Bibliografia Projeto CNPQ

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Budd, Malcolm. Values of Art: Painting, Poetry, and Music. London: Penguin, 1995.
Burke, Edmund. On the Sublime and Beautiful, edited by Charles W. Eliot. New
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______. Uma investigacao filosofica sobre a origem de nossas ideias do sublime
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Carlson, Allen. The Aesthetics of the Environment: The Appreciation of Nature, Art
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Carroll, Nol. Beyond Aesthetics: Philosophical Essays. Cambridge, U.K.:
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______. The Philosophy of Horror, or Paradoxes of the Heart. New York:
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______. On Criticism. New York: Routledge, 2008.
______. A Philosophy of Mass Art. New York: Oxford University Press, 1998.
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Cauquelin, Anne. Arte contempornea. Traduo de Rejane Janowitzer. So Paulo:
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Danto, Arthur. The Transfiguration of the Commonplace. Cambridge, MA: Harvard
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______. A transfiguraco do lugar-comum: Uma filosofia da arte. Traduo de Vera
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______. Andy Warhol. Traduo de Vera Pereira. So Paulo: Cosac Naify, 2012.
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______. Wake of Art: Criticism, Philosophy, and the Ends of Taste. New York:
Routledge, 1998.
______. The Philosophical Disenfranchisement of Art. New York: Columbia
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______. O descredenciamento da arte. Belo Horizonte: Autntica, 2010.
______. 2000. A ideia de obra-prima na arte contemporanea. Arte & Ensaios, n. 10,
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Davies, Stephen. Musical Works and Performances: A Philosophical Exploration.
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Derrida, Jacques. Gramatologia. Editora Perspectiva, 1973.
Dewey, John. Art as Experience. New York: Putnam, 1934.
______. Arte como experincia, So Paulo: Martins Fontes.
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Art Theory. The Journal of Aesthetics and Art Criticism.
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Champaign: University of Illinois Press, 1969, pp. 253-256.
______. Evaluating art. Philadelphia: Temple University Press, 1989.
______. The Art Circle. New York: Haven, 1984.
Dickie, George & Rump, Gerhard Charles. Art & the Aesthetic An Institutional
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Eco, Umberto. Art and Beauty in the Middle Ages. Translated by Hugh Bredin. New
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______. Historia Da Feiura , Rio de Janeiro: Record, 2014.

______. Historia Da Beleza , Rio de Janeiro: Record, 2014.

______. Obra Aberta, So Paulo, Perspectiva: 1991.
Feagin, Susan. Reading with Feeling. Ithaca, NY: Cornell University Press, 1996.
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______. Arte e tica, Artefilosofia, Ouro Preto, n. 3, p.11-22, jul. 2007.
______. The Routledge Companion to Aesthetics. New York: Routledge, 2013.
Goldman, Alan H. Aesthetic Value. Boulder, CO: Westview, 1995.
Gombrich, Ernst Hans. Arte e iluso: Um estudo da psicologia da representaco
pictrica. Traduo de Raul de S Barbosa, 4 edio. So Paulo: WMF Martins
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______. Art and Illusion. London: Phaidon, 1960.
______. The Story of Art. Pocket edition. London: Phaidon Press Limited, 2006.
______. Hegel e a Histria da arte. Traduo de Teresa da Costa, Revista Gvea
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______. Representation and Misrepresentation, Critical Inquiry, Vol. 11, No. 2. (Dec.,
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Goodman, Nelson. Languages of Art. Indianapolis, IN: Hackett, 1976.
______. Linguagens da Arte. Uma abordagem a teoria dos smbolos. Traduo de
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______. Ways of Worldmaking. Indianapolis: Hackett UP, 1978.
Greenberg, Clement. The Collected Essays and Criticism. 2 vols. Chicago:
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______. Arte e cultura, So Paulo: editor Atica.
______. Esttica domstica, So Paulo: Cosac e Naif.
______. O debate crtico. Rio de Janeiro: Jorge Zahar, 1997.
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______. Ensaios e conferncias. Traduo de Emmanuel Carneiro Leo, Gilvan
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______. Crtica da Faculdade do Juzo. Traduo de Valerio Rohden e Antnio
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______. Music Alone. Ithaca, NY: Cornell University Press, 1990.
______. Philosophies of Arts: An Essay in Differences. Cambridge, U.K.: Cambridge
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______. Truth, Fiction, and Literature. Oxford: Clarendon, 1994.

Levinson, Jerrold. Music, Art, and Metaphysics. Ithaca, NY: Cornell University
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