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Abstract. This presentation was based on clinical experiences with psychosomatic dialogues as
these were articulated in psychoanalytic therapy. For Winnicott, a psychosomatic disorder is also a
psychosomatic link. It implies the hope that primary psychic processes, the dialogues between
psyche and soma, will be resumed. In our cases, the coexistence of repressions and splitting was
matched with two psychic currents: the work of unconscious transformations, and the repetition
compulsions of traumas. We focused on splitting and integration processes in cases of preverbal early
traumas, using the clinical thinking of Winnicott. The psychoanalyst is prepared to wait respecting
the splitting as long as it is necessary for the synthesizing function of the ego to resume the processes
of integration. The psychoanalyst assumes a function that resembles mothers dprimary maternal
preoccupationT. This approach is based on the hypothesis that psychic processes begin with the
imaginative elaboration of body sensations, excitations, and functions: it transforms them into
images, it renders them suitable for psychic life. It is the psychic economy of the object that
intervenes in the management of body-drive excitations. D 2005 Elsevier B.V. All rights reserved.
Keywords: Early trauma; Splitting; Integration; Psychosomatic; Transference repetition; Construction
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repetition, that is, a formation of units of meaning that search for a fantasy that will
authorise them as suitable for psychic exchanges. In the face of an immobilised life, the
analyst keeps his thinking alive.
The constructions give life to a history condensed in a fragment of a trauma. The sense
of conviction conveyed by constructions resonates with the timeliness and actuality of the
transference, the externality and actuality of the transitional phenomena and the
inevitability and actuality of trauma. What is actual in these formations is the core of a
perceptual trace that has not been elaborated and remains exciting, around which a psychic
form is woven. The actuality of the exciting traumatic element gives a sense of conviction
to a de-realised discourse.
This actuality is evident in a good theater that is convincingly life-like. The same is true
for psychotherapy Winnicott said. Parsons [26] wrote about the spatula game. dThe infant
pretends to be really feeding the grown-ups; their part is to make the pretence real too, by
pretending to be fed. But if they take the spatula into their mouths and really try to feed
from it they spoil the game. The feeding can be treated as real provided it is not really
treated as realT. The psychosomatic patients begin to play this das ifT game, when the line
of perceptual actuality is transformed into a limit separating and linking reality and fantasy.
Superego aids this function.
Following this line of thought, we can say that construction is an act of faith. The
fantasy plot of a construction makes the events of a repetition real. The psychic work
makes them believable. We believe in psychic work with a sense of freedom, creativity
and democracy of circulation of exchanges of unconscious productions. A common
element in freedom, creativity and democracy is persuasion via language.
The constructions do not concern only the past but also what emerges in the
transference. Elements of trauma find in the transference a set of objects, a scene, a
situation, a chain of events, proofs and exhibits, to be connected. Psychic events are made
in the context of historicity that is determined by traces ordered according to wishes and
repetitions. In cases where traces have vanished, we construct events and their historical
time out of nothing. With constructions we find a grain of historical truth. We do not find
the truth of the events. The events find a history. The historicity makes the truth, not the
reverse. A myth-history (fiction) makes the event real and not the reverse. The elements of
experience are registered in an event because they gather meaning from related elements of
that epoch. The fact that they were split means that they lost the historicity of their epoch.
This is what we restore with our constructions.
The question we are examining is how the object intervenes so that we can achieve the
reductions of splittings that are by definition dtherapyT against the agonies. We know that,
in life, verbal and preverbal metaphors constitute a scene, a stage, on which the
preconscious constructs its junctures. In analysis, this work is done by the analytic
constructions that bridge representations and affects with split-off contents in order to
become exchangeable. Sensations, perceptions, traces of thinking, vestiges of history, are
placed on a scene, on the plot of a fantasy, where they are phrased, couched, framed.
Moments of experience are realised and links between before and after are constructed, so
that we can formulate a cause that is by definition placed in the past. We take pleasure in
the making of meaning, in having internalexternal exchanges and composing links that
support experiences of satisfaction.
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The Id undertakes instinctual drives that find their psychic expression in unknown
forms on an unknown foundation [14]. We know that one component of this foundation is
the autoeroticism on which psychosomatic integration depends. In autoeroticism, linear
timespace is not possible. We have cyclical time in which mother and infant develop a
dialogue with successive mirroring, distancing and turning towards the self so that
primary symbolisations and condensations are created. Rhythms of the world and the
body resonate with each other and make islands of experience, from where we begin
adventures towards objects. Primary experiences are created from primary material, that
is, heartbeats, breathing, alternation between day and night, sleep and waking, hunger and
satiation, relaxation and constriction of muscles. The infant stores autoerotic data in
infinite cyclical time made of simultaneous sensations of the body and contacts with the
world, where pleasure is generated with the rhythm of changes of tension [17,27]. The
maternal ministrationsas a kind of preverbal metaphorscondense material of representations and sensations in somato-psychic codes of inconceivable capacity. In his inner core,
the infant creates a primitivebefore the meaningknowledge, a silent language, a
musicality, from where the spoken language and the representations emerge [27,28].
Primary experiences with the mother constitute an invisible sponsor guaranteeing the
subjectobject links.
Let me borrow from the ancient poets a metaphor of this fundamental background of
interactions between mother and infant. The poets distinguished between Omphe (OAB
,
the silent voice of the gods inside us) and Aude (Ary
, the human speech). They linked
Omphe with the music and the rhythm that are inherent properties of nature. Omphe is the
rhythm of the world inside us. It is the silent background, the soundtrack of psyche, made
of autoerotic material.
Summary
The presented thoughts stemmed from the study of cases with pre-verbal traumas and
psychosomatic disorders. The study of these cases was carried out in comparison with
neurotic organisations which had suffered secondary traumas that had been represented and
repressed. In psychosomatic patients, the agonies of breakdown and the efforts towards
symbolisation were discussed on the basis of theories that study the splitting between body
and psyche as an organisation that avoids the psychotic fusion with the primary mother. The
question is how we bring split-off material to the transference relationship for elaboration.
Contents that have not been elaborated are brought via repetitions, but are not accessible by
the subject because of the splitting. Patients with psychosomatic organisation do not need to
remember after the lifting of repression. They need to live moments of transformation in the
transitional space. Our clinical cases showed to us that we should study together the two
completely different psychic junctures, repression and splitting. On the preconsciouson
the scene of fantasies and dreamsthe analytic couple realises the work of staging of
unconscious productions and repetitions of early traumatic experiences. The resonance
between transference and countertransference is the field where the analytic couple coconstructs the analytic object, the meaning of their encounter. They stage repetitions and
fantasies that reproduce and interpret the early traumas. The role of historicity,
constructions and metaphors was also briefly discussed in the paper. Finally, we touched
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