Documente Academic
Documente Profesional
Documente Cultură
2016
Tth Nikolett
Modernism Introduction
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Modernity
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3 narcissistic traumas
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American Literature 2
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2016
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High Modernism
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Radical Modernism
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anti-symbolist
values are immanent (they consist within limits) rather than transcendent
the surface has importance
metonymy as governing trope
the object is nothing else than the object
horizontal poetry (Imigism)
Modernist Poetry
Imagism - and what came before
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Imagism
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School of Images
short-lived (1908-1917), but extremely influential
fundamental importance
united many important poets:
H.D., Pound, T.S. Eliot, Wallace Stevens, D.H. Lawrence, James Joyce,
Archibald McLeish, Amy Lowell, Carl Sandburg, etc. (exam: Name 3
imagist poets!)
History
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Principles (3+1)
1.
2.
3.
4.
Direct treatment
Economy of words
Free verse
Image: intellectual and emotional complex
Direct treatment
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R. Adlington extract
not mimetic
no flourishing, just the point
defamiliarization
Pound: Paganinis, November 8;
William Carlos Williams: Young Sycamore presents a still image as a
moving object; dynamic poem, though presents a tree
Free Verse
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Conclusion
image as center
poet as mediator of the familiar
defamiliarization: very inspiring
tremendous effect on 20th century poetry
early postmodernists: Olson, Creeley, Duncan
categorization
- nativist (those who didnt leave America - Frost) vs. international (Eliot
moved to GBR, British citizenship)
- popular (Frost seemingly simply, some say that he was a simple poet
for the simple people)
- elitist (Eliot poetry is an intellectual gain, you have to know 4-5
languages in order to understand poetry well)
- High (both Frost and Eliot) vs. Radical Modernists
Ezra Pound
- A Few Donts by an Imaginiste
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Poetry
Yankee pastoral
Humor, moralizing, ironic tone
image of Mr. Ordinary in every poem
America, New England as a setting
pictures from nature
democratic individualism
colloquial language
emotionally charged
poetry can easily be processed, easily readable and understandable; lyrical
popular poet, not an elitist
certain type of sadness is always present, along with wisdom general,
colloquial wisdoms
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Poems:
Mending Wall
blank verse
central picture is a wall
rural picture
resistance, rules set up
wall serves as a barrier between the neighbours tradition, habit
segregation
boulders are everywhere in nature
2 types of people: builds walls that are unnecessary, and those that would
break them
scolds his neihgb. but mends the damage done by the hunters this way
he recreates the wall
there is need for walls elsewhere: to protect livestock
rules and laws are walls, justice is the process of wall mending
it is also a good excuse for him to interact with his neighb.
what seems antisocial can be sociable good fences make good neighbors
Mowing (1914)
=kaszls in Hungarian
sonnet: ABC ABD ECD GEH
sound of sense technique
first 8 lines: the sound of the scythe and then muse about the abstract
(heat and silence) or imaginary significance of the sound
last 6 lines: present an alternative interpretation, celebrating fact
idyllic picture
summer
scythe: symbol of death
He rejects the idea that the sound of the scythe it speaks of something
dreamlike or supernatural, concluding that reality of the work itself is
rewarding enough
both the repeated use of the term whisper and the swaying motion of
the meter in certain lines (such as Perhaps it was something/ Something
perhaps) provide a sense of the scythe moving back and forth as it cuts
the hay in the field.
uses the word whisper is significant because it personifies the scythe,
transforming it into a companion and working colleague for the
narrator rather than an inanimate farming tool
points out that truth and fact are far more significant than imaginative
fancies of gold and elves. In other words, his emphasis on reality the
lives and struggles of real people makes his poetry sweeter and
more effective than any traditional sonnet that narrates fairytale
lands
do we really need to analyze all poems?
The Road Not Taken (1916)
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Birches
nyrfk
one of his most anthologized works
inspired by another similar poem "Swinging on a Birch-tree" by American
poet Lucy Larcom and his own experience of swinging birch trees at his
childhood
blank verse, sound of sense
he act of swinging on birches is presented as a way to escape the hard
rationality or Truth of the adult world, if only for a moment
As the boy climbs up the tree, he is climbing toward heaven and a place
where his imagination can be free.
he also did this in his childhood
The narrator explains that climbing a birch is an opportunity to get away
from earth awhile / And then come back to it and begin over.
A swinger is still grounded in the earth through the roots of the tree as he
climbs, but he is
able to reach beyond his normal life on the earth and reach for a higher
plane of existence.
regret: he can no longer find this peace of mind because he is an adult,
unable to leave his responsibilities
not even able to enjoy this view truth broke in
o forced to acknowledge the truth that they bend because of the
storm, not from a boy with all her matter of fact about the ice
storm
freedom of imagination, but he cannot avoid returning to the truth of the
world, to responsibilities
the poem moves between imagination and fact
Frost's agnostic side: where heaven is a fragile concept to him This
becomes clear when he says the inner dome of heaven had fallen.
balance, youth, spirituality, and natural world.
Out, out
title: from Machbeth, the is shocked to know the death of his wife (Out,
out-)
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Dedication
patriotic poem
famous deeds, heroism
brings acknowledgement
no country can dominate the US
the Founding fathers are also mentioned
glory, homage to the country
hope-filled spirit of Camelot in Washington, D.C., said to characterize
Kennedys presidency during those early days
patriotic poem
sonnet, unusual with 16 lines
recited it at the inauguration of President John F. Kennedy on January 20,
1961 instead of Dedication
Americas history as a nation from the time of the European colonists
Although the colonists owned the land, they could not draw a national
identity from it because they were still tied to England.
They eventually realized that they were denying their beliefs in freedom
and, by embracing the lessons of the land, were able to establish an
American identity.
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In order to accept this gift of identity, the people had to commit many acts
of war and mark the land as their own, but the end result was a truly
American land.
discussion of the Revolutionary War and remorse that the battle over the
land caused so many deaths
T. S. Eliot (1888-1965)
Life
St. Louis, Missouri > prominent New England family (S. = Sterne (?) >
mothers maiden name)
Smith Academy, Harvard
Whitmanian tradition
1909-10: Sorbonne (Paris)
1911-14 > Harvard doctoral fellow (he finished it)
- Bertrand Russell
1914-15 > Oxford
- meets Pound
- 1915 marries Vivienne Haigh-Wood (she needs constant attention
various mental issues; separated in 1932, Vivienne was later placed in
an institution -> personal problems)
- stays in England
Poetry
Prufrock
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many repetitions
I should have been a pair of ragged claws
Scuttling across the floors of silent seas. a crab
5 parts
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themes
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hopelessness
imagery of the environment, wasteland, and also the poet Tiresias
Cumeaeon Sybil: omen, coming from mythology. modern version:
Madam Sosostris,
ezoteric
Lil: another female persona
also: figure of the female typist
a multitude of voices
Eliot:
Style
observant, mimetic
also writes novels
details of what he sees
fresh and new form of poetry
strange
influenced by the visual arts
takes a picture and writes a poem inspired by the picture
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in response to the painting with the same title by Pieter Bruegel (he also
mentions the name of the painter in the poem)
the Greek tragedy of Icarus that flew too close to the Sun
not Icarus is in the center of the painting as we would expect, but a man
and a donkey, as he describes, Icarus can hardly be recognized, he is only
a splash in the water, but as the title suggests, the landscape is more
important that the fall of Ic.
contrasting red-yellow
The poem slows down in the middle, as if to watch the fire truck pass.
We did not know that the truck was moving until now
the number is unnoticed in the heavy movement, surroundings, noises of
the truck
unheeded" means "neglected" or "ignored." No one is paying
attention to whatever it is that is moving (either the number or the
fire truck). At this point, we think it makes more sense for the
number to be "unheeded," because it is such a small part of the
truck. Few people would notice such a number, but everyone would
notice the truck
thus the figure is so great because he could notice it, otherwise it is
small and insignificant he cares for the details
Young Sycamore
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birth: enter the new world naked, uncertain of all state of a newborn
the new plants, grass come back to life - awaken
the mood of the poem changes
Portrait of a Lady
Woman Walking
It is the voice of the woman in bed that makes this poem, and she is a
tough character as she reveals herself, physically and otherwise. "I wont
work / and Ive got no cash. / What are you going to do/about it?" she
demands in the first few lines. She implies that she is a loose woman and
perhaps even comes on to the physician: "Lift the covers / if you want me .
. . ." and later, "Corsets / can go to the devil-- / and drawers along with
them-- / What do I care!"
The woman shifts subjects rapidly, between poverty and sexuality, hinting
that she might be pregnant again, writing off her two sons. At the end, she
delivers a proud challenge to the physician who has come to see her in the
abandoned house: "Try to help me / if you want trouble / or leave me
alone-- / that ends trouble. // The county physician / is a damned fool / and
you / can go to hell! // You could have closed the door / when you came
in; / do it when you go out. / Im tired."
Williams titled this work a portrait, but it might easily have been an
etching. The speaker limns her own image with a rapid-fire yet casual
spray of acid-tinged pronouncements, her pride and defiance never
wavering even though she appears to know that she is in tough straits. Her
name, Robitza, suggests possible ethnic or cultural gaps to go with the
socio-economic chasm between her and the doctor she taunts. By making
the poem a monologue rather than a dialogue, Williams may be suggesting
clues to his reactions: speechlessness, perhaps; maybe even a feeling that
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Danse Russe
personal thoughts
family is involved
in silken mists
son of a lawyer
educated at Harvard, New York Law School
spent most of his life working as an executive for an insurance company
won the Purlitzer Prize for poetry
left NY to live at Hartford, where he remained for the rest of his life, wrote
poems there
he had a conflict with E. Hamingway Stevens broke his hand,
apparently from hitting Hemingway's jaw, and was repeatedly knocked to
the street by Hemingway.
suffered from stomach cancer
Poetry
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"Day creeps down. The moon is creeping up(1). time passing slowly,
dawn
"nightingale torture the ear, Pack the heart and scratch the mind (39-40).
the mood changes
Nothing is new, the freshness of night has been fresh a long time,
nothing is perfect. one grows to hate these things except on the dump
Gubbinal
The term 'gubbinal' may derive from 'gubbin', referring here to someone
who takes the world to be ugly and the people sad
have it your way different perspectives
1886-1961
modernist and feminist canon
all areas: prose, poetry, criticism, philosophy, film
expatriate, as opposed to Williams
England, Switzerland, Italy
avant-garde, imagist
born in Betlehem, Pennsylvania
moved to London
she was championed by Ezra Pound
the literary editor of the Egoist journal
married to Richard Aldington broke up
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Oread
short poem
a Nymph was ordering up the sea
two images sea, forest
green color: forest and sea can also be green
imagist:
The Pool
haiku
again, the element of water/sea
bisexuality (I dont know how/why)
the poet may be asking if the other person feels alive
Reacting to the narrator's touch, the other person shudders like a fish that
or:
Pool as Mirror
Doolittle's pool may be a mirror. The poet, who is bisexual, may be capturing her
inner self, "banded" to a gay-repressive society's idea of her legitimate being.
This interpretation increases the fearful tone; Doolittle is afraid to free herself.
Eurydice
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Eurydice according to the book is the wife of Orpheus and through his song he
manages to win his wifes freedom from Hades when she dies and is sent there.
She could leave under one condition that he would not look at her until they both
left the underworld. However, he failed at keeping his promise. I believe the
author Hilda Doolittle is trying to allow the reader to see Eurydices side of the
story and see how she must suffer because of her husbands arrogance. Because
he cannot control looking back at Eurydice, she is sent back to the underworld
and is lost again. In the poem, Eurydice is explaining all of the things that
Orpheus has now taken from her again since she is sent back to Hades. She
explains, So you have swept me back, I who could have walked with the live
souls, about the earth, I who could have slept among the live flowers at last (p.
285, ln 1-5). She is heartbroken that she again must be away from the things she
loved in life. Orpheus has taken those things from her. She believes that she is
lost and forgotten and just when she is given a second chance, his arrogance and
ruthlessness has ruined her life. She could have been at peace but Orpheus took
her from the dead and then betrayed her. She ended up back in the underworld
without the things she yearned for in life. She was cut from flowers, the earth,
light, and human life. However, Eurydice would not give up her idea of life and
the things she had lost. She said, at least I have the flowers of myself, and my
thoughts, no god can take that; I have the fervor of myself for a presence and my
own spirit of light (p. 288, ln 124-128). She believed in making her own life
and light even in the darkness of the underworld. She believed that she had
more of both of these things in the underworld then Orpheus had in the real
world. She would not give up on her yearning for life.
believe that Hilda Doolittle wanted her poem to tell a story of a young women
betrayed by a man. She believed that the poem would represent her thoughts
and feelings that men are condemning, ruthless, and arrogant. This was shown
in Orpheus character in the poem. She gave a little hope to her female
character though showing that she could rise against the darkness and death.
She was sent back to the underworld but no god could take her thoughts,
feelings, and ideas of life, light, and nature. Doolittle showed power in her
female character making her fight back against her fate caused by a man. I was
inspired by Eurydices character in the poem and in the myth. Even in the old
Greek myth, women were being controlled by men. In the 20th century and
todays society, you can still see this fight between men and women. I agree
with the author in portraying Eurydice in a strong light. She controlled her own
afterlife and kept her thoughts about the beauty in her life before death. That
was an inspiring part of the story and I appreciated the character for it.
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Modernist Prose
Overview
1. Background
2. General characteristics
3. WORKS:
- Hemingway: The Sun Also Rises
- Fitzgerald: The Great Gatsby
- Djuna Barnes: Nightwood
- Faulkner: A Rose for Emily & The Sound and the Fury
Modernist Prose
start: 1920s
- jazz age (Fitzgerald) music, carpe diem mentality because of WWI
- movable feast (Hemingway) not a fix date
- lost generation (Gertrude Stein) car fixing; those who survived the
WWI had been traumatized
Background
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General Characteristics
Djuna Barnes
1892-1982
lesbian fiction
modernist
Nightwood
1936
explicit homosexuality between women
gothic prose style
unusual form of narrative
metafiction
praised by TS Eliot
Robin Vote, Nora Flood
Eu
Baron Felix Volkbein introduced to her by Dr Matthew OConnor
seeks Robins hand in marriage, to emulate the traditions in Eu nobility,
helps Robin to feel secure
Guido their son, disabled
Robin realizes that she does not wish to carry on this life moves to the
USA
romantic relationship with Nora F., move to Paris together
seek security in their relationship, cannot remain in peace because of
Robins personality
She feels driven by the conflicts of "love and anonymity", and spends her
nights away from home, having flings with strangers while Nora waits
nervously for her lover's return
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Robin:
Felix:
pretends to be a baron
driven by desire to maintain the ideals of the old world
Nora:
salon keeper
second lover
unable to control Robin
continues to search for satisfaction after Robin leaves her
unable to settle down, as well
Matthew:
Jenny:
4 times a widow
lost the ability to know what she wants from life
steals happiness from others in order to get it for herself
depression
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innovation, experimentation
she bought works from unknown artists (Picasso, Chagall, Dal) to
support them
meeting place for artists center of intellectual life
sensitive and receptive towards improvisation and experimentation
writers gave her their works in process, she evaluated them (Hemingway,
Fitzgerald, etc.)
A rose is a rose is a rose.
WORKS:
- Q.E.D. (1903; publ. after her death) autobiographical work, details
about her private life (lesbian)
- Three Life (1905-06): 3 womens stories, 3 independent stories
- The Making of Americans (1912)
- Tender Buttons (1914)
she survived WWII in Paris
Three Lives
1909
3 stories The Good Anna, Melanctha, The Gentle Lena
independent of each other
all set in a fictional town, Bridgepoint, In Baltimore
Anna Federner
a servant of "solid lower middle-class south german stock
happy life as a housekeeper for miss Mathilda
her difficulties with unreliable under servants and "stray dogs and cats"
She loves her "regular dogs": Baby, an old, blind, terrier; "bad Peter," loud
and cowardly; and "the fluffy little Rags."
the undisputed authority in the household
five years with Miss Mathilda
four under servants: Lizzie, Molly, Katy, and Sallie
iron hand
Miss M. is also concerned because Anna is always giving away money, and
tries to protect her from her many poor friends
background
brother a baker
Miss Mary Wadsmith
given a green parrot
blabla
operated and dies
Melanctha
distinctions and blending of race, sex, gender, and female health
form of repetition to portray characters
bitter experience with love
daughter of a black father, mixed-race mother
goes on a quest for knowledge and power, as she is dissatisfied with her
role in the world
thirst for wisdom
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self-discovery
thoughts of suicide
love affairs, sex
in despair
abandonment of her close friend, Rose
broken, ill
death from tubercolosis
servant girl
married to Herman Kreder, son of german immigrants
extraordinary passivity (both)
3 children, passive, distant
Neither Lena nor the baby survives her fourth pregnancy
WORKS:
Novels:
-
Short stories:
-
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STYLE
MAJOR THEMES
novel of character, rather than event; the novels trying to grasp post-war
Americans in Europe
protagonists:
Jake Barnes; due to a WWI injury hes impotent (not known if its
psychological or physical injury) purposelessness;
Lady Brett Ashley: sexually emancipated woman, love interest of many
characters in the novel dangerous to the shield of male characters
embodies the sexual freedom of the 1920s
bobbed hair
set in Pamplona
themes: drifting, impotence
the story:
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Bill and Jake travel to the Spanish countryside and check into a small, rural
inn. They spend five pleasant days fishing, drinking, and playing cards.
Eventually, Jake receives a letter from Mike. He writes that he and Brett will
be arriving in Pamplona shortly.
fiesta begins
bullfight Pedro Romeo Brett likes it, interested in the boy, spend the
night together by the help of Jake
Mike, Bill drunk
insults Cohn attacks mike and jake, knocks them out
When Jake returns to the hotel, he finds Cohn lying face down on his bed
and crying. Cohn begs Jakes forgiveness, and Jake reluctantly grants it.
The next day, Jake learns from Bill and Mike that the night before Cohn also
beat up Romero when he discovered the bullfighter with Brett; Cohn later
begged Romero to shake hands with him, but Romero refused.
Brett breaks up with Romero: that she would ruin him and his career. She
announces that she now wants to return to Mike. Jake books tickets for
them to leave Madrid. As they ride in a taxi through the Spanish capital,
Brett laments that she and Jake could have had a wonderful time together
Setting:
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set: at a train station to highlight the fact that the relationship between
the American man and the girl is at a crossroads
in the middle of a desolate valley, the station isnt a final destination but
merely a stopping point between Barcelona and Madrid.
white hills and barren valley life vs. death, fertility, sterility
- ICEBERG theory: Hemingway stripps everything but the bare essentials from
his stories and novels, leaving readers to find out the meaning, the essentials on
their own
-
Iceberg: only the tip can be seen, a great mass of ice hides beneath the
surface
must interpret body language, dialogue,
Works:
Plot:
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Nich Carraway
- after 1922
- just moved from the Midwest to West Egg (fictional city), Long Island seeks
his fortune as a bond salesman
- visit his cousin, Daisy Buchanan and her husband, Tom
- professional golfer, Jordan Baker
- they live privilidged lives, luxury, money, etc
- Nick: modest, grounded lifestyle
- When Nick returns home that evening, he notices his neighbor, Gatsby,
mysteriously standing in the dark and stretching his arms toward the water, and
a solitary green light across the Sound.
- Tom: adulterer
- His mistress: Myrtle Wilson middle class woman, husband runs a garage, gas
station, etc in a rundown area
- drunken afternoon together
- M. and Tom fighting over Daisy, rage, T breaks M-s nose
- Nick turns his attention to his neighbor, who hosts weekly parties for the rich
and fashionable
- invites Nick to his parties (strange, because he is an outsider)
- G. remains apart from his guests, observer, more like a participant
- As the party winds down, Gatsby takes Jordan aside to speak privately. Although
the reader isn't specifically told what they discuss, Jordan is greatly amazed by
what she's learned
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- Gatsby asks Nick to invite Daisy to his little house where Gatsby will show up
unannounced
Moving back to the present, we discover that Daisy and Tom will attend one of
Gatsby's parties. Tom, of course, spends his time chasing women, while Daisy
and Gatsby sneak over to Nick's yard for a moment's privacy while Nick,
accomplice in the affair, keeps guard. After the Buchanans leave, Gatsby tells
Nick of his secret desire: to recapture the past. Gatsby, the idealistic dreamer,
firmly believes the past can be recaptured in its entirety. Gatsby then goes on to
tell what it is about his past with Daisy that has made such an impact on him.
- T stops at the gas station of the husband of M, who is in despair because he got
to know that he cheats him w another man, her secret life wants to take her to
the West
- T loses his mistress and also his wife at the same time
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Gatsby wants Daisy to admit she's never loved Tom but that, instead, she has
always loved him. When Daisy is unable to do this, Gatsby declares that Daisy
is going to leave Tom. Tom, though, understands Daisy far better than Gatsby
does and knows she won't leave him: His wealth and power, matured
through generations of privilege, will triumph over Gatsby's newly
found wealth. In a gesture of authority, Tom orders Daisy and Gatsby to head
home in Gatsby's car. Tom, Nick, and Jordan follow.
- Myrtle Wilson, Tom's mistress, has been hit and killed by a passing car that
never bothered to stop, and it appears to have been Gatsby's car
- Nick Learns that D was driving the car, G will take all the blame
- N and Gs friendship ends
- Wilson kills G and then himself with a gun
- N have to make arrangements for the burial of G
- No one is concerned with Gs death
- Daisy and Tom mysteriously leave on a trip and all the people who so eagerly
attended his parties, drinking his liquor and eating his food, refuse to become
involved. Even Meyer Wolfshiem, Gatsby's business partner, refuses to publicly
mourn his friend's death. A telegram from Henry C. Gatz, Gatsby's father,
indicates he will be coming from Minnesota to bury his son
- Despite all his popularity during his lifetime, in his death, Gatsby is
completely forgotten.
- N goes back to the East, disgusted, disillusioned
- N refuses to shake hands with T You know what I think of you."
- Tom was the cause behind Gatsby's death. When Wilson came to his house, he
told Wilson that Gatsby owned the car that killed Myrtle. In Tom's mind, he had
helped justice along.
- Nick, disgusted by the carelessness and cruel nature of Tom, Daisy, and those
like them, leaves Tom, proud of his own integrity.
Characters:
- Jay Gatsby: ambiguous, very rich character
- Nick Carraway the story is told by his point of view, was once
Gatsbys neighbor
- Daisy Buchanan & Tom Buchanan D is the cousin of Nick, Tom is his
husband
- Jordan Baker professional golfer, love interest of Nick
- George Wilson & Myrtle Wilson
Structure
- 9 chapters
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Works
short story
set in Yoknapatawha, a fictional county
in the fictional city, Jefferson
allegorical title: a salute to express pity for the tragedy of a woman that
could not do anything about it
characters:
- 1st person PLURAL narrator
- Emily Grierson
o spinster, last Grierson, never communicates with the town
o Southern Belle beautiful, morally educated, stereotype of a
good Southern woman artist ?? I dont know who said that but
I think it is not true
o strange behavior, crazy, mysterious
o after her fathers death she becomes the onject of pity of the
townspeople
o the house shields her from the townspeople
o house: dusty, dark
o everybody rumors about her
o strange, distant, mysterious, bizarre behaviour
o dies from sickness
o necrophilia?
o desire to control others
- Homer Barron:
o Emilys love interest
o Yankee Northern origin, smiley, beloved by the workers
o also a stranger in town like E
o portrayed as homosexual or an eternal bachelor
o he disappears, killed? by E
-
Southern gothic
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Time:
-
Narrator:
-
unnamed
the towns collective voice
mysterious
never find out how much they/he exactly knew about E
Characters:
Narrative technique
Setting
Jefferson, Missisippi
Compson family
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Structure
4 distinct sections
Ch. 1.: April 7th, 1928 (Good Saturday)
- Benjy: 33 years old, disabled (not clear what are its characteristics
hinted: developmental disability)
- style: no concept of time, we dont know where we are, disjointed
narrative style, frequent leaps in the chronological order, nonliterary
voice
- he is the shame for the family
- Caddy and Dilsey show care and true love for him
- italicization marks the flashbacks, and the thoughts from the past (diff
names of caretakers in diff times)
- he has 3 passions: fire, golf and his sister, Caddy
Problems arise when:
-
Caddy is banished: divorce from his husb., because of a child that is not
his
family sells the golf club to finance Qs education at Harvard
impressionistic language
Ch.
-
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Style:
- especially at the end Faulkner completely disregards any semblance of
grammar, spelling, or punctuation, instead writing in a rambling series of
words, phrases, and sentences that have no separation to indicate where
one thought ends and another begins.
- This confusion is due to Quentin's severe depression and
deteriorating state of mind, and Quentin is therefore arguably an even
more unreliable narrator than his brother Benjy.
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circles of the narrative, the narrator is coming back to the same point
(Caddy)
Title:
- from Macbeth
-"tale told by an idiot full of sound and fury, in this case Benjy, whose view of
the Compsons' story opens the novel. The idea can be extended also to Quentin
and Jason, whose narratives display their own varieties of idiocy. More to the
point, the novel recounts the decline and death of a traditional upper-class
Southern family, "the way to dusty death".
definition
- Renaissance: rather inaccurate, not a return but rather a birth
history
- slave narrative, abolitionist movement: advocates education as
the key
- slavery was abolished by this time, but the situation was not equal
(voting, separation)
- line dividing whites and blacks
periods
- awakening: Booker T. Washington, W.E.B DuBois, James Weldon
Johnson, etc.
- Harlem Renaissance (20s and 30s): DuBois, Johnson, Alain Locke,
Langston Hughes, Nella Larsen, etc.
- second generation: beyond Harlem (40s and 50s) Richard Wright,
Dorothy West, Anne Petry, Gwendolyn Brooks, Margaret Walker
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I, Too
-
Passing (1929)
- set in Harlem, in NY
- the reunion of 2 childhood friends Clare Kendry and Irene Redfield
James Weldon Johnson Autobiography of an Ex-Colored Man (1912)
crossing the color line extremely dangerous
- Clare marries an openly racist, Southern man, John Bellew who
doesnt know Clare is of African American origin inspiration from her
own mixed racial origin
- Irene lives as an established member of the African American member
of Harlem she lives a full life; very self-conscious
- Clare is the one passing the line goes to a restroom where only whites
are allowed, she pretends to be white
- historical content: considerable color-line between blacks and
whites, unequality, but many claim recognition another racial group
different from the one they were believed to belong to was known as
"passing," even when it was based on a person's ancestry this is
what the title refers to
- passing-narrative, but can be also read as a romance story, ending in
death murder? nobody knows, but most of the people believe that
there are racial motives
- only way out from a bad situation like this is to accept yourself
Narrative:
- 3rd person, perspective of Irene, light-skinned black woman
Plot:
part 1
I receives a letter from C, causing her to recall the past ncounter she had
with her at the roof restaurant of the Drayton Hotel in Chicago
they grew up together, but lost touch
learns that she passes for white, her husband is rich, they live in Eu,
they have a daughter, he suspects nothing
she visits C with another friend, Gertrude
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J makes racist views, making the women uneasy, still knowing nothing
(???? how)
they act white, to maintain Cs secret identity
Gertrude decide that Clare's situation is too dangerous for them to
continue associating with her
Irene receives a letter of apology from Clare but destroys it and goes on
with her life with her husband, Brian, and two sons.
part 2
re-encounter
new letter from C, ignores, C visits her
Irene serves on the committee for the "Negro Welfare League" (NWL) Clare
invites herself to their upcoming dance, despite Irene's advising against it
for fear that Jack will find out
attends the dance, continues to spend more time in Harlem
part 3
before Christmas
I begins to suspect that C has an affair with her husband, Brian
During a shopping trip with her visibly black friend Felise Freeland, Irene
encounters Jack, who becomes aware of herand by extension, Clare's
racial status.
Irene considers warning Clare about Jack's new-found knowledge but
decides against it, worried that the pair's divorce might encourage her
husband to leave her for Clare.
Clare accompanies Irene and Brian to a party hosted by Felise.
The gathering is interrupted by Jack, who accuses Clare of being a
"damned dirty nigger!"
Irene rushes to Clare, who is standing by an open window.
Clare falls out of the window from the top floor of the building
Whether she has fallen accidentally, was pushed by Irene or Bellew, or
committed suicide, is unclear.
multiple canonization
Alice Walker 1973
anthropologist & writer
Eatonville all black town in Florida, no duality in the population
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Nanny escaped from her jealous mistress and found a good home
after the end of the American Civil War
Leafy was raped by her school teacher and became pregnant with
Janie.
Shortly after Janie's birth, Leafy began to drink and stay out at
night. Eventually, she ran away, leaving her daughter Janie with
Nanny.
she is taken care by Nanny kissing w a boy (Johnny Taylor), N gets
scared, fears that she will become a mule to someone, wanting only
her body and labour
Logan Killicks
arranged marriage, older man, farmer
Janie is not interested in him
N wants J to get the stability she never had, opportunities, a man must
take care of her
Jaines idea: love must come from love (pear tree)
traditional gender roles Logan wants a helper in the farm, not a lover or
a partner
he thinks that Janie is ungrateful, Janie is unhappy
Nanny dies
o
o
o
o
o
o
o
- after he dies: financially independent, gets offers from men, turns them
down
Tea Cake (Vergible Woods)
romantic reasons, much younger than Janie > different types of marriages
plays the guitar, gambler
treats her with kindness and respect
falls in love with him
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At the trial, Tea Cake's black male friends show up to oppose her, but a group of
local white women arrive to support Janie. The all-white jury acquits Janie, and
she gives Tea Cake a lavish funeral. Tea Cake's friends are apologetic and forgive
her, and they want her to remain in the Everglades. However, she decides to
return to Eatonville. As she expected, the residents are gossiping about her. The
story ends where it started, and Janie finishes telling her story to Pheoby.
Richard Wright
1908-1960
controversial novels, poems, short stories
racial themes
Native Son
1940
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Marys murder gives Bigger a sense of power and identity he has never
known
Bessie: his GF
tries to collect money from the Daltons -> ransom letter -> signed as Red
(hatred for communism)
Maries bones are found in the furnace
Bigger flees with Bessie
rapes her
frightened that she will give him away, bludgeons her to death with a
brick after she falls asleep
massive manhunt for him
captured after a dramatic shootout
press, public
even though he is really guilty rumours, bad judgment, because he is
black
bad not only for him, but for the community: white mob use Biggers
crime as an excuse to terrorize the entire South Side
Jan visits him in jail - he terrified, angered, and shamed Bigger through
his violation of the social taboos that govern tense race relations
his friend: Boris A. Max to defend Bigger free of charge
he speaks to him as a human being
also an effect on Bigger: sees whites as individuals, and equal
Max tries to save Bigger from the death penalty, arguing that while his client
is responsible for his crime, it is vital to recognize that he is a product of his
environment. Part of the blame for Biggers crimes belongs to the fearful,
hopeless existence that he has experienced in a racist society since
birth. Max warns that there will be more men like Bigger if America does not
put an end to the vicious cycle of hatred and vengeance. I think it is a
comment made directly by the author, his ideas, thoughts
Bigger is sentenced to death
not a traditional hero, but Wright forces us to enter his mind and show
the devastating effects of social judgments and prejudice, the
conditions he was raised
Modern Drama
Origins
19 t h century
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20 t h century
playwright
realism
American drama can reach the level of the european works
dysfunctional family, recurring theme in his work
of Irish descent
father: actor but alcoholic, mother: morphine addict after Eugenes birth,
brother: alcoholic
- feel of guilt
Nobel Prize 1936
The Emperor Jones (1920), Mourning Becomes Electra (1931), The Iceman
Cometh (1939, first performed in 1946), Long Days Journey into the Night
(wr. 1940)
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Plot
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playwright
one of the decisive figures of this era
alcohol, drug addiction
later works (60s-70s): failing quality
films 20s: haste code Cat on: made into film; details changed
Pulitzer price for it
Blanche DuBois
in her 30s
no money
English teacher, pause because of her nerves
hates the new flat, Stanley is rough, they both dislike each
other
married very youndg, widowed distressed about it
Belle Reve her family home, lost it
travels to Laurel, Mississippi
her Sister- Stella, travels to leave with her
going to have a baby
Stanley Kowalski the husband of Stella
aggressive, ill-willed, hates B
worries that he is cheated out of inheritance, wonders what
happened to Belle Reve
Mitch Stanleys poker playing buddy
courteous, good mannered
like each other
STA strikes STE in rage, drunk
Eunice neighbour, refuge at him
apologize, goes back, Blanche is bewildered, because of that
behaviour and aggression
STE still loves STA
weeks pass STA and STE have problems
Stella that she wants to go away with him MITCH
TRUTH: Blanche confesses to Mitch that once she was married to a
young man, Allan Grey, whom she later discovered in a sexual
encounter with an older man. Grey later committed suicide when
Blanche told him she was disgusted with him. The story touches Mitch,
Plot:
o
o
o
o
o
o
o
o
o
o
o
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who tells Blanche that they need each other. It seems certain that
they will get married.
STA: Rumour of Blanche: was fired from her teaching job for having
sex with a student and that she lived at a hotel known for prostitutes
STE angry
Mitch hears the rumours, B confesses its true, gets rejected
attempts to rape her, she runs away
Stanley and Blanche are left alone in the apartment -> rapes her, but
it is only IMPLIED
B mental breakdown, mental hospital
STE cannot believe her about the rape
Mitch cries goes with her - "Whoever you are, I have always
depended upon the kindness of strangers."
Comparison
Williams
Miller
South
North
senses,
emotions
private
intellect
female
male
confession
tribunal
social
Looman:
New Orleans
memory play
episodic
American Dream
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Characters:
Stanley Kowalski
Blanche DuBois
Mitch
Stella
Blanche raped by Stanley
physical and mental trauma
violent man, constantly hurting his
wife both mentally and physically
sexual encounter between the two
cultures
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Characters:
Willy Loman
Biff
Happy
Linda
The Woman
Howard
Charley
Bernard
no
action
in
the
present,
everything is about thinking about
the past
instantly became successful in the
US
Willy:
63, unsuccessful salesman we
dont
know
what
he
sells
(probably
himself),
unstable,
imagine events from the past, as
if they are real
unrealistic hopes about the future
childlike, relies others on support
> Willy also shows it (Will he?)
loman: Low Man, unable to climb
the social ladder - This perception
was dismissed by Miller, but
interesting
failure of the American dream
inability to become unattached
from each other
Happy: father in unsuccessful
repetition of the father
Linda:
passively supportive, docile
good knowledge of what is going
on
treated poorly, ignored
first to realize that Willy plans
suicide
Biff
older son, football star, potential
in high school, failed it after
seeing his father with another
woman, keeps it as a secret, this
ruins him
fathers dream for him: to be a
businessman
he wants to be a farmhand but
he wants to make his father
happy, leaves his own happiness
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behind
Happy:
younger, shadow of Biff
almost ignored
restless lifestyle, womanizer
an assistant to the assistant buyer
at the local store, but is willing to
cheat a little in order to do so, by
taking bribes
tries to get attention: going to get
married
he tries often to keep his family's
perceptions of each other positive
or "happy" by defending each of
them
during
their
many
arguments
Linda looks down on him
he gives the family money
Charley
lends Willy money to keep up his
secret life
W treats him poorly
W is jealous of him, offered a job
but declines it
Bernard
Charleys son, worships Biff
successful
lawyer,
married,
children > the opposite of Ws
situation
playwright
Americanization of the theathre of the absurd
adopted at a very early age tension between his adopting family and
himself
openly homosexual addressed in many plays
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PLOT:
Martha and George verbally abuse each other in front of Nick and Honey
The younger couple is first embarrassed and later enmeshed. They stay.
passive aggression is shown, abusing, attacking each other, humiliating
each other
G: gun Martha umbrella pops up
breaking a bottle
embarrassment
Honey goes to the toilet, vomits, too much drinks
Walpurgisnacht - name of an annual witches' meeting
N and G outside
N wife had a hysterical pregnancy tricking him to marry her,
false preg.
his past, boarding school one accidentally killed his mother by shooting
her, then his father while driving, got in asylum, never spoke again G
also wrote about it, the murder was intentional
M and N dance.
G attacks M
Get the Guests - tale of the Mousie too much brandy- story about
Honey
M seductively towards N they go up to fuck, but they cant, N is to drunk
book thrown to them
George comes up with a plan to tell Martha that their son has died
WTF IS GOING ON HERE??
Flores para los muertos reference to A Streetcar Named Desire
moon up or down?
Bringing up baby - game
o their son beautiful, talented
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George informs Martha that their son was "killed late in the
afternoon...on a country road, with his learner's permit in his pocket"
o Martha screams, "You can't do that!" and collapses.
o It becomes clear to the guests that George and Martha's son is a
mutually agreed-upon fiction final game, they have been
playing it for years
o got killed, because Martha mentioned him to others instead of
keeping it as a secret (Rule one: NEVER talk about the..)
Nick and Honey leave
M suggest: new imaginary child, nooo acc to George, time for the game to
end
George singing: "Who's afraid of Virginia Woolf?" to Martha, whereupon she
replies, "I am, George...I am."
o
Postmodernism
no definition
- problematic
- diverging views on what makes PoMoPoMo
- pluralism seems to apply to different things
- no paradigm change > co-existence with modernity
- timeframe from the 1960s until today
PoMo: by its self-definition, allows for a non-hierarchal plurality
Cultural/historical background
traumas
- Holocaust
- Hiroshima & the fear of nuclear apocalypse
- Kennedy-assassination (same as 9/11 everyone knows where they
were and what they were doing at that time)
postindustrial society the reciprocate of what it was before
acknowledgement of diversity black movements, urge to define what
American is
mass culture cinema, media, etc.; infinite number to access information
today
- hierarchy of information
- high and low culture
- information is accessible to everyone
counterculture of the 60s
- opposition to the Vietnam war
Phenomena
existential insecurity
- modernism> epistemology = questions regarding knowledge
is there truth? what is it? > several other questions arising
like these
- PoMo> ontology = questions regarding being
question of reality still today in contemporary movies
(Matrix, Inception)
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intertextuality
pastiche take several genres; from these, you assemble into on coherent
whole (e.g. Neil Gaimann: A Study in Emerald)
- irony
metafiction the text comments upon itself being a text (previously
American drama dealing with the fact that it is on stage)
fragmentedness the narrative is presented in a non-linear, non-logical
chronology; no conclusion
destabilization of the reader you dont know your reality
fragmented totality
- no metanarratives, no master narratives
center/periphery > decentralization
denial of representation
- simulacrum (Baudrillard)
emphasis on fictionality illusion that the narrative the readers presented
with is reality (Jasper Fforde: The Eyre Affair)
death of the author (Roland Barthes, Foucault) the author disappears
from the work
relationship to modernism > problematic
two views
1) break between two paradigms (e.g. Ihab Hassan)
2) no discontinuity (e.g. Linda Hutcheon)
father-son relationship
o high modernism > rejected (oedipal)
o radical modernism > embraced, accepted continuity
eclecticism
chaos as motif
- entropy
- Apocalypse
- dissolution of linearity
playfulness on contemporary things
questioning causality reasons are not deducible
end of the 20th century: postmodernism moves into the mainstream culture
(films, TV shows, etc.)
Sylvia Plath
1932-1963
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Themes:
Lady Lazarus
Charles Olson
1910-1970
second Generation poet
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link between figures such as Ezra Pound and William Carlos Williams and
the New American poets, which includes the New York School, the Black
Mountain School, the Beat poets, and the San Francisco Renaissance.
grew up in Worchester, MA
father: mailman
spent summers in Gloucester, Massachusetts, which was to become the
focus of his writing
At high school he was a champion orator, winning a tour of Europe as a
prize
He studied literature and American studies, gaining a B.A and M.A at
Wesleyan University
taught at Clark University
PhD at Harvard
The Librarian
the landscape Gloucester
many brackets that contain info that is actually needed, so I dont know
what their roles are
Maximus
telling a story, first person singular
2 types of verses enjambament
Robert Duncan
poet
devotee of HD and western esoteric tradition
San Francisco Renessaince
o centered obviously in SF
o at the end of WWII
o collage of many diff communities that went there to seek out the
remnants of the bohemian cultrue
o hub of avant-garde
o abandoned the innovations of modernism
o not united, diff styles but: elegiac quality, longing for the lost world,
attempt to restore it, visions of nature and distant cultures
o Walt Whitmans poetry
New American Poetry
o 1945-60
o poetry anthology , Donald Allen
o avant-garde Am. poetry
o diff. poetic schools
Black Mountain College
avant-garde
impression: Pound, Williams, Lawrence
homosexual
Often I am Permitted to Return to a Meadow
meadow : represent a place that is metaphysically, spiritually, and
emotionally valuable for him
it is not clear who does the permission, or why is it needed
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a made place
First beloved, Lady, Queen Under The Hill female titles
division between
o the artificial and the organic- made and not made
o the natural and cultural meadow, hall
o freedom and ownership not mine, mine
o youth, age
o mental, physical
o reality/dream
o landscape/architecture,
o light/shadow
time: "an hour before the sun's going down"
circularity
meadow: eternal, originary, unique
boundaries enable him to return there
daydreaming?
J.D Salinger
1919-2010
very private life
served in WWII
Catcher in the Rye (1951)
The Title
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PLOT
Holden Caulfield
o 16 years old, NYC
o kicked out of a prestigious boarding school (Pency Prep), because he
does not apply himself, poor work
o struggles with his own sexuality
o looks for true partners to speak to, lonely
o intellectual, wants challenges and happenings in his life
o etc
football game, the rival Saxon Hall won, he misses the game
he is the manager of the fencing team, loses equipment on the subway
cancellation
Christmas break begins at the following Wednesday
invitation goes to the home of his history teacher Mr SPENCER
he reads out his paper in hist. annoys him, he wrote a note to the teacher on
it
returns to the dorm quiet, students are at the game still
red hunting cap
Out of Africa disturbed in reading
Ackley
Stradlater
o roommate
o womanizer, just returned from a date
o JANE GALLAGHER Hs old friend
they fight S wins (because he fears that S does not apprec. Jane)
H catches a train to NYC
Edmont Hotel
perverts in the hotel struggles with his own sexuality
had opp to lose his virginity, but the timing never felt right
dancing with 3 women in their 30s, but disappointed: women cannot hold up a
conversation
visit to a nightclub prostitute Sunny visits his room
she seems about the same age as he
Holden becomes uncomfortable with the situation, and when he tells her all
he wants to do is talk, she becomes annoyed and leaves.
he pays her the right amount for her time, but she returns with her pimp
Maurice and demands more money
Sunny takes five dollars from Holden's wallet; Maurice punches Holden in the
stomach
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Flannery OConnor
1925-1964
novelist, short story writer, essayist
women
Southern Gothic style
grotesque characters
Roman Chatolic Faith
morality and ethics
Christian realism
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Grandmothers touch
o
John Barth
1930 now: 86
postmodern, metafictional fiction
controversial topics: suicide, abortion
1958
straightforward, realistic tale
philosophical novel
psychodrama
existentialist, nihilist
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Thomas Pynchon
1937
79 years old
novelist
history, music, science, mathematics
National Book Award for Fiction
PLOT
she becomes entangled in a convoluted historical mystery
her ex-lover (Pierce Inverarity) dies and names her as the co-executor of
his estate
vehicle of Oedipa's adventure is a set of stamps that may have been
used by a secret underground postal delivery service, the Trystero
travels to San Narciso (Pierce's hometown)
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Mike Fallopian -> member right-wing fanatical organization called the Peter Pinguid
Society
bathroom of the bar, Oedipa sees a symbol that she later learns is supposed to represent a
muted post horn
the symbol are the acronym W.A.S.T.E. and the name "Kirby"
trip to Fangoso Lagoons P owned land there
Manny di Presso lawyer, who is suing the Inverarity estate on behalf of his client
client: recovered and sold human bones to Inverarity but did not receive proper payment
Pierce wanted the bones to make charcoal for cigarette filters
A member of The Paranoids, a hippie band that follows Oedipa around, points out that
Manny's story is similar to that of the 17th-century play The Courier's Tragedy.
Oedipa and Metzger decide to see a production of the play nearby. The play mentions the
word "Tristero," a word that fascinates Oedipa
She goes backstage to speak with the director, Randolph Driblette, who tells her to stop
overanalyzing the play.
(bocsi, meguntam, ez tl bonyolult)
The book ends with Oedipa attending an auction, waiting for bidding to begin on
a set of rare postage stamps that she believes representatives of Trystero are
trying to acquire. (Auction items are called "lots"; a lot is "cried" when the
auctioneer is taking bids on it; the stamps are "Lot 49".)
According to the narrative that Oedipa pieces together during her travels around
Southern California, the Trystero was defeated by Thurn und Taxisa real
postal systemin the 18th century but Trystero went underground and continued
to exist into the present (the 1960s).
Its mailboxes are disguised as regular waste bins, often displaying its slogan,
W.A.S.T.E. (an acronym for "We Await Silent Tristero's Empire")
-
Dr. Hilarius
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Some info:
Paul Auster
1947author, director
absurdism, existentialism, crime fiction
search for identity and personal meaning
Jewish parents, Polish descent
City of Glass
As a result of a strange phone call in the middle of the night, Quinn, a writer of
detective stories, becomes enmeshed in a case more puzzling than any he might
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have written. Written with hallucinatory clarity, City of Glass combines dark
humor with Hitchcock-like suspense.
Alice Walker
1944 novelist, short story writer, poet, activist
The Color Purple
1982
epistolary novel
won Pulitzer Price for fiction
National Book Award for Fiction
rural Georgia
African-American women in the southern US
numerous issues: low position in the society, culture
brutal incest
lesbian relationships
abusive husbands
Plot:
blabla
Harpo
Sofia
Shug Avery befriends her, sexually attracted to her, kind to Celie, defends her
Miss Millie mayors wife, asks her to be her maid, says no, slaps her for her
disobeydiance, Celie knocks the mayor back, sent to jail, freed, sentenced to 12
years as the mayors maid
Grady Shugs new husband, but Shug has sex frequently with Celie
TRUTH:
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mysterious letters arrive to Mr ____, they are from Nettie, she sent them to
Celie
wants to kill Mr xy
Nettie friends with a missionary couple, Samuel and Corrine -> 2 adopted
children: Olivia, Adam
they are actually Celies biological children
Nettie also learns that Alphonso is really only Nettie and Celies stepfather, not their real father
Alphonso told Celie and Nettie he was their real father because he wanted
to inherit the house and property that was once their mothers.
Tony Morrison
1931women
novelist, editor
Professor Emeritus at Princeton University
vivid dialogue, epic themes, richly detailed characters
Nobel Prize in Literature in 1993
Beloved
1987
Pulitzer price for it
Set after the American Civil War (18611865)
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Themes:
mother-daughter relationship
psychological impact of slavery
fragmentation of self, loss of true identity can be resolved by the
acceptance of the past
Beloved: serves to remind these characters of their past, causing the
reintegration of their selves
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1940
Chinese
experiences of Chinese immigrants living in the United States
feminist movement
Stories of 5 women
3.
Shaman
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mother
Brave Orchid, her old life back in China
powerful doctor, midwife, destroyer of ghosts in her village
Chinese babies left to die, slave girls being bought and sold, a woman
stoned to death by her villagers
these images haunt her dreams
at the end: she visits her mother after many years
understanding after many years of conflict
4.
At the Western Palace
emperor- 4 wives
analogy for the sister of Brave Orchid Moon Orchid
Moon Orchid's husband, now a successful Los Angeles doctor, had left her
behind in China and remarried in America
Moon Orchid, who does not speak a word of English, is left to fend for
herself in America
She eventually goes crazy and dies in a California state mental asylum
5.
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