Documente Academic
Documente Profesional
Documente Cultură
DEPARTMENT OF ENGLISH
LITSCAPE
C
O
N
Editors Note
3
Hourglass
05
Culture Catchup
06
T
E
N
T
Activity Log
Art Corner
10
11
Introducing the
Editorial board
14
Framing nature and
culture
15
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Editors Note
A First: The Rare Combination of Beauty and Truth
I have never faced anything as persistent
an annoyance as beginning any piece of
writing. The immense pressure of the
first line is not to be kidded with! The
reader has better things to read when
they discover that the writer has failed
to engage them or put them off with a
lousy opening sentence, convincing them that the writer has no job to be
writing anything worthwhile. The process of writing this Editors Note had
me in a right fix, for I was faced with the task of beginning an address that
will initiate the new reader and introduce to him the very first issue of
Litscape, an English Honours initiative. Talk about the first of firsts and
beginning a beginning! Litscape, a magazine brought about by the First year
B.A. English Honours students will contain our soulful artistic creations.
The magazine will feature everything from poems, stories, book reviews,
articles, paintings and reports of activities happening around the University.
Litscape will act as a creative outlet and a platform to share our thoughts
and ideas. The inaugural edition of Litscape features concrete poetry, a
persuasive article about how newly broadened perspectives magnify the
shades of grey in life as well as an artistic rendition of Moby Dick, amongst
other things. The stick figures that look like they are moving across the
page is a kind of art called the Warli art form. The artwork for Litscape
has been chosen for a reason, and the write up on Warli paintings in the
section called Culture Catchup will offer our readers some perspective on
Indian art forms and particularly why the Warli paintings are such a
LitScape, 3
common sight these days. When one flips through the pages, it is clear that
Litscapes content is both abstract and palpable. I would like to think that
this paradox arises out of the new ideas that we have been exposed to
continually this year. My pre-literary mind examines the world from the
surface and notes every minute detail while my post-literature mind would
rather delve into why I see such a world. Litscape also sees creative works
that blend both raw talent and learnt technique to create sophisticatedly
simple pieces of art that speak both to the mind as well as to the heart.
Beauty is truth, truth beauty. The readers will be pleased at the fresh
amalgamation of emotion and logic that goes into such writing and art. The
English Honours class is delighted to present to you the very first edition
of Litscape and hope that you will appreciate and enjoy the insight into our
artists minds. We would like to thank Professor Gaana J and all the other
teachers for their constant support, and more importantly, their insistence
in believing in our capabilities and their little nudges to help us achieve
more. The class works towards fulfilling the expectations set by the first
edition of Litscape and promises to bring out subsequent issues in the same,
and perhaps upgraded vein.
Meera Vinod
2 B.A. ENGLISH HONOURS
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The Hourglass
Beware when screen do seem to scream
the nearby rosy closed eyed dream
flowing like a pastry cream
when lights are dim
nimble hymn
rings
as
the
golden string
which catches whim
shh! Quiet! Just feel the stream
do not reply to bright rayed beam
of screen which deem you of the scheme.
- Srinjoy Dey
B.A. English Honours
2 B.A. English Honours2
2 B.A. English Honours
-
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Culture Catchup
Warli Paintings
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- Madhavi Prakash
2 B.A. English Honours
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Action
movie
buffs
and
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Art Corner
The Moby Dick by Sheelalipi Sahana
I have always wanted to read Moby Dick by Herman Melville but was intimidated by its
language. I then watched the movie In the Heart of the Sea and was greatly influenced by
the plot. This film inspired me not only to read the book but to also create my own
rendition of The Great Whale in the form of a watercolour painting.
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ACTIVITY LOG
Dr Melanie Kumar who is both a journalist and a writer used the film
Duniya Na Maane and Choker Bali to affirm the idea that the medium
is the message followed by a vote of thanks by Dr. Sushma V. Murthy.
In the first session Dr. Nikhila
discussed
transgender
congruence
and
gender
transgression. She used movies
of various languages such as
Qissa (2015), Rudhrama Devi
(2015), Jogwa (2009), and
Naanu Avanalla Avalu (2015) to highlight films as entry-points for
discussing gender and sexuality norms. The second day of the Workshop
was conducted by Ms. Ekta Mittal of MARAA (Media and Arts
Collective). The screening of the movie A Girl Walks Alone in the Night
was followed by elaborate discussions on each of the character, the
psychosis in men and women, the use of supernatural elements to highlight
them and the plot.
This was followed by day three with
Ms. Deepanjana Pal who captured the
audience with her views on the role of
women as characters and spectators in
Bollywood. She also screened a scene
from Saagar (1985), Dayavan (1987)
and Band Baaja Baarat (2010) comparing the role of women in each of the
films and the differences in the representation of both male and female
actors in cinema over the years.
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The second session of the day was conducted by singer and actress Ms.
M.D. Pahlavi who spoke about stereotypes in the lyrics and vocals of the
male and female singers and their representation in Indian film music. She
also demonstrated the tweaking of ones voice to suit the role of a certain
character.
The workshop ended with a closing address by Dr. Abhaya N.B. (H.O.D.
English), an address by the
representative of Suchitra Film
Society Mr. Prakash
Belawadi, a special address by
singer Ms. M.D. Pahlavi and
the Vote of Thanks by Ms.
Bhavani Sanjeeviraja.
- Divya Chauhan
2 B.A. English Honours
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litscapemagazine@gmail.com
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