PRESS RELEASE

SARDINIAN ARCHAEOLOGISTS
REVEAL A SPECTACULAR
H

NEOLITHIC ROCK-ART
DISCOVERY

Sardinia is noted for its prehistory, in particular Neolithic burial-

ritual monuments and a series of curious rock-cut tombs
known as 'domus de janas' (houses for the fairies). One of
these recently excavated rock-cut sites is now at the centre of a
major controversy.
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A ROOM FULL OF SPENDOUR

The story so far deals with a recently discovered and excavated
site locally known as 'Tomba della scacchiera' or the
'Chequered tomb', so-named after the discoverers record a
blue and white chequer design across the ceiling. But that is
not all that is present within the confines of the chamber areas!
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read on . . .
The site was recently reported within several specialist archaeology
websites including Past Horizons by two investigative journalists –
Diego Meozzi and Paola Arosio. The story goes that a Mr Antonello
Porcu, the owner of a nearby farm showed the reporters a series of
striking images he had taken in 2009 whilst the site was being
excavated. Mr Porcu's land lies next to a place called Tenuta Mariani,
where a prehistoric necropolis was discovered in 2002. By 2007, the
Bonorva Municipality received funding to survey the archaeological
sites within that area. The local cooperative was commissioned to
undertake the survey along with archaeologist Francesco Sartor -
appointed by the Soprintendenza Archeologica for Nuoro and Sassari
(Italian Ministry for Heritage).
Following the initial survey, a four-month excavation programme was
undertaken the following year at the Chequered Tomb (officially
known as Sa Pala Larga number 7) under the supervision of
archaeologist Francesco Sartor. During the excavation a passage
leading to a possible burial chamber was discovered. So inquisitive,
Mr Porcu and his brother couldn't resist a look and, under a
groundsheet placed by the excavators, were the façade and an
entrance that led to a rock-cut passage and a massive chamber with
three side cells beyond; the walls of which were painted with
curvilinear and rectilinear symbols. Also present were a series of
large bull heads, carved along the main wall of the chamber. The
ceiling stands around 1.70m tall and was painted in blue and white
pigments. However, the most striking element of the surviving rock-
art is a set of seven interconnecting large red spirals painted in a
vibrant red ochre. Although little is known about the people who
constructed, decorated and venerated this tomb, it believed that it
dates to the so-called Ozieri culture (3800 to 2900 BCE).
LOST WORLDS, VANQUISHED IDEAS
Following the 'unofficial' visit of Mr Porcu, he informed the Mayor of
Bonorva about this significant discovery. However, the Mayor knew
nothing of the discovery, from neither the archaeologist nor the official
representatives of the Soprintendenza. Furthermore, when the
excavation ended a massive concrete block had been placed in front
of the entrance of the tomb preventing access, thus sealing the tomb
from the outside world and the gaze of local people and scholars
(including rock-art specialists). In addition to filling-in the entrance,
Photos © Antonello Porcu
the excavators had covered most of the outside surface of the tomb
area with concrete, further destroying the context of the site.
According to the officials, this act was done in order to protect the
tomb from looters. However, more disturbing for the archaeology is
the potential damage to the fabric of the tomb, especially when using
a wet corrosive substance such as concrete against, say, limestone.
The sealing of the monument may also have an adverse effect on the
microclimate of the tomb and its artistic treasure. It appears that this
so-called act of crime prevention has occurred at other nearby
tombs (e.g. Sa Pala Larga, where similar rock-art including a 'tree-
of-life' lies hidden from view).
Despite the lack of funding to properly conserve, preserve and
display the outstanding secrets of these monuments they are
nonetheless of immense importance to the local, national and
international academic community as well as the local population.
Indeed, the paintings themselves are equal to those within the
Hypogeum of Hal-Saflieni, Malta. Surely, sealing a monument such
as this only fuels the inquisitive mind of the looter. There are
numerous other ways of protecting this most important heritage
asset; uppermost is education.
LET'S DO SOMETHING
The sooner the archaeological world is made aware of this and other
decorated monuments in the locality the better. We therefore call on
the outside world to first of all marvel at the by-chance images made
by Mr Porcu and urge the Sardinian authorities to act quickly. We
suggest that an international conference is called to collaboratively
discuss the issues of conservation, preservation and display as a
priority. The academic world and the people whose ancestors are
buried here, have a right to stare and marvel at these prehistoric
wonders. They should not be restricted to a few chance images
taken unofficially during an excavation programme in 2009.
Surely, we can do better than this, can't we?
Diego Meozzi (email: diego@stonepages.com)
Paola Arosio (email: paola@stonepages.com)
Professor dr. George Nash (email: georgenash@btinternet.com)
Tomba della
scacchiera
SARDINIA
The European Convention on the Protection of the
Archaeological Heritage (of which Italy is a signatory),
commonly known as the Valletta Convention states:
Collection and dissemination of scientific information

Article 7
For the purpose of facilitating the study of, and dissemination of knowledge about,
archaeological discoveries, each Party undertakes:
i) to make or bring up to date surveys, inventories and maps of archaeological sites
i) in the areas within its jurisdiction;
ii) to take all practical measures to ensure the drafting, following archaeological
ii) operations, of a publishable scientific summary record before the necessary
ii) comprehensive publication of specialised studies.

Article 8
Each Party undertakes:
i) to facilitate the national and international exchange of elements of the
I) archaeological heritage for professional scientific purposes while taking
I) appropriate steps to ensure that such circulation in no way prejudices the cultural
I) and scientific value of those elements;
ii) to promote the pooling of information on archaeological research and excavations
ii) in progress and to contribute to the organisation of international research
ii) programmes.

Promotion of public awareness

Article 9
Each Party undertakes:
i) to conduct educational actions with a view to rousing and developing an
I) awareness in public opinion of the value of the archaeological heritage for
I) understanding the past and of the threats to this heritage;
ii) to promote public access to important elements of its archaeological heritage,
ii) especially sites, and encourage the display to the public of suitable selections of
ii) archaeological objects.