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DEATH IN MEXICAN
FOLK CULTURE
PATRICIA FERNANDEZ KELLY
DepartamentoInternacional
UniversidadIbero-Americana
WITH A DISTINGUISHED
CULTURAL
TRADITION
DATING
back three thousand years. Its historicalroute has been one of great
achievementsas well as of great tragedy,yetin its entiretyit is possibleto
perceivethe continuedimportanceof theidea of deathlinkedwithreligion,
magic and, in later times,philosophy.The problemof death as a constant
preoccupationof man in thesethreeareas of humanbehavioris notlimited
to Mexico's past or present.On the contraryit probably constitutes,
togetherwiththe idea of love, one of the most widespreadconcernsin the
world. However,Mexico withits past richwiththe memoryof great and
lost civilizations civilizationsin timeblendedwiththe Europeantradition
in a historicalcycle of colonialismand dominationthatin a sense has not
yet ended offersthe researcheran abundanceof materialmarkedby its
uniquenessand creativity.
Beforesurveyingsome of the characteristicways the idea of death has
beentreatedin Mexico, it is necessaryto considersome moregeneralmatters. Where does the concern with death originate?It is reasonable to
believethat thisexclusivelyhuman questionarises fromanothertypically
human trait:the capacity for self-awareness.It is only man who can observethe surrounding
worldwhileknowingat thesame timethathe can be
observed.Many have ponderedoverthefundamental
characterof the reci-
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theduality
oflifeanddeath.PreclassicPeriod(ca.
Figure1:Claymaskrepresenting
1500-200B.C.) CentralMexico.MuseoNacionaldeAnthropologia.
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the otherhalf is a naked skull (Figure 1). Clearly a symbolof the unity
resultingfromthecomplementary
characteroflifeand death,it is onlyone
ofthemanyartisticworksinwhicha senseofthisdualityis expressed.
Indeed,froma visual perspective,naturemanifestsitselfin the formof
complementarydualities:lightand darkness,masculinityand femininity,
the heavensand the earth,the visibleand the invisible,warmthand cold,
permanentand temporary,
lifeand death.Whatis notableis thepresenceof
all theseopposingforcesas integralparts of theunitywithinthe universe,
an idea whichreachedits summitin later cultures,particularlyamong the
Aztecs.
Throughoutthehistoryof theprehispanicgroups,theobsessionwiththe
contradictionof lifeand death remainsas one of the most importantreligiouspreoccupations.Still, thereis a pointat whichthesegraduallyformulatedtraditionsbeginto take definiteshape in a remarkablyinteresting
way. This is theera knownto archaeologistsas theClassic period(ca. 200
B.C.-800 A.D.), specific evidence for which has been found in the
southeasternregionof Mexico wheretheMaya cultureflourished.
Palenque is one of the most impressivesightsin the world. It emerges
from a patch of jungle, a conglomerationof finelybuilt, monumental
edificesstillcoveredwithwhitestuccoand decoratedwithexquisitecarvings
inhighrelief.Amongthetemples,themostfamousis theso-called"Temple
of the Inscriptions,"uniquein Middle America because of theexistenceof
an underground
funerary
crypt,insidewhichwas foundthedead bodyof an
undoubtedly
distinguished
personburiedapproximately
one thousandyears
ago. It seems,in fact,thattheentirearchitecturalstructurewas builtwith
the deliberatepurpose of preservingthe noble tomb, whichcan only be
reachedbydescendinga steepstaircasethatconnectstheshrineabove with
thefunerary
enclosurebelow.
Insidethecryptis a monolithicburialcasketcarvedand decoratedon the
sides as well as on thelid. It is thelid whichparticularlyinterestsus when
consideringin detail the idea of death. On it we see the delicatelycarved
in a fetalposition.Behindhima treeoflife(a ceiba
figureof a man reclining
or cottonsilktree) stands erect with its branches supportingthe sky.
Underneath,the geometricmask of the monsterof the earth servesas a
pedestalwhileon top a Kuan birdsymbolizesthe heavens.To the sides of
theplaque thereare streamsof water,and close to thenose of thereclining
figurea small tube provideshim withair. Both insideand outsidethe sarcophaguspreciousofferings
werefoundthatindicatethehighsocial status
of the man: necklaces made of patientlycarved jade beads, enormous
pearls,fragmentsof rock crystal,some impressivemasks and particularly
the dignifiedstucco heads of two youngwarriors,consideredin our times
amongthemasterpiecesofMiddleAmericanart.
At firstglance whatsurprisesus about the reliefis the magnificent
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DeathinMexicanFolkCulture
523
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womanwhodiedinchildbirth).
AztecPeriod
(deified
Figure3: Stone"cihuateteo"
(1325-1521A.D.). MuseoNacionalde Anthropologia.
oflife
of man's attemptto explainthecontradiction
pressivemanifestations
and deathinhis surrounding
world.
Finally,it is necessaryto remembertheAztec poetryin whichtheidea of
glorified:
death,especiallydeathinwar,is continuously
Whereareyoutogo?Whereareyoutogo?
Itzpapalotl
givescolorto men.
To war,tothedivine
waterwhereourmother
In thebattlefield
dustriseswithin
thewaterofthebonfire:
ohMacuilMalinalli!
TheheartoftheGodCamaxtlesuffers,
is thebattleandyoushallholditinyourhands.
As a flower
ca. 1495)
(Cant.Mex.,f.70 r.,lin19ss. De Tenochtitlan,
fragment,
thegloryof sacrificeis remembered:
Again,in a different
Oh GiverofLife!
andturquoises.
islikeemeralds
Yoursacrifice
It is thehappiness
andwealthofprinces
To dieat theedgeoftheobsidian,
To dieinwar.
(Romancesdelos Seiioresde NuevaEspaiia,f.42)
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ICE
a "marakame"
Figure4: Huichol"nearika"(yarnandbeeswaxon wood)showing
to rescuethesoulof a dead man.Stateof Jalisco,Mexico.Instituto
attempting
NacionalIndigenista.
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lady,ina stateofutterdespair,
dramatic
intheirblackclothes,
unkempt
hair,and
trailing
shawls,crying
or rather
andwailing,
carried,
draggedbythearmson the
shoulders
offriends....
At thecemetery
. . . thecoffin
was nailedandloweredintothegrave.At this
ofthedeceasedto givea
pointit is thecustomforthenearestwomenrelatives
finalandmostviolent
display
ofdespair....
The mourners
returned
hometo initiate
theprayers
(rezos)saideveryevening
forninedaysaftertheburialbeforean earthandsandreplicaofthegrave.This
symbolic
gravewaserectedoverthegroundwherethecorpsehadlaininfront
of
thesaint'saltar,andwas coveredwithflowers,
witha candleat eachofitsfour
corners.
In Tlacotepec,
a beautiful
littlevillagebya spring
intheneighborhood
of
toplantgrainsofcornalloverthegrave,which
Ixtepec,itis customary
is watered
everyday,so thatthecornsprouts,
andbytheninth
dayithas becomea miniaturecornfield.
Thischarming
customhas no purpose,
according
to thepeopleof
Tlacotepec,beyondan aesthetic
one,butit is significant
thattheybelievethat,
thoughthebodyis gone,thespiritof thedeceasedremainswiththefamily
for
theseninedays,somepeoplegoingso faras to assureonethatduring
thattime
thedeadlivesunderthesaintonthealter.
Everydaytheflowers
on themake-believe
graveare replacedwithfreshones,
andthosewiltedare savedina basket.At theendofninedaysthemoundis distheearthandflowers
mantled;
are collected,
carriedaway,andthrown
intothe
or cemetery.
It is notuntilthenthatthehousemaybe
river,thechurchyard,
swept.Blackbowsare hungon thegateandwindows,
wheretheyremainuntil
thefamily
mustobservedeepmourning.
theyfallto pieces,andforninemonths
Womenwearonlyblackcostumeswithwhiteruffles
on thebottomoftheskirt,
butitis enough
formentowearblackribbons
ontheir
leftarmsfora while.'
In contrastto the somber,oftenpessimisticcharacterof much of its
funerary
ritual,Mexico is also wellknown,paradoxically,forthehumorous
naturewithwhichher people regarddeath. In the end death is to be seen
witha touchofhumorin orderthatthepsychologicalburdenitimpliesmay
be lessened.Not onlya smilebutoutrightlaughterand mockerydistinguish
some of the most typicalmanifestations
of Mexican folkloreconcerning
death; but it is a bittergaietythatphilosophicallyrecognizesthe factthat
the definitive
characterof death can onlybe successfullyconfrontedwith
and scorn. Among these cultural gestures the
gestures of indifference
"calaveras," versesthat celebratethe death of a still-living
personand his
arrivalin hellor heaven,are typical.Politiciansand otherprominent
figures
are favoritevictimsof thismorbidjoke. But poweror prestigeare not prerequisitesforreceiving,as a giftforAll Souls' Day, a versein whichone's
deathhas beenhumorouslyrelated.Apparentlyuniqueto Mexican culture,
the "calaveras" are seen as a particularlyeffective
antidoteforthe anguish
thetermination
thatall menmustfeelwhencontemplating
oftheirlife.
'MiguelCovarrubias,Mexico South (New York: Knopf,1946),pp. 390-94.
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535
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