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Character
We can only learn about a character from the words of the play. It means
that our sources of information are dialogue, soliloquy and, in certain special
cases, stage directions. A playwright, unlike a novelist, cant tell us things directly.
When we look at the words of a play we see four ways in which characters are
created:
1.
2.
3.
4.
Plots
The plot of a play can be defined as all the actions of all the characters,
and the reasons for them. The plot must act out or embody what the play is about.
At the beginning of a play, therefore, the playwright must bring the issues of the
plot quickly and clearly into focus.
A sub-plot is a separate piece of action which is less important than the
main plot; it might use a different set of characters though it could also use some
from the main plot. In many cases sub-plots echo the themes of main plots, which
is why playwright invites audiences to see the connection between scenes.
Simply, plots can be divided into: Beginning, Climax, Anticlimax, and
Ending.
TRAGEDY AND COMEDY
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Both tragedy and comedy are genre of drama. Tragic plots offered a bleak
vision of life; they concentrate on failure, conflict, and disaster. In most tragedies
two aspects of this vision are stressed, they are chaos and death. Tragedies usually
centre on one character-a man of exceptional qualities in a high position. This
central character is called the hero. The title indicates the characters
importance; a hero larger than life, almost god-likes, and is at the centre of myths
and legends.
In comedy plot is primary, what delights and intrigues audience is the
complex interweaving of a number of characters with different set of ambitions.
The audience will certainly anticipate that all will end well, but they frequently
both perplexed and fascinate to see how the playwright will achieve this.
THE THEATRE OF IMAGINATION
Drama is what called a performing art. As a result, plays are the most
immediate, the most intense and the most communal of all literary works. They
are immediate because they are acted out in front of an audience, intense because
what is said is concentrated into few hours and communal because they are
enjoyed and judged by a group of people who have specially gathered to view
them. There are some elements of drama that can make up theatrical performance,
namely: atmosphere, staging, actors, and performance.
Atmosphere
When we see a play in theatre, we are aware of its atmosphere. The play
creates a particular mood or feeling. In order to appreciate the play, we must look
at three components (the character, the actor, and the imagery).
Staging
Staging has important role in drama. There are some types of stage in
drama.
1) The traditional stage is that of an acting space behind the proscenium arch,
from which hangs the curtain. The audience, as it were, see the action of
the play through the window formed by the proscenium arch. This type
of stage is appropriate to plays that have realistic setting and deal with the
manners and social habits of everyday living.
2) The arpon stage, which projects out into the body of the theatre, so that the
audience sit on the three sides of the acting area. Some theatres that have
arpon stage have no proscenium arch, but others retain this feature.
3) Theatre in the round is a stage which, rather like a circus ring is
surrounded by the audience except for the entrance and exit point.
Staging not only including about stage it self, it is also include scenery,
costume, and lighting.
Stage scenery is usually the responsibility of the designer. In some plays, a
specific set is required. Other plays are not quite specific, but their words make it
clear that a particular kind of setting is necessary.
Costume, like scenery, should be appropriate to the play. It should express
the particular character of an individual and contribute to the atmosphere of the
play. It is therefore, a useful exercise to ask ourselves how we imagine the
characters to be dressed.
Although lighting is a recent introduction to the theatre, it is very powerful
way of creating atmosphere.
Actors
When we stage a play in the theatre of our imagination, we will have some
ideas of what kind of actors would be suitable, and how we think they should
perform their parts. We are free to imagine what kind of movement an actor
makes and the kind of groupings that would be suitable on the stage.
We must remember that in many plays we are offered a number of
opportunities. It is very rare that a play need to be acted in one particular way. We
should also remember that actors bring their own particular personality to bear
upon a part. When, therefore we think about actors, we should remember that the
words of a play are a starting point for a number of different performances. With
those qualifications in mind, we can think about three things: age, size, and voice.
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Performance
When we have thought about the kind of actors that would be suitable, we
can go on to consider about how the play is performed. There are a number of
points we should consider, namely:
o
o
o
o
Individual Assignment
D R A M A II
NASRAH ISKANDAR
065214013
ENGLISH LITERATURE 06
ENGLISH DEPARTMENT
LANGUAGE AND LITERATURE FACULTY
MAKASSAR STATE UNIVERSITY
2009