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Accuracy
1
Music has too many errors.
Needs attention.
2
Several errors occur.
Most of the intonation is
incorrect and there are
many wrong notes.
3
Occasional note is missed, due to
key signature, shift or accidental.
Basic Tonality can be heard.
4
Few notes are missed. Mistakes
do not detract from music. Most
of the intonation is correct and
there are no wrong notes.
5
Excellent accuracy. No mistakes
were made, therefore music was
performed as written.
1
No sense of pulse. Rhythms are
incorrect. Unable to show basic
understanding of Relationships
between different Rhythms.
2
Inconsistant pulse. Most
rhythms are incorrect.
3
Basic sense of pulse. Some
rhythms are incorrect.
4
Secure pulse with minor
rhythmic problems
5
Strong sense of pulse. All rhythms
performed accurately
1
No distinguishable difference
between any of the dynamic
markings.
2
A few of the dynamics
are observed but most
are ignored. There is
little distinguishable
difference between
different markings and
during Crescendos and
decrescendos.
3
Half of the dynamic markings are
observed and there is some
distinguishable between different
markings and during difference
during Half the Crescendos and
decrescendos.
4
Most of the dynamic markings
are observed and there is clear
distinguishable difference during
Most the Crescendos and
decrescendos.
5
All of the dynamic markings are
observed and there is artistic,
clear distinguishable difference
during All the Crescendos and
decrescendos.
Tone
1
Poor sound. Needs more bow,
better weight distribution,
needs better contact point.
Keep left hand secure for good
sound
2
Sound not developed.
Keep working towards
more volume and
consistancy in tone
3
Tone is generally consistant.
Continue to expand on good bow
principles
4
Tone is developed. Good basic
use of the bow and left hand.
5
Tone is excellent. Great use and
distribution of the bow. Steady
contact point, good arm weight.
Intonation
1
Intonation is somewhat
accurate with consistent errors.
2
Intonation is mostly
accurate, with some
errors throughout
3
Intonation is good, with
occasional errors during shifting
or string crossings.
4
Intonation is good throughout.
5
Intonation is excellent and
unmistakened.
Bowing
1
Bowing is consistently
backwards. Articulations are
consistently ignored. Bow
management, or the specific
section of bow that is to be
used, is consistently incorrect.
2
Bowing is correct some
of the time. A few of
the articulations are
observed but most are
not. Bow management
is correct some of the
time.
3
Bowing is correct half of the
time. A few of the articulations
are observed but most are not.
Bow management is correct
some of the time.
4
Bowing is correct most of the
time. Most of the articulations
are observed. Bow management
is correct most of the time
5
All bowings and articulations are
observed. Bow management is
consistently correct.
Phrasing
1
Little or no phrasing intent
2
Phrasing intent is heard
but the delivery
appropriate is fairly
similar
3
Phrasing is distinguishable, a few
phrases are stylistically
appropriate with similar intent
4
Clear phrasing plan is heard
and some phrases are
stylistically appropriate
5
Deliberate phrasing is heard,
sylistically appropriate and there
is a great variety.
Interpretation
1
Does not demonstrate
basic right hand structure
2
Playing is generally
pleasing and some
intent
3
Playing does reference to the
genre and some intent is heard
clearly
4
Playing is appropriate to the
genre and intent can be heard
most of the time
5
Playing brings out the genre very
well and every measure is
delivered with clear intent
Rhythm
Dynamics