Bibliography

Important General Works

Counterpoint

Bent, Ian, with William Drabkin. Analysis. New

York: Norton, 1987.
Berry, Wallace. Form in Music. Englewood
Cliffs, N.J.: Prentice-Hall, 1966.
Dunsby, Jonathan, and Arnold Whittall. Music
Analysis in Theory and Practice. New Haven:
Yale University Press, 1988.
Goldman, Richard Franko. Harmony in Western
Music. New York: Norton, 1965.
Green, Douglass. Form in Tonal Music, 2nd ed.
New York: Holt, Rinehart and Winston,
1979.
Karkoschka, Erhard. Notation in New Music:
A Critical Guide to Interpretation and
Realisation. Translated by Ruth Koenig. New
York: Praeger, 1972.
Kohs, Ellis B. Musical Form: Studies in Analysis
and Synthesis. Boston: Houghton Mifflin,
1976.
LaRue, Jan. Guidelines for Style Analysis. New
York: Norton, 1971.
Read, Gardner. Music Notation: A Manual of Modern Practice, 2nd ed. New York: Taplinger, 1979.
Salzer, Felix. Structural Hearing. New York:
Dover, 1952.
Schenker, Heinrich. Five Graphic Musical
Analyses. New York: Dover, 1969.
. Free Composition. Translated and edited
by Ernst Oster. New York: Longman, 1979.
. Harmony. Edited by Jonas Oswald. Translated by Elizabeth Burgese. Chicago:
University of Chicago Press, 1980.
Schoenberg, Arnold. Structural Functions of
Harmony, rev. ed. Edited by Leonard Stein.
New York: Norton, 1969.
Stone, Kurt. Music Notation in the Twentieth
Century. New York: Norton, 1980.
Toch, Ernst. Shaping Forces in Music.
Hackensack, N.J.: Criterion Music, 1948.

Benjamin, Thomas. The Craft of Tonal Counterpoint, 2nd ed. New York: Routledge, 2003.
Gauldin, Robert. A Practical Approach to
Eighteenth-Century Counterpoint. Englewood
Cliffs, N.J.: Prentice-Hall, 1988; re-issued,
Prospect Heights, Ill.: Waveland Press, 1995.
Kennan, Kent. Counterpoint: Based on Eighteenth
Century Practice, 4th ed. Englewood Cliffs,
N.J.: Prentice-Hall, 1999.
Mason, Neale B. Essentials of Eighteenth-Century
Counterpoint. Dubuque: William C. Brown,
1968.
Piston, Walter. Counterpoint. New York: Norton,
1947.
Rudiments Workbooks
Clough, John, Joyce Conley, and Claire Boge.
Scales, Intervals, Keys, and Triads, 3rd ed.
New York: Norton, 1999.
Damschroder, David. Foundations of Music
and Musicianship, 3rd ed. Belmont, Calif.:
Schirmer, 2006.
Harder, Paul O., and Greg A. Steinke. Basic
Materials in Music Theory, 9th ed. Englewood
Cliffs, N.J.: Prentice-Hall, 2000.
Nelson, Robert, and Carl J. Christensen.
Foundations of Music: With CD-ROM, 6th ed.
Belmont, Calif.: Schirmer, 2006.
Twentieth-Century Techniques
Antokoletz, Elliott. Twentieth Century Music.
Englewood Cliffs, N.J.: Prentice-Hall, 1991.
Brindle, Reginald Smith. Serial Composition.
London: Oxford University Press, 1966.
Cope, David. New Directions in Music, 5th ed.
Dubuque: William C. Brown, 1988.
. New Music Composition, 4th ed. New York:
Schirmer Books, 1985.

301

Dallin, Leon. Techniques of Twentieth Century

Composition, 3rd ed. Dubuque: William C.
Brown, 1974.
DeLone, Richard, et al., eds. Aspects of TwentiethCentury Music. Englewood Cliffs, N.J.:
Prentice-Hall, 1974.
Forte, Allen. The Structure of Atonal Music. New
Haven: Yale University Press, 1977.
Hanson, Howard. Harmonic Materials of
Modern Music. New York: Appleton-CenturyCrofts, 1960.
Hindemith, Paul. The Craft of Musical Composition. New York: Eur-Am Music, 1942
(Book I) and 1941 (Book II).
Kostka, Stefan. Materials and Techniques of
Twentieth-Century Music, 2nd ed. Englewood
Cliffs, N.J.: Prentice-Hall, 1999.
Lester, Joel. Analytic Approaches to Twentieth
Century Music. New York: Norton, 1989.
Nyman, Michael. Experimental Music. New
York: Schirmer Books, 1975.
Perle, George. Serial Composition and Atonality,
5th ed. Berkeley: University of California Press,
1981.
Persichetti, Vincent. Twentieth Century Harmony.
New York: Norton, 1961.
Rahn, John. Basic Atonal Theory. New York:
Longman, 1980.
Reti, Rudolph. Tonality in Modern Music. New
York: Macmillan, 1962.
Straus, Joseph. Introduction to Post-Tonal
Theory, 2nd ed. Englewood Cliffs, N.J.:
Prentice-Hall, 1990.
Ulehia, Ludmilla. Contemporary Harmony. New
York: Free Press, 1966.
Electronic Music
Adams, Robert T. Electronic Music Composition.
Dubuque: William C. Brown, 1986.
Dodge, Charles, and Thomas A. Jarse. Computer
Music. New York: Schirmer Books, 1985.
Hofstetter, Fred T. Computer Literacy for Musicians. Englewood Cliffs, N.J.: Prentice-Hall,
1988.

302

BIBLIOGRAPHY

Moore, Richard. Elements of Computer Music.

Englewood Cliffs, N.J.: Prentice-Hall, 1990.
Schwartz, Elliott. Electronic Music. New York:
Praeger, 1985.
Strange, Allen. Electronic Music, 2nd ed.
Dubuque: William C. Brown, 1982.
Winsor, Phil. Computer Assisted Music Composition. Princeton, N.J.: Petrocelli Books, 1990.
Musical Anthologies
Benjamin, Thomas, Michael Horvit, and Robert
Nelson. Music for Analysis: Examples from the
Common-Practice Period and the Twentieth
Century, 6th ed. New York: Oxford University
Press, 2007.
Burkhart, Charles. Anthology for Musical Analysis, 6th ed. Belmont, Calif.: Thomson/
Schirmer, 2004.
Kotska, Stefan, and Roger Graybill. Anthology of
Music for Analysis. Englewood Cliffs, N.J.:
Prentice-Hall, 2003.
Robert Melcher, Willard Warch, and Paul Mast.
Music for Study, 3rd ed. Englewood Cliffs,
N.J.: Prentice-Hall, 1988.
Walton, Charles. Music Literature for Analysis
and Study. Belmont, Calif.: Wadsworth, 1973.
Wennerstrom, Mary. Anthology of Twentieth
Century Music, 2nd ed. Englewood Cliffs, N.J.:
Prentice-Hall, 1988.
Orchestration
Adler, Samuel. The Study of Orchestration, 3rd
ed. New York: Norton, 2002.
Jacob, Gordon. Elements of Orchestration. New
York: Oxford, 1986.
Kennan, Kent, and Donald Grantham. The
Technique of Orchestration, 5th ed. Englewood
Cliffs, N.J.: Prentice-Hall, 1997.
Piston, Walter. Orchestration. New York: Norton,
1955.