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CONSERVATORIUM MAASTRICHT
CONTEMP+ FESTIVAL
29th May 2015
17:00
16:00
Jazzical Vol.2
Intern circumvolutions
Between me and myself" A. Franck
Transforms A. Gutirrez
21:00
21:45
22:15
Federico Spina
Due canzoni Lidie N. d'Angelo
Merce Font
Canticum L.Brower
Hommage Trrega J.Turina
Three Forest Paintings K.Vassiliev
JvE Auditorium
20:20
JvE Auditorium
JvE Auditorium
M.C. - Willem
Hijstekzaal
JvE Garden
Hopper Ensemble
Skya Ch. Bertrand
Marie Fr. Couvreur
Quatre tableaux. Aux couleurs entrelaces M. Cominotto
Sonata in one movement for Harp and Piano C. Salzedo
18:30
M.C. - Willem
Hijstekzaal
M.C. - Willem
Hijstekzaal
Barbecue
MCCME
E und A Fr. Jaecker
Madinat Alzahara A. Gutirrez
Estar muerto y ser A. Gutirrez
17:40
19:30
Chaves Ensemble
Estudo NI : Os Quatro Elementos Fr. Chaves
Ode III : Aguardo, equnime Ch. Bochmann
Musica Ricercata NIV G. Ligeti/Fr. Chaves
M.C. - Willem
Hijstekzaal
JvE
JvE
Maastricht Conservatorium(M.C.)
17:00
Concerts
16:00
Installations
Wingle Mendoza
16:30 Stefan Peters
Opening
FESTIVAL:
Canticum L.Brower
Federico Spina
Due canzoni Lidie N. d'Angelo
Merce Font
generally present in painting, Every listener can give so free rein to his
without decreasing.
clarinet, violin, and cello have to finish together, as clearly as possible and
one by attack techniques, and obviously, the end of the piece where flute, bass-
the part where one of the instrumentalists enriches the interventions of another
individually. Certain places of the score contradict this rule: cadence endings,
The clemency of the feelings has the crocodrile skin. Because of the children
who cry to anyone. Speechless like a murder under the water. Loud like the
diamonds in the mouth of every lover.
Transforms A. Gutirrez
"Between Me and Myself is the second in a series of works which are designed
both as pieces for solo performer with video/electronics and as multimedia
chamber music. The player will be confronted by several versions of himself
and theyre trying their very own interpretation of the piece. Whether played
together with others or alone, the music will find its way through, unifying or
splitting the group.
The idea behind this piece is to work and develop motivic material, in a manner similar to
tradicional (classical) forms. The harmonies are approached in a more free way, often
using chords borrowed from Jazz.
.
Two separately introduced and developed melodies fit together in the end.
In "second xy" the supporting layers have the main role to show how I can combine
them together. This function of supporting of the layers at the end can perceive as a
main subject in this composition.
This song talks about the feeling of being surrounded by problems (gray clouds) but still
having hope that we find a solution and the sun will come out.
Conductor
Clarinet
Clarinet
Bass-Clarinet
Soprano
Soprano
Soprano
Piano
Percussion
Guitar
Violin
Violin
Violin
Composition/Organisation
Conductor
Flutes, Piccolo
Clarinets
Piano
Guitars
Violin
Viola
Cello
Conductor
Flutes
Clarinet
Piano
Percussion
Violin
Cello
Harp
Beate MATVEJEVA
Anais PASANAU MIRO
Monica ROCA
Agata POSNIK
Helena OBRINO
Jazzical Vol. 2
Flute
Clarinet
Violin
Cello
Piano
Guillaume AUVRAY
Sofia GANTOIS
Rudy MATHEY
France COLLIGNON
Franois COUVREUR
Roxanne LEURIDAN
Nathalie ANGLIQUE
Bruno BRAGATO
HOPPER ENSEMBLE
Guillaume AUVRAY
Maarten REUMKENS
Jeroen VRANCKEN
Kasper SCHONEWILLE
Kyohei SUGIHARA
Magdalena BARSZCZ
Agatha PONIK
Oxana THIJSSEN
Guillaume AUVRAY
Anais PASANAU MIR
Madeleine STEVENS
Jeroen VRANCKEN
Sandrine MAIRESSE
Laura VERLINDEN
Judith SEPULCHRE
Kasper SCHONEWILLE
Kyohei SUGIHARA
William LEPP
David WONG
Magdalena BARSZCZ
Eleonora URBELYT
Francisco CHAVES
CHAVES ENSEMBLE
Artists/musicians
Stefan Peters - Jan van Eyck
("Wise is the one who does not seek") and searching the pleasures of
the correct music for the text, in the most faithful way possible.
In this piece, it is the composer who is present with this "problem" of finding
Air / gua Water / Fogo Fire / Terra Earth). The complete title
x
In Stefan Peters' recent video work "Rehearsal" a lost history of painting is discovered. Like
descending a deep dark ocean, the remains of painting practices become visible again. In a
dark undefined space a bright spotlight illuminates a cluster of brushstrokes in
various colours and forms. They were meant to practice certain painting expressions. This is
in order to refine the ultimate brushstroke for the canvas. Accompanied with the tuning
sounds of an orchestra, the video becomes filmic and dramatic. Referring to the paintings of
Edgar Degas, fleeting moments of rehearsal and practice are captured, showing the
imperfect and also fragile character of painting.
INSTALLATIONS
PROGRAM NOTES
x
Poem:
Ricardo Reis
Face to Face. Again the same resolution to die for every suicide.
The same lullaby. Its just a war song in slow motion in front of my
head.
Cities have a strange secret hidden in the silence. Only the night is
waiting for it. Away from me, you and art. Our hands are the language
which will become ascending when it will find itself in sync with the continuum
follow this polar plan, structures at the global level the play by giving her its bi-
has no shore.
banhar nada.
de tudo.