Documente Academic
Documente Profesional
Documente Cultură
No.
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Appendix
AS L1-i
AS L2-ii
ST L1-i(a)
ST L1-i(b)
ST L1-iii
CS L1-iii
CS L2-ii
CS L2-v
CS L3-ii(a)
CS L3-ii(b)
CS L3-iii
CS L3-v
PS L2-i
PS L2-ii
PS L2-iv
DR L2-iii
DR L3-iii
PD L1-iii
PD L1-iv(a)
PD L1-iv(b)
PD L1-v
PD L2-iii(a)
PD L2-iii(b)
PD L2-v
PD L3-i
Activity / Material
Score Sheet (Action Song)
Tongue Twisters
Score Sheet (Storytelling)
Storytelling
Casey Jones
The Grasshopper and the Ants
Examples of Tongue Twisters
Steps in Teaching Jazz Chant
Choral Speaking in the Elementary Classroom
Elements of Choral Speaking
Onomatopoeia
Score Sheet (Choral Speaking)
Just A Minute
Board Game
Sample Questions to Be Copied on Cards
Poison Box
Suggested Situations for the Role-Play
15 Facts and 15 Opinions
Cause and Effect Treasure Hunt
Treasure Work Worksheet
Debate Poison Box
Mission Possible to Mars
Relevant Social Conventions
A Man Called Future Husband
Pros and Cons Relay
24
Page
No.
27
28
29
30
31
32
33
34
35
Appendix
PD L3-ii(a)
PD L3-ii(b)
PD L3-iv
NIE-A
NIE-B
OUTDOOR A
OUTDOOR B
OUTDOOR C
OUTDOOR D
Activity / Material
W.A.R (We Argue and Refute!!!)
Sample Mahjong Paper for W.A.R!!!
Lets Walk in Different Shoes
Scavenger Hunt
NIE Relay
Running Dictation
Treasure Hunt
Blind Man
Survey & Report
Page
GUIDELINES FOR
ENGLISH LANGUAGE SOCIETY
INTRODUCTION
Being able to communicate effectively and confidently in the English Language will enable students to function
and contribute successfully in local as well as international situations such as forums, meetings, transactions
and negotiations. To instill confidence, usage and interactions in the English Language is of utmost importance.
As such, this guide book advocates fun yet educational activities that help build confidence in students to learn
and speak the language.
This five-year scheme of work has been designed as a guideline for teacher advisers of the English Language
Society in schools. The activities outlined are based on the major activities subsumed under the English
Language Motivation and Support Programme organized by the Ministry of Education such as Action Song,
Storytelling, Choral Speaking, Public Speaking, Debate, Drama in English and English in Camp. The activities
25
include warmers, puzzles, language games, NIE activities and competitions which students can enjoy and learn
in a non-stressful manner.
The activities designed in this book can be described as light relief in comparison to serious teaching and will
be a delightful way of reinforcing what is taught in the classroom. Besides using and adapting the suggested
activities outlined in this book, it is hoped that teachers will also initiate other English Language Programmes or
activities that would meet the needs of the students in their schools.
The activities subsumed under the English Language Motivation and Support Programme are divided into 3
levels Level 1 for beginners, Level 2 for intermediate learners and Level 3 for advanced learners. There are 5
activities proposed for each level. As there are more than 100 activities offered in this book, a coding system to
identify activities and appendices is designed for easy reference. The coding system used for activities is as
follows:
Code
AS
ST
CS
PS
DR
PD
Reference
Action Song
Storytelling
Choral Speaking
Public Speaking
Drama in English
Parliamentary Debate
Each activity is further coded according to its level of difficulties and sequence of activities. For example, an
activity with the code of DR L1-iv refers to the fourth activity in Level 1 for Drama in English. On the other hand,
AS L3-i should refer to the first activity in Level 3 for Action Song. As for the appendices, their coding system is
almost similar with the coding for activities. For easy reference, Appendix DR L1-iv refers to the appendix for
the fourth activity in Level 1 for Drama in English.
OBJECTIVES
26
1.
2.
3.
4.
5.
6.
To enable students to learn the English language in an interesting, authentic and a creative manner.
To encourage students to communicate confidently and effectively in the English language.
To enable students to develop critical and creative thinking skills.
To enable students to develop leadership qualities.
To engage students in activities that enable them to build confidence and awareness of self.
To promote integration and inculcate positive values.
ACTION SONG
Programme
Action Song
Level 1
Activity
Procedure
1. Introduction to
Action Song
[AS L1-i]
2. VCD-watching
[AS L1-ii]
27
Remarks
Appendix AS L1-i
Score Sheet.
Programme
Activity
Procedure
Remarks
- singing
c. Each group presents their views during
the group discussion.
3. Humming a
Song.
[AS L1-iii]
4. Sing Along 1
[AS L1-vi ]
5. Music and
Actions (no
singing )
[AS L1-v]
Examples of melody:
- hum hum
- la..la..la..
- sh sh sh
- ppp
- d.dd
- thth..th
Examples of actions:
Static
-hands /Legs
movement
- Head movement
- Body movement
Slow Movement
28
Programme
Activity
Procedure
Remarks
-Swaying
In Motion
- walking forward /
backwards
- leaping, skipping
- clapping hands
- nodding heads
Action Song
Level 2
1. Sing Along 2
[AS L2-i]
2. Tongue Twisters
[AS L2-ii]
3. Elephant
Dance
[AS L2-ii]
Refer to Appendix AS
L2-ii
Options:
This activity may also
be carried out in a
big circle.
Other group
members should also
be given a chance to
d. Group members must follow every be the leader.
movement / action made by the group
29
Programme
Activity
Procedure
Remarks
4. Creative
Movements /
Choreography
[AS L2-iv]
5. Performances
during Special
Occasion
[AS L2-v]
Action Song
Level 3
1. Moods
[AS L3-i]
30
Programme
Activity
Procedure
b. Each group must choose a song (Teacher
may also decide the songs for all groups).
c. Each group goes through the lyric of the
song and identify the mood(s) / emotion(s)
of the song. They should discuss how the
mood(s) / emotion(s) can be portrayed in
their presentation.
d. Each group is given 20 minutes to make
preparations for their group presentation.
2. Highlighting
Theme
[AS L3-ii]
3. Jingles
[AS L3-iii]
Remarks
emotions can be
delivered
through
choreography
and
facial expressions.
Prizes should be
offered to the winning
e. Each group is only given 5 minutes to groups.
present their action song.
a. Students are divided into several groups. Options:
b. Each group is given a theme such as
unity, racial harmony, Vision 2020, Teacher may come
with
other
patriotism, science and technology, out
themes.
environment, love, etc.
c. Students have to discuss how each
theme can be presented through an Teacher may also
choose only one
action song.
theme
to
be
discussed
by
all
d. Group presentation. Teacher and other
students should respond / give feedbacks students.
to the ideas presented.
a. Students listen to a few jingles (TV or
radio)
b. Students in groups are given a topic and
to come up with suitable jingles.
31
Examples:
-Star World channel
jingle (Astro)
-Digi jingle
Programme
Activity
Procedure
4. Inter-group
Action Song
Contest
[AS L3-iv]
5. Lyric Writing
[ AS L3-v]
Remarks
Static
-hands /Legs
movement
- Head Movement
- Body
Slow Movement
- swaying
In Motion
- walking forward /
backwards
32
STORYTELLING
Programme
Storytelling
Level 1
Activity
1 Introduction to
storytelling
[ST L1-i]
2. VCD watching
[ST L1- ii]
Procedure
Remarks
Appendix ST L1-i(a):
Score Sheet
Appendix ST L1-i(b):
Storytelling
a.
b.
33
Examples of mood:
angry, sad, happy,
Programme
Activity
Procedure
c.
Remarks
3. Listening to
stories
[ST L1-iii]
Appendix ST L1-iii:
Casey Jones
4. Play Judge
[ST L1-iv]
5. Let Me Share
With You
[ST L1-v]
34
Programme
Storytelling
Level 2
Activity
1. Chain Story
[ST L2-i]
Procedure
Remarks
2. I Fell in Love
[ST L2-ii]
3. Interrupted
Storytelling
Students should be
allowed to make
preparations at
home.
The story may be
told in smaller
groups first to
develop students
confidence.
35
Programme
Activity
[ST L2-iii]
3. An Imaginary
Journey
[ST L2-v]
Procedure
Remarks
36
Programme
Activity
Procedure
or her listener how to go into the
speakers house, go to the bedroom,
and, once there, describe where to find a
special item somewhere in the room.
e. The speaker tells the listener a story
about why the item to be retrieved is
special and then the speaker verbally
explains how to get back to the front door
to bring the special item out to where the
speaker will be waiting.
Storytelling
Level 3
1. Pass the
Picture and
Tell the
Story.
[ST L3-i]
37
Remarks
speaker may
discover in
discussing this
exercise afterwards,
that he or she
imagined the house
clearly and saw
more detail than was
mentioned.
Students are
encouraged to
imitate the
intonation, stress
and rhythm of the
teacher when telling
the story.
Programme
Activity
Procedure
3. Miming the
Story.
[ST L3-iii]
4. Impromptu
Storytelling
[ST L3-iv]
38
Remarks
The story could also
be a nonsensical
story.
The task of the story
teller can be done by
a student or a group
of them taking turns.
If the students are
good, they can tell
the story using their
own words without
reading the text.
Programme
Activity
5. Inter-Class
Storytelling
Competition
[ST L3-v]
Procedure
Remarks
CHORAL SPEAKING
Programme
Choral
Speaking
Level 1
Activity
Procedure
1. Introduction to
Choral Speaking
[CS L1-i]
2. VCD Watching
[CS L1-ii]
39
Remarks
Programme
Activity
Procedure
Remarks
speaking presentation .
a. content
b. facial expression
c. pronunciation
d. overall performance, etc.
c. Each group presents their opinions /
feedbacks.
3. Choral Reading
[CS L1-iii]
Refer to Appendix CS
L1-iii.
4. Phonetics / Word
Attack
[CS L1-iv]
5. Sound System
[CS L1-v]
40
Programme
Activity
Procedure
Remarks
1. Basic Phonetics
and Phonology
[CS L2-i]
2 Tongue Twisters
[CS L2-ii]
Refer to Appendix CS
L2-ii.
Oxford Dictionary or
Longman Latest
Edition
4. Echo
[CS L2-iv]
a.
b.
c.
Examples of
sentences /
dialogues:
I like you, Please
help me, etc.
41
Programme
Activity
Procedure
Remarks
Refer to Appendix
CS L2-v for other
procedures to teach
jazz chants
42
Suggested topics:
Social expressions,
General knowledge,
Getting to know you
Programme
Activity
Procedure
Remarks
3. Onomatopoeia
[CS L3-iii]
Refer to Appendix
CS L3-ii(a) and
Appendix L3-ii(b)
Refer to Appendix CS
L3-iii.
43
Programme
Activity
Procedure
Remarks
4. Script
Adaptation
[CS L3-iv]
Suggested topics :
Good manners
Healthy eating
Happy Living
Nature
5. Inter-group
Competition
[CS L3-v]
Refer to Appendix CS
L3-v for the choral
speaking score
sheet.
PUBLIC SPEAKING
Programme
Activity
Procedure
Remarks
Public Speaking
Level 1
1. Introduction
to Public
Speaking
[PS L1-i]
44
Programme
Activity
Procedure
Remarks
to schools.
2. VCD
Watching
[PS L1-ii]
3. Memorized
Circle.
[PS L1-iii]
45
Programme
Activity
4. Introducing
Another
[PS L1-iv]
5. News
Reading
[PS L1-v]
Procedure
Remarks
speaking longer.
The information to be
shared could vary
from simpler to more
challenging topics.
E.g. My family or
The happiest day in
my life depending on
the students ability.
46
Programme
Public Speaking
Level 2
Activity
1. Just a Minute!
[PS L2-i]
Procedure
a. Teacher introduces a board game to the
students and read the rules and
regulations of the game.
b. Teacher groups the students in a group
of four.
2. Board game.
[ PS L2-ii]
Remarks
Refer to Appendix
PS L2-i.
This board game is
an adaptation of the
snake and ladder
game.
3. Sale Promoter
[PS L2-iii]
47
Promoting the
product could be
Programme
Activity
Procedure
b. Each group is assigned to design a
futuristic stationery on a mahjong paper.
Remarks
done in front of a
small group or to the
whole class.
Materials required:
Question cards
For suggested
questions refer to
Appendix PS L2-iv
5. Two-minute
48
Programme
Activity
Talk on
Random Topic
[PS L2-v]
1. Five-minute Talk
[PS L3-i]
2.. Speakers
Corner
[PS L3-ii]
Procedure
b. For every talk, there are three positions:
speaker, topic maker, and timer.
c. These positions rotate as different
people do their talks. For each talk, the
topic maker picks a random topic, the
speaker talks about it, and the timer
makes sure the talk lasts for two
minutes.
a. Students stand or sit in a big circle.
b. Teacher plays music while passing
around a ball. Once the music is
stopped, the student with the ball has to
present a short speech on the given
topic such as Money.
c. The student who has given a speech
does not have to present again if he or
she gets the ball for the second or third
time. In fact, he or she is given the
privilege to choose anyone in the circle
to give the speech.
a. Teacher decides where and when the
activity should be held. Most probably at
a school canteen during recess as there
will be many students there.
49
Remarks
less intimidating that
having the whole
class watch each
student. The list topic
should also be
suitable to students
ability.
Teacher may also
pass around 3 balls
for more student
participation.
Programme
Activity
3. Wonderful
Product
[PS L3-iii]
4. If I were
[PS L3-iv]
Procedure
b. Teacher selects some potential students
to speak at the chosen corner in public.
a. Teacher divides students into groups.
b. Each group has to create a unique,
exclusive and wonderful product. For
examples, a pair of bionic shoes and a
magic calculator which have multipurpose, extraordinary and sophisticated
functions.
c. Students have to draw and label their
products on mahjong papers.
d. Students must also discuss the details of
their products name, price, features,
specialties, etc.
e. Each group presents the product in 5
10 minutes inclusive of a question and
answer session with the teacher as well
as students from other groups.
a. Teacher writes on small pieces of papers
personalities / individuals such as Prime
Minister, Principal, Dato Siti Nurhaliza,
Beyonce Knowles, Tiger Wood,
Education Minister, Dr. Sheikh Muzaffar
Mustapha, Mahatma Gandhi, etc.
b. The papers are folded and put into a
box.
c. Every student is given a paper /
personality and they have 10 minutes to
50
Remarks
Students should be
encouraged to be
creative. They may
use colourful markers
to draw their
wonderful products.
Programme
Activity
Procedure
Remarks
5. Inter-Class
Public Speaking
Competition
[PS L3-v]
DRAMA IN ENGLISH
Programme
Drama in
Activity
1. Introduction to
Procedure
a. Teacher asks students to share their
51
Remarks
Programme
English
Level 1
Activity
Drama in English
[DR L1-i]
2. Drama VCD
Watching
[DR L1-ii]
3. Adverbial
Charades
[DR L1-iii]
Procedure
Remarks
52
Programme
Activity
Procedure
Remarks
5. Mirror Mirror
on
the Wall
[DR L1-v]
53
This activity is
intended to enhance
students facial
expression while
acting in a drama.
Programme
Activity
Procedure
Remarks
Drama in
English
Level 2
1. Acting Out
[DR L2-i]
2. Comic Alive!
[DR L2-ii]
3. Poison Box
[DR L2-iii]
54
also
than
Programme
Activity
Procedure
b. Music should be played when three
small balls are being passed around.
c. Once the music is stopped there must
be three students holding the balls and
one of them has to take a piece of paper
in a box on behalf of the others.
d. The paper taken should tell what all
three of them have to do. Refer to
Appendix DR L2-iii for some suggested
tasks.
e. Teacher decides whether they perform
the task one by one or simultaneously.
f. All the other students have to judge
which one of the three students
performs the task given the best.
4. Stressed,
Unstressed,
[DR L2-iv]
5. Expressing
Remarks
three balls. The balls
can be replaced by
other objects which
are safe and easy to
be passed around.
(Before starting) The
distance among each
ball should be spaced
out.
Some other
sentences that can
b. He then gives one sentence to the be used are:
-May I know your
students. E.g. This is my book.
name?
c. All the students will take turn to say the -I love you!
sentence in different intonations, stress -Those are my story
books
and rhythm showing different emotions.
-She loves the cat.
-When can I see
you?
55
Programme
Activity
Procedure
Feelings with
Objects
[DR L2-v]
b.
c.
d.
e.
Drama in
English
Level 3
56
Remarks
students to bring an
item each from home.
Teacher should
encourage students
to show appropriate
facial expressions
when they
communicate with the
item.
Programme
Activity
2. Commercial
Break
[DR L3-ii]
3. Role-play
Procedure
Remarks
personality.
d. Students have to create dialogues
between the reporter and the
personality.
e. Teacher tells the students that they are
going to witness the recording of A Day
in the Life of at a local television
station.
f. All pairs present the dialogues one by
one.
57
Programme
Activity
[DR L3-iii]
Procedure
groups.
b. Each group is given a task to come out
with a role play based on the situation
given. Refer to Appendix DR L3-iii for
the situations.
c. Students make preparation for the role
play.
d. Group presentations.
4. Inter-class Sketch
Competition
[DR L3-iv]
5. Special
Performance
[DR L3-v]
PARLIAMENTARY DEBATE
58
Remarks
Programme
Parliamentary
Debate
Level 1
Activity
1. Introduction to
Parliamentary
Debate
[PD L1-i]
2. VCD Watching
[PD L1-ii]
F&O Corners
[PD L1-iii]
Procedure
Remarks
59
Some materials /
pages may be printed
for students.
b.
c.
d.
e.
L1-iii.
Two corners of the classroom must be
labeled as FACT CORNER and
OPINION CORNER.
Each student is given one strip of card
and he / she has to decide whether it is
a fact or an opinion and gather at the
respective corner with the others.
Students from each corner take turn to
step forward, read aloud the card and
quack (3X) if it is a fact but
Moooooooooo if it is an opinion.
Teacher and all students listen carefully
for verification. If the student tells
wrongly, he or she has to make another
animal sound of his / her choice.
When all students have finished telling
about their facts / opinions, teacher
explains the significance of
differentiating both and using them to
support arguments / statements in a
debate.
60
c.
d.
e.
f.
g.
h.
61
5. Debate Poison
Box
[PD L1-v]
Parliamentary
Debate
Level 2
1. Debate Scrapbook
[PD L2-i]
62
2. Two-minute Case
[PD L2-ii]
duration to complete
the scrapbook.
Teacher / students
should list down the
characteristics in two
columns on
blackboard.
63
Prizes may be
offered to the best
three scrapbooks.
The society may also
establish its own
collection of
reference materials
for future debates.
Students should
make a few stops
and share their case
with more students if
they are less
confident to present
individually later.
64
Teacher should
provide a list of
relevant social
conventions to be
used in the
discussion / debate.
Refer to Appendix PD
L2-iii(b).
65
Parliamentary
Debate
Level 3
Refer to Appendix PD
L2-v for the list of
candidates and their
different traits.
66
c.
d.
e.
f.
g.
h.
i.
2. W.A.R.!!!
(We Argue and
Refute!)
and disadvantages)
All groups are given one similar debate
topic simultaneously. Teacher writes the
topic on the blackboard.
Each group has 5 minutes to discuss
the pros and cons of the topic.
Each group is given 5 7 minutes to
run (do not rush safety first) to the
back of the class to write on the
mahjong paper the pros and cons
appropriately. At one time, only one
group member is allowed to run and
then write on the mahjong paper.
When the time is up, all students are
seated and teacher puts up the
mahjong papers on the board. The pros
and cons of the topic are presented by
each group.
Students should be encouraged to
argue with each other during the
presentations.
Teacher should conclude by highlighting
the three most significant and prominent
pros and cons.
If time permits, the students should
have one or two more rounds of similar
relay. They may also be regrouped.
67
Refer to Appendix PD
L3-ii(a) for the list of
[PD L3-ii]
68
topics.
their arguments.
3. Mum, Dad, please
.
[PD L3-iii]
4. Lets Walk in
Different Shoes
[PD L3-iv]
69
Options: Students
can also debate on
hobbies, favourite
television
programmes, top
artistes, etc.
b.
c.
d.
5. Inter-group Debate
Competition
[PD L3-v]
a.
b.
c.
d.
respectively.
Teacher gives a debate topic one at a
time. Based on each topic, students are
given some time to make their stand
clearly and support it convincingly.
Refer to Appendix PD L3-iv for the
suggested debate topics.
Every group presents its stand and
arguments. All group members must
cooperate to defend their arguments or
clarify any doubts raised by others.
Teacher must change the labels for
every new debate topic (students
remain seated) so that every group of
students has a chance to walk in
different shoes when presenting their
arguments.
Teacher should form 4 groups of
potential debaters among the ELS
members. There should be 3 debaters
in each group.
Two topics are given the first topic is
for the first round and the second topic
is for the final round. Teacher may use
past debate motions used at district,
state or national level.
All groups are given sufficient time to
prepare themselves (could even be 1
2 weeks).
Teacher should be the Chief Adjudicator
and may be assisted by some ELS
70
Teacher determines
the duration for the
inter group debate.
More debating
groups should be
encouraged.
Other ELS members
who are not debaters
can make
contributions as:
- researchers
- advisors
- trainers
- timekeepers
- speaker
- co-adjudicators
members.
e. Teacher should provide some prizes at
least for the efforts and commitment put
in by the winning group.
7. ENGLISH IN CAMP
7.1 WARMERS
Activity
Procedure
1. Gloves And
Sweets
Relay
2. Dont
Answer
No.
71
Remarks
Materials: Wrapped sweets, 2
paper bags and two pairs of men's
large thick gloves
Activity
Procedure
three or more siblings? Are you wearing earrings? Do you
have blue jeans on? Is it your birthday this month? Are you
wearing something red?
d. The first person to get back to her original seat is the winner
of a bar of imported chocolate or simply a 2B pencil!
3. Alphabet
Circle
4. Feed Me
Please!
a. Teacher pairs up the students and tie their left wrist together.
b. Give each pair a banana to hold in their left hand.
c. When teacher says "Go", they peel the banana with only their
right hand and try to push it in their partner's face/mouth.
d. You may want to blindfold the students to add excitement.
5. Crack Me
72
Remarks
Activity
Not
Procedure
Remarks
6. Money,
Money,
Money
7. Eat And
Blow
73
Activity
Procedure
Remarks
8. Eyes
Please!
a.
9. Rhythmic
Jumping
10. Confess
Please
11. Getting to
Know You
74
Activity
Procedure
Remarks
12. Happy
Family
13.
Personality
Matching
WILLIAM
SHAKESPEARE
MAHATHIR
MOHAMED
ISAAC
NEWTON
b. Each student has to find the other student holding the other
half of the name.
c. In pairs, they then describe their personality for others to
guess.
14. Blow
Wind
Blow
75
Activity
Procedure
Remarks
the circle.
f. The student without a seat has to stand in the centre of the
circle and continues doing the same activity.
7.2 LANGUAGE SKILLS ACTIVITIES
Activity
1. Bingo
Procedure
Remarks
taken
put
given
swam
done
eaten
Card 2
given
spoken
lied
cut
done
spoken
Nine blank cards for covering the words
taken
bought
combed
c. Leader calls out the root word (eg. Go) and pairs look for the past
participle of the word and cover it with a blank card. The pair that
successfully covers 3 words in a horizontal, vertical or diagonal
76
Cards
prepared
may
contain more than nine
words depending on the
students
level
of
proficiency.
2. Spelling
Bee
3. Words
Scrambling
4.
Advertisement
Jingles
5. Deserted
77
Island
a saucepan
a knife and a fork
20 meters of nylon rope
a compass
a towel
a pencil and paper
a transistor radio with batteries
7 True or false
a. To begin with, each pupil should think of a factual statement and a To encourage story-telling
fictitious statement about themselves to relate to the rest of the
technique. This is good for
class, who have to guess which is which.
confidence building and
78
7 Secret
Messages
a. The students are paired and each pair is asked to write out the
letters of the alphabet, A-Z, and the numbers 1-26 underneath.
Each pair thinks of a simple message, written in the number code,
to send to another pair.
b. The teacher organizes an exchange, and then each pair cracks
the code using the number coding.
c. One of each pair is in prison and writes a letter to their associate
outside with a coded message in it. The partner must try to crack
the code and decipher the message, then reply using the code.
9. Just the
Job
10 Coffee-pot
79
is, they may guess. If they are correct, another pair is sent
out.
11. Aunt
Sitis cat
12 .Classroom
Shop
80
14. Chain
Spelling
15. Hybrid
16. Getting
the
c. One member of the group or class says Ive been reading a very
interesting story, but gives no detail except in response to questions,
81
Full Story
17. Dictionary
e.g. Who are the characters? Where do they live? What are their
names? How does the story begin? etc.
d. Teacher needs not know what the story is and can join in
questioning, but the teachers main role is to encourage varieties in
the questions.
a. Teacher finds a suitable word in the dictionary, names the part of
speech (noun, verb, etc.) and the first letter, and reads the definitions
(and the sentences using the word in context, if necessary).
b. Students try to guess the word being defined. The first student
correctly to identify the word chooses the next word and reads its
definitions.
Example: My word is a verb and it begins with the letter t. It
means:
1. produce thoughts; form in the mind. I often _____ of home.
2. reason; consider. He is _____ about the problem.
82
Procedure
Remarks
Students
newspapers.
2. Scavenger
Hunt
3. NIE Relay
83
should
share
Activity
Procedure
d. Teacher puts a box that contains 20 tasks (each task is
printed on a small piece of paper) in front of each group. Refer
to Appendix NIE-B for some suggested tasks.
e. The first group member in the row has to take out one piece of
paper (one task).
f. He / she has to run / walk to the front of the class and use the
newspapers on the desks to complete the task.
g. After cutting the newspaper based on the task given, he / she
gets back to the group and the second student in the row
should continue the activity (e, f and g). The activity goes on
until all the tasks are completed.
4. My Story
5. Family
Tree
Remarks
a. Students are divided into several groups. They have to Markers should be used to draw
assume that they come from one family.
and label the family trees.
b. Each group has to create a family free and cut relevant photos
in the newspapers to represent their family members.
c. Other pictures / materials in the newspapers can also be cut
to reveal more about the family members (e.g. mansion to
indicate their wealth, hockey game to tell about their hobby,
etc.)
d. The family tree should be drawn and labeled on a piece of
84
Activity
Procedure
Remarks
7. My Future
a. Teacher tells that students have to think of their lives in 15 Teacher should encourage other
years time.
students to ask questions during
b. Every student cuts materials (pictures, words, etc.) from the presentation.
newspapers to convey information about his / her future life.
c. Students are encouraged to be creative in arranging all the
newspaper cuttings on mahjong papers.
d. Students present their future lives orally.
8. Mind My
Own
Business
85
Activity
Procedure
Remarks
mahjong paper.
e. Each pair presents their business company.
9. Top Secret
10. A Holiday
For My
English
Teacher
86
Activity
Procedure
e.
Remarks
2. Treasure
Hunt
Procedure
Remarks
87
Activity
Procedure
Remarks
4. An Affair
with an Egg
88
Activity
Procedure
Remarks
6. Survey &
Report
89
Activity
Procedure
Remarks
d. They are given about 20 30 minutes to carry out the survey. operate in the survey.
e. Then, students are asked to combine all the data, analyse
them and record the findings.
f. Some students are selected to present the findings.
7. My Senses
8. Mural
Painting
a. Teacher reads and revises the Form 1 poem, The Dead Crow,
with the students. Teacher highlights the imagery in the poem
and relates them to mans senses and feelings.
b. Teacher explains about the senses and gives some
examples. For example, if students were asked to imagine
what they would see, hear, taste and touch if they were to
stand on a polluted beach or walk in a virgin forest.
c. Students are asked to go to certain places within the school
compound and record what they see, hear, touch and taste as
well as what they feel.
d. Students should write what they have sensed and their
feelings in complete sentences.
e. Once the task is completed, students are asked to compose a
poem to describe the places they visited earlier as well as
their feelings.
f. Students write their poems and teacher asks for some
volunteers to recite the poems.
a. All society members are involved in this charity /
beautification project.
b. Thorough planning has to be made by the teacher and
students regarding the location, duration, cost, wording,
design, volunteers, etc.
c. Some examples of wordings to be painted by the students:
90
Activity
Procedure
-
9.
Personification
10. Language
Telematch
Remarks
91
*Personification is a figure of
speech in which human attributes
are given to an animal, an object
or a concept.
Activity
Procedure
Remarks
relay. For example, if Team Member 1 carries a ping pong ball eleven-letter word, etc.
in a spoon, then Team Member 2 may have to solve a simple
puzzle (e.g. rearrange jumbled letters to form an English
word) before he or she can continue the relay.
d. The group with the fastest time to complete the relay and
language-based activities is the winner.
92
APPENDICES
Appendix AS L1-i
93
SCORE SHEET
ENGLISH LANGUAGE ACTION SONG COMPETITION
PRIMARY SCHOOLS (LEVEL 1)
NATIONAL LEVEL YEAR __________
TEAM
Lang.
Proficiency
(40 m)
Presentation
Delivery
(40 m)
Theme
(10 m)
Costume
Props
(10 m)
Penalty
max
(-10 m)
Total
Placing
Time
1.
2.
3.
4.
5.
6.
7.
8.
Name of Adjudicator :
Date :
Signature :
Appendix AS L2-ii
TONGUE TWISTERS
94
95
A laurel-crowned clown!
When does the wristwatch strap shop shut?
Does the wristwatch strap shop shut soon?
Which wristwatch straps are Swiss wristwatch
straps?
A purely rural duel truly plural is better than
a purely plural duel truly rural.
Urgent detergent!
96
"Sheath thy sword," the surly sheriff said, "or surely shall a churlish serf
soon shatter thee."
97
LEVEL 2
SECTION 1
(PREPARED)
Contestant
No.
Language
Proficiency
(35 marks)
Presentation
/ Delivery
(20 marks)
SECTION 2
(IMPROMPTU)
Theme /
Storyline
(10
marks)
Costume
(5 marks)
Language
Proficiency
(15 marks)
Presentation
Delivery (10
marks)
Theme /
Storyline
(5
marks)
Total
1
2
3
4
5
6
7
8
Judge's Name &
Signature
98
Placing
Storytelling
Source: http://www.sasked.gov.sk.ca/docs/mla/listen.html
Storytelling is an oral sharing of a personal or traditional story, told using the essence of the tradition from which
it originates. As a shared experience between teller and listener, it offers natural language experiences for
students.
Storytelling can be an enjoyable activity for both tellers and listeners and should be engaged in at all grade
levels. The teacher should model storytelling before expecting students to tell stories. As well, students
should have opportunities to listen to Native Elders and other storytellers who can provide enjoyment and act as
role models for their own storytelling experiences.
Storytelling allows students to internalize important aspects of story beginnings and endings, settings,
characters, and plot lines. It provides practice in expressing ideas in thought units, using colourful and
descriptive language, developing ideas in sequence, and choosing effective action words.
The speech abilities needed for storytelling are essentially the same ones required for all speaking activities.
Storytelling encourages students to experiment with voice, tone, eye-contact, gestures, and facial expressions. It
also lets them practise techniques for holding audience attention. Storytelling encourages reading motivation
and aids listening comprehension. It can lead directly to story writing.
Before Storytelling
99
As an introduction to storytelling students might tell riddles, jokes, or personal anecdotes that have some story
elements. In each case, practice beforehand is required and close attention must be paid to the conclusion or
punch line.
To ease students into the practice of storytelling, the teacher might suggest that they make up different endings
to stories that are old favourites and tell them to one another. After a story is read aloud, an individual or group
could create an add-on story and tell it. Another introductory activity is having students recall one incident in a
story they have read, and telling about that incident as though they are one of the characters involved.
When students are comfortable with the idea of storytelling they can choose to tell tales that appeal to them.
Some of the best sources are collections of folk tales and fairytales from around the world. These tales have
been gathered from the oral tradition and are records of human survival throughout the ages, as well as unique
glimpses into cultures. Titles of suitable collections of tales for storytelling are listed in the bibliography that
accompanies this curriculum guide.
The following guidelines apply to storytellers in general (teacher and students):
choose a story that you like that enables you to use words you enjoy, and communicate enthusiasm to
your audience
look for a simple, direct story in which the plot unfolds crisply and the characters are few
choose a story that will not lose meaning when translated into your own words
memorize only refrains or phrases used for special effect
record yourself reading the story aloud and listen to the tape several times
divide the story into sections, constructing the divisions in a way that will make sense to the listeners
(e.g., use a storyboard, an outline, a diagram, or a story map)
visualize the settings and the characters (e.g., close your eyes and imagine each location; add details of
colour, shape, and light; make a mental picture of each character; picture facial expressions, hand
gestures, and mannerisms)
next, in your mind, silently run through the story's action from beginning to end (e.g., picture the scenes
happening in sequence and develop a sense for which ones happen slowly and which ones are fastpaced)
100
Students may wish to tell stories from real experiences or from their imaginations, rather than retelling stories
they have read; or they may wish to retell a story they have heard. Topics for personal stories might include how
students got their names, favourite family possessions and the stories behind them, grandparent stories, family
pet stories, or pourquoi tales (e.g., where does lightning come from?).
If students like to develop their own stories, they might borrow traditional plots, themes, and story patterns; or
they may take several versions of the same story and combine them to achieve the results they want. A story
could be transposed from the past to the present or future, or a traditional tale could be transferred from one
time period or geographical setting to another. Some new stories are actually traditional ones, reconstructed with
a different perspective in mind.
While Storytelling
Listeners require a physical setting that allows them comfort during the storytelling, perhaps on a rug and
cushions in the reading corner. Listeners should be encouraged to relax and to concentrate on understanding
and enjoying the storytelling experience.
Storytellers should find a comfortable position, look directly at the audience, tell the story as they have practised
it, and let the tale do its work.
101
Storytellers may darken the room, play music, or do whatever helps to create an appropriate mood. They may
select visual aids or props (e.g., an article of clothing, illustrations, wordless film) to enhance the effectiveness of
their stories. These aids offer a number of advantages:
After Storytelling
Talking with students about their listening experience after the story has been told is an important way to
develop their "story sense". As well, discussing what they have heard allows students to reflect on the
interpretations each of them has of story and how their own unique life experiences and prior knowledge affect
those interpretations. Students need time to explore thoughts and feelings about story characters and events.
When a storyteller is ready to examine his or her storytelling style, the teacher might make arrangements to
have the storytelling process either audiotaped or videotaped. Students need to be reminded that the storytelling
process is what is important: the shaping of the story, its restructuring, and the discovery of what it was in the
story that mattered to them. Although students will strive for improvement, performing a story in a polished way
is not the primary purpose.
If an audio recording is used for self-assessment, storytellers might listen for the effectiveness of the use of
pauses, intonation, phrasing, certain sound effects, timing, repetition, or voice pitch and volume. They can chart
these on a checklist they have created for this purpose. If a video recording is used, they might wish to assess
posture, effectiveness of visual aids, hand gestures, body movements, and facial expressions. After viewing or
listening to the tape and completing the checklist, students could identify one or two areas for improvement.
Appendix ST L1-iii
CASEY JONES
102
103
104
1.
CHORUS: There once was a
grasshopper
105
106
Appendix CS L2-ii
Examples of tongue twisters
1.
2.
107
Appendix CS L2- v
1. Steps in Teaching Jazz Chant
1. Be sure students know all the key vocabulary.
2. Write the chant on the board.
3. Read the entire chant to the class.
4. Read one line at a time and have students repeat the line until they can say most of the words.
5. Add the rhythm (clapping, marching, or pounding the table or a drum).
Let the class do the rhythm and say it at the same time.
6. Let "soloists" say it while everyone else claps.
2. Jazz Chant
Divide your class into two groups.
Let the second group chant the words in italics.
Exchange parts.
Let one person solo one part.
Let he entire class chant another part
1.I'm learning to find my way around
I'm learning to find my way around
Around the town
Around the town
I'm learning to find my way around
Around my town
Computer, computer,
I love my computer.
My printer, my keyboard, my mouse.
I never have problems,
Pre-intermediate
My computer's crashed
108
That.s my t-shirt.
This white t-shirt? No, that red t-shirt.
These are my jeans.
Those black jeans? No, these blue jeans.
Those are my shorts.
These green shorts? No, those white shorts.
Intermediate
May I switch off the light?
May I turn down the air conditioning?
Do you mind if I lower the blind?
Is it all right if I put away these files?
I don.t mind! I don.t mind! I don.t mind!
Is it all right if I switch off the light?
Do you mind if I close the door?
May I switch on the fan?
Sure! Sure! Sure!
I twisted my ankle
Ow!
What happened?
I was lifting a heavy bag and I hurt my back!
Ow!
What happened?
I was changing a light bulb and I got an electric
shock!
Ow!
What happened?
I was slicing an onion and I cut my finger!
Ow!
What happened?
I was making some tea and I burned my hand!
Intermediate
Starter
These are my blue jeans
That.s my shirt.
This red shirt? No, that brown shirt.
Those are my shoes.
These brown shoes? No, those black shoes.
This is my jacket.
That green jacket? No, this blue jacket.
Ow!
What happened?
I was climbing a ladder and I fell off and broke my
leg!
Intermediate
I feel so embarrassed
109
Elementary
110
I have a fever,
And I have the flu!
Why not?
I.m visiting relatives on Friday.
Would you like to go out on weekend?
Well. maybe!
Elementary
Elementary
I'm babysitting on Thursday
Would you like to go out on Monday?
No, sorry, I can.t.
Why not?
I.m babysitting on Monday.
Would you like to go out on Tuesday?
No, sorry, I can.t.
Why not?
I.m doing my laundry on Tuesday.
Would you like to go out on Wednesday?
No, sorry, I can.t.
Why not?
I.m working overtime on Wednesday.
Would you like to go out on Thursday?
No, sorry, I can.t.
Why not?
I.m working out on Thursday.
Would you like to go out on Friday?
No, sorry, I can.t.
I do karaoke on Wednesdays
Mondays, Mondays.
What do you do on Mondays?
On Mondays I usually listen to jazz music.
Tuesdays, Tuesdays.
What do you do on Tuesdays?
On Tuesdays I sometimes go for a drive.
Wednesdays, Wednesdays.
What do you do on Wednesdays?
On Wednesdays I always play the guitar.
Thursdays, Thursdays.
What do you do on Thursdays?
On Thursdays I often go to a rock concert.
Fridays, Fridays.
What do you do on Fridays?
On Fridays I always do karaoke.
Weekends, weekends.
What do you do on weekends?
On weekends I usually stay in bed!
Appendix CS L3 - ii (a)
111
Source: http://www.loiswalker.com/choralsp.html
Here is a short poem you might wish to use as a choir "signature verse". It can be used as a part of the warm-up
during rehearsals, used to announce the start or finish of rehearsal, used just for fun, or used during a
performance to introduce a choral speaking piece:
1 ALL: Choral speaking is aweseome, we know,
2 ALL: When a chorus of kids wants to put on a show!
3 GIRL'S CHORUS: We have light voices,
4 BOY'S CHORUS: dark voices,
5 QUARTET: high and low too,
6 ALL: And we all talk together,
7 QUARTET: Or talk - just a few.
8 ALL: Choral speaking is fun
9 ALL: Year-round through Decem-m-m-ber.
10 SOLO: But first find a verse
11 ALL: You'll be glad to remem-m-m-ber!
OR
112
113
1. Select verse material with care. It should reflect student interest and preference as well as student vocabulary
level. Poetry is especially suitable for choral speaking, particularly poetry that contains some repetition (e.g.,
ballads, narrative poetry, adventure poetry).
2. Give advance thought to interpretation. Discuss meaning and the various ways of reading the material to bring
out the meaning.
3. Consider suggestions for improvements after practice readings, including suggestions for improving phrasing
and diction.
4. As the students become more experienced, they will offer suggestions as to which lines may be most
effectively delivered by the whole group, by part of the group, or by individuals.
5. The amount of time spent preparing a poem or other selection will vary, but it is more important to keep the
enthusiasm alive than to strive for perfection (unless you are preparing for competition or performance).
6. Students who will be listening to the choral readings should be prepared for the listening experience. They
should be willing to listen attentively, without distracting the speakers; they should also prepare to respond
regarding the effectiveness of the speaking activity (e.g., sound arrangement, choral patterns).
114
Choral speaking requires a special technique of its own. A competitive speech-choir must not be "a lot of people
speaking at once", but a group of speakers who are as controlled, unified and harmonized as a choir of singers.
The most important of all requirements is unity, and both a unity of articulation and syllabification as well as a
unity of pitch and inflection are necessary.
UNITY OF ARTICULATION AND SYLLABIFICATION
All speakers must attach, move through, and finish their syllables at precisely the same moment. If the body of a
choral speech were cut short at any point during a performance, each individual voice should be at precisely the
same place in the syllable as every other voice.
UNITY OF PITCH AND INFLECTION
In spite of differing individual voice qualities, a speech choir of voices must blend harmoniously to a common
unified tone. This unified tone must move as a whole through changes in rhythm/tempo and changes in
emotional intensity so that the inflection-line linking them is also single and unified.
Note: The words of a verse give a poem form. A successful combination of the following choral speaking
elements give the poem life.
VOICE QUALITY
* The ability to combine successfully the light, medium, and dark voices in the choir (using these groups for their
natural basic sounds and/or combining them for special effects).
* The ability to communicate, through voice, reactions to thoughts or emotions.
115
NUMBER OF VOICES
* The ability to add or subtract whole sections, banks, smaller groups, or solo speakers to increase or diminish
the power or richness of the sound to better express the meaning.
BODILY MOVEMENT
* Ability to use gesture, choreography, or other movement to enhance communication and better express
meaning.
PITCH
* Pitch refers to the variations of the voice on the musical scale and is generally referred to as inflection.
Children generally have little problem with pitch because they use it naturally and freely.
POWER
* Ability to use volume, force, or loudness as emphasis in appropriate places to better express feeling and
meaning. A power build should be related to the elements of a sentence and/or growing emotion.
PHRASING AND RHYTHM
* Ability to use phrasing and rhythm as reinforcements for each other. Each must blend together to better
express the meaning of the verse.
TEMPO
* Tempo refers to the rate of speed at which a reading progresses. The ability to balance the rhythm of a piece
and the tempo of performance. Tempo should relate to the central "beat" of the poem. (Too fast? Too slow?)
STAGING
* The ability to successfully organize and position the choir on stage or risers for miximum performance effect.
The ability to stage entrances and exits which enhance the mood of the poem and performance. The ability to
116
117
should make the most of their intrinsic value--especially as they excite the imagination and lead into visualizing
and catching the spirit of the subject of the poem.
* This enticement will help children, as they begin to speak, in their natural desire to give generous vocal
expression as they become further involved in the story and characters of the poem, including the animals,
trees, wind, and abstract concepts that only a child can conjure up.
* You can encourage this by an animated presentation of the poem and the "living out" of each character in your
own way, extracting all the fun you can by generous facial expressions and strange and wonderful vocal
changes. They will love it, and you, for doing it; and it will establish a rapport that could ease if not dissolve some
stubborn problems. When the teacher "has fun" with the poem the floodgates are open for the spirit of the
children to follow; and, once under way, they can be directed to even greater heights than they thought possible.
This wave of fun can carry them well past the short attention span usually expected of this age.
* Beginning with pre-schoolers and progressing through grade three, these suggestions may be helpful:
1. The most likely subjects to begin with are animals they know and love, then move from these into new and
broader subjects.
2. They love nonsense words and sounds. Short words are best at the beginning, but the interest engendered by
group speaking will speed up their vocabulary growth.
3. The boy-girl organization will likely work best but this can be varied by smaller groups and child-a-line
arrangements.
4. Child-a-line arrangements will also strengthen individual recognition. This will help the transition from selfconcern to group-awareness as the children grow through this age span.
5. Verbal perfection is not as important at the beginning as enjoyment of the poem. So accept what the children
do and use their momentum for later improvement in language skills.
118
* When the children express a desire to, as they will say, "act out" the poem, they have an unusual opportunity to
do so through the verse choir for it allows each and every child to simultaneously live each character, animal,
and element as it appears in the poem. This leaves no one out, reinforces the expression of each individual, and
gives the whole group the growth value of the experience. The need of this age group for physical activity is also
met, to the degree each child has room to move in the group arrangement.
* Here we have another growth opportunity through a vocabulary change. Instead of the child's term "acting" or
"acting out," why not introduce the more meaningful one "living out"? "Acting out" carries an insipid suggestion of
artificiality and unwanted exaggeration, while "living out" keeps the experience closer to real-life values.
Springboards to Creative Dramatics:
The door is now open and the momentum is mounting to further enrich the children's experience by working out
a creative dramatics treatment of the poem.
With guidance the children could participate in choosing the cast of characters from those who proved
themselves to be "most like" the various characters in the verse choir experience. Several more "run-throughs"
of the poem may be necessary, but this is all to the good.
Another growth opportunity is presented in the term "most like," which emphasizes the imaginative portrayal of
the character, while the word "best" tends to evaluate the person. There usually is a "best" person who can
garner all the richer parts, whereas a submerged individual may be "most like" a certain character and get
her/his chance!
Simple scenery, properties, and other production elements will provide more creative opportunities and lead your
people into other areas of learning. Simple pieces of costume that merely suggest the character are often better
than fully developed outfits since they allow room for the imagination of the child to "fill it out." One boy was
disappointed when his teacher brought him a crown she had worked hard to make--because he liked the one he
imagined better.
Intermediate Children
* Intermediate children are in their active years, when the emerging identity is centered in physical prowess. It is
also a time when the mind is whetting its appetite. Some individuals in this span are mastering subjects and
119
concepts that earlier generations struggled with in high school--and some new ones belonging only to the
present. So how do we interest them in the verse choir?
* Three approaches are suggested: The first is to capitalize on their group loyalty and introduce the verse choir
as "the next thing we will do," assuming that they will all be interested. Those who aren't at first may sit in a
comatose condition that will become increasingly untenable as the enthusiasm of the others mounts.
* The second is to form an extra-curricular choir as an after-school activity or during a class period when all
volunteers can be present. This depends on some initial stimulation that could be provided by a record, tape,
CD, or video of a successful group, or hearing one do a live program.
* A third way to introduce the choral speaking approach is to say "I know a poem that says this very thing" to a
class that has demonstrated a vital interest in a given subject or direction of thought. It can also work with a
class that needs to show a vital interest. There are poems on every subject going and in many directions, and if
you do not have time to read--read--read, why not form a reading committee of the stimulated youngsters who
need something more to do?
Appendix CS L3 ii (b)
120
121
Rhythm: Rhythm reflects patterns of sound. Sounds can be short, medium or long, and they can be arranged in
a variety of forms. The rhythms in a piece are often more easily identified as phrases or combinations of
rhythms. Rhythm often involves repetition and
through this repetition a feeling of movement is evoked. These are the essential elements. If you choose to
share your work with other classes in the school, you may wish to consider staging: this involves organizing the
students either on stage or risers or mime boxes for the benefit of the audience. Practical concerns involve sightlines (i.e. can the students be seen by the audience) as well as other
logistical considerations such as: entrances; exits; and movement. Costumes too can be worn if desired! Use
simple "suggestions' of character such as hats, scarves, canes, etc., or dress in full character attire.
Are there different types of Choral Speaking?
Yes! Use one or all of these common forms below either individually or combine a few within a piece (length
permitting) to produce the effect you and your students collectively desire! The key is to experiment until you
have achieved your intention for the piece.
Unison: The entire groups reads the material together. You may add sound effects if desired.
Antiphon: The class is divided into two or more groups, each responsible for a different portion of the piece
you've chosen. Refrain: A "narrator" reads the majority of the text; the refrain or "chorus" is spoken by the rest of
the group. Solo: Individual students are assigned lines within the piece.
122
Cumulative: Here individual voices or groups of voices are either added or subtracted, depending on the
desired effect. Teacher Tips: Be sure students have had ample opportunity to become familiar with the text
before putting it "on its feet". Focus on one or two elements at a time when rehearsing the piece, making sure to
discuss the effect each had for both the listener(s) and speaker(s). As students gain experience, allow them to
suggest possible changes such as the number of voices designated to individual lines or any other changes they
feel would enhance the piece. Have them work in groups to prepare new pieces on their own, using he elements
of choral speaking they have learned thus far. Think of the group as you would a choir of singers. They too are
broken into sections, have solos, etc. The key principle is unity. When groups of voices speak a line together
they must remain unified at all times. This means paying careful attention to articulation and inflection.
The benefits of choral speaking are many and the process of preparing pieces is enjoyable for students
(and teachers!). In addition to meeting overall and specific expectations for drama and dance, you will find
growth in the following areas: x diction/enunciation cooperative group skills/inter-personal skills vocabulary
knowledge of literature
Try choral speaking with your class, using poems or selecting material from the source book JAZZ CHANTS.
Keep in mind that there is no 'right" way to interpret the material; experiment and have fun
Appendix CS L3 iii
123
Delaney Act
Swoosh, swish
a fish jumps on me
124
Steven
Quack quack
It fell in a spot
Talmage
125
Riley
Boot hit
goal! Yea!
The crowd cheers
Swish, Swoosh
Buzzzz!
Vroom, vroom
The engine starts
Beep beep
at the race track
Ruff ruff
bark bark
scratch scratch
the new dog
wants in.
David
126
Reno
Drip drip drop drop
It's raining today
Amber - Vancouver
Boom, bang
Vroom, Vroom
Ho hum
Squeak Screech
Flicker, flash
127
Sarah M
Jingle, jangle ping
I lost my money!
My Cat
Rattle Snake!
Kenny S.
My cat meows.
hiss,hiss,rattle,rattle.
He see's an egg
snatch,crunch,crunch,gulp.
Then he slithers down the hill of the
desert slither, slither.
By James D.
128
beep
a dog is chasing me
ahhhh
rool
to continue
...my back pack fell , rip
splash
my pants ripped
mummer
oh I forgot
It 's Saturday
man
Plop
Slurp!
By Tara
By Melissa
Plunge
Oh no!
I hear something
drip
crash ahhhhh
something's near
bop
fall bananas
clink,clink,clink
Shhhh
It's on my bed!
plop
SLURP!
130
slap!
by Mohamed
snap!
There is a tornado
Ahh! Flip-flop
Sizzle!
splat!
Ring! Ring!
splash!
Mom!
You would not believe the dream I had
131
Appendix CS L3 v
SCORE SHEET
Team
No.
Sub.
Matter
(10 m)
Pronunciation
(20 m )
Enunciatio
n
(30 m)
Variet
y
(10
m)
Special
Effects
(10 m)
1.
2.
3.
132
Rhythm &
Timing
(10 m)
General
Demeanour
(10 m)
Penalty
(-10 m)
Total
Time
Name of Judge :
Date :
Signature
Subject Matter :
Point of view of interest and audience appeal
2.
Pronunciation :
Accuracy in pronunciation
3.
Enunciation :
Articulation, Clarity and Expression
4.
Variety :
Variety of intonation, mood and tempo
5.
Sound Effects :
Sound imitation (vocalised)
6.
Rhythm and Timing
Orchestrated rhythm and timing
7.
Demeanour :
Stance and bearing
8.
Penalty :
A total of 10 marks to be deducted if : sensitive issues touched,
attire infringements, extra time, below minimum stipulated time,
exclusions included, excessive movements.
Maximum Marks
V. Poor
Poor
Fair
Good
Excellent
10
20
30
1, 2
1-4
16
3, 4
58
7 12
5, 6
9 12
13 18
7, 8
13 16
19 24
9, 10
17 20
25 - 30
Appendix PS L2-i
Just a Minute!
The Fast Talking Game
The Rules of the Game
1. Play the game in small groups.
2. You will need a dice or spinner, counters and a timer or stop watch.
To start the game you must throw a six. The first person to throw a six starts.
When you land on a square you must talk on that subject for one minute. You must not repeat yourself.
133
Failure to speak for one minute or moving away from the topic means you must forfeit a throw.
Appendix PS L2-i
1
2
My pet
4
My family
13
12
11
10
My hobby
Start
14
6
My
favourite
food
9
20
My
favourite
subject
23
21
My father
15
A game I
like
16
17
18
My
mother
19
28
27
My best
friend
26
25
24
My
siblings
134
22
29
My Hero
30
31
My
ambition
32
33
34
My home
35
42
41
My
favourite
teacher
44
My self
40
39
38
37
45
46
My
country
47
48
36
My
favourite
singer
49
Finish
43
Appendix PS L2 ii
START
3.
A good
friend
A pet
What I like
doing
My home
My family
7
My daughter
14
Yesterday
13
My
favourite
singer
12
11
Dont like eating
10
My working
place
15
My best
Friend
135
8
My self
Appendix PS L2-ii
16
The animal
that I hate
most
17
18
Dont like
eating
19.
Favourite TV
programme
20
21
My best day of
the week
22
My country
23
My uncle
30
A place you
would like to
visit
29
28
My mother
27
My father
26
My favourite
sport
25
24
25
Last night
32
FINISH!
31
30
Yesterday
evening..
29
28
I love to ..
27
26
Two weeks ago
136
Appendix PS L2-iv
Sample questions to be copied on cards:
(what questions)
What did you have for dinner last night?
What did you have for lunch today?
What is your favourite sport? Why?
What did you do last night?
What type of music do you like? Why?
What is your favourite game? Why?
What does your mother do?
What does your father do?
What is your favourite lesson at school? Why?
What did you do last Sunday?
What is your favourite television programme? Why?
What would you do if you could do anything in the world?
What is the one thing you would change about yourself?
(mixed questions)
What is your address in English?
What time do you usually get up?
Where did you go for your last holiday?
Where were you born?
Why are you studying English?
Which do you prefer, rainy or dry season, and why?
Which magazines do you like to read?
137
138
Appendix DR L2-iii
Poison Box
Suggested tasks for students to perform:
1. You really need to answer natures call. However, the teacher in class does not allow you to go out. You
cannot sit comfortably anymore. All you are thinking of is TOILET, TOILET and TOILET. Express your
emotions.
2. After 25 years you discover that you have a twin sibling. Express your disbelief and mixed feelings.
3. Your classmate takes your diary and threatens to read it loudly in class. Persuade and later warn him or
her to return your diary.
4. There is a present on your desk given for your success in examination. It is written on a small card,
Congratulations! You deserve to be the best student, From Your Secret Admirer, Love You. Express
your surprise, confusion and happiness as well.
5. You are alone in your bedroom. You feel someone has touched your shoulder from behind. However,
when you turn around, there is nobody around. It happens three times while you are doing your revision.
Express your fear and worry.
139
Appendix DR L3-iii
Suggested situations for the role-play:
1. There are two new Malaysian-born students in your class who came back from the United States
of America. They seem to be in need of help to adjust themselves to the new schooling
environment. Write a dialogue between the new students and the other classmates and present
them in a role-play.
2. You and your friends meet three foreign tourists at the bus stop near your school. They want to go
to some famous tourists spots in your state. Make suggestions about places that they should visit.
Write a dialogue between you and the tourists and present them in a role-play.
3. Your class is planning to have a class party. Half of the students prefer to organize the party at a
fast food outlet in town. On the other hand, another half of the class wants to have it at school.
Write a dialogue between the two groups of students and present them in a role-play.
Appendix PD L1-iii
140
141
Opinions
1. RM100 is a lot of money.
2. Cambridge dictionaries are the best.
3. Kentucky Fried Chicken is more favoured by
most of the teenagers.
4. Change is a very difficult process for anybody.
5. Malaysian hibiscus is more beautiful than
imported tulip.
6. The Singaporeans are a group of people who
always work hard.
7. Love is blind.
8. Girls are smarter than boys in many aspects of
life.
9. Redang Island in Terengganu is a heaven for
holidaymakers.
10. Money has always been the root of all evils.
11. Television seriously causes children to become
more violent.
12. Driving a Mercedes Benz enhances your driving
skills.
13. The zodiac signs reveal the truth about our lives.
14. A person can have a more charming look with
plastic surgery.
15. Foreign universities are better than the local
universities.
Appendix PD L1-iv(a)
Cause and Effect Treasure Hunt
Notes:
1. Teacher must revise this proposal to suit ones actual school compound.
2. There must be a smooth flow of movement from location to location within the school compound.
Students should not be moving back and forth from location to location in a haywire flow.
3. Students safety must be given priority.
Suggested location / place / station
1
Location 2:
ELS Notice Board
Question 2:
Logical cause:
..
.
Effect: Your father gets very angry with you.
142
For the next question: Go to the Pulau Mutiara gazebo (behind the
school canteen)
3
Location 3:
Pulau Mutiara Gazebo
Question 3:
Cause: Every citizen has total freedom of speech.
Logical effect:
......................................
..
For the next question: Go to the ground floor of Ibnu Sina Block.
Question 4:
Logical cause:
...
...
Effect: More and more teenagers are involved in social ills.
For the next question: Go to the Herb Garden (opposite Ibnu Sina
Block.)
Location 5:
Herb Garden
Question 5:
Cause: A student learns ten new English words per day.
Logical effect: ...............
..
143
For the next question: Go to the Science Lab. 3 at Dato Wan Mat
Saman Block.
6
Location 6:
Science Lab. 3
Question 6:
Logical cause:
..
Effect: More foreign tourists visit our country, Malaysia.
For the next question: Go to the mural at Dato Wan Mat Saman
Block.
Location 7:
The mural at Dato Wan Mat Saman
Block.
Question 7:
Cause: Only those 20 years and above are allowed to take driving
license.
Logical effect: ..............
Location 8:
Dataran Perpaduan
Question 8:
Logical cause: ..
.
Effect: Our flora and fauna are protected and preserved.
144
Location 9:
Terminal Wawasan
Question 9:
Cause: Malaysians practise a healthy diet and lifestyle.
Logical effect: ..............
.
For the final question: Go back to the school hall.
10 Location 10:
School hall
Question 10: (To be put up some time after students left the hall to
go to the canteen for Question 2)
Logical cause:
.
Effect: My family and I are very proud of myself.
Notes:
1. Teacher may change the questions to suit students thinking ability and language proficiency.
2. More questions can be added for a longer treasure hunt. However, it is highly recommended that the treasure hunt should only
be carried out between 20 30 minutes. Remember, some time must be spent to evaluate and discuss students varied and
interesting answers / responses. Moreover, if the treasure hunt (running here and there) is carried out for a longer period of
time, students will be too tired to do a more important activity that is discussing and evaluating their answers.
145
Appendix PD L1-iv(b)
Treasure Hunt Worksheet
Name(s): .
..
.
..
Instructions:
1. Follow the instructions given to move from location to location.
2. Do not rush when you are looking for questions. Take care of your safety.
3. Write a logical cause or effect in the space provided.
Question
Effect:
Cause:
Effect:
Cause:
Effect:
Cause:
146
Effect:
Cause:
Effect:
10
Cause:
147
Appendix PD L1-v
Debate Poison Box
List of suggested topics for students to come out with advantages and disadvantages:
Suggested advantages (A) and disadvantages (D) (only for teachers reference)
A: improve language, spend free time wisely
D: too much exposure to romance, may ignore other commitments
2
A: the more the merrier, able to help each other
D: more expenditure, crowded house
3
A: learn new culture, more chances to travel
D: higher cost, away from home homesickness
4 Working part-time
A: earn pocket money, gain some experience
D: may neglect studies, too tired feel sleepy in class
5 Having
a
wedding A: boost one image, grand and great atmosphere
reception at a five-star D: cost a lot o money, may be in debt
hotel
6 Going to a concert
A: get entertainment, release stress
D: too much noise, crowded, may get involved with a wrong company
7 Allowing teenagers to own A: much easier to go to school, save travel time
motorcycles
D: more road accidents, some may involve in illegal racing
8 Employing a maid at A: lesser workload at home, can spend more time to relax
home
D: less privacy, may create problems / social ills
9 Having co curricular A: learn many things, can spend time with friends
activities every Saturday
D: miss tuition classes, have lesser free time
10 Having an open-house A: strengthen friendship, promote unity among residents
during a festival
B: house gets overcrowded and dirty, have to entertain guests for several long
hours
1
Suggested topics
Reading three romance
novels every month.
Having a large / an
extended family
Studying overseas
148
Appendix PD L2-iii(a)
Mission Possible To Mars
CANDIDATES
Go through the list and discuss the strengths and weaknesses of every candidate. Finally, choose only 5
candidates to conduct intensive research and establish a settlement on the Mars.
Name: Muhammad Ezril b. Hasan
Age: 27
Status: Single
Occupation: Surgeon
Achievements: The youngest surgeon at a private
hospital. Earned his Phd at 26.
Others: Selfish and at times hypocrite. Aims to be the
best in everything he does no matter what it takes.
149
150
Appendix PD L2-iii(b)
Relevant social conventions to be used in a discussion / debate:
To express an opinion:
To indicate a point:
To express agreement:
To express disagreement:
To express doubts:
To interrupt:
Excuse me,
Sorry to interrupt
Excuse me, may I say something?
Sorry for this interruption
151
To give suggestions:
To initiate a discussion:
152
Appendix PD L2-v
A Man Called Future Husband
The list of candidates:
Choice of the Perfectionist Father
Name: Datuk Dr. Khalil bin Ibrahim
Age: 55
Status: Divorced
Occupation: Businessman
Background: Millionaire. Owns 11 companies, six are located overseas. Half of a year is
spent overseas. Has 4 children from the previous marriage. Hardworking, highly-disciplined.
Others: Has a Phd in Management. Loves golfing and car racing. An old friend of
Perfectionist Father.
153
154
Appendix PD L3-i
Pros and Cons Relay
Suggested topics:
1. There should be no limit and control to the access of the internet among teenagers.
2. Parents must be punished for their childrens crime.
3. Schools should not have canteens every student must bring his or her own food and drinks to school.
4. The government must reduce foreign entertainment programmes in television.
5. Every citizen has the absolute right to total freedom of speech.
6. Malaysians should be discouraged from holidaying overseas.
7. School uniforms should be abolished.
8. Motorists should not pay tolls at all highways.
9. There should be an equal number of male and female students at all local universities (currently, most
local universities have more female students).
10. Scholarships should only be given to those with an excellent CGPA (3.7 above).
155
Appendix PD L3-ii(a)
W.A.R.!!! (We Argue and Refute!)
Suggested topics:
1. The passing mark for all subjects in the public examinations should be at least 50%.
2. Wealth of a nation is mainly rooted in its education.
3. City life is better than country life.
4. Teenagers should be allowed to make their own decisions.
5. It is better to promote tourism than industrialization.
6. Overemphasis on academic excellence kills creativity.
7. The retirement age should be at 65 for the public and private sectors.
8. Development is a threat to environment.
9. More foreign workers should be employed in our country.
10. Students with serious disciplinary problems should be punished by doing charity work.
Note: Teachers may add their own topics or may even ask their students to suggest some other topics.
156
Appendix PD L3-ii(b)
Sample Mahjong Paper for W.A.R!!!
Topic: Teachers clerical workload should be reduced.
Argument
(by the Affirmative)
Argument 1:
Teachers core
business is to teach.
Argument 2:
Much clerical
workload makes
teachers stressful.
Argument 3:
Spending too much
time on clerical
workload affects
teaching quality.
Refutation / Rebuttal
(by the Negative)
Refutation / Rebuttal
(by the Affirmative)
157
Appendix PD L3-iv
Lets Walk in Different Shoes
Suggested topics:
1. Besides Mathematics and Science, more subjects should be taught and learnt in English.
2. School holidays should be shortened.
3. There should be a night curfew for teenagers (Teenagers must be at home from 10.00 p.m. to 6.00 a.m.).
4. The duration of the National Service Programme should be extended to 5 months.
5. A single schooling session should be applied to all schools / School hours must be prolonged.
6. Only those who are 20 years and above are allowed to take driving license.
7. Police should be given the absolute right to conduct urine tests on anybody at any time to curb drug
abuse.
8. Parents should be held responsible for the crime committed by their children.
9. The number of public universities should be doubled to give more opportunities for tertiary education.
10. A wholesome individual is mainly shaped by the education system.
158
Note: Teachers may add their own topics or may even ask their students to suggest some other topics.
Appendix NIE-A
Scavenger Hunt
Items to be found
LIST A
1. Car advertisement
2. Malay leader / politician
3. An adjective that starts with M
4. A news report about business.
5. A famous male personality.
6. A word with 9 letters.
7. A job advertisement for engineers
8. A picture of a game
9. A compound word
10. A useful item for children
Items to be found
LIST B
1. Mobile phone advertisement
2. Chinese leader / politician
3. A verb that starts with S
4. A news report about crime
5. A famous female personality.
6. A word with 7 letters
7. A job advertisement for clerks
8. A cartoon strip
9. An adverb of manner
10. A useful item for women
159
Items to be found
LIST C
1. House advertisement
2. India leader / politician
3. A noun that starts with H
4. A news report about a road accident.
5. A smiling face.
6. A word with 12 letters
7. A job advertisement for accountants
8. A telephone number
9. A gerund
10. A useful item for elderly people.
Appendix NIE-B
NIE Relay
Items to be found in newspaper
1. A business company
2. An amount of money
3. An adjective that starts with S
4. A news report about crime involving someone below 20
11. A footballer
12. A word with N as the last letter
13. A logo
14. A weather forecast
years old.
5. A famous sports personality.
15. A place to be visited
6. A word with 11 letters.
16. An occupation
7. A fax number
17. A passive verb
8. A conjunction
18. A picture of a Malaysian minister
9. An e-mail address
19. A movie poster
10. A city in Europe
20. An uncountable noun
Several groups can be formed. All groups will be using the same list.
Appendix OUTDOOR-A
Running Dictation
Text 1
The Langkawi Underwater World features the islands rich trove of marine life. Located at the popular Cenang
Beach, this aquarium features more than 5,000 types of aquatic life, exhibited in more than 100 tanks of different
sizes. The highlight is a giant tank housing large marine species such as sharks, stingrays and green turtles with
160
a 15-metre tunnel for visitors to walk through. Witness these magnificent underwater creatures being fed for an
enjoyable visit.
Text 2
Putrajaya, the new Federal Government Administrative Centre, is a modern city which embraces the concept of
an intelligent garden city and showcases the best of Malaysian architectural design in an environmentallyfriendly setting of beautifully landscaped lakes and parks. The prime areas in Putrajaya City are divided into
precincts and consists of government offices, as well as commercial, residential and recreational areas.
Text 3
Some people insist that plastic bags are environmentally bad. They claim that plastic bags mar the beauty of
public parks as well as choke the rivers and block the drains in major cities, causing severe flooding. Moreover,
animals ensnared in bags also suffer terribly. On the contrary, another group of people argue that actually plastic
bags should not be blamed for the polluted environment. Instead, bags are made to help people with their daily
activities. They strongly feel that plastic bags must not be banned just because some other people choose to
dispose of them improperly.
Appendix OUTDOOR-B
TREASURE HUNT
Check
Point
1
161
3
4
5
6
7
8
10
11
12
16
13
14
15
Appendix OUTDOOR-C
Blind Man
Station
Hop forward three times using your right leg while raising up your left hand.
162
Step (both feet) on a newspaper on the floor. Then walk around the newspaper three times.
Take a magazine on a chair. Sit down on the chair and pretend reading the magazine for 20
seconds. Then, put it under the chair.
Sing the school song. Then, do a catwalk to Station 5 while clapping hands
4
5
6
(chair, desk, paper and pen provided) Sit down and write the full name of 3 group members
on a piece of paper using a pen on the desk.
Carry the chair provided at Station 5 and walk to the finishing line.
Notes:
1. The tasks can be modified accordingly either to simplify or make them more challenging.
2. The number of stations depends on the number of students taking part in the activity.
3. Form more groups if they are too many students taking part in this activity. Perhaps, more group members are
blindfolded.
Appendix OUTDOOR-D
: . years
Class: .
163
Race
: .
Question
Do you take breakfast daily?
If no, why do you skip breakfast?
Response
164