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I
just
got
back
from
the
Standards
seminar
in
Cleveland
and
came
away
impressed
and
stimulated.
Do
any
of
you
ever
wonder
whether
you
would
enjoy
Standards
even
though
not
all
of
the
presentations
are
pertinent
to
your
work?
The
answer
to
this
question
is
YES
you
would!
For
example,
although
I
really
love
handmade
paper,
I
have
very
little
interest
in
making
it
myself.
But
the
talk
by
Andrea
Peterson
on
how
she
makes
paper
using
materials
from
her
small
farm
using
safe
environmental
practices
was
fascinating!
At
one
point
she
showed
a
photo
of
her
goat
eating
the
leaves
off
the
stalk
of
a
plant
that
she
wanted
to
use
to
make
paper.
She
needed
the
leaves
stripped
off
and
the
goat
obliged.
Christina
Amato
showed
us
how
she
makes
miniature
books
that
open
nicely
and
have
a
greater
attention
to
some
of
the
tiny
details.
She
also
shared
her
clasp
hack
using
dollhouse
door
hinges
and
told
us
that
she
sometimes
uses
dollhouse
wallpaper
for
endpapers.
Bill
Minter
gave
an
in
depth
talk
about
the
meeting
guard,
using
both
historic
examples
and
the
method
he
currently
uses.
I
always
wondered
about
those
guards.
Now
I
wonder
a
little
less!
This
year
we
tried
something
new
at
Standards.
We
had
some
smaller
breakout
sessions
that
were
organized
around
three
topics:
bookbinding,
books
arts,
and
conservation.
I
attended
the
conservation
session
which
was
a
panel
discussion
lead
by
Todd
Pattison.
It
was
very
interesting;
I
really
enjoyed
having
an
opportunity
to
engage
with
a
smaller
group
and
talk
about
how
the
Guild
can
support
book
conservators.
By
the
way,
all
of
these
presentations
will
be
available
DVDs
to
rent
from
the
Guild,
as
are
many
presentations
from
past
Standards.
So,
when
you
add
to
this
the
vendor's
room
with
all
the
wonderful
supplies
and
tools,
the
reception
at
the
awesome
Loganberry
Books,
and
a
visit
to
the
fantastic
Cleveland
Museum
of
Art
with
another
reception
at
the
wonderful
Morgan
Art
of
Papermaking
Conservatory,
the
seminar
had
much
to
enjoy.
If
you
haven't
been,
you
might
want
to
think
about
going.
Next
year?
Charleston
South
Carolina,
September
15-17.
Mark
your
calendars!
Jennifer
Rosner
Miniature
Medieval
binding
with
clasps
made
from
dollhouse
door
hinges
by
Christina
Amato
IN THIS ISSUE
Six questions
Pages 2-3
Letterlocking Workshop
Page 4
Upcycled Opening
Page 5-6
Notable News
Page 6
Upcoming Workshops
Page 7
Latitude Exhibit
Page 8
DELAWARE VALLEY
CHAPTER OFFICERS
Jennifer Rosner
Chapter Chair
Alice Austin
Vice Chair, Treasurer
Rosae Reeder
Secretary
Denise Carbone
Programs Coordinator
Becky Koch
Jackie Manni
Newsletter Editors
Valeria Kremser
Webmaster
Ruth Scott Blackson
Madeline Lambelet
Exhibitions Co-chairs
NEW MEMBERS
Lindsey Hobbs
Princeton, NJ
Dorothy Haldeman
Silver Spring, MD
PRESSING MATTER
Spring 2015
How
long
have
you
been
a
member
of
the
GBW?
Since
2009?
Bookbinding
happened
to
me.
I
started
working
in
the
library
conservation
lab
as
an
intern
interested
in
photograph
conservation
and
looking
for
pre-program
experience.
Following
the
internship,
I
was
hired
on
as
the
technician.
As
I
continued
to
learn
book
repair,
I
realized
how
much
I
enjoyed
it
and
stuck
with
it.
Im
still
at
that
job.
Im
also
pursuing
a
diploma
in
Book
Conservation
from
the
American
Academy
of
Bookbinding.
Well,
I
just
wrapped
up
my
second
season
of
mountain
bike
racing
and
am
delighted
to
say
Im
the
Mid-Atlantic
Super
Series
Cat
2
Womens
40+
Champ.
Also,
people
are
always
surprised
Im
from
New
Jersey.
PRESSING MATTER
Spring 2015
How
long
have
you
been
a
member
of
the
GBW?
When
did
you
realize
you
wanted
to
learn
bookbinding?
My
first
exposure
to
bookbinding
was
in
the
6th
grade,
when
my
French
teacher
gave
our
class
an
assignment
to
write
and
illustrate
a
childrens
book,
and
then
taught
us
to
bind
our
homemade
books
in
a
simple
case
binding.
Years
later,
I
started
working
part-time
in
a
university
book
conservation
lab,
and
thats
when
my
love
affair
with
bookbinding
really
took
off.
Lately
I
have
been
interested
in
sewn
structures
that
allow
a
flat
opening,
as
for
sketch
books.
Im
likewise
interested
in
creative
applications
of
structural
endbands.
I
recently
started
teaching
the
library
and
archives
major
in
the
Winterthur/University
of
Delaware
Program
in
Art
Conservation,
so
most
of
my
time
is
directed
toward
understanding
historic
book
structures
and
the
application
of
this
knowledge
in
book
conservation.
Tell
us
something
about
yourself
that
might
surprise
us.
I
was
an
Iowa
Master
Gardener,
and
I
am
always
on
the
lookout
for
ways
to
combine
my
love
of
gardening
with
my
love
of
bookbinding.
PRESSING MATTER
Spring 2015
PRESSING MATTER
Spring 2015
Earlier
this
year,
The
Scott
Memorial
Library
offered
the
Delaware
Valley
Chapter
of
the
Guild
of
Book
Workers
some
deaccessioned
bound
journals
in
hopes
that
members
would
use
them
to
make
artists
books.
The
chapter
participants
used
Hygeia
1929
-
1949
and
Scientific
American
1950
1979
to
create
artwork
that
adhered
to
some
very
loose
guidelines.
They
could:
DVC
members
gathered
on
Friday,
October
9th
to
celebrate
the
opening
of
Upcycled:
Bound
Journals
Transformed.
The
exhibit
will
be
on
display
at
the
Scott
Memorial
Library,
1020
Walnut
St,
until
December
18th.
Visiting
hours
are
Monday
Friday
9-5,
and
weekends
11-5.
This
exhibit
is
also
online!
http://dvc-gbw.org/upcycled-bound-
journals-transformed-gallery/
Alicia Bailey
Frances
Osugi
Val Kremser
Frances Osugi
Sharon
Hildebrand
Participating
members:
Alice
Austin
Alicia
Bailey
Ruth
Scott
Blackson
Amanda
Bock
Lisa
Scarpello
Denise
Carbone
Sharon
Hildebrand
Becky
Koch
Val
Kremser
Adrienne
Stalek
Jacqueline
Manni
Frances
Osugi
Mary
Phelan
Rosae
Reeder
Jennifer
Rosner
Thomas
Parker
Williams
PRESSING MATTER
Spring 2015
Notable
News
This
summer
Thomas
Parker
Williams
had
his
work
on
exhibit
at
the
Center
for
Book
Arts
in
NYC
in
the
show
Source
Materials
Visualized,
he
also
participated
in
a
panel
discussion
about
his
work
at
the
center
in
September.
In
August
through
October
Thomas
and
his
wife,
Mary
Agnes
Williams,
are
exhibiting
a
collaborative
artist
book
entitled
Trees,
A
Meditation
Inspired
by
Tai
Chi
in
the
exhibit
Pairings:
Collaborative
Works
by
Two
or
More
Artists
at
the
Healdsburg
Center
for
the
Arts
in
Maria
has
also
had
two
monotypes
and
one
intaglio
print
Healdsburg,
CA.
entitled
Reflecting
Pool,
Line
of
Vision
and
Palazzo
Croce,
accepted
to
be
part
of
the
exhibit
Impressions:
The
Art
of
Thomas
and
Mary
Agnes
also
exhibited
at
The
the
Print
at
the
Trenton
City
Museum
in
Trenton,
NJ.
The
Lancaster
Letterpress
Printers
Fair
on
Sunday,
October
11.
exhibit
will
be
on
display
between
November
14th
and
January
3rd,
2016.
During
September,
Dee
Collins
had
a
piece
in
the
show
Alice
Austin
was
a
visiting
artist
for
one
week
at
the
Hall
Creative
Imprints
with
The
Printmakers
Society
of
the
Lehigh
Valley
at
the
Bethlehem
Rotunda
Gallery
in
of
Awa
Japanese
Handmade
Paper
in
Tokushima,
Japan
Bethlehem,
PA.
this
summer.
It
was
a
fabulous
experience!
She
learned
how
to
make
kozo
and
gampi
paper
and
also
made
indigo
Todd
Pattison
has
an
artist
book
in
the
show
dyed
paper.
Here
is
a
short
video,
made
by
Jon
Snyder,
Unhinged:
Book
Arts
on
the
Cutting
Edge
at
the
about
indigo
dying.
https://youtu.be/QqAHebIC01o
Whatcom
Museum
in
Bellingham,
WA.
Have you given a talk, published a paper, participated in an exhibit, or just bound a really great book? Or
maybe you had a baby, got married, adopted a dog, or done absolutely anything else you want to share?
We want to hear about it! If you have news to share please send it to: Becky Koch at blyne80@gmail.com
PRESSING MATTER
Spring 2015
th
PRESSING MATTER
Spring 2015
Latitude Exhibit
By Tara OBrien
In
August,
the
conservation
department
of
the
Historical
Society
of
Pennsylvania
had
an
exhibit
at
PRESS!
LetterPRESS
as
a
Public
Art
Project
in
North
Adams,
MA.
The
show,
Latitude,
was
inspired
by
a
1763
mathematics
manuscript
describing
instructions
for
setting
up
a
sundial.
Erin
Malkowski,
Tara
OBrien,
Erin
Paulson,
and
Charissa
Schulze
made
work
in
response
to
the
drawing
of
the
sundial.
The
artists
worked
with
their
own
themes
and
interests
to
comment
on
time
in
relation
to
the
cosmos,
family,
documentation
and
historical
vs.
contemporary
technology.
Using
technology
equally
as
obsolete
as
a
sundial,
the
work
ranged
from
books
(both
traditional
reproductions
to
artist
books),
pressure
prints,
letterpress,
and
fiber
arts.
Erin
Malkowski
extrapolated
graphic
elements
from
the
original
drawing,
manipulated
them
in
Adobe
Illustrator
and
returned
them
to
her
series
of
dust
prints
by
stitching
the
line
drawings
directly
onto
the
prints.
Also
on
display
was
her
book
We
Float
Like
Dust.
Tara
OBrien
created
a
facsimile
of
Salomon
de
Caus
work
La
Pratique
et
Demonstration
des
Horloges
Solaires,
or
The
Practice
and
Demonstration
of
Solar
Clocks,
printed
in
1624.
The
book
contains
10
moveable
pieces
demonstrating
how
to
set
up
a
sundial.
A
second
piece
created
for
this
exhibit
questions
the
proximity
of
heavenly
bodies
and
is
produced
entirely
with
sun
prints.
Erin
Paulsons
pressure
print
animations
of
comets
and
space
debris,
Once
the
wondrous
vastness
filled
us
(Comet
of
Coggia,
1874);
Now
we
fill
the
wondrous
vastness
(Space
Debris,
2012),
were
exhibited
for
the
first
time
in
North
Adams
along
with
new
work
in
which
Erin
contemplates
the
universe
through
the
lens
of
past
scholarship.
For
her
piece
In
Times
Past
she
described
time
passing
(Tycho
Brahe,
16th
Century),
she
translated
an
historical
model
of
the
solar
system
by
stitching
into
materials
used
in
traditional
book
making.
Charissa
Schulzes
Tempus
Florae
is
based
on
a
clock
of
flowers
first
devised
by
Carl
Linnaeus
in
1751;
a
complex
and
impractical
clock
that
is
based
on
the
circadian
regularity
with
which
certain
species
of
flowers
open
and
close
their
petals.
Through
her
further
research
of
sundials,
she
learned
that
they
are
often
inscribed
with
verses
that
served
as
a
reminder
that
time
is
fleeting,
and
life
precious.
Her
interactive
How
Slow
the
Shadow
uses
the
18th
Century
device
of
a
peepshow
to
illuminate
different
halves
of
one
such
phrase
with
ambient
light.
Gallery
owner,
Melanie
Mowinski
said,
This
was
one
of
the
best
shows
we
ever
had.
The
work
was
amazing.