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Artist Bonnie Martin Hodges has developed her own unique asthetic
of equine portraiture in the realist tradition by drawing on the
influence of American portraitist Thomas Eakins (1844-1916), British
equine artist George Stubbs (1724-1806) and French artist Rosa
Bonheur (1822-1899).
In Hodges' opinion, the best mediums for animal portraits are oils and
pastels, although gouache, pencil and water color are excellent for
smaller paintings. Pastels allow for a more impressionistic feel to the
picture, however. Hodges’ portraits mainly have discreet backgrounds,
which cause the viewer to focus on the horse's visage.
Jerry Goldstein, the owner of Post Oak Gallery in Houston, says this about her: "[Hodges] is an extremely
versatile artist, which is unusual. She has the ability to be tight and expressive with a use of color value that
is extremely good." Hodges feels that the overall impression of a work and the mood it inspires are the most
important aspects. She says, "The end result is what is important in a painting and whether or not it is a
pleasing composition." (Cooper 8a). Above all, Hodges' love of horses is the inspiration for her paintings of
them.
“[Hodges] is an extremely versatile artist ... [with] the
ability to be tight and expressive with a use of color value
that is extremely good."
~ Jerry Goldstein
References