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I.

II.

THE DAME SAYS


BISCUIT

III.

NO GOOD

I V.

CHAMPAGNE TASTE

V.

VI.

VII.

VIII.

IX.

X.

XI.

LIKE A GLOVE (FEAT. CADRE)


27 CLUB
BEST DAMN THING
MISERY
KILLING YOU (FEAT. STING)
JOHNNY BOY
IT AINT EASY

WWW.IVYLEVAN.COM
WWW.CHERRYTREERECORDS.COM
Cherrytree / Interscope Records. 2220 Colorado Ave, Santa
Monica, CA 90404. Manufactured and distributed in the United
States by Universal Music Distribution. PC2015 Interscope
Records. All rights reserved. B0022820-02

I.

THE DAME SAYS

Produced by Lucas Banker and Patrick Nissley | Written by Ivy


Levan, Lucas Banker and Patrick Nissley | Published by Thin
White Dame Publishing, Dead Dolphin Publishing, Copyright
Control | Recorded by Patrick Nissley and Tomo Milicevic at
Your Living Room Studios, The Lair Studios and Bloodmoney
Den Studios | Mixed by Robert Orton at Hot Rocks Studios,
www.hitmixer.com | Additional mix engineering by Tony Lake |
Mastered by Gene Grimaldi at Oasis Mastering | Vocals by Ivy
Levan | Background Vocals by Lucas Banker | Drums, Bass,
Keyboard, Percussion and Programming by Patrick Nissley |
Guitar by Patrick Nissley and Lucas Banker

i said trick or treat


theysayi gotta keep it sweet
but imma do my thing
you got a problem you can kiss this
ring
now you act like you got some class
but you know how to back that ass up
watch me drop the hurt
make money money make money
money work
(make money money make money
money work make money work)
all eyes on me
all eyes on me
imma give you what you need
imma give you what you need
all eyes on me
all eyes on me
imma give you what you need
cause if you like it rough youll love it
when i give it to you raw
oh oh oh
oh oh oh
you see i got my cake
and i fuckin ate it too
im a grade A steak
you aint nothin but dog food
now you act like you got some class
and you know how to back that ass up
watch me drop the hurt
make money money make money
money work
all eyes on me

all eyes on me
imma give you what you need
imma give you what you need
all eyes on me
all eyes on me
imma give you what you need
cause if you like it rough youll love it
when i give it to you raw
oh oh oh
oh oh oh
im gonna give it to you raw
oh oh oh
oh oh oh
its a hairflip its whatever
its a hairflip its whatever go on and
get ya
head on a swivel head on a swivel
head on a swivel head on a swivel
its a hairflip its whatever
its a hairflip its whatever go on and
get ya
head on a swivel head on a swivel
head on a swivel head on a swivel
(she gonna give it to ya, uh uh, she
gonna give it to ya give it to ya, uh uh
she gonna give it to ya)
give it to em raw
(she gonna give it to ya, uh uh, she
gonna give it to ya give it to ya, uh uh
she gonna give it to ya)
give it to em raw
(she gonna give it to ya, uh uh, she
gonna give it to ya give it to ya, uh uh
she gonna give it to ya)
give it to em
oh oh oh
oh oh oh
give it to em
oh oh oh
turn this mothafucka out
oh oh oh

II.

BISCUIT

Produced by Lucas Banker and Patrick Nissley | Written by Ivy


Levan, Lucas Banker and Patrick Nissley | Published by Thin
White Dame Publishing, Dead Dolphin Publishing, Copyright
Control | Recorded by Patrick Nissley and Tomo Milicevic at
Your Living Room Studios, The Lair Studios and Bloodmoney
Den Studios | Mixed by Robert Orton at Hot Rocks Studios,
www.hitmixer.com | Additional mix engineering by Tony Lake |
Mastered by Gene Grimaldi at Oasis Mastering | Vocals by Ivy
Levan | Drums, Bass, Keyboard, Percussion and Programming
by Patrick Nissley | Guitar by Lucas Banker

this pots a boilin up


dont press press your luck
run you down like a pick up truck
cuz im a freak without warning
dont make me raise a hand
drop bombs afghanistan
dont fuck with the master plan
cant say i didnt warn ya
i think you might have missed it
i think you got it twisted
when i told you to kiss it
my biscuit my biscuit
i think you might have missed it
i think you got it twisted
when i told you to kiss it
my biscuit my biscuit
go on give it a kiss
(na nana na na na)
go on give it a kiss
(na nana na na na)
(my biscuit biscuit)
who u is trying to fool
done broke the golden rule
you know honey that shit aint cool
and you cant tell me nothin
you be a parasite
roll you like a pair of dice
serve you up red beans and rice
yea i thought i done told ya
i think you might have missed it
i think you got it twisted
when i told you to kiss it
my biscuit my biscuit
i think you might have missed it

i think you got it twisted


when i told you to kiss it
my biscuit my biscuit
go on give it a kiss
(na nana na na na)
go on give it a kiss
(na nana na na na)
(my biscuit biscuit)
i see you baby
creepin on me
creepin on me
imma put you to sleep
it on the daily
they checkin on me
looking all beat
lemme tell you what you need
think you might have missed it baby
think you got it twisted baby
i see you baby
creepin on me
creepin on me
imma put you to sleep now
it on the daily
they checkin on me
looking all beat
lemme tell you what you need now

III.

NO GOOD

Produced by Lucas Banker and Patrick Nissley | Written by


Ivy Levan, Lucas Banker, Patrick Nissley and Tomo Milicevic
| Published by Thin White Dame Publishing, Dead Dolphin
Publishing, Copyright Control, Ouch That Hurts Music (BMI) |
Recorded by Patrick Nissley and Tomo Milicevic at Your Living
Room Studios, The Lair Studios and Bloodmoney Den Studios
| Mixed by Robert Orton at Hot Rocks Studios, www.hitmixer.
com | Additional mix engineering by Tony Lake | Mastered
by Gene Grimaldi at Oasis Mastering | Vocals by Ivy Levan
| Drums, Bass, Keyboard, Percussion and Programming by
Patrick Nissley | Guitar by Lucas Banker

im gonna give it like, uh


til youre blue in the face
and i aint gonna stop till you put me
away
im like damn

how bad can i be


cause imma plead guilty to the filth
degree
im no good
(no good no good no good)
aint got nothin on this no good im
no good
(no good no good no good)
aint got nothin on this no good
oh, your love, your love
makes me no good
im just no good
your love, your love
makes me no good
im just no good
and thats all that i ever want to be
and thats all that i ever want to be
your love, your love
makes me no good
im just no good
now watch me like, uh
caught in my trance
do what i say now dance monkey dance
wrapped around my finger like a
wedding ring
gone tomorrow morning, it aint no thing
im no good
(no good no good no good)
aint got nothin on this no good im
no good
aint got nothin on this no good
oh, your love, your love
makes me no good
im just no good
your love, your love
makes me no good
im just no good
and thats all that i ever want to be
and thats all that i ever want to be
your love, your love
makes me no good
im just no good
you spend the night with me and what
do you get
a lover a fighter but deeper in debt, hey
daddy dont call me cause i aint home
momma is a rolling stone
oh, your love, your love
makes me no good

im just no good
your love, your love
makes me no good
im just no good
and thats all that i ever want to be
and thats all that i ever want to be
your love, your love
makes me no good
im just no good

IV.

CHAMPAGNE
TASTE

Produced by Lucas Banker and Patrick Nissley | Written by Ivy


Levan, Lucas Banker and Patrick Nissley | Published by Thin
White Dame Publishing, Dead Dolphin Publishing, Copyright
Control | Recorded by Patrick Nissley at Your Living Room
Studios and Bloodmoney Den Studios | Mixed by Robert Orton
at Hot Rocks Studios, www.hitmixer.com | Additional mix
engineering by Tony Lake | Mastered by Gene Grimaldi at Oasis
Mastering | Vocals by Ivy Levan | Drums, Bass, Keyboard,
Percussion and Programming by Patrick Nissley | Guitar by
Lucas Banker

ill admit dat I been on the scene


ill admit Im sucker for the green
all the low level hatin that Im me
they got nothing on my technique
ill admit I can get a little mean
ill admit Im sorry not sorry
take minute bae get yourself a drink
when ya loosen up gimme a ring
no paycheck no black card
could get spent like we are
i said its my party ill get live if i want to
champagne taste with a bud light
budget
woop woop
i know you love it
i said its my party ill get live if i want to
champagne taste with a bud light budget
woop woop
i know you love it
i know all about 9 to 5
i know all about have a good time
ill take ya with me if ya act real nice
now wasnt that just so polite

no doubt what i came here for


when they let up give em some more
get the lower level hot on the floor
break yo back till you get sore
no paycheck no black card
could get spent like we are
i said its my party ill get live if i want to
champagne taste with a bud light
budget
woop woop
i know you love it
i said its my party ill get live if i want to
champagne taste with a bud light
budget
woop woop
i know you love it
you know you love it
i know you love it
you know you love it
i know you love it
yeah wanna party like me
yeah rage against the machine
huh aint about no popov
bitch get the cris get the jack or get lost
yeah im a little bit mean
and again im sorry not sorry
would you be a dear fill up my cup
imma squirrel out lookin for my nut
i said its my party ill get live if i want to
champagne taste with a bud light
budget
woop woop
i know you love it
i said its my party ill get live if i want to
champagne taste with a bud light
budget
woop woop
i know you love it
you know you love it
i know you love it
you know you love it
i know you love it

LIKE A GLOVE
(FEAT. CADRE)
V.

Produced by Lucas Banker and Patrick Nissley | Written by Ivy


Levan, Lucas Banker and Patrick Nissley and Jeremy Gates
| Published by Thin White Dame Publishing, Dead Dolphin
Publishing, Copyright Control, Copyright Control | Recorded by
Patrick Nissley at Your Living Room Studios and Bloodmoney
Den Studios | Mixed by Robert Orton at Hot Rocks Studios,
www.hitmixer.com | Additional mix engineering by Tony Lake |
Mastered by Gene Grimaldi at Oasis Mastering | Vocals by Ivy
Levan and Cadre | Background Vocals by Ivy Levan | Drums,
Bass, Keyboard, Percussion and Programming by Patrick
Nissley | Guitar by Lucas Banker

im actin silly got me singin a song yeah


never thought id get so stupid on
someone
i did my hair like i know that you like
aint it funny how Im losin my mind
cause you got me you got me spinning
around
yeah you got me you got me freaking out
yeah you
yeah you fit me like fit me like a glove
yeah you
yeah you fit me like fit me like a glove
i gotta warn ya that mean what i say yea
if you were smart then youd be feelin
the same
i wore dem jean like I know that you like
I must be out of my god damned mind
that voodoo that you do has got me
so crazy
yeah who knew we had to be together
baby
yeah you
yeah you fit me like fit me like a glove
yeah you
yeah you fit me like fit me like a glove
yeah you
yeah you fit me like fit me like a glove
yeah you
yeah you fit me like fit me like a glove

ok
we got a connection
i got a confession
i got a erection
yeah you get the message
every time that we get naked
we gon leave the bedroom messy
yeah she wake me up for breakfast
man she crazy and she sexy
ooo i should tell my mom about us
if we ever split up i think imma need
some counseling
remember when you told me maybe we
should take a break
then i showed up at your place with a
shotgun and some mace like
where you goin? i just wanna talk
if you ever call it off you gon have to call
the law imma getcha
getcha getcha getcha getcha
getcha getcha getcha getcha
imma getcha
thats the way i like my love
you know what i like, thats why i like you
thats the way i like my love
you know what i like, thats why i like you
yeah that voodoo that you do has got
me so crazy
yeah who knew we had to be together
baby
yeah you
yeah you fit me like fit me like a glove
yeah you
yeah you fit me like fit me like a glove
yeah you
yeah you fit me like fit me like a glove
yeah you
yeah you fit me like fit me like a glove

VI.

27 CLUB

Produced by Diplo, Lucas Banker and Patrick Nissley | Written


by Ivy Levan, Lucas Banker and Patrick Nissley, Diplo and
Matt Squire | Published by Thin White Dame Publishing, Dead
Dolphin Publishing, Copyright Control, Songs Music Publishing,
LLC obo I Like Turtles Music (ASCAP)/Songs of SMP (ASCAP),
Cletis Jones (ASCAP) and Seven Peaks (ASCAP) | Recorded by

Patrick Nissley and Tomo Milicevic and Diplo (Thomas Pentz)


at Your Living Room Studios, The Lair Studios and Bloodmoney
Den Studios | Mixed by Robert Orton at Hot Rocks Studios,
www.hitmixer.com | Additional mix engineering by Tony Lake |
Mastered by Gene Grimaldi at Oasis Mastering | Vocals by Ivy
Levan | Background Vocals by Ivy Levan and Patrick Nissley
| Drums, Bass, Keyboard, Percussion and Programming by
Patrick Nissley | Guitar by Lucas Banker

you try to play it safe


but i am planning my escape
yeah you want your picket fence
but i cant even pay my rent
id rather burn out than spend my life
waiting
i wanna go down down in history
everybody gonna know me when i die
so i dont give a damn if i survive
id rather burn out than spend my life
waiting

Mixed by Robert Orton at Hot Rocks Studios, www.hitmixer.com


| Additional mix engineering by Tony Lake | Mastered by Gene
Grimaldi at Oasis Mastering | Vocals by Ivy Levan | Drums, Bass,
Keyboard, Percussion and Programming by Patrick Nissley |
Guitar by Lucas Banker

i say, wont do this anymore


you say you heard that song before
so let it play, as i walk away
bye-bye, bye-bye
dont come look for sympathy from me,
cause i wont
hey, you better know by now what goes
around comes around
and if you didnt care then, then tell me
why do you care now
you better know by now what goes
around comes around
say it again, i was the best damn thing

you keep it slow and steady


but i am more than good and ready
yeah you settle for second place
but i cant even run the race

you say, baby take me back


and now you see, what you couldve had
but no way, not today, or tomorrow
dont you look for sympathy from me,
cause i wont

id rather burn out than spend my life


waiting
i wanna go down down in history
everybody gonna know me when i die
so i dont give a damn if i survive
id rather burn out than spend my life
waiting

hey, you better know by now what goes


around comes around
and if you didnt care then, then tell me
why do you care now
you better know by now what goes
around comes around
say it again, i was the best damn thing

id rather burn out than spend my life


waiting
i wanna go down down in history
everybody gonna know me when i die
so i dont give a damn if i survive
id rather burn out than spend my life
waiting

hey you, yeah you


dont you know that youre losing the
best damn thing
hey you, yeah you
dont you know that youre losing the
best damn thing

VII.

BEST DAMN THING

Produced by Lucas Banker and Patrick Nissley | Written by


Ivy Levan, Lucas Banker, Patrick Nissley and Tomo Milicevic
| Published by Thin White Dame Publishing, Dead Dolphin
Publishing, Copyright Control, Ouch That Hurts Music (BMI) |
Recorded by Patrick Nissley and Tomo Milicevic at Your Living
Room Studios, The Lair Studios and Bloodmoney Den Studios |

hey, you better know by now what goes


around comes around
and if you didnt care then, then tell me
why do you care now
you better know by now what goes
around comes around
say it again, i was the best damn thing

VIII.

MISERY

Produced by Lucas Banker and Patrick Nissley | Written by Ivy


Levan, Lucas Banker and Patrick Nissley | Published by Thin
White Dame Publishing, Dead Dolphin Publishing, Copyright
Control | Recorded by Patrick Nissley and Tomo Milicevic at
Your Living Room Studios, The Lair Studios and Bloodmoney
Den Studios | Mixed by Robert Orton at Hot Rocks Studios,
www.hitmixer.com | Additional mix engineering by Tony Lake |
Mastered by Gene Grimaldi at Oasis Mastering | Vocals by Ivy
Levan | Drums, Bass, Keyboard, Percussion and Programming
by Patrick Nissley | Guitar by Patrick Nissley and Lucas Banker

you got back this morning some time


around ten
said you wont then you go and do it
again
now I dont trust you, cant hear what
you say
cause I know what youll do to get your
way
oh sometimes the one that you think that
you love turns out to be a fake
i hope youre happy for all of the misery
you made
i hope youre happy for all of the misery
you made
and i hope it follows you down to your
grave
youre gonna carry that weight
carry that weight
youre gonna carry that weight
for all the misery you made
tell me that story, sliding right through
your teeth
but you got someone else all over your
sleeve
stop trying to be clever, we both know your not
you only act like you care cause you got
caught
oh sometimes the one that you think that you
love turns out to be a fake
i hope youre happy for all of the misery you
made
i hope youre happy for all of the misery you
made

and i hope it follows you down to your


grave
youre gonna carry that weight
carry that weight
youre gonna carry that weight
for all the misery you made
the misery you made
the misery you made
for all the misery you made

KILLING YOU
(FEAT. STING)

IX.

Produced by Lucas Banker and Patrick Nissley | Written


by Ivy Levan, Lucas Banker, Patrick Nissley, and Sting,
and Martin Kierszenbaum | Published by Thin White
Dame Publishing, Dead Dolphin Publishing, Copyright
Control, Steerpike (Overseas) Ltd., administered by EMI
Music Publishing Ltd., Martin Cherrytree Music (BMI)
administered by Songs of Universal | Recorded by Patrick
Nissley and Tomo Milicevic at Your Living Room Studios, The
Lair Studios and Bloodmoney Den Studios | Mixed by Robert
Orton at Hot Rocks Studios, www.hitmixer.com | Additional
mix engineering by Tony Lake | Mastered by Gene Grimaldi
at Oasis Mastering | Vocals by Ivy Levan | Featured vocals
by Sting | Drums, Keyboard, Percussion and Programming
by Patrick Nissley | Guitar by Lucas Banker | Bass by Martin
Kierszenbaum

i want a home
to burn it down
i want nobody when somebodys
around
i wanna scream
howl at the moon
but the reason that im howling is you
oh, oh well
i hope its warm in hell
oh, oh well
i hope its warm in hell
cause no ones ever gonna hurt
somebody more than i hurt you
no ones ever gonna need somebody
more than i need you
you know its true
the things i do
end up killing you

the things i do
end up killing you
love is war
love is blind
we can make it if we just take the time
to figure out
where were headed
love will take you for a ride if you let it
oh
oh well
i hope its warm in hell
oh
oh well
i hope its warm in hell
cause no ones ever gonna hurt
somebody more than i hurt you
no ones ever gonna need somebody
more than i need you
you know its true
the things i do
end up killing you
the things i do
end up killing you
the words right off my lips
promised it was death till us part
now the only thing thats keeping me
is tearing out your heart
cause no ones ever gonna hurt
somebody more than i hurt you
no ones ever gonna need somebody
more than i need you
you know its true
the things i do
end up killing you
the things i do
end up killing you

X.

JOHNNY BOY

Produced by Lucas Banker and Patrick Nissley | Written


by Ivy Levan, Lucas Banker and Patrick Nissley | Published
by Thin White Dame Publishing, Dead Dolphin Publishing,
Copyright Control | Recorded by Patrick Nissley and Tomo
Milicevic at Your Living Room Studios, The Lair Studios
and Bloodmoney Den Studios | Mixed by Robert Orton at
Hot Rocks Studios, www.hitmixer.com | Additional mix

engineering by Tony Lake | Mastered by Gene Grimaldi


at Oasis Mastering | Vocals by Ivy Levan | Drums, Bass,
Keyboard, Percussion and Programming by Patrick Nissley |
Guitar by Tomo Milicevic

what ever happened to the days


we were in love like one of those
shakespeare plays
wed buy that house up on the hill
keep the flowers you gave me on the
window sill
but you left me hangin on the end of
the line
goin hello, hello, wheres my johnny boy
promised me forever everything would
be fine
oh hello, hello, wheres my johnny boy
you didnt give a reason
you didnt tell me why
no you just left me hangin on the end
of the line
goin, hello, hello, wheres my johnny
boy
since youve been gone ive been
so low
just sittin around staring at the
telephone
cause i bought that house up on the hill
theres nothing but dust on empty
window sills
you left me hangin on the end of the
line
goin hello, hello, wheres my johnny boy
promised me forever everything would
be fine
oh hello, hello, wheres my johnny boy
you didnt give a reason
you didnt tell me why
no you just left me hangin on the end
of the line
goin, hello, hello, wheres my johnny
boy
this aint my home sweet home
loving you is all i know
this aint my home sweet home
no this cant be home sweet home

loving you is all i know


this aint my home sweet home
you left me hangin on the end of
the line
goin hello, hello, wheres my johnny
boy
promised me forever everything would
be fine
oh hello, hello, wheres my johnny boy
you didnt give a reason
you didnt tell me why
no you just left me hangin on the end
of the line
goin, hello, hello, wheres my johnny
boy

XI.

IT AINT EASY

and hope you never see


that it aint easy
it aint easy
loving me
loving me
baby sit tight
its a long ride
cause im gonna die with you by
my side
now that youre here i never want you
to leave
you best believe that it aint easy
no it aint easy
no it aint easy
no it aint easy
loving me

CREDITS:

Produced by Lucas Banker and Patrick Nissley | Written


by Ivy Levan, Lucas Banker and Patrick Nissley | Published
by Thin White Dame Publishing, Dead Dolphin Publishing,
Copyright Control | Recorded by Patrick Nissley and Tomo
Milicevic at Your Living Room Studios, The Lair Studios
and Bloodmoney Den Studios | Mixed by Robert Orton at
Hot Rocks Studios, www.hitmixer.com | Additional mix
engineering by Tony Lake | Mastered by Gene Grimaldi
at Oasis Mastering | Vocals by Ivy Levan | Drums, Bass,
Keyboard, Percussion and Programming by Patrick Nissley |
Guitar by Lucas Banker

A&R: Martin Kierszenbaum

inside me a fires still burning


i wake up each morning tryin to figure
it out
i know that the world keeps turning
but i keep on hurting the one i care
about
but i keep on trying
and i keep on trying
and hope you never see
that it aint easy
it aint easy
loving me
loving me

Don Robinson

stay with me and things will get better


i never say never
but theres never a doubt
i dont want to end up divided
ive already decided
that ill fight this one out
but i keep on trying
and i keep on trying

Cherrytree Records GM:


Andrea Ruffalo
A&R Coordinator: Jody Klein
Marketing Director: Wendy Ong
International Marketing Director:

International Marketing Coordinator:


Phil Fox
Creative: Stephanie Hsu
Production : Kam Sangha
Business Affairs: Jason Kawejsza

SPECIAL THANKS TO:


Vamp, Martin Kierszenbaum, Lucas
Banker, Patrick Nissley, Kristofer
Dommin, Tomo Milicevic, Della
Levan, Susan Banker, Vicki Milicevic,
Filip Milicevic, Brett Nelson, Abreea
Saunders, Della Levan, Mikey
Minden, Chelsea Davis, Brandon
Creed, Kevin Beisler, Elyse Rogers,
Kelsi Ring, Christopher Parise, Ivanna
Milicevic, Greg Yaitanes, Diplo,
Cadre, Sting, Trudie Styler, Kathy
Schenker, Tracy Bufferd, Nicole
VanGiesen, Larry Goetz, John Janick,
Steve Berman, Brenda Romano, Rob
Orton, Tony Lake, Andrea Ruffalo,
Jody Klein, Kelvin Chu, Scott Enright,
Tyler Johnson, Mark Flaherty, Wendy
Ong, Nicole Bilzerian, Jennifer Zeller,
Anthony Seyler, Catina Dickson, Lisa
DiAngelo, Vincenza Conticchio, Carl
Ryan, Alison Barziloski, Jacqueline
Legan, Rick Mozenter, Grady Brown,
Nina Ngunyen at Gelfand, Rennert
& Feldman, Susan Banker, Daniel
Carberry, Cory Jennings, Dave
Aude, Paul Feig, Laurie Feig, Anton
Monstad, Rachel Palmisano, Jordan
L. Carroll, Babette Labeij, Demitri
Veltakamp, Nikki Veltakamp, Chris
Cotten, Jared Leto, Adam Lambert,
Erica Weis, Junkie XL, Michiel
Groeneveld, Jax, Joey Seldon,
Brendon Vandergast, David Altschul,
Marieke Niestadt, Matt Squire, Perez
Hilton, Artie Kenny, Brian Ziff, Chrissy
Priske, Jimbo Quaintance, Ben Weinman,
Nick Simmons, Nicholaus Goossen, Jason
Babadjov, Cody Ross, Brendan Brazier,
Doyle Wolfgang Von Frankenstein, Peter
Gurnz, Elias Tahan, Neave Bozorgi, Brett
Bailey.

Tour Marketing: Carl Ryan


Photography: Brian Ziff
Inlay Photography: Filip Milicevic
Art Direction: Ivy Levan
Design: Donny Phillips / KIHL Studio

DEDICATED IN LOVING MEMORY TO VAMP.