOOD
Marilyn
WED TALK FOR HOURS
SOME . . . BIG WORLD CRISIS TO DISCUSS
REMEMBER WHEN
James
REMEMBER . . . THEN
REMEMBER US
Marilyn
STRANGE THAT YOU AND I
NEVER HAVE TO TRY SOMEHOW WE MUDDLE THROUGH
James
NO DENYING IT
YOU JUST SEEM TO FIT LIKE AN OLD COMFY SHOE
Marilyn
SUCH A WAY WITH WORDS
Soho Cinders
James
BUT THE BEST ARSE
IN YOUR WHOLE CLASS OF NERDS
Marilyn
Hey!
REMEMBER WHEN
YOU GREW A MULLET GLAD THATS GONE
James
IT WAS THIS LONG
Marilyn
REMEMBER THEN
YOU SAID THAT EMAIL WONT CATCH ON
James
SO I WAS WRONG
YOUR MOBILE PHONE
Marilyn
MY MOBILE PHONE
Both
YES IT WAS BIGGER THAN A BUS
James
THE SIGNAL WAS RUBBISH
Both
REMEMBER WHEN
REMEMBER . . . THEN
REMEMBER US
LOOK AT US DOT COM
EVERY DOUBTING TOM SAID THAT WED NEVER LAST
James
STILL IM STUCK ON YOU
Marilyn
IM YOUR COMFY SHOE YOURE MY ELASTOPLAST
35
Act One
36
Both
WE GO HAND IN GLOVE
AND STILL WE SEEM
THE PERFECT TEAM IN LOVE
(Instrumental.)
Marilyn
SO MANY YEARS
James
LAUGHTER AND TEARS
Marilyn
BUT WHEN YOURE YOUNG
James
BUT WHEN YOURE YOUNG
Both
THEN SOMEHOW EVERYTHINGS A PLUS
Marilyn
REMEMBER WHEN
James
REMEMBER THEN
Marilyn
Both
REMEMBER US
James
Soho Cinders
37
Velcro
Shame hes in a suit. I bet hed get more votes if he was still in
his speedos.
Robbie
Velcro
Clodagh
Dana
(She makes her arm look like the big hand on TVs
Countdown clock. Clodagh obliges by singing the
Countdown clock music.
Clodagh sings the theme tune. Dana waits for the final Boo
of the theme tune, then realises Clodagh is waiting for her to
provide it.)
Dana
Velcro
Little things . . .
Robbie
Clodagh
Dana
Clodagh
Both Dolly.
Act One
38
Robbie
Here yare.
(Robbie hands Dana the cash that we saw him put away in the
first scene after accepting it from Lord Bellingham.)
Dana
How much?
Robbie
Clodagh
Robbie
Dana
Robbie
Clodagh
Twenty-four hours.
Dana
Clodagh (To Velcro.) Youre wasting your time love, hes a knob jockey.
(The sisters exit.)
Robbie
Velcro
Robbie
Velcro
Robbie
Very funny.
Velcro
Robbie Hi.
(We see James elsewhere in a spotlight.)
Soho Cinders
39
James
Hi its me, I just wanted to hear your voice. Ive only got a
minute. Im sorry.
Robbie
You dont have to apologise. I get it. Im glad you called. When
can I see you? If it helps Im free tonight. Or tomorrow night?
(Velcro mimes kisses and love hearts. Robbie shoos her away.)
James
Argh! Id love to but Ive got this thing tonight and a fundraiser
tomorrow. But the next available moment, I swear . . .
Robbie
Look. You know where I am, and you know I want to see you.
You just need to let me know when. No pressure. Just make it
soon!
James
Robbie Bye.
Velcro
That was SO gooey! Ive never seen you like it. Its like youve
been abducted by aliens, and they sent back this . . . Andrex
puppy. Tell me his name.
Robbie
Velcro
Sort of embarrassing, theyre not from me, I just took them off
the delivery guy. Is my washing ready?
Robbie
Sidesaddle
40
Velcro
Act One
His new boyfriend, but dont ask his name cos he wont tell
you.
Velcro
Lord Bellingham
ID LIKE TO HAVE YOU HERE WITH ME
I THINK WERE QUITE WELL-SUITED
ITS HIGH TIME OUR RELATIONSHIP
BECAME FAR LESS DILUTED
AND NO-ONE NEEDS TO KNOW THE TRUTH
THE WAY IN WHICH WE MET
THE SORDID LITTLE DETAILS
IN TIME WE CAN FORGET
Lord Bellingham Robbie, I hope I havent misjudged our situation, but the time
we spend together is the highlight of any week. Id like more
of it and my hope is that you would too. Im hosting an event
tomorrow night at the office and Id like you to join me. Its a
black tie affair and, as it will be a late night, Id like you to stay
over. Ive taken the liberty of informing Prada in Sloane Street
to expect you. Its all on account. Just choose something nice.
The enclosed is a little something for you.
Soho Cinders
41
(As Robbie closes the card and keeps its contents from Velcro,
our focus stays with Lord Bellingham.)
Lord Bellingham
I CANT BEAR YOU ON OLD COMPTON STREET
I WONT SHARE YOU SO I THINK A CHANGE WORTH A TRY
I DONT RENT WHAT I CAN BUY
THERE ARE WAYS TO BEAT
OLD COMPTON STREET
Velcro
Robbie
Velcro
Robbie
Velcro
Robbie, whats going on? You just spoke to him on the phone
and lit up like the Blackpool illuminations. Now youre playing
hard to get.
Robbie
Sidesaddle
(Sidesaddle exits.)
Velcro
And . . .
Robbie
Velcro
Robbie
Act One
42
Velcro What?
Robbie
Velcro
Robbie
Look. Ive been seeing this guy for three months and I think
Ive fallen in love with him. But its complicated.
Velcro
Robbie
Velcro Who?
Robbie
Velcro Robbie!
Robbie
Velcro
Robbie
Velcro
Robbie
Velcro
Hes married?
Robbie
Fiance.
Soho Cinders
Velcro
Oh Christ, Robbie!
Robbie
Velcro
I do?
Robbie
43
Velcro
Oh get real . . .
Robbie
Im serious.
Velcro
James Prince . . . youre not! The Mayor guy. Hes not gay.
Robbie
I can promise you he is, but not publicly. Hes not like any
other guy Ive been with.
Velcro
Robbie
I know. I know.
Robbie
Velcro
Today maybe. But you cant control the press. Now listen
Robbie . . .
Act One
44
Robbie
Soho Cinders
45
Act One
46
Velcro
A WEDDING RING
DONT MEAN A THING
Both & Full Ensemble
ITS HARD TO TELL
ITS HARD TO TELL
SCANNING THEIR REFLECTION
FOR THE SLIGHTEST IMPERFECTION
IF WRINKLES DARE TO SHOW
THEY MOISTURIZE THEM SO
ITS HARD TO TELL THE GAY GUYS FROM THE STRAIGHT THESE DAYS
ITS HARD TO TELL WHICH WAY THAT THEYRE INCLINED
MAKING SURE THEYRE PRETTY
FOR A NIGHT OUT ON THE CITY
WHERE BOTH HAVE ONE THING ON THEIR MIND
(The song ends in a tableau of bodies.)
Music No. 7a ITS HARD TO TELL FADE
Robbie and Velcro are crashed out on a bench after their night
in Soho assessing the sexual orientation of its inhabitants by
asking them to provide surnames for the following list: Liza,
Chita and Barbra. Not surprisingly, many single gentlemen
scored three out of three.
Velcro
Hey Robbie. Hows the head? I feel like Ive been hit by a
Budweiser truck. One too many vodka shots.
Robbie
I hardly slept a wink. I cant believe Ive got myself into this
mess.
Velcro
Robbie Cro.
Soho Cinders
Velcro
47
Robbie No.
Velcro
(Robbie hands the phone over. Velcro reads the text message.)
Robbie
Velcro
Robbie
For you?
Velcro
Lets call it a little thank you for all the shit youve put me
through. Agreed? Just nod. Right, then you are going to go
to this swanky party and be sweetness and light with Lord
Whotisname, and after that you are never going to see him
again.
Robbie
Velcro
Robbie What?
Velcro
Ill phone and say Ive got some emergency. The launderettes
burnt down, Beckys exploded. Use your imagination.
Robbie
And . . .
Act One
48
Velcro
You make your excuses and you come home. That way youve
kept your side of the bargain with his Lordship and youve
stayed faithful to Prince Bisexual.
Robbie
Velcro
Sidesaddle
Velcro
Sidesaddle
Where to?
Velcro
Robbie Cro!
Velcro
Sidesaddle
Velcro
That aint it. Youve got to wait for us there then take him for a
haircut. Come to think of it, how much till midnight?
Sidesaddle Fifty?
Velcro
Robbie
Sidesaddle
Velcro
Hes got a big party tonight, havent you Robbie? Posh do.
Soho Cinders
49
Velcro
Act One
50
Dana
Clodagh
Clodagh
I COULD USE ANOTHER PINT OF BAILEYS
Dana
A BAILEYS
Clodagh
SECOND THOUGHTS ILL HAVE A GLASS OF WHITE
Dana
MAKE IT TWO
Both
TWO SILLY BINTS
GONNA FIGHT FOR A PRINCE
Dana
COS TONIGHT
Clodagh
TONIGHT
Both
TONIGHT
Dana
YOU SHALL GO TO THE BALL, CINDERELLA
Both
BOTH LOOKING FIT
Clodagh
AND SLIM
Both
YES, WE SHALL GO TO THE BALL LOOKING STELLAR
I COULD BE THE GIRL FOR HIM
Soho Cinders
51
Clodagh
I LOVE THIS SHADE OF LIP GLOSS
Dana
MY MASCARAS BY CHANEL
Both
YOUD NEVER THINK TWO SCRUBBERS
COULD HAVE GOT TARTED UP QUITE THIS WELL
(CUT TO: Lord Bellingham in a spotlight tying his bow tie.)
Lord Bellingham
THOSE WHO RAISE AN EYEBROW AT THE AGE GAP
NEED TO KEEP THEIR NOSE FROM MY AFFAIRS
GOSSIPS MAY THINK
THAT IM DATING A TWINK BUT WHO CARES?
YOU SHALL GO TO THE BALL, CINDERELLA
WITH ALL THAT BOYISH CHARM
YES, YOU SHALL GO TO THE BALL AS MY BELLE A
HANDSOME TRINKET ON MY ARM
Robbie
HOW DID I LET YOU TALK ME INTO THIS?
HE JUST GIVES ME THE CREEPS
Velcro (Deliberately sounding posh.)
MAYBE ONE SHOULD BE MORE PARTICULAR
ABOUT PLACES ONE SLEEPS
Robbie
SORRY CRO, I KNOW ITS NOT CLEVER
DOING THIS IS NOT WHAT ID EVER CHOOSE
(CUT TO: Marilyn, William and James make their way to Lord
Bellinghams offices.)
52
Act One
Marilyn
HERE WE GO AGAIN, THE GOLDEN COUPLE
James
KEEP SMILING
William
THIS COULD REALLY BE THE LITMUS TEST
Marilyn (Smiling ingratiatingly at James.)
HOW IS THIS!
William
MAKE SURE YOU MINGLE
AND SCHMOOZ EVERY SINGLE LAST GUEST
(CUT TO: Robbie and Velcro are ready to leave.)
Robbie
HOW DID I LET YOU TALK ME INTO THIS
I FEEL WEAK AT THE KNEES
Velcro
ITS NOT EVERYDAY YOU GO PARTYING
NOT WITH PEOPLE LIKE THESE
Sidesaddle
COME ON GUYS! ENOUGH HESITATING
CANT YOU SEE YOUR CARRIAGE IS WAITING NOW
All
YOU SHALL GO TO THE BALL CINDERELLA
GO WHERE THE LIGHTS ARE BRIGHT
YES, YOU SHALL GO TO THE BALL, WE CAN SMELL A
LOT OF TENSION HERE TONIGHT
WATCH THE GLITTERATI GLITTER
THE NOUVEAU CREME DE LA CREME
Soho Cinders
All
YOU SHALL GO TO THE BALL, CINDERELLA
GO FOR A NIGHT OF GLITZ
YES, YOU SHALL GO TO THE BALL, CINDERELLA
AND MINGLE WITH THOSE POMPOUS GITS
Lord Bellingham (Looking pleased.) Robbie.
All
AND GET COMPLETELY OFF YOUR TITS
James (Looking startled.) Robbie?
All
AND SEE IF THE GLASS SLIPPER . . .
Robbie (Looking horrified.) Awkward!
All
. . . FITS
(Curtain.)
53
Act Two
54
ACT TWO
Music No. 9 ENTRACTE
SCENE ONE The party at Bellingham Industries
Music segues into Lord Bellinghams office where the campaign fund-raising party
is in full swing. Lord Bellingham, Robbie and James are in exactly the same position
as we left them at the end of Act One.
All
YOU SHALL GO TO THE BALL, CINDERELLA
GO FOR A NIGHT OF GLITZ
YES, YOU SHALL GO TO THE BALL, CINDERELLA
AND MINGLE WITH THOSE POMPOUS GITS
Lord Bellingham (Looking pleased.) Robbie.
All
AND GET COMPLETELY OFF YOUR TITS
James (Looking startled.) Robbie?
All
AND SEE IF THE GLASS SLIPPER . . .
Soho Cinders
William
Party Guests
DID YOU SEE THE WAY HE SAUNTERED IN
AS IF HE OWNED THE PLACE
EXUDING SUCH SELF-CONFIDENCE
YET NO-ONE KNOWS HIS FACE
HE LEAVES US IN THE SHADOWS
LIKE A MOMENTRY ECLIPSE
AND THERE IS JUST ONE QUESTION
THATS ON EVERYBODYS LIPS
WHOS THAT BOY?
Dana
55
Act Two
56
Clodagh
Get over yourself, its me hes oggling. All these politicians like
a bit on the side.
Dana
Waiter
Stuffed olive?
Clodagh
William
WHOS THAT BOY?
AND WHY THE STRANGE REACTION
Clodagh (To Dana.) Its Robbie!
William
WHOS THAT BOY?
AND WHAT IS THE ATTRACTION
Dana
William
WHOS THAT BOY?
Clodagh & Dana
HES JUST OUR LITTLE BROTHER
COS OUR DAD
GOT MARRIED TO HIS MOTHER
William
Clodagh
Dana
Soho Cinders
57
Party Guests
SYMPTOMATIC OF THESE FUNCTIONS
IS THEYRE FULL OF CRASHING BORES
THE FIRST SIGN OF FRESH TALENT
AND THEYRE BEATING DOWN THE DOORS
LIKE BEES AROUND THE HONEY
LIKE MOTHS AROUND THE FLAME
THEY CHASE AFTER THE YOUNG BLOOD
THOUGH NO-ONE KNOWS HIS NAME
(Instrumental half-chorus during which Robbie escapes to the
terrace.)
WHOS THAT BOY?
HES ENTRANCE WAS DRAMATIC
WHOS THAT BOY
BOTH COOL AND ENIGMATIC
WHOS THAT BOY?
WHOS THAT BOY?
Lord Bellingham You seemed nervous in front of James Prince its not like you,
hes a mayoral candidate, not royalty.
Robbie
Lord Bellingham You dont have to do that. The apartments upstairs. Why dont
you go and have a lie down in my room.
Robbie
Act Two
58
Lord Bellingham Wait a minute, Doctor Reids here, he can have a look at you.
Robbie (More forcefully.) No, George. I want to go.
Lord Bellingham This a big night for me. Actually for you and me. Us.
Robbie
Us?
Lord Bellingham Like I said in the note, which you clearly received judging by
the Prada suit youre wearing. I thought Id made my feelings
very clear.
Robbie
Yes you did, George, and about that . . . Im not sure were
quite in the same place . . .
Lord Bellingham (Clearly hurt.) I see. But you took the thousand pounds, and
you went on a shopping spree.
Robbie
George . . .
Lord Bellingham No, Robbie, you see thats not how it works. All the gifts, all
the dinners, the money, the suit youre wearing, the shirt on
your back its not charity what do you think I am?
Robbie (Getting angry.) No, George what do you think I am?
Lord Bellingham (Grabbing Robbies lapels.) Ill tell you what I think you are.
William
James
William
Soho Cinders
59
Robbie
William
Marilyn
WHOS THAT BOY?
AND WHAT IS HE CONCEALING?
WHOS THAT BOY?
IVE GOT THE STRANGEST FEELING
WHOS THAT BOY?
PERHAPS HES JUST A CHANCER
WHOS THAT BOY
I FEAR I KNOW THE ANSWER
WHOS THAT BOY?
|WHOS THAT BOY?
Party Guests
BOY, BOY
WHOS THAT BOY?
WHOS THAT BOY?
All
WHOS THAT BOY?
DID SOMEBODY INVITE HIM?
WHOS THAT BOY?
SO CUTE I WANT TO BITE HIM
WHOS THAT BOY?
I THOUGHT I SAW A SCUFFLE
WHOS THAT BOY
Act Two
60
James
Robbie
James
Robbie
Look James . . .
James
(Silence.)
(Getting slightly agitated.) Robbie, Ive asked you a question. I
think you owe me an explanation.
Robbie (Rising to meet James anger.) I dont owe you anything. But Im
not having an affair with him, if thats what you think.
James
Robbie
He took a shine to me. I went along with it. At first it was just
company and I felt sorry for him. It was perfectly innocent.
Then it kind of developed into giving me money and stuff. And
now . . . hes asking for a bit more . . .
James (Sarcastically.) Well where did you think it was leading? And
why didnt you tell me?
Soho Cinders
61
Robbie
James
Robbie
James
Robbie
James
Industry tycoon pays young gay guy for company. Join the
dots, Robbie, theyll make you out to be an escort. Worse. A
rent boy.
Robbie
James
No, but you took his money. And if they link me to you . . .
The politician cheating on his fiance with a rent boy. So
tragic its almost funny.
Robbie
But I never took your money even though we had . . . no, this
is all wrong. Its not like that. James. Im your lover. Im not a
rent boy.
Ive fallen in love with you. Thats why I left the party. I cant
be with anyone else. I dont want to be with anyone else.
James
(James turns and walks away into the night. Robbie calls after
him.)
Robbie
James! James!
62
Act Two
Soho Cinders
63
William
(Silence.)
James
William
The boy?
James
William
Act Two
64
James
Marilyn
Oh no.
William What?
Marilyn
William
Marilyn
Oh please no.
James
William
James
William
Oh well thats fine, then. The papers wont give a toss. Wont
even be interested. Ill call the f-ing pope, have you put up for
sainthood. Halle-pissing-lu-yah.
James
William, please.
William
James
Marilyn
Pathetic.
Soho Cinders
65
Marilyn
Oh God.
Marilyn
HOW CAN YOU GO WRONG WITH HONEST?
HOW CAN YOU GO WRONG WITH SIMPLE TRUTH?
REMEMBER? - THATS WHAT PEOPLE WANT
SINCE WHEN DID DECENCY BECOME OLD-FASHIONED
HIDDEN BY A SMOKE SCREEN OF CLICHE?
HE PROMISED THAT HED PLAY IT STRAIGHT
LAUGHABLE I KNOW BUT WAIT . . .
(A phone rings in Marilyns bag. We recognise it as Robbies
ringtone.)
Marilyn
(Marilyn exits while, back in the office, James sits with his head
in his hands.)
James
Oh Christ.
William
He may be the son of God but even he cant help you now.
James
William
I will tell you what you are going to do. First you are going
to go home. Shower and clean up. Youve not only been
socialising in the gutter you smell like youve been rolling in
it. Get a car to pick you up. From round the back. This mess
will have leaked by this afternoon and I want you seriously
unavailable for comment. Do you understand that?
Act Two
66
(James nods.)
(James exits.)
Music No. 11b UNDERSCORE into THE TAIL THAT WAGS THE DOG
William
Clodagh
Thats right.
William
Clodagh
William
Clodagh
William
Clodagh
William
Trust me. People will pay a lot for your story. Ill make sure of
that. Now enjoy your moment in the sun.
Soho Cinders
67
(Sasha enters.)
Sasha
William
Get me a car.
Sasha
William
Bellingham Industries.
William
THE POLITICS OF POLITICS
BEHOLD THE PEOPLES CHOICE
HE MAY BE MUSIC TO THEIR EARS
BUT IM HIS MASTERS VOICE
THE DASHING POLITICIAN
LET EVERYONE RAISE A GLASS
I KNOCK THEM INTO SHAPE
I MOULD THEM TILL THEY FIT
I PLUMP THE CUSHIONS ON THE SEAT
WHERE ID PREFER TO SIT
I PULL THE STRINGS
AND CALL THE SHOTS
I GROOM THEM FOR THE THRONE
IM THE TAIL THAT WAGS THE DOG
BUT ITS THE DOG THAT GETS THE BONE
HE SEEMED THE PERFECT PACKAGE
BUT TOO BAD HE HAD A FLAW
IT ONLY TAKES ONE WEAKNESS
AND THE PRESS WILL PICK IT RAW
68
Act Two
Soho Cinders
William
69
What did you pay him for, exactly? (Theres no answer.) Now
Im assuming youd prefer to keep your private life out of the
press.
Im sorry?
Act Two
70
William
Soho Cinders
71
Velcro (To the Customer.) Are you all done I want to close up.
Customer
Velcro
Marilyn
Velcro
Marilyn
Velcro
Marilyn
Act Two
72
Velcro
Look, I dont know what to say. I only found out myself a few
days ago and I told him . . .
Marilyn
Velcro
Marilyn Sonia.
Velcro
His phone?
Marilyn
Hes a good man. James. Always puts everyone else first. Well,
nearly always. Ive never met anyone like him. Hes worked
hard for this. We all have.
Velcro
Marilyn
Ive known all along that James was gay or at least bisexual.
Oh yes, it may surprise you but we have . . . had . . . a sex life.
I believe they call it a mixed orientation relationship.
Velcro Really?
Marilyn
Velcro
But if you knew he was gay how come you got together?
Marilyn
Velcro
What changed?
Soho Cinders
73
Marilyn
Velcro
Marilyn
Dont pity me. I knew what I was getting into, I went in with
my eyes open.
Velcro
Marilyn
Velcro
Marilyn
Velcro
Marilyn
Velcro
Yeah well. The gay thing hasnt stopped him being my best
friend. Were like brother and sister . . . well, more like sister
and sister really. But you shouldnt compromise yourself . . .
thirty-eight isnt that old.
Marilyn Thanks!
Velcro
Marilyn
If you dig that hole any bigger well have to get the Council out
to close the road.
Act Two
74
Velcro
Marilyn
Velcro
Soho Cinders
75
Velcro
DONT STAY SHUT AWAY
WITH ALL THOSE "MIGHT HAVE BEENS"
OPEN DOORS TO "WHAT MAY BE" INSTEAD
Marilyn
THATS THE LIGHT THAT GUIDES US
THROUGH THE CHANGE OF SCENES
THOSE "IN BETWEENS" WE DREAD
(Instrumental line.)
LET HIM GO
Velcro
LET HIM GO
(Instrumental line.)
Both
LET HIM GO
TO HOLD ON TO A FANTASY WILL HURT YOU IN THE END
LET HIM GO AND GAIN A CLOSER FRIEND
Velcro
THOUGH THE HEALING MAY BE SLOW
WHEN WE GROW APART
Both
WE GROW
HELL KNOW HOW MUCH YOU LOVE HIM
(Instrumental line.)
SHOW HOW MUCH YOU LOVE HIM
LET HIM GO . . . LET HIM GO
Act Two
76
Robbie
Cro. Cro. You wont believe the night Ive had. Ive gotta get
away. Gotta get out of here. I wanted to call but I . . .
Marilyn
Velcro
Robbie this is . . .
Robbie
Marilyn
Robbie
Marilyn
Robbie What?
Marilyn Sorry.
Robbie
Yes. For both of us. I didnt think it would end like this. I
hoped . . .
Marilyn
Robbie
Marilyn
Velcro
Robbie
Not helpful, Cro. (To Marilyn.) Youre right. But I didnt know.
Not about you. Not at first. He pursued me. I was flattered.
And then . . . you cant help who you fall in love with.
Marilyn
I know exactly what you mean. For what its worth I dont
blame you. I guess a part of me was always prepared for this
and . . . perhaps Id armed myself without knowing it.
Robbie
Soho Cinders
77
Velcro Where?
Robbie
Velcro
Robbie
Velcro
Robbie
Ive lost Mums flat and I cant stay at yours forever, its not fair
on Becky. My stepsisters are screwing me for money I havent
got, and when Les gets out of prison hes gonna steal the only
thing I have got this place.
Velcro
Robbie
Cro, after what happened last night! The story will be all over
the papers and Ill be painted as the villain. The rent boy. Im
not hanging around for that.
Velcro
Robbie
Marilyn
I appreciate that.
Velcro
Robbie
Marilyn
(She hands Robbie his phone. Robbie moves to Velcro to kiss her
goodbye.)
Act Two
78
Robbie
Marilyn
Velcro
Marilyn Who?
Velcro
His Mum. She got Alzheimers and died and Les and his
stepsisters are getting everything. She wouldnt have wanted
that.
Marilyn
Velcro
Marilyn
Who did?
Velcro
Marilyn
Velcro Really?
Marilyn
Velcro
I will be.
Marilyn
Soho Cinders
Velcro
For what?
Marilyn
Velcro
I didnt do anything.
Marilyn
Velcro
WISHING
WISHING
HOPING FOR THE HUMDRUM
IS THAT AIMING HIGH
OTHERS SEEM TO FIND IT
TELL ME WHY OH WHY OH WHY CANT I
William
The Sun.
Narrator
William
Narrator
William
James
I get the feeling you are enjoying this. They certainly didnt
waste time.
79
Act Two
80
William
Well your little boyfriend didnt exactly hold back telling the
world everything he knew. Real class. You certainly can pick
them.
James
William
And you? Youve kept some things from me which I feel would
have been helpful to know. Unfair?
James
So what now?
William
James
William
James Charming.
William
James Who?
William
James
William
Well if you dont like me you can always vote for the other guy.
James
William
Soho Cinders
81
Robbie Hello.
James
Robbie
Going away.
James
I just want to know why? Why would you speak to the press,
Robbie?
Robbie
James Shit.
Marilyn
James
Marilyn
Campaign or us?
James
Marilyn
Act Two
82
Marilyn
REMEMBER WHEN
YOU POPPED THE QUESTION NEW YEARS EVE
James
GOD, WHAT A MESS!
Marilyn
REMEMBER THEN
I CALLED YOU CRAZY, SO NAIVE
James
THEN YOU SAID YES
BUT WHEN YOURE YOUNG
Marilyn
RELATIVELY YOUNG
Both
YOU THINK THE DREAM WILL LAST . . . UNTIL . . .
Marilyn
James
I LOVE YOU STILL
Marilyn
I know you do. But you will never love me completely. And I
dont want to fight a battle I cant win.
James
Soho Cinders
83
Marilyn
James
Marilyn
It is, James.
James
Marilyn
(Marilyn exits.)
Photographer 1
Photographer 2
Photographer 3
Wheres Robbie?
Dana
Photographer 1
Clodagh
Weve told you all you need to know about him . . . now, what
do you think of these puppies?
Photographer 2
Dana
Act Two
84
Dana
Our what?
Soho Cinders
Dana
WELL BECOME CELEBRITIES
THE DARLINGS OF THE PRESS
Clodagh
CAST US IN A PANTOMIME
WELL BE A ROARING SUCCESS
Dana
BRING OUT A RANGE OF CLOTHING
Clodagh
AND A PERFUMES SURE TO SELL
Dana
THEN WRITE OUR OWN BIOGRAPHY
Clodagh
A SHAME THAT YOU CANT SPELL
Both (with Ensemble Oohs)
WE WANT OUR FIFTEEN MINUTES
WE CRAVE OUR FIFTEEN MINUTES
WELL FILL OUR FIFTEEN MINUTES OF FAME
Clodagh
THE PRESS ARE IN OUR POCKET
Dana
OUR BANK ACCOUNTS WILL ROCKET
Clodagh
ITS CHEAP BUT WHO CAN KNOCK IT
Both
ITS A GAME
Ensemble
GAME!
Dana
OUR LIFE WAS DOWN THE TOILET
A SCANDAL SHOULDNT SPOIL IT
85
86
Act Two
Clodagh
WERE GONNA SUSAN BOYLE-IT THATS OUR AIM
Both (with Ensemble Oohs)
WASSUP WITH FIFTEEN MINUTES
ITS SO NOT US TO WIN ITS
TIME FOR OUR FIFTEEN MINUTES OF FAME
(Instrumental.)
Dana
BIG BROTHER FIFTEEN MINUTES
Clodagh
KATONA FIFTEEN MINUTES
Dana
X FACTOR FIFTEEN MINUTES OF FAME
Clodagh
STEVE BROOKSTEIN FIFTEEN MINUTES
Dana
APPRENTICE FIFTEEN MINUTES
Clodagh
LEWINSKY FIFTEEN MINUTES OF FAME
Dana
MATT CARDLE FIFTEEN MINUTES
Clodagh
AND TOWIE FIFTEEN MINUTES
Dana
PLEASE JEDWARD FIFTEEN MINUTES OF FAME
Both & Ensemble
WE WANT OUR FIFTEEN MINUTES
Clodagh
GODAMMIT FIFTEEN MINUTES
Soho Cinders
87
Dana
SWEET JESUS FIFTEEN MINUTES OF FAME
Both (with Ensemble)
WED SAY FAREWELL TO VICES
GO WHERE CHAMPAGNE ON ICE IS
BUY TITS LIKE KATIE PRICES WEVE NO SHAME
SINCE FAME AND FORTUNES BECKONED
WERE GONNA SEIZE EACH SECOND
ITS NOT WHAT WED HAVE RECKONED STILL WE CLAIM
OUR PRECIOUS FIFTEEN MINUTES
OUR STORY MAY BE THIN ITS
TIME FOR OUR FIFTEEN MINUTES OF FAME
(The Photographers have started to lose interest and disperse.)
GUESS THATS OUR FIFTEEN MINUTES OF FAME
(By the time the song ends the two girls are alone. Abandoned.
Yesterdays news.)
Clodagh
(James pauses.)
I have betrayed . . .
88
Act Two
James
(For the first time we see James slightly let his emotion get the
better of him.)
James
Soho Cinders
89
William Pathetic.
James
William
James
(William exits.)
James
Marilyn
James
So what now?
Marilyn
DONT STAY SHUT AWAY WITH ALL THOSE MIGHT HAVE BEENS
OPEN DOORS TO WHAT MAY BE INSTEAD
THATS THE LIGHT THAT GUIDES US THROUGH THE CHANGE OF SCENES
THOSE IN-BETWEENS WE DREAD
James
Ive got to get away. Avoid the press for a while. Theyve still
only got Robbies side of the story.
Marilyn
James
But Robbie . . .
Marilyn
Act Two
90
Robbie
WISHING FOR THE NORMAL KIND OF DREAM
TROUBLE IS THEYRE HARDER THAN THEY SEEM
AM I TOO AMBITIOUS?
AM I OUT OF TOUCH?
AM I WISHING FOR TOO MUCH?
Narrator
James
DOESNT IT SEEM STRANGE
MEETING IN THIS PLACE
GYPSIES OF THE ETHER
WANDERERS IN SPACE . . .
Robbie
Are you sure about this? Are you sure its what you really want?
James
YOU ARE MY INTIMATE STRANGER
YOU ARE MY FAR AWAY FRIEND . . .
(As the music swells, they kiss.)
Robbie
Soho Cinders
James
91
Robbie
Velcro
James Marilyn?
Velcro (Sheepish.) Yeah, you know . . . well of course you know.
Robbie Velcro!
Velcro
Robbie
There is no Will.
Velcro
Act Two
92
Velcro
Exactly. Well guess what. Youre the sole Benny . . . youre the
sole Bennyfish . . . Oh, its all yours, here yare. (Hands him an
envelope.)
Robbie
James
I dont believe it . . .
Velcro
James
Narrator
James has spotted the live news screen on the station platform
which is flashing up a breaking news story . . . William
George forced to stand down after assistant Sasha Larkin
alleges sexual harassment in the workplace.
James
Robbie
Well, see you in a bit. When this has all blown over.
Velcro
James
Told me what?
Velcro
Robbie
Velcro
(Velcro waves them off and as she backs away she bumps
into a Stranger who holds a polythene bag containing a live
goldfish.)
Soho Cinders
93
Stranger & Velcro (Awkwardly, at the same time.) Oh, Im sorry. No it was me.
Stranger
Wait . . . !
All
YOU SHALL GO TO THE BALL, CINDERELLA
GO FOR A NIGHT OF GLITZ
YES, YOU SHALL GO TO THE BALL, CINDERELLA
AND MINGLE WITH THOSE POMPOUS GITS
AND GET COMPLETELY OFF YOUR TITS
AND SEE IF THE GLASS SLIPPER FITS
Music No. 17 PLAYOUT
SOHO
CINDERS
GEORGE STILES
ANTHONY DREWE
VOCAL BOOK
Josef Weinberger
SOHO CINDERS
Copyright 2015 by George Stiles, Anthony Drewe and Elliot Davis
Edition Copyright 2015 by Josef Weinberger Ltd., London
All Rights Reserved
PHOTOCOPYING THIS COPYRIGHT MATERIAL IS ILLEGAL
Musical Numbers
ACT ONE
1.
2.
2a.
3.
4.
4a.
5.
5a.
6.
6a.
7.
7a.
8.
ACT TWO
9.
Entr'acte (Ensemble).................................................................................. 53
10.
11.
11a.
11b.
12.
13.
13a.
13b.
14.
15.
16.
Bows (Company)....................................................................................... 91
17.
Playout (Instrumental)................................................................................ 94
VOCAL BOOK
SOHO CINDERS
No.1
Lyrics by
Anthony Drewe
Magically slow q = 60
#4
& 4
Music by
George Stiles
pp
It's 7pm on a fairly ordinary Spring evening. Theatregoers rub shoulders with
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pearls
Old
Old
are
are
##
&
65
ALL GIRLS
No
one's
ALL BOYS
#
&#
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ob
one's
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so
lete
so
##
&
..
##
..
Old
Comp
Old
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ton
ton
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..
Street
ROBBIE: That was lovely. LORD BELLINGHAM: Are you sure you wont come for a drink?
ROBBIE: Sorry, Ive got to get to work. LORD BELLINGHAM: Peoples washing can wait.
73
? ##
#
&#
? ##
76
#
& # ..
##
&
87
&
LORD BELLINGHAM: It gives me pleasure. Will you allow me that? ROBBIE (reluctantly): Thank you.
LORD BELLINGHAM: So, when will I see you? ROBBIE: Youve got my number. Just call.
ROBBIE
this
J
melt
ing
pot
Some
have
and
ENSEMBLE
Oh
ROBBIE: Yeah, but my rent wont. LORD BELLINGHAM: Let me help you out.
He produces a wad of banknotes from his pocket. ROBBIE: George, please you just bought me dinner.
With - in
# p
&#w
&
LORD BELLINGHAM kisses ROBBIE on the cheek. ROBBIE make his way towards the launderette.
LORD BELLINGHAM (Under his breath): Oh, Robbie.
83
ww
lete
Street
80
w
w
69
&
J
some
..
have
##
&
91
not
piz
##
& #w
za
j j
'ry
thing
ev
ALL
GIRLS
Try
105
See
the
the
w
w
Who
fp
fp
## w
& w
Who
slice
flies
## w
& w
109
slice
Try
See
#
&#
flies
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- 'ry
j
J
j
J
of
of
that
j
J
that
ble
u - pon
With
ev -
fla - vour
ev
ROBBIE + TENORS
+ BARITONES
##
&
Oh
##
stum
on,
## w
& w
&
you
Oh
95
101
base
##
& .
##
&
fla - vour
life
Old
Old
j
J
swarm
j
J
j
J
Comp - ton
swarm
Comp - ton
life
round
round
ROBBIE
(Mmm
Trick
or
j
J
Trick
yeah)
j
J
meat
meat
Street
the
Street
the
or
j
J
j
J
treat,
treat,
NARRATOR: In the flat above the launderette, Dana and Clodagh appear in the window.
They are sisters. They are ugly.
can
say?
w
w
can
say?
3
3
#
&#
115
..
VAMP
..
(1st x) CLODAGH: Heads! She drops a cardboard box. ROBBIE: That's my stuff. ROBBIE starts searching in the box.
(2nd x) DANA: And that's not all. When Dad get's out of prison he wants the launderette back too.
117
? ## ..
(1st x) DANA: We've changed the locks. You're evicted. ROBBIE: But it's my flat. Where's mum? DANA: On her way down.
(2nd x) CLODAGH: But until then you've got to keep paying. DANA: Ooh, what was that?
121
? ##
125
? ##
(1st x) DANA produces an urn containing Robbie's mother's ashes. DANA: Heads!
ROBBIE: Don't you dare! Lucky me having step-sisters like you. Twins.
(1st x) ROBBIE (cont'd): Not identical but equally unpleasant.. You can't do this?
CLODAGH: We just have. And we're getting it fumigated. We don't want to catch gay.
129
? ##
(2nd x) CLODAGH: Yes it was. But it's not anymore is it. (to the urn)
Because silly Mummy didn't leave a will, or had you forgotten?
j
&
& ..
& ..
####
#
# j
& # ..
133
VAMP
# ##
&# #
135
Pick
# ##
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your
139
Girls
# ##
& # # j
still
un
142
sure
and
poi - son
on
on
ev'
Old
boys
show
ry
taste
Comp - ton
and
gay
is
Street
or
ca
straight
tered
j
J
for
or
####
& #
Ens. GIRLS
145
Here
ww
w
all
w
w
where
where
all
Ens. BOYS
####
& #
Here
bb b
& b
worlds
meet
worlds
meet
Old
Old
Street
bb
& b b
nnnn bb b
n b
nnnn bb b
n b
Comp - ton
149
Comp - ton
Street
153
b
& b bb
157
James Prince, a London Mayoral candidate, and his fiance Marilyn Platt arrive at the theatre.
b
& b bb
##
& # ##
##
& # ##
##
& # ##
161
164
168
#
nnnn## ##
ENSEMBLE
SASHA (AS BIG ISSUE SELLER): Big Issue, Big Issue. JAMES: Damn. I haven't got any change.
mp
nn ##
n
We
#
& # b
173
to
spot
cel
#
& # b
all
too
of
ten
we
love
177
b
-
eb
ri - ties
no
for - get
And
The
bo - dy
rea - son
why
can
they're
blame
us
fa - mous
Though
But
#
&#
181
rol
- ling
#
&#
the
red
car - pet
185
then
we
stop
and
#
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189
out
#
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pound
##
&
pound
rub - ber
neck
Cos
eve
the
rhy
the
beat
the
beat
##
&
203
same
&
One
street
##
w
the
w
w
w
w
No
bright
thm
of
w
w
w
w
No
holds
barred.
that
knows
no
nw
dy
does.
Comp
All
the
cit
ton
Street
ies
heat,
up
ROBBIE
#
And
turn
barred.
have
the
CROWD p
Oh
things
holds
Old
buzz
young
ry - bo
cause
shame
bright
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fac
ade
whose
#
Oh
##
&
207
sur
&
to
Ens. SATB
198
bound
Where
##
&
Is
Catch
194
j
# #
ALL
face
is
thin
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hard
as
nail
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211
ALL
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it
and
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it
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ALL
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bb
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226
bb j
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bb
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237
ry
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ALL
Here
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& b
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bb
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241
Comp
b
& b b
Comp
where
all
ton
Old
Comp - ton
the
bow
flags
bow
of
life
of
life
rife
is
all
w
w
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is
on
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ing
ton
while
Rain
bb
& b
b
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by
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ing
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ALL
ing
233
turn
b
& b b
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are
pas - ses
ff
CROWD Tenors
bb j
& b
pas
ALL ff
Heads
bb w
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223
VELCRO
217
the
flags
mf
end - less
ww
w
ing
high
are
fly
j
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stream
j
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fly - ing
high
slice
of
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..
SIDESADDLE / VELCRO
ww
w
w
w
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j
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w
w
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stream
mf
SIDESADDLE / VELCRO
Try
ton
Street
are
Comp
end - less
Old
is
rife
rife
worlds
worlds
ww
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meet
j
J
w
ww
meet
Old
Old
w
w
w
w
w
w
w
w
w
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w
w
Street
w
w
Street
No. 2
# Easy
2
& 2 ..
5
&
9
&
VELCRO
Just
im
Some - one
# j
&
# j
&
#
&
It's
27
had
im
pour
have
your
man,
j
wor
in
ry
as
Look - ing
up
Some - one's
Have - n't
nw
it's
him
life
you're
you
came in
with
Three
years
on,
Turn - ing
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proud
mi
stand - ing
some
se
and
my
done
floor
j j
the dance
on
one
J J
with
..
out
the night
on
the
face
spent
to
ing
just
my
ag - ine
#
& J
Liv - ing
31
ag - ine
j j
Have - n't
&
Just
put
17
ROBBIE
j j
Have - n't
you
13
23
h = 100
round
one's
to
hair
and
your
he
hand
in
cat
share
there
there
there
J J
have
is
his
10
#
& J
Noth - ing
J J
35
that's
# j
&
41
VELCRO
Wish
#
& J
Wish -
ing
# j
&
45
Noth - ing
#
& J
Noth - ing
nw
cy
Tell
me
what's
wrong
with
fan
for
the
nor
mal
for
the
ing
ROBBIE
#
&
too
nor
too
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ex
mal
kind
of
kind
of
cess - ive
&
Hop - ing
for
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for
#
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ex
the
hum
the
hum
drum
Oth - ers
# j
&
Oth 57
#
& J
Wish -
seem
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it
Tell
me
it
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me
ers
# j
&
Wish
seem
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find
for
the
for
the
ing
ing
find
nor
mal
nor
mal
treme
that
j
why
on
why
on
treme
aim
ing
Is
53
that
Is
ex
drum
dream
or
49
dream
or
that?
cess - ive
too
aim
ing
high?
can't
I?
earth
I?
can't
kind
of
kind
of
dream
.
J J
dream
high?
j j
.
earth
# j
&
61
Trou - ble
#
& J
Trou - ble
#
& j
I
# j
&
Am I
#
&
is
hard
they're
is
65
Am
j j
too
too
&
75
&
78
&
wish
they
than
seem
they
bi - tious?
Am
ing
for
<n>w
too
ing
for
too
seem
Am
bi - tious?
out
of
touch?
out
of
touch?
w
much?
w
%
much?
than
er
er
Am
wish
hard
# b
am
am
69
Am
they're
11
####
UNDERSCORE SECTION
##
&##
81
# ##
&#
85
##
&##
89
..
.
.
..
.
.
.
...
ROBBIE (cont'd): Yeah sure I'd love to. Usual time. By the lions.
.
...
.
..
.
.
...
j
.
...
..
.
12
##
&##
93
##
&##
..
.
.
##
&##
##
& # # ..
115
.
..
.
VELCRO
&
Sit - ting
on
#
& J
Liv - ing
#
& J
Feel- ing
with
J J
I
am
.
...
Like
those
leath - er
in
some
rea
one
so
- fa
Bab - ies
nw
Not
some
sad
al
on
on
J J
boun - cing
when
ad - verts
Lov - ing
son
- ne
n
w
ww
las - ag
fake
..
.
nw
nnw
ww
ing
cook
our
J J
ROBBIE
- ag - ine
im
.
...
.
...
ww
w
w
VAMP - if needed
ROBBIE: I mean it's hard to get together. He's so busy - it's texts. It's Skype.
#
&
Just
131
ROBBIE
127
.
...
119 mf
w
ww
w
123
n
w
ww
..
.
.
##
&##
111
nw
nnw
ww
ww
w
w
103
107
VELCRO: By the lions! What is he a zoo keeper? ROBBIE 'Cro, Leave it.
VELCRO: I never knew zookeepers earned that much. ROBBIE: You'll meet him when the time is right.
99
##
&##
my
..
knee
can
so
ran
n
n n#
#
&
VELCRO
137 mp
Just
&
mow
ing
Just
ag - ine
break
fast
j
in
#
&
145
Just
im - ag - ine
do
the school
ff
Wish
bb w
E
& b b
Wish
ff
bb b
& b
157
Hop - ing
for
bb b
& b
Hop
- ing
bb b
& b j
for
the
hum
the
hum
ag - ine
own
ping
some corn
drum
me
bb
& b b J J
Oth - ers
seem
to
find
it
Tell
me
shed
nbb b
b
gold - fish
nbb b
b
Is
ing
Is
ing
J
-
aim
ing
that
aim
ing
j
that
ing
Wish
Tell
find
pop
ing
it
to
im
seem
Just
drum
ag - ine
Keep
run
Oth - ers
161
ing
im
Wish
Just
ing
Go
149
bed
ing
bb b
& b
mp
ROBBIE
im
the lawn
141
&
ag - ine
#
&
&
im
13
ing
high?
.
J
high?
.
J
I?
I?
14
bb b
& b J
165
Wish
bb b
& b J
Wish bb
& b b J
169
ing
for
the
J
ing
Trou - ble
is
bbb J
b
&
Trou - ble
nor
the
is
mal
for
J
J
nor
mal
they're
hard
they're
hard
kind
of
kind
dream
of
dream
er
than
they
er
than
they
seem
seem
VELCRO
173
mf
b
& b bb j
Go - ing
177
ROBBIE
b
& b bb J
Eat - ing
bb b
& b J
181
j j
J J
to
in
VELCRO
Am
bb
& b b J
Am
I
ROBBIE
bb b
& b #
J
too
J
too
185
Am
b b n
& b b
Am
night
n
I
n
I
rest
am
club
'rant
bi - tious?
J
Am
#
-
#
wish
J J
Am
bi - tious?
wish
Hap - py
b
-
Cin - e
am
j j
ing
out
of
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out
of
touch?
mas
to
<b>w
and
such
go
dutch
for
too
ing
for
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bb b
& b w
189
15
much?
bb b w
& b
much?
ROBBIE
197
bb
&b b
Just
mf
201
b
& b bb
im
ag
ine
clean
VELCRO
Just
205
b
& b bb
Just
ROBBIE
im
ag
ine
im
ag
plant
ine
ing
the
ing
hav
Vol
vo
rose
bush
ing
mort
gage
VELCRO
208
b
& b bb
Just
211
rall.
b
& b bb w
im
ag
ine
keep
ing
gold
ROBBIE: A goldfish?
VELCRO: Yeah. I won one once. At a funfair.
Throwing ping pong balls in a jam jar.
ROBBIE: You saddo!
fish
No. 2a
16
No. 3
Spin
CUE: JAMES: That poster slogan reflects how I want to run London. With honesty.
WILLIAM: James . . .
4
& b4
JAMES
mf
&b
How can you go
&b
Plain
12
&b
-
15
wrong
with
talk - ing
ioned
that's
what
peo
Hid
den
by
play
it
How
smoke
est?
How
can
you
can
you
when
did
cli
give
wrong
Since
of
go
screen
straight
& b b b
tend to win the race
in
&b
-
with
my
way
own
sim
way
to
to
lies
and
old
sleaze?
fash-
wait
in -
JAMES
truth
ple
be - come
che?
just have
de - cen - cy
19
24
ple want
est?
&b
prom - ised that I'd
hon
ask
you
&b
what
is
there
30
& b j
ment
33
for
And
who
made
serv
de
ants
we
more
re
ar - ro - gance
they're
far
job
a - bove
re
quire
-
lect?
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Some - how
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hall
don - ers
pub - lic
ci - ty
37
the
&b
think that once in
& b b
Lon
gain?
to
17
it
all
2
2
spect
WILLIAM
41
2
& b2
45
&b
49
&b
53
&b
bSASHA
&
57
mf
At
the end
Spin
the
day
it's
oars - man
I'll
steer
you
You
may
be
Down
stream
the
to
vict
spin
spin
all
a - bout
That
dream
out
of
out
of
Through
all
the
big
re - mem - ber
ice
con
trol
con
trol
box
the
I'm
in
off
cross
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'ry
OFFICE WORKERS
of
Spin
& b
cox
de -
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j
.
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.
think
18
b
&
61
Sign
&
Sign
b
&
64
the
pa
per
the
pa
per
b
&
b
& .
68
work
and
sell
tor
eve
j
.
doc
tor
eve
til
til
you
your
your
word
ry
you
ry
word
soul
soul
you
say
you
win
the
win
the
say
day
day
NARRATOR: With that, and a modicum of tastefully applied make-up for the cameras, James is off to the TV studios
for another round of gruelling interviews from a variety of forgettable presenters sitting on an array of tasteless sofas
VAMP
..
..
which go some way to explain why DFS has a sale on every day of the year.
73
&b
4
4
JAMES
4
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How
78
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sell
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85
&b
iss
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mayor
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Lon
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rup
89
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to
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But
as
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2
the
But
have
mp
out
Vot - ers
stamped
wait
don
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clout?
WILLIAM
93
2
& b2
At
97
&b
105
the
day
it's
We're
b
&
of
Cre - ate
101
&b
the end
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ding
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mp
This fundraiser is not just about you squeezing money out of people, it's about having the right people there
131
b
& b bb
who you can squeeze in the future. WILLIAM: And... LORD BELLINGHAM: And you and I may not share
135
bb
&b b
slick
slick
stick
industry tycoon Lord Bellingham. LORD BELLINGHAM: William, I'm looking at this guest list.
127
burn
and
..
NARRATOR: William receives a phone call from one of the main sponsors of the Mayoral campaign,
clean
age
dirt
the
..
age
and
21
the same idea about who is the right sort of person. My money, my office, my guest list. Agreed?
139
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149
WILLIAM: Agreed. LORD BELLINGHAM: Last push before the nominations close.
142
145
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WILLIAM
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24
No. 4
# #6

Ethereal q. = 70
ROBBIE
##
&#
Does - n't
##
&#
Gyp
sies
##
&#
it
Sec - re
##
&#
17
Build
##
&#
21
Bold
ing
##
& # .
what
# # .
&#
31
choose
##
& # .
37
mp
You
the
li
pic
to
share
my
feel
just
how
much
are
ing
Flirt
In
which
no
way?
what
we
say
on
the
screen
can
be
seen
one
.
.
and
ly
in
my
this
thoughts
n
J
ing
in
Safe
ing
in - ner
Typ
ture
ons
up
ais
ther
Talk
en - ough
26
strange
tive
seem
of
13
the
re
J J
know - ledge
.
-
can
veal
n.
You
are
my
##
& # .
43
n.
a - way
friend
far
##
&#
48
high
way
##
&#
53
##
&#
Gyp
##
&#
sies
63
Keep - ing
of
our
the
And
the
selves
hid
##
&#
for
mom
of
71
May
be
##
& # .
76
fan
ta
in - hib
Free
but
in
life
You
linked by
we
gets
hurt
send
ther
Wand - er
den
be
be - hind
we
can
be
.
are
n
J
my
font
who
we
want
in
the
ab
ti - mate
stract
can't
this
in
space
just
in
lieve
the
place?
this
ers
Safe
Meeting in
Some - one
ate
sy
mp
##
& # .
ent
87
souls
mes - sag - es
tion
## .
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81
##
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67
JAMES
Two
No - bod - y
59
25
be
J J
stran - ger
.
You
cre -
26
##
& # n.
92
are
my
##
& # .
97
far
linked
by
high
n.
a - way
friend
way
##
& # .
And
the
..
send
souls
##
& #
j
n
ger
# # .
& # n.
112
..
You
friend
..
are
souls
linked
JAMES
in - ti - mate
far
a - way
by
high
n..
Two
..
my
..
we
my
nn
are
n..
.
.
mes - sag - es
You
108
Two
Upper - ROBBIE
Lower - JAMES
101
stran
way
poco accel.
## .
& # .
117
ROBBIE
and
the
mes - sag - es
and
Passionately q. = 80
the
##
& # n..
n..
es
.
.
we
.
.
.
.
send
mes - sag - es
ff
121
BOTH
and
the
mes
..
-
sag
They kiss.
rit.
.
.
Slower q. = 70
BOTH
##
&#
128
Does - 't
it
seem
strange
rall.
# # ..
&#
133
eth
..
er
meet - ing
in
this
way?
Gyp
j
sies
of
the
..
..
..
..
27
No. 4a
JAMES hugs ROBBIE ROBBIE (breaking the hug): You've got to go.
# #6

Etherial q. = 70
##
&#
##
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##
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are
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JAMES
mp
the
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the
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mf
and
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mes - sag - es
BOTH
ti - mate
ROBBIE
.
.
far
souls
and
25
in
..
my
Two
21
my
n..
.
.
You
##
& # .
n
J
are
Upper - ROBBIE
Lower - JAMES p
17
Go!
JAMES
You
13
mes
n.
.
-
sag
.
.
n.
.
es
we
ff
.
.
send
.
.
..
28
No. 5
Bitterly q = 130
b 4
& b bb 4
DANA
mp
bb
&b b
wish
they'd
in - vent
b
& b bb
nic - or - ette
Just
slap
patch
j
b
it
how would
14
b
& b bb
b
& b bb
fill
Right
17
sud - den - ly
pass
##
&##
in
the
old
in
bull
in
my
gone
is
give
wrong
Mis
ter
They're
n ##
j n nn # #
on
men
But
crap!
to nights
up
the
lap
Fare - well
are
al - ways
love
the
pull
Faster q = 154
# ##
&#
25
of
Fall - ing
21
load
me
poco pi mosso
It's
help
crav - ings
then?
night
Your
lands
j
bj
shits who
days
on
my
Who
To
11
b
& b bb
I'm
so
ov
##
&##
as
for
29
And
# ##
&#
33
Some
er
men
the
sex
There's
seem
hot
till
the
rum - py
pump
starts
don't
need
al - ways
D.
Then
I.
guy
Y.
they're
not
worth
the
##
&##
36
sum
of
their
parts
##
&##
39
it
and
Lie
scream
a - gain
##
&##
47
I'm
so
50
b
& b bb
b
& b bb b
Re - hab
to
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56
to
the
shame
poco pi mosso
b
& b bb
b
& b bb
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59
I'll
find
up
bb
&b b
pants!
67
&
####
I've
ov
er
j
I
have
could
men!
join
look
ing
it
be - fore
said
im - pressed
Fake
and
I'll
say
Just
shag
Aw - ay
ging
from
go
great lengths
to
on
say
your
non - y - mous
group
j
b
name
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gain
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ra
ges
and
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it's
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j
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now
an
##
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strengths
j
#
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best!"
men
Of
63
53
up
wish
back
Bitterly q = 130
nnnnbb b
b
CLODAGH
your
"You're the
##
&##
on
42
it
29
clear
I'll
in
have
so
is
lo
Faster q = 154
72
Talk
I'm
eer
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ing
so
ov - er
through their
arse
men
Think - ing
with their
crotch
notch
rants
love
car -
30
##
&##
76
How
dread
each
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&#
79
know
j j
aren't
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for
The
fam - il
mine
82
toi
let
ro - mance
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##
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91
&
95
&
99
a - gain
I'm
so
&
107
&
&
er
men!
said
in
bed
that
on
the
soap
it
be - fore
As
and
I'll
say
nnnn
CLODAGH: Ah, Robbie Shitty Shirtlifter - just in time. Service wash. Low temperature.
DANA Thats' quality schmutah, that is. Don't shrink it. ROBBIE picks up a G-string from the bag
ROBBIE: I think somebody already did. CLODAGH: I don't know why Dad didn't just kick you out when your Mum died.
You're like a milestone around his neck. ROBBIE: It's millstone. And Les is no father of mine. CLODAGH: Whatever.
Point is you and the scrubber ain't got long. DANA: Basically . . . CLODAGH: At the end of the day . . .
>
>.
110
j
#
I've
ov
There's pubes
hope!
up
&
103
Farts
seat's
Pi mosso q = 164
sign
ar
##
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89
85
it
>
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>
DANA
mf
bj
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jab
give
CLODAGH
116
b
& b bb
it
stab
b j
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and
stead
##
&##
123
the
BOTH
I'm
so
ov
##
&##
127
Those
CLODAGH
Act
##
&##
er
us
down
like
ice
but
then
try
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&##
137
fronts
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&##
140
cans
to
to
No
foot
Do
and
I'll
say
im - mune
lit - tle
prick
to
men
BOTH
In -
##
nnnn # #
to
think
don't
miss
when
pissed
DANA
Fags
#j
so!
DANA
Cold
piz
them?
it
a - gain
in
vice:
wear
za
BOTH
Do
we
the
ad
missed
My
they're
what they've
watch
know
ball
we
# ##
& # #
be - fore
melt
143
it
to
not
CLODAGH
chuck
wash
Don't
belt
one
'spec - 'ly
men
Just
make me
ten!
chas - ti - ty
said
al
quick
134
us
who've turned
##
&##
131
of
To
119
b
& b bb
I'd
31
sink
Y -
crusts
and
fuck!
I'm
so
Beer
I've
ov
er
men!
32
##
&##w
146
##
&##
150
DANA
##
&##
154
##
&##
No
more
##
&##
preg
nan - cy tests
No
more
ov
No
more
"I'm
No
more
"My
mf
BOTH
..
No
more
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& # # J n
er - night guests
go -
meet
##
&##
172
j
wife
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j
n
J
169
ing bald"
my
moth
.
.
j
n
J
No
more
"Made
# ##
& # #
it
men
we
No
more
No
more
No
more
No
more
each
gain
w
w
..
No
more
w
w
oth
need
get -
bites
tions
n
J
need
hands
"Here's
small por -
love
tions
ing
pre - cau
hi
ding
n
J
that
for
friends?"
j
n
J
be
er"
for
just called"
j
n
J
A tempo q = 164
w
w
rall.
175
##
&##
CLODAGH
162
178
#
DANA
mp
##
&##
CLODAGH
158
166
need
guid
.
.
No
more
ing
j
n
J
"First
where
it
ends"
dictated
Uj j f
J #
J
u
-
er"
I've
said
it
be - fore
I'm
so
ov
w
w
and
I'll
say
"
er
No. 5a
33
Freely
DANA
##4
& # #4
mp
You're
##
&##
CLODAGH
Nev
all
er
had
##
&##
BOTH
One
ver
Like
mayor
Fit
last
fling
then
we'll
call
##
& # # j
it
12
have it
way
This might
##
& # #
##
& # #
19
I'm
23
# ##
&#
hall
And, in
ver
ver
ver
gon - na
get
"
3
4
ver
my
leg
ov - er
num - ber
we'll
to
his
par - ty
ver
ver
A tempo q = 164
ver
te
then
bling
some
Go
chance
time,
love a
j 4
J 4
I'm
- ver
37
men
Give
men
##
& # #
##
&##
ver
ci - ty
so
28
33
To - day
one
cash
Buy
j #
dance
be the
day
of
loads
rash
with
flam - ing
Slower
##
& # # n
16
have
some
men
Men!
n>
ver
34
No. 6
Remember Us
CUE: MARILYN: That bad.
# #6

Colla voce
#
J
With Movement q. = 65
MARILYN
##
&#
###
&
10
mp
Re - mem - ber
MARILYN
when
&
our
heads
were
mp
### j j
don't
###
deals
Then
j
#
how
some - how
that
feels
plus
mem - ber
us
24
###
Re - mem - ber
when
you
dreamt
you'd
be
like
Re -
j
.
ev' ry - thing's
re
###
&
&
big
re - mem - ber
&
of
20
full
### .
&
JAMES
14
###
&
###
&
Ro - bin
Hood
###
&
28
35
&
###
###
&
32
###
&
We'd
talk
for
37
know
not
of
Some
all
hours
### .
&
big
it
world
cri
was
j
.
#
to
dis - cuss
good
sis
###
&
42
Strange
that
you
###
&
###
&
46
###
&
.
No
###
& .
50
.
de
and
.
Ne
ver
j
# n
have
to
try
re mem - ber
Some - how
us
we
mud - dle
through
ny - ing
it
You
just
way
with
words
Such
###
###
& .
&
seem
to
fit
like
an
old
com
fy
shoe
.
But
#.
the best
.
arse
In
your whole
36
###
&
56
60
won't
###
& .
68
phone
Yes
### .
&
Yes
Look
b .
& b
Look
f
It
was
So
big - ger
than
than
at
us
.
at
dot
com
Eve
us
dot
com
Eve
ry
.
-
ry
that
Your
mo - bile
bus
mo - bile
phone
The
doubt - ing
sig - nal
re - mem - ber
Re -
re - mem - ber
bus
doubt - ing
said
wrong
you
was
long
grew
My
you
on?
then
big - ger
was
this
### # .
&
mem - ber-when
f
catch
was
it
it
mem - ber-when
76
bb
& .
Re - mem-ber
64
72
gone
###
& j
###
& #
Glad that's
nerds
mul - let?
###
&
of
###
j
&
###
Hey!
###
.
&
class
&
Pi mosso
was
rub - bish
Re -
nnnbb
nnn b
b
us
.
us
Tom
Said
that
we'd
nev
Tom
Said
that
we'd
nev
er
last
er
last
bb
&
80
&
bb .
Still
I'm
bb
& .
85
hand
&
bb .
hand
stuck on
in
glove
your
com - fy
in
shoe
You're
my
las - to - plast
We
go
#.
mf
mf
And
glove
still
seem
still
love
we
The
We
go
per - fect
.
team
The
So
seem
we
And
b .
& b
in
in
per - fect
.
team
ma - ny
years
love
bb
&
99
j j
But
Laugh - ter
bb
&
103
eve - ry - thing''s
b
& b
eve - ry - thing's
108
I'm
you
91
bb
&
bb .
&
b .
& b
37
and
when you're
young
tears
Then
But
plus
Re -
when
you're
.
n
some - how
young
nj
plus
Re -
b
. .
& b b
mem-ber then
"
Slowly
Re - mem - ber
Meno mosso
"
A Tempo
.
us
" " .
Re - mem - ber
us
.
.
Slower rall.
38
No. 6a
ROBBIE: I... dunno. You count it. VELCRO counts the money as ROBBIE reads the card.
Elsewhere LORD BELLINGHAM appears in a spotlight.
LORD BELLINGHAM
## 4Dark brooding q = 90
& 4
#
& # b
like
to
#
& # b
high
have
time
our
re
you
here
with
think
la - tion
one
needs
to
know
b
& b b
sor
- did
lit - tle
me
de - tails
ship
Be
j
the
truth
we're
came
far
less
The
way
in
which
n n
In
time
can
quite
we
mp
I'd
b
& b b
no
for - get
well
di
lu
sui - ted
ted
j
b
we
It's
nnbb
And
met
The
rall.
nn##
#
&#
12
LORD B: Robbie, I hope I havent misjudged our situation, but the time we spend together is the highlight of any week.
#
&#
#
&#
A Tempo q = 90
14
16
39
LORD B: Id like more of it and my hope is that you would too. Im hosting an event tomorrow night at the office and Id like you to join me.
LORD B: Its a black tie affair and, as it will be a late night, Id like you to stay over.
#
&#
18
nnbb
LORD B: Ive taken the liberty of informing Prada in Sloane Street to expect you. Its all on account.
Just choose something nice. The enclosed is a little something for you.
20
b b
&b
Slow q = 80
24
b
&b
27
b
&b
mf
b
&b
There
so
Poco Pi mosso q = 90
30
LORD BELLINGHAM
are
ways
to
beat
think
change
rall.
worth
Old
try
Comp - ton
rall.
j
R
I
don't rent
what I
A Tempo q = 90
w
Street
can
buy
rall.
40
No. 7
Freely q = 90
VERSE
VELCRO (cont'd):
Now . . . take him for instance.
4
& b 4 ..
VELCRO
j ..
To
&b
to
me
spot
He
has
to
be queer
But I'll ad -
"out
and
proud"
Or
Dm RIFF
8
&b
sing- ing
show
tunes way
11
&b
too
loud
j
&b
these
22
&b
Ev
26
&b
falls
30
days
hard
to
to
the
So
ho
That
once
some
bar
in
where
to
to
tell
be
twixt
the
the
ho - mos
prin - ces
was
cli - ent
gay
guys
from
from
the
hets
strict
what...
the
gay
guys
from
from
the
queens
ly
no
ele
mixed
the
that's
straight
He's
the straight
go
Now
It's
these
j j
With
tell
who's in - to
tell
tell
hard
hard
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& b .
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to
2nd Dm CHORUS
34
it's
like
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17
Tempo q = 180
days
It's
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than
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&b
-
44
bi
But does
he
Dm RIFF
&b
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Ken or
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56
b
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in
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65
b
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ing
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78
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bb
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b
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hard
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va
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at
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en
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ov
J J
he
the straight
er
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51
41
days
days
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42
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b
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100
ROBBIE
bb
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bb
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b
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43
thing!
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125
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44
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184
b b
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the
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they're
b
J
they're
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way
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these
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ty
ty
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days
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gay
the
they're
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sure
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180
bb
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45
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46
bb
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188
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both
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CUE: APPLAUSE on No. 7
Where
their
w
w
Where
n#w
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mp
bb
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thing
ty
thing
out
192
both
47
No. 8
Irresistible q = 142
b4
&b 4
mf
You
b
&b
I'll take you
b
&b
for
12
b
&b
just
step
in
side
kins
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needs
veg
b
&b w
ver
price
24
b
&b
min
Yes
you
b
&b
is
up
for grabs
shall
b
You've
go
shall
got
to
the
best
of
cabs
the
can't
Cin - der - el - la
ball
mice
j
.
lu - cky fel - la
do
tricks
with
But
who
the
ball
to - night
CLODAGH: Like someone's covered you in Pritt Stick and rolled you through Accessorize.
half
SIDESADDLE
Cin - der-el - la
.
I
pump-
J .
for
Your
me
to the ball
go
ball
SIDESADDLE
white
you've got
to
from
the
go
ses
shall
to
When
You
27
b
&b
hor
SIDESADDLE + VELCRO
19
31
go
and
no
15
b
&b
Yes you
ride
shall
can tell
al - right
lot
48
35
b
&b
CLODAGH
39
could use
b
&b
a - noth
CLODAGH
Se - cond
42
b
&b
thoughts
b
& b .
.
I'll
have
sil
go
b
& b
ball
as
by
63
b
& b
tar
67
ted
up
LORD BELLINGHAM
&b
Those
71
Chan
who
raise
fit
an
eye
this
shade
BOTH
brow
ver
think
at
could
be
to
the
Yes
we
girl
the
BOTH
gloss
scrub
go
slim
two
for
age
#
&b
Need to keep
their
nose
from
my
af
fairs
-
ball
shall
him
DANA
My
mas - car -
j
-
bers
Could
have got
nb
well
two
for
ww
this
the
shall
lip
it
.
.
fight
Irresistible q = 146
DANA
of
.
.
na
leys
Make
ne
CLODAGH
and
quite
gon
You'd
.
.
You
..
love
el
look - ing
59
bai
white
the
Well
b
&b
to - night
Both
CLODAGH
BOTH
of
bints
BOTH
.
.
ly
DANA
leys
glass
to - night
to
cin - der - el - la
56
bai
CLODAGH
ton - ight
50
b
& b
of
.
.
53
pint
..
'cos
er
BOTH
DANA
prince
Two
46
b
&b
DANA
gap
& b .
Gos
sips
may
80
&b
that
as
90
& b J
my belle a
talk
VELCRO
me
&b J
Sor
May - be
ROBBIE
one
be
the
what
I'd
107
ple
more par
know
MARYLIN
Here
we
go
Keep
smil
Cin
j
eJ E
just
it's
not
cle
der - el
to
did
gives
me
the
creeps
b b
A - bout pla - ces
ver
ball
let
you
one
sleeps
Do - ing
the
ROBBIE
la
go
nnb
cares?
How
tic - u - lar
this
is
not
choose
JAMES
shall
ver
you
He
b
&
this
who
arm
my
But
ball
j
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on
twink
to
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&b
charm
to
should
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104
& b
ish
in
&b
&b J
ting
go
hand
100
da
shall
boy
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n#
j
j
e e ne e
.
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#
& #
86
97
that
You
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&#
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think
83
93
49
j
ing
gain
the
gol
WILLIAM
j j
This could
real
be
the
ly
den
#
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lit
mus
cou -
test
50
b
&
111
&
How
115
& b .
schmooz
did
ev
ROBBIE
119 mf
&b
How
b
&
122
sing
sure
le
you
talk
It's
not
ev
you
min
last
guest
me
ry
feel weak
j b
day
&b
Not
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part
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like
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at
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knees
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this
and
125
gle
in - to
VELCRO
w
b
&
128
ery
this!
let
b j
&
is
Make
MARILYN
WILLIAM
these
Can't
you
see
Come
your
on
carr
guys
iage
is
wait
en
ough
n##
ing
ALL Girls
ALL Boys
n##
You
& b
#
n#
You
## w
&
131
#
&#
shall
##
shall
Go where the
now
&
go
go
to
to
the
the
ball
ball
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Cin - der - el - la
Cin - der - el - la
Go where the
lights
are
lights
lights
are
are
bright
bright
bright
##
&
134
SIDESADDLE
#
&#
ALL Girls
go
go
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&
138
j
Watch the
#
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#
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&
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##
&
142
creme
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&
creme
ALL Boys
##
&
#
&#
&
##
They
ry
ter - a
de
ter - a
>
ter - a
ter - a
love
ball
We
can smell a
lot
We
can smell a
lot
We
can smell a
ti
glit
ti
glit
ti
glit
ti
glit
make
ter
ter
ter
that
ev'
ry
an
en
ry
w
nww
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J J
w
w
eye
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creme
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trance
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them
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eye
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creme
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la
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of
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ter
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creme
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w
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of
lot
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is
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to
eye
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can smell a
la
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145
ev'
to the
glit
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de
go
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& # j
. J
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ball
ball
to the
glit
to the
go
glit
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Watch the
glit
ball
to the
## Tenors
&
Baritones
j
##
&
51
them
them
ing
that
You
bb
n
You
b
You
nn b
bb
nnbb
b
nn b
bb
52
Meno Mosso q = 136
bb
& b
149
ALL Girls
shall
go
b
&b b
shall
Tenors
Baritones
bbb b
&
shall go
152
b
&b b
b
& b b
b
& b b
b
& b b n
min - gle
bb
& b
the
to
ball
the
to
ball
Yes
you
Yes
you
Yes
you
And see
go
go
shall
go
gits
To
the
To
to
the
to
the
gits
if
the
glass
slipp -
er...
And see
if
the
glass
slipp -
er...
Go
for
night
Go
for
night
j
n
J
of
glitz
of
glitz
of
glitz
And
Cin - der -- el - la
And
Cin - der - el - la
And
com - plete - ly
off
your
b
bb b b
off
your
b b
get
get
com - plete - ly
w
w
w
w
q = 110
w
w
w
w
" w
w
w
w
w
w
w
w
w
fits
Cin - der - el - la
" w
w
w
w
fits
night
ball
ball
ROBBIE: Awkward!
for
And
Go
ball
And
shall
Cin - der - el - la
rall.
JAMES: Robbie?
shall
Cin - der - el - la
Cin - der - el - la
j
the
ALL Boys
158
min - gle
ball
ALL Girls
to
bb
& b
155
go
bb
n
& b
tits
tits
J
END OF ACT I
53
No. 9
Entr'Acte
Irresistible q = 146
#4
& 4
5
&
9
&
13
&
#
&
nj
nj
&
&
rit.
19
ALL Girls
nbb
b
You
Tenors
nb
bb
You
Baritones
You
nbb
b
No. 9 Entr'Acte
54
bb
& b
25
shall
b
&b b
shall
b
go
go
b
& b b
min - gle
ALL Boys
b
& b b n
min - gle
bb
& b
34
b <b>
& b b
the
to
ball
the
to
ball
the
Yes
you
Yes
you
Yes
you
JAMES: Robbie?
pous
Cin - der - el - la
go
go
pous
shall
Cin - der - el - la
shall
accel.
Cin - der - el - la
shall
b
&b b
ALL Girls
ball
28
31
to
bb
& b
bb
n
& b
go
b
& b b
shall
go
To
the
To
to
the
to
the
gits
gits
Go
for
night
Go
for
night
Go
for
night
ball
of
glitz
of
glitz
of
glitz
Cin - der - el - la
ball
And
Cin - der -- el - la
ball
And
Cin - der - el - la
And
com - plete - ly
off
your
j
b
n bb b b
J
off
your
b b
And
get
And
get
com - plete - ly
And
see
if
the
glass
slipp
And
see
if
the
glass
b
slipp
tits
tits
"
"
er...
er...
55
No. 10
### 4
& 4
FEMALE ENSEMBLE
Brightly q = 130
Who's
### 4
4
&
###
&
7
###
&
that
boy?
that
boy?
that
boy?
Who's
that
boy?
No doubt a young go
that
boy?
mp
that
to
Who's that
w
boy?
w
boy?
did
he
get - ter
Who's
that
boy?
that
boy?
. .
be
j
I'd
like
Who's
that
boy?
that
boy?
Who's
There has to
with
to know him
boy?
come
boy?
who
be - gin
that
SOLO FEMALE
Who's that
mp
Who's
Who's
Who's
And
bet - ter
###
&
Who's
16
20
Who's
###
&
boy?
###
###
that
Who's
###
&
&
12
&
###
&
. .
in
with?
MALE ENSEMBLE
Who's
. .
sto - ry
ALL
Who's that
Who's that
w
boy?
w
boy?
56
###
&
26
Who's
&
### .
SOLO MALE
Too tren - dy
###
&
30
for
ALL
pec - ted
Who's
###
&
Who's
that
boy?
###
&
###
&
that
boy?
He's clear - ly
that
boy?
It seems he
the
way
he
Who's
boy?
that
boy?
mf
Did
you
saun - tered
43
ex -
that
ALL
was
boy?
###
&
###
###
&
see
&
boy?
41
leaves
boy?
Who's
Who's that
that
###
&
45
SOLO
Who's that
###
&
Who's
MARILYN:
James. Is everything OK?
34
###
&
to - ry
ALL
. .
SOLO
in
as
if
he
owned
the
place
Ex
He
ding
such
self
us
in
the
con
sha -
fi
dows
dence
Yet
no
like
one
knows
his
face
mo - men - t'ry
e - clipse
And
And
###
&
47
there
is
ev'
###
&
&b w
w
j
.
ry
ev'
ry
ww
bo - dies
lips
.
J
w
w
bo - dies
57
Who's
that
lips
nnnb
Who's
nnn
that
51
w
w
boy?
bw
& w
boy?
w
w
56
CLODAGH: Get over yourself, it's me he's oggling. All these politicians like a bit on the side.
59
DANA: That James Prince is fit. WAITER: Stuffed olive? CLODAGH: Did he? Lucky Olive.
&b
.
.
. .
j
>. >.
.
.
&b
. .
j
>. >.
WILLIAM
63
&b
mp
Who's
67
& b .
ac
that
boy?
And
.
tion
&b
71
Who's
that
b
& .
trac
75
& b .
Dad
- tion
Who's
to
his
boy?
And
that
He's just
DANA: What's he doing here?
our
lit - tle
why
what
the strange
is
the
bro - ther
Cos
re -
at -
our
boy?
WILLIAM: So what's he doing . . . what are you doing here? Security!
CLODAGH: I wouldn't do that if I were you.
mo - ther
58
b
&
81
FEMALE ENSEMBLE
mf
#
n##
Symp - tom
& b
MALE ENSEMBLE
mf
Symp - tom
###
&
86
full
of
###
&
bees
the
the
first sign
chase
af - ter the
###
&
chase af
###
& w
young
- ter the
young
of
a - tic
of
blood
moths
Like
though
no
though
no
moths
is they're
is they're
the
Like
the
Like
flame
a - round
a - round
and they're
and they're
Like
blood
hon - ey
They
flame
They
mf
one
knows
his
mf
one
knows
his
name
w
name
No
94
### ww
&
name
91
of
hon - ey
of
The
a - round
first sign
a - tic
The
a - round
###
&
bees
###
&
##
n#
No
one
knows
his
name
ww
No
one
knows
his
name
nnn
w
w
ww
nnn
w
& w
97
59
w
w
FEMALE ENSEMBLE
Who's
w
w
&
105
boy?
His
..
&
boy?
108
ent - rance
tic
was
dram
Who's
that
w
w
w
w
boy?
a -
tic
a -
tic
Who's
that
boy?
..
Who's
that
boy?
bw
Both
cool
and
cool
and
Both
boy?
en - ig -
en - ig -
boy?
bw
w
that
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that
Who's
that
? # .
.
j
#
.
j
.
j
boy?
n .
.
j
n
.
j
.
b
.
j
.
j
.
j
LORD B: You seemed nervous infront of James Prince, it's not like you, he's a mayoral candidate not royalty.
118
dram
that
w
w
was
Who's
& #w
w
115
111
&
tic
ent - rance
His
&
&
ma
MALE ENSEMBLE
Who's
.
&
ma
w
w
that
.
b
.
j
.
j
.j
.
j
#
60
121
125
129
133
137
ROBBIE: I know, I'm . . . I'm not really feeling myself. In fact, George I may have to go . . .
.
j
#
.
j
.j
.
b
.
j
LORD B: You don't have to do that. The apartment's upstairs. Why don't you go and have a lie down in my room.
.j
.
j
.
b
.
j
.
. nj
j
n .
.
j
#
b.
.j
.
j
.j
.
j
.
j
#
. n.
j J
n.
LORD B: This is a big night for me. Actually for you and me. Us.
ROBBIE: Us?
LORD B: Like I said in the note, which you clearly received judging by the Prada suit you're wearing.
I thought I'd made my feelings very clear.
.
J
.
j
b.
.j
.
.
j #j
# .
ROBBIE: Yes you did, George, and about that . . . I'm not sure we're quite in the same place...
.
j
#
.
j
# .
.
j
LORD B: I see. But you took the thousand pounds, and you went on a shopping spree.
140
.j
.
j
.
b
.
j
.
j
.
j
.
j
n
.
j
n .
ROBBIE: George . . .
.
b
.
j
(1st x): LORD B: No, Robbie, you see that's how it works. All the gifts, all the dinners, the money, the suit you're wearing,
143
? .. -
.j
.
j
.
j
#
.
j
.j
.
j
#
.
b
.
j
(1st x): LORD B (cont'd): - the shirt on your back - it's not charity - what do you think I am?
ROBBIE: No, George, what do you think I am?
147
.
j
.j
JAMES: You two know one another? ROBBIE: I can't do this. Not now.
.
b
.
j
.
j
.j
61
(1st x): LORD B: I'll tell you what I think you are.
ROBBIE's phone is knocked to the ground
151
.
. nj
j
n .
WILLIAM: James, there are guests to be attended to. Lord Bellingham are ye you coming?
.
j
#
.j
.
j
.
j
#
(1st x): WILLIAM: Whoa, whoa, whoa. Lord Bellingham, I'm not interrupting anything, am I?
155
. n.
j J
n.
.j
b.
.
j
.
J
b.
.j
..
159
? ..
VAMP
&
mp
& b . .
ceal - ing?
b
&
MARILYN
mp
Who's
&b
Who's
that
.
boy?
that
.. b w
Who's
163
168
MARILYN
that
boy?
boy?
chan - cer
GIRLS pp
And what
I've
got
Who's
that
BOYS pp
w
w
b
&
172
an - swer
&b
& b
Who's
that
boy
mp
boy
. .
feel - ing
boy?
fear
know the
w
w
Boy
mp
con -
boy?
he
Boy
Boy
is
Boy
& b
mf
Who's
mf
Who's
that
that
w
boy?
w
w
boy?
Who's
that
62
bw
&
176
n w
boy?
Did
&b
b
&
Who's
that
Who's
that
that
Who's
that
184
&
&
188
fuf - fle?
&
fuf - fle?
ff
Who's
that
boy
Who's
that
boy
ff
Who's that
Who's that
Did
boy?
boy?
boy?
I thought I
saw
J
I thought I
saw
Who's that
Who's that
some - bo - dy
some - bo - dy
cute
cute
in -
in -
in -
vite
vite
to
bite
want
to
Who's
that
boy
Who's
that
boy
Who's that
Who's that
him?
..
.
him?
him
bite
him?
want
vite
boy?
boy?
w
w
scuf - fle
w
w
scuf - fle
some - bo - dy
So
Did
So
boy?
boy?
w
w
w
boy?
Who's
ENSEMBLE BOYS
w
n w
w
180
&
n w
GIRLS
ENSEMBLE
&
&
..
.
him
the
ker -
w
w
w
w
boy?
w
w
boy?
w
w
the
ker -
No. 11
63
Freely
ROBBIE p
6
&8
&
& J
find
Once
And
out
That that's
14
& #
slip - pers
n
&
They don't have
24
& .
wrong
No
39
&
44 poco accel.
&
time
there
was
just
lit
world
was
his
not
how
is
it
Was - n't
sur - prise
my
size
Hap - py
fair - y
God Moth - er
ev
pops
up
like
ver - y
old
when
mp
he
If they
glass
er
af - ters
they preach
dream
ty
as
Mag - ic - al
Once
up - on
time
Are
there was
glass
slip-pers
turn out
a - long
they
seem
Trou - ble
al - ways just
just
out
lit
glass -
princ - es
of
j
#
is
King - doms
Driving forward q. = 56
j
#
.
Al - ways
to
to help things
make
came
j
# #
Pret
<n>
boy
tle
Shuffle q. = 52
no great
Shat - ter
j
&
# #
They don't make glass slip - pers
& #
slip - pers
29
34
It's
19
u - pon
my
reach
tle
boy
64
47
&
And
.
& J
find out
That that's not
world
was
his
how it
Was - n't
&
Oh
Yeah
70
& .
lit - tle
& J
find out
&
And
That that's
not
how
is
It's
no
great
sur
88
& .
wrong
No
93 Even slower
fair -
my
size
fair - y
.
-
his
God - mo - ther
God - mo - ther
pops
up
Pops
up
ev
mp
j
# #
glass
j
#
If
they
make
glass
slip - pers
er
af - ters
to help
help
things
things
Al - ways
poco rall.
a - long
U #
.
-
slip - pers
to
ve - ry
Rock it out
Hap - py
Was - n't
prise
Slower q. = 52
it
&
Yeah
poco rall.
83
&
No
Yeah
boy
74
79
when he came to
Oh
mp
old
#.
Oh
66
ver - y
oh
is
&
50
59
long
U.
turn out
65
No. 11a
Spin (Reprise)
CUE: MARILYN: James. I don't want to hear it and this is certainly
not something I wish to discuss in front of him. I'll see you at home. Pathetic.
#4
& #4
How
#
&#
wrong
#
&#
sim
ple
truth
#
&#
#5
& #4
#
&#
go wrong
mem - ber?
old
fash
what
Hid
peo
den
by
smoke
Since
screen
of
Laugh - a - ble
go
when
did
cli - che?
know
you
can
ple want
it straight
.. 44
How
est?
ioned
hon
picking up
That's
with
5
4
but wait
MARILYN: Hello? (Robbie?) No but this is his phone. (So who are you?)
23
#
&#
Re
be - come
He
16
11
28
you
de - cen - cy
#
&#
with
can
33
..
66
No. 11b
Freely At First h = 65
2
& b2
5
&b
33
&b
39
&b
j
n .
>
j
n
w
>
n
. .
WILLIAM: (Cont'd) . . . rather keen to find out more about your brother.
..
b n
j
n .
>
j
n
n
. .
WILLIAM: I want you make your brother's colourful life even more colourful. As sordid as you like.
Now that shouldn't be too difficult should it?
j
n .
..
j
.
WILLIAM: Tea, get in here. SASHA: Yes, William . . . what was all that about?
44
&b
27
&b
20
&b
Faster in Time
h = 85
13
&b
n.
.. w
..
67
No.12
In 2 h = 90
#2
& #2
#
&#
The
#
&#
po
#
&#
may
li
tics
of
po
li - tics
13
#
&#
dash
be
mu
sic
to
their
#
&#
noth
- ing
po
li - ti
ears
But
cian
Be - hold
17
"The
I'm
his
Let
eve - ry - one
- er
pup - pet
takes
#
n
&#
knock them in - to shape
25
#
&#
plump
29
#
&#
pull
.
ions
bow
With
cush
on
the
strings
And
call
the
seat
shots
my
hand
mould them
Where
the
j
I
the
I'd
raise
till
they
fit
groom
them
for
A -
to
The
pre - fer
arse
voice
glass
his
He
#
up
choice"
ma - ster's
peo - ple's
21
33
WILLIAM
sit
the
throne
68
#
&#
I'm
37
the
tail
that
#
&#w
41
wags
the
ly
takes
strong
#
&#
mon - key's
on
the
scrap
in - to
shape
##
&
&
##
the
dog
that
gets
the
bone
mp
Watch
the
knock them
will
an - y - one
in - to
or -
flaw
j
.
it
spring
gan
grind-
plump
the
cush
ions
er
pull
the
strings
And
call
The
grind
mould them
on
till
they
fit
you'd
pre - fer
shots
to
sit
seat
the
the
You
We
shape
J .
It
mind?
Where
raw
to
pick
fit
press
had
they
Does
heap
till
the
he
SASHA
mould them
And
You
64
68
it's
bad
WILLIAM
knock them
too
weak - ness
61
##
&
But
one
##
&
pack - age
57
##
&
Yet
per - fect
53
##
dog
49
&
He
#
&#
seemed
the
#
&#
need
45
#
&#
on
groom
them
for
the
throne
##
&
72
&
## .
##
&
76
##
&
##
&
makes
81
WILLIAM
I'm
the
tail
69
wags
the
#
that
dog
the
that
gets
the
bone
you
ask
what
Yet
it's
the
Yet
gets
that
it's
was
dog
the
dog
bone
It
it
that
led
him
to
be
un
true
ENSEMBLE
#mp
&#w
w
Ooo
&
## nw
w
mp
w
w
w
w
w
w
w
w
Ooo
##
&
85
#
& # #w
w
It
seems
that
eve - ry
## #w
w
holds
skel - e
w
w
w
w
w
w
w
w
ton
.
or
Ooo
##
&
two
88
#
& #
&
clos - set
Ooo
&
##
Now
we
lose
our
de
De
De
po - sit
if
we
don't
find
po - it
pos - it
some - one
some - one
some - one
70
##
&
new
92
#
&#
I'm
thrilled
to
bits
The
slip - per
fits
Stand
new
##
&
new
##
& #
back
95
I'm
#
&#
com - ing
mp
through
##..
w
w
Ah
##
&
Ah
mp
#..
w
w
99
Ah
##
&
Ah
####
#
## wf
&
####
#
## wf
&
####
#
##
& # ##
WILLIAM: Oh George, . . . you have been a naughty little Lord haven't you?
103
##
& # ##
107
# ##
&# #
111
WILLIAM: "Lord Bellingham and rent boy lover in political fundraiser". Now only a fool would bet the
markets but I'll take my chance that Bellingham Industries shares will go down.
LORD B: I've no idea what you're talking about. WILLIAM: Your little friend, Robbie? LORD B: Rent boy? I've never paid him for . . .
##
& # ##
WILLIAM: What did you pay him for exactly? (There's no answer)
Now I'm assuming you'd prefer to keep your private life our of the press.
LORD BELLINGHAM: Go on. WILLIAM: In an hour this story will leak.
However, it all depends which story we'd like to tell.
115
119
? #### ..
#
123
? ####
#
127
. #.
.
J
&
.
?
131
? ####
#
135
? ####
#
139
? ##
146
? ##
.
J
>.
#
.
n
WILLIAM:
I'd say a hundred thousand. should do it.
.
#.
..
&
.
.
#
? ##
VAMP
&
WILLIAM
nn #
n#
..
150
..
WILLIAM: The bank transfer. I'll do the rest. LORD B: Don't screw this up, William. I mean it.
WILLIAM (cont'd): And we have two days before nominations close. LORD B: What do I need to do?
WILLIAM (cont'd): Worse than that he did so in your good offices. Of course, there is another version of the
tale which involves
the cheif executive of a multi-national . . .
.
WILLIAM: It's not for me. It's for my campaign . . . to become London Mayor.
143
LORD BELLINGHAM: I get it, I get it. How much? WILLIAM: I'm sorry? LORD B: How much to keep me out of it?
? ####
#
? ##
71
Stand
72
##
& #
back
Piu Mosso
153
I'm
#
&#
through
Ah
#..
w
w
bw
w
& b
165
b
&b
b n
& b #
mf
169
##
&
knock them in - to
ff
#
&#
##
w
w
w
w
w
w
w
w
w
w
n
#
J
nnbb
in - to
knock them
>
n..
# .
in - to
>
>
..
.
shape
>
n#
j >
##..
# ..
nn##
WILLIAM
#j
I
knock them
ENSEMBLE
nnbb
Ah
b
&b
Ah
mp
Ah
161
nnbb
##..
w
w
##
157
&
com - ing
bw
w
&b w
173
mp
ENSEMBLE
&
shape
they fit
shape
mould them
mould them
till
they
fit
till
they
fit
## .
&
J
plump the cush - ions
#
&#
73
177
&
on
the
plump
##
##
&
pull
#
&#
181
pull
##
&
pull
##
&
I'm
#
& # #
185
plump
Dog
##mf
&
Dog
the
cush -
the
strings
the
strings
call
the
the
tail
mf
gone
gone
##
&
"howl"
"howl"
##
&
193
wags
#
#
that
it's
Yes
the
groom
them
for
them
for
them
for
shots
groom
mp
dog
Yet
Dog
#
#
the
dog
dog
dog
that
gets
gone
..
#
J #
Dog that
it's
the
gone
it's
the
the
the
throne
the
throne
throne
dog
that
gets
dog
that
gets
the
dog
gone
Ah
f
..
gone
j
#
Yet
dog
w
w
w
w
gone
gone
Ah
U
w
"howl"
sit
groom
Dog
sit
sit
shots
the
and
shots
Dog that
ions
the
to
#.
call
and
And
ions
strings
pre - fer
the
I'd
call
Where
J .
Ooo
##
&
##mf
&
cush -
Ooo
189
J .
the
seat
##
&
##
&
j
#
gets
the...
#
#
J
gets
the...
bone!
U
w
w
bone!
U
w
w
w
bone!
74
No. 13
Let Him Go
CUE: MARILYN: And in here for hurting.
VELCRO: Yes, In here for hurting - it gets better though, if you let it.
Gently q = 120
##4
& # #4
VELCRO p
The
##
&##
on
ly
way
to
##
&##
##
&##
on
to
does - n't
13
hold
# ##
&#
17
.
mean
love
him
Let
Will
you
gain
clo
ser
don't
##
& # # j
24
let
him
say
know
it's
How
ea
much
sy
you
rea
ly
love
.
him
j
To
end
If
you
It
friend
though
the
21
in
go
hurt
go
him
less
fan - ta - sy
Let him
your - self
you
And
##
& # # j
free
Let him
want
to
Let
him
go
##
&##
28
go
##
&##
32
don't
know
##
&##
in
my
why
##
&##
hard - est
##
&##
44
heart
part
of
lov - ing
48
If
## j
&##
I
ly
tell him
know - ing
so
Tell - tale
signs
may
start
him
Let
The
Let him
to
show
How
much
go
go
him
go
it must end
For
him
go
pre - tend
for
Let
Is
tle
love
Let him
him
set -
to
real
MARILYN mp
known
j
.
try
52
al - ways
on
I've
Why
##
& # # j
hold - ing
I'm
36
40
75
VELCRO
####mf
&
57
Don't
# ##
&#
stay
shut
aw - ay
with
61
Op
en
doors
to
"what
all
may
those
"might
be"
in
have
beens"
w
-
stead
MARILYN
# ## f
&#
65
That's
n
the
light
that
guides
n
us
through
the
.
change
J
of
scenes
n
Those
76
##
&##
69
"in
be
tweens"
we
##
&##
##
& # #
77
dread
Let him go j
w .
MARILYN
Let
him
go
VELCRO /
MARILYN
##
& # #
hold
on
to
##
& # #
85
fan - ta - sy
And
A Tempo
##
& # #
know
# ##
& #
97
Show
##
& # #
102
Will
hurt
clo
ser
heal
how
may
much
how
ing
much
you
you
love
Freely
be
you
in
the
.
.
love
him
When
we
.
.
Let
him
grow
a - part
j
.
J .
him
A tempo
rall.
w
w
go
BOTH
j
We
grow
A tempo
w
w
w
w
go
go
Let
him
j
J .
.
..
rall.
pp
Let him
end
rall.
j
j #
J
J
friend
slow
To
n #
gain
Though the
93
go
VELCRO
# # mp
&##
89
j
J
him
j
J
..
Let
81
.
VELCRO
73
w
w
j
J
He'll
77
No.13a
MARILYN exits. VELCRO looks around the launderette clutching Marilyn's card.
Gentle h = 100
4
& b4
VELCRO
&b w
Wish
w
ing
Hop - ing
for
the
hum
Wish
13
&b
drum
Is
that
aim
ing
ing
high?
17
&b j
Oth - ers
#
&#
21
j
seem
to
find
it
Tell
me
why
oh
why
oh
rall.
why
can't
U
w
I?
n##
78
No. 13b
Remember Us Reprise
CUE: JAMES: Nothing changed. I thought it could. I thought I could.
Colla voce
# #6
& # 8 . .
.
JAMES
##
& # .
Love
will
con - quer
##
& # # .
an ti - dote
##
&#
13
all
When
you
one fight
fall
you
on
there
thought
could
vote
fall
is
no
change
MARILYN
Re - mem - ber
when
You
popped
the
ques - tion
Eve
JAMES
New Year's
God, what
###
&
21
### j
&
mess!
25
### j
yes
###
&
&
just
Pushing On q. = 80
###
&
is
More rhythmic
Meno Mosso
###
&
17
called
you
Rel - a - tive - ly
j j
But
when you're
.
young
so
na - ive
cra - zy,
Then
you
Slower q. = 70
young
You
think
the
dream
You
think
the
dream
said
j
.
will
last...
will
last...
j
.
###
&
29
Un
###
&
&b
33
Un
til...
&b
45
&b
love
you
nnnb
MARILYN: I know you do. But you will never love me completely.
37
41
nnnb
til...
& b .
still
&b
Colla Voce
With Movement q. = 74
79
.
.
Slower
MARILYN: Honesty. With the voters but more importantly with yourself. You can't go wrong with honest. Remember?
48
& b n
52
Bubbling q = 110
b 4
& b bb 4
54
b
& b bb
57
bb
&b b
>
>
>
>
>
rall.
>
>
>
>
across the street from Glam-Amour. Clodagh and Dana are rather enjoyingthe attention.
>
>
>
>
>
>
>
>
>
>
>
>
>
n>
>
>
>
>
bbbb 44
>
>
>
>
J
f
80
No. 14
Fifteen Minutes
CUE: CLODAGH: I think . . . I think our talent has finally been recosgnised.
DANA: Our what?
Moderato q = 100
2
& b2
5
CLODAGH
& b .
Some - one
&b
fif - teen min-utes of
fame
don't
DANA
got our
Well
fif - teen
14
& b .
17
&b
23
&b
may
the
go
to
our
bleed them
ry
Eve - ry - one's
is
tick - ing
en - ti - tled
to
name
We're
taste
of
sell
glo - ry
al
want
the
our
the
same
fame
j
.
At
last
the
DANA
sto - ry
of
pick - ing
our
for
gon - na
read - y
j
.
We
our
We've
CLODAGH
on
their
cry
dry
Bring
We're
CLODAGH
the tab
We'll have
till they're
CLODAGH
mo - ment Let
clock
stick - ing
be
our
20
mud is
let's
Be - ware
& b .
Now
his name
DANA
re - call
min - utes
11
& b # .
The de
tails
BOTH
Hel - lo
it's
& b .
Our
new
life
can
be - gin
of
fame
time
for our
Bubbling now
DANA
We'll
be - come
cel - eb - ri - ties
The
CLODAGH
35
&b
dar - lings
38
it's
29
& b .
81
of
the press
Cast
us
in
DANA
&b
Bring out
range
of
cloth
40
& b #
write
our
own
43
46
& b
Ah
shame that
are
& b .
who can knock it?
sure
to
sell
Then
j
f
BOTH
We
our
our
of
fame
Ooo
DANA
want
....
..
DANA
spell
Our bank
j
.
CLODAGH
It's cheap
but
....
..
Ooo
BOTH
It's
suc-cess
Ooo
roar - ing
We'll fill
our pock - et
....
..
in
be
Ooo
The press
We'll
per - fume's
you can't
....
..
We crave our
CLODAGH
49
......
& b
Ooo
....
& b ..
Ooo
b
&
MALE ENSEMBLE
And
CLODAGH
pan - to - mime
CLODAGH
ing
bi - og - ra - phy
b
& .
game
DANA
Our
..
.
Game!
life
was
down
the toi
let
j
A
scan - dal
82
b
&
52
should - n't
spoil
it
CLODAGH
We're gon - na
Su - san Boyle
it
That's our
aim
b
&
55
b ....
& ..
mf
It's
so
not
us
to
win
It's
time
for our
....
..
Ooo
b
& .
Ooo
n b
58
Of
SA ENSEMBLE
fame
w
w
w
w
w
w
Ooo
& b
TB - ENSEMBLE
b
&
62
w
w
Ooo
15
bb
j
& b b b . .
DANA
Big
b
& b bbb
bbbbb
15
b nw
& w
78
bbbbb
15
w
&b w
81
Ooh
b
& .
&b
BOTH
bro-ther
bbbbb
CLODAGH
.
.
Ka - to - na
CLODAGH
fif - teen
min - utes
DANA
j
X - fac - tor
Ap - pren - tice
fif - teen
min - utes
fame
b
& b bbb j .
Lew - in - sky
#
&#
87
j
And
Tow - ie
fif - teen
fame
min-utes
Matt
nnnnn## j
.
83
"
Car - dle
min-utes of
fame
##
&
DANA / CLODAGH
90
We
want
U
n
#### #
#
our
Broadly q = 90
CLODAGH
#.
DANA
Go - dam - mit
Sweet Je - sus
ENSEMBLE SA
# U
& # nnw
w
#### #
#
Ahh
Fif
teen
Fif
teen
ENSEMBLE TB
## nU
w
& n w
Ahh
#### #
#
#..
Fif
#### #
& # .
teen
Fif
#### #
#
&
of
ice
#### #
& #
..
ice
Ka - tie Pri
is
is
Vic
Pric
ce's
We've no
es
..
Pric
Vic
es
..
fame
vic - es
fame
min-utes of
to
min-utes of
ice is
teen
teen
96
# ## #
&# #
teen
#### #
& # .
pagne on
fame
..
Fif
BOTH
Fif
93
## #
& # ##
..
Go where cham -
es
es
shame
j
We've no
shame
We've no
shame
84
#### #
j
.
& #
99
# ## #
&# #
We're gon - na
. j
It's
not what
j
.
still
we
#### # p
& #
Ooh
102
claim
#### #
#
&
Ah
Ah
#### # #
& #
105
Fif
Our
Fif - teen
#### #
#
&
Fif - teen
be thin
it's
of
fame
teen
..
Fif
time
.
Fif
min - utes
may
teen
n..
sto - ry
(split)
teen
..
Fif
fif - teen
## #
& # ##
Ooh
#### #
& #
## #
& # ##
teen
Meno
w
w
min - utes
min - utes
DANA / CLODAGH
# ## #
&# #
110
" Freely
j
Guess that's our
## #
& # ## w
CLODAGH/DANA:
Come on, sis, my G-string needs a rinse.
114
(split)
of
w
fame
for our
85
No. 15
Finale
CUE: WILLIAM EXITS
James is left alone on stage and Marilyn enters.
Gently q = 110
##4
& # #4
MARILYN: I know. But no matter how sorry you are, it doesn't change "us". JAMES: So what now?
# ##
&#
accel.
Move On q = 130
MARILYN
##
&##
mp
Don't
##
&##
stay
shut
aw - ay
with
13
Op
en
doors
#### Pi mosso
&
n
to
all
"what
may
those
"might
be"
in
have
That's
the
##
&##
20
light
that
Those
25
&
A Tempo
####
# ##
&#
29
q = 120
"in
guides
us
be
tweens"
the
#
we
scenes
.
..
dread
JAMES: I've got to get away. Avoid the press for a while.
They've still only got Robbie's side of the story.
of
MARILYN: Not Robbie's. I suspect it was William's side of the story. JAMES: But Robbie . . .
change
poco rall.
through
stead
beens"
17
.
.
..
86
##
&##
32
# ##
&#
36
##
&##
41
..
.
.
.
poco accel.
nnnnbb b 2
b 2
MARILYN (cont'd): He's catching a train out of here from London Bridge.
JAMES exits leaving MARILYN alone.
46
b
& b bb
MARILYN: . . . is doing exactly what you're doing. Avoiding the Press. He hasn't spoken to them.
Meno h = 94
NARRATOR: The 14.18 train to Margate will be departing from platform 5 calling at Orpington, ...
50
b
& b bb
55
b
& b bb
for
the
rall.
#w
nor
bw
Freely h = 90
61
ROBBIE
b
& b bb J
Wish bb j
&b b
65
Trou - ble
70
ing
j j
is
b
& b bb b
bit - ious?
75
bb
& b b bw
for
they're hard
Am
w
too
mal
er
than
j
out
kind
of
of
touch?
they
much?
dream
seem
6 .
8
Am
#
Am
too
n
I
wish
#
-
ing
am -
b
& b bb
##
& # .
place?
Gyp
##
& # .
sies
of
the
.. .
n.
You
are
seem
strange
ther
my
far
#2
& 2
JAMES - half spoken
#2
&
2 j
Go
#
& .
- ing
113
n
.. n # 22
VAMP
..
Cin - e
to
night
b
-
club
mas
j j
in
nice
rest
and
such
Hap - py
ger
friend
Eat - ing
#
& .
stran -
j j
(They kiss)
##
&#
this
space
in - ti - mate
in
in
n.
Meet - ing
n
J
my
a - way
are
.
J
it
106
j j
to
go
dutch
'rants
117
&
You
98
# p
nnnn##
##
& # ..
&
JAMES
Does - n't
87
92
Pi mosso q. = 75
rit.
NARRATOR (CONT'D):
Ramsgate, Dumpton Park, Broadstairs and Margate.
81
87
JAMES
Am
too
am
rit.
bi - tious?
Am
out
of
touch?
88
They turn to find their platform as VELCRO runs in (or enters on SIDESADDLE's rickshaw).
122
&
A Tempo h = 100
rit.
####
# ##
&#
126
##
&##
Moving on h = 110
134
##
&##
138
ROBBIE: Velcro!
..
.
.
##
&##
.
...
.
...
VELCRO: Sorry. (She pulls a face as if to say "stupid me".) She told me about these websites. Anyone can trace a Will.
..
.
.
.
..
.
# ##
& # ..
.
...
.
...
..
.
VECRO (cont'd): Oh, it's all yours, here y'are. (Hands him an envelope)
ROBBIE (reading it): I knew it. Thank you Mum. You didn't let me down.
nw
n nw
ww
ww
w
w
152
# ##
&#
JAMES: Marilyn?
147
156
##
&##
142
130
##
&##
..
.
.
w
w
ww
.
..
.
.
..
.
NARRATOR: James has spotted the live news screen on the station platform which is flashing up a breaking news story.
...
.
.
.
..
.
.
..
##
&##
# ##
&#
160
164
89
NARRATOR (cont'd): "William George forced to stand down after assistant Sasha Larkin
.
..
.
alleges sexual harrassment in the workplace" JAMES: Good on you, Sasha. About time too.
..
.
nw
nnw
ww
ww
w
w
ROBBIE: Well, see you in a bit. When all this has blown over. VELCRO: Talking of blowing over, have you told him?
# ##
& # n
167
##
&##
170
174
&
178
&
w
J
nnn#
ROBBIE: Margate Pleasureland was her favourite place. Whats wrong with that?
nbb b
b
bb bffw
& b
Wish
ROBBIE
182
w
-
w
-
ing
Wish
..
ing
bb w
& b b
Wish
ff
190
bb
&b b
Hop
bb
& b b
Hop
ing
for
the
ing
for
the
ing
Wish
hum
hum
drum
drum
Is
Is
that
aim
ing
that
aim
ing
ing
high?
high?
90
bb b
& b J
194
Oth - ers
J
seem
to
find
bb b
& b J
J
Oth - ers
seem
to
find
198
b
& b bb
203
b
& b bb
j j
.
J
it
Tell
me
I?
it
Tell
me
.
J
I?
J J
sp
STRANGER (cont'd):
I just won this at the funfair. Throwing ping pong balls into jam jars.
210
b
& b bb
J J
Slower h = 80
Freely
216
b
& b bb
VELCRO
Just
221
b b4
&b b 4
229
b
& b bb
VELCRO: Wait . . . !
U
w
i - mag - ine
own
ing
2
4
gold - fish...
A Tempo h = 110
>
>
Huge fill
>
4
4
91
No. 16
Bows
First full chorus
Irresistible q = 140
b4
&b 4
b
&b
17
b
&b
31
b
&b
J .
j
b
j b
35
b
&b
27
b
&b
23
b
&b
13
b
&b
Bridge
b
&b
92
39
b
& b j
SIDESADDLE
Come
on
guys
b j
&b
iage
is
b
&b
45
#
&#
#
&#
I'll
take
you
for
take
you
for
take
you
for
take
you
for
Baritones
##
&
48
#
&#
#
&#
&
##
lu - cky fel - la
luck - y
fel - la
ride
ride
ride
ride
Your
lu -- cky fel - la
J
Your
Your
go
at
ing
Can't
you
see
go
to
to
shall
Your
lu - cky fel - la
it -
#
nn #
your
carr -
shall
hes
nn##
now
You
#
nn # w
ing
ALL boys
Tenors
##
&
I'll
ough
You
ALL girls
I'll
wait
SIDESADDLE
I'll
en
ALL girls
b
& b
##
&
42
poco rall
ball
you
Yes
you
shall
you
you
shall
step
in
step
in
step
in
j
step
in
to
the
ball
to
the
to
side
j
Well
the
j
Well
the
j
Well
side
side
to
go
Cin - der - el - la
side
Cin - der - el - la
go
Yes
go
shall
go
shall
n
J
ball
the
Yes
Yes
the
j
Well
ball
ball
ball
can't
can't
can't
can't
##
&
51
SIDESADDLE
do
#
&#
do
##ALL boys
&
do
##
&
55
needs
veg
ver
j j
.
Oo
..
Hor
..
J J
kins
min
## .
.
w
w
rall.
You
#
& # nww
bb
price
shall
nnbb
b
You
## w
w
price
shall
nnbb
b
You
bb
& b
Go
for
night
b
&b b
Go
for
night
for
night
ALL Girls
Baritones
b
of
glitz
of
glitz
of
glitz
shall
ses
from
ses
#
Side
go
to
go
to
Side
white
from
white
J .
go
the
to
Yes
you
Yes
you
j
Yes
you
the
shall
J
-
Cin - der - el - la
Cin - der - el - la
go
.
J J
go
shall
ball
shall
j
J .
Cin - der - el - la
ball
j #
ball
the
who
for half
nnbb
b
But
price
b
& b b
Go
59
Tenors
Hor
mice
##
& w
63
mice
me
w
w
&
&
from white
Oo
#
& # ..
mice
hor - ses
and
Nor no
>
kins
kins
93
go
To
ball
the
To
the
to
the
ball
ball
94
bb
& b
66
Cin - der - el - la
b
&b b
And
min - gle
Cin - der -- el - la
b
& b b
And
Cin - der - el - la
And
com - plete - ly
off
your
b b b b b
& b b b
get
com - plete - ly
off
your
69
ALL Girls
ALL Boys
bb b
& b
slip
72
b b
& b b
slip
per...
per...
" w
w
w
w
fits
" w
w
w
min - gle
bb b
& b
get
min - gle
pous
pous
JAMES: Robbie?
pous
tits
tits
gits
And
And
gits
And
rit.
And
see
if
the
glass
see
if
the
glass
w
w
w
w
w
w
w
w
w
w
Playout
TACET
j
n
w
w
w
w
No. 17
gits
And
fits