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EUROPE
SITUATION BEFORE THE MODERN
ARCHITECTURE
Lesson 4
CHRONOLOGY
CHRONOLOGY
RENAISSANCE
BAROQUE
ROCOCO
NEO CLASSICAL
PALLDIAN REVIVAL
CHISWICK
HOUSE
MEREWORTH
CASTLE
NEO CLASSICAL
ARCH DE TRIOMPHE
GREEK REVIVAL
ROMANTICISM
ST PANCRAS CHURCH
GOTHIC REVIVAL
WESTMISTERS PALACE
The period of 1750-1850 served mainly as transition period from the Ornate monumental
architectural styles to the modernism.
It was than the age of Industrial Revolution which paved way for the modern Architecture
which was to influence the Globe forever.
ROCOCO
A style of decorative art that evolved from the Baroque, originating in France about 1720 and
distinguished by fanciful curved spatial forms and elaborate profuse of design of shell work
and foliage intended for a delicate overall effect.
ROCOCO
The style depicts both being richly decorated also had different themes.
It brought significant changes to the building of edifices, placing an emphasis on privacy than
grand public of Baroque architecture.
Rococo is fully in control, sportive, fantastic and sculptured forms are expressed with abstract
ornament using flaming, leafy or shell like structures in asymmetrical sweeps and flourishes
and broken curves.
Rococo interior suppress architectural divisions of architrave, frieze and cornice and above
all stucco.
The rococo palette is often softer and paler than the rich primary colors and dark tonalities
favored in the baroque architecture.
Palladian architecture is a European style of architecture derived from and inspired by the
designs of the Venetian architect Andrea Palladio (15081580).
The term "Palladian" normally refers to buildings in a style inspired by Palladio's own work;
that which is recognized as Palladian architecture today is an evolution of Palladio's original
concepts.
Palladio's work was strongly based on the symmetry, perspective and values of the formal
classical temple architecture of the Ancient Greeks and Romans.
From the 17th century Palladio's interpretation of this classical architecture was adapted as
the style known as Palladianism. It continued to develop until the end of the 18th century.
Palladianism became popular briefly in Britain during the mid-17th century, but its flowering
was cut short by the onset of the Civil War and the imposition of austerity which followed. In
the early 18th century it returned to fashion, not only in England but also, directly influenced
from Britain, in Prussia.
The style continued to be popular in Europe throughout the 19th and early 20th centuries,
where it was frequently employed in the design of public and municipal buildings. From the
latter half of the 19th century it was rivaled by the Gothic revival, whose champions, such
as Augustus Pugin remembering the origins of Palladianism in ancient temples, deemed it
too pagan for Protestant and Anglo-Catholic worship. However, as an architectural style it
has continued to be popular and to evolve; its pediments, symmetry and proportions are
clearly evident in the design of many modern buildings today.
CHISWICK HOUSE
CHISWICK HOUSE
Chiswick house was an attempt by lord Burlington to create a Roman Villa, rather than
renaissance pastiche, situated in a symbolic Roman garden.
The house is often said to be directly inspired by Palladios Villa Capra La Rotunda near
Vicenza.
Architect Colen Campbell had offered Lord Burlington a design for villa very closely based
on Villa Capra.
CHISWICK HOUSE
CHISWICK HOUSE
CHISWICK HOUSE
MEREWORTH CASTLE
MEREWORTH CASTLE
English Palladian architects drew inspiration from the work of the Italian architect Andrea
Palladio.
Palladios most distinctive villa is the so called villa Rotunda centrally planned, this was much
imitated through adapted to suit English life.
The version closer to it that survives is Mere worth Castle by Architect Colen Campbell
built as an occasional summer residence.
We can experience the combination of spaces from the domed hall, the squared bedrooms to
the basement service room.
The decoration was mostly of molded plaster in the reception rooms, but simple painted
paneling was used upstairs in the building.
MEREWORTH CASTLE
MEREWORTH CASTLE
MEREWORTH CASTLE
NEO CLASSICAL
In its purest form it is a style principally derived from the architecture of Classical
Greece and Rome and the architecture of the Italian architect Andrea Palladio. In form,
Neoclassical architecture emphasizes the wall rather than chiaroscuro and maintains
separate identities to each of its parts.
Features:
Symmetry
Triangular pediment.
Domed roof.
Heavy cornice.
50 m
18.68 m
8.44 m
Triumph arch
Le Triomphe de 1810
La Rsistance de 1814
La Marseillaise/
Le Dpart de 1792
The great arcades are decorated with allegorical figures representing characters in Roman mythology
(by J. Pradier)
La bataille d'Aboukir,
25 July 1799
La prise d'Alexandrie,
3 July 1798
Some great battles of the French
Revolutionary and Napoleonic Wars
are engraved on the attic
GREEK REVIVAL
EXAMPLE:
ST. PANCRAS CHURCH LONDON
Heavy cornices, gables with pediments and unadorned frieze were typical.
The gable fronted house found throughout America, is one styles enduring legacies.
ROOF:
The cornice line was embellished with a wide band of trim to emphasis the temple like roof.
Standing seam tin or cedar shingles were materials used at that time.
WINDOWS:
The size of window panes in historically accurately Greek revival residences typically reflected mid
nineteenth century glazing technology.
Windows were mostly double hung with six panels to each sash.
Decorative windows were frequently in three part assemblages. Among the styles unique feature are the
small rectangular windows set into the frieze beneath the cornice that replaced common dormer.
COLUMNS:
Although classical columns are rounded the Greek revival style also used square and octagonal
columns.
Columns were designed without bases in Greek style and with bases in Roman style.
The door itself may be single or double divided into one ,two or four panels.
A triangular transom were framed by heavy, wide trim, sometimes recessed for a more three
dimensional look.
REDISCOVERY OF GREECE
Downing College,
Cambridge
BRITAIN
Stuart was commissioned after his return from Greece by George Lyttelton to produce the first Greek
building in England, the garden temple at Hagley Hall (1758-9).
North America
Washington Monument
Public buildings
Town & Davis &
Frazee: Custom
House,
New York, 1833-42
It uses ICONIC order and built from brick faced with Portland stone.
Except for the portico and tower above the roof which are entirely stone.
All the external decoration, including the capitals of the columns if of terracotta.
The west end follows the basic arrangement of portico, vestibules and tower established by James Gibbs
at St. Martin in the fields.
At the east end is an apse, flanked by the churchs most original features: two turbine designed in
imitation of the Erechtheion with entablatures supported by caryatid.
There is a stone sarcophagus behind the figures in each turbine and the cornice are studded with lions
head.
The caryatids are made of terracotta, constructed in sections around cast iron columns.
Access to the church is through three doorways ranged under the portico. There are no side doors.
Inside the church as a flat ceiling with an uninterrupted span of 60 ft( 18m) and galleries supported on
cast iron columns.
The interior of the apse is in the form of one half of a circular temple with six columns, painted to imitate
marble, raised on the plinth.
The crypt which extended the whole length of church was designed for 2000 coffins.
It served as an air-raid shelter in both world wars and is used as art gallery now.
The north chapel was added in 1970 and interior was restored in 1981.
The steps of the church were one of several sites used for formal tributes.
GOTHIC REVIVAL
There are 3 main reasons for the change of direction from Neoclassicism to the Gothic Revival :
Romantic revolution in medieval times that produced Gothic tales and romances. By setting their stories in
medieval times, authors helped to create a sense of nostalgia and a taste for that period.
the writing of the architectural theorists who were interested, as part of church reform, in transferring the
liturgical significance of Gothic architecture to their own times.
the writings of John Ruskin, whose Seven Lamps of Architecture (1849) and Stones of Venice (1853) were
widely read and respected. Ruskin stated that the quality of medieval craftsmanship reflected the morally
superior way of life of the medieval world and urged a return to the conditions operative in the earlier period.
St. Peters church , Cobourg, Upper Canada faade has lancet windows and doors .
The parapets on both the tower and the aisles are castellated.
GREEK REVIVAL
GOTHIC REVIVAL
PALACE OF WESTMINSTER
LONDON
The Palace of Westminster is the meeting place of the House of Commons and the House of Lords,
the two houses of the Parliament of the United Kingdom.
The Palace lies on the Middle bank of the River Thames in the City of Westminster, in central
London.
HISTORY
The first royal palace was built on the site in the eleventh century, and Westminster was the primary
London residence of the Kings of England until a fire destroyed much of the complex in 1512.
The subsequent competition for the reconstruction of the Palace was won by architect Charles
Barry and his design for a building in the Perpendicular Gothic style.
Construction started in 1840 and lasted for thirty years, suffering great delays and cost overruns, as
well as the death of both leading architects; works for the interior decoration continued intermittently
well into the twentieth century
EXTERIOR
The stone, however, soon began to decay due to pollution and the poor quality of some of
the stone used.
In 1928 it was deemed necessary to use Clipsham Stone, a honey- coloured limestone
from Rutland, to replace the decayed Anston.
The river frontage is 286.5 metres (940 feet) long and built in Perpendicular-Gothic style.
VICTORIA
TOWER
OCTAGONAL
CENTRAL
TOWER
BIG BEN
VICTORIA TOWER
CLOCK TOWER
At the north end of the Palace rises the most famous of the towers,
the Clock Tower, commonly known as Big Ben.
Is 96 meters (316 ft), is only slightly shorter than the Victoria Tower
but much slimmer.
INTERIOR
WESTMINSTERS HALL
CONSTRUCTION DETAILS
KEY DATES
ROMANTICISM
It refers to movement in art, literature and music during the 19th Century.
Imagination:
It emphasized on reason. This was a back task against rationalism characterized by the neo
classical period or Age of reason. Imagination was considered necessary for all creative art.
Intuition:
Intuition or feeling and instincts over reason, emotions played an important role.
Idealism:
Idealism is a concept that we can make the world a better place. The theory of emphasis of
spirit, mind or language over matter.
Inspiration:
Going with moment or being spontaneous, rather than getting it precise.
Individuality:
ROMANTICISM
It was the movement following the French revolution.
The art movement across all arts, visual arts, music and literature.
Romanticism emphasized on art which was emotional, deeply felt, individualizing and exotic
and literature was emphasized on expression and feeling.
Neo classical
Neo classical
Order, calm, harmony,
balance, rationality,
materialism, didactic,
socially conscious.
Romanticism
Spontaneity, emotion,
subjective, individuality,
irrational, imaginative,
personal, visionary,
transcend.
Romanticism