Documente Academic
Documente Profesional
Documente Cultură
and time. Medallions are dumb to the feel of the thumb yet the image of medallions that commemorate
past events recalls to memory the emotive past. Similarly, the silent image of 'sleeve worn stone of
casement ledges evokes the sense of touch and along with it nostalgic memories of someone waiting
and looking out by the window. Finally, the image of the soundless flight of birds touches the sense of
sight. There is action yet it is a silent action. So too should a poem be: it should speak silently, which
means, a poem doesnt brashly convey a message or meaning but should evoke emotion/experience and
impel imagination through images/words.
In the second section, he uses the image of the moon to state that a poem should be 'motionless in time'
like the moon. The moon moves but its movement can not be easily perceived. So should poetry be. This
could mean that good poems transcend time since they speak of universal experience. Yet each poem is
rooted in the concrete i.e. in real, particular experience. What make them universal are the images used
and the emotions evoked. Again, the poet uses imagery to illustrate the point. A poem leave
memories/emotions/feelings in our mind just like the rising moon. Its imperceptible, incremental
movement releases with its light, twig by twig the trees entangled by darkness and with continuous rising
leaves the winter behind.
The third section seems to refute the idea that art is a search for truth as echoed in Keats' line 'beauty is
truth, truth beauty'. For the poet, 'a poem should be equal to: not true'. Poetry is not concerned with the
generalities of truth, beauty, goodness or historical facts. On the contrary what it should do is to capture
human experience like an experience of grief, or of love, or of loneliness through images. As in the other
two sections he uses images to illustrate the point. He uses the images of an 'empty doorway' or 'a maple
leaf' to suggest the universal experience and history of grief and the images of the leaning grasses and
two lights above the sea' to evoke the experience of love. The last couplet 'a poem should not mean but
be' seems to re-echo the imagist principle of art for arts sake and poetry as capturing life using precise
images that achieve clarity of expression. Poetry should not try to take on great unanswerable
philosophical questions or convey some meaning/message. Instead good poetry should use concrete
images to capture and evoke a moment of personal experience to take in the richness of being.