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2 Artillery
Roman artillery was very ecient at that time, and during a siege the Romans would attack the weakest area of
their enemys defenses and attempt to breach the walls at
that point. To support this eort, artillery re would commence, with three main objectives:[3] to cause damage to
defenses, casualties among the opposing army, and loss of
enemy morale. It would also provide cover re for troops
building siege ramps or those in siege towers. There
were machines called tormenta , which would launch
(sometimes incendiary) projectiles such as javelins, arrows, rocks, or beams. These devices were on wheeled
platforms to follow the lines advance. All were predicated on a principle of physics: a lever was inserted into
a skein of twisted horsehair to increase torsion, and when
the arm was released, a considerable amount of energy
was thus freed.[3] It was later stated that sinew, instead
of twisted hair, provided a better spring. These weapons
were high-maintenance devices and vulnerable to having
their leather, sinew, or hemp skeins aected by wet or
even damp, which would cause them to slacken and lose
tension, rendering the engine useless.[4]
Roman springald.
It is somewhat dicult to clearly dene and describe Roman artillery, as names are easily confused and historians
still do not agree on all denitions. Perhaps best known
are the ballista, the onager, and the scorpio.
2.1 Ballista
Main article: Ballista
After the absorption of the Ancient Greek City states
into the Roman Republic in 146 BC, some advanced
Greek technology began to spread across many areas of
1
ARTILLERY
Dionysus of Syracuse), as well as all the scientic, mathematical, political and artistic developments.
The Romans 'inherited' the torsion powered Ballistae
which had by now spread to several cities around the
Mediterranean, all of which became Roman spoils of war
in time, including one from Pergamum, which was depicted among a pile of 'trophy' weapons in relief on a
balustrade.
The torsion ballista, developed by Alexander, was a far
more complicated weapon than its predecessor, and the
Romans developed it even further.
Roman arrow machine.
A ballista.
Roman 'catapult-nest' on Trajans Column
2.2
The Onager
3
Britons to ght the Romans in Gaul.
A total of eighty transports, carrying two legions attempted to land on the British shore, only to be driven
back by the many British warriors assembled along the
shoreline. The ships had to unload their troops on the
beach, as it was the only one suitable for many kilometers,
yet the massed ranks of British charioteers and javeliners
were making it impossible.
together with iron plates around the frames and iron nails
in the stand. The main stand had a slider on the top, into
which were loaded the bolts or stone 'shot'. Attached to
this, at the back, was a pair of winches and a claw, used
to ratchet the bowstring back to the armed ring position.
A slider passed through the eld frames of the weapon,
2.1.3 Siege of Alesia
in which were located the torsion springs (rope made of
animal sinew), which were twisted around the bow arms,
In Gaul, the stronghold of Alesia was under a Roman
which in turn were attached to the bowstring.
siege in 52 BC, and surrounded by Roman fortications.
Drawing the bowstring back with the winches twisted the As was standard siege technique at the time, ballistae
already taut springs, storing the energy to re the projec- were placed up in the towers with other soldiers armed
tiles.
with either bows or slings.
The ballista was a highly accurate weapon (there are many
accounts right from its early history of single soldiers being picked o by the operators), but some design aspects 2.2 The Onager
meant it could compromise its accuracy for range. The
Main article: Onager (siege weapon)
lightweight bolts could not gain the high momentum of
The onager was a post-classical Roman siege engine,
the stones over the same distance as those thrown by the
later onagers, trebuchets, or mangonels; these could be as
heavy as 90-135 kg (200-300 pounds).
The Romans continued the development of the Ballista,
and it became a highly prized and valued weapon in the
army of the Roman Empire.
It was used, just before the start of the Empire, by
Julius Caesar during his conquest of Gaul and on both
of his expeditions to Britain. Both attempted invasions
of Britain and the siege of Alesia are recorded in his own
Commentarii (journal), The Gallic Wars (De Bello Gallico). It was also used in the Roman siege of Masada.
2.1.2
The onager consisted of a frame placed on the ground mechanisms to load and re the catapult. All that was
to whose front end a vertical frame of solid timber was needed was for another soldier to keep feeding in more
rigidly xed; through the vertical frame ran an axle, which arrows.[10]
had a single stout spoke. On the extremity of the spoke
was a sling used to launch a projectile.
In action the spoke was forced down, against the tension 3 Breaking the walls
of twisted ropes or other springs, by a windlass, and then
suddenly released. The spoke thus kicked the crosspiece
3.1 Battering rams
of the vertical frame, and the projectile at its extreme end
was shot forward.
Main article: Battering ram
The onagers of the Roman Empire were mainly used
Roman battering rams, or aries, were an eective
for besieging forts or settlements. They would often be
loaded with large stones or rocks that could be covered
with a ammable substance and set alight.
In the Middle Ages (recorded from around 1200 C.E.)
a less powerful version of the onager was used that employed a xed bowl rather than a sling, so that many small
projectiles could be thrown, as opposed to a single large
one. This engine was sometimes called the mangonel, although the same name may have been used for a variety
of siege engines.
2.3
Scorpios
3.3
Mines
3.2
Siege towers
3.3 Mines
Mines could be dug under city walls as a means of entering a city secretly and capturing it but were more frequently constructed to weaken city walls. Once dug,
sappers would underpin the walls with wood and cause
the walls to collapse by ring the supports with resin, sulfur and other incendiary materials.[18]
4 See also
Roman engineering
Vitruvius
5 Notes
[1] Goldsworthy 2000: 144
[2] Keppie 1984: 99
[3] Le Bohec 1994: 138
[4] Catapulta at LegionXXIV
[5] Werner Soedel, Vernard Foley: Ancient Catapults,
Scientic American, Vol. 240, No. 3 (March 1979),
p.120-128 (121.)
[6] Le Bohec 1994: p. 138
References
James V. Garrison (1997). Casting stones: ballista,
stones as weapons, and death by stoning. Brigham
Young University Studies 36 (3): 351352.
Gilliver, C.M. (1999). The Roman Art of War.
Charleston, SC: Tempus. ISBN 0-7524-1939-0.
Goldsworthy, Adrian (2000). Roman Warfare.
London: Cassell. ISBN 0-304-35265-9.
Keppie, Lawrence (1984). The Making of the Roman Army from Empire to Republic. Totowa, NJ:
Barnes & Noble Books. ISBN 0-389-20447-1.
Le Bohec, Yann (1994). The Imperial Roman Army.
London: B.T. Batsford Ltd. ISBN 0-7134-7166-2.
REFERENCES
7.1
Text
7.2
Images
File:047_Conrad_Cichorius,_Die_Reliefs_der_Traianssule,_Tafel_XLVII_(Ausschnitt_02).jpg
Source:
https://upload.
wikimedia.org/wikipedia/commons/f/f1/047_Conrad_Cichorius%2C_Die_Reliefs_der_Traianss%C3%A4ule%2C_Tafel_XLVII_
%28Ausschnitt_02%29.jpg License: Public domain Contributors: Conrad Cichorius: Die Reliefs der Traianssule, Erster Tafelband:
Die Reliefs des Ersten Dakischen Krieges, Tafeln 1-57, Verlag von Georg Reimer, Berlin 1896 Original artist: Attributed to Apollodorus
of Damascus
File:Bal_BBC1.jpg Source: https://upload.wikimedia.org/wikipedia/commons/6/68/Bal_BBC1.jpg License: Public domain Contributors:
Ballista proportions are drawn from a photo in BBC technical note Original artist: Vissarion
File:Ballista.gif Source: https://upload.wikimedia.org/wikipedia/commons/2/21/Ballista.gif License: Public domain Contributors: ? Original artist: ?
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A4cka_med_skjul%2C_Nordisk_familjebok.png License: Public domain Contributors: Nordisk familjebok (1913), vol.18, p.1387 [1]
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wreath.svg) Original artist: Sonarpulse
File:Roman_Onager.jpg Source: https://upload.wikimedia.org/wikipedia/commons/8/89/Roman_Onager.jpg License: Public domain
Contributors: ? Original artist: ?
File:Roman_siege_machines.gif Source: https://upload.wikimedia.org/wikipedia/commons/d/d7/Roman_siege_machines.gif License:
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Wikipedysta:Piom'>PioM</a> EN DE PL)
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No machine-readable source provided. Own work assumed (based on copyright claims). Original artist: No machine-readable author
provided. MatthiasKabel assumed (based on copyright claims).
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27_History_of_Rome_illus103.png License: Public domain Contributors: Project Gutenbergs Young Folks History of Rome, by Charlotte
Mary Yonge [1] Original artist: Yonge, Charlotte Mary, (1823-1901)
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Mary Yonge [1] Original artist: Yonge, Charlotte Mary, (1823-1901)
7.3
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