Main Composers: Stravinsky, Shosti, Cage, Ives, Schoenberg, Bartok
Igor Stravinsky (1882 1971)
- Background information o 1882 born near St. Petersburg Russia into music family he liked wagner o studied composition/orchestration with Rimsky Korsakov o 1909 Sergi Diaghilev commissioned Stravinsky to compose for is company (firebird, petrushka, rite of spring) o 1913 Paris premiere of Rite of Spring great riot o 1914 exiled to Switzerland dealt with homesickness by using Russian folklore for works o 1930 symphony of psalms o 1939 LA, USA - Russian Period o Rite of Spring Adolescent girl chosen for sacrifice, dance till death Primitivism deliberate representation of elemental, crude, uncultured, and cast aside sophistication/styleish of modern life trained art First scene: Danse de adolescents accented chords create unpredictable pattern of stresses and destroy metric, yet it is still strategically written in danceable format (8 measures). Final dance Danse sacrale reduced meter by changing meters and alternation of notes with rests Dissonances based on scales from Russian classical music (diatonic/octatonic collections - Neoclassical Period o 1919, Diaghilev asked Stravinsky to orchestrate pieces by 18th century Pergolesi, this sparked neoclassicism o he does not revive old styles but alluding to them in order to create something new (unique combo of old and new) o broad movement from 1910s 50s composers revived, imitated, revoked styles of pre-romantic, he turned away from Russian folk-music and returned to an earlier time for a source of inspiration o Symphony of Psalms For mixed chorus and orchestra, omits violins, violas, and clarinets Includes perpetual motion, sequences, frequent ostinatos, Neotonality composer finding new way of establishing single pitch as tonal center - Influence o Popularized neoclassicism o Elements had been nurtured in Russian music o Introduced new traits (ie; change of meter, Steve Reich)
Bela Bartok (1881-1946)
- Background o 1881 born in hungary to musical family, studied piano/composition o 1904 heard woman singing folk song and decided to collect folk music/dance. o 1926 39 mikrokosmos 153 progressive piano pieces o 1934 ethnomusicologist at academy of Sciences, prepped critical editions of Hungarian folk music included his top works Music for strings, percussion, celeste, high point of career - Stylistic Convention o Synthesised Hungarian, Romanian, Slovak and Bulgarian peasant music with elements of German and French classical tradition (rhythm, melodic) o Felt Hungarian music was fresh start, free of romantic sentimentality o Piano works (allegro barbaro) and other piano works introduced it as more of a percussive einstrument o Pieces after WWI pushed tonal ambiguities with Violin Sonatas o From Hungarian music, he drew rhythmic complexity and irregular meters, modal scales and mixed modes, resulting in complex counterpoints - Example of Synthesis o Many peacies in mikrokosmos demonstrate this, eg Staccato and Legatto like Bach 2 part invention, use of inversion, cannon between hands, and tonal structure resembles Bach, shape of melody is reminiscent of Hungarian melodies built from a short phrase that rises and falls between the span of a 4th, repeats transposed up a 5th and returns to tonic