Amateur Photographer - February 27, 2016 PDF

Saturday 27 February 2016
can buy
Best kit youite
cameras,
We name our favour
year
lenses and accessories of the
Passionate about photography since 1884
Landscapes
with a twist
How Dan Cook makes his
stand out from the crowd
Photographing
buzzards
Wet &
wheeled
How a 70s caravan

was turned into a
mobile collodion
plate darkroom
Tips from an expert
Natural light
How to make the most of natures illumination
CANON EOS 80D First impressions WILDLIFE Award-winning photos by kids
COVER PICTURES LISA ALDERLEY/DAN COOK/PAUL ALSOP
7days
A week in photography
We are only two months into
the year and already we have
seen some incredible cameras
unveiled. It looks like 2016
will be another year when
technology leaps forward, and with the
photokina imaging fair taking place in
September we will no doubt see some major
releases. But in this issue we take some time
to celebrate the best cameras of 2015.
Our annual awards ceremony took place
In this issue
8 Canon EOS 80D
Michael Topham takes a
rst look at Canons latest
DSLR that is designed
to bring more advanced
technology to the masses
JOIN US
ONLINE amateurphotographer.co.uk
12 Natural instinct
Phil Hall looks at the
basics of shooting with
natural light, while
two very different
photographers share
their tips
recently in London, with the great and the

good of the British photographic industry
in attendance. Some of the categories were
close calls, but in others there was an obvious
choice of winner. You can nd out what
won which award on pages 48-55, but on
pages 8-9 you can see a camera that we may
see at next years awards, as Michael Topham
takes a rst look at the 24.2-million-pixel
Canon EOS 80D DSLR.
Richard Sibley, deputy editor
Like us on
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photographer.magazine
Join our Flickr group

at ickr.com/groups/
amateurphotographer
Follow us
on Twitter
@AP_Magazine
ONLINE PICTURE OF THE WEEK
23 Winter
wonderland
Dan Cook talks about his
style and approach to
shooting wintry vistas
31 Moving images
New Zealand-based Paul
Alsop discusses bringing
the wet-plate collodion
process to the masses
IMAGES MAY BE USED FOR PROMOTION PURPOSES ONLINE AND ON SOCIAL MEDIA
34 Wildlife watch
Winter is the perfect time
to photograph waxwings,
says Oscar Dewhurst
42 Photo insight
Robert Canis on how
to shoot buzzards
44 Evening class
Martin Evening sorts out
your photo-editing and
post-processing problems
48 AP Awards 2016
We reveal the best gear
from the past 12 months,
plus winners of the Power
of Photography and
Exceptional Achievement
in Photography awards
Regulars
3 7 days
18 Inbox
46 Accessories
57 Technical
support
82 Final Analysis
OTACLIO RODRIGUES
38 Young guns
A selection of winners
from the RSPCA Young
Photographer Awards
Stripes by Otaclio Rodrigues

Nikon D90, 18-105mm, 1/2000sec at f/11, ISO 200
This colourful and graphic image by
way I that would never have
Otaclio Rodrigues was uploaded to
happened in a candid shoot.
our Flickr group. I live on the eighth
I thought she was perfect.
oor of a building just in front of the
While I prefocused my 18crossing that appears in the image,
105mm Nikon lens attached to a
says Otaclio. For three days, I stayed D90 body, she started crossing the
at my window with my camera, ready street and I began to shoot. She
to shoot someone interesting walking walked over the crossing twice, back
over it. On the fourth day, I asked my and forth, and I shot 18 pictures. For
wife if she had a black-and-white
a moment she put a hand on her
striped shirt. She dressed herself in a hat, and that was the photo I chose.
Send us your pictures
Win!
Each week we choose our favourite

picture on Facebook, Flickr or
the reader gallery using #appicoftheweek.
PermaJet proudly supports the online picture
of the week winner, who will receive a
top-quality print of their image on the finest
PermaJet paper. It is important to bring
images to life outside the digital sphere, so
we encourage everyone to get printing today!
Visit www.permajet.com to learn more.
If youd like to see your work published in Amateur Photographer, heres how to send us your images:
Email Send us a selection of low-res images (up to 5MB of attachments in total) to appicturedesk@timeinc.com.
CD/DVD Send us a disc of high-resolution JPEG, TIFF or PSD images (at least 2480 pixels along its longest length), with a contact sheet, to the address on page 19.
Via our online communities Post your pictures into our Flickr group, Facebook page, Twitter feed, or the gallery on our website. See details above.
Transparencies/prints Well-packaged prints or slides (without glass mounts) should be sent by Special Delivery, with a return SAE, to the address on page 19.
NEWS ROUND-UP
The week in brief, edited by Chris Cheesman
Panasonic cashback
Panasonic customers can claim

up to 100 cashback on selected
Lumix compact system cameras
and fixed-lens compacts. The
Lumix DMC-GH4, DMC-GX8 and
DMC-GX7 are among the cameras
included in the promotion, which runs until 30 March 2016.
For full details, visit www.panasonic.co.uk/promotions.
ALI LOMAS
Be part of history
Enthusiasts have a chance to

win a 1,000 prize and have
their work form part of a
historical record of nursing in
the 21st century by entering
the Royal College of Nursings
Care on Camera competition.
The RCN challenges
photographers to capture the
innovation and diversity of the modern-day nursing profession.
The closing date for the contest, which is free to enter, is
29 February. Visit www.rcn100photo.org.uk.
Photographers can have their

work displayed as part of an
outdoor exhibition on Londons
South Bank by entering an
Instagram photo competition
called #MySouthBankWinter.
The organisers,
southbanklondon.com, are on
the hunt for the best South
Bank winter moments. Entries will be judged on composition,
creativity and on how photographers depict the South Banks
unique winter spirit. The competition closes on 29 February.
Visit www.instagram.com/southbank.london.
Nikon speakers
Helen Sloan, principal stills

photographer for the hit TV
series Game of Thrones, will
be among the speakers on
the Nikon stand at next
months Photography Show
at the NEC in Birmingham
(19-22 March). The recently unveiled D500 and D5 will be among
the kit showcased on Nikons interactive stand.
Stolen lens
A photographer has appealed

for help to recover an
Olympus lens worth hundreds
of pounds stolen from the
Wolverhampton Camera Fair.
Terry Calvert, a photographer
from Solihull, West Midlands, said the recently serviced Olympus
55mm f/1.2 OM-mount lens (serial number 131903) went missing
from a table at the fair on 7 February. If you can help, call West
Midlands Police on 0845 113 5000, quoting crime reference
number 20WV-25412P-16.
4
IAN FORSYTH/GETTY IMAGES
South Bank show
WEEKEND PROJECT
The Orton Effect

The Orton Effect was developed by Michael Orton
as he attempted to imitate watercolour paintings
with film. This originally involved sandwiching
two transparencies together, with one slide in focus
and slightly overexposed, while the other, taken
from the same spot, was out of focus and also
overexposed. The end result was a painterly effect,
with some areas of the image displaying lovely soft
qualities that are complemented by defined, sharp
elements. While this process required the camera to
be positioned on a tripod to take two consecutive
shots, the process is much easier in Photoshop.
Despite Photoshop Elements featuring its own
Orton Effect filter, you get much better results
when you do them yourself. Heres how
Open your image, and if

you have multiple layers,
go to Layer>Flatten
Image. Then go to Image> Apply
Image and, in the pop-up box,
select Screen as the Blending
Mode. Hit OK.
The image will look

washed out, but
dont despair. Go to
Layer>Duplicate Layer to make
a copy. Select the top layer and
change the Blending Mode to
Multiply. The exposure should
be more like the original now.
27 February 2016 I www.amateurphotographer.co.uk I subscribe 0330 333 4555
BIG
picture
Rare high-level nacreous
clouds appear over
North Yorkshire coast
Clouds often feature as
a backdrop in landscape
images, but its not often that a
photographer looks to the
heavens and sees something
so different that the clouds
themselves become the subject.
While were used to seeing the
marble-textured canvas of an
autumn sky, or the bruised temper
of an impending storm, this display
over the North East of England is
one of the rarest formations youll
see. High-level nacreous clouds,
as viewed over Saltburn-by-theSea in early February, are a rare
effect caused by the diffraction of
sunlight in the ice crystals that
form the nacreous clouds at high
altitudes. For added effect, Getty
photographer Ian Forsyth has
included a lone gure on a hill
witnessing this epic display.
Words & numbers
To add blur, go to
Filter>Blur>Gaussian
Blur. In the pop-up box,
you can adjust the Radius slider
to change the level of blur.
Start with a moderate 15px. It
will probably be necessary to
increase it to around 40px.
The Orton Effect can

produce a painterly
quality when applied
to your images
Eddie Adams
American photographer
1933-2004
SOURCE: FUTURESOURCE CONSULTING
Once youre happy

with the result, hit OK.
Click on the bottom
layer and add definition by
going to Filter>Sharpen>
Unsharp Mask. In the pop-up
box, boost the Radius to around
5-6px, then hit OK.
Still
photographs
are the most
powerful
weapon in
the world
PHIL HALL
billion
subscribe 0330 333 4555 I www.amateurphotographer.co.uk I 27 February 2016
Number of people taking photos

worldwide, following explosion
in smartphone usage
Wildlife category:
Vittorio Ricci took
first place with this
dramatic shot of a
hippo in Tanzania,
East Africa
VITTORIO RICCI
Thinnest Canon
40x compact
Wanderlust honours
awe-inspiring travel shots
FOUR amateur photographers
have won photo assignments to
Western Australia, eclipsing more
than 7,000 entries to the annual
Wanderlust Travel Photo of the Year.
Their entries revealed a visual
feast of extraordinary, moving and
inspirational moments, according
to Wanderlust travel magazine,
which organises the event in
conjunction with Austravel.
Lyn Hughes, editor-in-chief of
Wanderlust, said: Were in awe of
KASIA NOWAK
CHARLOTTE CURRIE
this years readers entries they

really dont make the choices easy!
Vittorio Ricci claimed honours in
the Wildlife category with a dramatic
moment of a hippo escaping a pool
in Tanzania, East Africa (above).
Charlotte Curries entry entitled
Reections (below right) an image
of a former school and prison in
Phnom Penh, Cambodia clinched
honours in the People category, and
Kasia Nowaks photo of the Tigers
Nest monastery (below left) in
Icon category: Kasia Nowaks winning

entry Tigers Nest monastery, Bhutan
6
People category: Charlotte Currie, for

her image of a Cambodian school/prison
Bhutan won plaudits from judge

Paul Goldstein who noted:
Photographed literally millions of
times, never as well as this. The
image came top in the Icon category.
Hughes added: Every year, I am
overwhelmed not just by the high
standard of photography, but by how
inspired and passionate the travellers
who captured these images are.
As always, it was incredibly tough
and an absolute delight to pick just
a handful from thousands.
Meanwhile, Tony Cowburns
atmospheric shot of the Jurassic
Coast won the Landscape category,
prompting competition judge and
professional photographer Paul Harris
to remark: There is a wildness in this
image that you would not associate
with Dorset. Crisp, airy and saturated.
The winning portfolio of ve
themed images captured by a
professional photographer was
awarded to Christopher Roche,
who won the 3,000 prize.
The shortlisted entries were rst
showcased at the Destinations 2016
event in Manchester, while the 40
shortlisted amateur entries were
showcased at the Destinations 2016
travel show at Olympia, London,
earlier this month. For details
about next years competition,
visit travelphotooftheyear.co.uk.
CANON has launched

the PowerShot
SX720 HS, which it bills
as its slimmest 40x
superzoom camera.
At 35.6mm thick, the
SX720 HS features a
20.3-million-pixel imaging
sensor and a DIGIC 6
processor.
Its 40x zoom is designed
to deliver the 35mm
equivalent of a 24960mm lens. The SX720
HS can shoot full HD
movie, at up to 60p, in
MP4 format.
A Short Clip Movie mode
allows the user to choose
four, ve or six-second
clips. Playback options
include slow motion and
double speed.
The Creative Shot
Mode is designed to
automatically create ve
versions of the image
with various lters and
effects applied.
The SX720 HS is due
out in April, priced
299.99.
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APs Michael
Topham tries
out the new
Pentax K-1
Get up & go
The most interesting things to see, to do
and to shoot this week. By Tom Smallwood
LONDON
Fashion Show: 60 Years

of Fashion Photography
can shoot 4.4 frames

per second at full frame,
for up to 70 JPEGs and
17 raw les. It can also
capture APS-C-sized
JPEGs at 6.5fps.
The K-1s magnesiumalloy body is built to be
dust and weather
resistant, and withstand
temperatures down
to -10C. The body
contains 87 seals.
The 925g K-1 measures
136.5x110x85.5mm
and is compatible with SD
memory cards (including
SDXC UHS-1).
The Atlas Gallery on Dover Street will be celebrating over

half a century of iconic fashion photography, from such
famous names as Richard Avedon and Helmut Newton.
The exhibition charts the evolving styles of the medium.
25 February-24 March, www.atlasgallery.com
POLLY BRADEN
put the priority on image

resolution. Other features
include ISO sensitivity of
100-204,800, a 3.2in
1.037-million-dot tiltable
screen, built-in GPS and
Wi-Fi, and a top shutter
speed of 1/8,000sec.
The new SR II 5-axis
AF system claims to be
effective up to 5 stops.
The K-1, which uses
a new PRIME IV image
processor designed to
be 50% faster than its
predecessor, also
shoots full HD video.
Ricoh claims the K-1
NOH SUNTAG
Staggeringly good shot wins award

CHRIS CHAMBERS
LONDON
The National Media Museum is

showcasing images from Polly
Bradens two-year project with
MacIntyre, a charity for people
with autism and learning
difficulties. Bradens images
chronicle the achievements that
MacIntyre helps make possible.
Korean artist Noh Suntag

examines the history of his
fractured homeland through a
series of photographic works
that reveal the clashing of
ideologies between North
and South Korea and their
strange co-existence.
27 February-10 April, www.

nationalmediamuseum.org.uk
Until 12 March,
www.43inverness-street.com
Harry Gammer-Flitcroft
HARRY GAMMER-FLITCROFT
AN INCREDIBLE image of a diving

kingsher has won the Societies
Photographer of the Year title for the
UK and sent social media wild.
West Yorkshire photographer Chris
Chambers beat almost 12,000 images
entered into the Societies Monthly
Image Competition during 2015.
At the time of writing, the story had
been seen by more than 180,000
people on APs Facebook page and
shared more than 930 times.
Commenting on the winning shot
which beat entries from all over the
world the judges said: This decisive
moment has been superbly captured.
Its a staggeringly good shot that we
all wished we had captured.
Chris, from Castleford in West
Yorkshire, won a Fujilm X-T1 with a
56mm f/1.2 lens, plus a trip to the
WPPI portrait and wedding convention
in Las Vegas. The coveted prize was
awarded at a special dinner in London.
WEST YORKS
Great interactions Noh Suntag
Images from the 2015 recipient of the Jane

Phillips Award Graduate Residency are on
show at the National Waterfront Museum.
Harry Gammer-Flitcrofts work includes
subjects as diverse as submarine cables
and the processes of dealing with death.
Until 13 March, www.museumwales.
SWANSEA ac.uk/swansea/whatsonom
Quarried
A diving kingfisher the kind of superbly
taken image we all wish wed captured
For the latest news visit www.amateurphotographer.co.uk

An exhibition of large-scale colour

images of quarries in the Peak District
is on show at the Buxton Museum and
Art Gallery. I got fed up with pretty
pictures of sunsets over the moors,
says Colin Shaw. The Peak District is
more than just a nice view.
Until 10 April, bit.ly/1Q70FfV
COLIN SHAW
FOLLOWING years of
will-they-wont-they
speculation, Pentax brand
owner Ricoh Imaging has
conrmed the upcoming
launch of a full-frame
35mm DSLR.
Expected to go on sale
in mid-April, priced
1,599.99 (body only),
the Pentax K-1 features
a 36.4MP full-frame
imaging sensor and a new
33-point SAFOX 12 AF
system 25 of which are
cross-type sensors.
The K-1 dispenses with
an anti-aliasing lter, to
MILES ALDRIDGE
Pentax finally reveals

35mm full-frame DSLR
DERBYSHIRE
7
Canon EOS 80D

Canons latest double-digit
DSLR is designed to bring
more advanced technology
to the masses. Michael
Topham takes a closer look
Headphone
input
The EOS 80D benefits from a

3.5mm headphone port, which
allows videographers to
monitor audio levels as
they record movies.
Focusing
The old 19-point AF

system has been replaced
by a newer 45-point
all cross-type
autofocus system.
Ergonomics
The layout of buttons and

dials is very similar to the
EOS 70D. The thumb rest at the
rear is slightly larger and
gives it a more tactile
feel in the hand.
At a glance
Mirrorbox
The EOS 80Ds mirror

box assembly has been
redesigned to ensure a
smoother and quieter
performance.
HAVING recently refreshed its EOS

line-up for professionals with the
release of the EOS-1D X Mark II, Canon
has returned its focus to the EOS range
for enthusiasts by announcing the EOS
80D. Arriving two-and-a-half years
after the EOS 70D, the 80D is
an attractive offering for aspiring
photographers, as well as those looking to
progress through the EOS line-up from
an entry-level, triple-digit EOS DSLR to a
more advanced double-digit model.
left off, the 80D is the second doubledigit EOS model to feature Dual Pixel
CMOS AF technology. Each microlens
covers two photodiodes that can be read
independently, and by measuring the
difference in light that reaches each of
the two diodes, the 80D can perform
on-sensor phase-detection autofocus
when using live view and shooting HD
video. To enhance operation in this
department Canon has introduced
options to rene the AF speed and AF
tracking sensitivity, giving users extra
Features
control over the responsiveness of
The notable change in the Canon EOS
autofocus in live view for the rst time.
80D is its sensor instead of adopting
For viewnder shooting the 80D
the 20.2-million-pixel CMOS sensor from features an AF system with 45 all
its predecessor, it employs a 24.2-million cross-type points. Of these 27 are f/8
pixel CMOS sensor. This pairs up with a
compatible, with the centre point being
DIGIC 6 image processor to provide an
sensitive down to f/2.8. The working range
ISO range of 100-16,000 (expandable to of the AF system is broad (-3EV to 18EV)
ISO 25,600). Continuing where the 70D and metering is handled by Canons
24.2-million-pixel
APS-C CMOS
DIGIC 6 image processor
EF/EF-S lens mount
ISO 100-16,000
(extendable to
ISO 25,600)
7fps continuous shooting
3.5mm headphone input
999 (body only)
7,560-pixel RGB+IR metering sensor.

The 80D continues to shoot a continuous
burst at 7fps, like the 70D. Its also
possible to shoot at up to 3fps in the
cameras silent shooting mode, or up
to 5fps in live view.
The benet of the new processor is
reected in the EOS 80Ds buffer depth.
It can record 110 JPEGs or 25 raw les at
up to 7fps, which is an improvement on
the 70Ds 65 JPEGs and 16 raw les.
Like the 70D, the viewnder displays a
camera level indicator to avoid skewed
horizons, and rather than producing 98%
coverage it now displays 100% of the
frame with 0.95x magnication. Below
the viewnder little has changed. The
80D borrows the 3in, 1,040k-dot
resolution touch-sensitive display from
the 70D and it is hinged at the side,
allowing it to be pulled out, tilted and
swivelled to suit a range of shooting angles.
AP had the
chance to get
hands-on with the
EOS 80D prior to
its official release
Canon says the DIGIC 7 processor is 14x faster than DIGIC 6
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9
Viewpoint
Jon Bentley
New Books
The latest and best books from the
world of photography. By Oliver Atwell
through smoke or mist, and featuring

personality-packed portraits of a vast
range of humanity from tea-shop
customers and dancers to families at
home and children in the street.
But an increasing number of leading
cinematographers are now revealing
their stills expertise, and its thanks to
their use of Instagram the hugely
popular photo-sharing app.
I would urge you to seek out Emmanuel
Lubezki, who shot such visually
spectacular lms as Birdman and Gravity.
His collection of portraits and landscapes
under the username chivexp is stunning.
Others Id suggest include Phedon
Papamichael (papa2), who shot
Nebraska, and Rodrigo Prieto (rpstam),
who lmed Brokeback Mountain, The Wolf
of Wall Street and Argo. More unusual is
Benot Delhomme (benoitdlehomme),
who shot The Theory of Everything and
The Boy in the Striped Pyjamas, and
whose combinations of sketching and
photography are refreshingly novel.
In the future, more and more top
cinematographers look likely to share their
visions of the world in both moving and
still forms, a prospect thats truly inspiring.
Sinatra: The Photographs

by Andrew Howick, Harry N Abrams, 35.32,
224 pages, hardback, ISBN 978-1-41971-792-5
Jon Bentley is a TV producer and presenter best known

for Top Gear and Channel 5s The Gadget Show
KEITH BERNSTEIN
THE VIEWS EXPRESSED IN THIS COLUMN ARE NOT NECESSARILY THOSE OF AMATEUR PHOTOGRAPHER MAGAZINE OR TIME INC. (UK)
often nd myself wishing more of

the worlds top cinematographers
also shot stills. Think of, say, the late
John Alcott, who helped director
Stanley Kubrick create brilliantly visualised
scenes in lms such as 2001: A Space
Odyssey, Barry Lyndon and A Clockwork
Orange. Or Janusz Kaminski, whose
virtuoso shooting enriches director Steven
Spielbergs Schindlers List, Saving Private
Ryan and Minority Report. I bet their stills
photography would be equally remarkable.
One man who has demonstrated his
prowess in both elds is the legendary
Wolfgang Suschitzky, whose prints are on
show at The Photographers Gallery in
London until 6 March, and who is still with
us at the magnicent age of 103.
I rst became aware of his lm work
when I saw the 1971 movie Get Carter in
its proper aspect ratio. Although Id seen it
on TV in cropped 4:3, in widescreen it was
a revelation, with its moodily framed shots
of Newcastle and the Easington Colliery
Black Beaches, and a roving long lens
picking out faces in a crowd. Suschitzkys
audio commentary on the DVD release
is denitely worth a listen.
Years later, when I discovered his stills,
I found myself equally captivated by his
evocative pictures of mid-20th century
London, often shot against the light and
BERNIE ABRAMSON/MPTVIMAGES
The directors of photography on film sets are

often equally talented at taking still images,
and thanks to Instagram the world can now
see much of their little-known work
One of Keith
Bernsteins stills
for Mandela:
Long Walk
To Freedom
THERE are some individuals in culture

who transcend the shackles of being
simply an individual with a successful
career to become an almost
omnipresent framework for a style
and scene. One of the biggest is
Frank Sinatra, whose persona
touched multiple mediums. There are obviously the
songs, many of which have become standards endlessly
reinterpreted to this day. Theres the written word
Gay Taleses highly inuential 1965 article Frank
Sinatra Has a Cold was crucial in establishing journalism
as a literary art form. Then there are the lm-acting
roles, and even characters allegedly based upon him,
notably in The Godfather, where a singer uses the Maa
to strong-arm a director into giving him a role. But
mostly what we have is an icon who has inuenced
lifestyle and fashion and thats what we nd in this
collection of photographs. Sinatras myriad qualities
can be found in every frame: charm, vulnerability, a
touch of arrogance. This is a great lesson in how
mythology can be built through images.
Rear Views: A Star-Forming

Nebula and the Office of
Foreign Propaganda
Tate Publishing, 35, 216 pages, hardback,
ISBN 978-1-84976-235-9
Do you have something youd like to get off your chest? Send us your thoughts in around
500 words to the address on page 19 and win a years digital subscription to AP, worth 79.99
10
TARYN Simon is one of those artists

who has produced such a breadth of
work during her career it can almost
be overwhelming navigating your way
through. Thats not to say its difcult or
infected with copious theory, but it is
exhaustive and confrontational, in the
best sense of those words. This book
traces Simons career, revealing an artist intrigued by
things that are hidden or unfamiliar. In one project,
she documents spaces that are integral to Americas
foundation and daily function, but remain unknown or
inaccessible to the public. Taryn Simon is one of the
most condent and brilliant photographers at work
today, making this book indispensable.
Technique
PORTRAITS
Natural instinct
However good your lighting gear is, nothing beats
natural light. Phil Hall covers some of the basics,
while two very different photographers share their tips
1 Background and location
Settling on a good location is important when

preparing a shoot. Look for interesting shapes or
elements that can frame your subjects, or think about a
location that either contrasts or complements them, as
this will play a huge part in the nal feel of the image.
Try to avoid introducing too much clutter into the frame,
even if you plan to use a shallow depth of eld, as it can
result in too many distracting elements.
Background
can play a
huge part in
the success
of a shot
If its bright,
look for some
shade to avoid
unflattering
shadows
3 Reflectors
Whether you need

to lighten your subject or
simply lift the shadows in
your shot, reectors can
be a useful accessory to
keep in your camera bag.
They come in a variety of
surface colours, but the
three most popular are
white, silver and gold.
Of the three, white
delivers the most subtle
results, with silver providing
a bit more punch and gold
offering a warmer look. A
lot of reectors come with
different surfaces on either
side, so you can have white
and silver, or silver and
gold, for instance. Its a
matter of personal choice.
ALL PICTURES THESE PAGES PHIL HALL
4 Composition
and posing
Dont be afraid
to shoot into
the light for
some striking
results
2 Light
Harsh light from the sun when it is high in the sky

is best avoided, as the deep shadows created across
the subjects face wont be that attering. Cloudy, at
days while shunned by landscape photographers are
ideal conditions for natural light portraits as the clouds
act as a huge diffuser, rendering pleasing soft light
on your subject.
If youre stuck with bright conditions on the day of
the shoot, try to move into the shade, such as under
a tree. Alternatively, look to shoot in the shadow of a
building to avoid the full-on intensity of the sun.
Sometimes, none of this will be possible, so you
might want to use your own diffuser to soften the light,
with dedicated options available, or improvised options
such as light-translucent sheets to do the job.
With the sun lower in the sky later in the day, think
about shooting into the light for a striking contre-jour
effect, with a reector to help balance the exposure.
12
Asking someone to
stand in front of the
camera can make them
feel uncomfortable, so
try to bring elements of
the background into
play. If your subject has
something to hold on to
or lean against, youll
soon nd that their
poses look a lot more
relaxed and natural.
Dont be afraid to
direct them, either,
telling them how you
want them to pose, what
you want them to do
with their hands, how to
angle their head, and in
what direction you want
their eyes to be looking.
Youll give them
condence, and youll
get the shots you want.
Without reector
Without a reflector, the eyes look a little dull
With reector
Adding a silver reflector has lifted this shot
Ensure you
focus on
the eyes
5 Focusing
Focusing should be
locked on the eyes, with
the bias towards the
closest eye if youre not
shooting at on.
Focusing is critical,
especially if youre going
to be working with large
apertures. If your camera
is blessed with multiple
AF points, you may
nd you can toggle to
the desired AF point
thats overlaid on the
desired eye. Otherwise,
set focus with the central
AF before recomposing.
Provided your subjects
not going to move, then
single-servo AF will be
ne, although you might
want to think about
manually focusing
to ensure youve got
the focus spot on. Its
all too easy to lock focus
on the eyelash and not
the pupil.
Make your
subject feel
relaxed, and
dont be afraid to
give direction
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13
Stuart Freedman
Stuart is a well-known documentary,
travel and commercial photographer
whose work has been published in Life,
Geo, Time, Der Spiegel, Newsweek,
The Sunday Times Magazine and Paris
Match, covering stories ranging from
Albania to Afghanistan, and from the former Yugoslavia to Haiti.
His work on HIV/AIDS in Rwanda, and from post-conflict south
Lebanon, has toured extensively around the world. Stuarts
latest book, The Palaces of Memory, is a love letter to Indian
coffee houses. Its published by Dewi Lewis. For more, visit
www.stuartfreedman.com
6 Watch how the light falls
I shot transparency for a long time, so I am careful

to see how light falls on people. In classic reportage,
you dont really move people, so you have to work with
whatever light you have. Light heavily diffused from the
side always works nicely when you are taking naturallight portraits, so keep your eyes open for possibilities.
7 Keep it simple
I shot about 80% of the Indian coffee house project

on a standard 50mm lens. That forces you to think in a
simplistic way. My aim with the available light portraits I
take is to make them as simple and as straightforward as
possible without detracting from the subject. The only
other lenses I used for the project were a 35mm and,
occasionally, a 100mm.
ALL PIcTuReS THeSe PAGeS STuART FReeDMAN
Light heavily
diffused from
one side always
works well
8 Not all light is created equal
Most of my career has been spent in the developing

world, particularly in Africa and Asia. I try to get up
before sunrise to shoot things at dawn when the light is
soft. Its not as good as afternoon light, and you have to
get up really early, but the light is more diffused. The
later you go through the day, particularly as you get close
to midday, the harder it is to work outside. I tend to be
inside in the middle of the day if I can.
Dont hand
control over to
the camera
know exactly
whats
happening
14
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Portraits
aware of how
10 Be
the light affects shape
You have to look carefully at how the light

is sculpting shape. You should try to
accentuate what is there, not create a
different look. Natural light is about
capturing something as it is, not about
creating a different effect on it.
testbench
and they sit next to a window, you have a

massive softbox, which is perfect.
adventurous
12 Be
with ISO
Because of my film background, I still

think in terms of film speeds and used to
be very nervous about going over ISO
1,600. I dont think I went above this level
Watch where
for the whole Indian coffee house project.
people are sitting
This meant I was sometimes shooting at
Sometimes I ask people to move to better what I call Hail Mary speeds, sometimes
light, but it depends on whether I am
below 1/60sec (I call them Hail Mary
shooting portraits or reportage. In
speeds because you are praying the shot
reportage I try not to move people and
is sharp enough, and that you hold the
work with the light in front of me. Once
camera steady enough). Im a bit more
you start moving people around, there are adventurous now as I shoot with the
issues with ethics and the veracity of the
Canon EOS 5D Mark III. I have just come
story you are trying to tell. I dont think I
back from Central America and was
asked anybody to move in the Indian
taking natural-light portraits at ISO 2,500
coffee house project. It was shot about
and 3,000, which is really different for
90% indoors, and in coffee houses
me. I was pleased with the results, so
people will either sit in the middle of the
while I try to keep ISO down, I dont
room or near a window. If you are lucky
underestimate what cameras can do.
11
Pay particular
attention to see
how light falls on
your subjects and
their surroundings
hand control
9 Dont
over to the camera
I often use a handheld exposure meter when

shooting in natural light. Its another hangover from
shooting transparency film for so many years. I like to
measure exactly whats happening so I can shave off
a quarter, or a half stop, here or there. I like to be in
control as much as I can, so I shoot in manual mode,
mostly with a prime lens.
A humble
50mm lens
is ideal for
natural-light
portraits
Dont be afraid
to crank up the
ISO on your
camera to
get the shot
you want
15
Technique
PORTRAITS
Lisa Aldersley
Based in the Lake District, Lisa is a wedding
and portrait photographer whose subjects
include Sir Ian McKellen and Queen
Elizabeth. Her wedding images have
featured in Cond Nast Bride, Cheshire
Bride, Yorkshire Bride, Pure Weddings and
Bride Magazine. Indeed, the editor of Bride Magazine even asked
Lisa to shoot her wedding. Visit www.la-photography.co.uk
Natural light
can be very
flattering
on skin
13 Learn to love natural light
Natural light is very attering on skin, which is

important if you are shooting women. I nd that studios
constrain people. They develop a camera face and the
studio environment can be intimidating if youre not used
to being photographed. I like how light changes, too. I
often do two couple shoots at a wedding; one after the
ceremony and another later in the day. In summer,
around 7-8pm, the light has a lovely softness to it. I use
my 135mm at f/2 a lot for couple portraits at this time
its my favourite lens of all time.
14 Drop everything for the light
Fast telephoto
prime lenses can
produce a lovely
romantic feel
when used
wide open
ALL PICTURES THESE PAGES LISA ALDERSLEY
I have learned to see light and have become

obsessive about it. It takes a while, but eventually the
penny drops and you start to see good light everywhere.
Once I nd great natural light, I drop everything. I shot
a wedding in Portugal last year that was an early
ceremony, so the light was erce all day. The wedding
breakfast was on a rooftop, so I was up there shooting
when the light changed. It was so soft and golden that I
asked the bride and groom to skip pudding and come
out for photos. I will also move a bride into the window
light when shes having her hair and make-up done.
When working
inside, window
light is perfect
for diffused
lighting
Become
obsessive about
the light, so you
are ready to
shoot when
its perfect
16
00 Month 2015 I www.amateurphotographer.co.uk I subscribe 0330 3334555
KIT LIST
Prime lens
An 85mm or equivalent lens is

ideal for flattering portraits,
with the fast maximum
aperture of f/1.4 or f/1.8 ideal
for isolating your subject, as
well as offering extra
versatility in low light.
Natural light
is much
more discreet
than flash
with natural
15 Shooting
light is more discreet
One of the reasons I dont use ll ash is because it

draws attention to me, the photographer. I like to be as
unobtrusive as possible, nding those lovely moments
when people are wearing their real face, laughing and
enjoying themselves. I like highlights and shadows, as real
life looks like that to me. The minute a powerful ash is
red, everyone knows youre there and tend to turn their
backs slightly. Im probably going to get into hot water for
this, but off-camera ash seems like a very male thing.
Men love gear and gadgets and experimenting with
them. That said, I always carry a couple of Speedlites
with me just in case. I mostly use them during the
wedding speeches and the dancing.
Evening
backlighting
can produce
wonderful
results
with, and I would be more in control. The most I will push

the ISO with portraits is 2,000 or 3,000.
17
Seek out top shade
I love to shoot with top shade, with soft light

coming from the front. This makes the eyes sparkle and
is very attering on skin. I also love to shoot directly into a
low sun, which is best done in the evening when the sun
is setting. You get a lovely golden glow with lens are and
a slight overexposure, and its very romantic for couple
photographs. I will often arrange pre-wedding shots in
the summer, and its always worth it.
16 Pump up the ISO
When the light is failing, I fall back on my aperture

and ISO settings. I mostly shoot with prime lenses and
will shoot at f/2 quite often. As mentioned, my favourite
lens is the Canon 135mm f/2 as the couple dont feel I
am right next to them. I can shoot wide open when I am
further away, again getting that lovely romantic feel. I will
also set the ISO up to 12,000 if I have to. Im not thrilled
about being that high, but I will use it inside a church
when there is no alternative and I cant use ash. When
taking portraits, I wouldnt work in such bad light to begin Shooting with natural light allows you be unobtrusive
Reflector
Various reflectors are

available, but something like
a white/silver or silver/gold
combination will give you
options to bounce light back
onto your subject.
Monopod
This is not essential, but it can

be handy when working in poor
light if you want to ensure
pin-sharp shots.
Diffuser
If youre shooting under clear

skies and cant find a shady
spot, a diffuser will help soften
the harsh light. Dedicated
diffusers are available, but if
you havent got one to hand a
translucent piece of white
cloth will do the job.
17
Inbox
D
A
C
B
Email amateurphotographer@timeinc.com and include your full postal address

Write to Inbox, Amateur Photographer, Time Inc. (UK), Blue Fin Building, 110 Southwark Street, London SE1 0SU
In AP 6 February, we asked
Have you used an electronic

viewnder in the past year, and
if so, what did you think of it?
LETTER OF THE WEEK
Keep it simple
You answered
A Yes, it was good
B Yes, it was OK
C Yes, it was awful
D No, but only as I didnt have the opportunity
E No, I dont think they are good enough yet
F No, I have no interest in them
52%
19%
7%
13%
2%
7%
I havent had the chance to try one, so I cannot

condemn them out of hand. I imagine they are more
or less the same as live view on a DSLR, which is ne
if that is the case.
My camera of choice is a Sony NEX-6 with EVF. It can
provide an almost 10x magnied view of the image
and is excellent for manual focus. The viewnder also
incorporates an optional double axis level indicator,
which I nd very useful.
Yes, I used one but only because I was shooting in
very bright sunlight, otherwise I prefer the screen. This
may change as my eyesight gets worse at close range,
but for now I nd a fully articulated screen much
more useful than a viewnder.
Join the debate on the AP forum
This week we ask
How many tripods do you own?

Vote online www.amateurphotographer.co.uk
Tweet of
the week
The Narratographer @Narratographer
This weeks tweet of the week is from The

Narratographer and features a fantastic
image of Corfe Castle in Dorset at sunrise.
Follow @AP_Magazine on Twitter to keep up

to date with all the news, reviews and more
18
LETTER OF THE WEEK WINS A 16GB SAMSUNG SD CARD. NOTE: PRIZE APPLIES TO UK AND EU RESIDENTS ONLY
What you said
When it comes to portraiture, there can

be no better advice than that offered
by Brian Rolfe (see right) when he says dont
overcomplicate your lighting (Perfect Your
Portraits, AP 9 January). In my opinion,
the fantastic celebrity portraits taken by the
late Jane Bown will never be beaten. Her
simple use of daylight, fast black & white lm,
and knack for putting her subjects at ease
was an unbeatable combination.
Many years ago, after reading an AP
article about Jane Bown, I set up my own
daylight studio. I xed frosted plastic panels
into the roof of my garden shed and
replaced the glass window with a frosted
panel. I posed my subjects on a stool and,
like Jane Bown, used an Olympus OM-1
and Kodak Tri-X 400 lm. I also used a
3ft (1m) sheet of hardboard on which Id
stuck a few white painted polystyrene tiles.
This formed a perfect lightweight reector,
and it only cost a few pence.
The result was superb diffused daylight.
And despite the digital revolution that has
taken place since, its a set-up that
would work just as well
Win!
Appraisal angst
I enjoy Amateur Photographer,
which I have read for more
than 40 years. Damien
Demolders appraisals are
always interesting, but
sometimes I feel theyre not
always on the mark. I recall
one some time ago, when a
photo of a ve-piece band
was improved by deleting
two of the members for
the sake of balance.
In Appraisal AP 23 January,
I feel that Waters Edge has
been little improved. The claim
to have enlarged the paving
area is not true. Measurement
shows that the proportion of
paving in the picture has
actually been reduced from
23% to 21%, and the shape
has been changed from a 6x4
with todays high-tech gear. Many chefs

and rock bands emphasise the importance
of keeping things simple. This applies to
photography as much as any other industry.
Jimmy Osborne, Tyne and Wear
Very true. It is all too easy to overcook
things by introducing too many variables.
If you have an interesting set-up for
taking your photos, then please send
us a picture to have it featured in the
magazine. That means your shed too,
Jimmy! Richard Sibley, deputy editor
With ultra-fast performance, the new Samsung 16GB EVO SD card,

Class 10, Grade 1, offers up to 48MB/sec transfer speed and has a
ten-year warranty.
www.samsung.com
proportion to 5.5x4, which

seems less balanced to me.
The gure may be more
upright, but I cannot easily
tell that it matters. Otherwise,
you set challenges that I
know I cannot meet, but can

aim towards. Simon Caswell,
Lancashire
Thanks for your letter,
Simon. Im glad I usually
The original image with Damiens version overlaid in red
INBOX
Those were the days

I read with interest the news
item about the Red Arrows in
AP 6 February. Perhaps in
MILES RAMSDEN
inspire you. I cant quite

believe you actually got the
ruler out for this, but Ill
take your word that the
proportion of the scene that
is occupied by the paving
has reduced by 2% in my
version, rather than
enlarged as I stated.
I suppose I felt my
impression was that the
paved area had got bigger
as it has climbed up the
frame somewhat. Ive
overlaid my version in red
(below left), so you can see
the difference. I assure you,
though, both images are
3:2 in proportion.
The other difference you
may remember was that
the tonal values had been
altered to allow more of the
detail in the paving and the
water to become clear, and
the overall contrast was
enhanced to emphasise the
geometry of the image
and that is the more
important consideration.
I have no recollection of
sacking band members,
but Ill take your word for
that too. Composition is
composition, and art
doesnt always need a bass
player Damien Demolder
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Miles Ramsdens shot taken in 1982 at RAF Cottesmore, Rutland
August 1982, when I took

the photo above of the Red
Arrows, the gnomes of Zurich,
in the form of elf and safety,
were not as evident as they
are today. I was privileged
to be taken to the RAF
Cottesmore Open Day by my
neighbour, who was a ight
lieutenant at Cottesmore and
able to take me into a more
restricted area of the aireld.
Looking back, I admit I was
standing in quite a vulnerable
area, and with what has
happened at recent airshows
the Red Arrows advice is
absolutely sound. However, I
was pleased to capture this
photograph and a number of
others on that day. It was
taken with a Praktica LLC,
tted with a Pancolar lens
and shot on Agfa CT18, my
favourite lm at that time.
Miles Ramsden, Rutland
Sound advice
Editorial team
Group Editor
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Christine Lay
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Richard Sibley
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Andy Westlake
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Michael Topham
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Features & Technique Editor Phil Hall
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Karen Sheard
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Video Production
John Layton
Photo-Science Consultant Professor Robert Newman
Senior contributor
Roger Hicks
Special thanks to The moderators of the AP website Andrew
Robertson, lisadb, Nick Roberts, The Fat Controller
I would like say thank you

to technical editor Andy
Westlake for the advice he
gave me in response to my
question, Upgrades and
Lenses, which was published
in AP 9 January.
I have since bought an
Olympus OM-D E-M1 and
12-40mm f/2.8 Pro lens,
together with an Olympus
E-to-EM converter for use
with E lenses.
The camera and new lens
are excellent, and I can use
some of my existing lenses
on the new camera.
John Farebrother,
via email
Advertising
Account Manager
Production Coordinator
Excellent! Thats why were

here, John. Im pleased
we were able to help.
Richard Sibley, deputy
editor
Marketing
Marketing Manager
Publishing team
Chief Executive Ofcer
Managing Director
Publishing Director
Group Magazines Editor
We nd out whether
Sonys most advanced
compact yet lives up
to expectations
Enter APOY!
Long-lens
masterclass
Richard Peters offers
advice on how to make
the most of your
telephoto lens
Tamron 18200mm f/3.5-6.3

Di II VC
Andy Westlake tries out a
budget all-in-one zoom
for APS-C DSLRs
CONTENT FOR NEXT WEEKS ISSUE MAY BE SUBJECT TO CHANGE
Sony Cyber-shot
DSC-RX1R II
AARON YEOMAN
Amateur Photographer, Time Inc. (UK), Blue Fin Building,

110 Southwark Street, London SE1 0SU
Telephone 0203 148 4138
Email amateurphotographer@timeinc.com
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landscape photography
Winter
Countryside
Silhouette.
Farmland around
Bamford in the
Peak District
wonderlands
Self-taught landscape photographer Dan Cook

shoots a potent mixture of wide vistas and close-up
details, often with a wintry feel to them. He talks to
Steve Fairclough about his style and approach
all pictures dan cook
Left: Warming
Sight. A robin
perches on the
snow-clad branches
with the developing
sunset behind. This
robin seemed to
follow our progress
briefly, but rarely
stopped long
enough for a
photograph,
says Dan
subscribe 0330 3334555 I www.amateurphotographer.co.uk I 27 February 2016
iving on the doorstep

of the Peak District
has provided much of
the inspiration for the
landscape work of Dan Cook, who
fits his photography in around a
busy career as a quantity surveyor.
As a big fan of the outdoors,
Dan particularly appreciates the
opportunities that winter throws
up for his picture-taking and uses
photography as a creative release.
Dan used film cameras early in his
life to document family events and
holidays often in either the Lake
District or the Peak District but it
was his investment in a Panasonic
24x zoom bridge camera in 2010
that turned a passing interest in
photography into a passion.
While living in Sheffield but
working in London, he used his
spare time to hone his photography
skills by reading blogs and tips
online. He reveals: When I was
coming back [home], I was taking
more advantage of the Peak
District. Because I was in London
during the week, it made me want
to get outdoors more, so I bought a
camera to accompany me. That
was what really sparked it.
23
landscapes
His key influences included

the blogs and tutorials of
photographer Doug Chinnery, the
winter imagery of Vincent Munier,
and the more obvious choice of
legendary US landscape maestro
Ansel Adams. Dan admits: Its
my interest in the outdoors that
overrides my photography. Initially
it was very much about going out on
long walks and trips, and wanting
to be able to document that. Then,
through [seeing the work of] the
bigger names in landscape
photography, you could see what
you could do with it. In the longer
term its more about how you put
your own style and twist on it, but
its still driven by that passion for
the outdoors.
Outside influences
Many of Dans striking winter
images hint at influences far
beyond mainstream landscape
shots stark features, muted
colours and a look of crossprocessing seem to allude to
aspects of fashion and portrait
photography. In Lightroom I
experimented with the hue,
saturation and luminance,
alongside the white balance, and I
started to create things that I just
enjoyed, he says. I think thats a
result of taking in a lot of influences
from other photography the more
you look at portraiture, fashion and
things like that, the more you start
to see that theyre using the same
tools and software and getting those
effects, so why cant you apply that
to landscapes?
Dan had previously shot more
in black & white, especially when
working with the black & white
mode of his older Sony cameras.
Recently, though, Ive been shooting
24
The more you look at portraiture and fashion,

the more you start to see that theyre using the
same toolsand software and getting those effects
Below: Chrome
Hill on the
Derbyshire side
of the upper
Dove Valley
things where colour has been a little

more important in the picture, so
Ive shot less black & white, he says.
With landscapes, its probably an
after [shooting] decision and you
think, Theres no real benefit of
colour in a picture, so lets focus on
the shape of the hills or the trees or
whatever, and do it that way [in
black & white].
At the moment, Dans go-to
camera is the 16.3-million-pixel
Fujifilm X100T, which he keeps
close to hand in his pocket. Then,
in the bag, Ill have the Fuji X-T1,
usually with a longer lens because I
find the long-lens isolation type of
landscape a bit more interesting, he
explains. Ill often have a 55200mm lens attached to the X-T1
and I like to have a macro-type lens,
around 60mm, with me as well.
One of the other areas I enjoy is
nature or botanical photography,
and trying to be a little bit more
artistic rather than just trying to
document it. I have a wideangle lens

as well, a 14mm prime, if its a case
of going to a location where I think
thats going to come into play.
Dan adds: If Im getting up
specifically for a sunrise, I will tend
to work a bit more slowly, get the
tripod out and really think about
composition. That tends to be when
Im using either the wideangle lens
or the zoom lens, where you do
need that support in the early
morning when the lights a bit low.
But with the close-up photography,
and a lot of the pictures I take as
part of a long walk or hike, thats
very much handheld.
Dan occasionally uses a circular
polarising filter, but not often in the
winter. At this time of year I find I
like the images a little bit brighter
anyway, so Im not too concerned
with bringing the sky down too
much, he adds. Its just having
that subtle colour as opposed
to something really deep.
Reticence, taken
at Lake Bled,
north-west
Slovenia
Dan shoots around 90% of the time

in aperture-priority mode and then
uses exposure compensation to adjust
to what he wants in terms of the light.
I find that aperture is where I create
and make the key decision as to
whether to include the depth of field or

not, and so on. I think when you work
in that mode you can quickly match
what youre trying to achieve rather
than going full manual, where youre
having to adjust the exposure more.
Winter light and weather

Below: Hover Cars
making the best
use of the thick
bank of fog
Like most landscape photographers,

Dan tends to work with the natural
light provided by sunrises and
sunsets, and then takes advantage
of wintry conditions. Bad weather
definitely adds some drama, he
says. With a sunset in winter, even
if its not snowy or frosty you get the
clearing skies and the sun breaking
through at a convenient time of day,
with sunset at about four or five
oclock. The way the light is a little
bit lower in the sky can add quite a
lot of drama it helps in woodland
and places like that, so there are a
lot of benefits to it.
He adds: Your ideal plan would
be to go somewhere quite high for
when the sunrise is hitting, but you
could probably then find a couple
more hours worth of great light if
you plan a second location to go to.
Although you get less daylight [in
winter], you get more good light, so
usable light would hopefully be
more abundant.
Obviously when snow and frost
come along it really transforms
landscapes. Its a different
mood to summer or spring
25
Frozen Harvest in the

fields of Southwell,
Nottinghamshire
pictures. Its working with

the seasons to get those moods
and trying to pick out what is
strong about that time of year
to focus in on.
Im quite lucky on the edge of
Sheffield there are a couple of
brilliant locations and Stanage
Edge is about an hours walk. You
get the instant kind of grand vista
and you see the great ridge covered
in snow. There are also a couple of
gorged brooks things like that so
when it snows, you get a sort of
mystical feel to the place. When
snow is falling directly down and

theres no wind, it transforms the
place to somewhere that could be
out of Game of Thrones. Its that
otherworldly look.
Tips for winter landscapes
Below: Planet
Form, taken in
the compelling
landscape of the
Peak District
For shooting landscapes in winter

Dan admits: Youve got to plan
more. You have to have a very clear
idea of where youre going, where
youll set off from and how long it
will take to get there because
conditions change quickly.
In terms of the conditions, I think
youve got to work with the best

elements of what youve got. If
youve got nice, clean, fresh snow,
youve got to think of finding
minimalist images and trying to
make the most of the shapes and
changes in the landscape. If youve
got frost, youve got to focus in on
the detail there.
Dan advises that winter can
throw up some exposure problems.
I think that in winter the histogram
probably becomes the most
important tool on your camera and
youve got to understand how that
Form & Fields

fields of Southwell,
Nottinghamshire
26
landscapes
works, he says. Because of the way

in which the snow reflects the light,
it kind of tricks the camera into an
auto-exposure mode. If youre
shooting with aperture priority or
something like that, you do need
to have that histogram there [for
checking exposure] to make sure
youre not going to be disappointed
when you get back. That definitely
applies more to winter, and snowy
conditions in particular.
Dan adds: Thinking about mood
in winter is good. It doesnt have to
be snow or frost it can be a dark
atmosphere when you get those
stormy skies, or rain and cloud
shifting around the landscape.
Theres a lot more drama in winter,
particularly out in the mountain
areas. And find a way to make sure
youre prepared for some bad
weather, so you can stick it out and
wait for the good light and sunsets.
If youre shooting landscapes, Dan
advises not to overlook the benefits
of telephoto and zoom lenses. Dont
restrict yourself to the wideangle
approach, he says. This probably
applies more in winter when you
can really get some isolation of
landscape features and focus in on
one thing. Having a long lens allows
you to stay in a smaller area, but
come up with more potentially
long-lasting images that arent just
about a location they can be
unknown features or trees, and
things that work as a photograph
afterwards. It becomes less about
the location and more about the
details of the landscape.
Seasonal success
Lone Tree & Snow.
A lone birch just
below the ridge
of the hill with a
contrasting line
of the remaining
receding snow
1
2
3
Plan your shooting trips carefully and be aware that

weather conditions can change quickly.
Bad weather can add drama to pictures, so look
out for dramatic skies and the quick changes in
landscapes caused by snow and frost.
Use your cameras histogram and be aware of the
problems that winter weather elements can create
for exposure settings, such as light reflecting off snow
for metering.
Work cleverly with winter light, which is often lower
in the sky than at other times of year.
At sunrise think of shooting high early on, then
moving on to a second location.
Think in black & white and colour if there is no
obvious benefit to having colour in an image,
consider post-processing it as a black & white shot.
When its frosty, get in close to focus on the details
of plants and trees.
Consider taking a smaller, pocket-sized camera
that will allow for handheld shooting of landscapes
and close-ups.
Take a variety of lenses, from macro to longer
zooms, so you have the flexibility to shoot from
close-up details right through to wide vistas.
Be prepared for bad weather dress suitably
and be committed to spending time in difficult
weather conditions.
4
5
6
7
8
9
10
Post-production workflow
To see more of Dan

Cooks work, visit
his website at
dan-scape.co.uk
On a typical shoot, Dan estimates

that he captures 400-500
pictures. When taking exposure
bracketing into consideration,
this means hes shot about 300
different images.
I find it quite quick to shortlist
those down, he says. I quite like
looking at thumbnails and smaller
preview images and thinking,
Does that grab my attention and
does that work at that scale?
I think that in winter

the histogram
probablybecomes the
most important tool
onyour camera
Therefore, itll probably grab some
attention when its blown up.
From those 300 images he ends
up with 10 or 20 that fit his style
and might be useful for socialmedia purposes. Dan explains:
However, it will probably only ever
be one [image] every couple of
shoots that you think is worthy of a
limited-edition print kind of quality
that is, a picture that will stand
the test of time rather than just
being part of your general
photography portfolio.
Dan uses Lightroom and reveals
that he has created quite a lot of
his own presets. Ill go through
those and see if any work quickly
with a picture, he says. Ill
normally take that a step further
because sometimes they [presets]
work to some extent, but you still
think you can play with an image
a little bit more.
If presets fail, I tend to follow a
fairly structured route of going
through the tools in Lightroom
trying to get the white balance to
where I think its right, then moving
on down in terms of the exposure,
and then hitting the colours quite
quickly. I find thats where Ill either
really fall in love with an image or,
if I find theres something there to
work with on the colour, Ill move it
on from there.
Future projects
Dan has a long list of locations on
his landscape-photography bucket
list, and these include exploring the
Alps, various locations around
Europe, New Zealand, Canada and
the National Parks of America, as
well as landscapes closer to home in
Scotland and Wales.
He adds: Ive got quite a few trips
around the UK planned this year,
so Im going to continue shooting in
the way I have been. But Im keen
to start putting together some kind
of retrospective of what I already
have in the way of photos. My next
project will be more about trying to
find some themes in my work and
put that together.
Whatever happens in the
future, it will certainly be
fascinating to see where
Dan Cook goes from here.
27
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wet-plate process
all pictures paul alsop
Movingimages
New Zealand-based photographer Paul Alsop has
converted a 1970s caravan into a travelling darkroom
to bring the wet-plate collodion process to the
masses. He talks to Jade Lord about his journey
ot everyone would admit

that their photographic
inspiration can be
traced back to a
triptych of a naked Kate Moss. But
for New Zealand-based portrait
photographer Paul Alsop it wasnt
just the fact Ms Moss was naked
that caught his eye, it was that the
photograph itself was laid bare. The
image, by Chuck Close, had a raw
quality that exposed every detail
like nothing hed seen before.

From that moment on, Paul
decided he had to make portraits
with the same intensity. Yet there
was one flaw in his plan: the Chuck
Close images were daguerreotypes,
and mercury vapour is required to
develop them.
A lthough I love photography very
much, I was not willing to risk
potential mercury poisoning,
explains Paul. So I decided to look
Above: In this
image, called
Heath, the
wet-plate process
carries, as Paul
says, a raw quality
that exposes every
detail of the sitter
further into the history of

photography (something which I
hadnt done before) and it was here
that I stumbled upon the wet-plate
collodion process, as invented by
Frederick Scott Archer in 1851.
This method seemed to be a
perfect compromise, as the process
is very interesting, involved and
involving for the sitters. It was
completely foreign to me, and I
couldnt see the word mercury
anywhere. I guess I just glossed
over the words explosive and
potassium cyanide.
Creating a wet-plate image
involves a complex mix of chemistry
and danger that would put most
people off from the start (see
panel on page 33), but not so
31
wet-plate process
for Paul, whose background in

lecturing biomedical sciences
and laboratory techniques lends
itself perfectly to this type of
photography. Playing with silver
nitrate, collodion and light, Paul
is a modern-day alchemist who
makes archival images on glass
that are far removed from todays
shoot-and-delete digital era.
The process is one of the most
archival photographic processes to
date; wet-plate images from the
American Civil War and portraits of
Billy the Kid and Abraham Lincoln
have lasted long beyond the faded
albumen and silver gelatin prints,
explains Paul. One of the attractions
of the process is knowing that my
images will, hopefully, be around
long after I have gone.
Yet the romanticism of the
wet-plate process is somewhat
tainted by the practicalities
surrounding the making of the
32
image. To create a wet-plate

collodion image you need to be
within running distance of a
darkroom, otherwise the solution
will dry out. Initially, Paul had a
darkroom set up in his garage,
which had the benefit of him being
able to develop an image whenever
he fancied it. Yet he was limited to
making portraits within a fiveminute radius, not to mention the
fact that creating an image is messy.
The silver stains pretty much
everything and anything it comes
into contact with, says Paul. A nd
since selling our house and moving
into a rental property, I was worried
that we would not get our deposit
back if I did the same thing in the
garage so I had to get creative.
set up in a 1970s caravan.

Since selling our house and losing
the darkroom, I was getting very
disconcerted that I might have to
give up on the wet-plate process,
which I had come to love so much,
reveals Paul. I looked at a whole
bunch of options, from a shipping
container to converting a mobile
home, a truck and even an
ambulance. Then, in March 2015, I
saw a 1970s caravan on an online
auction site. It had been refurbished
on the outside, but the interior
needed a lot of work. This was
perfect, as it was structurally sound
and a blank canvas for me to make a
darkroom in, by ripping out the
furniture and starting again.
Converting the caravan into a
wet-plate darkroom was a labour of
love for Paul, who failed woodwork
at school and had no knowledge of
electrics. Yet he managed to install
a 12V system inside the caravan,
essential to run red safelights for
processing and developing the
plates. It also meant he could make
images further afield, as he now
takes the darkroom with him.
The caravan is perfect, as I can
hook it up to my towbar and go off
to make images, or it can remain
static for as long as I wish, he says.
Shooting either with natural
daylight or a studio light set-up
(with the latter, Paul designs the
set-up based on the sitters face), he
seeks to tell a story through the
eyes of his subjects.
A good portrait, regardless of
where it is shot, should capture a
viewers attention for more than a
few seconds and tell a story of its
own, explains Paul. Many of my
portraits leave people asking
questions, and any image that
makes people think (good or bad)
is a good image, in my opinion.
Finding faces
Paul is always on the hunt for
interesting faces to photograph,
often using social media for certain
The travelling darkroom

This is where Pauls style of
photography becomes even more
unique: he now has his darkroom
The darkroom interior of the caravan, as fitted out by Paul
wet-plate process
Opposite page,
clockwise from
top left: Mick, a
portrait taken in
collaboration with
photographer Luke
White as part of the
Auckland Project;
A portrait of Pauls
daughter, Sophie;
In the image titled
Stephen, the
fall-off of focus
means our attention
is firmly fixed on
the face of the
sitter; Steampunk
the wet-plate
method emphasises
the unusual outfit
of the sitter
Left: Elizabeth,
part of Paul and
Lukes Auckland
Project
projects. Hell also look for an

interesting backstory, and if the
two come together then he is one
happy photographer. Recently,
people have also been finding him
and wanting to have their portrait
taken, as the process is unlike
anything they have seen.
Not only have they not seen
the process, but many have never
seen the physical thing that is a
photograph. All they have seen are
digital images of themselves, and
often ones that have been

retouched, he explains.
Theres no retouching involved in
a wet-plate collodion image. In fact,
its quite the opposite, as every
detail is revealed thanks to the
orthochromatic process. This
means it sees blue very well, but not
red: people with blue irises make
for striking portraits, whereas
people with red freckles see them
revealed in places they didnt even
realise they had them.
There are, however, limitations to

the process, but it is these that make
Pauls venture all the more special.
As he explains, The limitations are
numerous, otherwise everyone
would be doing it. The initial cost is
very high, probably comparable to
purchasing a full-frame DSLR with
a couple of decent prime lenses. And
it is also time-consuming: my life
literally revolves around it, and
when I get a few spare minutes I
can be found making chemicals,
filtering chemicals and cleaning
plates. But all the time, money and
effort spent keeping this process
alive is not something that Paul
would part with in a hurry.
We live in a fast-paced socialmedia society, where many excellent
images are overlooked within
milliseconds and the flick of a
finger, says Paul. When I make a
wet-plate image, the whole process
slows me down, as I can only make
one image every 20 minutes. It also
satisfies me to see the sitter spend
a lot of time with the end product,
examining it, looking at it from
different angles and in different
lights. They get really involved and
its not unusual to hear a few swear
words of astonishment when the
final image develops. Ive also made
a few grown men cry with positive
emotion. Im yet to have anyone not
interested in the final aesthetic.
It might be a clich, but in this
case, good things really do
come to those who wait.
Born and raised in Newcastle upon Tyne, Paul moved

to the Coromandel Peninsula, New Zealand, in 2010 to
work as a medical doctor, and now lives and works in
the Bay of Plenty. About ten years ago he taught himself
how to make images and has now found his niche in
the wet-plate collodion process. As an experienced
collodion photographer, he teaches the process and
offers commissions. www.paulalsop.com
The weT-plaTe collodion process

The chemical collodion is poured over
a polished glass plate before it is
1dropped
into a silver bath for three minutes,
where a chemical reaction takes place,

turning the non-photosensitive silver nitrate
into silver halide (film).
Under the red lights, the plate is

2
removed from the silver bath and
placed into a plate holder. The plate holder
is then taken to a large-format camera,
which is focused on its subject.
Once focus is reached, an exposure is

made, whether by artificial light (such as
strobe) or continuous light (such as daylight).
The latter requires a timed exposure of

5-30 seconds, in which time the subject
has to stay perfectly still.
After the exposure is made, the plate is
taken back to the darkroom where it is
4
developed with a mixture of iron sulphate,
glacial acetic acid and 96% alcohol. A
negative image appears and the image is
no longer light sensitive.
Finally, the image needs to be fixed

the unexposed silver is washed away
5
leaving behind a direct positive image. The
image can then be varnished to protect it
from oxidation and physical damage.
Paul reveals another masterwork in front of his 1970s caravan

33
WILDLIFE WATCH
Waxwings
Waxwings are spectacular birds, thanks to their
distinctive markings, and winter is the perfect
time to photograph them, says Oscar Dewhurst
Waxwings first
appear in the
UK in November
About the waxwing

With their prominent crest, pinkish hues, black mask and gaudy
red-and-yellow wing markings, the waxwing is a wildlife
photographers dream when combined with an aesthetic
branch of rowan berries.
Location Waxwings first appear in the north-east of the UK in
November, then spread south and west, returning to breeding
grounds in March.
Size Waxwings measure 19-23cm, with a 32-35.5cm wingspan.
Nest A cup-shaped nest will be placed in trees or shrubs in
coniferous forests, often near water. In Europe, these birds
breed in Scandinavia and across northern Russia.
Diet During the winter, which is when you are most likely to
see them, waxwings feed on fruit and berries, particularly
rowan, hawthorn, cotoneaster and rose.
Population Numbers vary depending on food availability,
but the average winter population is 11,000. A poor berry
crop in Scandinavia will push waxwings across the North
Sea to the UK. In irruption years, they can appear all over
the country.
In irruption years, waxwings scour the whole country for food from Lands End to Shetland
Oscar Dewhurst
Oscar is an award-winning wildlife
photographer who has dedicated
countless hours to photographing
bitterns. He also finds time to photograph
many other species, from urban foxes
to primates in the Peruvian Amazon.
www.oscardewhurst.com
ALL PICTURES OSCAR DEWHURST
WAXWINGS are a favourite among birders and

photographers alike. When they arrive in the UK, it
is usually because they cannot nd enough food in
Scandinavia, so they are often dismissive of humans
and can be somewhat conding.
Habitat
Waxwings perch on aerials in urban areas, and can be found in berry bushes near motorways
The best time to look for

waxwings is in the middle of
winter. Standing still for many
hours is not a pleasant
experience, and your camera,
lens and tripod will get cold.
Gloves make it easier to
operate your equipment
when waxwings do
eventually appear.
34
Tripod
Gloves
KIT LIST
As photographing
waxwings can
involve quite a bit of
waiting around, being
able to leave your
camera on a tripod
during periods of
inactivity is much
easier than holding
it for long periods.
These birds are wanderers, cleaning out a group of

rowan trees or cotoneaster bushes before moving on to
the next food source. They arent fussy about location
most of my images were taken in north London,
standing on a pavement on the A1. Ive also seen
images of waxwings taken in supermarket car parks.
Best time to shoot

While waxwings feed throughout the day, they may
be more active in the morning and late afternoon.
Although the sun is low in the sky during winter, there
is still a noticeable difference with images taken at
either end of the day. Going out early and late gives
you the option of shooting into the sun to create
silhouettes of the birds against vivid orange and red
backgrounds, resulting in some striking images.
wildlife watch
technique
You can create a

more striking
composition by
focusing on a
waxwing perched
on a particularly
beautiful branch
Shooting
advice
Settings
I use aperture priority or
manual mode, depending
on the light. If it is a clear
sunny day and the light is
unlikely to change, manual
means your cameras
metering wont be thrown
by a particularly dark
branch or light object. If
the sun keeps going behind
the clouds, however, I
would stick with aperture
priority simply because it
means you do not have
to keep changing the
exposure to keep up with
the weather. As the birds
will always be moving,
continuous autofocus is a
must, and a single focus
point reduces the chance
of the camera switching
focus to the background.
Finding them
As waxwings often do
not spend more than a
few days in a particular
location, finding them is
difficult on your own. They
are a popular quarry of
birders and photographers,
however, so the best
approach is to check the
recent sightings pages of
local and county bird clubs.
There is also a Twitter
account (@waxwingsuk)
that posts locations as and
when enthusiasts hear of
them. Once youve decided
on a location, give yourself
a few hours because if they
are not in the berry trees
they may be perched on
an aerial or a tree nearby.
Listen out for their
distinctive trilling sound.
Approach
As the main concern of
these birds is food, they
are often unfazed by
people. That said, it pays to
approach slowly, because if
you spook one it is likely
they will all be startled and
take off. It can be difficult
to know where to focus
when there are many,
so try focusing on a
photogenic branch or small
part of the tree with a nice
background behind it.
35
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RSPCA YOUNG PHOTOGRAPHER AWARDS
Young guns
Want to see some of the most impressive up-andcoming wildlife photographers? Look no further
than the RSPCA Young Photographer Awards
very year, a member

of the AP staff sits
on the judging panel
of the RSPCA Young
Photographer Awards, and every
year that staff member comes
back shaking their head and
wondering just how it is that a
bunch of photographers, some of
whom are younger than 12 years
old, can produce such confident
and challenging work. Over the
38
next three pages we look at a small

selection of some of the best images
from the 2015 competition. As you
can see from this collection, the
years to come are likely to see us in
the company of some seriously good
wildlife photography hopefully
much of it within the pages of AP.
The 2016 competition opens for
entries on 27 May. If youd like to
learn more, visit young.rspca.org.
uk/ypa/home.
16-18 Years
Commended
Harry Butler
Fieldfare in Windfall
Fieldfares breed in northern
Europe and Asia, but can be
found in vast numbers in the UK
winter. Here Harry has given us ample
environmental context by showing
the bird feasting on windfall apples.
Overall Winner
Will Jenkins
Beak
Wills cropped shot of a pelican,
taken in Belize on the eastern
coast of Central America, stands out
for its unusual composition and was a
unanimous choice for the overall winner.
Rather than focusing on the eyes,
Will has instead chosen to show us
the beautiful textures of the feathers
and the impressive beak.
harry butler
isabelle vesey
Pet Personalities
Winner
Isabelle Vesey
Wild at Heart
This is really quite a beautiful and
touching portrait. This image is
actually a selfie showing Isabelle with
her RSPCA rescue cat, Simba. The
composition has created a nice
mirroring effect, particularly in the eyes,
and is a perfect evocation of the bond
we can often feel with our pets.
alicia hayden
12-15 Years Runner-up

Alicia Hayden
Arctic Terns Fighting
will jenkins
Alicia took this image while on a trip to the

Isle of May off the east coast of Scotland
What really succeeds here is the use of space
around the graphic shapes of the birds. In this way,
Alicia gives us a sense of narrative. We can

imagine the birds making their way around
the frame, battling for superiority. The
muted tones are especially nice.
39
16-18 Years Winner

Mairi Eyres
Ant in Silhouette
Farm Animals
Winner
Samuel Hood
Highland Cows
samuel hood
alicia hayden
mairi eyres
This image, taken in France, was actually

entered into the Portfolio category, but
the judges were so impressed they
decided to give it its own award in the
16-18 category. Its not difficult to
see why. Its a perfectly captured
image and perfectly timed.
This image was taken in

Northumberland. The cows horns
are a very subtle way of framing the
subject and also a nice visual quirk.
Under 12 Years
Winner
Katy Read
Sleeping Beauty
Swans are a popular subject,
but rarely are they captured so
beautifully and intimately as in Katys
shot taken in the Washington Wetland
Centre in Tyne and Wear.
katy read
12-15 Years Commended

Alicia Hayden
Swarm
In this second winning entry by Alicia, we find a great
example of how patience can really pay off and lead
to an exciting image. Not only has Alicia got her image in
perfect focus, but she has also captured it at the moment a
single bee flies to rejoin its colony. Its an image that tells us
much about the hive mentality of the bee population.
40
EVERYTHING you need to get

started in photography, from
understanding the basics to
shooting advice from the pros.
Complete guide to
PHOTOGRAPHY
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164
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Photo insight
Common
buzzard
by Robert Canis
n 2009 I fullled an
ambition I had held for
years: to photograph
wild common buzzards
in my home county of Kent.
Why? Well, until 15 years ago
they were quite a rare sight
here on the North Downs,
but over the years they have
moved further east, to a point
that its now unusual not to see
one while out on the hills. To
my knowledge, there are more
than 2,000 breeding pairs in
Kent alone, and I know of
three nests within a couple
of miles of where I live. They
may be incredibly common in
the west and north, and hardly
in the same league as the
magnicent golden or whitetailed eagles, but there is just
something about them: the way
they soar, the way they circle a
territory, their call
In previous years, as I sat
in my hide photographing
woodland birds at my winter
feeding station, the desire
would burn deeper to
photograph this magnicent
bird of prey. With winter just
around the corner, I decided
to commit the following ve
months to this project. But, if
I were to succeed, everything
and I mean everything had
to be by the book, as raptors
are notoriously shy and
keen-eyed birds.
The most important factor
was not to visit the hide during
daylight when buzzards would
see me and therefore associate
the hide with humans. That
would of course make them
very reluctant to come down
42
and feed so close. I began by

erecting a 1.5m [5ft] square
wooden hide at the top of a hill,
backed against a hedge. Using
just the red lamp on my head
torch, the hide was put
together on a wet and windy
night when I was certain that
the birds would be sheltering
and wouldnt notice me setting
up. I then didnt go anywhere
near the hide for two weeks.
To entice the buzzards close
to my hide on a semi-regular
basis I required roadkill, which
was stockpiled and stored in
my freezer, with kind
permission from my extremely
understanding partner! A few
times a week, pre-dawn, I
would place a dead rabbit 30m
(100ft) or so from the hide. Id
then return two hours after
sunset, and if the rabbit hadnt
been devoured by the birds I
would place it up a tree, to
avoid it being taken by a fox,
and return the following
morning to repeat the exercise.
I then gradually reduced the
distance of the rabbit to the
hide to around 15m (50ft).
Throughout much of January
we were experiencing cold,
frosty conditions. I would enter
the hide at 6am (two hours
before sunrise) and wouldnt
leave until 6pm. On my rst
visit, 11 hours later, a buzzard
arrived and fed, but the light
was too poor to get anything
worthy. I was content, however,
to just be there, knowing that
all my work wasnt in vain.
Over the following days a
buzzard did appear in very
good light and I managed to
ROBERT CANIS
Robert Canis explains the lengths

he went to in his quest to photograph
buzzards, and offers some tips on
shooting from a hide
get some half-decent images.

But something was still
missing: that all-important
ingredient snow!
As luck would have it, at the
end of that same month we had
a substantial amount of snow
with very poor visibility, lasting
for several days. I needed a
break in the weather to entice
the buzzards from where theyd
been sheltering from the harsh
conditions. I then had the
forecast Id been waiting for: a
clear day with blue skies all the
way. Perfect! This would surely
tempt the birds out from the
nest to look for food.

I woke at 3am and following
a rather treacherous journey in
my car through deep snow,
made it to my hide in the dark.
After this adventure, I should
point out that I now have a
four-wheel-drive vehicle! I
staked down the roadkill to
avoid it being carried off by the
birds (including magpies), set
everything up in the hide, and
then sat back and waited.
At about 10am and without
warning, a handsome adult
buzzard arrived. I dared not
take any images for at least a
This image of a
buzzard was taken
with a Nikon D2X and
Nikon AF-S Nikkor
300mm f/2.8 lens,
1/640sec at f/5, ISO
200, right-angle
viewing attachment
couple of minutes as I wanted

to allow it to relax and feed,
which it then did for almost
half an hour. It took my breath
away to be only 15m away from
the species of bird Id been
longing to photograph, in the
wild, for years.
Later that same day an

immature buzzard turned up
and, just like the one before, it
spent a considerable amount of
time feeding, oblivious to the
photographer who, at this
point, was beaming like
a Cheshire cat!
Robert Canis
Robert has been a professional nature photographer for
more than 20 years. He gives around 20 illustrated talks
each year and regularly holds wildlife and landscape
photography workshops both in the UK and overseas. He is
represented by three international agencies and has been
the recipient of numerous awards. www.robertcanis.com
hide and seek

Sitting motionless for hours on end may not be everyones cup of tea, but
there are times when theres no other way of obtaining close views and
photographs of a shy species especially birds of prey. As mentioned, i had to
do everything by the book if i wanted to stand any chance of success, and if it
didnt work at least i could be satisfied that i did all i could without causing
unnecessary disturbance while in the hide. When waiting for a buzzard to arrive
i was always aware that even though i could not see the bird, it could well be
watching the hide or perhaps, just sitting in a tree right behind me. A wooden
hide muffles some noise, but what may seem barely audible to us could be
enough to deter a buzzard from venturing closer. Velcro and gore-tex are the
devils work in nature photography best avoided as are noisy wrappers.
i wrapped my sandwiches in paper towel and placed items such as a
teleconverter, cable release and spare battery on the hide shelf, which i had
covered with felt to avoid any sound as items were used and replaced. Oh yes,
a flask of steaming hot tea was also out of the question for obvious reasons!
43
Evening Class
Photoshop guru Martin Evening sorts out your photo-editing and post-processing problems
Lightening the exposure

THIS photograph by Dani Colston was challenging
to process because the original raw image was
underexposed and the dog was photographed against
the setting sun. The fact it was possible to lighten the
image (as shown here) was testament to the quality of
the sensor in the Canon EOS 6D camera used. The
after version reveals a well-composed photo; the dog is

positioned at the point where the horizon, shoreline and
the line running along the base of the cliffs all converge.
The light also provided an opportunity to adjust the white
balance for a lovely contrast between the ambient light
and the sunset colours in the distance.
Submit your images
Please see the Send us your

pictures section on page 3 for
details or visit www.amateur
photographer.co.uk
AFTER
BEFORE
1 Lighten the exposure
I opened the raw original photo in Camera Raw and

selected the Basic panel and increased the Exposure
slider setting to +2.3 and lightened the image. I combined
this with a darkening Highlights and a lightening Shadows
setting. I fine-tuned the Whites and Blacks to set the
endpoints and lastly boosted the Clarity and Vibrance.
44
2 Apply HSL adjustments
I then went to the HSL/Grayscale panel. With the

Saturation tab selected and the Target Adjustment tool
active, I clicked on the sunset colours and dragged
upwards with the mouse cursor to boost the saturation
for the Purples and Magentas. I followed this by adding
a darkening Post Crop Vignette via the Effects panel.
3 Apply Radial Filter

adjustments
To lighten the dog, I selected the Radial Filter tool and

added a lightening adjustment, setting the Shadows
slider to +39. I then used the Brush Edit mode,
enabled the mask overlay and painted using the brush
and eraser to edit the extent of the mask.
YOUR PICTURES
AFTER
BEFORE
Creating a camera raw HDR photo merge

THE STILLNESS of the water in this scene by
Adrian Sadler has provided a perfect mirror
reection and I like the mist oating above the
water in the distance. Adrian gave me three
original raw les, where the exposure had
been bracketed 1 stop lighter and 1 stop

darker either side of the normal-exposure
image. His intention was to merge these
together to create an HDR master image. This
process can now be done directly in Camera
1 Prepare the images to

2 Apply the HDR
create an HDR photo merge photo merge settings
The first step was to select the three bracketed
exposure photographs to be processed and open them
via Camera Raw in the Filmstrip mode. I then went to
the Filmstrip menu and selected Merge to HDR.
Alternatively, I could have used the Alt+M keyboard
shortcut to bypass the Filmstrip menu.
This opened the HDR Merge Preview dialog. Because

the photos had been shot with the camera on a tripod
there was no need to check the Align Photos button.
Similarly, there was no need to choose any of the
deghosting options, but I did select the Auto Tone
checkbox before clicking Merge.
Raw or Lightroom to produce a DNG HDR

image that preserves the raw characteristics of
the originals. These master images are smaller
in size than regular 32-bit HDR les and
provide the ultimate in exible image editing.
3 Adjust the Basic

panel settings
This processed the selected photographs to create a

single HDR DNG image. The Auto Tone settings were
applied in the Basic panel, but I chose to modify these
slightly. For example, I lightened the Shadows, added
more Vibrance and chose to increase the midtone
contrast, setting the Clarity slider to +60.
Camera Raw HDR photo merge

CAMERA Raw 9.4 and Lightroom CC 2015
include the HDR Photo Merge, allowing you to
combine bracketed exposures to produce a
single HDR DNG master. You can use as many
photos as you like, with excellent results when
using just two different exposures. Its best
to make the exposure difference 2 stops
between each exposure and to shoot with the
camera on a tripod. You can shoot handheld,

but you will need to check the Auto Align
option. Where there is any subject movement,
such as from running water or clouds, you can
select one of the deghosting options to help
improve the quality of the nal HDR Photo
Merge. The Lightroom version of the HDR
Merge Preview dialog is shown here (left).
Martin Evening is a noted expert in both photography and digital imaging. He is well known in London for his fashion and beauty work, for which he has won several awards. Martin has worked
with the Adobe Photoshop and Adobe Lightroom engineering teams over many years and is one of the founding members of a software design company. Visit www.martinevening.com
45
Accessories
Useful gadgets to enhance your photography, from phones to filters
MindShift Gear
UltraLight Dual 25L
Around 120 www.mindshiftgear.com
Camping/hiking bags are in

vogue. Callum McInerneyRiley tests a new entrant
Air-mesh
back
Range
of colours
Our review sample is black

magma. Theres a twilight-blue
version available as well, which
is particularly useful for
making you more visible
in treacherous
conditions.
The back of the bag is nicely

padded and features air-mesh
material that improves air
circulation to prevent the
user sweating.
At a glance
Separate internal camera module
Designed for trekking and hiking
Space for a medium-sized DSLR kit
Compact and lightweight
Water resistant with waterproof cover supplied
MANFROTTO, Nest and Lowepro have

recently released new camping/hiking bags,
and MindShift Gear has now released its
UltraLight Dual 25L bag. Very lightweight, the
bag is water resistant thanks to an external
repellent coating and a polyurethane coating
on the inside. A waterproof cover is included
too, while the bag features ripstop fabric
that is designed to stop the bag ripping
further if it gets snagged.
Inside is a camera module that can be
accessed via a zip on the side of the bag.
I was able to pack in a Canon EOS 5D
Mark III with a Canon 24-70mm f/2.8
attached, plus another large lens. This
module can be removed and used
separately thanks to its shoulder strap.
The main compartment is large and is for
other possessions aside from camera kit. The
top is fastened with a drawstring and clips
over to offer a very exible storage space.
Another compartment can house a 15in
laptop, a tablet or a 2.5L hydration reservoir.
Tripod mount
on the front
Beneath two small flaps at the

front are clips that allow users
to fasten and transport a
tripod or monopod.
Belt
strap
The belt strap goes

around the waist to give
users extra support when
carrying heavy loads.
GOLD
ALSO CONSIDER
Lowepro Photo Sport

BP 300 AW II
Nest Explorer 300L

Around 129.99, www.nest-style.com
Around 140, www.lowepro.com

ALL PRICES ARE APPROXIMATE STREET PRICES
Verdict
Having reviewed a fair few of these bags, this
is my favourite. It measures 26x49.5x17cm
and weighs only 1.3kg. There are a variety of
materials used and you get a feeling that each
one has been meticulously thought through.
This bag functions well, looks rather smart, the
quality is excellent and it provides sufcient
protection for your precious camera kit.
46
This Lowepro has a slightly larger

camera section than the MindShift
Gear bag with a lot
of space for other
items in the top
sections. Its also
one of the few that
offers space for a
hydration reservoir.
This bag has a similar amount of

space for camera kit as the
MindShift Gear bag
and a section for a
laptop. It looks
more like a
traditional hiking
bag and is
available in
four colours.
Manfrotto Off Road

Hiker 20L Backpack
Around 120, www.manfrotto.co.uk
The Manfrotto Off Road bags come

in 20L and 30L
options. They are
designed to be
lightweight and
comfortable, and
are capable of
housing a decent
amount of kit.
Eneloop Pro rechargeable

2500mAh AA batteries
From 14.99 main.panasonic-eneloop.eu
BAERIESmotbtmotxitiprodt,bttrtill
ooftmottilitmipotorprrmord
toiofbttrivitlfori-powrdvi
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lrmirtAlo,witoodbttrot
bttrprform
EloopPro2500mAbttri
rdidfori-dri
dvi,dvi
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otrbrdI
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i-qlitbttrir
oodtmitiimll
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Try it today
www.amateurphotographer.co.uk/digital-edition
Any NiMH
battery charger
can be used,
but a quick
charger is
available for
around 25
47
AP AWARDS 2016
Known more for his

colour work, Bulmer
also shot a large
number of black
& white images
Grays of Westminster is a multi-award-winning company

specialising in Nikon equipment. Grays was presented with the
What Digital Camera/Amateur Photographer Gold Winner Good
Service Award, as voted for by What Digital Camera and Amateur
Photographer readers and website visitors, in 2011, 2012,
2013, 2014, 2015 and again in 2016. The president of Nikon
Corporation of Japan presented Grays with a stunning crystal
trophy on the historic occasion of being the only camera shop in
the world to be granted a Coat of Arms by Her Majestys College
of Arms. This year the company is celebrating its 30th anniversary.
48
John Bulmer
UNTIL the early 1960s,
photojournalism was almost
exclusively shot in black & white,
with legendary magazines such as
Life and Picture Post preferring to
publish the gritty look of stark,
monochromatic imagery. But the
launch of The Sunday Times Colour
Section in the early 60s shook up
the conventional wisdom of the
time by putting the focus rmly
on colour photography.
Bulmer was one of the rst
photographers to shoot colour
photojournalism, and his images,
alongside those of David Bailey,
graced the pages of the rst
Sunday Times Colour Section
published on 4 February 1962.
Bulmers career has seen him
travelling the world and capturing
the diverse nature of the human
spirit. Each of Bulmers subjects
is treated similarly. Northern
housewives are given as
much attention as rich foreign
aristocracy. John Bulmer is only
now gaining the recognition he
deserves as one of our most
signicant post-war
photographers, and so its with
pleasure that we present him with
our Exceptional Achievement in
Photography Award.
JOHN BULMER
About our sponsors...
EXCEPTIONAL
ACHIEVEMENT IN
PHOTOGRAPHY AWARD
JOHN BULMER
heres an argument frequently cited in

photographic circles that when it comes
to making compelling pictures its the
photographer that matters, not the camera.
While this is absolutely true in terms of artistic vision,
its also unarguable that selecting the right kit makes
it a whole lot easier to get the kind of shots you want.
At AP we test a huge amount of kit on a weekly basis,
and analyse it in great detail. This gives us a unique
insight into the current state of the market: not just
cameras but lenses, accessories and software. And while
the technology advances inexorably and cameras get
better and better, its still the case that some are more
suited than others to certain types of users and
photographic applications, and this is what we strive
to distil for our readers.
With so many outstanding new products appearing
over the past year, even whittling down our shortlists was
difcult, and deciding on the winners even more so. But
you can rest assured that our 2016 winners really are the
best products you can spend your money on right now.
Before we reveal them, though, lets return to that
question of artistic vision and introduce the winners
of our photographic awards.
Andy Westlake, technical editor
JOHN BULMER
AWARDS
T
eric lafforgue
Visits to North Korea

have always focused
on the human stories
of the people living
under a strict regime
POWER OF PhOtOgRaPhy aWaRd

Eric Lafforgue
ERIC Lafforgue, a largely

self-taught artist, has made
it his mission to offer a fresh
perspective on cultures that he
feels have not been given justice
through the lenses of western
media. Lafforgues intimate
portraits and photojournalism take
viewers on a tour of the cultures
and systems that form the melting
pot of the human race. The thing
that stands out about his images,
whether its in his work captured in
North Korea, Uganda, Ethiopia or
Yemen, is that hes a photographer
who creates empathy between
the subject and viewer.
A great deal of travel
photography can treat those in
other lands as the other, as
exotic. However, Lafforgues
images do just the opposite. They
draw both viewer and subject into
an all-inclusive field. Theres also
something oddly bittersweet
about his images. They seem to
represent a desire to visually
document and preserve cultures
that, due to expansive progress,
are highly likely not to exist in
years to come. If the aim of
reportage and documentary
photography is to introduce
audiences to cultures they may
never encounter in their lifetime,
then Lafforgues work truly
succeeds. And thats why he is
our recipient of the Power
of Photography Award.
Above: From Lafforgues project of the Pokot people of Kenya and Uganda
Below: Eric has visited Yemen seven times to photograph the local people
eric lafforgue
Bottom: A duck shoot in

Normandy, France, 1967
eric lafforgue
Below: North Korea, 1973 a

project shot for The Sunday
Times Magazine
49
AP AWARDS 2016
CONSUMER COMPACT
CAMERA OF THE YEAR
Olympus Tough TG-4
COMPACT cameras may be in
decline these days due to the
growing use of camera phones,
but there are still many situations
where a proper pocket-friendly
camera is the best option
especially in low light or when
the xed wideangle lens of a
smartphone just doesnt cut it.
Any one of the cameras on our
shortlist would make for a great
travelling companion. But the one
weve picked stands out as the
best featured camera of its type
Nominees
Olympus Tough TG-4
Panasonic Lumix DMC-TZ70
Sony Cyber-shot DSC-HX90V
weve tested to date. With
excellent image quality including
raw-format recording, and the
ability to be taken anywhere and
withstand all sorts of abuse, the
Olympus Tough TG-4 is a
cracking little camera.
ENTHUSIAST COMPACT
CAMERA OF THE YEAR
Canon PowerShot G5 X
Nominees
DxO ONE
Sony Cyber-shot DSC-RX100 IV
POINT-AND-SHOOT compacts
are ne, but the more discerning
enthusiast wants to retain some
of the controllability they get
from their more serious camera,
along with the enhanced image
quality that only a larger sensor
can provide.
PREMIUM COMPACT
OF THE YEAR
Leica Q
AT THE top end
of the compact
market are the
Bentleys of the
camera world.
These cameras
certainly arent a
cheap alternative
to a DSLR, but
they do offer a
level of quality
and user
experience a cut above your
average compact.
Two very different cameras vie
for this award, each outstanding in
its own way. Our winner produces
superb images through its
marriage of a super-sharp
image-stabilised 28mm f/1.7
wideangle lens and ne
24.2-million-pixel full-frame
sensor. It also offers excellent
handling with traditional shutter
speed, aperture and manualfocus controls inspired by Leicas
M-series rangenders.
50
This category sees a mixture of

the familiar and the novel. But our
pick of the bunch brings something
genuinely new to the class. We like
it for the fact that it puts so much
in a pocket-sized package - great
images, a really useful lens, ne
image quality and lots of controls.
Slow continuous shooting in raw
is a letdown compared to the best
of its peers, but for the user who
wants DSLR-level handling,
excellent image quality and a fast
lens with a good zoom range, the
Canon PowerShot G5 X is a very
sound choice.
BRIDGE CAMERA OF THE YEAR

Sony Cyber-shot DSC-RX10 II
DESPITE having the most confusing name of all camera types,
bridge cameras remain popular not only for their DSLR styling and
handling, but also for their capacity to offer long zoom ranges without
sacricing usability.
We think bridge cameras need to be ne all-rounders, and this years
winner exemplies that idea. The Sony RX10 II has superb image
quality, an excellent viewnder, and top-notch handling, with 4K video
recording being the icing on the cake.
Best of all, though, is its stunning

3.68-million-dot electronic
viewnder. This ties the whole
package together, making it a real
pleasure to use. Overall, we think
the Leica Q (Typ 116) is the best
digital camera the rm has made.
Nominees
Leica Q (Typ 116)
Sigma dp0 Quattro
Nominees
Panasonic Lumix DMC-FZ330
Sony Cyber-shot DSC-RX10 II
PREMIUM COMPACT SYSTEM CAMERA OF THE YEAR

Olympus OM-D E-M5 II
Nominees
Panasonic Lumix DMC-GX8
Sony Alpha 7 II
CAMERAS in the consumer and
enthusiast two categories are
frequently bought as a companion
to a DSLR, but these higher-end
models are unquestionably
considered replacements, and
represent the state of the art in
CSC design and innovation.
This is a hugely competitive
class, and one where all the
nominees bring something
different to the party. But our
winner, the Olympus OM-D
E-M5 II, combines sophisticated
5-axis in-body image stabilisation,
an excellent 2.36-million-dot
electronic viewnder, and an
extensive feature set in a stylish
weather-resistant body all at a
very attractive price. It may not
offer the very best raw image
quality in its class, but its still a
great camera to shoot with.
CONSUMER COMPACT
SYSTEM CAMERA
ENTHUSIAST COMPACT
SYSTEM CAMERA OF THE YEAR
Fujifilm X-A2
Fujifilm X-T10
COMPACT system cameras started out as an upgrade path for compact

users wanting something smaller and simpler than a DSLR. However,
theyve mostly evolved into DSLR alternatives that are just as complex as
the cameras they aim to replace except at this end of the CSC market,
where they have retained their original brief of simplicity and portability.
In the cut-throat entry-level market, its not easy to make a camera that
stands out from the crowd. But our favourite this year, the Fujilm X-A2,
combines good looks with excellent image quality, giving results straight
out of the camera that are among the best weve seen from any
entry-level CSC.
AT THIS level, CSCs start to get

more advanced customisation
options, better build quality and
electronic viewnders as standard.
One of the most strongly
contested classes this year sees
three very capable cameras
go head-to-head. Our winner
is the Fujilm X-T10, a
charismatic little camera that
looks good, handles well
and delivers excellent
results. Its a great
choice for enthusiast
photographers looking
for a lightweight
system camera.
Nominees
Fujifilm X-T10
Panasonic Lumix DMC-G7
Nominees
Canon EOS M3
Fujifilm X-A2
Panasonic Lumix DMC-GF7
51
AP AWARDS 2016
PREMIUM
DSLR CAMERA
OF THE YEAR
Canon EOS 5DS R
WHILE 2015 was a relatively quiet
year for new DSLRs, it would be
impossible to ignore this years
winner at any time. Its not only the
highest-resolution full-frame DSLR
available, with a 50.6-million-pixel
full-frame CMOS sensor, but its
also packed full of features to get
the sharpest possible images. From
a redesigned low-vibration mirror
mechanism to a sophisticated,
superbly accurate 61-point
autofocus system, everything
about the EOS 5DS R is dedicated
to recording the maximum
possible detail.
Based on the tried-and-tested
EOS 5D Mark III design, the
camera also offers superb
handling, with every key control
at your ngertips. The restricted
maximum sensitivity of ISO
12,800 and huge les mean that
its not a perfect all-rounder, but
despite this we described it in our
review as one of the most
impressive cameras weve seen.
Nominees
Canon EOS 5DS R
Nikon D7200
Pentax K-3 II
ACCESSORY
OF THE YEAR
Phottix Indra
TTL studio light
Nominees
Manfrotto 190 Go! tripod
Nissin Di700A flashgun
Phottix Indra TTL studio light
52
EVERY year AP tests hundreds of

accessories such as tripods, lters,
bags and lighting kit. Picking a
winner, or even a shortlist, from
such a diverse group of products
is always difcult.
This year, however, one
contender stood out. With
remarkable capability for its
size and price, its a product
that puts high-end studio
lighting within practical reach
of more photographers than
ever before. Boasting TTL
metering, high-speed sync
and 500W power
in a small, portable
on-location ash
kit, the Phottix
Indra offers all
the exibility
of ashguns,
but with a wealth of
modiers and more
powerful, better-quality light.
CONSUMER
DSLR CAMERA
OF THE YEAR
Pentax K-S2
LAST year we saw the main
players battling head-to-head in
this all-important category of
DSLRs aimed at beginners who
want to learn about photography.
The camera that stood out for us
in a very competitive group was
Nominees
Canon EOS 760D
Nikon D5500
Pentax K-S2
the Pentax K-S2. It combines an
excellent pentaprism viewnder,
class-leading handling with twin
electronic dials, excellent image
quality and useful in-body image
stabilisation. The result is a user
experience that belies its price.
FIXED FOCAL LENGTH

DSLR LENS OF THE YEAR
Can-n-EF-35---f/1.-L-II-U-M
THE PAST few years have seen
a trend towards top-performing
prime lenses that can match the
latest high-resolution sensors.
All three of the lenses on our
shortlist are exceptional and
innovative designs, but our winner
uses completely new Blue
Spectrum Refractive optic

technology to improve
substantially on its already stellar
predecessor. This brings stunning
sharpness with barely any
chromatic aberration. Its a large
expensive lens but the image
quality is beyond reproach.
Nominees
Canon EF 11-24mm f/4L USM
Nikon AF-S Nikkor 24-70mm f/2.8E ED VR
Tamron SP 15-30mm f/2.8 Di VC USD
ZOOM DSLR LENS OF THE YEAR

----n-AF-----------------f/-.8E-ED-VR
Nominees
Canon EF 35mm f/1.4L II USM
Sigma 20mm f/1.4 DG HSM Art
Tamron SP 45mm f/1.8 Di VC USD
ZOOM lenses were once seen as

the poor relations of prime optics,
but recently we have seen some
considerable improvements in
sharpness and overall quality,
although at the expense of size
and weight.
In 2015 we tested two stunning
new full-frame wideangles, but our
overall winner goes to an updated

version of one of the working
photographers most important
lenses. Theres no doubt that the
optical overhaul this lens has gone
through has certainly paid off,
and the very fast autofocus and
optical image stabilisation
only adds to its appeal.
FIXED FOCAL LENGTH

CSC LENS OF THE YEAR
--ny-FE-9----f/-.8-Mac---G-O-THIS year we decided to
acknowledge the consistently high
quality were seeing from CSC
lenses by giving them award
categories of their own.
In perhaps the single strongest
category of all, this year we tested
three exceptional short telephoto
lenses that all produce astonishing

images with minimal optical
aberrations. But for its outright,
no-holds-barred image quality,
our award goes to the remarkable
Sony FE 90mm f/2.8 Macro G
OSS probably the sharpest
lens weve ever tested.
Nominees
Fujifilm XF 16-55mm f/2.8 R LM WR
Olympus M.Zuiko Digital ED
40-150mm f/2.8 Pro
Sony FE 24-240mm f/3.5-6.3 OSS
ZOOM CSC LENS OF THE YEAR

Fuj-fi-l--XF-16-55---f/-.8-R-LM-WR
Nominees
Fujifilm XF 90mm f/2R LM WR
Sony FE 90mm f/2.8 Macro G OSS
Zeiss Batis 85mm f/1.8
DSLR users take the availability of

fast, professional-quality, zoom
lenses for granted, but CSC
manufacturers are now starting to
catch up. Recently weve tested a
number of outstanding examples.
The winner, however, combines
a build quality that makes it able to
withstand the harshest conditions

with incredible image quality
that asks for little sacrice in
comparison with the equivalent
primes. Its bulky and expensive,
but the Fujilm XF 16-55mm f/2.8
R LM WR is probably the best
CSC zoom weve seen yet.
53
AP AWARDS 2016
READER PRODUCT OF THE YEAR

Nikon D5500
EVERY year we invite members
of the Amateur Photographer
community to cast their votes for
their Product of the Year. This award
is particularly coveted by camera
makers because it is voted for by
their real-world users.
This year we harnessed the
awesome power of our 125,000
social media followers, and got more
votes than ever before, encouraged
by the lure of 500 worth of
vouchers from Digital Depot.
From a diverse and eclectic
shortlist, the winner by a wide margin
is a camera that targets aspirational
rst-time DSLR owners with an
excellent all-round package that
offers great value for money. Its
class-leading specication includes a
24.2-million-pixel DX-format sensor,
5fps continuous shooting, 39-point
autofocus and a fully articulated
touchscreen. The monocoque body
design allows for a sculpted grip that
feels great in your hand.
An engaging little camera thats
clearly won the hearts of its users,
the Nikon D5500 is a deserving
winner of this award.
SOFTWARE OF THE YEAR
INNOVATION OF THE YEAR
DxO Optics Pro
Sony 42.4-million-pixel BSI-CMOS

full-frame sensor
WITH the ever-increasing

use of tablets, the
boundaries between apps
and applications have
become rather blurred, and
this year AP decided to
consider all software as a
single category.
Currently, theres a lot
of high-quality software
available for all sorts of
purposes, but the bread and
butter for photographers is
still the high-quality raw
developer and image
processor. Despite strong
competition, theres still none
better than DxO Optics Pro.
It features optical corrections
tailored to each camera and
lens combination, classleading PRIME noise
reduction and superb
output image quality.
Overall, DxO Optics Pro is
excellent at its primary task:
getting the very best from
your raw images as quickly
and as easily as possible.
54
Nominees
Canon Blue Spectrum
Refractive optics
Leica 4.4-million-dot
EyeRes viewfinder
Sony 42.4-millionpixel BSI-CMOS
full-frame sensor
Nominees
DxO Optics Pro
PaintShop Pro
The Photographers Ephemeris
ACCORDING to the late

Steve Jobs, CEO of Apple,
innovation is what distinguishes a
leader from a follower, and the
photographic industry has
produced more innovation in the
past decade than almost any other:
This is always a difcult category
to judge due to the sheer diversity
of the shortlist. Canon employed
its new Blue Spectrum Refractive
optics to great effect on its
updated 35mm f/1.4 lens, virtually
eliminating chromatic aberrations.
The 4.4-million-dot EyeRes
electronic viewnder used in the

Leica SL is arguably the best
viewnder weve ever seen, and
surely a glimpse into the future.
But this years winner is the
worlds rst back-illuminated
full-frame sensor, which combines
astonishing resolution and
dynamic range with sophisticated
on-chip autofocus. Quite simply, it
denes a new state of the art.
PROFESSIONAL COMPACT SYSTEM CAMERA OF

THE YEAR AND AP PRODUCT OF THE YEAR
Sony Alpha 7R II
CSC Nominees
Leica SL (Typ 601)
Sony Alpha 7R II
Sony Alpha 7S II
AT THE rareed top end of the
market is a relatively new class
of hugely impressive full-frame
CSCs. These cameras can be,
and are, used professionally and
deliver results every bit as good
as professional DSLRs.
One camera, however, stood out
as the most technically innovative,
and highly acclaimed of the year,
offering exceptional image quality
from a truly remarkable backilluminated full-frame sensor. From
the moment it was announced, it
was clear that the Sony Alpha 7R II
was something out of the ordinary,
substantially improving on its
predecessor in almost every
imaginable way. As weve put it
through its paces over the course
of the year in several demanding
shooting situations, its continued to
impress us time and time again.
In resolution terms, its
42.4-million-pixel full-frame
sensor places it behind only the
Canon EOS 5DS R, but this isnt
the whole story by any means. The
sensor also delivers extraordinary
dynamic range, with raw images
showing astonishing malleability
in port-processing. High ISO
performance is extremely
impressive too, and the cameras
low-light shooting credentials are
further bolstered by in-body
stabilisation that works with

every lens. Lets not forget the
399-point autofocus with on-chip
phase detection, either.
In our review we said, If you bite
the bullet and buy this youll be the
proud owner of one of the nest
full-frame cameras available.
Because of this, the Sony Alpha
7R II is both our Professional
Compact System Camera of the
Year and the AP Product of the
Year for 2016.
55
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Technical
Support
E X PERT A DV ICE
I bought a Panasonic
Lumix DMC-TZ60 for its
720mm equivalent zoom
to take pictures of birds. Id like to
be able to see enough detail to
identify the birds, but this is not
happening.
To illustrate, see the photo of a
skylark probably below. The
rst image is a down-sampled
version of the in-camera JPEG to
give a sense of scale of the bird at
720mm before it ies away. The
second image is a full-resolution
section from top to bottom after
processing the raw le to maximise
detail and minimise artefacts.
The lark is in a eld of white
stones, but they are represented
as little rainbows. Ive measured
the stone lower right of the bird
and the spread between red and
blue is 12 pixels. Oddly, the spread
and order of colours is the same
at the top as at the bottom and
middle of the image. If the
problem were chromatic
aberration, the order of colours
would be inverted between top
and bottom, and the spread would
be greater at the edges. If fringing
were an interpolation artefact
from the Bayer sensor pattern, it
shouldnt be more than 1 pixel.
I know about tripods and 1/f
shutter speeds and dont believe
camera shake is the problem.
My proper camera takes slides
through prime lenses, so Im
used to high quality and wasnt
expecting the same quality from
an inexpensive compact. I was
T IP S
T RICK S
HACK S
KNOW- HOW
expecting better resolution than

Im getting, though. Do you think
this poor image quality is to be
expected from this grade of
camera or is it defective?
Martin Welbank
Having used a TZ60

on a few occasions, I
think your camera is
performing less well than it
should. Very small, long zooms
such as this arent renowned for
high quality, but even so this
looks below expectations. The
odd chromatic aberration in this
shot means the camera may
have a misaligned lens.
To be honest, though, I think
youre asking for a lot from such
a small zoom. From the EXIF
youre shooting at 1/125sec and
ISO 125, and I think the image
shows evidence of camera shake
because of this; youd probably
be better off increasing the ISO
by a stop or two. As the bird is
very distant and only around 50
pixels tall in the image le, youre
unlikely to pick out much detail
at this size on a small image
sensor. There are also potential
issues with haze and focus.
Finally, the bird is overexposed
and close to clipping to white.
So, your camera probably isnt
working as well as it should, but
even if it were, Im not convinced
youd get satisfactory results for
such a long shot. Youd probably
need a larger camera with a
longer lens, or a larger sensor.
Andy Westlake
Crop from centre
BOTH PICTURES MARTIN WELBANK
In-camera JPEG
TOM LATCHAM
Image-quality concerns
Email your questions to: apanswers@

timeinc.com, Twitter @AP_Magazine
and #AskAP, or Facebook.
Or write to Technical Support, Amateur
Photographer Magazine, Time Inc.
(UK), Blue Fin Building, 110 Southwark
Street, London SE1 0SU
Tom is fascinated
by using small
cameras to
freeze motion
Small and fast
I am fascinated by the way some small cameras can

capture so many frames in a single second. Please
could you advise on options to consider if I want a
frame rate of around 60fps or more, using a telephoto lens,
300mm or a full-frame equivalent? The set-up is designed
for freezing action, such as birds in ight.
Tom Latcham
If these are your requirements, then at rst sight

theres really only one choice the Nikon 1 system.
The latest models have hugely impressive specs:
for example, the 299 Nikon 1 J5 offers 60fps continuous
shooting at full resolution from its 20.8-million-pixel CX
format (1in) sensor. With its 2.7x crop, the matched 1 Nikkor
30-110mm f/3.8-5.6 lens offers an 80-300mm equivalent
range for just 180. On paper this appears to t your
requirements pretty well.
So whats the catch? Well, you wont get continuous
autofocus at 60fps, which youll need for shooting birds in
ight. For that, youll have to shoot at a rather slower (although
still very impressive) 20fps. Also, the 1 J5 has no electronic
viewnder, which is near-essential when shooting with long
lenses, and to get one youll need to buy the higher-end 1 V3,
which costs 750. Also, in practice, even a 300mm equivalent
lens is rather short for shooting birds in ight, and while
Nikon also makes the 1 Nikkor 70-300mm f/4.5-5.6 lens
(190-810mm equivalent), it costs 720. Alternatively, you
can use Nikon F-mount lenses, but this requires the 230
FT1 mount adapter, so the costs add up quickly.
Nikons 1-system cameras were originally designed for casual
users rather than serious photographers, and as a result even
the most recent models have simplied interfaces that can be
frustrating to use. However, if you can live with their quirks,
they can give impressive results. Indeed, some professional
sports photographers have been known to bolt them onto the
back of their long telephoto Nikkors to get unbeatable reach.
Andy Westlake
Martin Welbanks images taken with his Panasonic Lumix DMC-TZ60

57
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Technical Support
ANDY WESTLAKE
My life in
cameras
APs technical editor recalls his
camera-owning history as well the
decision behind his current kit of choice
Andy Westlake
2006
I owned a couple of the early

APS-C DSLRs, but was never
very happy with them, especially the limited
choice of properly matched lenses at the time.
The Canon EOS 5D took things to a different
level, with its full-frame sensor giving among the
highest resolution and best high ISO performance
for its time. I found I could
also shoot with shallow
depth of eld,
with the
Canon EF
100mm f/2
being one of
my favourite
lenses for
this purpose.
Andy joined Amateur

Photographer as
technical editor in
2014. In his previous
career he was a
research scientist,
which stood him in
good stead when he
joined dpreview.com
in 2007 to test
lenses and, later,
cameras. A landscape photographer at heart,
he still cant quite believe hes paid real money
to play with, and then write about, the latest
and greatest photographic kit.
Olympus 35RC
2010
Panasonic
Lumix DMC-GF1
This was the rst mirrorless

camera that really made sense to me. With its
20mm f/1.7 pancake lens, it reminded me of
the Olympus 35RC, giving near SLR-level
image quality and full manual control in a much
smaller size. My original aim was to
couple it with a few small primes, but
over time my
Micro Four
Thirds kit
grew. I still
have the
GF1, now
converted
to shoot in
infrared.
2015
2006
This was my rst digital camera,

bought for the princely sum of 650. I loved its
fast f/2-2.5 35-105mm equivalent zoom lens,
fully articulated screen and ability to shoot
raw les. Being able to adjust ISO on a
shot-by-shot basis was a revelation, even
though it maxed out
at just ISO
400. I
used it for
the shot
top right,
with an
infrared
lter over
the lens.
2001
Canon
PowerShot G2
2010
2001
1996
My rst camera was a Canon

EOS 1000 lm camera, but I
soon discovered I didnt want to carry an SLR all
the time so I added a couple of compact
cameras to my kit. One of my favourites was the
petite Olympus 35RC rangender with a sharp
42mm f/2.8 lens, which showed me the value
having a small camera that still
offered some
real creative
control. I
bought it
secondhand and
used it to
shoot black
& white lm.
2015
1996
Canon EOS 5D
Olympus
OM-D E-M5 II
My current personal camera is

a modern technological masterpiece, which I
bought soon after I reviewed it for AP, having
previously owned the original E-M5. It has
an excellent viewnder, superb in-body
image stabilisation that goes a long way to
making up for the relatively
small Four Thirds
sensor, and
it uses
small, highquality
lenses. I
doubt Ill
ever buy a
DSLR again.
BLAST FROM THE PAST
Mamiya C3
Ivor Matanle takes a
look at the still-reliable
Mamiya C3
LAUNCHED 1963
PRICE AT LAUNCH 99 19s 3d (99.96)
in Westminster Photographic
advertisement, AP 7 April 1965
GUIDE PRICE TODAY 160-200 with
80mm f/2.8 or 105mm f/3.5 lens
IN 1962/63, the announcement
of the crank-wind Mamiyaex
C3 eliminated the doubts of
photographers accustomed to
the crank wind of the Rolleiex
and suspicious of the knob-wind
Mamiyaex C2. The Mamiyaex
C3 added not only crank wind
but also automatic exposure
counter reset and doubleexposure prevention, neither of
which was present on a C2.
You still had to cock the shutter
manually after youd wound on
the lm a practice alien to the
Rolleiex user. The C3 also had
new styling and somehow looked
more professional than the
earlier cameras. The textured
rubber nish on the body is
virtually indestructible. A good
C3 is still a great camera capable
of excellent results.
Whats good High optical quality,

especially from the 100mm f/3.5
lens. Excellent range of
interchangeable lenses from
55-250mm.
Whats bad Need to cock the

shutter after winding on.
59
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Technical Support
Professor Newman on
Industrial
design
What messages are manufacturers sending
out with the visual styling of their new models?
ne side of product
development that
often seems to be
ignored is industrial
design. I frequently see comments
based on a tacit assumption that
the cameras we see today are
entirely the product of engineers.
In a world where the way a
product looks and feels probably
has as large an effect on its sales
success as its functionality, it would
be surprising if manufacturers did
not pay at least as much attention
to this aspect of a product as they
did to its internal engineering.
Recently I was looking in a shop
window where a Nikon D7000 was
displayed next to a D7100. When
placed side by side, the detailed
differences in the styling were very
apparent, with the D7100 faithfully
following the styling cues from the
D4, the more rounded look
compared to the D3 generation
with bevelled edges.
Looking at the new D500, it is
clear that the designers have tried
to ensure a family similarity to the
D5, which, in turn, has been
endowed with new styling cues to
differentiate it from the D4
generation. The most noticeable of

these is the scalloped edges of
the prism housing, and reduced
hunched shoulders than the
earlier camera, plus a more
pronounced top to the grip. In the
case of the D500, clearly what
was in the designers minds was
underlining the impression that
this is a mini D5, a message that
Nikons publicity has emphasised.
Heritage lines
Another message that seems to
be popular these days is making
a link to famous cameras of the
past. Nikon has played this game
with the Df, a camera that looks
like a swollen Nikon FE, while
Fujilm has made its mark with a
range of cameras unashamedly
echoing classic SLRs and
rangender cameras. Olympus
has double dipped this trend.
First, it styled its rst series of
electronic viewnder compactsystem cameras making obvious
reference to its famous OM range
of lm SLRs, underlining this

by giving the cameras the
designation OM-D. Now, with its
latest offering, Fuji has revived
another old Olympus name, the
Pen-F. To date, Olympus has used
the name Pen for its line of
cameras that rely on the rear
LCD as a viewnder. The Pen-F
has a built-in eye-level electronic
viewnder.
It has been styled to resemble
the Olympus Pen-F of 1963,
Olympuss rst SLR camera, made
when Olympus was still exclusively
a half-frame camera company.
The Pen-F had a number of
unusual features, one of which was
a Porro-prism viewnder, which
lacked the usual SLR hump.
Olympus re-used this idea for
the E-300 DSLR. The new
Pen-F, with its electronic
viewnder, has no prism, but the
humpless look contrasts nicely
with the pentaprism hump so
carefully recreated in the
OM-D series.
The latest
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More great
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More technique
More opinion
More inspiration
Download online,
enjoy ofine
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Olympus has recently
revived the styling of its
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Try it today
www.amateurphotographer.
co.uk/digital-edition
Bob Newman is currently Professor of Computer Science at the University of Wolverhampton. He has been working with the design and development of
high-technology equipment for 35 years and two of his products have won innovation awards. Bob is also a camera nut and a keen amateur photographer
61
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CANON 580 EX MKII SPEEDLITE........................................... MINT-CASED 225.00
CANON WFT - E4 II WIRELESS FILE TRANSMITTER..............MINT BOXED 199.00
FUJI X-E1 BODY ONLY ...........................................................MINT BOXED 195.00
FUJI X10 COMPLETE WITH ACCESSORIES.............................MINT BOXED 195.00
FUJI X20 COMPLETE WITH ACCESSORIES & CASE...............MINT BOXED 245.00
FUJI 18mm f2 R FUJINON BLACK LENS ................................MINT BOXED 245.00
SAMYANG 100mm f2.8 ED MACRO FOR FUJI X....................MINT BOXED 199.00
FUJI 60mm f2.4 R MACRO FUJINON AS NEW .......................MINT BOXED 295.00
FUJI 16-55mm f2.8 R LM WR FUJINON LENS AS NEW.........MINT BOXED 545.00
FUJI MCEX-16 EXT TUBE FOR FUJI X...................................................NEW 49.00
FUJI NP-W126 BATTERY.......................................................................NEW 35.00
FUJI EF-42 FLASHGUN FOR X PRO1 ....................... MINT BOXED AS NEW 139.00
FUJI RR-90 REMOTE RELEASE .............................................................NEW 25.00
FUJI FIT FC-E3 OFF CAMERA FLASH CORD..........................................NEW 12.00
NIKON D800 BODY ONLY 2307 ACTUATIONS ................................MINT- 1,075.00
NIKON D610 BODY NEW UNREGISTERED........................................NEW 895.00
NIKON D600 BODY COMPLETE ONLY 3011 ACTUATIONS .....MINT BOXED 799.00
NIKON D2X BODY ONLY 17354 ACTUATIONS COMPLETE .....MINT BOXED 495.00
NIKON D3200 BODY & 18-55mm VR MK II LENS & GRIP..................MINT 245.00
NIKON D3100 BODY & 18-55 VR LENS..............................................MINT 199.00
NIKON D5100 BODY WITH 18-55 VR LENS............................MINT BOXED 295.00
NIKON D200 BODY COMPLETE ONLY 3899 ACTUATIONS .............. MINT - 199.00
NIKON D80 BODY COMPLETE WITH ALL ACCESS ............................MINT- 165.00
NIKON D80 BODY COMPLETE WITH ALL ACCESS .............................EXC+ 145.00
NIKON D70S BODY COMPLETE WITH ALL ACCESS .............. MINT-BOXED 129.00
NIKON SB700 SPEEDLIGHT..................................... MINT BOXED AS NEW 199.00
NIKON SB600 SPEEDLIGHT...............................................................MINT- 125.00
SIGMA EM-140 DG NA - ITTL MACRO FLASH .......................MINT BOXED 225.00
SIGMA EF 610 DG SUPER FLASH NIKON FIT ...........................MINT BOXED 95.00
SIGMA EF-530 DG ST ELECTRONIC FLASH ITTL NIKON FIT....MINT BOXED 75.00
OLYMPUS E-PL5 WITH 14-42 LENS COMPLETE....................MINT BOXED 175.00
OLYMPUS 12mm F2 ZUIKO DIGITAL ED MICRO 4/3RDS...................MINT 399.00
OLYMPUS 45mm F1.8 M ZUIKO DIGITAL MICRO 4/3RDS .................MINT 125.00
OLYMPUS 60mm F2.8 MACRO M ED MICRO 4/3RDS........................MINT 275.00
PANASONIC 45-75mm F4/5.6 LUMIX G X VARIO M 4/3RDS.............MINT 219.00
PANASONIC 100-300mm f4.0/5.6 LUMIX G VARIO M 4/3rdsMINT BOXED 295.00
SIGMA 10-20mm F4/5.6 DC EX HSM OLYMPUS 4/3RDS...... MINT+HOOD 245.00
OLYMPUS 50mm F2 MACRO ZUIKO DIGITAL ED 4/3RDS......MINT CASED 365.00
OLYMPUS 70 - 300mm F4/5.6 ZUIKO DIGTAL ED 4/3RDS................MINT 225.00
OLYMPUS EC-20 TELECONVERTER FOR 4/3RDS...................MINT CASED 245.00
OLYMPUS EX - 25 EXTENSION TUBE 25MM............................MINT CASED 95.00
OLYMPUS HLD-4 BATTERY GRIP FOR E3 BODY..................................MINT 99.00
OLYMPUS HLD-5 BATTERY GRIP FOR E620 BODY..............................MINT 39.00
OLYMPUS HLD-6 BATTERY GRIP FOR OMD-EM5..................MINT BOXED 145.00
OLYMPUS FL-14 FLASH UNIT ...............................................EXC++ BOXED 69.00
OLYMPUS FL- 40 FOR OLYMPUS DIGITAL...............................MINT BOXED 59.00
PANASONIC LUMIX DMC-GM1 16Mp WITH BATT & CHGR ..............MINT- 145.00
PANASONIC LUMIX DMC FZ200 COMPLETE ALL ACCESS ....MINT BOXED 225.00
PANASONIC GF1 BODY COMPLETE......................................... MINT-BOXED 95.00
PANASONIC GF2 BODY COMPLETE WITH ALL ACCESS.........MINT BOXED 145.00
LEICA 14 - 50 D f2.8/3.5 LUMIX VARIO ELMARIT 4/3rds .................MINT 199.00
SIGMA 30mm F2.8 DN MICRO 4/3RDS..................................MINT BOXED 115.00
SIGMA 60mm f2.8 DN ART LENS..........................................EXC++ BOXED 79.00
SONY DSC-HX90V COMPLETE VERY LOW USE......................MINT BOXED 275.00
SONY DT 30mm F2.8 MACRO SAM LENS..............................MINT BOXED 115.00
SIGMA 1.4 APO EX DG TELECONVERTER FOR SONY.............MINT BOXED 125.00
SONY ALPHA HVL-F36AM FLASH GUN ..................................MINT CASED 129.00
Canon Autofocus, Digital Lenses, Canon FD
CANON AUTOFOCUS, DIGITAL LENSES, CANON FD
CANON EOS 1 BODY.............................................................................EXC+ 99.00

CANON EOS 1N BODY.........................................................................EXC+ 145.00
CANON 16 - 35mm f2.8 USM L MK 2 ................................MINT BOXED 875.00
CANON 17 - 40mm F4 USM L WITH HOOD ....................... MINT-CASED 375.00
CANON 17 - 40mm F4 USM L WITH FILTER ......................MINT BOXED 399.00
CANON 24 - 70mm F2.8 USM L MKI................... MINT BOXED AS NEW 695.00
CANON 24 - 105mm f4 USM L IMAGE STABILIZER........EXC++ CASED 445.00
CANON 28 - 80mm f2.8/4 USM L.....................................EXC++CASED 375.00
CANON 28 - 300mm f3.5/5.6 USM L IMAGE STABILIZERMINT-BOXED 1,275.00
CANON 70 - 200mm f4 USM L IMAGE STABILIZER......................MINT- 645.00
CANON 70 - 200mm f2.8 USM L IS IMAGE STABI MK1 ....MINT CASED 875.00
CANON 70 - 200mm f2.8 USM L........................................MINT BOXED 745.00
CANON 100 - 400mm f4 USM L IS IMAGE STABILIZER ....MINT BOXED 799.00
CANON 14mm f2.8 USM L................................................. MINT-BOXED 795.00
CANON 300mm f4 USM L IMAGE STABILIZER...................MINT CASED 799.00
CANON 400mm f5.6 USM L WITH HOOD & CASE ..............MINT BOXED 745.00
CANON 15mm f2.8 EF FISHEYE .............................. MINT BOXED AS NEW 379.00
CANON 28mm f2.8 E/F.......................................................................MINT 195.00
CANON 50mm f1.4 USM.........................................................MINT BOXED 195.00
CANON 50mm f1.8 MARK 1 (VERY RARE NOW)................................MINT 135.00
CANON 50mm f1.8 MK II.....................................................................MINT- 59.00
CANON 60mm f2.8 USM MACRO LATEST..............................MINT BOXED 265.00
CANON 85mm f1.8 USM.........................................................MINT BOXED 195.00
CANON 100mm f2 USM.....................................................................MINT- 265.00
CANON 100mm f2 USM...................................................................EXC++ 225.00
CANON 17 - 55mm f2.8 USM IMAGE STABILIZER............................MINT- 399.00
CANON 17 - 55mm f2.8 USM IMAGE STABILIZER + HOOD...MINT BOXED 425.00
CANON 17 - 85mm f4/5.6 IMAGE STABILIZER......................MINT BOXED 169.00
CANON 18 - 55mm f3.5/5.6 MK II .......................................................MINT 59.00
CANON 18 - 200mm f3.5/5.6 EF-S IMAGE STABILIZER........ MINT+HOOD 299.00
CANON 28 - 105mm f3.5/4.5 USM ....................................................MINT 145.00
CANON 28 - 135mm f3.5/5.6 USM IMAGE STABILIZER ........MINT BOXED 179.00
CANON 70 - 300mm f4.5/5.6 USM DO IMAGE STABILIZER . MINT-BOXED 495.00
CANON 75 - 300mm f4.5/5.6 USM MKII............................................MINT 129.00
CANON 100 - 300mm f4/5.6 USM ......................................................MINT- 95.00
CANON EF25 II EXTENSION TUBE ............................................MINT BOXED 79.00
KENCO DG CANON FIT TUBE SET 12,20,36MM........................MINT BOXED 99.00
CANON EF 1.4X EXTENDER MK I........................................................MINT 159.00
CANON EF 1.4X EXTENDER MK II ..........................................MINT CASED 185.00
CANON EF 2.0X EXTENDER MK I............................................MINT BOXED 175.00
CANON EF 2.0X EXTENDER MK II ..........................................MINT BOXED 185.00
CANON EF 2.0X EXTENDER MK II ..........................................MINT CASED 179.00
KENCO DG CANON FIT TUBE SET 12,20,36MM...................................MINT- 99.00
KENCO TELEPLUS PRO 300 DGX 2.0 TELECONVERTER.........MINT BOXED 159.00
TELEPLUS MC7 7 ELEMENT 2X TELECONVERTER..............................MINT- 75.00
TELEPLUS 2X CONVERTER CANON A/F...............................................MINT- 45.00
CANON ST-E2 SEEDLITE TRANSMITTER................................MINT BOXED 125.00
CANON 540 EZ FLASH + INST..................................................MINT BOXED 69.00
CANON 540 EZ FLASH + INST................................................ MINT- CASED 59.00
CANON 420 EZ FLASH..............................................................MINT CASED 39.00
CANON ANGLE FINDER B .........................................................MINT BOXED 79.00
CANON ANGLE FINDER C .........................................................MINT BOXED 99.00
CANON LC3 TRANSMITTER AND RECIEVER.........................................MINT 99.00
SIGMA 4.5mm f2.8 EX DC HSM CIRCULAR FISHEYE.............MINT CASED 475.00
SIGMA 10mm f2.8 EX DC FISHEYE HSM ...............................MINT BOXED 345.00
SIGMA 17 - 35mm f2.8/4 EX HSM APHERIC ....................................MINT- 179.00

SIGMA 150 - 500mm f5.6/6.3 DG HSM OS STABILISER ...... MINT-BOXED 475.00
SIGMA 170 - 500mm f5/6.3 APO COMP WITH HOOD........... MINT-BOXED 299.00
TAMRON 14mm f2.8 SP ASPHERICAL WIDE ANGLE .............MINT CASED 345.00
TAMRON 10-24 f3.5/4.5 A/F SP LD Di ASPHERIC VR ...........MINT BOXED 225.00
TAMRON 28 - 300mm f3.5/6.3 I/F LD DI ASP VIB CONTROLMINT BOXED 375.00
TOKINA 10 -17mm f3.5/4.5 ATX DX FISHEYE (LATEST) ...................MINT 299.00
Contax G Compacts & SLR & Ricoh
CONTAX G COMPACTS AND SLR & RICOH
CONTAX G2 BODY ................................................................EXC++BOXED 365.00

CONTAX G2 BODY ...........................................................................EXC++ 345.00
CONTAX TIX TITANIUM COMPACT + LEATHER CASE............MINT CASED 299.00
CONTAX 21mm f 2.8 BIOGON BLACK WITH FINDER .............MINT BOXED 499.00
CONTAX 21mm f2.8 BIOGON WITH FINDER...........................MINT BOXED 499.00
CONTAX 28mm F2.8 BIOGON G + HOOD,CAP....................MINT BOXED 275.00
CONTAX 45mm f2 PLANNAR G BLACK + B&W FILTER.....MINT BOXED 295.00
CONTAX 90mm f2.8 SONNAR G BLACK +B&W FILTER.....MINT BOXED 245.00
CONTAX 90mm f2.8 SONNAR G + HOOD,FILTER,CAP.......MINT CASED 195.00
CONTAX 35 - 70mm f3.5/5.6 G VARIO-SONNAR T*...........MINT BOXED 395.00
CONTAX TLA 140 FLASH FOR G1/G2.......................................MINT CASED 65.00
CONTAX TLA 200 FLASH FOR G1/G2.......................................MINT CASED 69.00
CONTAX TLA 200 FLASH FOR G1/G2 BLACK...........................MINT BOXED 79.00
CONTAX GD1 DATABACK FOR CONTAX T3............................. MINT-BOXED 69.00
CONTAX FIT YASHICA 28MM F2.8 SUPERB CONDITION .....................MINT 65.00
CONTAX 45mm F2.8 TESSAR T* PANCAKE LENS + HOOD ...............MINT 195.00
CONTAX 300mm F4 TELE TESSAR AE..............................................MINT- 295.00
CONTAX 28 - 70mm F3.5/4.5 VARIO SONNAR T* MM ..........MINT BOXED 295.00
CONTAX TLA 280 FLASH.....................................................................MINT- 95.00
Leica M, R & Screw & Rangfinders
LEICA M , R , & SCREW & RANGEFINDER
LEICA M7 BLACK BODY LATE MODEL ................................MINT BOXED 1,295.00

LEICA M6 TTL BLACK 0.72 WITH STRAP..........................................MINT- 999.00
LEICA M6 J WITH ELMARIT M ANNIVERSARY SET ............MINT BOXED 3,250.00
LEICA M2 BODY COMPLETE WITH INST BOOK..................... MINT-BOXED 795.00
LEICA M2 BODY WITH CASE................................................EXC++CASED 595.00
LEICA M3 BODY...............................................................................EXC++ 399.00
LEICA MDA BODY SER NO 12659XX CIRCA 1970.............................MINT- 425.00
LEICA MDA BODY SER NO 14111XXCIRCA 1975-76......................EXC++ 399.00
LEICA IIIg BODY WITH LEICA 5cm f2.8 COLL ELMAR ....... MINT-CASED 1,195.00
LEICA II & 50MM F2 NICKEL ELM (FROM A COLLECTION).........EXC++ 365.00
LEICA IIF RED DIAL BODY (FROM A COLLECTION)................ EXCX+++ 245.00
LEICA IIIA STANDARD WITH 5CM F2 COLL SUMMITAR...............EXC+++ 365.00
LEICA III BODY REALLY NICE CLEAN BODY WITH CASE..................MINT- 295.00
LEICA IIIC BODY WITH CASE...........................................................EXC++ 195.00
LEICA IIIC RED BLIND RARE ...........................................................EXC++ 345.00
LEICA CL BODY .................................................................................MINT- 445.00
LEICA C LUX 2 COMPLETE ALSO LEATHER CASE..................MINT BOXED 299.00
ZEISS 21mm F4.5 BIOGON ZM................................ MINT BOXED AS NEW 699.00
LEICA 16,18,21mm F4 ASPH M TRI-ELMAR 6 BIT LATESTMINT BOXED 2,475.00
LEICA 21mm F4 SUP ANGULON + M ADAP + FINDER....MINT IN KEEPER 895.00
LEICA 28mm f2.8 ELMARIT ASPHERIC 6 BIT (UNUSED) MINT BOXED 1,095.00
LEICA 35mm F2 SUMMICRON ASPH BLACK 6 BIT LATESTMINT BOXED 1,495.00
LEICA 35mm f2 SUMMICRON .............................................MINT BOXED 1,095.00
LEICA 35mm f3.5 SUMMARON M WITH LEICA FILTER ....................MINT- 325.00
LEICA 35mm f3.5 SUMMARON M WITH SPECS................................MINT- 395.00
LEICA 50mm f1.4 SUMMILUX M BLACK.........................................EXC++ 895.00
LEICA 50mm f2 SUMMICRON BLACK 11826.........................MINT BOXED 895.00
LEICA 50mm f2 SUMMICRON 6 BIT LATEST ......................MINT BOXED 1,095.00
LEICA 50mm f2 SUMMICRON CHROME SER NO 36301## .... MINT+HOOD 995.00
LEICA 50mm f2 SUMMICROM CHROME 11816...... MINT BOXED AS NEW 799.00
LEICA 50mm f2 SUMMICRON BLACK COMP WITH HOOD.....MINT BOXED 850.00
LEICA 50mm f2 SUMMICRON CHROME M FIT..............................EXC+++ 575.00
LEICA 50mm f2 SUMMICRON CHROME M FIT...................................MINT 595.00
LEICA 50mm f2 CLOSE FOCUS SUMM + SPECS ............................EXC++ 595.00
LEICA 50mm f2.5 SUMMARIT M LATEST 6 BIT...... MINT BOXED AS NEW 745.00
LEICA 5cm F3.5 COLLAPSABLE ELMAR FOR M 13339## ................MINT- 299.00
LEICA 5cm f3.5 ELMAR RED SCALE ...............................................MINT-- 345.00
LEICA 90mm f2.8 ELMARIT M 11807 ..................... MINT BOXED AS NEW 799.00
LEICA 90mm f2.5 SUMMARIT M 6 BIT LATEST + HOOD.......MINT CASED 875.00
LEICA 9cm, f4 ELMAR COLL FOR M .................................................MINT- 175.00
LEICA 135mm f4.5 HEKTOR.................................................................EXC+ 75.00
VOIGTLANDER BESSA T 101ST ANNIV HELIAR SET BLUE.....MINT BOXED 795.00
VOIGTLANDER BESSA R2 LEICA M MOUNT BLACK...........................MINT 295.00
VOIGTLANDER BESSA R BODY BLACK ..................................MINT BOXED 195.00
VOIGTLANDER 15mm f4.5 S/WIDE + M MOUNT+ FINDER................MINT 299.00
VOIGTLANDER 25mm f4 SNAPSHOT SKOPAR + FINDER ......MINT BOXED 275.00
VOIGTLANDER 35mm f1.2 NOKTON + HOOD M ASPHERIC..............MINT- 595.00
VOIGTLANDER 35mm f1.4 NOKTON CLASSIC M MOUNT ......MINT BOXED 395.00
VOIGTLANDER 35mm f1.7 ULTRON+LEICA M MOUNT......................MINT 275.00
VOIGTLANDER 50mm f1.5 NOKTON + LEICA M RING ...........MINT BOXED 375.00
VOIGTLANDER 15mm FINDER.............................................................MINT- 79.00
VOIGTLANDER BESSA R GRIP FOR R,R2,R3 ETC.....................MINT BOXED 49.00
LEICA UNIVERSAL POLARING FILTER KIT M(13356).............MINT BOXED 199.00
LEICA M GRIP FOR M7/M6/M6TTL ETC..............................................MINT- 49.00
LEICA 35mm F2.8 SUMMARON SCREW L39.....................................MINT- 499.00
LEICA 35mm F3.5 SUMMARON SCREW............................................MINT- 299.00
LEICA 5cm F1.5 SUMMARIT SCREW ................................................MINT- 365.00
LEICA 5mm F2.8 COLLAPSIBLE ELMAR SCREW ..............................MINT- 299.00
LEICA 5cm F2 SUMMARIT SCREW ......................................MINT-KEEPER 299.00
LEICA 5cm F2 SUMMITAR COLL + M MOUNT...............EXC++IN KEEPER 275.00
LEICA 135mm F2.8 ELMARIT M WITH SPECS..................................MINT- 299.00
LEICA 135mm F4.5 HEKTOR + HOOD M MOUNT..............................EXC++ 99.00
LEICA 135mm F4.5 HEKTOR IN KEEPER.......................................EXC+++ 199.00
LEICA FIT DALLMEYER 13.5CM F4.5 DALRAC..............................EXC+++ 375.00
LEICA 90mm F4 ELMAR BLACK SCREW.........................................EXC++ 145.00
LEICA 135mm F4.5 HEKTOR + HOOD SCREW ..................................EXC++ 99.00
LEICA SF20 FLASH FOR M6 etc...............................................MINT BOXED 89.00
LEICA SF24D FLASH...............................................................MINT BOXED 189.00
LEICA FONOR BLACK RANGEFINDER.................................... MINT-CASED 175.00
LEICA WINDER M4-2 FOR M4 ETC........................................ MINT-BOXED 145.00
LEICA R7 BLACK BODY ......................................................... MINT-BOXED 225.00
LEICA R5 BODY BLACK .....................................................................MINT- 225.00
LEICAFLEX BODY CHROME ...............................................................MINT- 195.00
LEICA 28mm f2.8 ELMARIT R LENS 3 CAM......................................MINT- 215.00
LEICA 50mm F2 SUMMICRON ROM LENS 11345................. MINT-BOXED 445.00
LEICA 60mm f2.8 MACRO ELMARIT.................................................MINT- 299.00
LEICA 180mm F4 ELMARIT R 3 CAM..............................................EXC++ 345.00
LEICA MOTORWINDER AND STRAP FOR R6 ETC...................MINT BOXED 145.00
SWAROVSKI EL RANGE 10x42 RANGEFINDER BINOS .......NEW UNUSED 1,795.00
Medium & Large Format
MEDIUM & LARGE FORMAT
HASSELBLAD 500CM BLACK BODY WITH 80mm T*........................MINT- 595.00

HASSELBLAD 500CM CHROME BODY WITH 80mm T*.....................MINT- 595.00
HASSELBLAD 50mm f4 DISTAGON T* BLACK.......................MINT BOXED 345.00
HASSELBLAD 150mm f4 SONNAR T* ....................................MINT BOXED 299.00
HASSELBLAD 150mm f4 SONNAR T* CfI...............................MINT BOXED 499.00
HASSELBLAD 250mm f5.6 T* ................................................MINT BOXED 275.00
HASSELBLAD PM 45 ..............................................................MINT BOXED 265.00
HASSELBLAD PM 90 ..............................................................MINT BOXED 225.00
HASSELBLAD VFC-6 METERED PRISM..................................MINT BOXED 175.00
HASSELBLAD A12 BACK CHROME.........................................MINT BOXED 129.00
BRONICA 45mm F4 RF LENS FOR RF645 WITH FINDER .......MINT BOXED 325.00
BRONICA 50mm F2.8 ZENZANON MC.............................................EXC+++ 99.00
BRONICA 110mm F4 MACRO LENS PS.............................................MINT- 295.00

BRONICA 150mm F3.5 ZENZANON E MC.................................MINT BOXED 99.00
BRONICA 150mm F3.5 ZENZANON E MC.............................................MINT 89.00
BRONICA 150mm F4 E........................................................................MINT- 89.00
BRONICA ETRSI 120 BACK.......................................................MINT BOXED 69.00
BRONICA POLAROID BACK FOR ETRSI, ETRS ETC ..................MINT BOXED 59.00
BRONICA AEII METERED PRISM ..........................................................EXC+ 75.00
BRONICA PLAIN PRISM FOR ETRS/ETRSI............................................MINT 75.00
BRONICA PLAIN PRISM FOR ETRS/ETRSI.........................................EXC++ 59.00
BRONICA ROTARY PRISM FINDER FOR ETRS, ETRSI ETC..................MINT- 75.00
BRONICA SPEEDGRIP FOR ETRS/ETRSI..............................................MINT- 45.00
BRONICA MOTOR WINDER E...........................................................EXC+++ 89.00
BRONICA 150mm F3.5 ZENZANON S................................................MINT- 165.00
BRONICA SQ-B COMPLETE WITH LENS, BACK & WLF ......... MINT-BOXED 345.00
BRONICA 50mm f3.5 PS LENS & CASE ................................ MINT-BOXED 199.00
BRONICA 65mm F4 ZENZANON PS FOR SQ.......................... MINT-CASED 145.00
BRONICA 110mm F4 PS ZENZANON MACRO FOR SQ .......... MINT-CASED 365.00
BRONICA 150mm F4 PS ZENZANON FOR SQ........................ MINT-CASED 145.00
BRONICA 180mm f4.5 PS LENS & CASE .............................. MINT-BOXED 199.00
BRONICA PRISM ME METERED FOR SQA/SQAI..................................MINT- 89.00
BRONICA SPEED GRIP FOR SQA/SQAI................................................MINT- 69.00
MAMIYA 6 BODY ...............................................................................MINT- 775.00
MAMIYA 6 MF WITH 75mm f3.5 LENS VIRTUALY UNUSED...............MINT 875.00
MAMIYA 150mm F4.5 G WITH HOOD.................................MINT BOXED 365.00
MAMIYA 43mm F4.5 WITH FINDER & HOOD FOR 7/7II.........MINT BOXED 799.00
MAMIYA 150mm F4.5 WITH HOOD FOR 7/7II........................MINT BOXED 395.00
MAMIYA 150mm F4.5 + HOOD FOR MAMIYA 7/7II...........................MINT 425.00
MAMIYA 180mm F4.5 SEKOR Z W FOR RZ........................................MINT 199.00
MAMIYA 250mm F4.5 LENS FOR RZ ................................................MINT- 195.00
MAMIYA 150mm F3.5 A/F FOR 645 A/F............................................MINT 299.00
MAMIYA 210mm F4 SEKOR C FOR 645.................................MINT CASED 195.00
MAMIYA 180mm F4.5 SEKOR FOR RB...............................................MINT 169.00
MAMIYA 220 BACK FOR RZ 67...........................................................MINT- 95.00
PENTAX 6x7 WITH METERED HEAD & 90mm LENS .........................MINT- 475.00
PENTAX 55mm F3.5 TAKUMAR SMC FOR 6X7.................................MINT- 195.00
PENTAX 135mm f4 MACRO TAKUMAR SMC FOR 6x7 ......................MINT 175.00
PENTAX 200mm F4 FOR PENTAX 67 + FILTER AND HOOD .............MINT- 199.00
PENTAX 55mm F4 SMC FOR 6X7 ......................................................MINT 175.00
PENTAX 55mm F2.8 FOR PENTAX 645..................................MINT BOXED 199.00
ROLLEIFLEX SCHNEIDER 150MM F4.6 MAKRO FOR 6008................MINT- 575.00
WISTA TYPE N 4X5 MOUNT ROLL FILM HOLDER FOR 6X7 .... MINT-BOXED 75.00
YASHICAMAT 124G FIT SUN TELE ADAPTOR KIT....................MINT CASED 55.00
Nikon Auto-Focus, Digital Lenses & Accessories
NIKON AUTO-FOCUS , DIGITAL LENSES & ACCESSORIES
NIKON F5 BODY COMPLETE WITH STRAP & MANUAL ......... MINT-BOXED 375.00
NIKON F100 BODY................................................................. MINT-BOXED 125.00
NIKON F100 BODY SLIGHT STICKY GRIP............................................MINT- 99.00
NIKON 10.5mm F2.8 G IF-ED AF DX FISHEYE LENS..........MINT BOXED 425.00
NIKON 20mm f2.8 A/F D ....................................................MINT BOXED 295.00
NIKON 50mm f1.8 AIS SERIES E..........................................................MINT 59.00
NIKON 50mm F1.8 A/F........................................................................MINT- 69.00
NIKON 50mmF1.8 A/F D...................................................... MINT-BOXED 79.00
NIKON 50mm F1.8 G AF-S LENS........................................MINT BOXED 129.00
NIKON 50mm f1.4 A/F D ....................................................MINT BOXED 195.00
NIKON 60mm F2.8 A/F D........................................................MINT BOXED 225.00
NIKON 60mm F2.8 G ED AF-S MICRO NIKKOR..................MINT BOXED 275.00
NIKON 105mm f2.8 A/F MICRO NIKKOR............................................MINT 295.00
NIKON 300mm F4 D IF-ED AF-S AS NEW........... MINT BOXED AS NEW 845.00
NIKON 12 - 24mm F4 G IF-ED AF-S DX.............................MINT BOXED 495.00
NIKON 16 - 85mm F3.5/5.6 G DX ED AF-S VR ... MINT BOXED AS NEW 299.00
NIKON 16 - 85mm F3.5/5.6 G DX ED AF-S VR ..................MINT CASED 289.00
NIKON 16 - 80mm f2.8-4 G ED DX AF-S VIBRATION RED.....MINT BOXED 699.00
NIKON 17 - 55mm F2.8 F2.8 G IF-ED AF-S + HOOD......... MINT-CASED 465.00
NIKON 17 - 55mm F2.8 F2.8 G IF-ED AF-S + HOOD........ MINT- BOXED 499.00
NIKON 18 - 70mm f3.5/4.5 G IF ED AF-S + FILT + HOOD.............MINT 125.00
NIKON 18 - 105mm f3.5/5.6 DX ED AF-S VR ........................ MINT+HOOD 129.00
NIKON 18 - 200mm f3.5/5.6 G IF/ED AF-S VR....................MINTBOXED 275.00
NIKON 24 - 70mm F2.8 G IF - ED AF-S .............. MINT BOXED AS NEW 899.00
NIKON 24 - 120mm f3.5/5.5 A/F D ...............................................MINT- 175.00
NIKON 24 - 85mm f3.5/4.5 ED AF-S VR LATEST...................MINT BOXED 295.00
NIKON 28 - 300mm f3.5/5.6 G ED AF-S VR LATEST .............MINT BOXED 499.00
NIKON 35 - 105mm f3.5/4.5 A/F WITH MACRO.................................MINT 129.00
NIKON 35 - 135mm f3.5/4.5 A/F + HOOD.........................................MINT- 129.00
NIKON 55 - 200mm f4/5.6 IF-ED DX AF-S VR...................................MINT 115.00
NIKON 55 - 200mm f4/5.6 IF-ED DX AF-S...............................MINT BOXED 89.00
NIKON 70 - 200mm f2.8 IF-ED AF-S VR MK II LATEST......MINT BOXED 1,195.00
NIKON 75 - 300mm F4.5/5.6 A/F D WITH HOOD + CASE.... MINT- BOXED 125.00
NIKON 70 - 300mm f4.5/5.6 G IF-ED AF-S VR ..................MINT BOXED 315.00
NIKON 80 - 400mm F4 D ED AF VIB RED VR.....................MINT BOXED 695.00
NIKON TC17E MKII 1.7X TELECONVERTER............................MINT BOXED 225.00
NIKON TC20E AF-1 2.0X TELECONVERTER........................... MINT-BOXED 129.00
NIKON TC20E II AF-S TELECONVERTER............................................MINT- 195.00
NIKON TC20E III AF-S TELECONVERTER LATEST MKIII.........MINT BOXED 265.00
TAMRON 1.4X A/F D TELECONVERTER NIKON FIT ..............MINT BOXED 69.00
SIGMA 30mm F1.4 EX DC HSM NIKON FIT............. MINT BOXED AS NEW 199.00
SIGMA 50mm F2.8 MACRO EX A/F D ................................MINT BOXED 145.00
SIGMA 105mm f2.8 EX MACRO .............................................MINT CASED 175.00
SIGMA 12 - 24mm F4.5/5.6 EX DG HSM II LATEST MODEL..MINT BOXED 445.00
SIGMA 15 - 30mm F3.5/4.5 EX DG ASPHERICAL & HOOD....MINT BOXED 199.00
SIGMA 17 - 35mm F2.8/4 EX ASHERICAL...........................EXC++BOXED 159.00
SIGMA 50 - 500mm F4.5/6.3 DG HSM OPT/STAB O/S......... MINT-BOXED 699.00
SIGMA 70 - 200mm F2.8 MKII APO EX DG MACRO ..............MINT BOXED 395.00
SIGMA 135 - 400mm F4.5/5.6 D APO.........................................EXC++ 275.00
SIGMA 150 - 500mm f5.6/6.3 DG HSM OS STABILISER .......MINT BOXED 485.00
TAMRON 17 - 50mm F2.8 XR DI II VC WITH MOTOR ............MINT BOXED 265.00
TAMRON 18 - 200mm F3.5/6.3 IF ASPHERIC XR DI II ............MINT BOXED 89.00

TAMRON 28 - 75mm f2.8 IF SP XR Di MACRO + HOOD...................MINT- 195.00
TAMRON 28 - 300mm F3.5/6.3 I/F LD DI ASPHERIC VC....... MINT+HOOD 299.00
TAMRON 55 - 200mm F4/5.6 LD MACRI DI II .........................MINT BOXED 99.00
TOKINA 12 - 24mm F4 IF DX ASPHERICAL AT-X PRO .......... MINT+HOOD 299.00
TOKINA 16 - 50mm F2.8 ASPHERICAL AT-X PRO DX ...........MINT BOXED 275.00
TOKINA 300mm f2.8 AT-X SD PRO WITH HOOD...............................MINT- 595.00
Nikon Manual
NIKON MANUAL
NIKON F3 HP BODY SUPERB CONDITION.............................. MINT-CASED 395.00

NIKON F3 BODY...............................................................................EXC++ 275.00
NIKON F3 HP BODY .........................................................................EXC++ 199.00
NIKON F2A BLACK BODY BODY............................................ MINT-BOXED 365.00
NIKON F2 PHOTOMIC BODY CHROME...............................................MINT- 275.00
NIKON F PHOTOMIC T WITH 50mm f2 NIKON LENS.......................EXC++ 250.00
NIKON F APOLLO PHOTOMIC FTN WITH 50mm f1.4.....................MINT- 399.00
NIKON FM2n WITH MF16 DATABACK...............................................MINT- 245.00
NIKON FM2N BLACK BODY .............................................................EXC++ 195.00
NIKON FM2N CHROME ......................................................................MINT- 199.00
NIKON FE2 BODY CHROME .............................................................EXC++ 145.00
NIKON FE2 BLACK BODY.................................................................EXC++ 145.00
NIKON FE CHROME BODY .................................................................MINT- 125.00
NIKON FA CHROME BODY ..................................................... MINT-BOXED 195.00
NIKKORMAT FT2 CHROME BODY....................................................MINT-- 165.00
NIKON F3 CF 20 BERGUNDY CASE FOR F3.........................................MINT- 69.00
NIKON 20mm f2.8 AIS.......................................................................MINT- 295.00
NIKON 24mm F2.8 AIS......................................................................MINT- 195.00
NIKON 28mm f2 AIS..........................................................................MINT- 250.00
NIKON 28mm F2.8 AIS......................................................................MINT- 165.00
NIKON 28mm F3.5 AIS...........................................................MINT BOXED 125.00
NIKON 35mm f2 AIS..........................................................................MINT- 195.00
NIKON 45mm F2.8 GN NIKKOR .........................................................MINT- 199.00
NIKON 55mm F1.2 AI .........................................................................MINT 365.00
NIKON 50mm F1.8 AIS SER E .............................................................MINT- 59.00
NIKON 50mm f1.4 AI.........................................................................MINT- 159.00
NIKON 50mm f1.4 AIS........................................................................MINT 195.00
NIKON 55mm F2.8 MICRO NIKKOR AIS ............................................MINT- 159.00
NIKON 85mm F1.4 AIS...........................................................MINT CASED 575.00
NIKON 85mm f2 AIS SUPERB PORTRAIT LENS .................................MINT 225.00
NIKON 105mm F1.8 AIS................................................................EXC+++ 299.00
NIKON 105mm F1.8 AIS SUPERB LENS .............................................MINT 375.00
NIKON 105mm F2.8 AIS MICRO NIKKOR ...............................MINT BOXED 395.00
NIKON 105mm F2.8 AIS MICRO NIKKOR ...........................................MINT 325.00
NIKON 105mm F4 AIS MICRO NIKKOR .............................................MINT- 275.00
NIKON 200mm F4 AIS MICRO NIKKOR ................................EXC+++CASE 295.00
NIKON 200mm F4 NIKKOR Q................................................... MINT-CASED 95.00
NIKON 200mm F5.6 MEDICAL NIKKOR + POWER PACK .......MINT BOXED 475.00
NIKON 500mm F8 MIRROR LENS WITH FILTER SET .............MINT CASED 299.00
NIKON 28 - 85mm f3.5/4.5 AIS SUPRB MANUAL ZOOM..................MINT- 165.00
NIKON 35 - 70mm F3.3/4.5 ZOOM NIKKOR MACRO AIS..................MINT- 169.00
NIKON 35 - 105mm F3.5/4.5 AIS ZOOM MACRO...................MINT BOXED 195.00
NIKON 35 - 105mm F3.5/4.5 AIS ZOOM MACRO............................EXC++ 139.00
NIKON 35 - 135 F3.5/4.5 AIS ............................................................MINT- 149.00
NIKON 35 - 135 F3.5/4.5 AIS .............................................................EXC+ 125.00
NIKON 43 - 86mm F3.5 AI ZOOM......................................................EXC++ 69.00
NIKON 75 - 150mm F3.5 SERIES E ZOOM TELEPHOTO......................MINT- 75.00
NIKON PK13 AUTO EXTENSION RING...................................... MINT-BOXED 55.00
NIKON PK12 AUTO EXTENSION RING................................................EXC++ 49.00
NIKON PK11 AUTO EXTENSION RING...................................................MINT 49.00
NIKON TC 200 CONVERTER..................................................................MINT 69.00
NIKON SB 16 FLASH FOR F3/FM2/FM3/FE/FE2................................EXC++ 99.00
NIKON SB 16 FLASH FOR F3.............................................................EXC++ 65.00
Olympus Manual
OLYMPUS MANUAL
OLYMPUS OM2SP SPOT BODY COMP WITH CASE ...................EXC+CASED 99.00

OLYMPUS OM2 BLACK.........................................................................EXC+ 99.00
OLYMPUS OM2 BODY CHROME ............................................ MINT-BOXED 110.00
OLYMPUS 21mm f2 ZUIKO SUPERB LENS.........................................MINT 595.00
OLYMPUS 28mm f2 ZUIKO................................................................MINT- 195.00
OLYMPUS 28mm F2.8 ZUIKO.................................................EXC++BOXED 55.00
OLYMPUS 28mm F3.5 ZUIKO.................................................. MINT-CASED 39.00
OLYMPUS 35mm F2.8 SHIFT CONTROL PC LENS..............................MINT 345.00
OLYMPUS 35mm F2.8 ZUIKO..............................................................MINT- 69.00
OLYMPUS 50mm F1.8 ZUIKO...................................................MINT BOXED 55.00
OLYMPUS 50mm F1.8 ZUIKO...............................................................MINT 45.00
OLYMPUS 50mm F3.5 MACRO..........................................................MINT- 129.00
OLYMPUS 90mm f2 ZUIKO SUPERB LENS.........................................MINT 675.00
OLYMPUS 135mm f2.8 ZUIKO..................................................MINT BOXED 95.00
OLYMPUS 135mm F3.5 ZUIKO................................................ MINT-CASED 49.00
OLYMPUS 200mm f4 ZUIKO................................................................MINT- 89.00
OLYMPUS 300mm f4.5 ZUIKO............................................... MINT-BOXED 199.00
OLYMPUS 28 - 48mm F4 ZUIKO ............................................EXC++BOXED 69.00
OLYMPUS 35 - 70mm F3.5/4.5 ZUIKO.................................................MINT 89.00
OLYMPUS 35 - 70mm F4 ZUIKO .........................................................MINT- 75.00
OLYMPUS 75-150mm F4 ZUIKO...........................................................MINT 69.00
OLYMPUS EXT TUBE 14mm, 25mm....................................................MINT- 55.00
OLYMPUS VARIMAGNI FINDER ................................................MINT BOXED 59.00
We urgently require your used photographic equipment. We have

customers waiting for: Nikon, Canon, Leica, Contax, Bronica,
Hasselblad and most other makes of camera lenses, accessories,
binoculars and collectables. We will buy for cash from you, or we
are happy to sell on your behalf on a commission basis. Best prices
paid. We can arrange collection and even call and collect and pay
on the spot if necessary anywhere in the UK.
Visitors are welcome, please phone for an appointment. PO Box 1052, Cottenham, Cambridge, CB24 8WU
Visit our state of the art

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Experts in photography
MEGA
PIXELS
Pre-order the Canon EOS 80D

and be in with a chance to WIN a
VIP trip to the British Grand Prix!
7 FPS
Nikon D500
20.9
MEGA
PIXELS
10051200
Nikon D5
20.8
MEGA
PIXELS
10 FPS
Body SRP
TBC
4K
4K
Pre-order to receive one of

the rst in the UK! Expected March.
See website for details
12 FPS
100153
102400 P O I N T
AF
ISO
ISO

UK stock
!
W
NE
24.2
Competitive low pricing

!
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Canon EOS 80D
Unbeatable stock availability
Body SRP
1,729.00

Canon EOS 5D Mark III
Canon EOS 5Ds
Nikon D750
Nikon D810
Body only
Body only
Body only
Body only
50.6
24.3
MEGA
PIXELS
MEGA
PIXELS
22.3
HD
MEGA
PIXELS
6 FPS
In stock at
6.5 FPS
In stock at
in stock at
3.2
36.3
3.2
MEGA
PIXELS
7 FPS
In stock at
HD
HD
2,178
2,699
1,396
2,349
Add a Canon BG-E11 battery grip

for only 225.00
See website for a special oer available when

purchasing the Canon EOS 5Ds!
Add a Nikon MB-D16 batt. grip

for only 229.00
Add a Nikon MB-D12 batt. grip

for only 284.00
Canon EOS M10
Canon EOS M3
Canon EOS 700D
Nikon D5500
Nikon D7200
Nikon D610
18.0
24.2
18.0
24.1
24.2
24.2
MEGA
PIXELS
MEGA
PIXELS
MEGA
PIXELS
MEGA
PIXELS
Body Only
+ 15-45 IS STM
See Web
See Web
+ 18-55 IS STM Viewnder kit
See Web
Add a Canon EF-M 55-200mm

f/4.5-6.3 IS STM for only 245.00
See web
Add a Canon LP-E17 spare

battery for only 44.00
+ 18-55 IS STM
Our price
+ 18-55mm
379.00
449.00
499.00
569.00
FREE Canon 100EG Gadget bag

worth 39.99! 21.01.16 - 28.02.16
Canon EOS 760D
Canon EOS 5DSR
24.2
24.2
50.6
MEGA
PIXELS
MEGA
PIXELS
MEGA
PIXELS
Body Only
+ 18-55 IS STM
459.00
529.00
5 FPS
Body Only
549.00

worth 39.99! 21.01.16 - 28.02.16
See website
for lenses

worth 39.99! 21.01.16 - 28.02.16
20.2
MEGA
PIXELS
NEW & EXPECTED

MAY 2016
Body Only
3,199.00
See website
for lenses
Add a Canon BG-E11 battery grip

for only 225.00
Pre-order and with your
camera youll receive
a FREE SanDisk 64GB
Extreme PRO CFAST
2.0 Memory card and a
FREE Reader / Writer!
3.2
16 FPS
4K
Add a Nikon EN-EL14a spare

83x
MEGA
PIXELS
6 FPS
Our price
+ 18-105mm
749.00
888.00
Add a Nikon MB-D15 battery

grip for only 229.00
549.00
1,209.00
625.00
629.00
463.00
369.00
1,379.00
245.00
495.00
1,295.00
255.00
429.00
139.00
185.00
244.00
275.00
109.00
140.00
1,135.00
368.00
369.00
+ 24-85 VR
999.00
1,499.00
Add a Nikon MB-D14 battery

grip for only 199.00
Prices updated DAILY!

See www.parkcameras.com/ap for details.
NIKON LENSES
AF-G 10.5mm f/2.8G ED DX
AF-D 14mm f/2.8D
AF-D 16mm f/2.8D Fisheye
AF-S 20mm f/1.8G ED
AF-D 20mm f/2.8
AF-D 24mm f/2.8D
AF-S Nikkor 24mm f/1.4G
AF-D 28mm f/2.8
AF-S 28mm f/1.8G
AF-S 35mm f/1.4G
35mm f/2 AF Nikkor D
AF-S 35mm f/1.8G ED
AF-S 35mm f1.8G DX
AF-S 40mm f/2.8G ED
AF 50mm f/1.4D
AF-S 50mm f/1.4G
AF-D 50mm f/1.8
AF-S 50mm f/1.8G
AF-S 58mm f/1.4G
AF-D 60mm f/2.8 Micro
AF-S 60mm f/2.8G Micro ED
5 FPS
Body Only
AF-S 85mm f/3.5G DX

375.00
AF-S 85mm f/1.8G
349.00
AF-S 85mm f/1.4G
1,149.00
AF-S 105mm f/2.8G VR
619.00
AF-DC 105mm f/2 Nikkor
805.00
AF-D 135mm f/2.0D
1,029.00
AF-D 180mm f/2.8 IF ED
695.00
AF-D 200mm f/4D IF ED
1,179.00
AF-S 200mm f/2G ED VR II 4,099.00
AF-S 300mm f/2.8G ED VR II 3,999.00
AF-S 300mm f/4 D IF-ED 1,029.00
AF-S 300mm f/4E PF ED VR 1,639.00
AF-S 400mm f/2.8 FL ED VR 10,399.00
AF-S 500mm f/4G ED VR
5,849.00
AF-S 500mm f/4E FL ED VR 8,149.00
AF-S 600mm f/4G ED VR
6,899.99
AF-S 600mm f/4E FL ED VR 9,649.00
AF-S 800mm f/5.6E FL ED VR 13,994.00
AF-S 10-24mm f/3.5-4.5G
639.00
AF-S 12-24mm f/4 G IF-ED
859.00
AF-S 14-24mm f/2.8G ED 1,315.00
AF-S 16-35mm f/4G ED VR 829.00

AF-S 16-80mm f/2.8-4E ED VR 869.00
AF-S 16-85mm f/3.5-5.6G
429.00
AF-S 17-35mm f/2.8 IF ED 1,499.00
AF-S 17-55mm f/2.8G DX
979.00
AF-S 18-35mm f/3.5-4.5G
519.00
AF-S 18-105mm VR
204.00
AF-S 18-140mm ED VR DX
459.00
AF-S 18-200mm ED DX VR II 569.00
AF-S 18-300mm f/3.5-5.6 VR 549.00
AF-S 24-70mm f/2.8G ED 1,199.00
AF-S 24-85mm VR
399.00
AF-S 24-120mm f/4G ED VR 749.00
AF-S 28-300mm ED VR
659.00
AF-S 55-200mm f/4-5.6G VR II 229.00
AF-S 70-200mm f/2.8 VR II 1,579.00
AF-S 70-200mm f/4.0 ED VR 899.00
AF-S 70-300mm IF ED VR
406.00
AF-D 80-400mm ED VR
939.00
AF-S 80-400mm ED VR
1,799.00
AF-S 200-400mm VR II
4,899.00

CANON LENSES
14mm f/2.8L II USM
20mm f/2.8 USM
24mm f/1.4L Mk II USM
24mm f/2.8 IS USM
EF-S 24mm f/2.8 STM
28mm f/1.8 USM
28mm f/2.8 IS USM
35mm f/1.4L USM
35mm f/1.4L II USM
35mm f/2.0 IS USM
40mm f/2.8 STM
50mm f/1.2 L USM
50mm f/1.4 USM
50mm f/1.8 II
50mm f/1.8 STM
50mm f/2.5 Macro
EF-S 60mm f/2.8 Macro
MP-E 65mm f/2.8
85mm f/1.2L II USM
85mm f/1.8 USM
100mm f/2 USM
100mm f/2.8 USM Macro
100mm f/2.8L Macro IS
135mm f/2.0L USM
MEGA
PIXELS
Body Only
Canon EOS 750D

5 FPS
83x
Body SRP
5,199.99
1,529.00
385.00
1,199.00
455.00
129.00
379.00
389.00
989.00
1,799.99
399.00
129.00
995.00
237.00
88.00
107.00
201.00
314.00
853.00
1,499.00
237.00
358.00
373.00
635.00
699.00
180mm f/3.5L USM

200mm f/2.0L IS USM
200mm f/2.8L USM/2
300mm f/2.8L USM IS II
300mm f/4.0L USM IS
400mm f/2.8L USM IS II
400mm f/4.0 DO IS II
400mm f/5.6L USM
500mm f/4.0L IS MK II
600mm f/4.0L IS MK II
800mm f/5.6L IS USM
TSE 17mm f/4.0L
TSE 24mm f/3.5L II
TSE 45mm f/2.8
TSE 90mm f/2.8
8-15mm f/4L Fisheye USM
EF-S 10-18mm IS STM
EF-S 10-22mm f/3.5-4.5
EF 11-24mm f/4L USM
EF-S 15-85mm f/3.5-5.6 IS
16-35mm f/2.8L II USM
16-35mm f/4.0L IS USM
17-40mm f/4.0L USM
EF-S 17-55mm f/2.8 IS USM
1,049.00
4,399.00
569.00
4,799.00
959.00
7,698.00
6,999.00
889.00
6,899.00
8,895.00
9,899.00
1,599.00
1,479.00
1,099.00
1,124.00
915.00
189.00
410.00
2,799.00
531.00
1,064.00
721.00
549.00
532.00
EF-S 18-55 IS ll (No packaging) 79.00

EF-S 18-135mm IS STM
329.00
EF-S 18-200mm f/3.5-5.6 385.00
24-70mm f/2.8L II USM 1,400.00
24-70mm f/4.0L IS USM
699.00
24-105mm f/4.0L IS USM 749.00
24-105mm (White Box)
729.00
24-105mm f/3.5-5.6 IS STM 375.00
28-300mm f/3.5-5.6L IS
1,795.00
EF-S 55-250mm f/4-5.6 IS STM 225.00
70-200mm f/2.8L IS II USM 1,499.00
70-200mm f/2.8L USM
945.00
70-200mm f/4.0L IS USM 805.00
70-200mm f/4.0L USM
459.00
70-300mm f/4.0-5.6 IS
368.00
70-300mm f/4.0-5.6L IS USM 904.00
70-300mm DO IS USM
1,118.00
75-300mm f/4.0-5.6 III
188.00
75-300mm f/4.0-5.6 III
219.00
100-400mm L IS USM II 1,899.00
200-400mm f/4.0L USM
8,598.00
1.4x III Extender
314.00
2x III Extender
302.00
EF 12II Extension Tube
79.99
Your Life in HD
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RedenedPhotobookQuality
ThehdbookPoweredbyCanon
availablewhenyoubuyany
CanonLSerieslens
from
39.99
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Oer available by calling

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visiting us in store.
Applicable between
19.02 & 29.02.16
subject to status
NEW
Meet the a6300 - the
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For a rst-look review, visit blog.parkcameras.com!

Sony a7 II
Sony a7R II
24.3
42.4
MEGA
PIXELS
IS
MEGA
PIXELS
Body Only
+28-70mm
1,179
1,649
.00
.00
Add a Sony NP-FW50 spare

169.00
679.00
949.00
199.00
618.00
969.00
629.00
259.00
4K
120 FPS
NOW IN STOCK at 2,599!!

See online for full details
NOW IN STOCK at 2,499!!

See online for full details
Add the Sony VG-C2EM grip for

only 279* when bought with
12 months interest free credit

available when ordering the a7S II

SONY LENSES
ESeries
16mm f/2.8 Pancake
24mm f/1.8 ZA Carl Zeiss
24mm f/2.0 Carl Zeiss T*
50mm f/1.8 OSS
55mm f/1.8 FE Sonnar T* ZA
90mm F2.8 Macro G FE OSS
10-18mm f/4 OSS
16-50mm f/3.5-5.6 OSS
Sony a7S II
4K
16-70mm f/4G ZA OSS

725.00
18-200mm f/3.5-6.3 P. Zoom 849.00
24-70mm f/4 FE Vario-Tessar T* 805.00
24-240mm f/3.5-6.3 FE OSS
749.00
28-70mm f/3.5-5.6 FE OSS
449.00
28-135mm f/4 G FE PZ OSS 1,899.00
55-210mm f/4.5-6.3 OSS
239.00
70-200mm f/4 G FE OSS
999.00
AlphaSeries
30mm f/2.8 SAM 1:1 Macro DT 150.00
35mm f/1.8 DT
149.00
50mm f/1.4 Carl Zeiss
1,099.00
11-18mm f4.5-5.6 DT
509.00
16-35mm f/2.8 Carl Zeiss T* 1,399.00
24-70mm f/2.8 II Carl Zeiss T*1,799.00
55-200mm f4.0-5.6 SAM DT
179.00
70-200mm f/2.8 G SSM II
2,199.00
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NEW
NEW
Expected
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20.3
MEGA
PIXELS
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the rst in the UK!
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IS
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The K-1 features a 36.4 megapixel full-frame

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IS
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Olympus OMD EM10 II Olympus OMDEM5 II
Pentax K-50
Pentax K-3 II
Pentax 645z
+ 1442mm II
Body Only
16.2
24.3
51.4
16.0
16.1
HD
MEGA
HD
IS
MEGA
P I X E L S 10 FPS
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P I X E L S 8.5 FPS
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MEGA
PIXELS
649
769
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Olympus E-M10
Olympus E-M1
16.1
16.3
24.2
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Twin lens kit
349.00
499.00
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339.00
375.00
849.00
989.00
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699.00
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Leica T (typ 701)
Leica D-LUX (typ 109)
16.5
16.8
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PIXELS
+ 12-50mm
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Add a Pentax D-Li109 spare

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Olympus 300mm
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NEW!
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83x
83x
Our price
1,099.00
MEGA
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Available in
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Personalise your Leica T with a

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In stock at 779.00
16.0
20.1
16.2
20.3
100
16.0
100
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949
Add the MS2E

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704
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Panasonic LUMIX GX7 Panasonic FZ330

16.0
50
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ELS
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399
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GH1720FQR
SafariBirding
Head
SRP229.95
GH2780QD
Centre Ball
CentreBall
Head
309
GT1540F
Safari Mountaineer
Tripod

Sigma 50mm
f/1.4 DC HSM (Art)
Sigma 10-20mm
f/3.5 EX DC HSM
Add a Leica BP-SCL2 spare

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For the Leica range of

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see in store or visit
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cashback
Body only
Panasonic 100-400mm
LEICA f/4.0-6.3
cashback
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100
MEGA
PIXELS
cashback
Body only
HD
Visit us in store or online

for our latest price
Also available in sold gray for

825. See in store or online.
Leica X-U (typ 113)
cashback
Leica M 240
MEGA
PIXELS
Leica V-LUX (typ 114)
Body only
+ 24-85 VR
1,499.00
24
83x
4x
Panasonic LUMIX GH4 Panasonic LUMIX GX8 Panasonic LUMIX G7

MEGA
PIXELS
Body Only
5,999.00
FREE 55mm lens when you buy

a 645Z body! Ends 29.02.16
Sigma 150-600mm
f/5-6.3 DG OS HSM | Contemporary
Even more Gitzo Tripods

GK1542-80QD Mountaineer
GK1380VQR Vintage Tripod
GK2542-80QD Mountaineer
GT1542T 4 Section Traveller
GK2580TQD Traveller
GT2531S2 EX Explorer
GT2540LLVL Leveller
GT2541EX S2 6x Explorer
809
679
899
449
549
459
500
519
See in store or online for even

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See the full range of Tamron lenses in store or online.
Tamron 35mm
f/1.8 Di VC USD
Tamron 16-300mm
f/3.5-6.3 Di II VC PZD
Tamron 70-300mm
f/4-5.6 Di LD Macro
In stock at 579.00
In stock at 329.00
In stock at 739.00
In stock at 469.99
In stock at 385.00
In stock at 89.99
Add a Sigma 77mm DG MC UV

lter for only 19.99
Add a Sigma 82mm WR UV

lter for only 69.99
Add a Sigma 95mm protector

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4.5mm f/2.8 Fisheye EX DC

599.00
8mm f/3.5 Circ. Fish EX DG
599.00
15mm f/2.8 Diag F/eye EX DG 499.00
19mm f/2.8 DN
119.00
20mm f/1.4 DG HSM
629.00
24mm f/1.4 DG HSM
599.00
30mm f/1.4 DC HSM Canon 299.00
30mm f/2.8 DN
119.00
35mm f/1.4 DG HSM
599.00
50mm f/1.4 DG HSM (Art)
579.00
60mm f/2.8 DN
119.00
85mm f/1.4 EX DG HSM
619.00
105mm f/2.8 EX DG OS HSM 329.00
150mm f/2.8 OS Macro
649.00
180mm f/2.8 EX DG OS HSM 1,099.00
300mm f/2.8 APO EX DG

2,199.00
500mm f/4.5 APO EX DG
3,599.00
800mm f/5.6 APO EX DG HSM 4,299.00
8-16mm f/4.5-5.6 DC HSM
499.00
10-20mm f/4-5.6 EX DC
279.00
12-24mm f/4.5-5.6 II DG HSM 529.00
17-50mm f/2.8 DC OS HSM
279.00
17-70mm f/2.8-4 DC OS
319.00
18-35mm f/1.8 DC HSM
549.00
18-200mm f/3.5-6.3 DC OS HSM 249.00
18-250mm DC Macro OS HSM 279.00
18-300mm f/3.5-6.3 DC Macro 349.00
24-35mm f/2 DG HSM Art
699.00
24-70mm f/2.8 IF EX DG
549.00
24-105mm f/4 DG OS HSM
599.00
50-500mm f/4.5-6.3 OS HSM 849.00

70-200mm f/2.8 OS
729.00
70-300mm f/4.0-5.6 APO Macro 149.00
120-300mm f/2.8 DG OS HSM 2,499.00
150-500mm f/5.0-6.3 DG OS 494.99
150-600mm f/5-6.3 DG | S 1,199.00
200-500mm f/2.8 EX DG
12,999.00
300-800mm f/5.6 EX DG HSM5,499.00
1.4x Teleconverter APO EX DG 179.00
1.4x Teleconverter TC1401
229.00
2.0x Teleconverter APO EX DG 199.00
2.0x Teleconverter TC2001
269.00
USB Dock
39.99

See the full range of Samyang lenses in store or online.
XEEN 24mm
T1.5 Cine
Samyang 14mm
f/2.8
Samyang 8mm
f/3.5 Fisheye
In stock from 1,440.00

In stock from 239.00

In stock from 239.00

See website for full details
FREE Samyang lter holder and

ND8 lter worth 76.98!
See website for full details
Visit our website for full details on all the Sigma lenses, as well as special deals on lters!
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Fujilm X Series Lenses
X-T10
Body499+16-50XC549 +18-55XF724
X-E2s
+18-55
749
10-24mm f4
14mm f2.8
16mm f1.4 WR
18mm f2
23mm f1.4
27mm f2.8
35mm f1.4
35mm f2 WR
56mm f1.2
56mm f1.2 APD
60mm f2.4 MACRO
90mm f2 WR
16-55mm f2.8
18-55mm
18-135mm
50-230mm
55-200mm
50-140mm f2.8
1.4x XF TC WR
ZeissTouit50mmf2.8Macro
687
607
687
359
607
292
367
299
687
899
405
617
699
425
557
289
467
1037
329
499
LESS 80
Trade in
bonus
X-T1Body 805
X-T1 + 18-55 1049
X-T1 +18-135 1079
X-Pro2 Body 1349
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Aether
Collapsible Ring
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Gives shadowless
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69
NewPEN-F
Digital.
+14-42PZ
1099
Body 769
EM-5II +12-50mm1049
Available in
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Deals available
with any lens choice
Mitros
Plus
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329
Selection of stocked lenses.

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849
17mm f1.8
349
25mm f1.8
279
45mm f1.8
179
60mm f1.2 MACRO
349
75mm f1.8
639
9-18mm f4-5.6
458
12-50mm f3.5-6.3 Unboxed 189
12-40mm f2.8 PRO
699
40-150mm f4-5.6
149
40-150mm f2.8
1099
40-150mm f2.8 + 1.4x
1249
75-300mm f4.8-6.7
349
Kitinc.
Head,battery,Cables,bag&
reflecter
StandardBowens
fitting,
Indra
Pro360
779
Portablebattery
poweredstobe
withbuiltin
transceiverto
workwithany
Phottixtransmitter.
Olympus UK
Free grip from
EM-1 Body 849 +12-40 f2.8 1049
EM-10 Mk2+14-42
649
EM-10 Mk2 +14-42 + 40-150 749
ww
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Bronica ETRS/Si
ETRS Complete + AE Prism ...........................................................E+ 239
ETRS Complete + Prism .................................................................E+ 229
ETRS Body Only ...............................................................................E+ 59
ETR Body Only..................................................................................E+ 79
30mm F3.5 PE Fisheye.................................................................E++ 589
45-90mm F4-5.6 PE ...........................................................E++ 399 - 449
50mm F2.8 PE...............................................................................E++ 159
70-140mm F4.5 PE .......................................................................E++ 599
150mm F3.5 E....................................................... As Seen / E+ 29 - 109
150mm F3.5 PE.......................................................... E+ / E++ 119 - 149
150mm F4 E......................................................................................E+ 49
180MM F4.5 PE...............................................................................E+ 159
200mm F4.5 E........................................................ E+ / Unused 89 - 199
200mm F5.6 E.................................................................................E++ 89
250mm F5.6 E..................................................... As Seen / E++ 79 - 129
250mm F5.6 PE.................................................................................E+ 99
120 E Mag .........................................................................................E+ 35
120 Ei Mag ......................................................................................E++ 59
220 E Mag .........................................................................................E+ 15
Polaroid Mag E.........................................................................E+ / E++ 25
AEII Meter Prism ...............................................................................E+ 59
Rotary Finder E .............................................................. E+ / E++ 69 - 75
Extension Tube E14 ................................................. E+ / Unused 29 - 79
Motorwinder Ei...................................................................................E+ 59
Pro Shade E ......................................................................................E+ 25
Bronica GS1
GS1 Complete + AE Prism...................................................E+ 389 - 449
250mm F5.6 PG ............................................................................E++ 199
GS 120 Magazine..............................................................................E+ 39
Polaroid Mag G............................................................... E+ / E++ 25 - 39
Bronica SQA/Ai/B
SQB Complete + Grip......................................................................E+ 299
135mm F4 PS................................................................................E++ 229
150mm F4 PS............................................................... E+ / E++ 99 - 129
250mm F5.6 S...............................................................................E++ 149
500mm F8 S....................................................................................E+ 299
AE Prism Finder S.............................................................................E+ 79
CDS MF Finder S ............................................................Exc / E+ 49 - 59
Prism Finder S..........................................................................As Seen 29
Prism Finder SQAi............................................................................Exc 49
Proshade S..................................................................E++ / Mint- 29 - 39
SQA 120 Mag....................................................................................E+ 39
SQA 220 Mag....................................................................................E+ 15
SQA 220J Mag ..................................................................................E+ 75
SQAi 120 Mag ..............................................................E++ / Mint 59 - 79
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Canon EOS
EOS 1V Body Only..........................................................................E+ 329
EOS 1 + E1 Booster .................................................................As Seen 79
EOS 1 Body Only ..............................................................................E+ 89
EOS 3 Body Only ..............................................................................E+ 99
EOS 30 Body Only ...............................................................E++ 69 - 119
EOS 30 Date Body Only....................................................................E+ 69
EOS 30E Body Only.................................................................As Seen 39
EOS 30V Body Only..........................................................................E+ 59
EOS 5 + VG10 Grip..................................................................E+ 49 - 59
EOS 5 Body Only ..............................................................................E+ 59
EOS 50E + 500mm F8 ......................................................................E+ 29
EOS 50E + BP50 Grip............................................. As Seen / E+ 25 - 69
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EOS RT Body Only............................................... E++ / Unused 59 - 149
10-22mm F3.5-4.5 EFS...........................................E++ / Mint- 269 - 299
14mm F2.8 L USM .........................................................................Exc 589
14mm F2.8 L USM II ...........................................E+ / Mint- 1,099 - 1,289
15-85mm F3.5-5.6 IS USM......................................... E+ / E++ 289 - 299
16-35mm F2.8 L USM MKII.............................................. Mint- 789 - 799
17-40mm F4 L USM ..................................................Exc / E++ 269 - 329
17-55mm F2.8 EFS IS USM...............................................E++ 349 - 379
17-85mm F3.5-5.6 IS USM......................................... E+ / E++ 129 - 149
17-85mm F4-5.6 IS USM..........................................................As Seen 99
18-200mm F3.5-5.6 IS EFS.............................................................E+ 229
22mm F2 STM................................................................................Mint- 89
24mm F1.4 L USM .......................................................................Mint- 699
24mm F2.8 EF................................................................................Exc 139
24mm F2.8 IS USM......................................................................Mint- 299
24mm F3.5 L TSE ...................................................... E+ / E++ 649 - 699
24mm F3.5 L TSE MkII..............................................................Mint- 1,099
24-70mm F2.8 L USM ...................................................................E++ 689
24-70mm f2.8 L USM II .............................................................Mint- 1,199
24-70mm F4 L IS USM.................................................................Mint- 489
24-85mm F3.5-4.5 USM..................................................................E+ 128
24-105mm F4 L IS USM............................................. E+ / E++ 349 - 429
28mm F2.8 EF...................................................................................E+ 99
28mm F2.8 IS USM......................................................................Mint- 279
28-80mm F2.8-4 L USM..................................................................E+ 349
28-105mm F3.5-4.5 USM II...........................................................E++ 129
35-350mm F3.5-5.6 L USM.........................................Exc / E+ 499 - 549

40mm F2.8 STM.............................................................................Mint- 99
45mm F2.8 TS-E ...........................................................................E++ 849
50mm F1.0 L USM ....................................................................Mint- 2,999
50mm F1.2 L USM .............................................................E++ 799 - 889
50mm F1.4 USM .......................................................E+ / Mint- 179 - 199
50mm F1.8 EF Mk1....................................................E+ / Mint 119 - 129
50-200mm F3.5-4.5 EF L ........................................................ Unused 169
55-200mm F4.5-5.6 USM................................................................E++ 59
55-200mm F4.5-5.6 USM II.............................................................E++ 69
55-250mm F4-5.6 EFS IS.......................................................E++ 89 - 99
55-250mm F4-5.6 IS STM............................................................Mint- 149
60mm F2.8 EFS Macro ...................................................................E+ 239
70-200mm F2.8 L IS USM II.......................................................E++ 1,149
70-200mm F4 L IS USM.....................................................E++ 579 - 599
70-200mm f4 L USM .................................................E+ / Mint- 299 - 349
70-300mm f4-5.6 IS USM................................................................E+ 199
70-300mm F4-5.6 L IS USM............................................................E+ 599
70-300mm F4.5-5.6 DO IS USM ................................ E+ / E++ 299 - 389
75-300mm F4-5.6 IS USM.......................................... E+ / E++ 199 - 219
75-300mm F4-5.6 USM III.............................................. E+ / E++ 69 - 79
80-200mm F2.8 EF L............................................................E+ 349 - 399
80-200mm F4.5-5.6 EF II ................................................................E++ 49
80-200mm F4.5-5.6 EF III ...............................................................E++ 49
80-200mm F4.5-5.6 USM..................................................................E+ 49
85mm F1.2 L USM MkII...........................................E++ / Mint- 989 - 999
100mm F2 USM ..............................................................................E+ 199
100mm F2.8 L Macro IS USM.......................................................E++ 489
100mm F2.8 USM Macro ................................................................E+ 249
100-300mm F4.5-5.6 USM..............................................................E++ 89
100-400mm F4.5-5.6 L IS USM............................................E+ 629 - 679
300mm F4 L IS USM.................................................. E+ / E++ 649 - 689
300mm F4 L USM ...........................................................................E+ 449
400mm F2.8 L IS USM.................................................................E+ 4,189
400mm F2.8 L USM .....................................................................E+ 1,849
400mm f5.6 L USM..................................................E++ / Mint- 689 - 729
500mm F4 L IS USM....................................................................E+ 3,349
600mm F4 L USM ........................................................................E+ 2,995
800mm F5.6 L IS USM..............................................................Mint- 7,495
Contax 35-70mm F3.4 MM............................................................E++ 289
Contax 35-135mm F3.3-4.5 MM....................................................E++ 449
Contax 100mm F2 MM..................................................................E++ 749
Sigma 10-20mm F4-5.6 DC HSM............................... E+ / E++ 189 - 219
Sigma 17-50mm F2.8 DC OS HSM...............................................E++ 199
Sigma 24-70mm F2.8 IF EX DG HSM...........................................E++ 389
Sigma 28mm F1.8 AF................................................................ Unused 99
Sigma 70mm F2.8 EX DG Macro..................................................E++ 199
Sigma 70-200mm F2.8 APO EX DG II Macro ..............................Mint- 289
Sigma 70-200mm F2.8 EX APO HSM........................ E+ / E++ 219 - 249
Sigma 70-210mm F2.8 Apo.............................................................E+ 119
Sigma 70-300mm F4-5.6 Apo Macro ..............................................E++ 49
Sigma 85mm F1.4 EX DG HSM....................................................E++ 499
Sigma 100-300mm F4 Apo EX HSM...............................................E+ 279
Sigma 105mm F2.8 EX DG Macro..................................................E+ 179
Sigma 105mm F2.8 EX Macro .............................................. E+ / E++ 159
Sigma 120-300mm F2.8 EX DG OS HSM S ..............................E++ 1,689
Sigma 120-400mm F4.5-5.6 APO DG OS HSM............................E++ 379
Sigma 135-400mm F4.5-5.6 Apo ..................................................E++ 179
Sigma 135-400mm F4.5-5.6 Apo DG............................................E++ 179
Sigma 150-500mm F5-6.3 APO DG OS HSM.................................E+ 439
Sigma 150mm F2.8 EX DG Macro HSM............................E++ 319 - 349
Sigma 170-500mm F5-6.3 Apo .................................. E+ / E++ 149 - 299
Sigma 300mm F2.8 Apo.......................................................... Unused 299
Sigma 300mm F2.8 Apo DG HSM .............................................E++ 1,299
Sigma 300mm F2.8 APO EX DG HSM ........................E++ 1,549 - 1,589
Sigma 300mm F4 Apo................................................ E+ / E++ 149 - 199
Sigma 400mm F5.6 AF............................................ As Seen / E+ 59 - 79
Sigma 400mm F5.6 Apo Tele Macro...............................................E+ 149
Sigma 500mm F4.5 Apo EX HSM................................................E+ 1,795
Tamron 10-24mm F3.5-4.5 Di II LD Asph ..........................E++ / Mint- 259
Tamron 14mm F2.8 Asph (IF) AF SP............................................E++ 349
Tamron 17-50mm F2.8 Di II ..........................................................E++ 199
Tamron 18-270mm F3.5-6.3 DI II VC...........................................Mint- 149
Tamron 24-135mm F3.5-5.6 Asph ................................................E++ 149
Tamron 28-75mm F2.8 XR Di ......................................................Mint- 229
Tamron 28-300mm F3.5-6.3 XR Di ...............................................E++ 109
Tamron 28-300mm F3.5-6.3 XR Di VC .........................................E++ 279
Tamron 70-200mm F2.8 Di LD (if) Macro........................................ E+ 299
Tamron 70-300mm F4-5.6 Di ..........................................................E++ 59
Tamron 90mm F2.8 SP AF Macro.................................................E++ 249
Tamron 90mm F2.8 SP Di Macro............................E++ / Mint- 199 - 219
Tokina 10-17mm F3.5-4.5 DX Fisheye ATX..........................Ex Demo 469
Tokina 16-50mm F2.8 ATX Pro DX...............................................E++ 249
Tokina 28-70mm F2.6-2.8 ATX Pro................................................Exc 149
Tokina 28-80mm F2.8 ATX Pro.....................................................E++ 199
Tokina 35mm F2.8 Macro DX ATX................................................E++ 249
Tokina 50-135mm F2.8 DX ATX ...................................................E++ 299
Tokina 300mm F2.8 ATX SD...........................................................E+ 599
Tokina 400mm F5.6 ATX SD.........................................................E++ 229
Zeiss 21mm F2.8 ZE ...............................................E++ / Mint- 749 - 799
Zeiss 28mm F2 ZE ......................................................Exc / E+ 449 - 499
1.4x EF MkII Extender..................................................................Mint- 189
2x EF Extender...................................................................E++ 119 - 129
2x EF MkII Extender................................................... E+ / E++ 149 - 169
Sigma 1.4x Apo EX Converter.........................................................E++ 99

Kenko 1.5x Converter.....................................................................Mint- 39
Teleplus 1.5x Converter ............................................................ Unused 45
Soligor 2x Converter..........................................................................E+ 39
Vivitar 2x Converter................................................................... Unused 45
Bower 2x DGII Converter ...............................................................Mint- 49
Teleplus 2x MC7 Converter...................................... E+ / Unused 39 - 49
Metz 15 MS-1 Flash ......................................................................E++ 179
Metz 40MZ2 Flash..................................................................... Unused 69
Metz 50AF1 Digital ..........................................................................E++ 99
Nissin Di466 Flashgun.......................................................................E+ 39
Nissin Di622 Speedlite ......................................................................E+ 59
Nissin Di866 Flash...........................................................................E++ 89
Sigma EM-140 DG Macroflash......................................................E++ 199
380EX Speedlite................................................................................E+ 49
420EX Speedlite............................................................. E+ / E++ 65 - 79
430EX II Speedlite...........................................................................E+ 119
430EX Speedlite..............................................................................E++ 89
430EZ Speedlite.......................................................................E+ / E++ 29
540EZ Speedlite............................................................. E+ / E++ 39 - 49
550EX Speedlite........................................................... E+ / E++ 85 - 129
580EX Speedlite......................................................... E+ / E++ 119 - 159
580EX Speedlite + Off Cord 2 .......................................................E++ 149
ML3 Macrolite..................................................................................E++ 49
MR-14EX Macro Ringlite...........................................E+ / Mint- 179 - 279
ST-E2 Transmitter .........................................................E+ / Mint- 59 - 79
Novoflex EOS Reverse Adapter......................................................E+ 119
Audi Tech Pro24CM Microphone ...................................................Mint- 49
Rode Stereo Videomic Pro............................................E+ / Mint- 69 - 89
Technical Back E with Keyboard......................................Unused 49 - 75
Tripod Mount Ring B (B)..................................................................E++ 49
WFT-E7B Wireless Transmitter.....................................................Mint 399
Canon Manual - Please Phone
Digital Mirrorless
Fuji Finepix X20.............................................................................E++ 199
Fuji X-A1 Body Only ........................................................................E++ 99
Fuji X-E2 Silver Body Only ............................................................E++ 299
Fuji X-M1 Silver Body Only...........................................................Mint- 149
Fuji X-Pro1 Body ...........................................................................E++ 249
Fuji X-T1 Body Only ................................................E++ / Mint- 589 - 599
Fuji X-T10 Black Body Only...........................................................Mint 399
Fuji X100S Black ..........................................................................Mint- 479
Nikon J1 Black Body Only ...............................................................E++ 49
Nikon J4 Black + 10-30mm VR ....................................................Mint- 189
Nikon V3 Black + 10-30mm...........................................................E++ 379
Olympus E-M5 MkII Edition Body..................................................Mint 849
Olympus E-P1 + 14-42mm ..............................................................E++ 99
Olympus E-P1 Body Only................................................................E++ 59
Olympus E-P2 Black + 14-42mm ..................................................E++ 139
Olympus E-P2 Black Body Only........................................................E+ 79
Olympus E-P2 Chrome Body Only....................................................E+ 79
Olympus E-P5 Silver Body Only....................................................E++ 279
Olympus E-PL1 Blue + 14-42..........................................................E++ 89
Olympus E-PL3 Body Only.....................................................E++ 89 - 99
Olympus E-M5 Black Body Only ...................................................E++ 279
Olympus E-M5 MKII Body Only - Black..............................E++ / Mint- 649
Panasonic G3 Black Body Only.......................................................E++ 89
Panasonic GF-1 Body Only......................................................E+ 55 - 59
Panasonic GF-1 Body + LVF1 Finder ............................................... E+ 79
Panasonic GF-3 Black Body........................................E++ / Mint- 49 - 59
Panasonic GH-3 Body + Grip ........................................................E++ 379
Sony A5100 Body Only .........................................................Unknown 279
Sony A7 II Body Only ...................................................................Mint- 949
Sony A7R Body Only...............................................E++ / Mint- 819 - 849
Sony NEX3 + 18-55mm...................................................................E++ 97
Fuji X Lenses
14mm F2.8 XF.................................................................................E+ 449
16-50mm F3.5-5.6 OIS XC......................................E++ / Mint- 109 - 129
18-55mm F2.8-4 XF ..................................................E+ / Mint- 219 - 279
18mm F2 XF R ..............................................................................E++ 179
23mm F1.4 XF R ..........................................................................Mint- 489
27mm F2.8 XF.........................................................E++ / Mint- 169 - 179
35mm F1.4 XF R ........................................................ E+ / E++ 239 - 279
55-200mm F3.5-4.8 OIS XF ....................................E++ / Mint- 369 - 399
60mm F2.4 XF R Macro .....................................................E++ 279 - 289
Zeiss 12mm F2.8 Touit X .............................................................Mint- 589
Zeiss 32mm F1.8 Touit X ..........................................E+ / Mint- 299 - 389
4/3rds Lenses
Olympus 7-14mm F4 ED Zuiko .....................................................E++ 699
Olympus 8mm F3.5 FishEye Zuiko D...........................................Mint- 349
Olympus 9-18mm F4-5.6 ED Zuiko.................................................E+ 229
Sigma 10-20mm F4-5.6 EX DC HSM............................................E++ 179
Olympus 11-22mm F2.8-3.5 Zuiko............................E+ / Mint- 249 - 269
Olympus 12-60mm F2.8-4 ED SWD .......................... E+ / E++ 299 - 349
Panasonic 14-150mm F3.5-5.6 Asph............................................E++ 599
Olympus 14-35mm F2 SWD..........................................................E++ 989
Olympus 14-45mm F3.5-5.6 Zuiko..................................................E++ 59
The Kirk, Wester Balblair, Beauly, Inverness. IV4 7BQ.
Panasonic 14-50mm F2.8-3.5 OIS Asph.......................................E++ 149

Olympus 14-54mm F2.8-3.5 MkII..................................................E++ 349
Olympus 14-54mm F2.8-3.5 Zuiko............................. E+ / E++ 139 - 149
Olympus 18-180mm F3.5-6.3 Zuiko..............................................E++ 249
Panasonic 25mm F1.4 Summilux D ..............................................E++ 299
Olympus 25mm F2.8 Zuiko ...........................................................E++ 139
Olympus 35mm F3.5 Macro Zuiko ............................E++ / Mint- 89 - 129
Olympus 40-150mm F4-5.6 ED Zuiko............................ E+ / E++ 45 - 49
Olympus 50-200mm F2.8-3.5 SWD ..............................................E++ 479
Olympus 50-200mm F2.8-3.5 Zuiko........................... E+ / E++ 319 - 369
Olympus 50mm F2 ED Macro Zuiko ..................................E++ 249 - 269
Sigma 70-200mm F2.8 Apo EX HSM...........................................Mint- 399
Olympus 70-300mm F4-5.6 ED Zuiko..........................................Mint- 199
Olympus EC14 Zuiko Tele Converter...........................................Mint- 199
Olympus EC20 2x Tele Converter................................................Mint- 249
Micro 4/3rds Lenses
Panasonic 7-14mm F4 G Vario ....................................................Mint- 749
Samyang 7.5mm F3.5 Fisheye......................................................E++ 169
Panasonic 8mm F3.5 G Fisheye ..................................................Mint- 379
Panasonic 12-32mm F3.5-5.6 OIS G ............................................E++ 179
Olympus 12-50mm F3.5-6.3 M Zuiko..............................................E+ 139
Panasonic 12.5mm F12 G 3d......................................E++ / Mint- 89 - 99
Olympus 12mm F2 ED M.Zuiko ................................E+ / Mint- 379 - 459
Olympus 12mm F2 ED M.Zuiko + LH48 Hood ..............................E++ 449
Panasonic 14-140MM F4-5.8 OIS HD................................E++ 219 - 249
Panasonic 14-42mm F3.5-5.6 Asph OIS........................................Mint- 79
Olympus 14-42mm F3.5-5.6 EZ M.Zuiko .....................................Mint- 129
Panasonic 14-45mm F3.5-5.6 ASPH G Vario .............. E+ / E++ 79 - 129
Olympus 17mm f1.8 M.Zuiko Black..............................................Mint- 279
Olympus 17mm F1.8 M.Zuiko Silver ............................................Mint- 279
Olympus 17mm F2.8 M.Zuiko Black.............................................Mint- 119
Sigma 19mm F2.8 DN - A ..............................................................Mint- 89
Voigtlander 25mm F0.95 Nokton.....................................................E+ 449
Olympus 25mm F1.8 M.Zuiko Black.............................................Mint- 229
SLRMagic 26mm F1.4.....................................................................E++ 59
Panasonic 35-100mm F2.8 GX OIS..............................................E++ 679
Olympus 40-150mm F2.8 M.Zuiko Pro............................. Mint- 849 - 899
Panasonic 42.5mm F1.2 Asph OIS ..............................................Mint- 849
Panasonic 45-150mm F4-5.6 Asph OIS HD..................................E++ 119
Panasonic 45-175mm F4-5.6 Asph Vario PZ................................E++ 199
Panasonic 45-200mm F4-5.6 OIS.................................................E++ 169
Olympus 45mm F1.8 M.Zuiko + LH40B Hood...............................E++ 139
Panasonic 45mm F2.8 DG Asph Macro........................................E++ 349
Olympus 75mm F1.8 ED Silver M.Zuiko ............................E++ 479 - 589
Olympus MC-14 1.4x Teleconverter........................Mint- / Mint 219 - 239
Sony NEX Lenses
10-18mm F4 E OSS ......................................................................E++ 449
16-50mm F3.5-5.6 PZ OSS............................................................Mint- 99
16-70mm F4 ZA OSS...................................................................Mint- 449
16mm F2.8 E + VCL-ECU1 Wide Conv .......................................Mint- 139
16mm F2.8 Nex Lens .....................................................................Mint- 99
18-200mm F3.5-6.3 OSS ..............................................................E++ 369
18-55mm F3.5-5.6 (NEX) ..................................................................E+ 59
18-55mm F3.5-5.6 OSS .................................................................Mint- 89
24-70mm F4 FE ZA OSS ................................................. Mint- 629 - 659
24mm F1.8 E.................................................................... Mint- 389 - 439
55-210mm F4.5-6.3 OSS ........................................E++ / Mint- 119 - 129
70-200mm f4 G OSS FE ..............................................................Mint- 849
Lens Baby 56mm F1.6 Velvet ......................................................Mint- 299
Sigma 19mm F2.8 DN ...................................................................Mint- 89
Tamron 18-200mm F3.5-6.3 Di III VC ...........................................E++ 250
Zeiss 32mm F2 Loxia ....................................................................Mint 749
Digital SLR Cameras
Canon EOS 1DS Body Only............................................................E+ 399
Canon EOS 1DX Body Only.........................................................E+ 3,189
Canon EOS 1D MKIV Body Only .................................................E+ 1,389
Canon EOS 1D MKIIN Body Only ..........................................As Seen 249
Canon EOS 1D MkII Body Only ..................................As Seen 149 - 199
Canon EOS 6D Body Only ............................................................E++ 839
Canon EOS 5D MKIII Body Only...............................................Mint- 1,599
Canon EOS 5D MkII Body + Grip....................................................E+ 699
Canon EOS 5D MkII Body Only ................................. E+ / E++ 699 - 849
Canon EOS 5D + BG-E4 Grip ................................................As Seen 239
Canon EOS 50D Body Only ............................................................E+ 199
Canon EOS 30D Body Only .....................................................As Seen 79
Canon EOS 20D + BG-E2 Grip .........................................................E+ 89
Canon EOS 1200D Body Only .....................................................Mint- 169
Canon EOS 700D Body Only ........................................................E++ 299
Canon EOS 650D Body Only ........................................................Mint 299
Canon EOS 500D Body Only ..............................As Seen / Mint 99 - 159
Contax N Digital Body Only...........................................................E++ 899
Fuji S5 Pro Body Only .....................................................................E+ 189
Nikon D4 Body............................................................................E++ 2,489
Nikon D3S Body Only...................................................................E+ 1,749
Nikon D3X Body Only...................................................................E+ 1,189
Nikon D3 Body Only .......................................... As Seen / E++ 399 - 999
Nikon D810 Body Only .................................................E++ 1,729 - 1,749
Nikon D800E Body Only.............................................................E++ 1,289
Prices
correct when
compiled.
E&OE.
T: 01463 783850
E: info@ffordes.com
WANTED
YOUR EQUIPMENT
Nikon D800 Body Only ............................................ E+ / E++ 989 - 1,099
Nikon D750 Body Only ......................................Mint- / Mint 1,189 - 1,239
Nikon D700 Body + MB-D10 Grip .................................................E++ 589
Nikon D700 Body Only ....................................................................E+ 529
Nikon D610 Body Only .......................................................E++ 699 - 789
Nikon D600 Body Only ..................................................................E++ 649
Nikon D300 + MB-D10 Grip................................................E++ 299 - 359
Nikon D300 Body Only ............................................... E+ / E++ 199 - 249
Nikon D200 IR Body Only..............................................................E++ 249
Nikon D80 Body Only .......................................................................Exc 99
Nikon D70 Body Only ......................................................As Seen 49 - 59
Nikon D50 Body Only ......................................................................E++ 59
Nikon D7100 Body Only ..................................................................E+ 429
Nikon D7000 Body Only ..................................................................E+ 299
Nikon D5300 Body Only ...............................................................Mint- 289
Nikon D5100 Body only.................................................................E++ 179
Nikon D5000 Body Only ................................................................E++ 119
Olympus E30 Body Only ...............................................................E++ 289
Olympus E400 + 14-42mm................................................................E+ 89
Olympus E410 + 40-150MM..........................................................E++ 119
Olympus E420 + 14-42mm..............................................................E+ 149
Olympus E420 + 17.5-45mm + 40-150mm ...................................E++ 149
Olympus E420 Body Only ...............................................................E++ 99
Olympus E450 + 14-42mm..............................................................E+ 129
Olympus E520 + 14-42mm............................................................E++ 149
Olympus E600 + 14-42mm............................................................E++ 199
Olympus E600 Body + HLD-5 Grip ..............................................Mint- 379
Olympus E620 + 14-42mm + 40-150mm ...........................E++ 289 - 339
Olympus E620 + 14-42mm + HLD5 Grip.......................................E++ 239
Olympus E620 + 14-45mm + 40-150mm ........................................ E+ 249
Pentax KX + 18-55mm ..................................................................E++ 139
Pentax *ist DL2 + 18-55mm ..............................................................E+ 99
Pentax *isT DL Body Only.................................................................E+ 79
Pentax *isT D + 18-55mm ...............................................................E++ 99
Pentax *isT D Body Only..........................................................As Seen 49
Sigma SD1 Merrill + 105mm F2.8 + EF610..................................Mint- 849
Sony A200 + 18-70mm..................................................................E++ 129
Sony A200 Body Only .......................................................................E+ 89
Sony A450 Body Only .....................................................................E+ 119
Sony A550 + 18-55mm..................................................................E++ 249
Sony A550 Body Only ...................................................................E++ 199
Fuji Medium Format - Please Phone
Hasselblad H Series
H4D Complete (60MP) .............................................................E++ 11,499
H4D + Prism (50MP) ..................................................................E++ 6,499
H3DII Complete (39MP) .............................................................E++ 3,900
H2 Complete.................................................................................E+ 1,789
H2 Body + Prism + Mag .............................................................E++ 1,250
H1 Complete.................................................................................E+ 1,199
H1 Body Only ........................................................................ E+ / E++ 689
28mm F4 HCD...................................................E++ / Mint- 2,189 - 2,450
35mm F3.5 HC ...........................................................................E++ 1,389
50-110mm F3.5-4.5 HC................................................................E+ 1,499
50mm F3.5 HC .............................................................................E+ 1,199
120mm F4 HC Macro ...................................................................E+ 1,649
210mm F4 HC ............................................................................E++ 1,599
1.7x H Converter .....................................................E++ / Mint- 589 - 599
BCH-2 Charger...............................................................................Mint- 99
Extension Tube H 26mm.........................................E++ / Mint- 129 - 149
Hmi100 Polaroid Mag................................................... E+ / E++ 49 - 149
Hasselblad V Series
205TCC Complete......................................................................E++ 2,749
205TCC Body + WLF + Kapture HA-001 ...................................E++ 1,749
205FCC Complete + PM5 Prism + Winder F .............................E++ 2,499
503CW Complete ......................................................................Mint- 1,899
503CXi Chrome Body Only .............................................................E+ 459
503CX Black Only + WLF................................................................E+ 449
503CX Chrome Body Only ..............................................................E+ 499
553ELX Black Body Only ................................................................E+ 449
553ELX Chrome Body Only ....................................... E+ / E++ 349 - 549
500ELX Black Body Only ................................................................E+ 349
500ELM Chrome Body Only............................................................E+ 169
500CM Gold Edition ............................................................. Unused 3,999
500CM Complete....................................................................As Seen 499
Arc Body + 45mm Apo + Accs....................................................E++ 1,950
Flex Outfit ................................................................E++ / Mint- 899 - 999
Superwide C + Finder.....................................................................Exc 649
SWC + Finder....................................................................E+ 789 - 1,199
SWCM Complete.............................................................................E+ 949
30mm F3.5 CFi Fisheye .............................................................E++ 2,489
40mm F4 CF FLE..........................................................................E++ 799
45mm F4.5 Apo Grandagon..........................................................E++ 889
50mm F2.8 FE.................................................................................E+ 649
50mm F4 C Black................................................ As Seen / E+ 129 - 249
50mm F4 C Chrome.................................................................As Seen 89
50mm F4 CF FLE............................................................................E+ 549
50mm F4 Cfi FLE + Hood...........................................................E++ 1,199
60-120mm F4.8 FE................................................................ E+ / E++ 599
80mm F2.8 CF................................................................................Exc 199
110mm F2 FE Planar .................................................................E++ 1,499

120mm F4 CF Macro......................................................................Exc 399
120mm F4 CFE Macro ..................................................................Mint 899
140-280mm F5.6 C Black................................................................E+ 499
140-280mm F5.6 F Variogon...........................................................E+ 599
150mm F2.8 FE.............................................................................E++ 499
150mm F4 C Black........................................................................E++ 249
150mm F4 CF...................................................... As Seen / E+ 199 - 349
160mm F4.8 CB .................................................................E++ / Mint- 349
180mm F4 CFi...............................................................................E++ 949
200mm F5.8 imagon........................................................................E+ 299
250mm F5.6 CF...............................................................................E+ 289
250mm F5.6 CF Super Achromat.................................................E+ 1,999
350mm F5.6 C Black.......................................................................E+ 349
500mm F8 C Black...............................................................E+ 450 - 499
1.4x E Converter......................................................... E+ / E++ 249 - 399
1.4x PC Mutar shift Converter .......................................................E++ 379
2xE Converter................................................................................E++ 249
A24 Black Mag ...................................................... As Seen / E++ 39 - 59
A24 Chrome Mag ................................................ As Seen / E++ 39 - 125
A24 TCC Black Mag........................................................................E+ 139
E24 Black Mag ..........................................................E+ / Mint- 169 - 199
PhaseOne H25 Digital Back.......................................................E++ 1,750
Magnifying Hood..............................................................................E++ 59
PM45 Prism...................................................................................E++ 299
PME Meter Prism .............................................................................Exc 69
PME90 Meter Prism .......................................................................Exc 349
Autobellows .....................................................................................E+ 199
CW Winder + Remote ..........................................................E+ / Mint- 199
Extension Tube 16E ...............................................................E++ 75 - 79
Extension Tube 32E ....................................................E++ / Mint- 79 - 89
Extension Tube 55....................................................................E+ 25 - 30
Extension Tube 56E ....................................................... E+ / E++ 59 - 75
Proflash 4504 .......................................................................E+ 149 - 159
Large Format - Please Call
Leica R Series - Please Call
Leica Screw - Please Call
Leica M Series
M + 35mm F1.4 Asph 60th Edition Set.......................................Mint 8,499
M Monochrom Body Only (Typ 246) .........................................Mint- 4,985
M Monochrom Black Body Only .........................E++ / Mint 3,600 - 3,889
M-P Black Body Only.................................................................Mint- 4,199
M-P Chrome Body Only..............................................................Mint 4,299
M (240) Black Body Only...................................... E+ / E++ 3,349 - 3,499
M (240) Chrome Body Only.................................. E+ / E++ 3,349 - 3,499
M-E Anthracite Body Only ..........................................................E++ 2,499
M9 Black Body Only ...................................................................E++ 2,299
M9 Steel Grey Body Only..................................... E+ / E++ 1,999 - 2,399
M8 Black Body Only ........................................................................E+ 849
M8 Chrome Body Only ....................................................................E+ 699
M6 Platinum + 50mm F1.4 .........................................................Mint 6,449
M6TTL Millennium + 35mm F2 + 50mm F1.4 ............................E++ 5,489
M6 Titanium + 35mm F1.4 + 50mm F1.4 ...................................E++ 4,489
M6 Titanium + 35mm F1.4 ...........................................................E+ 3,449
M6 Historica Edition....................................................................Mint 3,799
MP 0.85x Chrome Body Only.....................................................E++ 2,199
M7 0.72x Black Body Only .........................................................E++ 1,499
M7 0.72x Chrome Body Only .....................................................E++ 1,499
M6 0.72x Black Body Only ..............................................................E+ 749
M4P Anniversary Chrome + 50mm F2 .......................................E++ 1,789
M2 Chrome Body Only ....................................................................E+ 449
CL Black Body Only.......................................................................E++ 349
Konica Hexar RF Limited Edition................................................Mint 2,489
Konica Hexar RF + 50mm F2 + Flash.............................................E+ 749
16/18/21mm F4 Tri Elmar + Finder .....................E+ / Mint- 2,489 - 2,989
18mm F3.8 Asph M Black .........................................................Mint- 1,549
21mm F2.8 Asph M Black .................................E++ / Mint- 1,449 - 1,499
21mm F2.8 Asph M Black 6bit....................................................E++ 1,499
21mm F2.8 M Black................................................. E+ / E++ 849 - 1,199
21mm F3.4 Black.............................................................................E+ 599
21mm F3.4 Super Elmar ...........................................................Mint- 1,799
21mm F4 Chrome + Finder ..........................................................E+ 1,149
24mm F1.4 Asph M - Black ..........................................................E+ 3,389
24mm F2.8 Asph M Black ......................................Exc / E++ 989 - 1,349
24mm F2.8 Asph M Black 6bit....................................................E++ 1,489
24mm F3.8 Asph M Black .......................................... Mint- 1,189 - 1,199
28/35/50 F4 Tri Elmar.................................................................E++ 2,399
28mm F2 Asph M Black ...............................................................E+ 1,399
28mm F2 Asph M Black 6bit................................. E+ / E++ 1,489 - 1,589
28mm F2.8 Asph M Black 6bit...................................................Mint- 1,149
28mm F2.8 M Black.................................................... E+ / E++ 649 - 689
35mm F1.4 Asph M Black ............................................................E+ 1,689
35mm F1.4 Asph M Black 6bit...........................E++ / Mint- 2,689 - 2,749
35mm F2 Asph M Chrome ...........................................................E+ 1,289
35mm F2 Asph M Chrome 6bit..................................................Mint- 1,489
35mm F2 Black................................................................................E+ 799
35mm F2.4 Asph M Black 6bit...................................................Mint- 1,149
35mm F2.5 M Black 6bit................................................................E++ 829
50mm F0.95 Asph M - Black .....................................................Mint- 6,399
50mm F0.95 Asph M 6bit - Black ........................E+ / Mint- 4,999 - 5,989
50mm F1.4 Black..........................................................................E+ 1,299
COMMISSION SALE
PART EXCHANGE
BUY FOR CASH
35MM, MEDIUM
FORMAT, LARGE
FORMAT, DIGITAL
50mm F1.4 Chrome.........................................................................E+ 689

50mm F2 Collapsible........................................... As Seen / E+ 289 - 389
50mm F2 Hexanon.......................................................................Mint- 429
50mm F2 M Black......................................................Exc / E++ 499 - 949
50mm F2 M Black 6bit...............................................................Mint- 1,149
50mm F2 M Chrome......................................................................E++ 989
50mm F2 Rigid Chrome ..............................................Exc / E+ 349 - 449
50mm F2.4 M Black 6bit...............................................................Mint- 999
50mm F2.8 Elmar.................................................................E+ 289 - 299
50mm F2.8 M Chrome...................................................................E++ 549
65mm F3.5 Elmar....................................................... E+ / E++ 249 - 299
65mm F3.5 Elmar + 16464k Tube...................................................E+ 349
75mm F2 Apo M Black 6bit ..........................................E++ 1,789 - 1,799
75mm F2.5 M Black 6bit.....................................................E++ / Mint- 749
90mm F2 Apo M Black 6bit ........................................................E++ 1,879
90mm F2 Black..............................................................................E++ 639
90mm F2 M Black..........................................................................E++ 799
90mm F2 M Chrome......................................................................E++ 949
90mm F2.4 M Black 6bit + Hood ...............................................Mint- 1,249
90mm F2.5 Black 6 BIT + Hood ..............................E++ / Mint- 799 - 889
90mm F2.5 M Black 6bit................................................................E++ 789
90mm F2.8 Black.............................................................................E+ 399
90mm F2.8 Chrome............................................. As Seen / E+ 179 - 299
90mm F2.8 Chrome (Compact)....................................................Mint- 699
90mm F2.8 M Black.................................................... E+ / E++ 699 - 799
90mm F4 C Elmar .........................................................................E++ 199
90mm F4 Collapsible.................................................. E+ / E++ 249 - 299
90mm F4 Elmar....................................................As Seen / Exc 49 - 149
90mm F4 Elmar E39........................................................................E+ 199
90mm f4 M Rokkor ..................................................... E+ / E++ 189 - 249
90mm F4 Macro M Set 6bit .................................E+ / Mint- 1,649 - 1,989
135mm F2.8 Black...................................................... E+ / E++ 249 - 299
135mm F2.8 M Black.....................................................................E++ 349
135mm F3.4 Apo M Black ............................................................E+ 1,489
135mm F4 Black...................................................................E+ 289 - 349
135mm F4.5 Hektor................................................As Seen / Exc 45 - 59
135mm F4.5 Hektor + Tubes..................................................As Seen 119
1.25x Viewfinder Magnifier ........................................E+ / Mint- 119 - 139
1.4x Viewfinder Magnifier M .........................................................Mint- 149
18mm Chrome Viewfinder..................................................E++ 379 - 399
21/24/28mm Viewfinder - Black...............................E++ / Mint- 229 - 249
24mm Black Viewfinder.............................................. E+ / E++ 179 - 199
28mm Black Viewfinder...................................................................E+ 169
Angle Finder M ..............................................................................E++ 149
Motor M ..............................................................................E++ 199 - 249
Universal Wide Angle Finder M.....................................................E++ 379
Mamiya RB67 Series
Pro S Gold Edition........................................................................Mint- 949
Pro SD Complete...........................................................................E++ 499
Pro S Complete ...............................................................................E+ 399
Pro Body + WLF ..............................................................................E+ 119
140mm F4.5 C Macro...............................................................As Seen 79
150mm F4 C Soft Focus........................................................ E+ / E++ 129
180mm F4.5 .............................................................................As Seen 69
180mm F4.5 C.................................................................As Seen 75 - 99
180mm F4.5 KL-A .........................................................................E++ 169
250mm F4.5 ........................................................ As Seen / E++ 79 - 149
Teleplus 2x Converter MC6.............................................................E++ 29
Auto Extension Tube No1............................................... E+ / E++ 39 - 55
Auto Extension Tube No2............................................... E+ / E++ 29 - 39
Angle Finder ....................................................................................E++ 79
Magnifying Hood................................................................................E+ 49
Pro SD 120 Mag (6x4.5cm)............................................................Mint- 69
ProS 220 Mag...................................................... As Seen / E++ 25 - 145
Mamiya RZ67 Series
Pro II Complete................................................................................E+ 549
Pro Body + WLF + 120 Mag............................................................E+ 249
Pro Body + WLF ..............................................................................E+ 179
37mm F4.5 Fisheye.......................................................................E++ 399
50mm F4.5 ................................................................Exc / E++ 249 - 350
50mm F4.5 W..................................................................................E+ 189
65mm F4 L-A.................................................................................E++ 249
75mm F4.5 Shift W..........................................................................E+ 399
75mm F4.5-M SB L .......................................................................E++ 239
100-200mm F5.2 W.................................................... E+ / E++ 219 - 399
180mm F4.5 L SB..........................................................................E++ 249
180mm F4.5 W.................................................... As Seen / E++ 89 - 129
180mm F4.5 WN ................................................. As Seen / E++ 89 - 189
250mm F4.5 ...........................................................................Exc / E+ 129
250mm F4.5 W........................................................... E+ / E++ 149 - 179
360mm F6 .......................................................................................E+ 169
1.4x Converter...........................................................Exc / E++ 119 - 199
Auto Extension Tube NA703 For SB Lens .....................................Mint- 49
Auto Extension Tube No 1............................................E++ / Mint 49 - 79
Auto Extension Tube No 2...............................................................Mint 79
AE Prism Finder ..............................................................................E+ 179
Double Cable Release.......................................................................E+ 25
IR1 Infra Red Set...............................................................................E+ 39
Polaroid Mag (RZ67) ............................................... As Seen / E+ 15 - 29
Tilt/Shift Adapter (RZ67)...............................................................Mint- 349
Winder II ..........................................................................Exc / E+ 39 - 49
Nikon AF
F6 Body Only.............................................................. E+ / E++ 689 - 699
F5 Anniversary Body Only.............................................................E++ 649
F5 Body + DA-30 Action Finder.......................................................E+ 349
F5 Body Only........................................................................E+ 249 - 299
F100 Body + MB15 Grip........................................ As Seen / E+ 89 - 129
F100 Body + MF29 Back + Grip......................................................E+ 149
F100 Body Only.............................................................................E++ 149
F80 Chrome Body Only.....................................................................E+ 39
10.5mm F2.8 G AF ED DX Fisheye .............................................Mint- 399
12-24mm F4 G AFS DX ED ....................................... E+ / E++ 349 - 389
14-24mm F2.8 G AFS ED .........................................E+ / Mint- 889 - 949
16-35mm F4 G AFS ED VR ..........................................................E++ 649
16-85mm F3.5-5.6 G ED VR AFS DX ...........................................E++ 259
16mm F2.8 AFD Fisheye...............................................................E++ 499
17-55mm F2.8 G AFS DX IFED ................................Exc / E++ 349 - 419
18mm F2.8 AFD ............................................................................E++ 599
18-35mm F3.5-4.5 AFD.................................................................E++ 249
18-55mm F3.5-5.6 AFS.................................................. E+ / E++ 49 - 59
18-55mm F3.5-5.6 AFS II...............................................................Mint- 59
18-55mm F3.5-5.6 G AFS VR II ..................................E++ / Mint- 69 - 79
18-70mm F3.5-4.5 G AFS ED DX ........................................E++ 99 - 129
18-105mm F3.5-4.5 G AFS ED DX VR ...................E++ / Mint- 129 - 149
18-135mm F3.5-5.6 AFS DX...........................................................E+ 119
18-140mm F3.5-5.6 AF-S G ED VR DX.......................................Mint- 279
18-200mm F3.5-5.6 G AFS DX VR .............................Exc / E+ 159 - 189
18-200mm F3.5-5.6 G AFS DX VRII .............................................E++ 349
20mm F2.8 AFD ............................................................................E++ 279
20-35mm F2.8 AFD.........................................................................E+ 449
24mm F1.4 G AFS ED.............................................E++ / Mint- 949 - 969
24mm F2.8 AFD ...........................................................................Mint- 259
24-70mm F2.8 G AFS ED .........................................E+ / Mint- 749 - 789
24-85mm F2.8-4 AFD....................................................................E++ 299
24-85mm F3.5-4.5 G ED VR .........................................................E++ 279
24-120mm F4 AFS G ED VR ........................................................E++ 499
28mm F2.8 AFD ............................................................................E++ 169
35mm F2 AFD ...............................................................................E++ 169
35-70mm F2.8 AFD.........................................................................E+ 159
40mm F2.8 G AFS DX Micro........................................................Mint- 129
50mm F1.4 AFD ............................................................................E++ 179
50mm F1.4 G AFS..............................................................E++ / Mint- 199
50mm F1.8 AFD ............................................................. E+ / E++ 65 - 69
50mm F1.8 G AFS (Retro) ...........................................................Mint- 159
55-200mm F3.5-5.6 AFS DX G ................................................. Unused 75
55-200mm F3.5-5.6 AFS VR DX G .............................E+ / Mint- 99 - 119
60mm F2.8 AF Micro.....................................................................E++ 179
60mm F2.8 AFD Micro ............................................... E+ / E++ 199 - 229
70-180mm F4.5-5.6 AFD Micro.....................................................E++ 949
70-200mm F2.8 G AFS ED VR .......................................................E+ 649
70-200mm F2.8 G AFS ED VRII ..........................E++ / Mint- 999 - 1,149
70-200mm F4 G VR ED ..........................................E++ / Mint- 679 - 699
70-210mm F4-5.6 AFD....................................................................E++ 79
70-300mm F4-5.6 AFG.............................................................E+ / E++ 59
70-300mm F4-5.6 ED AFD......................................... E+ / E++ 119 - 129
70-300mm F4-5.6 G AFS VR ........................................................E++ 259
75-240mm F4.5-5.6 AFD.................................................................E++ 75
75-300mm F4.5-5.6 AFN...................................................................E+ 79
80-200mm F2.8 ED AF....................................................................E+ 299
80-200mm F2.8 ED AFD...........................................Exc / E++ 249 - 449
80-200mm F2.8 ED AFS .................................................................E+ 479
80-400mm F4.5-5.6 AFD VR.........................................................E++ 449
80-400mm F4.5-5.6 G AFS ED VR ...................... E+ / E++ 1,299 - 1,329
85mm F1.8 AFD ............................................................................E++ 229
105mm F2 AF DC..........................................................................E++ 529
105mm F2.8 AFS G VR Micro............................................E++ 479 - 499
180mm F2.8 ED AF.......................................................................E++ 349
200-400mm F4 G VR AFS IFED .......................... E+ / E++ 2,489 - 2,599
300mm F2.8 G AFS ED VR.................................. E+ / E++ 2,389 - 2,489
300mm F2.8 G AFS ED VR II............................E++ / Mint- 2,899 - 3,189
300mm F2.8 G ED VR AFS........................................................E++ 2,749
300mm F2.8 IF ED AFS .............................................................E++ 1,899
300mm F2.8 IFED AF-I ..............................................................E++ 1,689
300mm F2.8 IFED AFS II .............................................................E+ 2,199
300mm F4 AF ED............................................................................E+ 329
300mm F4 AFS IFED ................................................. E+ / E++ 499 - 699
400mm F2.8 G AFS IF VR .........................................................E++ 4,599
500mm F4 AFS IFED ...................................................................E+ 2,799
500mm F4 AFS IFED II ................................................................E+ 2,595
500mm F4 G AFS VR IF ED ......................................................E++ 4,599
Samyang 24mm F1.4 AE ED AS UMC ........................................Mint- 379
Samyang 24mm F3.5 Tilt-Shift ED AS UMC.................... Mint- 499 - 529
Samyang 35mm F1.4 AE AS UMC .................................................E+ 279
Sigma 10-20mm F3.5 EX DC HSM.................................................E+ 199
Sigma 10-20mm F4-5.6 DC HSM....................................................E+ 219
Sigma 17-50mm F2.8 EX DC OS HSM........................................... E+ 239
Sigma 18-50mm F2.8 EX DC Macro.............................................E++ 129
Sigma 50mm F1.4 DG HSM (A)...................................................Mint- 489
Sigma 50mm F2.8 EX DG MACRO...............................................E++ 149
Sigma 50-150mm F2.8 Apo HSM II.................................................E+ 349
Sigma 100-300mm F4 Apo EX HSM....................................E+ 199 - 299
Sigma 150-500mm F5-6.3 APO DG OS HSM............ E+ / E++ 419 - 439
Sigma 150mm F2.8 Apo DG HSM Macro ....................................... E+ 299
Sigma 300mm F4 Apo D ...............................................................E++ 169
The ORIGINAL commission sale specialists. We also PART EXCHANGE and BUY FOR CASH
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THE WEX PROMISE: Over 16,000 Products | Free Delivery on 50 or over** | 30-Day Returns Policy
D500
D5500
Black
Black
or Red
NEW
20.9
D7100
24.2
D7200
24.1
24.2
megapixels
megapixels
megapixels
megapixels
10.0
1080p
5.0 fps
1080p
6.0 fps
1080p
6.0 fps
1080p
movie mode
movie mode
D500
Body
NEW D500 Body
1729
1729
Body 499
D5500 Body
499
D610
749
919
D7200 Body
D7200 + 18-105mm
CUSTOMER REVIEW: D7100 Body

Quality bit of kit! Love it!
Fang! Warwickshire
Read our D7200 review on

our blog at wex.co.uk/blog
D810
D5
NEW
24.3
megapixels
megapixels
6.0 fps
1080p
6.5 fps
1080p
movie mode
Full Frame
CMOS Sensor
From 999
999
1499
D750
20.8
36.3
megapixels
megapixels
movie mode
Full Frame
CMOS Sensor
D610
From 749
D7200
589
799
D7100 Body
D7100 + 18-105mm VR
D750
24.3
movie mode
From 589
D7100
D5300 Body................................................... 389

D5300 + 18-55mm VR II................................ 449
D5300 + 18-140mm VR................................. 599
D3200 Body................................................. 237

D3200 + 18-55mm f3.5-5.6 VR II .................. 279
D610 Body
D610 + 24-85mm
movie mode
D5500
5.0 fps
12.0 fps
Full Frame
CMOS Sensor
Full Frame
CMOS Sensor
From 1396
1396
1716
1979
D750 Body
D750 + 24-85mm
D750 + 24-120mm
From 2349
D810
2349
2699
D810 Body
D810A Body
Read our D810 review on

our blog at wex.co.uk/blog
Body 5199
D5
5199
NEW D5 Body
CUSTOMER REVIEW: D4s Body

Spectacular Camera
Charlie Delta Hertfordshire
For 2-year warranty on any camera and lens kit simply register your new Nikon within 30 days of purchase. Offer applies to UK & Republic of Ireland stock only. Call 0800 597 8472 or visit www.nikon.co.uk/register
A68
A6300
NEW
Black or Silver
A7R II Black
megapixels
megapixels
megapixels
11.0 fps
1080p
5.0 fps
4K Video
movie mode
A7R II
2599
A7R II Body
A7S II Body
A7R Body
A7 II Body
A7s Body
2599
2499
899
1179
1599
A6300 From
NEW
GX8
999
0 fps
megapixels
1080p
12.0 fps
NEW A6300 Body

999
NEW A6300 + 16-50mm 1099
A6000 Body
439
A6000 + 16-50mm PZ 489
A68
4K Video
From
479
NEW A68 Body

NEW A68 + 18-55mm
A77 II Body
A77 II + 16-50mm
A58 + 18-55mm
+ 55-200mm
479
549
764
1199
399
GH4
Black or Silver
megapixels
100
Cashback*
From 849
849
749 Inc. 100 Cashback*
GH4R Body
1049
GH4 Body
16.3
10.0 fps
1080p
NEW PEN-F
X-E2S
X-Pro2
Black or Silver
Black or Silver
24.3
NEW PEN-F Body

NEW PEN-F + 17mm
NEW PEN-F + 14-42mm
OM-D E-M1 Body
OM-D E-M1 + 12-50mm
OM-D E-M1 + 12-40mm
OM-D E-M5 II Body
OM-D E-M5 II + 12-40mm
OM-D E-M5 II + 12-50mm
OM-D E-M10 + 14-150mm II
999
1199
1099
849
989
1359
769
1299
970
799
megapixels
16.3
549
649
RECOMMENDED LENSES:
Olympus 75mm f1.8................ 620
Olympus 60mm f2.8 Macro .....349
K-3 II
NEW
megapixels
movie mode
E-M10 II From 549

OM-D E-M10 II Body
OM-D E-M10 II
+ 14-42mm
From 779
779
GX8 + 14-140mm
1129
GX8 Body
RECOMMENDED LENSES:
8.3 fps
1080p
8.5 fps
From 999
Cashback*
Panasonic 14-45mm f3.5-5.6 Micro Four Thirds lens........................................ 229

Panasonic 100-300mm f4.0-5.6 LUMIX G Vario Lens - Micro Four Thirds Fit ..... 378
Panasonic 45-175mm f4.0-5.6 LUMIX G X Vario Micro Four Thirds Lens ........... 279
Panasonic LUMIX 45-150mm f4.0-5.6 ASPH OIS Black Micro Four Thirds Lens . 169
24.3
megapixels
movie mode
GX8
100
up to
Sony 70-400mm f4-5.6 G SSM II . 1509

Sony 70-300mm f4.5-5.6 G SSM . 689
Sony 28-75mm f2.8 SAM ............ 569
Sony 35mm f1.8 DT SAM ............ 149
megapixels
20.3
4K Video
K-3 II
NEW
megapixels
8.0 fps
RECOMMENDED LENSES:
E-M10 II
Black or silver
20.03
16.05
movie mode
RECOMMENDED LENSES:
NEW Sony FE 85mm f1.4 G..........................................................................................1499
NEW Sony FE 24-70mm f2.8 G.....................................................................................1799
Sony FE 24-70mm f4.0 ZA OSS ZA Vario-Tessar Carl Zeiss T*.........................................799
Sony FE 70-200mm f4.0 G OSS ....................................................................................999
PEN-F
Silver or Black
GH4
24.0
24.0
42.4
7.0 fps
From 769
K-3 II Body
K-3 II + 18-55mm
K-3 II + 18-135mm
K-3 II + 16-85mm
K-3 Body
K-3 + 18-135mm
K-50
K-S1
K-S2
769
849
1069
1149
659
939
339
from 249
from 529
X-E2S From 549

NEW X-E2S Body
NEW X-E2S + 18-55mm
X-E2 Body
X-E2 + 18-55mm
X-Pro1
X-T1 Body
X-T1 + 18-135mm
8 fps
1080p
NEW
movie mode
549
749
499
549
452
805
1079
X-Pro2 From 1349

NEW X-Pro2 Body
X-T10 Body
X-T10 + 16-50mm XC II
X-T10 + 18-55mm XF
X-T10 + 18-55mm
+ 55-200mm XF
X-T1 + 18-135mm
X-T1 + 18-55mm
1349
449
549
715
999
1079
1049
FUJINON X-MOUNT LENSES:

90mm f2 R LM WR XF.................617
56mm f1.2 APD XF .....................899
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EOS 760D
The new EOS 5DS

A revolution in resolution
5.0
megapixels
5DS Body 2699
fps
1080p
EOS 6D
20.2
70D Body
70D + 18-55mm f3.5-5.6 IS STM
70D + 18-135mm f3.5-5.6 IS STM
697
722
939
700D Body ................................................ 379

700D + 18-55mm IS STM .................... 449
CUSTOMER REVIEW: EOS 70D + 18-135mm IS STM

An excellent step up
Adam Portsmouth
5D Mark III
EOS 1D X Mk II
NEW
22.3
megapixels
6.0 fps
1080p
megapixels
movie mode
movie mode
16.0 fps
Full Frame
CMOS sensor
Full Frame
CMOS sensor
4.5 fps
1080p
1119
6D Body
20.2
5D Mark III Body 2178
Body 1119
6D
1179
From 697
70D
549
459
529
709
Full Frame
CMOS sensor
20.2
megapixels
Body 1179
movie mode
Body 549
movie mode
megapixels
7D Mk II
7.0 fps
1080p
760D Body
750D Body
750D +18-55mm
750D + 18-135mm
5DS R Body 3199
EOS 7D MkII
7D Mark II Body
megapixels
5.0 fps
1080p
760D
50.6
movie mode
megapixels
movie mode
2999
3199
10.0 fps
1080p
20.2
24.7
The rst of its kind in the EOS line-up, the

Canon 5DS is a full-frame DSLR boasting a
groundbreaking 50.6-megapixel CMOS
sensor for professional photographers
who want high-resolution images and
extraordinary detail.
Aimed at the most demanding professionals,
the 5DS R sports a low-pass cancellation lter
to deliver sharpness and extraordinary clarity.
NEW 5DS Body
NEW 5DS R Body
70D
1D X Mk II
2178
5D Mark III Body
Body
5199
5199
NEW 1D X Mk II Body
CUSTOMER REVIEW: EOS 5D Mk III Digital SLR Camera
CUSTOMER REVIEW: EOS 1D X Digital SLR Camera Body

bought this as an upgrade to
the 5D Mk 2 and have never
looked back.
Dave Cornwall
You havent got one? Get one!

Roland Northampton
Tripods
Pre-Loved
cameras
GT3542L
178cm Max Height
16cm Min Height
Quality used cameras,

lenses and accessories
with 12 months warranty*
www.wex.co.uk/pre-loved
*Excludes items marked as incomplete or for spares
Mountaineer
Carbon eXact Tripod:
GT0532................................................. 289
GT1532................................................. 339
GT2542................................................. 599
GT3542L ............................................... 709
MT190XPRO3
160cm Max Height
9cm Min Height
MT190XPRO3............. 129
MT190XPRO4............. 159
MT190CXPRO3 Carbon Fibre ............. 199
MT190CXPRO4 Carbon Fibre ............. 235
MT190XPRO3 + 496RC2 Ball Head ..... 139
Befree
Travel Tripod
144cm Max Height
34cm Min Height
Aluminium
Available in Black, Red,
Green and Blue ................... 119
Carbon Fibre ...................... 248
Hybrid GP2B
1000g Max Load
25.7cm Height
Joby Tripods
Original............................ 17
Hybrid ............................. 29
SLR Zoom................. from 39
Focus GP-8 ............... from 79
Flashguns & Lighting Accessories

Macrolites:
Speedlights:
Kits:
Flashguns:
Flashguns:
Flashguns:
Speedlites:
NEW
600EX-RT 429
379 Inc. 50
Cashback*
MR-14EX II
499
430EX II
189
Flashguns:
MT-24EX
749
Macro ash:
SB5000
499
SB910
339
R1 Close-Up
415
R1C1
555
HVL-F43M HVL-F60AM
429
249
Flashguns:
Flashguns:
MG8000
349
24 AF-1
49.99
44 AF-1
115
52 AF-1
179
58 AF-2
249
15 MS-1
249
EF 610 DG ST
89
EF 610 DG Super
119
EM-140 DG
Macro Flash
From 289
Di700................159
Di866 Mark II...199
MiniTT1 149
FlexTT5 149
Micro Apollo
25.99
Plus III Set

199
Collapsible
Umbrella Flash Kit
70
PlusX Set
139.99
Sand Bag
9.99
Light Stands
From
10.99
Background
Ezybox
Ezybox Hotshoe EzyBalance
Softbox 44.99 From 89.99 Grey 19.99 Support 124.99
Softlite
Reector Kits
Inc Honeycomb
& Diuser:
42cm 49
55cm 69
70cm 129
FL-600R
279
AF 540FGZ AF 360FGZ
#N/A
225
PZ42X
99
PF30X...............74.99
Rogue
3m Background
Support
89
FL-300R
134.99
Flashguns:
FlashBender Folding Softbox

From 23.99 From 54.99
Reectors:
30cm
12.50
50cm
22.99
75cm
34.99
Urban Collapsible 95cm
TriFlip Kits
59
165
From 69.99
120cm 74.99
Sekonic L-308s
139
Pro 478DR
349
DigiPro F
159.99
Terms and Conditions All prices incl. VAT at 20%. Prices

correct at time of going to press. FREE Delivery** available
on orders over 50 (based on a 4-day delivery service).
For orders under 50 the charge is 2.99** (based on a
4-day delivery service). For Next Working Day Delivery our
charges are 4.99**. Saturday deliveries are charged at a
rate of 8.95**. Sunday deliveries are charged at a rate
Reector
13**.(**Deliveries of very heavy items, N.I., remote areas
of Scotland & Ch. Isles may be subject to extra charges.
Bracket
E. & O.E. Prices subject to change. Goods subject to
24.99
availability. Live Chat operates between 9.30am-6pm MonFri and may not be available during peak periods. Subject
O Camera
to goods being returned as new and in the original
ash Cord
packaging. Where returns are accepted in other instances,
From 30.99 they may be subject to a restocking charge. Applies to
products sold in full working condition. Not applicable to
items specically described as IN or incomplete (ie. being
sold for spares only).
Wex Photographic is a trading name of Warehouse Express
Tilthead
Limited. Warehouse Express 2015.
17.99 *CASHBACKS Are redeemed via product registration with
the manufacturer. Please refer to our website for details.
Showroom: Drayton High Road, (opposite ASDA)
Norwich. NR6 5DP. Mon & Wed-Sat 10am-6pm, Tues
10am-5pm, Sun 10am-4pm
CALL CENTRE NOW OPEN SUNDAYS
Retailer of the Year, Gold Service Award winner 2015

and Best Online Retailer 2002-2014.
Good Service Awards winner 2008-2015.
01603 208761
Mon-Fri 8am-7pm, Sat 9am-6pm, Sun 10am-4pm
visit www.wex.co.uk
Follow us on Twitter, Facebook, Google+ and Youtube

for all the latest offers, reviews, news and advice!
DSLR Lenses
CANON LENSES
EF 20mm f2.8 USM ........................................ 385
EF-S 24mm f2.8 Pancake................................ 127
EF 28mm f1.8 USM ........................................ 345
EF 16-35mm f4 L IS USM ............................... 682
EF 40mm f2.8 STM......................................... 118.97
EF 70-200mm f4 L IS USM.............................. 795
EF 50mm f2.5 Macro Lens ............................. 201
EF-S 55-250mm f4-5.6 IS STM ....................... 200
EF-S 60mm f2.8 USM Macro.......................... 305
EF 300mm f4.0 L IS USM ............................... 959
EF-S 10-22mm f3.5-4.5 USM ......................... 377
EF 11-24mm f4L USM .................................... 2799
EF-S 15-85mm f3.5-5.6 IS USM...................... 509
EF-S 17-55mm f2.8 IS USM ............................ 519
EF-S 18-55mm f3.5-5.6 IS STM Lens .............. 169
EF-S 18-135mm f3.5-5.6 IS STM .................... 295
EF-S 18-200mm f3.5-5.6 IS............................. 356
EF 24-70mm f2.8 L IS USM II.......................... 1400
EF 28-135mm f3.5-5.6 IS USM....................... 359
EF 70-200mm f2.8L IS USM II......................... 1499
EF 70-300mm f4.0-5.6 L IS USM .................... 876
EF 100-400mm f4.5-5.6L IS USM II ................ 1799
EF-S 10-18mm f4.5-5.6 IS STM ...................... 179
EF-S 55-250mm f4.5-5.6 IS STM .................... 200
EF 16-35mm f2.8 L Mk II USM ....................... 1060
EF 24-70mm f4 L IS USM................................ 675
EF 50mm f1.8 STM......................................... 97
EF 28-300mm f3.5-5.6 L IS USM .................... 1795
EF 35mm f1.4L II USM.................................... 1799
NIKON LENSES
10.5mm f2.8 G IF-ED AF DX Fisheye ..............549
14mm f2.8 D AF ED Lens................................1199
20mm f1.8 G AF-S ED.....................................579
24mm f1.4 G AF-S ED.....................................1572
28mm f1.8 G AF-S ..........................................495
35mm f1.8 G ED AF-S.....................................369
40mm f2.8 G AF-S DX Micro ..........................209
45mm f2.8 D PC-E Micro ...............................1393
50mm f2.8 G AF-S ED Micro ..........................439
60mm f2.8 D AF Micro...................................368
58mm f1.4 G AF-S ..........................................1349
85mm f1.8 G AF-S ..........................................399
105mm f2.8 G AF-S VR IF ED Micro ...............659
135mm f2.0 D AF DC......................................1029
180mm f2.8 D AF IF-ED..................................695
200mm f4.0 AF Micro ....................................1179
300mm f4.0E AF-S PF ED VR..........................1499
NEW 500mm f4.0E FL AF-S ED VR .................8149
NEW 600mm f4.0E FL AF-S ED VR .................9649
10-24mm f3.5-4.5 G AF-S DX .........................639
14-24mm f2.8 G ED AF-S ...............................1425
NEW 16-80mm f2.8-4G ED AF-S DX VR .........869
16-85mm f3.5-5.6 G ED AF-S DX VR ..............429
17-55mm f2.8 G ED DX AF-S IF ......................979
18-35mm f3.5-4.5G AF-S ED ..........................549
18-105mm AF-S DX f3.5-5.6 G ED VR ............195
18-140mm f3.5-5.6 G ED AF-S DX VR ............429
18-200mm f3.5-5.6 G ED AF-S DX VR II .........549
18-300mm f3.5-5.6 ED AF-S VR .....................669
24-70mm f2.8 G ED AF-S................................1199
24-85mm f3.5-4.5 AF-S G ED VR....................375
24-120mm f4 G AF-S ED VR ...........................849
28-300mm f3.5-5.6 G ED AF-S VR..................

55-200mm f4.0-5.6 G AF-S ED DX VR II .........
55-300mm f4.5-5.6 G AF-S DX VR..................
70-200mm f2.8G ED AF-S VR II ......................
70-300mm f4.5-5.6 G ED AF-S IF VR..............
80-400mm f4.5-5.6 G ED AF-S VR..................
NEW 24-70mm f2.8E AF-S ED VR ..................
NEW 200-500mm f5.6E AF-S ED VR ..............
NEW 24mm f1.8G AF-S ED ............................
649
254
269
1579
429
1799
1849
1179
629
SIGMA LENSES - with 3 Year Warranty

30mm f1.4 DC HSM .......................................299
35mm f1.4 DG HSM .......................................599
50mm f1.4 EX DG HSM ..................................319
70mm f2.8 EX DG Macro ...............................351
85mm f1.4 EX DG HSM ..................................619
105mm f2.8 APO EX DG OS HSM Macro .......329
150mm f2.8 EX DG OS HSM Macro ...............649
8-16mm f4.5-5.6 DC HSM..............................499
10-20mm f3.5 EX DC HSM .............................329
12-24mm f4.5-5.6 EX DG HSM II....................529
17-70mm f2.8-4.0 DC OS HSM ......................319
18-200mm f3.5-6.3 DC OS HSM II .................239
18-250mm f3.5-6.3 DC Macro OS HSM.........279
18-300mm f3.6-6.3 C DC
Macro OS HSM...............................................349
24-70mm f2.8 IF EX DG HSM.........................549
50-150mm f2.8 EX DC APO OS HSM..............739
70-200mm f2.8 EX DG OS HSM .....................729
120-300mm f2.8 OS.......................................2499
120-400mm f4.5-5.6 DG OS HSM
From 639
150-500mm f5.0-6.3 DG OS HSM..................699
150-600mm f5.0-6.3 S DG OS HSM ...............1199
24mm f1.4 DG HSM A....................................599
150-600mm f5-6.3 C DG OS HSM..................739

24-35mm f2 DG HSM A..................................699
TAMRON LENSES - with 5 Year Warranty

180mm f3.5 Di SP AF Macro..........................
10-24mm f3.5-4.5 Di II LD SP AF ASP IF.........
15-30mm f2.8 SP Di VC USD ..........................
16-300mm f3.5-6.3 Di II VC PZD Macro.........
18-270mm f3.5-6.3 Di II VC PZD ....................
24-70mm f2.8 Di VC USD SP ..........................
28-300mm f3.5-6.3 Di VC PZD .......................
70-200mm f2.8 Di VC USD.............................
150-600mm f5-6.3 SP Di VC USD...................
18-200mm f3.5-6.3 Di II VC............................
579
349
849
399
269
679
529
929
799
169
For Canon-t Tamron,

Sigma or Samyang lenses,
visit our website
Computing
Photo Bags & Rucksacks

Photo Sport BP
Whistler BP 350
AW Backpack
Perfect for
carrying a pro
DSLR with lens
attached, 4-6 additional lenses,
a ashgun and
accessories.
Perfect for
200 AW Black
carrying a DSLR
with lens attached,
an additional lens,
ash, accessories,
a 2-litre hydration
reservoir (not
included), plus
extra gear such
as a bike helmet,
jacket, snacks and
a compact tripod.
Anvil Slim
Professional
Backpack
Manfrotto
Pro Light 3N1
Backpacks
Whistler:
Photo Sport BP:
BP 350 AW..............................257 200 AW ............................... 118
BP 450 AW..............................286 300 AW ............................... 147
Designed to hold
a digital SLR
with battery grip
and mid-range
zoom lens
attached, 3-4
additional lenses,
a ashgun and
iPad/tablet.
Hadley Pro
Original
Khaki
PIXMA Pro 100S................................................................375

PIXMA Pro 10S..................................................................529
PIXMA Pro 1......................................................................629
Canvas/Leather: Khaki, Black

FibreNyte/Leather: Khaki,
Sage, Black.
Digital.........................109
Anvil:
Anvil Slim..............189.99 Small ..........................139
Anvil Super ...........189.99 Large...........................154
Anvil Pro ...............209.99 Pro Original................169
3N1-25....................99
3N1-35....................119
NEW Datacolor
Spyder 5 Pro ....124
i1 Display Pro...159
ColorMunki
Smile.................67
Digital compact camera batteries, cases and accessories are available on our website
Digital Compact Cameras

NEW
NEW
16.1
20.2
megapixels
12.8
megapixels
65x
megapixels
4.2x
optical zoom
5.0x
optical zoom
1080p
optical zoom
1080p
1080p
movie mode
movie mode
movie mode
PowerShot G5 X
PowerShot G7 X
PowerShot G9 X
579
372
379
24x
WG-30
Red or Black.............. 169
Ricoh GR II
16.2 Megapixel with
xed f2.8 GR lens ...... 479
Lumix LX100
519
184
Black, Silver &
White
20.1
megapixels
megapixels
Stylus Tough TG-860
279
NEW
20.1
optical zoom
Lumix TZ100
Lumix DMC-FZ1000
549
589
Black or
Silver
NEW
16.3
16.3
megapixels
megapixels
APS-C
Black
18.2
megapixels
30.0x
optical zoom
1080p
movie mode
size sensor
Cyber-Shot RX10 II......................................... 1049

Cyber-Shot RX10............................................ 539
Cyber-Shot RX100 IV .................................... 759
Cyber-Shot RX100 III.................................... 569
Cyber-Shot RX100 II..................................... 349
Cyber-shot HX400.......................................... 287
Cyber-shot WX500 ........................................ 243
FinePix X100T 796
Black
PowerShot SX610 HS...................................99

PowerShot D30............................................194
PowerShot S120 ..........................................200
PowerShot SX530 HS...................................199
PowerShot SX710 HS...................................195
PowerShot G16............................................289
PowerShot SX60 HS.....................................299
PowerShot G1 X Mark II..............................464
Lumix FZ72...................................................196
Lumix TZ57...................................................159
Lumix TZ70 ..................................................260
Lumix FZ200 ................................................... 279
Lumix TZ60 ..................................................... 219
Lumix TZ80 ..................................................... 359
Black or Silver
Stylus TG-4
Intuos5 Pro Professional

Pen and Touch Tablet
Small ........................ 162
Medium ................... 242
Large ........................ 325
FinePix S9200............................................. 169

FinePix S1................................................... 279
FinePix S9800............................................. 169
FinePix XP80 .............................................. 119
XQ2............................................................. 219
X30 ............................................................. 283
NEW XP90.................................................. 179
Fuji X70 549
DJI Quadcopter
Drones
From 449
83x
optical zoom
16.0
Cyber-Shot HX90V
309
FREE delivery on orders over 50**
megapixels
Coolpix P900
489
**Based on a 4-day delivery service, UK only.
ASK THE EXPERTS AT
THE UKS FAVOURITE PHOTO SPECIALIST
For amazing part-exchange deals or to sell us your old equipment visit your local LCE branch.
BATH
01225 462234
CHESTER
01244 326531
GUILDFORD
01483 504040
LONDON (STRAND)
0207 379 0200
PORTSMOUTH
023 9283 9933
TAUNTON
01823 259955
BATH (LAKESIDE OPTICS)

01275 332042
COLCHESTER
01206 573444
HEREFORD
01432 272655
MANCHESTER
0161 834 7500
READING
0118 9592149
WINCHESTER
01962 866203
BRISTOL (BALDWIN STREET)

0117 929 1935
DERBY
01332 348644
LEAMINGTON SPA
01926 886166
NORWICH
01603 612537
SALISBURY
01722 335436
WORCESTER
01905 22314
BRISTOL (BROADMEAD)
0117 927 6185
EXETER
01392 279024
LINCOLN (HIGH STREET)

01522 528577
NOTTINGHAM
0115 941 7486
SOUTHAMPTON (CIVIC CENTRE)

023 8033 1720
OPENING TIMES:
MON-SAT: 9AM-5:30PM
CHELTENHAM
01242 519851
GLOUCESTER
01452 304513
LINCOLN (SILVER STREET)

01522 514131
PLYMOUTH
01752 664894
SOUTHAMPTON (HIGH STREET)

023 8022 1597
SELECTED STORES
OPEN SUNDAY
BRANCHES NATIONWIDE
UK MAIL ORDER Next day delivery available from all LCE branches. Postage & Insurance 4.99 for
most items. E. & O. E. Prices quoted include VAT @ 20%. Prices subject to change. Goods subject to availability.
SEARCH OUR USED EQUIPMENT AT:
www.LCEgroup.co.uk
Lowering the cost of printing...

We are a small, family owned and run company, specialising in photographic
consumables and proud winners of multiple Good Service Awards.
We are located in Leamington Spa, in the heart of Warwickshire.
If youre passing, please pop into our shop and meet Cooper our office dog!
01926 339977 www.premier-ink.co.uk
Ink Cartridges
Albums & Frames
Photo Papers
We carry one of the largest ranges of printer ink cartridges

in the UK, with cartridges in stock for practically every inkjet
printer. We always stock Original cartridges, which are made
by your printer manufacturer, and in many cases we also offer
Compatible cartridges, which are usually made by a UK company
called Jet Tec. Using Jet Tec Compatibles is a way of saving
money, without compromising on the quality of your prints.
We now stock a comprehensive range of frames, mounts, albums

and accessories. The full range can be viewed on our website,
with detailed close-up images of each product to help you
choose the perfect way to display your printed photographs.
Below is just a tiny sample of what we offer:
We carry a massive range of papers (sheets & rolls) at competitive

prices. Below are some examples of the selection we stock.
Here are the

results from two
independent ink
tests that agree...
Jet Tecs colours were superb, with single

greys and blacks very close to Epson... so
Jet Tec wins!
- Total Digital Photography Magazine
What were looking at here is not only
the best choice of ink for the R300 printer,
but also the best choice of ink in this
group test, period. Theres just no getting
away from the superb combination of
performance and pricing.
- Computer Upgrade Magazine
Ink Test
Winner
Grace Albums
Available in
Burgundy
or Blue.
Rio Frames
Travel
Albums
Handcrafted solid wood with

30mm wide profile, in four
colours.
Over a dozen
designs in stock.
Grafton
Albums
Available in
Burgundy
or Blue.
Baby
Albums
PGi29
Pixma Pro 1
Originals:
Set of 12
Colours 36ml each
PGi72
Pixma Pro 10
Originals:
Set of 10
Colours 14ml each
CLi42
Pixma Pro 100
Originals:
Set of 8
Colours 13ml each
Compatibles:
Set of 8
Colours 14ml each
CLi8
Pixma Pro 9000
Originals:
Set of 8
Colours 14ml each
Compatibles:
Set of 8
Colours 14ml each
No.16
Fountain Pen Inks
74.99
9.99
14.99
3.99
3.99
22.99
7.99
5.99
42.99
14.99
11.99
14.99
3.99
3.99
No.24
Elephant Inks
84.99
8.99
44.99
4.99
More Canon Inks...

Originals:
PGi520/CLi521 Set of 5 42.99
PGi520 Black 19ml
9.99
CLi521 Colours 9ml
8.99
PGi525/CLi526 Set of 5 42.99
PGi525 Black 19ml
9.99
CLi526 Colours 9ml
8.99
PGi550/CLi551 Set of 5 37.99
PGi550 Black 15ml
9.99
CLi551 Colours 7ml
7.99
PGi550/CLi551XL Set of 5 54.99
PGi550XL Black 22ml
11.99
CLi551XL Colours 11ml 10.99
PG540 Black 8ml
10.99
PG540XL Black 21ml
15.99
CL541 Colour 8ml
13.99
CL541XL Colour 15ml
15.99
PG545XL Black 15ml
13.99
CL546XL Colour 13ml
15.99
Compatibles:
PGi5 Black 27ml
4.99
CLi8 Colours 13ml
3.99
PGi5/CLi8 Set of 5
19.99
PGi520 Black 19ml
4.99
CLi521 Colours 9ml
3.99
PGi520/CLi521 Set of 5 19.99
PGi525 Black 19ml
4.99
CLi526 Colours 9ml
3.99
PGi525/CLi526 Set of 5 19.99
PGi550XL Black 25ml
4.99
CLi551XL Colours 12ml
3.99
PGi550/CLi551XL Set of 5 19.99
BCi6 Colours 15ml
2.99
PG40 Black 28ml
12.99
CL41 Colour 24ml
16.99
PG50 Black 28ml
12.99
CL51 Colour 24ml
14.99
PG510 Black 11ml
13.99
CL511 Colour 11ml
15.99
PG512 Black 18ml
13.99
CL513 Colour 15ml
15.99
PG540XL Black 21ml
13.99
CL541XL Colour 15ml
14.99
PG545XL Black 15ml
11.99
PG546XL Black 21ml
12.99
Many more in stock!
22.99
7.99
5.99
42.99
14.99
11.99
No.18
Daisy Inks
Originals:
27.99 No.18 Set of 4
3.99 No.18 Black 5.2ml
No.18 Colours 3.3ml each
No.18XL Set of 4
No.18XL Black 11.5ml
No.18XL Colours 6.6ml each
74.99 Compatibles:
9.99 No.18 Set of 4
No.18 Black 12ml
No.18
Colours 12ml each
27.99
3.99
PGi9
Pixma Pro 9500
Originals:
Set of 10
Colours 14ml each
Compatibles:
Set of 10
Colours 14ml each
Multiple
different
designs
available.
Originals:
229.99 No.16 Set of 4
19.99 No.16 Black 5.4ml
No.16XL Set of 4
94.99
9.99 Compatibles:
No.16 Set of 4
No.16 Black 12ml
No.16 Colours 12ml each
Originals:
No.24 Set of 6
No.24XL Set of 6
Compatibles:
No.24 Set of 6
No.24 Black 7ml
41.99
7.99
64.99
11.99
22.99
3.99
3.99
No.26
Polar Bear Inks
Originals:
No.26 Set of 4
No.26 Black 6.2ml
No.26XL Set of 4
Compatibles:
No.26 Set of 4
No.26 Black 10ml
29.99
8.99
7.99
49.99
14.99
13.99
14.99
3.99
3.99
T0481-T0486
Seahorse Inks
Originals:
Set of 6
Colours 13ml each
Compatibles:
Set of 6
Colours 13ml each
69.99
16.99
19.99
3.99
T0541-T0549
Frog Inks
Originals:
Set of 8
Colours 13ml each
Compatibles:
Set of 8
Colours 13ml each
105.99
14.99
27.99
3.99
T0591-T0599
Lily Inks
Originals:
Set of 8
Colours 13ml each
Compatibles:
Set of 8
Colours 13ml each
More Epson inks >>>
E&EO. Prices may be subject to change, but hopefully not!
89.99
11.99
27.99
3.99
Emilia Frames
Distressed wood
shabby chic
effect.
Blue or White.
Memo Style Albums:

Grace 6x4 100 photos
5.99
9.99
14.99
7.99
13.99
Grace A4 100 photos
15.99
Grafton 6x4 200 photos
9.99
Grafton 7x5 200 photos 13.99
Baby 6x4 200 photos
9.99
Travel 6x4 200 photos
8.99
Traditional Style Albums:
Grace 29x32cm 100 pages 14.99
Grafton 29x32cm 100 pgs 14.99
Baby 29x32cm 100 pages 12.99
Accessories:
Photo Corners Pack of 250 2.99
Photo Stickers Pack of 500 1.99
Frisco Frames
Simple,
basic design
available in a
huge range
of sizes &
colours.
Plastic Bevel, Glass Front:

Frisco 6x4 seven colours
1.99
2.29
2.79
3.49
Frisco 10x8 seven colours 3.79
Frisco 12x8 seven colours 4.59
Frisco A4 seven colours
3.99
Frisco A3 seven colours
8.99
Wood Bevel, Glass Front:
Emilia 6x4 two colours
4.99
5.99
6.99
7.99
8.99
Rio 6x4 four colours
5.99
6.99
7.99
8.99
9.99
More Ink Cartridges...

T0711-T0714
Cheetah Inks
Originals:
26.99
No.62XL Black 12ml
21.99
No.62XL Colour 11.5ml
23.99
32.99 No.300 Black 4ml
10.99
8.99 No.300 Colour 4ml
12.99
9.99
No.301 Colour 3ml
11.99
14.99 No.301XL Black 8ml
18.99
4.99 No.301XL Colour 6ml
18.99
3.99 No.350 Black
4.5ml
11.99
No.351 Colour 3.5ml
14.99
T0791-T0796
No.363 Black 6ml
13.99
Owl Inks
No.363 C/M/Y/PC/PM each 9.99
Originals:
No.363 SET OF 6
39.99
Set of 6
7.99
Colours 11.1ml each
12.99 No.364 PB/C/M/Y 3ml each 6.99
Compatibles:
No.364 SET OF 4
21.99
Set of 6
13.99
Colours 11.1ml each
3.99 No.364XL PB/C/M/Y 6ml each 12.99
No.364XL SET OF 4
49.99
T0801-T0806
No.920XL SET OF 4
46.99
Hummingbird Inks
No.932XL SET OF 4
43.99
Originals:
No.950XL SET OF 4
69.99
Set of 6
49.99 Compatibles:
Colours 7.4ml each
4.99
Compatibles:
No.21 Black 10ml
7.99
Set of 6
19.99 No.22 Colour 21ml
11.99
Colours 7.4ml each
4.99
No.56 Black 24ml
9.99
T0871-T0879
No.57 Colour 24ml
12.99
Flamingo Inks
No.78 Colour 36ml
9.99
Originals:
No.110 Colour 12ml
10.99
Set of 8
14.99
Colours 11.4ml each
16.99
Compatibles:
No.301XL Black 15ml
14.99
Set of 8
16.99
Colours 11.4ml each
10.99
No.338 Black 21ml
10.99
T0961-T0969
No.339 Black 34ml
12.99
Husky Inks
No.343 Colour 21ml
12.99
No.344 Colour 21ml
14.99
Originals:
Set of 8
12.99
69.99 No.348 Photo 21ml
Colours 11.4ml each
14.99
No.351XL Colour 20ml
16.99
Compatibles:
6.99
Set of 8
27.99 No.363 Black 20ml
Colours 11.4ml each
4.99
3.99 No.363 Colours 6ml each
No.363 SET OF 6
24.99
T1571-T1579
No.364 Black 10ml
4.99
3.99
Turtle Inks
No.364 SET OF 4
15.99
Originals:
8.99
Set of 8
Colours 25.9ml each
18.99 No.364XL Colours 11ml each 7.99
No.364XL SET OF 4
31.99
T7601-T7609
No.920XL SET OF 4
19.99
No.932XL
SET
OF
4
29.99
Killer Whale
No.940XL SET OF 4
29.99
Originals:
29.99
Set of 9
169.99 No.950XL SET OF 4
Many more in stock!
Colours 25.9ml each
18.99
Originals:
Set of 4
Black 7.4ml
Colours 5.5ml each
Compatibles:
Set of 4
Black 7.4ml
Colours 5.5ml each
Photo Glossy 160gsm:

6x4 50 sheets +50 FREE
3.99
A4 100 sheets
12.99
Photo Satin 200gsm:
6x4 100 sheets +100 FREE 9.99
A4 100 sheets +100 FREE 19.99
Photo Glossy 200gsm:
6x4 100 sheets +100 FREE 9.99
A4 20 sheets
6.99
Premium Pearl 270gsm:
6.99
A4 20 sheets +20 FREE
8.99
Premium Gloss 270gsm:
A4 25 sheets OFFER
8.99
A3 25 sheets OFFER
15.99
A3+ 25 sheets OFFER
19.99
Smooth Pearl 310gsm:
6x4 100 sheets
14.99
7x5 100 sheets
17.99
A4 25 sheets
12.99
A4 100 sheets
39.99
A4 250 sheets
84.99
A3 25 sheets
25.99
A3+ 25 sheets
35.99
17 Roll 30 metres
69.99
24 Roll 30 metres
96.99
Smooth Gloss 310gsm:
6x4 100 sheets
14.99
7x5 100 sheets
17.99
A4 25 sheets
12.99
A4 100 sheets
39.99
A3 25 sheets
25.99
A3+ 25 sheets
35.99
Premium Matt Duo 200 gsm:
A4 50 sheets
12.99
A3+ 50 sheets
34.99
Heavy Duo Matt 310gsm:
A4 50 sheets
17.99
A3+ 50 sheets
44.99
Gold Fibre Silk 310gsm:
A4 50 sheets
37.99
A3+ 50 sheets
89.99
Gold Mono Silk 270gsm:
A4 25 sheets
16.99
A3+ 25 sheets
42.99

6x4 100 sheets
12.99
7x5 100 sheets
16.99
A4 50 sheets
17.99
A3 50 sheets
34.99
A3+ 25 sheets
25.99
Panoramic 25 sheets
26.99
17 Roll 30 metres
68.99
24 Roll 30 metres
85.99
PF Lustre 275gsm:
6x4 100 sheets
12.99
7x5 100 sheets
16.99
A4 50 sheets
17.99
A3 25 sheets
35.99
A3+ 50 sheets
47.99
Panoramic 25 sheets
26.99
17 Roll 30 metres
69.99
24 Roll 30 metres
86.99
PF Gloss 270gsm:
A4 50 sheets
17.99
A3 50 sheets
35.99
A3+ 50 sheets
47.99
Panoramic 25 sheets
26.99
Matt Ultra 240gsm:
A4 50 sheets
12.99
A3 50 sheets
26.99
A3+ 50 sheets
35.99
Fine Art / Fibre Base Papers:
Baryta A4 20 sheets
21.99
Bartya A3 20 sheets
42.99
Etching A4 25 sheets
19.99
Etching A3 25 sheets
34.99
Smooth Cotton A4 25 sh 24.99
Smooth Cotton A3 25 sh 51.99
PP-201 Plus Glossy II 275gsm:

6x4 50 sheets
9.99
7x5 20 sheets
11.99
A4 20 sheets
11.99
A3 20 sheets
27.99
A3+ 20 sheets
36.99
PT-101 Pro Platinum 300gsm:
6x4 20 sheets
7.99
A4 20 sheets
16.99
A3 20 sheets
37.99
A3+ 10 sheets
24.99
SG-201 Semi-Gloss 260gsm:
6x4 50 sheets
9.99
A4 20 sheets
11.99
A3 20 sheets
27.99
A3+ 20 sheets
42.99
LU-101 Pro Lustre 260gsm:
A4 50 sheets
14.99
A3 50 sheets
32.99
A3+ 50 sheets
49.99

6x4 100 sheets
12.99
7x5 100 sheets
18.99
A4 50 sheets
18.99
A4 50 sheets
18.99
A3 50 sheets
35.99
A3+ 25 sheets
28.99
17 Roll 30 metres
64.99
24 Roll 30 metres
89.99
Ultra Pearl 295gsm:
6x4 100 sheets
14.99
7x5 100 sheets
20.99
A4 25 sheets
12.99
A3 25 sheets
22.99
A3+ 25 sheets
30.99
13 Roll 10 metres
21.99
17 Roll 30 metres
68.99
24 Roll 30 metres
92.99
Titanium Lustre 280gsm:
A4 25 sheets
22.99
A3 25 sheets
44.99
A3+ 25 sheets
62.99
Oyster 271gsm:
6x4 100 sheets
12.99
7x5 100 sheets
18.99
A4 50 sheets
18.99
A3 25 sheets
22.99
A3+ 25 sheets
28.99
13 Roll 10 metres
26.99
17 Roll 30 metres
64.99
24 Roll 30 metres
89.99
Gloss 271gsm:
6x4 100 sheets
12.99
7x5 100 sheets
18.99
A4 50 sheets
18.99
A3 25 sheets
22.99
A3+ 25 sheets
28.99
13 Roll 10 metres
26.99
17 Roll 30 metres
64.99
24 Roll 30 metres
89.99
Matt Plus 240gsm:
6x4 100 sheets
10.99
7x5 100 sheets
13.99
A4 50 sheets
13.99
A3 25 sheets
17.99
A3+ 25 sheets
22.99
13 Roll 10 metres
24.99
17 Roll 30 metres
42.99
24 Roll 30 metres
58.99
Matt Proofing 160gsm:
A4 150 sheets
18.99
A3 75 sheets
22.99
17 Roll 30 metres
26.99
24 Roll 30 metres
36.99
Double Sided Matt 250gsm:
A4 100 sheets
24.99
A3 50 sheets
27.99
Fine Art / Fibre Base Papers:
FB Gold Silk A4 25 sh
23.99
FB Gold Silk A3 25 sh
47.99
FB Distinction A4 25 sh 25.99
FB Distinction A3 25 sh 48.99
FB Royal A4 25 sheets
28.99
FB Royal A3 25 sheets
56.99
FB Gloss A4 25 sheets
26.99
FB Gloss A3 25 sheets
51.99
FB Matt A4 25 sheets
19.99
FB Matt A3 25 sheets
38.99
Artist A4 25 sheets
22.99
Artist A3 25 sheets
39.99
Museum A4 25 sheets
25.99
Museum A3 25 sheets
48.99
Parchment A4 25 sheets 22.99
Parchment A3 25 sheets 39.99
Omega A4 25 sheets
24.99
Omega A3 25 sheets
46.99
Portrait A4 25 sheets
26.99
Portrait A3 25 sheets
53.99
Portrait White A4 25 sh 26.99
Portrait White A3 25 sh 49.99
Premium Gloss 255gsm:

9.99
7x5 30 sheets
9.99
A4 15 sheets +15 FREE
9.99
A3 20 sheets
29.99
A3+ 20 sheets OFFER
24.99
Ultra Gloss 300gsm:
6x4 50 sheets
9.99
7x5 50 sheets
12.99
A4 15 sheets
11.99
Premium Semi-Gloss 251gsm:
6x4 50 sheets
8.99
A4 20 sheets
14.99
A3 20 sheets
29.99
A3+ 20 sheets OFFER
24.99
Archival Matte 192gsm:
A4 50 sheets
14.99
A3 50 sheets
33.99
A3+ 50 sheets
44.99
Heavyweight Matte 167gsm:
A4 50 sheets
11.99
A3 50 sheets
34.99
A3+ 50 sheets
44.99
www.premier-ink.co.uk Telephone: 01926 339977 or 0800 1077 211 Premier Ink & Photographic 12 Longfield Road, Leamington Spa, Warwickshire CV31 1XB
Lowering the cost of photography

Orders are shipped promptly by Royal Mail 1st class post, for which we charge just 1.99 per
order. All prices include VAT, and a full VAT receipt is provided with every order. Payment
accepted credit/debit card, cheque or postal order. Orders accepted securely online,
www.premier-ink.co.uk, over the telephone 01926 339977, by post, or by visiting our shop:
Premier Ink & Photographic, Longfield Road, Sydenham Ind Estate, Leamington Spa CV31 1XB.
01926 339977 www.premier-ink.co.uk
Memory
Batteries
Filters
The full range of Sandisk and

Lexar memory cards at very
competitive prices.
Replacement rechargeable
Li-ion batteries, manufactured
by Hahnel or Blumax. All come
with a two-year guarantee.
One of the largest ranges of screw-in threaded

filters in the UK, from Hoya, Kood and Marumi.
We carry sizes from 24mm, up to 105mm, and offer Clear
Protectors, UVs, Skylights, Circular Polarisers, ND4s, ND8s, ND16s,
ND32s, ND64s, ND500s, ND1000s, Variable NDs, Starbursts, Close
Up Sets and more! Below are just a few examples...
SDHC & SDXC

Lexar Professional
633X (95MB/s)
16GB
8.99
32GB
15.99
64GB
27.99
128GB
54.99
1000X (150MB/s)
16GB
14.99
32GB
22.99
64GB
35.99
128GB
63.99
2000X (300MB/s)
32GB
51.99
64GB
95.99
Sandisk Blue
33X (5MB/s)
4GB
3.49
8GB
3.99
16GB
5.99
Sandisk Ultra
266X (40MB/s)
8GB
4.99
16GB
6.99
32GB
12.99
64GB
24.99
Sandisk Extreme
400X (60MB/s)
16GB
10.99
32GB
17.99
64GB
34.99
Sandisk Extreme Pro
633X (95MB/s)
16GB
17.99
32GB
23.99
64GB
42.99
128GB
82.99
1866X (280MB/s)
16GB
49.99
32GB
79.99
64GB
129.99
Compact Flash
Lexar Professional
800X (120MB/s)
8GB
19.99
16GB
27.99
32GB
36.99
64GB
56.99
1066X (160MB/s)
16GB
33.99
32GB
56.99
64GB
99.99
128GB 192.99
Sandisk Ultra
333X (50MB/s)
8GB
11.99
16GB
15.99
32GB
24.99
NB-2L/LH for Canon

9.99
NB-4L for Canon
9.99
NB-5L for Canon
9.99
NB-6L for Canon
9.99
NB-7L for Canon
9.99
NB-9L for Canon
9.99
NB-10L for Canon
12.99
NB-11L for Canon
12.99
BP-511 for Canon
12.99
LP-E5 for Canon
9.99
LP-E6 for Canon
16.99
LP-E8 for Canon
12.99
LP-E10 for Canon
12.99
LP-E12 for Canon
12.99
NP45 for Fuji
9.99
NP50 for Fuji
9.99
NP95 for Fuji
9.99
NPW126 for Fuji
12.99
NP400 for Fuji
12.99
EN-EL3E for Nikon
14.99
EN-EL5 for Nikon
9.99
EN-EL9 for Nikon
12.99
EN-EL10 for Nikon
9.99
EN-EL11 for Nikon
9.99
EN-EL12 for Nikon
9.99
EN-EL14 for Nikon
19.99
EN-EL15 for Nikon
24.99
EN-EL19 for Nikon
12.99
EN-EL20 for Nikon
12.99
EN-EL21 for Nikon
12.99
Li10B/12B for Olympus 9.99
Li40B/42B for Olympus 9.99
Li50B for Olympus
9.99
BLM-1 for Olympus
12.99
BLN-1 for Olympus
24.99
BLS-1 for Olympus
12.99
BLS-5 for Olympus
15.99
CGR-S006 for Panasonic 9.99
CGA-S007 for Panasonic 9.99
DMW-BCG10 Panasonic 19.99
DMW-BCM13 Panasonic 19.99
DMW-BLB13 Panasonic 27.99
DMW-BLC12 Panasonic 23.99
DMW-BLD10 Panasonic 23.99
DMW-BLG10 Panasonic 22.99
DMW-BMB9 Panasonic 22.99
D-Li90 for Pentax
12.99
D-Li109 for Pentax
12.99
SLB-1137D for Samsung 9.99
SLB-1674 for Samsung 12.99
BG-1 for Sony
19.99
BX-1 for Sony
14.99
BY-1 for Sony
12.99
NP-FM500H for Sony
19.99
NP-FH50 for Sony
19.99
NP-FW50 for Sony
24.99
Battery Grips
Professional battery
grips, made by Hahnel.
Sandisk Extreme
800X (120MB/s)
16GB
26.99
32GB
32.99
64GB
47.99
128GB
94.99
5DMkII for Canon

5DMkIII for Canon
6D for Canon
7D for Canon
70D for Canon
650D/700D for Canon
D600 for Nikon
D800/D810 for Nikon
D3300/D5300 for Nikon
D7100 for Nikon
Sandisk Extreme Pro

1066X (160MB/s)
16GB
33.99
32GB
47.99
64GB
82.99
128GB 149.99
Universal Chargers
Unipal ORIGINAL
Unipal PLUS
Unipal EXTRA
XQD Cards
Lexar Professional
1333X (200MB/s)
32GB
69.99
64GB
99.99
MicroSDHC & SDXC

Lexar Professional
633X (95MB/s)
32GB
21.99
64GB
43.99
Delkin Professional
375X (56MB/s)
32GB
16.99
64GB
32.99
Sandisk Ultra
320X (48MB/s)
16GB
6.99
32GB
12.99
64GB
24.99
Readers & Cases

Lexar USB3 Card Reader 22.99
Lexar HR1 Workflow Hub 49.99
Delkin USB2 Card Reader 9.99
Delkin USB3 Card Reader 19.99
Delkin SD Card (x8) Case 6.99
Delkin CF Card (x4) Case 6.99
84.99
84.99
84.99
84.99
84.99
84.99
84.99
84.99
74.99
84.99
Battery Chargers
19.99
24.99
29.99
AA & AAA Chargers

Hahnel TC Novo inc. 4xAA 8.99
Energizer Pro inc. 4xAA 14.99
Energizer 1 Hr inc. 4xAA 22.99
Other Batteries
Pre-Charged Rechargables
AA GP Recyko 3+1 FREE
5.24
AAA GP Recyko 3+1 FREE 5.24
AA Energizer Extreme (4) 8.99
AAA Energizer Extreme (4) 6.99
Standard Rechargeables
AA GP 2600mAh (4)
9.99
AA Lloytron 1300mAh (4) 3.99
AA Lloytron 2700mAh (4) 6.99
AAA Lloytron 1100mAh (4) 3.99
Lithium Batteries
AA Energizer Ultimate (4) 5.99
AAA Energizer Ultimate (4) 5.99
CR123A Energizer (1)
1.99
CR2 Energizer (1)
1.99
2CR5 Energizer (1)
3.99
CRP2 Energizer (1)
3.99
CRV3 Energizer (1)
5.99
A544 Energizer Alkaline (1) 1.99
A23 Energizer Alkaline (1) 1.99
LR44 Energizer Alkaline (2) 1.99
CR2025, CR2032 etc
1.99
Straps & Accessories
KOOD Slim Frame

UV Filters
37mm
4.99
40.5mm
4.99
46mm
4.99
49mm
4.99
52mm
4.99
55mm
5.99
58mm
6.99
62mm
7.99
67mm
8.99
72mm
9.99
77mm
11.99
82mm
14.99
86mm
19.99
Marumi DHG Slim

Frame Multi-coated
Clear Protectors
37mm
10.99
43mm
10.99
46mm
10.99
49mm
10.99
52mm
10.99
55mm
11.99
58mm
12.99
62mm
14.99
67mm
15.99
72mm
17.99
77mm
19.99
82mm
22.99
KOOD Slim Frame

Circular Polarisers
37mm
12.99
40.5mm
12.99
46mm
12.99
49mm
12.99
52mm
14.99
55mm
15.99
58mm
17.99
62mm
19.99
67mm
22.99
72mm
26.99
77mm
29.99
82mm
34.99
86mm
39.99
Marumi DHG Slim

Frame Multi-coated
UV Filters
52mm
13.99
58mm
15.99
62mm
17.99
67mm
19.99
72mm
21.99
77mm
24.99
HOYA Pro-1D Slim

Frame Multi-coated
Clear Protectors
52mm SPECIAL 16.99
58mm
28.99
62mm
31.99
67mm
35.99
72mm
39.99
77mm SPECIAL 29.99
82mm
49.99
Marumi DHG Slim

Frame Multi-coated
Circular Polarisers
52mm
31.99
58mm
35.99
62mm
39.99
KOOD
67mm
44.99
ND4 & ND8 Filters 72mm
49.99
52mm
26.99 77mm
54.99
58mm
34.99 82mm
69.99
HOYA Pro-1D Slim

Frame Multi-coated
Circular Polarisers
52mm
52.99
58mm
60.99
62mm
67.99
67mm
75.99
72mm
90.99
77mm SPECIAL 79.99
82mm
120.99
Hoya HMC
Slim Frame
UV Filters
37mm
40.5mm
46mm
49mm
52mm
58mm
62mm
67mm
72mm
77mm
82mm
12.99
12.99
12.99
11.99
11.99
14.99
16.99
18.99
21.99
25.99
29.99
Square Filters
Sling Straps
from 29.99
The ingenious
Peak Design
Clutch, Slide,
Leash, Cuff &
Capture Clip
System. Entire
range in stock.
From
15.99
Neoprene
Straps
from 11.99
Tripods & Monopods

EVO3
IS HERE
Manfrotto
Carbon Fibre Monopod
Only 59
Vyv
149
Rick 199
Brian 349
Manfrotto
XPRO
3 Way
Head 99
Triad 30
Tripod with
BH30
Ball Head
Only 39
NEW Manfrotto
We stock three widths of square filters:

A-type (67mm wide), P-Type (84mm wide)
and Z-Type (100mm wide). Made in the UK, Kood square filters
are optically flat, with excellent colour density, neutrality and
stability. They received a maximum 5 star rating from Digital
Camera Magazine.
P-Type: 84mm wide filters
Standard Holder
5.99
Wide Angle Holder
6.99
Filter Wallet for 8 filters 9.99
Adapter Rings 49-82mm 4.99
Circular Polariser
27.99
ND2 Solid
12.99
ND2 Soft Graduated
13.99
ND2 Hard Graduated
13.99
ND4 Solid
12.99
ND4 Soft Graduated
13.99
ND4 Hard Graduated
13.99
ND8 Solid
14.99
ND8 Soft Graduated
15.99
ND8 Hard Graduated
15.99
Light Blue Graduated
12.99
Dark Blue Graduated
12.99
Light Tobacco Graduated 12.99
Dark Tobacco Graduated 12.99
Light Sunset Graduated 14.99
Dark Sunset Graduated 14.99
Starbursts x4, x6, x8
17.99
Red/Green/Yellow each 14.99
Six-piece ND Filter Kit 59.99
Z-Type: 100mm wide filters

Pro Holder
24.99
ND2 Solid
16.99
ND2 Soft Graduated
17.99
ND2 Hard Graduated
17.99
ND4 Solid
16.99
ND4 Soft Graduated
17.99
ND4 Hard Graduated
17.99
ND8 Solid
18.99
ND8 Soft Graduated
19.99
ND8 Hard Graduated
19.99
Light Blue Graduated
17.99
Dark Blue Graduated
17.99
Light Tobacco Graduated 17.99
Dark Tobacco Graduated 17.99
Light Sunset Graduated 18.99
Dark Sunset Graduated 18.99
A-Type: 67mm wide filters
Standard Holder
4.99
ND2 Solid
10.99
ND2 Graduated
11.99
10.99
A popular kit containing an ND2, ND2 ND4 Solid
11.99
Soft Grad, ND4, ND4 Soft Grad, Filter ND4 Graduated
ND8 Solid
11.99
Holder, plus Adapter Ring of your
choice (49-82mm).
ND8 Graduated
12.99
190 & 055

tripods
from just 149
Camera Bags
Mind Shift bags
from 27
A big range of Billingham bags

starting at 109
Entire range of
ThinkTank bags
in stock, from
just 25.99
Lens Accessories
Bayonet-Fit Lens Hoods
ES-62 Canon 50/1.8
9.99
ES-71II Canon 50/1.4
9.99
ET-60 Canon 75-300/4-5.6 9.99
ET-65B Canon 70-300/4-5.6 9.99
ET-67 Canon 100/2.8 Macro 9.99
ET-67B Canon 60/2.8
9.99
EW-60C Canon 18-55 IS
7.99
EW-63C Canon 18-55 IS STM 9.99
EW-73B Canon 18-55 IS
9.99
EW-78BII Canon 28-135 IS 9.99
EW-78D Canon 18-200 IS
9.99
EW-78E Canon 15-85 IS
12.99
EW-83E Canon 17-40/4.0 12.99
HB-32 Nikon 18-105 VR
7.99
HB-45 Nikon 18-55 VR
7.99
Stepping Rings
25mm to 105mm
160 different sizes
4.99-5.99
Reversing Rings
52mm to 77mm
Canon, Nikon, Sony, Olympus

and Pentax
9.99-19.99
Coupling Rings
49mm-77mm
Screw-Fit Lens Hoods

37mm Rubber Hood
40.5mm Rubber Hood
43mm Metal Hood
46mm Rubber Hood
46mm Metal Hood
49mm Rubber Hood
49mm Shaped Petal Hood
52mm Rubber Hood
55mm Rubber Hood
58mm Rubber Hood
62mm Rubber Hood
67mm Rubber Hood
72mm Rubber Hood
77mm Rubber Hood
3.99
3.99
5.99
3.99
5.99
3.99
6.99
3.99
6.99
3.99
6.99
3.99
6.99
4.99
7.99
4.99
7.99
5.99
9.99
5.99
9.99
Lens Caps
Lens Caps Centre-Pinch
2.99
9.99-11.99 Body & Rear Lens Caps 3.99
Action Cameras
Genuine GoPro
A massive range of GoPro

Cameras, Batteries, Memory
Cards and Accessories in stock
at competitive prices!
www.premier-ink.co.uk Telephone: 01926 339977 or 0800 1077 211 Premier Ink & Photographic 12 Longfield Road, Leamington Spa, Warwickshire CV31 1XB
Hero
Hero+
Hero3+ Black
Hero4 Silver
Hero4 Black
Hero4 Session
Battery Hero3+
Battery Hero4
Dual Charger Hero3+
Dual Charger Hero4
Battery BacPac
LCD Touch BacPac
Blackout Housing
Tripod Mounts
Chest Harness
Head Strap
Helmet Strap
Handlebar Mount
The Handler
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14
14
25
39
39
59
39
7
29
14
12
14
21
E&EO. Prices may be subject to change, but hopefully not!
QUOTE AP2702 FOR

AN EXTRA 10
ON TOP OF OUR
VALUATION
to all our lovely

customers for
voting for us!
Do you have any unwanted

photographic equipment?
WE BUY MORE
...Most Digital SLRs, Mirrorless cameras, Advanced Compacts, Classic 35mm SLRs, Vintage cameras,
Medium Format cameras, AF & MF lenses, high quality camera bags, tripods & many accessories!
GENTLY REQUIRED
35mm FILM SLR CAMERAS UR
It really is as easy as... 1-2-3!
Dale Hawkins
Used Equipment Manager
1. GET IN TOUCH
Call Dale direct for a chat.

Over 30 years of knowledge
and still friendly!
Give us a call and have a chat.

Or ll out our simple form at
www.cameraworld.co.uk/used
2. GET COLLECTED
DIRECT LINE: 0207 467 9912

EMAIL: dale@cameraworld.co.uk
Pop it in the post or we can

collect it when convenient*
*Dependant on value.
3. GET PAID
COMMISSION SALES:
Take advantage of one of our

super Trade-Up Offers, or just
take the money and ENJOY!
Get your hands on the

NEW Fujilm X-Pro2 and
get advice from experts from
Fujilm and CameraWorld.
We can also sell your equipment for you for only 15%
commission. Please call Dale for more information.
DEMO
DAYS
EXCLUSIVE
Offers
Saturday
Saturday
27th February
5th March
- London Store
- Chelmsford Store
LONDON 020 7636 5005
14 Wells Street (off Oxford Street), London W1T 3PB
CHELMSFORD 01245 255510
High Chelmer Shopping Centre, Chelmsford, Essex CM1 1XB
Goods and delivery services subject to stock and availability. Prices subject to change.
Pictures are for illustration purposes only. All prices include VAT@ 20%. E. & O.E.
www.cameraworld.co.uk/used
77
Tel 0113 2454256
Visit us: 60-62 The Balcony, Merrion Centre, Leeds, LS2 8NG
Open Mon-Fri 9:30am - 5:00pm Saturday 9:30am - 4.00pm
Family run Independent supplier since 1985
Email: info@dalephotographic.co.uk
All our cameras are genuine UK stock - NEVER Grey Imports
Professional Dealer
NEW 50 MegaPixel EOS 5Ds and 5Ds R

2Years 0% Finance on all L series Lenses
EOS 1DX Body - 2yrs 0%
400 PX BONUS on 1DX
EOS 5D Mk III plus a
Free BG-E11 Grip
EOS 5D III + 24-70 f2.8 II
EOS 5Ds + Free Grip
EOS 5Ds R + Free Grip
EOS 7D Mk II
EOS 6D 100 Cash back
EOS 70D 60 Cash back
EOS 70D + 18-135 STM
4,399
- 400
2,249
EOS 760D Body

EOS 700D + 18-135 STM
8-15mm f4 L Fisheye
10-18mm f4.5-5.6 IS
3,699 11-24mm f4 L
16-35mm f4 L IS
2,999 16-35mm f2.8 L
3,199 17-40mm f4 L
17-55mm f2.8 IS
1,299 24-70mm f4 L IS
1,139 24-70mm f2.8 L II
24-105mm f4 IS
729
18-200mm IS
939
70-200mm f4L
649
668
905
181
2,799
682
1,064
499
502
675
1,400
749
356
439
70-200mm f4 IS
797
70-200mm f2.8 L
945
70-200mm f2.8 L IS II
1,499
70-300mm f4-5.6 IS
368
70-300mm f4-5.6 L IS
894
135mm f2
679
100-400mm f4.5-5.6L NEW 1,849
200-400mm f4 L IS 1.4x
8,598
24mm f2.8 IS
429
24mm f1.4 L II
1,179
35mm f2 IS
399
35mm f1.4L II
1,799
50mm f1.4
237
995
50mm f1.2L
85mm f1.4
237
85mm f1.2L II
1,499
100mm Macro f2.8
373
100mm Macro f2.8 L IS
619
300mm f4 L IS
959
300mm f2.8 L IS II
4,654
400mm f4 DO IS II
6,999
400mm f2.8 L IS II
7,698
500mm f4 L IS II
6,898
600mm f4 L IS II
8,895
800mm f5.6 L IS
9,899
2x III WITH LONG PRIMES FREE
1.4x III 302 2xIII Extender 314
445
600EX-RT Speedlite
Professional Dealer
Chrismas Cash backs 50 on the D5500 and 20 on the D3300
D4S - D810 - D750 - D610 - D7200 - D5500 - LENSES - FLASHGUNS - ACCESSORIES
D4S Body
4,399
2 YEAR UK WARRANTY
Df + 50mm f1.8
1,999
D810 Body 350 Px Bonus 2,349
D810 + 24-120mm f4
2,999
D810 + 24-70mm f2.8
3,579
D810 + 14-24mm f2.8
3,679
D750 Body 150 PX Bonus 1,499
D750 + 24-120mm f4
1,877
D610
1,049
D610 + 24-120mm f4
1,769
D7200 Body
775
D7200 +18-105mm VR
929
D7100 Body
619
D7100 +18-105mm VR
799
D5500 + 18-55mm VRII

569
D5500 + 18-140mm
699
D3300 +18-55mm VRII
319
10-24mm f3.5-4.5 DX
599
14-24mm f2.8
1,299
16-35mm f4 VR
795
16-85mm f3.5-5.6 VR DX 399
18-35mm f3.5-4.5
489
18-140mm f3.5-5.6 VR
419
18-200mm f3.5-5.6 VR II DX549
18-300mm f3.5-5.6 VR DX 649
24-70mm f2.8E ED VR
1,849
24-120mm f4 VR
729
28-300mm f3.5-5.6 VR
649
70-200mm f2.8 VR II
1,578
70-200mm f4 VR
859
12,200
H5D-40 Body Set
7,795 S (type 007) Body
7,995
H5D-40 + 80mm f2.8 Lens 8,795 S-E Body + 70mm S Lens
H5D-50
13,995 M-P (type 240) Silver/Black 4,749
4,299
H5D-50 Multi-Shot
22,566 M (type 240) Silver/Black
Special
Prices
End
30.10.15
H5D-50c
17,598 Monochrom (type 246) Black 5,950
H5D-50c Wi-fi
18,354 Monochrom body Black
4,250
H5D-50c Multi-Shot
26,779 T body + 23mm Lens
2,249
H5D-60
25,698 T Body +18-56mm Lens
2,299
H5D-200 Multi-Shot
27,858 X 2
1,349
H5D 50C + 28mm + 80mm19,554 X Vario Silver/Black
1,499
CFV-50c Digital Back
1,529
6,995 X (type 113) Silver/Black
1,099
Instoredemoavailable.SeeWebsitefor X-E (type 102)
779
fulllistofHasselbladlensesandaccessories D-Lux (type 109)
V-Lux (type 114)
849
Q Camera
Pre Order 2,900
See Website for full list of
Leica
lenses
and
accessories
Canon/Nikon Fit
OTUS 55mm f1.4
2,699
OTUS 85mm f1.4
3,019
15mm f2.8
2,069 8x20 Monovid
339
18mm f3.5
8x20 Trinovid BCA
999
334
21mm f2.8
1,346 10x25 Trinovid BCA
375
25mm f2
1,188 8x20 Ultravid BR
510
28mm f2
10x25 Ultravid BR
920
535
35mm f2
8x20 Ultravid BL (Leather)
799
561
35mm f1.4
1,346 10x25 Ultravid BL (Leather)
578
50mm f1.4
8x32 Ultravid HD -Plus
520
1,350
50mm f2 Makro
10x32 Ultravid HD-Plus
920
1,375
85mm f1.4
8x42 Trinovid
920
995
100mm f2 Makro
1,346 10x42 Trinovid
999
135mm f2
1,599 8x42 Ultravid HD
1,399
Fuji/Sony Mount
Monovid
339
Touit 12mm f2.8
649
1,439
Touit 32mm f1.8
449
1,485
Touit 50mm f2.8 Macro 599
1,529
WealsoStockZMmountlensesfor 10x50 Ultravid HD - Plus
1,575
12x50
Ultravid
HDPlus
LeicaM/ZeissIkon/Voigtlander
1,665
70-300mm f4.5-5.6 VR
399
80-400mm f4.5-5.6 AFD VR1,799
200-500mm f5.6E ED VR 1,179
20mm f1.8 G
539
24mm f1.4 G
1,379
28mm f1.8 G
495
35mm f1.8 G ED
399
35mm f1.4 G
1,295
50mm f1.8 G
135
50mm f1.4 G
275
58mm f1.4 G
1,135
85mm f1.8 G
339
85mm f1.4 G
1,149
NEW 300mm f4 EPFEDVR 1,639
105mm f2.8 Micro VR
619
85mm f3.5 Micro VR DX
349
200mm f2 G ED VR II
4,099
300mm f2.8 G VR II
3,799
400mm f2.8 FL ED VR
9,499
500mm f4E FL ED VR
8,149
600mm f4E FL ED VR
9,649
800mm f5.6 FL VR+TC1.25 12,995
PC-E 24mm f3.5
1,479
PC-E 45mm f2.8
1,399
2x TC-20 E III Converter
329
1.4x TC-14 E III Converter 429
SB910 Speedlight
339
SB700 Speedlight
229
SB-R1C1 Commander
549
SU-800 Comander Unit
269
WT-5
449
UK STOCK UK STOCK
X-T1 + 18-135mm
1,249
NEW Session Camera 229
X-T1 + 18-55mm
1,149
Hero4 Black
329
X-T1 Body
842
X-T1 Graphite Body
999
Hero4 Silver
250
X100T Silver/Black
839
Hero+
149
X-Pro1 +18mm +27mm
649
X30 Silver/Black
329
SeeWebsiteforfulllistof
XF 16-55mm f2.8 R LM WR 741
GoProMountsandaccessories
XF 10-24mm f4 OIS
714
XF 35mm f1.4
379
XF 50-140mm f2.8 OIS
1,099
XF 55-200mm f3.5-4.8 OIS
486
XF 14mm f2.8
648
XF 16mm f1.4 R WR
729
XF 23mm f1.4
649
Nikon/Canon Fit
XF 60mm f2.4 R
408
8-16mm f4-5.6 DC
519
XF 56mm f1.2
723
10-20mm f4-5.6 DC
349
XF 90m f2 R LM WR
649
See website for full listing
10-20mm f3.5 DC
384
Cash back avaliable
12-24mm 4.5-5.6 DG MKII 569
17-70mm f2.8-4 DC C
329
18-35mm f1.8 DC Art
609
18-250mm f3.5-6.3 DC
299
8X25 PocketCL Green/Black
18-300mm f3.5-6.3 DC C 375
504
10X25 PocketCL Green/Black
540
24-35mm f2 DG Art
799
8x32 ELFieldPro
1,475 24-105mm f4 DG Art
679
10x32 ELFieldPro
1,495
649
8.5x42 ELFiieldPro
1,800 50-500mm f4.5-6.3 DG
10x42 EL FieldPro
799
1,820 70-200mm f2.8 DG
10x50 ELFieldPro
1,935 150-600mm f5-6.3 DG C 879
12x50 ELField Pro
1,955 150-600mm f5-6.3 DG S 1,399
8x42 ELRangeW B
2,195
636
10x42 EL RangeWB
2,268 35mm f1.4 DG Art
ATX 30--70x95SpottingScope
2,870 50mm f1.4 DG Art
669
ATX 25-60x85SpottingScope
2,600 24mm f1.4 DG Art
699
ATX 25-60x65SpottingScope
2,150
379
ATS80-HDAngled+25-50xscope 1,999 105mm f2.8 Macro DG
ATS65-HDAngled+25-50xscope 1,539 180mm f2.8 Macro DG
1,189
190XPRO3
159 494RC2
46
190XPRO4
169 496RC2
57
190CXPRO3 299 498RC2
79
190CXPRO4 299 460MG
299
055XPRO3
179 804RC2
57
055CXPRO3 359 MHXPRO-3W 109
055CXPRO4 374 410 Geared 153
Befree Alu
149 MVH502AH 105
Befree Carbon 279 MVH500AH 122
Free monopod with carbon tripods
Roger Evo3
Brian Evo3
Jack
279
379
249
Vyv Evo3
Rick Evo3
149
199
AT113/AT114 99
CT113/CT114 219
AT213/AT214 118 CT213/CT214 257
AT313
149 CT313/CT314 357
AT413
175 CT414
429
Short Columns aluminium/carbon from
20
Grand Series Carbon FibreTripods:
CT203
406 CT404
518
CT304
449 CT505
824
Grand Turismo Travel Tripod Kits:
AGT114 (Alu)
263 CGT114(Carbon) 395
AGT214 (Alu)
304 CGT214(Carbon) 458
Heads
BHD0 98/BHD1 115/BHD2 129/BHD3 153
BHL1 175/BHL2 224/BHL3 262/GHB2 349
USED EQUIPMENT - Quality photographic equipment wanted for part exchange or commission sales
HasselbladH4D-50 MultiShot+80mmf2.88,995
795
HasselbladH2BodySet
2,250
HasselbladH1+150mmf3.2HC
3,295
Hasselblad35-90mmf4-5.6HCD
Hasselblad V HMi100PolaroidBack 75
1,495
Hasselblad120mmf4MacroHC
50
HasselbladVsystem16mmExtTube
2,250
Hasselblad28mmf4HCD
2,295
Hasselblad28mmf4HCD
75
HasselbladV-system45Prismfinder
6,995
LeicaSBody
3,495
LeicaM(type240)Black
2,495
LeicaM9(silver)
895
LeicaT 23mmf2Summicron
2,150
LeicaM-Mount28mmf2(6-bitcoded)
LeicaM-Mount35mmf2.5(6bitcoded) 995
1,395
LeicaX-Vario Black-New
395
LeicaD-Lux6+Case
895
LeicaUltravid10x50BINOs
OlympusOM-DE1+12-40mmf2.8lens
CanonEOS1DsMkIII
CanonEOS 5D body+24-105mmf4L
CanonEOS5DMarkIIbody
CanonEOS400D+18-55mm
CanonEOS40Dbody
CanonEOSRebelT4i+18-55mm
CanonEOS650D+18-55mmISII
CanonEF28-300mmf3.5-5.6LIISUSM
CanonEF100mmf2.8LIS
CanonEF14mmf2.8LII
CanonEF16-35mmf2.8LII
CanonEF70-200f4ISUSM
CanonEF85mmf1.2LII
CanonEF70-300f4.5-5.6DOISUSM
CanonEF8-15mmf4LFisheye
CanonEF TS-E24mm
Sigma170-500mmCanon
CanonEF70-300mmISUSM
CHECK OUT OUR WEBSITE FOR MORE

PRODUCTS AND DEALS
895
995
595
849
99
149
175
249
995
495
995
750
695
995
449
695
595
249
225
CanonEF1.4XExtenderII
CanonEF2xExtenderIII
Sigma24-70mmf2.8(CANON)
ZeissZE15mmf2.8CanonFit+UV
Zeiss21mmf2.8DistagonZE-Canon
Zeiss50mmf1.4PlanarZE- Canon
NikonD800
NikonD2Xs
NikonD300+MB-D10
NikonD300 +18-55mm
NikonD5000+18-55mm
NikonD3100body
NikonAF-S70-200mmf2.8GVR White
NikonAF-S600mmf4GEDVR
NikonAF-S85mmf1.4G
NikonAF-S24-70mmf2.8ED
NikonAF80-400mmf4.5-5.6DVR
Sigma150-500mmOSNikon
NikonAF-S300mmf4D
175
199
195
1,595
995
395
1,195
495
295
295
189
99
795
4,995
895
859
595
449
695
NikonReflex500mmf8
Nikon AF-S85mmf1.8G
NikonTC-17EII
NikonAF-D18-35mmf3.5-4.5D
SigamEX10-20mmf4-5.6DCNikon
NikonAF-SDX35mmf1.8G
NikonAF-S18-55f3.5-5.6DXVRII
NikonAF-S55-200mmF4-5.6DX
CanonEF24-70mmf2.8L
BronicaPE125-250mmf5.6
BronicaPE40mmf4
Zeiss21mmf2.8DistagonZE-Canon
Samyang8mmf2.8-FujiX
Checkoutthewebsite
forthemostuptodate
listingsofsecondhand
equipment
395
225
195
195
249
99
95
69
495
150
150
995
149
1000Pro 2 Head 1566 500R 3 Head Kit 1437

750Pro 2 Head 1253 500R 2 Head Kit 809
500Pro 2 Head 1139 500C 2 head Kit 857
See full range of Bowens softboxes, stands and
other accessories on our website
B1TTLAirHead 1,554 B1 2 Head kit 3,420

Air Remote TTL 312 B2 To Go kit 1,695
B1 Location Kit 3,060 B2 Location kit 1,994
Full list of Accessories available on our website:
HR and Rfi Softboxes, umbrellas, reflectors,
grids and kits
WWW.DALEPHOTOGRAPHIC.CO.UK
PRICES INCLUDE VAT @ 20% (EXCLUDING SECONDHAND) - PRICES SUBJECT TO CHANGE - UPDATED 11/11/2015

M

7/;.9(7/0*
-

WANTED
USED PHOTOGRAPHIC EQUIPMENT
IN GOOD CONDITION
REWARD
INSTANT CASH!
Contact: cash4cameras@ntlworld.com
19, Aldershaw Close, Parkside, Staord. ST16 1SX.
Callers by appointment only
Telephone: 01785 601028

www.cash4cameras.co.uk
GET A FREE QUOTE

WANTED NOW:
Most photographic items, also
binoculars, spotting scopes. Single
items to large collections.
Collection possible within 75 miles of Staord.
Collectab
Cameras
Simon &le
Julie
Chesterman
Minolta 645
Riva
Zoom
115
35
mint
boxed......................29
Mamiya
Pro
/ Super
fit
90
degree
prism
finder.
VGC.......149
...... 39
Mamiya
C220
Pro
TLR,
with
80mm
f2.8
Sekor
lenses
Minolta
Zoom
115EX
EX
35compact
compact
mint
boxed
29
Minolta Riva
Riva Zoom
Quality
metal
compact
boxed ............
................29
Mamiya
Press
/ 23: 130.
focus
screen
/ Suit
single
filmrange.
back
................
49
Mamiya
handMeter
grip,
right
TLR
................12
Minolta
Meter
M,ananhanded.
excellent
example,
with
instr.....
Minolta Spot
Spot
M,
excellent
example,
with
instr.
............159
159
Minolta
SR
Angle
Finder
mintand
andboxed
boxed
with
case.........
25
Mamiya
Komura
2x
Teleconverter.
................
39
Minolta RB67
SR
Angle
Finder
II,II,
mint
with
case.................25
Mamiya
Press
/ Super
23
focus
screen
/Excellent
single
film
back ....49
Minolta
X-300S
SLR
with
50mm
Minolta
MD
lens........
49
Minolta TLR
X-300S
with
Minolta
MDcondition
lens...................49
Mamiya
135mm
f4.5
Sekors,
black.
User
........ 49
Mamiya
Press
/SLR
Super
2350mm
set off1.7
5f1.7
ext
rings,
mboxed.........39
Nikon AF
50mm
f1.8
AFEC
lens.
NearVGC.......................
mint..............................59
Minox
EC
outfit:
Black
outfit,
cased
59
Mamiya
TLR
135mm
f4.5Nikkor
Sekors,
chrome
type.
...................
39
Mamiya
RB67
120
back,
6x4.5.
Good
user
condition
..........35
Nikon
AF
70-210mm
f4-5.6
AF
Nikkor
zom
lens.
VGC
..................59
Nikon AF Digital 17-70mm f2.8-4 Sigma DC HSM OS...... 199
Minolta
5000
AF120
+ 35-70mm
Sigma
Zoom
lens
....... 29
Nikon AF
AF
fit
f4-5.6
Dgood
DLDL
Macro
Zoom
.............59
Mamiya
RB67
back,
6x7f3.5-4.5
user
condition
...............35
Nikon
fit 70-300mm
70-300mm
f4-5.6
DSigma
Sigma
Macro
Zoom
.... 59
Nikon AF-D
28-200mm
f3.8-5.6
Tamron
Di Asph
IF ................69
Minolta
AFfit28-85mm
3.5-4.5
Zoom
lensXR
w/caps
....................
49
Nikon
Ai
28-85
f3.5-4.5
AT-X
zoom
lens.
VGC .....109
39
Mamiya
RB67
180mm
f4.5Tokina
Sekor
C ............................................
lens.
VGC
..................109
Nikon
Ai
50mm
f1.4
Nikkor
lens.
VGC
Minolta
AF55mm
35-105mm
f3.5-4.5
Zoomlens
lens.
nice quality
......... 49
Nikon
f2.8
Micro
Nikkor
+ PK-13
tube...............39
........119
Nikon Ais
AiRB67
fit 28-85
f3.5-4.5
Tokina
AT-X
zoom
lens. ..................149
VGC
Mamiya
360mm
f6.3
Sekor
C lens.
VGC
Nikon
fit
f4.5compact
Vivitar
Multi
Macro .... 39
29
Minolta
AF 50mm
fit 70-210mm
70-210mm
f3.5-4.5
Sigma
AFCoated
APO zoom.........
Nikon AIS
Ais
f1.8 Nikkor
lens.
Lovely........................59
Mamiya
RB67
65mm
f4.5
Sekor
CLovely
lens.
......................99
Nikon
DSLR
body.
boxed,
tiny
crack,VGC
SALE.................
79
Nikon D50
Ais
50mm
f1.8
Series
E lens.
example.....................49
Minolta
Vectis
APS
SLR
fit
50m
f3.5
Macro
lens.
Boxed ........ 35
Mamiya
RB67
Extension
Tube
No.1,
45mm.
VGC
Nikon
black
leather
semi
hard
case.
Good
condition........
29
Nikon F
AIS
fit 70-210mm
f4.5
Vivitar
Multi
Coated
Macro
.............29
Miranda
Auto
Sensorex
EE+
50/1.8
Auto
Miranda
E ...............19
lens
...... 49
Nikon F2
Ais
TC-201
teleconverter.
Very
optics
SALE
..............59
Nikon
Photomic
body,
black.
Fairnice
to Good
condition
...... 99
Mamiya
RB67
Komura
2x
Teleconverter.
Excellent
..............39
Nikon
f3.5-4.5
AF Nikkor
Zoom
lens ...............139
59
NikonAF
Ais35-105mm
TC-300 2Xbody,
teleconverter.
Very condition................
nice optics....................79
Nikon
F2
Photomic
black.
Good
Mamiya
RB67
Prism
finder,
un-metered.
LovelyED
optics
........49
Nikon
D50
DSLR
body.
boxed,
tiny
crack,
SALE............................79
Nikon
AF
Digital
18-55mm
f3.5-5.6
AF-S
Nikkor
G
II........
49
Nikon F3 HP body. In VGC, a nice example ..................... 179
NikonAF
F3HP
body,
signsf4-5.6
of normal
use.
Working
well
...............
Mamiya
TLR
Paramender.
Good
working
order....................20
Nikon
fit body,
70-300mm
Sigma
APO
DG.
Nr
mint
.........169
79
Nikon
F70
VGC,
working
perfectly..............................
29
Nikon F4 SLR, with 28-80 f3.5-5.6 Sigma AF-D lens................... 169
Manfrotto
056
Pro
tripod
plusfor
115
3D
head.
Nikon
MB-D100
battery
grip
D100
plus
2 VGC................59
batteries
........ 29
29
Nikon
43-86mm
f3.5
Zoom
Nikkor
lens.
Nice
optics,..........
NikonAi
F70
body,
VGC,
working
perfectly..........................................29
Nikon
electronic
release.
10
pin
, F5
+nr
DSLR's........
29
Nikon
FE43-86mm
body,set:
black.
well
...................................................79
6x6
projector
Rank
Hi-Lyte
66.
3lens.
lenses,
mint ...........59
Nikon
AiMC-30
f3.5Working
Zoom
Nikkor
VGC
....................
49
Nikon
non
50mm
f2 Nikkor-H
Auto
scalloped,
Super
...... 29
55
NikonAi
FM2N
body,
black.
Working
well
.............................................79
Nikon
FitAi
Macro
7 element
Kenko
Teleplus
2x ........
Minolta
Hi-Matic
7Focus
with 45mm
f1.8
Rokkor
VGC ..................49
Nikon non
MB-D100
battery
for D100
plus
2 batteries................29
Nikon
Ai 85mm
f1.8grip
Nikkor-H
Auto
scalloped
lens...... 109
Nikon
F
Body,
1960,
no.64279XX
with
plain
prism
finder.
...
199
Minolta
MC
200mm
f3.5
Tele
Rokkor
QF
scalloped
lens......49
Nikon
Non-Ai
fit
135mm
f2.5
Vivitar
Auto
fast
tele
lens
................35
Nikon Non-Ai fit 135mm f2.5 Vivitar Auto fast tele lens........ 35
Nikon
F Photomic
FTN
Body,
1970,
no.71087XX
VGC
........ 169
Olympus
AF-10
AF
compact,
with
35mm
f3.5
lens........................19
Minolta
Riva
Zoom
115
EX 35
compact
mint
boxed.............29
Olympus
AF-10
AF
compact,
with
35mm
f3.5
lens.
............
19
Olympus
E-400
DSLR,
with
lens,
mint,
boxed...............
Nikon
L39
screw
mount
5cm17.5-45
f2 new,
Nikkor
H.C.,
filter
ring
ding
...109
89
Olympus
E-410
body
only.
As
barely
used.
Boxed
.....
89
Minolta
SR
Angle
Finder
boxed
with
case
.........25
Olympus
E-410
body
only.II,
Asmint
new,and
barely
used.
Boxed
..............89
Olympus
Mjuremote
1thirds
AF compact,
with
35mm
f3.5lens.
Zuiko.............
29
Nikon
MC30
release
Olympus
four
40-150mm
f3.5-4.5
M-.................59
Minolta
XG-1,
chrome.
With...................................................15
50mm
f1.7zoom
MD lens
VGC........49
Olympus
Mju
IIThirds
zoom
Quartz
weatherproof
AFbox
.....109
29
Nikon
Non
50mm
f1.4
scalloped
lens.
VGC
inlens.
Nikon
Olympus
to80
OM
fit lensDate
adaptor.
mint..........................19
Nikon
AF Four
fitAi24-50mm
f4-5.6
Sigma
UCf3.5
.............39
Olympus
Mju
35-70
zoom
lens,
nrzoom
mint
boxed
......... 49
29
Olympus
Mju
1Zoom,
AF compact,
withH35mm
Zuiko
......................29
Nikon
Non-Ai
28mm
f3.5
Nikkor
Scalloped
lens.
...............
Nikon
AF Mju
fit 70-210mm
AF-D
Sigma
UC-IIcased.......
zoom
.......29
Olympus
OM
f4 Zuiko
Zoom
nr mint
49
Olympus
II75-150mm
zoom 80 f4-5.6
Quartz
Date
weatherproof
AF .............29
Nikon
Non-Ai
55mm
f3.5
Micro
Macro
lens.
............
Olympus
Zoom,
35-70
zoom
lens,
nr mint
boxed...................29
Olympus
OM
Bounce
Grip
for Nikkor-P
310
flash
lovely
example
..... 59
29
Nikon
AF Mju
fit 70-300mm
f4.5-5.6
Sigma
AF
APO
zoom.........59
Nikon
Non-Ai
80-200mm
f4.5 Zoom
lens.
49
Olympus
OM
200mm
f4 Macro
Zuiko
Auto
TNikkor
lens.2x,
VGC............................59
Olympus
OM24-120mm
fit Vivitar
Focusing
mint,VGC
box..........
.........
29
Nikon
AF-D
f3.5-5.6
D
IF
lens.
Mint
boxed
.......129
Olympus
OM
200mm
f4
Zuiko
Auto-T
lens.
Near
mint..................69
Nikon
Speedlight
SB-25
flash. Nice
condition
........................
Olympus
OM Focus
screens,
selection
in stock
................. 29
15
Olympus
28mm
f2.8
Zuiko
Auto
WSuper
lens.
Boxed
......................49
Nikon
Ais OM
TC-201
teleconverter.
Very
nice
optics
SALE
.......59
Olympus
OM
holdall.
Small
version.
condition..........
29
Nikon
Speedlight
SB-600,
suits
all
Nikon
Digital
SLR.
...........
79
Olympus
OM 35-105mm
f3.5-4.5
Zuiko
Zoom,
nr mint
.................69
Nikon
AisMju
TC-300
teleconverter.
Very
nice
optics............79
Olympus
OM
Power
Bounce
Grip
2.
Mint
and
boxed..........
35
Olympus
135-105mm
AF 2X
compact,
35mm
f3.5
boxed
............ 29
Olympus
OM
f3.5-4.5
Zuiko.
nrZuiko
mint,
boxed................75
Olympus
OM135mm
T20
flash
Boxed
and
near
.....................
22
Nikon
F Focus
screen
type
B.
nr
mint,
boxed
.......................19
Olympus
OM
35mm
f2.8
MC
Zuiko
Auto
W mint
lens.............................49
Olympus
OM
f3.5
E.Zuiko
Auto-T
lens,
lovely ........... 35
Olympus
OM35mm
T20 flash,
VGC Shift
complete
with case...............
19
Olympus
OM
f2.8 Zuiko
lens.
259
Nikon
FM3A
chrome.
Ding on
oneNear
end,mint..................
nice
user.....199
Olympus
OM
135mm
f3.5Adapter
E.Zuiko
Auto-T
lens,
VGC................
............ 25
Olympus
OMbody,
T32 Wide
and
ND
filterboxed
set
9
Olympus OM
50mm
f1.4 Zuiko
Auto-S.
nr mint
..................89
Nikon
MB-D100
battery
grip
for
D100
plus
2
batteries.........29
Olympus
OM
135mm
f3.5
Zuiko
Auto
T
VGC
.........................
35
Olympus OM
f1.8 leads,
MC Zuiko
nr mint
boxed ................29
Olympus
OM 50mm
TTL Auto
mintlens
boxed
0.3m-5m
from...... 7
Olympus
OM
75-150mm
f4
Zuiko
lens.
nr mint...............................49
Olympus
OM
Spot
35-70
f3.5-4.5
Zuiko
..... 69
Olympus
OM2000
Winder
2.Metering.+
Good
condition
working
well..........
29
Nikon
Nikkormat
Ftn
body,
black.
Average,
working
well......49
Olympus
OM 75-150mm
f4 Zuiko
Zoom
nr mint
cased................49
Pathe
Motocamera
9.5mm,
2cm
f3.5
Carl
Zeiss
lens..........
29
Olympus
OM
f2.8
Zuiko
Auto
wide
angle
lens ........ 49
Nikon
Non
Ai28mm
135mm
f3.5
QW
lens,
VGC.....................45
Olympus
OM
85-250mm
f5 Nikkor
MC Zuiko
Auto Zoom
VGC................99
Pentax Efina
APS camera.
Lovely
design,
mint, ..................
boxed....... 39
25
Olympus
OM
Zuiko
Autoflash
W lens.
Nikon
Non
Ai28mm
28mmf3.5
f2.8
Tamron
lens.
VGC,Mint
nice quality.....19
Olympus
OM
Bounce
Grip
for 310
lovely
example
.............29
Pentax
fit
Pentacon
Magnifying
angle
finder.
......................
25
Olympus
OM
fit
Vivitar
Macro
Focusing
2x,
mint,
box
..................29
Olympus
OM
f3.5-4.5
S.HZuiko
Auto-Zoom
............
29
Nikon
Non
Ai35-70mm
28mm
Nikkorlens,
Auto
lens.
Scalloped
......49
Pentax
K OM
135mm
f3.5f3.5
SMC-M
VGC,
nice
optics.........
25
Olympus
holdall.
Small
version.25mm.
Super
condition...................29
Olympus
Extension
Mint
boxed
.......... 15
Pentax
KOM
AF
200SA
flash,f3.5
nrFtube,
cased
............................
19
Nikon
Non
AiAuto
35-105mm
Vivitar
Zoom
lens.
Lovely.......35
Olympus
OM
Mains
adaptor
. mint,
AC.
for
QA
310
flash.....................15
Olympus
focus
Grid
type.
Excellent
condition,
..... 15
Pentax
KOM
fitAi300mm
f4.5
Soligor
lens.
Top
condition............
39
Olympus
OM
Power
Bounce
Grip
2. Mint
and
boxed
...................35
Nikon
Non
50mmsreen:
f2 Nikkor
H
Auto
lens.
Scalloped
.........45
T20 flash,
flash Boxed
and example.
near
Olympus
OM
Pentax
KOM
fit 75-205mm
f3.8 Vivitar
MCmint..................................22
zoom
+ 2x conv ..... 29
39
Olympus
T32
near
mint
.........................
Nikon
NonOM
Ai T20
50mm
f2 VGC
Nikkor
HC Auto
lens.
Scalloped.......49
Olympus
flash,
complete
with
case
.........................19
Pentax
KOM
Kiron
MC7,
element
2x converter.
Super
.......... 29
19
Olympus
Winder
2.7Good
condition
working
well
............
Olympus
OM
flash,
with
zoom
adaptor
and
filters
................35
Nikon
Non
Ai T32
55mm
f3.5
Micro.
Scalloped
+1:1
tube
...........79
Pentax
K1000
slr,chrome,
with
55mm
f2
SMC
lens.cased
...............
49
Olympus
OM-2n,
with
50/1.8
Zuiko
lens...................
59
Olympus
T32 Widef3.5-4.5
AdapterCosina
and ND
filterwide
set...........................9
Pentax
KAOM
ultra
zoom ........
49
Nikon
R/F
fit19-35mm
13.5cm
viewfinder,
with Parallax
correction.
....49
OlympusOMuto
OM Winder
2. Good
condition
working
well..................29
Olympus
extension
tube
14mm mint
boxed................
15
Pentax
KAF
fit Sigma
100-300mm
f4.5-6.7
DL +Zoom
.........
49
Nikon
Rangefinder
light
meter,
second
booster
.....69
Olympus
OM-1,
black,
with
50mm
f1.8
Zuikotype
lens.........................89
Olympus
Pen
FT fit
bellows
set plus
focus
rail.
.............
39
Pentax
KAF
fitF/Sigma
28-200mm
f3.8-5.6
UC VGC
Zoom...........
49
Olympus
OM-1n
body, chrome
vgc mark
on base
...........69
Nikon
SB24
Speedlight.
Near boxed
mint
condition,
boxed
............35
Pentax
fitM42
Pentacon
Magnifying
angle
finder.
V Nice
..............
19
Pentax
Bellows
II,chrome.
lovely
condition,
nr mint,
boxed......
35
Olympus
OM-1n
body,
A
lovely
example
Boxed
............89
Nikon
Speedlight
SB-600,
all
Nikon
Digital
SLR ..........99
Pentax
Angle
finder.
Me/Mx/SP
etc,
VGC
cased........
19
Olympus
OM-1n,
chrome
+ suits
50/1.8
All
boxed.........................99
Pentax
KRight
80-200mm
f4.5 SMC-M
lens.
Lovely
condition
....... 29
Olympus
Pen
(original
model)
2nd
version
nice
order.................45
Pentax
Spotmatic
with
55mm
f1.8lens.
SMC
Takumar.........
49
Olympus
Mju
1 AFSP,
compact,
with
35mm
f3.5
Zuiko
.............29
Pentax
KA
70-210mm
f4
SMC
A zoom
Excellent...........
49
Olympus
Pen EE-3
half camera
frame with
28mm
Zuiko....................29
Photax
french
for(no
6x9
onf3.5
620
film.
............
19
Olympus
Mju
II,bakelite
Silver,
35mm
f2.8
AF
lens.
NrZuiko...................29
mint..............69
Pentax
LX
FA-2
Eye
Level
Finder
shoe)
Exc++,
box
....... 79
Olympus
Pen
EE-3
half
frame,
with
28mm
f3.5
Rank Electra "Linear" CDS meter VGC boxed..................... 19
Olympus
OM
200mm
f4 MC
Zuiko
Multi
Coated
......49
Pentax
LXS-1
FE-1
Waist
Level
Magni-Finder.
Near
Mint
...........
69
Pathe Motocamera
9.5mm,
2cm
f3.5 Auto-T
Carl Zeiss
lens....................29
Reflecta
film
and
slide
scanner
toLimited
computer
or TV........
49
Pentax
FA
43mm
f1.9
SMC
Pentax-FA
lens
....................
319
Pentax
LXOM
real70
leather
ever
case.
Olympus
35-70mm
f4 Sready
Zuiko
TwoVGC........................
TouchApogon
VGC.............49
Rollei
withMagnifying
35-70
HFT
Macro
Vario
........ 29
39
PentaxPrego
fit Pentacon
angle
finder.
V Nice.....................25
Pentax
LX
System
Finder
FB-1+
Action
Eyepiece
FC-1
......
79
Rolleiflex
16 on
mask
set,
2.8f,flash
3.5flovely
etc.
boxed
...........
15
Olympus
Bounce
Gripsuits
for 310
example
......29
Pentax K OM
40mm
f2.8
Pancake
lens.
usable
condition................49
Rolleiflex
Bay
2 filter,
Mid
Yellow.
VGC,
cased.....................
17
pentax
50 1.7
A lens,
Serviced,
boxed,
...........
229
PentaxLX,
K OM
135mm
f3.5
SMC-M
lens,
VGC,
nice
optics....................25
Olympus
fit
Vivitar
Macro
Focusing
2x,excellent
mint,
box
..........29
Rolleiflex
Bayonet
2flash,
lens nr
hood
(suit
3.5f etc)
......................
22
PentaxLX,
K AF
mint,
cased.........................................19
Pentax
50200SA
1.7 Mflash
lens,
serviced
boxed,
normal
use ....... 199
Olympus
T20
Boxed
near
mint.......................22
Pentax K OM
fit
300mm
Soligor
lens.
Top condition
.....................39
Rolleiflex
Bayonet
I f4.5
Rolleinar
2 and
set .......................................
29
Pentax
135mm
f3.5f3.8
Auto
Takumar
semi
auto,
VGC ....... 19
PentaxM42
K OM
fit
75-205mm
Vivitar
MC
zoom
+
2x
conv...............39
Olympus
T20leather
flash,
VGC
complete
with
case................19
Rolleiflex
folding
Binocular
viewing
hood
VGC........ 49
Pentax
digital
Black
Brass
body.
brassing
.........
129
PentaxMX-1
K OM
Kiron
MC7,
72.
element
2x
converter.
Super
....................19
Rolleiflex
Plate
adapter
back
set.
withLight
screen,
3x well
holder.....
29
Olympus
Winder
Good
condition
working
..........29
PentaxProgram
KA 19-35mm
f3.5-4.5
Cosina
ultra wide zoom..................49
Pentax
A body,
VGC,
..............................................39
Rusian
35mm
viewfinder,
ideal
Zorki,
Fed,
Kiev
etc
............
19
Olympus
withPentax
50/1.8lens.
Zuiko
lens.
Vgc...........78
Pentax KAOM-1,
50mmchrome,
f1.7 SMC-A
VGC
............................39
Pentax
Ref
M, right
angle
finder,
ME,
LX,cased
MX .......
Tamron
Ad Converter
2fit28mm
f2.5
BBAR
MC
lens.UCNr
mint
..... 49
29
Pentax
KAF
Sigma
28-200mm
f3.8-5.6
Zoom......................49
Olympus
OM-1n,2chrome,
+ 50/1.8
MC lens...............69
Tamron
Adaptall
f3.8-4
CFZuiko
Tele
Macro
Zoom
...... 29
29
Pentax
Coverter,
right
angle
finder,
fits
SV, S1a
etc ........
PentaxRef
M42
Bellows80-210
II,
lovely
condition,
nr mint,
boxed...............35
Olympus
OM-2n
chrome.
Good
..........................39
Tamron
Adaptall
mount
28-70
f3.5-4.5
compact
lens .......
19
PentaxSuper
Right
Angle
finder.
etc,user
VGC
cased..................19
Pentax
A + 2body,
50mm
f2Me/Mx/SP
SMC-M
Pentax
lens.
Lovely
....... 69
PraktisixAdaptall
SLR,28mm
80/2.8
Biometar,
Prism,
nice.....................99
Tamron
f2.8
lens.
Original
type....................
19
Olympus
OM-2SP
,with
black.
VGC
with
50/1.8
lens
...................99
Petri
Flex 6x6
fit
28mm
f3.5
Petri
CC
Auto
lens.
Scalloped
..........199
29
Ricoh GR1,
black,
28mm
f2.8
lens. processor.
Really nice boxed
..................
Tamron
Fotovix
Film
Video
..... 39
Olympus
Pen
FTTF-56WE
+with
38/f1.8
Zuiko
Superb
example.............179
Petri
Petriflex
V6
SLR,
55mm
f2 Petri
CC
Auto
lens ....... 39
Rollei
35T, 40mm
Tessar
VGC;
meter/slow
speeds
u/s.................59
Taron
VR,
35mm
CRFwith
camera.
With
45mm
f2.8
Taronar....
29
Pentax
fit
Pentacon
Magnifying
finder.
V Nice
............25
Rollei Prego
70 with
35-70
HFTf4.5
Macro
Vario
Apogon
Polaroid
Pathfinder
+ 127
Yashinon
make
a..................39
4x5....
119
Topcon
(Unirex
etc)120
fit 200mm
f4angle
UV
Topcor
lens................
29
Rolleiflex
16
on
mask
set,
suits
2.8f,
3.5f
etc.
boxed.....................15
Pentax
K(Unirex
AFCRF,
200SA
flash,
nrRikenon
mint,
......... 29
Ricoh
500G
withfit
40/2.8
lens, new
Topcon
etc)
28mm
f4 UVcased.............................19
Topcor
lensseals
mint-.........
29
Rolleiflex Bayonet 1 H1 filter, VGC cased...........................................9
Universal
Minute
16
subminiature
camera.
Boxed
..............
49
Pentax
K fit
75-205mm
Vivitar
MC
zoom
2x conv.......39
Ricoh
KR-10
Super.1 With
50mm
f2 Rikenon
(K +mount)..........
39
Rolleiflex
Bayonet
lensf3.8
hood,
super
condition,
cased
..............19
Voigtlander
40.5mm
Focar
set,
A,B,C
and
DNr
allMint
boxed........
19
Rolleiflex
Bayonet
1 UV
filter,
super
condition,
case.......................9
Rollei
35KAF
LED,
black
40mm
f3.5
Triotar
lens.
boxed .. 49
Pentax
100-300mm
f4.5-6.7
Sigma
DL
Zoom
..............49
Voigtlander
40.5mm
Orange
Yellow
filters
each
.............49
9
Rolleiflex
Bayonet
I Rolleinar
2and
set.....................................................29
Rollei
35 LED,
black.
With
40mm
f3.5
Triotar
lens.
...............
Petri
Flex
fit Bessamatic
35mm
Petri
CC 75mm
Auto
lens.
Scalloped.........29
Seagull
4A,
TLR
withf2.8
crank
wind.
f3.5Dynarex
Lens
VGC..............89
Voigtlander
135mm
f4
Super
............ 19
Rolleiflex
Pistol
Grip.
With
cable
release
................................
29
Petri
TTL,
inBessamatic
Black
finish.
M4275mm
SLR
+ 55
f1.8 CC
lens........
.........29
Seagull
4B1,
TLR,
Knob
wind.
f3.5
Lens,
VGC...................69
Voigtlander
36-82mm
f2.8
Zoomar
lens
159
Tamron
Ad
2Bessamatic
28mm
BBAR
MC
lens.
Nr
mint
cased
..............29
Rolleiflex
Plate
back
accessory
outift
+w/Color
focus
screen
.............
Voigtlander
Deluxe
SLR
Skopar-X
..... 29
49
Rollei
Prego
70
withf2.5
35-70
HFT
Macro
Vario
Apogon..........39
TamronAdaptall
Adaptall
80-210fit
f3.8-4
CFf3.4
Tele
Macro
................29
Tamron
22mount
28mm
f2.5
BBAR
MCZoom
...................
25
Voigtlander
Bessamatic
35mm
Skoparex
lens..........
39
Rolleiflex
Pistol
Grip.
With
cable
release
..............................29
Tamron Adaptall
2 mount
28-70
f3.5-4.5
compact
lens................19
Voigtlander
Bessamatic
SLR
w/ Original
50
f2.8Terionar
Color
Skopar-X
.... 35
79
Tasei
Welmy
Six,
for
6x6
on
120.
75mm
lens
...........
Tamron
Adaptall
28mm
f2.8
lens.
type..............................19
Rolleiflex
Plate
backfinder,
accessory
outiftlens
+ focus24x36
screen...........29
Leica Visoflex
Adaptor
ring forC,bellows
unit...............
Voigtlander
Kontur
for 35mm
.............
19
Kodak
Retina C16598
fit 80mm
f4 Heligon
VGC, scarce
............19
69 Vest
Pocket Kodak,
pre Autographic.
Nice on
cased example
.... 29
35mm
reloadable
cassette.
Shirley
Wellard
VGC
boxedwell
.............12
4x5
f6.8
Schneider
Angulon
lens
...............................
99
5x4 120mm
MPP
rollfilm
holder, 6x9
on
120.
VGC
working
.......49
4x5
210mm
f5.6Rodenstock
Rodenstock
Sironar
lens.
VGC
...............
199
4x5
210mm
f5.6
Sironar
lens.
VGC..........................
199
4x5
Graflex
Graphic
23Graphic,
6x9 body
roll film
holder.
VGC
...................
49
5x45x4
WarSinar
Time
Speed
outfit;
flash,
Ektar
lens
.......299
4x5
5x4
Sinar
F2
Monorail
outfit;
lovely,
cased
.........
369
4x5
F2
Monorail
body outfit;
lovely,
cased
.................
369
4x5
Graflex
super
Graphic
with
137mm
Lens,
VGC299
369
4x5
90mm
Super
Angulon
Multi
Coating
lens.
VGC......
299
4x5
Super
Angulon
Multi
Coating
lens.
VGC
..............
Agfa90mm
Ambif8f8
Silette,
crf
withcamera
int.
50mm
f2.8
Solinar
lens.........49
4x5
Schneider
360 f5.5
Xenar,
in Graflex
Compound
shutter.......
... 149
4x5
DDS
cut
sheet
film
holders,
off
14
5x4
f6.3
Wray
wideTele
angle
in2Epsilon,
MPPRiteway.
panel...............99
Alpa89mm
Reflex
Macro
Bellows,
genuine
Alpa/novoflex
item ......79
5x4
MIcro
Technical
MK VI
150
VGC..........
349
4x5 MPP
DDS
cutadaptor,
sheet
film
holders,
4with
off Fidelity
DeLuxe.........
25
roll
film
Graflex
23kit
Graphic
forxenar
6x9
on
120 ........
49
B
&
H
627
16mm
movie
body.
2
Lens
turret,
cased..............39
67mm
close
upRoll
set; Film
no.s
1,2,4 and
10.innice,
SRB
as
new.....................15
5x4 MPP
6x9
Holder,
Very
working
well.......
Agfa
Karat
35,
with
3.5 Solinar
lens
Compur
Rapid
........... 59
29
6x9cm
Fidelity
Deluxe
double
film
holders,
mint.............12
BraunKarat
Paxette
II (uncr/f).
With
50mm
f2.8boxed
Xenar
lens
..........49
6x9cm
Fidelity
Deluxe
double
film
holders,
boxed
mint-......
12
Agfa
IV,
with
50mm
f2
Solagon
lens
VGC.....................
89
Agfa
Ambi
Silette
CRF
With 50mm
f2.8 Alpa/novoflex
Color Solinar ..................49
Alpa
Reflex
Macro
Bellows,
genuine
item
79
Bronica
EC36,
/ S2A
etc
fit Komura
200mm
f3.5
VGC....
.....49
Agfa
Movex
Reflex
double
8With
movie
camera
set,lens.
LOVELY......
39
Agfa
Karat
crf for
35mm
50mm
f2 Xenon
lens...............59
Alpa
Reflex
set
of Macro
extension
tubes.
VGC..................
39
Alpa
Reflex
genuine
Alpa/novoflex
item
.............79
Bronica
ECMacro
/ S2ABellows,
etc
fit set
of extf3.5
tubes.
Nr mint
boxed
......25
Agfa
Super
Silette,
crf with
45mm
Solinar
lens
39
Beautyflex
TLR
camera,
1950's
Japanese
TLR
for ..............
6x6 ..... 39
Alpa
Reflex
set
of
Macro
extension
tubes.
VGC
............................39
Balda
Baldalux
6x9
folder,
withEnna
105
Radionar VGC
........ 35
39
Bronica
EC / S2A
etc
fitf3.5
Vivitar
MCf4.5
2X teleconverter............29
Braun
Paxette
13.5cm
f3.5
Tele-Ennaston
lens......
Braun
Paxette
fitfit13.5cm
Enna Tele-Ennaston
lens...............35
Balda
Baldax,
6x6
on
120.
75/2.9
Baltar
in
Prontor
S
............
35
EC Plain
VGC .....................................39
Bronica ETR
ETR
f3.5finder,
MC
nr Boxed
mint, hood
..... 79
Bronica
/ 150mm
S / SiPrism
150mm
f3.5 Zenzanon,
Zenzanon
PE
.................89
Balda
Baldina,
crf.
Radionar
/ Prontor
SVS
...........
25
Bronica
ETR
/S
Si
200mm
f4.5
Zenzanon
PE/ dark
Boxed
.................99
Bronica
SQ
film 2.9
back,
withEi...................................49
insert
slide
........ 35
Bronica
ETR6x6
/ 35mm
S/ 120
/ Si
Motor
Winder
Bronica
ETR
/S
/ Si
f4 Zenzanon
MC lens VGC
................99
Balda
Baldina,
35mm
crf. F2
Xenon
in Synchro
Compur
....... 99
49
Bronica
SQA
/ Ai
/ B40mm
150mm
f3.5 Zenzanon-S
lens
VGC....
Canon 7ETR
body.S VGC
and
working
well,
nice
finders
etc ......139
Bronica
/ Si
degree
prism
finder
E. loads
VGC.....................39
Bronica
SQA/ outfit:
/ Ai
/ B90
50mm
f3.5
Zenzanon-S
lens of
VGC....
BPM
Bellows
with
Bellows,
Focuslide,
bits .....149
49
Bronica
ETR with
150mm
f3.5 MC
nr mint,
hood
...............79
CanonLine
A-1,
50mm
f1.8Zenzanon,
breech
mount
VGC,.........65
Canon
EF
24mm
f2.8
Sigma
S/W
II AF
lens.lens.
non
digital
.....219
49
Bright
Viewfinder
Helios,
Japan.
frames
........
25
Bronica
ETRSi,
complete
camera
ready35/85/135
to go, boxed...............
35-70mm
f3.5-4.5
Canon
MkNr
1VGC...................
zoom
lens. ........
.........29
Canon EF
f4.5-5.6
USM
lens.
39
Bronica
EC35-105mm
/ /S2A
fit
set of
ext
tubes.
mint
25
Bronica
SQA
Ai / etc
B 150mm
f3.5
Zenzanon-S
lens boxed
VGC.............99
Canon
zoom
lens.
...........149
59
Canon EF
EF
80-200mm
f4.5-5.6
Mk 2X
II lens.
VGC
....................39
Bronica
SQA
Ai / etc
B 50mm
f3.5USM
Zenzanon-S
lensVGC
VGC............
EC35-135mm
/ /S2A
fitf4-5.6
Vivitar
MC
teleconverter.
............
29
Canon
EF
fit
f4-5.6
Sigma
DL
Macro
non
digital ..... 39
Canon
with
50mm
FD
lensVGC....................
................................39
Bronica
ETR
/70-300
S / Si 150mm
f3.5f1.8
MC
lens.
69
CanonAV-1,
EF
fitchrome,
70-300
f4-5.6
Sigma
DL
Macro
non digital ......39
CanonEF
EF,100mm
black, f3.5
withVivitar
50mmAFf1.4
SSClens.
Canon
lens............. 99
Canon
Macro
(Cosina)................79
Bronica
ETR
/
S
/
Si
50mm
f2.8
MC.
Nice
optics,
Well
used
..
49
Canon
EOS
50
+
grip
BP-50
+
28-80mm
f3.5-5.6
Mk
IV......49
Canon
28-200mm
f3.5-5.6
Sigma
Asphl AF
Macro..................49
CanonEF
EOS
1 SLR With
BP-E1
booseter
grip.
used ........... 69
Bronica
ETR
/ S / Si
fit 28-80mm
6x4.5
120
back.
VGC.........................
29
Canon
28-80mm
f3.5-5.6
USM
IIIf3.5-5.6
lens.
Super
CanonEF
EOS
3000V
body,
late
ultra
compact
SLR.........
25
50E
with
MKfilm
II...........................29
lens.
Nice ....49
Canon
EF
fit 70-300
Sigma
Macro
non
digital..............39
Bronica
ETR
/ S /Mk
Sif4-5.6
polaroid
film
back.
VGC
.........................
29
Canon
EOS-1D
IV
body.
FullDL
body,
boxed
nr mint.... 1,999
CanonEOS
FD 100-200mm
f5.6 FD
Zoom
lens...........................19
Canon
1 /SLR
With
BP-E1
booseter
grip.
used......................69
Bronica
ETR
S
/
Si
Pro
Shade.
Good
usable
condition
........
19
CanonEOS
FD 28mm
f2.8 prime
lens.compact
VGC, with
caps
.............. 25
Canon
3000V body,
late ultra
film caps
SLR ..................25
Canon FD
28mm
f2.8
prime
VGC,
with
...............25
Bronica
ETR
/S / If2.5
/ C S.C.
Plain
90lens.
degree
prism
finder
...............
29
Canon
FD
70-150mm
f4.5
Zoom
lens.
Very
nice, boxed.....
25
mount
lens..............................69
Canon
FD
135mm
Breech
CanonFD
FD
70-210mm
f4EII
Zoom
lens.
VGC............................39
Canon
FD
70-210mm
f4
Zoom
lens.
39
Bronica
ETRSi
comp,
75
lens,
120
back,
Prism, Grip.....129
189
Canon
20mm
f2.8 Bayonet
lens.
withVGC...........................
caps ............................
CanonFD
FD
80-200mm
f4toFD
bayonet
lens.
.........................
FD
bayonet
lens.
...........................29
Canon
28mm
f2.8 prime
lens.
VGC,
with
caps
.........................25
Bronica
Macro
Bellows,
suit
EC,
S2a
etc.
VGC
.................29
49
Canon
35-70mm
f4holder.
zoom
lens.
Two
type
VGC
.............25
Canon
FTbn
QL,
chrome,
with
50mm
f1.8
Canon
lens
.......
49
CanonFD
FD
fitroll
70-300mm
f4.5-5.8
Carl
Zeiss
Jenazoom
II ....29
Bronica
S2A
film
Silver.
6x6touch
on
120/220
...............
29
Canon
35mm f3.5 S.C.
breech mount
lens.
VGC
.....................29
CanonFD
PSQ
(Populaire)
Rangefinder
body.
VGC
with
cap ..... ..149
Bronica
/ L39
A / If1.4
150mm
f4f1.8
P-SSerenar
lens.
Nice
optics,
average
49
CanonFD
LTM
Leica
Coating
marks
........49
Canon
50mm
SSC
Breech
mount
lens...............................69
Canon
Power
Winder
A,50fits
A1.SQ-i
AE-1
etc
............................
19
Bronica
SQ70-150mm
/ A / I fit
6x6 on
120lens.
roll VGC,
film
back.
VGC.......
35
Canon
Zoom
Very
nice,
..............25
CanonFD
Speedlite
(T90,
T70
w/manual
......25
Canon
Sure
Shot 300TL
AFf4.5
compact,
withetc)
38mm
f2.8boxed
Prime
.......
29
Canon
FD
70-210mm
f4 Zoom
lens.
Bronica
SQ-A
comp.
80mm
lens,
WLF,
120
back
.............
199
Contax
G
TLA
140
flash,
forSG1
/ 2VGC.........................................39
titanium
Mint
39
Carl Zeiss
Jena
35AF
compact
camera,
withfinish,
Biotar
lens.....
.....39
Canon
FD
80-200mm
f4 FD bayonet
lens
........................................29
Canon
7
body.
rangefinder
camera.
Very
nice
example
.......
149
Darkroom:
f4
Minolta
ESuperwide
Rokkorsigns
lens,
fboxed
19
ContaxFD
167MT
body.
Nice
condition,
of
normal
use ...59
Canon
fit50mm
24mm
f2.8
Sigma
II, near
mint............
..............39
Canon
EF 28-80mm
Mk
II lens,
VGC ........................
29
Darkroom:
50mm
f4 f3.5-5.6
Nikon
EL
Nikkor,
scalloped,
VGC ....... 25
Canon
Winder
fits A1.
AE-1
etc.........................................19
ContaxPower
G 55-200mm
21mm
f2.8A,f4.5-5.6
Biogon
T*
lens.
finder
etc......499
Canon
EF
USM
Mkboxed,
IIf2.8
zoom.
Nr mint
.......39
49
Enlarging
Minolta
50mm
f2.8 with
CE
lens,
nr
mint
boxed..........
Canon
Sure
Shot AF
compact,
38mm
Prime..................29
Contax
T2,
titanium
+
38/2.8
T*
Sonnar
Nr
mint
boxed......299
Contax
135mm
f2.8 Carl
Zeiss
AE T*
lens......................
.....................
EnsignEF
"Ensignette"
no.1
(theSonnar
small
one)
Aluminium
..........159
29
Canon
80-200mm
f4.5-5.6
Mk
II lens.
VGC
39
Contax
139
Quartz
body.
Nice
example,
new
covering
...............59
Ensign
British
Ensign
"Flat
Back".
rare....................
89
Darkroom
75mm
f4
EL
Nikkor
lensc.1905,
scalloped,
excellent
......39
Canon
EF
80-200mm
f4.5-5.6
USM
lens,
VGC......................
39
Contax
159MM
body. VGC,
workingf2.8
wellN-61
..........................................69
Fed
4 CRF
camera,
52mm
lens. Super ....... 29
Canon
EOS
50body.
+8x10
gripwith
BP-50
+ 28-80mm
...............................
49
Darkroom
LPL
inch
masking
easel..............................15
Contax
167MT
working
well
with
ERC ........................79
Fed 5C,FD
with
55mmf4VGC,
f2.8
Industar
61 lens.
VGC,
cased....... 39
Canon
200mm
SSC
lens.
Breech
mount.
....................
49
Contax
25mm
f2.8 Carl
Zeiss
Distagon
AE
T* Germany
.......... 249
Darkroom:
50mm
f4 Nikon
EL
Nikkor,
scalloped,
Fujica
Bayonet
mount
200mm
f4
EBC
X-Fujinon
TVGC.........25
lens
....139
29
Contax
35mm
f2.8
Carl
Zeiss
Distagon
AE
lensboxed...........39
VGC
..........
Canon
FD
70-210mm
f4
Zoom
lens.
VGC
.............................
39
Enlarging
Minolta
50mm
f2.8
CE
lens,
nrT*
mint
Hasselblad
150mm
f4 Zeis
T* Sonnar
lens,
silver
finish........
199
Contax
50mm
f1.7 Carl
Planar
AElens.
T*inlens,
VGC
...................99
Canon
FD
80-200mm
f4
FD
bayonet
............................
29
Hasselblad
220 f2.8
film
back,
chrome.
matching
numbers
49
Enlarging
Nikon
50mm
f2.8
EL lens.
Nikkor,
scalloped
VGC.......
........39
Contax
fit 35mm
Yashica
ML
VGC....................................29
Canon
FD
fit50mm
70-300mm
f4.5-5.8
Carl
Zeiss
Jenazoom
II .....
29
Hasselblad
Clens.
(40274,
67mm
thread)
.... 19
Contax
fit
50mm
f1.4lens
Yashica
MLgood
Super
example................69
EnsignL39
Commando
6x6shade
CRF,
condition
.......................89
Canon
screw
mount
35mm
f2.8
Canon
lens.VGC.........
Crumpler
Messenger
Boyadapter,
2500 camera
bag,
as
new
Hasselblad
Microscope
40045.
Rare
item..................19
............149
49
ExaktaTlb,
VX1000
SLR,
with
f2.8
Zeiss
Tessar
VGC.....79
Darkroom:
50mm
f4 Minolta
E50mm
Rokkor
lens,
fboxed.......................19
Canon
with
50/1.8
FDback,
lens.
VGC
overall
.........................
Hasselblad
Polaroid
100
no.30198.
Mint
Boxed
........ 49
Darkroom:
f4f2.8
Nikon
EL Nikkor,
scalloped,
VGC.................25
Fed 2 with
52mm
lens........................................39
Canon
V, VI50mm
etc Canon
Flash
Unit
Model
V.Mint,
VGC
cased........299
19
Hasselblad
Variable
ExtN-26M
Tube
64-85mm.
Boxed.......
Eho-Altissa Altix fit 90mm f3.5 Meyer Telefogar lens.....................79
Hit
type/ camera,
Bell
14 Japanese
subminiature
................
Focorect
Standard,
coupled
rangefinder
att. 32Mm
dia........29
Contax
Yashica
fit
100mm
f3.5
Vivitar
(Cosina)
Macro
........15
49
Eho-Altissa Altix V with 90mm f3.5 Meyer Telefogar .....................49
Kiev
/ Contax
fitV,35mm
f2.8
Jupiter
12
lens,
in black............
Contax
/ Yashica
fitwith
75-300mm
f 4.5-5.6
Sigma
APO
.............49
59
Fuji GS645S
Pro
Wide
60 CRF
for
6x4.5
mint
boxed.........339
Eho-Altissa
Altix
50mm
f2.8
Carl
Zeiss
Tessar
..................79
Kiev 60/fitYashica
65mm Metz
f3.5 Mir-385
wide
angle
lens.
...................
39
Enlarging
Minolta
50mm
f2.8 380
CE
lens,
nr mint
boxed
...................39
Contax
SCA
adaptor
excellent
...............
19
Fujica
+8055mm
f2.2
Fujinon
(M42)
nrlens.........
mint........39
Kiev
88ST605
/ Kiev
/ Salyut
fit
f2.8lens.
Kaleinar-3b
99
Enlarging
Nikon
50mm
f2.8........................................................25
EL150
Nikkor,
scalloped
VGC
................39
Contax
139
winder,
VGC
Fujica
ST701
+
55mm
f1.8
Fujinon
lens.
(M42)
VGC...........29
Kiev 88Ensignette
/ Kiev 80 / Salyut
fit 300mm
f4.5
Tair 33
lens............
.......... 79
Ensign
no.1 (the
small one)
Aluminium....................29
Contax Autorange
TLA-30 flash.
Excellent
condition
withEnsar
Pouch.................49
35
Ensign
220.
6x6
on45mm
120
75mm
Kiev
88 / Kiev
/ Salyut
fit
Mir
26b lens...........
69
Fujimoto
G70 80
enlarger.
35Mm
upWith
tof3.5
6x7
complete
VGC ....159
Cosina
107-SW
body,1,Flat
Chrome,
Bessa
L)VGC................
.......................29
79
Ensign
British
Ensign
Back.
c.1905,
rare..............................89
Kodak
Brownie
No.
model
B.(like
from
1900.
GossenVarex
Lunasix
3 meter,
Late
all
black
model.
InXpres
VGC........39
Exakta
IIa,
with
50mm
f2
Zeiss
Pancolar
lens.....................79
Ensign
Selfix
12-20
6x6
on
120
with
75mm
Ross
........
59
Kodak Retina Automatic II. With 45mm f2.8 Xenar lens...... 29
Hasselblad
150mm
f4 Carl
Sonnar
lens.
Silver.........149
Exakta
1000,
with With
50mm
f2Zeiss
Zeiss
Pancolar
lens......................89
Exa
1c,VX
Black.
M42.
50mm
f1.8
Pentacon
lens.
WLF.....
....39
Kodak
Retina
C
fit 35mm
f5.6
Schneider
Curtagon
lens
Fed
1 ever ready
case. Also
suitZorki
1,
early Leica
....................19
Hasselblad
90II,
prism
finder.
Hensoldt
type.
..............39
Franka
Solida
uncoupled
75/3.5
Isconar,
lovely..........
39
Kodak
Retina
Cdegree
fit
80mm
f4R/F,
Xenon,
some
29
Fed
1 type
E Berdsk
(Siberia)
1946 with
fedmarks................
lens ................... 129
Kodak
Retina
C
fit
Optical
finder,
for
35
/80
lenses..............
25
Gossen
Sixtar
2 camera
meter,
Late
black
model.
In VGC
29
Hasselblad
fit 2x
Converter,
Vivitar,
Near
mint,
cased...........
..........49
Fed
3 35mm
CRF
with all
lens,
case,
VGC
.............................29
Kodak
Retina
IIc3(small
C)
with
Xenon,
Fed
4 CRF
camera,
with
53mm
f2.8
N-61
lens. cased..............
Super
..................29
Gossen
Lunasix
meter,
Late
allf2.8
black
model.
In VGC
.........69
39
Hasselblad
Ground
Glass
back
focus
adapter......................49
Fujica
CRF
with80
the
100mm
f3.5
lens......................
Konica690
Auto
Reflex
A3/Kiev
+ 50mm
f1.7
lens serviced
VGC.......
.....299
49
Hasselblad
/macro
Zenit
88finder.
etc
fitFujinon
Plain
45
deg
prism
39
Hasselblad
chimney
used
example.........25
Fujica
Bayonet
200mmfolding127
f4 EBCWell
X-Fujinon
T
lens...............29
Korelle
Convertible
model.
with
Xenar,
nice....... 79
Hasselblad
90 mount
degree
prism
finder.
Hensoldt
type.
...............
39
Gossen
Lunasix
FScreen.boxed,
light
meter.neck
Case
& Manual
...............................59
Hasselblad
narrow
leather
strap,
VGC.........................19
Kowa
Super
plain
ground
centreVGC
spot.......
.... 25
Hasselblad
9066degree
prism
finder.
type,
49
Hasselblad
f4 screw
T*
Sonnar
lens,Rounded
silver
finish................
199
Leica
Black150mm
bakelite
top
keeper.
forC13.5,
V Nice
......
19
Hasselblad
Pistol
grip,
suits
most
F in
and
models.
VGC
.....25
Hasselblad
220
film back,
chrome. shoe
matching
numbers...............49
Hasselblad
Adjustable
43125,
excellent
29
Leica
New
YorkAccessory
no.12,
leather
zipped
lens
case ......
..... 19
Kiev / E.Leitz
Contax
fit Converter,
35mm
f2.8 Jupiter-12
lens.
Hasselblad
50mm
lens shade
C (40274,
67mm
thread)..............19
Hasselblad
fitnegative
2x
Near
mint,Black
casedfinish......59
............29
49
Leica ELDIA
/adapter,
film Vivitar,
strip40045.
printer.
boxed....................
Hasselblad
Microscope
Rare
item.......................49
KodakFISON
No.1Frame
Panoram.
original
1900A36
model.
VGC
Hasselblad
(Sports
Finder)
40215
...................
29
Leica
hood,finder
for The
5cm
lens.
clamp
on .......199
....... 35
Hasselblad
Polaroid
100
back,Elmar
no.30198.
Mint Boxed..................49
Kodak
Retina
C
fit
35mm
f5.6
Schneider
Curtagon..............39
Hasselblad
narrow
leather
neck
strap,
VGC
..........................
19
Leica
IUFOO
lens
hood,
for
M
fit
E39
90
/
135
....................
29
Hasselblad Variable Ext Tube 64-85mm. Mint, Boxed ............... 299
Hasselblad
Pistol
grip,
suits
F and
models.
VGC.......
25
Infra,
Wetzlar.
for
cassettes,
Not
common
...........................19
Leica
L39
25mm
Voigtlander
Snapshot
Skopar
lens..... 199
Kodak
Retina
C Rapid
fitf4
80mm
f4most
Heligon
C,CVGC,
scarce...........69
Kiev
/ Contax
fit 35mm
f2.8
Jupiter
12Leica
lens,set,
in
black
....................49
Leica
Russian
50/2.8
Industar,
engraving
...........
Hasselblad
Pro
40231.
Complete
nr mint
box
......25
79
KodakL39
Retina
CShade
fit 80mm
f4
Xenon,
somelens.
marks.................29
Kiev
Automat
SLR,
+ 53mm
f2 Helios-81
VGC................69
Leica10L39
screw
mount
135mm
f4 Jupiter
11, usable.
silver
............
Hasselblad
Pro
Shade
T*Helios-81
lenses,
used
but
..........39
19
Kodak
Retina
Reflex
/ for
SCanon
mount
135mm
f4Scarce.....................49
Tele Xenar..........39
Kiev
15L39,
TTL135mm
SLR,
+53mm
f2
lens.
Leica
f3.5
lens.
Early
chrome
type...... 89
Horseman
VH80
/ VH-R
lens
0 size
....................
19
Kiev
88 Retina
/ Salyut
fit board,
150VGC
f2.8Copal
Kaleinar-3b
lens.................99
Kodak
Sports
Finder,
cased..............................25
Leica
M// /Kiev
Screw
28/90mm
(Voigtlander)............
/ Contax
fit 135mm
Jupiter-11
silver,
......25
35
Kiev
88
Kiev
80
/adaptor
Salyut f4
fitfor
300mm
f4.5lens,
Tair
33
lenskeeper
...................79
Leica
M
/
Screw
adaptor
for
35/135
(Voigtlander)................
19
Konica
mount
28mm
Hexar
lens.
VGC
..............25
Kiev
88
/AR
Kiev
80
/ Salyut
fitf3.5
45mm
f3.5
Mir
26b
....................69
Kiev
/ Contax
fit 35mm
f2.8
Jupiter
12AR
lens.
Inlens
black
vgc
....... 49
Leica
/ ScrewMetered,
lens
adaptor
135mm
genuine
Leitz
...........
29
Kiev
IVMcamera,
Plus Jupiter
lens,
case..........................49
Konica
Autoreflex
A
+
52mm
f1.8
Hexanon
AR
lens
Nice
....45
Kiev
fit 85mm
f2 6x4.5
Jupiter-9
lens. VGC
.......................
79
Leica/ Contax
M / Screw
adaptor
for
genuine
Leica.......
29
Kochmann
Korellelens
folding
on90mm
120, f2.9
Radionar
...............59
Konica
FS-1
SLR,
+ model
40mm
f1.8
Pancake
Hexanon
lens
......39
Kiev
15M
TTL.
With
53mm
lens.
Unusual
Russian
SLR.
......
35
Kodak
Brownie
No.
1,
B.
from
1900.
...........................29
Leica
12538
50mm
f2 f2
Summicron
lensVGC
hood.
VGC
........
29
Kiev
88M
fit135mm
65mm
f3.5
Mir-38B
lens. Black.
VGC ....................
59
Kodak
Retina
C fitf4.5
35mm
f5.6 Schneider
Curtagon
lens .............39
L39 camera
Macro
bellows,
Russian.
Nr
mint,
boxed...........19
Leica
Hektor
lens..........................................
99
Kodak
Retina
CNew
fitever
80mm
f4
Xenon,
some
marks...........................29
King
Super
CRF,
interch.
50/2.8
Westanar.
.......
49
Leica
M
Leather
ready
case,
suit M1,
M2,lens
M3.VGC
...........
25
LeicaRegula
E.Leitz
York
no.12,
leather
zipped
case
......19
Kodak Retina C fit Optical finder, for 35 /80 lenses.......................25
Leica
body,
chrome.
Working
superbly,
nice
order ...... 499
Kodak
Retina
1 type
010.
Withf2.8
50/3.5
Xenar
in C.Rapid........
39
Leica M4
ELDIA
negative
/ film
printer.
....................29
Kodak
Retina IIc
(small C)
withstrip
Xenon, boxed
cased........................69
Leica E.Leitz
Visoflex
Nno.12,
Adaptor
ringzipped
for Bellows
unit...........
25
Kodak
Retina C16590
fit 35mm
f5.6leather
Schneider
Curtagon................
39
Leica
case
.............19
Leica FODISNew
longYork
base
rangefinder,
Black lens
/ Nickel
VGC....109
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Kodak
Retinanegative
COTZFO
fit 80mm
f4strip
Xenon,
some
marks...................
29
LeicaELDIA
FOKOS
chrome
rangefinder,
post
type,
no
foot.........
..........49
Leica
/ film
printer.
boxed
.............................29
Leica
Visoflex
16464K
focussing
lens
mount
29
Leica
hood,
Elmar
lens.
A36
clamp
on ................35
KodakFISON
Reflex
/ 5cm
S mount
135mm
f4 made
Tele
..........
39
IRetina
/ II / III
outfitfor
case.
Lovely
english
case............49
Leica
Visoflex
Telyt
280mm
f4 Lens
head
only.Xenar
Boxed
...... 149
Leica
IUFOO
lens
hood,
for
M copying
fitworking
E39 90set.
/ well,
135................................29
Kodak
Retina
Reflex
fittoslide
VGC
.....................
19
Leningrad
8 light
meter,
VGC,
with
....... 19
LeicaL39,
II,
factory
III. c.1932.
5 digit
s/no.
+case
Elmar....339
Leica
135mmconv.
f3.5 Canon
lens. Early
chrome
type...............89
M42
28-200
f3.5-5.3
Vivitar
Macro
Mboxed..... 29
Kodak
Retina
Reflex
III,
withMC
50mm
f2.8Zoom.
XenarVGC...................29
......................
59
Leica
12538Reversible
50mm f2
Summicron
lens
hood.
LeicaMITOOY
clip on lens
hood,
for 50 Elmar......29
M42
300mm
f5
Eyemik
Auto
lens.
Nice
quality...................
29
Kodak
Sports
Finder,
VGC
cased
...............................
25
Leica
MRetina
135mm
f4.5
Hektor
lens
........................................................99
Leica
M
135mm
f4.5
Hektor
lens..........................................99
M42
300mm
f5
Optomax
Auto
lens,
lovely
SALE!
...............
25
Leica
Leather
ever
case,
M2, M3........................25
KonicaMAR
28mm
f3.5ready
Hexar
AR suit
lens.M1,
Super
example,.......... 19
M42
Auto
Rikenon
lens,
nice
quality........
19
Leica
ROSOL
sports
finder.
Frames
forVGC,
5 and
13.5cm
.................49
Leica50mm
NOOKY
close
focus
attachment,
for
Elmar
lenses
.....29
Konica
Auto f1.7
S2
crf,
with
45/1.8
Hexanon,
case,
VGC
............
49
Leica
VIOOH
copy
shaped.................29
M42
300mm
f4.5finder.
Tair close
3Wray
lens.London.
Laterdevice,
allLyre
black
version
........ 39
LeicafitVisoflex
NOOKY
HESUM
focus
VGC
.................39
Konica
Autoreflex
A +N 52mm
Hexanon
AR
lens
Nice ...... 45
Leica
16590
Adaptor
ring
for
Bellows
unit ..................25
M42
Screw
mount
85mm
f2 f1.8
Jupiter
9 lens,
in black
............ 79
LeicaVisoflex
OUAGO
focus
mount
for
9cm
Elmar
Visoflex
II .....29
Konica
Autoreflex
T3,f2.8
chrome
+ 50/1.7
Hexanon
AR.............
.............
59
Leica
16598
Adaptor
ring
for
bellows
unit.......................19
Mamiya
645 55mm
Sekor-C
lens.
VGC,on
Caps
79
Leica
OTZFO
lens lens
mount...................29
Konica
Autoreflex
TC,16464K
Black
+focussing
40/1.8
Pancake
Hexanon.......
49
LeicaVisoflex
POOBV
Yellow
filterf4.5
for
9cm Thambar
lens,
boxed.....25
Mamiya
C (TLR)
180mm
Sekor
Super
SALE
......119
Leidolf
Lordomat
CRF, With
50mm
f2.8 Leidolf
lens.....................49
Leica
negative
/ filmf4.5
strip
printer.
boxed
......................
29
Mamiya
C8(TLR)
180mm
Sekor
Super
lenses
Mint....
169
Leica ELDIA
POOCI
yellow
no.2
filter
for
9cm
Thambar
boxed.......25
Leningrad
light
meter,
VGC,
working
well,
with
case
............. 19
Mamiya
C (TLR)
180mm
hood,
square
type........................
12
Leica
FOKOS
chrome
rangefinder,
post
type,
no
foot
...........
49
M42
f3.5-5.3
Vivitar
MC9cm
Macro
Zoom.
Mboxed...............29
Leica28-200
POOCQ
Blue
filter
for
Thambar
lens,
boxed
.......15
Mamiya
C (TLR)105mm
f3.5
Sekor
lenses
early
type.........
79
Leica300mm
II, black.
1932. no.
91387
+Nice
5cm
f3.5 Nickel
Elmar ... 299
...............................29
M42
f5 Eyemik
Auto
lens.
quality
Leica300mm
POODW
Green
filter
for
9cm
Thambar
lens black
boxed.....25
Mamiya
C
fit
(TLR)
55mm
f4.5
Sekor
lenses.
Late
....
89
M42
f5
Optomax
Auto
lens,
lovely
SALE!..........................25
Leica IIIa, 1936, no.200196. With 5cm f3.5 Elmar, cased .... 299
M42
f2
Jupiter
9 lens.line
Black
finish.
very
good
...................69
Leica85mm
SBOOI
5cm
bright
viewfinder.
Super
condition.....99
Mamiya
Cscrew
fit (TLR)
65mm
f3.5
Sekor
lens
hood
.................
15
Leica
L39
mount
35mm
f2.8
Jupiter-12
lens.
Silver
.....
49
M42
Russian.
Nrlenses
mint, boxed..................19
Mamiya
C fitMacro
(TLR)bellows,
65mm
f3.5
Sekor
.......................
69
Leicacamera
screw
135mm
f3.5
Canon
lens.
Early
chrome
type
....89
Leica
L39
f2 lens.
Jupiter-8
lens.
Silver
..........
25
Mamiya
645
fit 210mm
f450mm
Sekor
N
Nr(plate
Mint,
boxed
...............89
Mamiya
Cscrew
TLR
fitmount
Single
Exposure
set,
back)............
29
Leica POOBV
SGVOO
12025
90mm
bright
line
finder
VGC............69
Mamiya
645 ProYellow
comp:
80
lens,
WLF
, winder
289
Leica
filter
forN9cm
Thambar
lens,vgc.............
boxed ......
25
Mamiya
C TLR/TL
paramender,
Good
condition......................
19
Mamiya
645 Pro
TL
comp;
80
lens,
Winder
vgc
299
Leica
yellow
no.2bright
filter
for Prism,
9cm
boxed
........
25
Leica POOCI
SLUOOQ
28mm
line
folding
finder.
Pre.............
war....159
Mamiya
C3,Super
with
later
f2.8Thambar
Sekor
lenses
.......
139
Mamiya
645
body;black
WLF,80mm
crank wind,
back vgc
...............
179
Leica
Green
for
9cm
Thambar
lens
......
25
Mamiya
SuperSuper
23,
black.
with
90mm
lens,grip,
grip,
rfhboxed
etcbox
.....
269
Leica POODW
UQMOO
yellow
filter
forwith
Summarex
/ Noctilux,
....29
Mamiya
Press
23,filter
black.
90
lens,
rfh
...............
269
Leica
50mm
bright
line
viewfinder.
cased.........
99
Minolta
AF 28-80
Xi
Zoom
lens,
VGC,
works
25
Mamiya
Press
with
90mm
lens,
Hand
grip,
& VGC,
6x9well................
rfh.................
149
Leica SBOOI
Visoflex
OTZFO
16464K
focussing
lens
mount
..........29
Manfrotto
482lens
Compact
ballAand
socket
head135mm.
VGC......................17
Minolta
Auto
Meter
(3).
very
nice
example,
cased
........
Leica Screw
to III
bayonet
body
adaptor.
Leitz
.....69
29
Leica45WINTU
rightkitV
angled
finder.
Chrome,
VGC...................49
Metz
CT-5
flash
with
AA
holder,
ideal
med
format
.............49
Minolta
Auto
Meter
f.
excellent
quality
digital
meter.
........
99
Leica table top tripod, folding type. Hammer tone finish......... 35
Minolta
AF
28-80
Xi Zoom
lens,MC
VGC,
works
well...........................25
M42 28-200
f3.5-5.3
Vivitar
Macro
Zoom.
M- boxed......29
Minolta
Auto
Winder
D,
near
boxed.............................
Leica
UQMOO
yellow
filter
formint,
Summarex
/ Noctilux,
box ......19
29
Minolta
Auto
Meter
III
(3).
A
very
nice
example,
cased................69
Minolta
Dynaxzoom
700Si
body,
VGC
working
well. markings......
Boxed
........ 39
M42 300mm
Eyemik
Auto
lens.
Nice35-135
quality
....................29
Leica
VIDOM
viewfinder,
chrome
39
Minolta
Dynax f5
5 SLR,
silver.
With
28-80mm
lens, boxed
..............29
Minolta
Dynax
800Si
body,
working
well.
Boxed..................
39
Minolta
Dynax
700Si
body,
VGC
working
well.VGC
Boxed
..................39
M42 set
of twin
railangled
Russian
bellows.
Very
good
quality.......19
Leica
WINTU
right
finder.
Chrome,
....................
49
Minolta
MC200mm
set
of auto
tubes,
21,28mm
mint.................
15
Minolta
MC
f4.5 MC
Tele14,
Rokkor
PF lens.
VGC ................29
Mamiya
645
120
film
insert,
x3
in stock.
Price
each
............15
M42
50mm
f1.4
Yashica
Auto
Yashinon
DX
lens.
...................
49
Minolta
MD
135mm
lens.
quality
lens
in
VGC
...... 29
Minolta
MC
set
of autof3.5
tubes,
14,Nice
21,28mm
mint
...........................15
M42
fit MD
24mm
f2.8/ Sigma
XQ
Filtermatic
lens.
m-,
boxed
......29
39
Mamiya
645
Pro
Super
fit Nice
90
degree
prism
VGC.....39
Minolta
MD
28-70mm
f3.5-4.8
Zoom
lens.
VGC..................
Minolta
135mm
f3.5
lens.
quality
lens
infinder.
VGC................29
Minolta
MD
f4 f4
Zoom
lens.
VGC,
Caps
..........................29
Macro
Focus
Rail.
Pentacon.
Very
solid
and
well
made.........
15
Minolta
MD
75-150mm
Zoom
lens.
VGC,
Caps
..............
29
Mamiya
C 75-150mm
TLR
fit 135mm
f4.5
Sekor
blue
dot
lens
pair .......79
Voigtlander
Bessa
R6x6
6x9100mm
c.r/
Rolleiflex
Rolleilux
lens
meterlens,
vgc super
cased
....79
Tamron Fotovix
TF-56WE
Filmhood
Video
processor.
boxed
...............39
Voigtlander
Prominent
f4.5/ light
Dynaron
....
49
Taron VR,Rolleinar
35mm
CRF
With
45mm
Taronar
..............29
Rolleiflex
1, camera.
early
push
type,f2.8
28.5mm...............19
Voigtlander
Prominent
35mm
f4.5on
Skoparon
lens,
ding.......
39
Topcon (Unirex etc) fit 200mm f4 UV Topcor lens .........................29
Voigtlander
Prominent
Hood
and O/Y/G
filter set,
V nice .... 39
Russian
Multi
Lens Turret
Finder.
with keeper
......................39
Topcon (Unirex etc) fit 28mm f4 UV Topcor lens mint-.................29
Voigtlander
Hood
Plus
Yellow
filter
set
...... 19
Tamron
Ad &
2Prominent
500/f8 SP
Mirror
lens
55BB.
Near
mint
.........119
Tripod Ball
Socket
head
Bilora
large
size,/ UV
1/4
thread...............19
Voigtlander
Proximeter
1lens
plusmodel
100mm
attm't......
Universal
16 subminiature
camera.
Boxed 52BB.
........................49
Tamron
AdMinute
2Prominent
90mm
f2.5
SP Macro
+ 18f29
Voigtlander
with
50mm
Lovely ..... 399
Voigtlander Prominent,
40.5mm Focar
set,
A,B,Cf1.5
andNokton
D all boxed.................19
dedicated
1:1
tubemounted
all
nr mint,
cased..................................149
Voigtlander
VGC,each
cased...........
29
Voigtlander shoe
40.5mm
Orangerangefinder,
and Yellow filters
......................9
Topcon
Beseler
D13 (US
RE-2),
with
f1.8
RE lens......69
Voigtlander
Bessamatic
135mm
f4
S.Dynarex
(balsam)..............19
Voigtlander
Turnit
finder,
frames
for5.8cm
35, 50,
100mm
......... 39
Voigtlander Bessa
Bessamatic
f2.8
Zoomar
.................
159
Voigtlander
Vitessa
doors,
ultron
case
...........119
Voigtlander
1barn
6x936-82mm
on
120f2with
105lens,
f4.5lens
Vaskar..........69
Voigtlander Vito
Bessamatic
Deluxe
SLR
w/Color
Voigtlander
II, folding
35mm
cased,
withSkopar-X...............49
box................
29
Voigtlander
1 6x9
on
120 with
Vaskar
lens................59
Voigtlander Bessa
Prominent
Proximeter
1 plus
100mm
attmt..............29
Voigtlander
Vito
IIa, with
50mm
f3.5
Color
Skopar
Vcased.....35
nice ... 49
Voigtlander
fit
135/f4
Super
Dynarex,
Voigtlander Bessamatic
shoe mounted
rangefinder,
VGC,
cased....................29
VP
camera,half
halfframe
frameon
on127.
127.ininBrown
Brown
Bakelite ...... 29
VP Twin
Twin
camera,
Bakelite................29
Welta
Perle
camera,
6x4.5
120
Radionar
lens ...............
................29
Welta
Perle camera,
camera,6x4.5
6x4.5onon
on120
120
Radionar
lens
29
Welta Perle
Radionar
lens
..........................29
Werra
top,
black,
f2.8 Tessar
/ Prestor RVS
..............39
Werra
1,
flat
top,
black50
pebble
graincovering................................39
covering.
....................
39
Werra flat
1, flat
top,
black
pebble
grain
Werra
with
2.8 Tessar,
caps,
case,
vgc.........................35
Werra Mat,
top,
black,
50
/ Prestor
RVS........................39
flat top,
black,
50f2.8
f2.8Tessar
Tessar
/ Prestor
RVS ............. 39
Weston Euro
Master
III meter,
lovely
condition,
working
well...............29
Weston
Euromaster
light
meter.
VGC,
Case.............
49
Weston
Master
light
meter.
VGC, Cone,
case,
invercone
.......49
Weston Master
andcondition,
working well..............................39
Weston
MasterVV
IIImeter.
meter,VGC
lovely
working
well....... 29
Weston
Master
meter.
VGC
and
working
well.
..................39
Yashica
FX-3
Super
2000
body,
black.
Lovely
example
...............49
Weston Master IV meter, in VGC and working well ............. 39
Yashica
35 Edn
Gsn with
(Chrome)
45mm
f1.7
vgc ........49
Yashica Electro
T4 Special
35 f3.5with
Zeiss
Tessar
T*...................99
Yashica
Mat
124G,
with
75mm
f3.5
Yashinon,
case
etc....
129
Yashica FX-D
TLR bayonet
lens hood.
Near
mint f2
cased.....................19
Yashica
quartz.1Chrome,
with
50mm
ML lens.........39
Yashica
TLR bayonet
1 lens hood.
Near
cased...........
19
Yashica Zoom
105 EZ 38-105.
Nice AF
filmmint
compact...................19
Yashica
Mat
124g
TLR
80/3.5lens
Yashinon
boxed...249
Yashica
TLR
bayonet
1 with
Telephoto
set. film.
nrMint
mint
............. 29
Zeiss Ikon
Baby
Box
Tengor
camera,
for 127
........................29
Yashica
TLR
bayonet
1 wide
angle finder
lens
nrboxed...............99
mint
...........
49
Zeiss Ikon
Contax
21mm
VGC
Yashica
TLR
bay
1/ Contarex
hood,
+ Photax
UV +set.
Yellow
filters
........25
Zeiss 524/16
Ikon
Contax
f4.5 Zeiss
Orthometar
BOXED..........
479
Yashica
Zoom
1053.5cm
EZ
38-105.
Nice
AF film
........
19
Zeiss
Mess
Ikonta.
With
75mm
f4.5compact
Novar
lens
.....69
Zeiss Ikon Contax
35mm
finder.
Model 432/5,
Zeiss
Baby
Box
camera,
127c.1938...................79
film. .............. 29
Zeiss
fit 85
f2Tengor
Nikon
Nikkor
PCforlens,
scarce...........249
Zeiss Contax
8.5cm
f2 Zeiss
Cased
.............
Zeiss
Ikon Contax
Contaflex
Prima
SLR.Sonnar
45/ f2.8VGC
Pantar
lens
........199
39
Zeiss Ikon
Ikon Icarex
Maximar
207/3
6x9
plate camera
set, VGC.................49
Zeiss
35
SLR,
+ 50/2.8
Carl
Zeiss
Tessar.
.........89
Zeiss
Ikon
Contax
IIa,
coloured
dial,
+coated
f2
Sonnar
..
269
Zeiss Ikon
Ikon push
Movikon
16
Pre War
outfit.
2 lenses,
lovely ..............
129
Zeiss
onselenium
proxar
close
up VGC
set
x4.
28.5mm.
...........15
Ikophot
meter.
Cased
SALE.......
25
Zeiss Ikon Nettar
517/16, for 6x6n
on 120. f4.5
Novar...............
25
Zeiss
517/16
(6x6)
With
75mm
f4.5
Novar
lens.........29
Ikon
Maximar
6x9 plate
camera
set,VGC...............49
VGC
....... 49
Zorki Nettar
4K 35mm
CRF, 207/3
with 50mm
f2
Jupiter
8 lens.
Zenit
(SLR)
fitwith
135mm
Jupiter
11
(SLR).......99
..... 19
Zorki 39mm
5 35mmscrew
CRF camera,
lens,
case,
VGC
.........................39
Zeiss
Super
Ikonta
531 (6x4.5).
Withf4
7.5cm
f3.5
Novar
Zorki
CRFcamera.
camera.
WIth
50mm
f3.5
Industar
49
Zorki 6Super
6 35mm
35mmIkonta
CRF
WIth
50mm
Industar..................49
Zeiss
531/2
(6x9
on
120).f3.5
10.5/3.5
Novar.......
.......99
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81
Photo Critique
Final Analysis
Roger Hicks considers
Migrants, Walking New York City, 2015, by JR

EMILE ABINAL
f a tree falls in the forest and no

one hears it, does it make a sound?
At best, this question concerns
the nature of perception as a
placeholder for consciousness. At worst,
it briey entertains a bright child. So if
you put an enormous picture on display
in a public place and nobody sees it, is it
in fact a picture? It is a safe bet that most
of the thousands who walked over this
picture never noticed it. Of those who did,
probably few ever knew it was a portrait
of a recent arrival to the United States
Elmar from Azerbaijan.
The crossover between anonymity and
scale is central to JRs photography, which
I have followed since I rst encountered it
some years ago at Les Rencontres dArles
photography festival in France. I am not
sure I always like it, and I am absolutely
sure I do not always understand it, but it
does makes me think and this is part
of what photography is for.
Surprisingly often, JRs work is
simply beautiful in an old-fashioned
sense: something you look at for the
sheer pleasure of looking at it, without
any further intellectual, theoretical or
political considerations. Take a look
at www.jr-art.com to see examples of
all types of JRs work.
Some people, of course, did see the
picture and those who see this limitededition lithograph cannot help but see it.
Now we have further questions. What
are we seeing artistically, technically,
psychologically? This is a photograph
printed in one medium, glued to the
pavement, and then re-photographed and
reproduced in another medium. There are
layers upon technical layers here, before
we even get to meanings.
Some wont see (notice) Elmar. Others
will be so exercised by the very concept
of immigration that the enormous size of
the picture reects the way in which its
threat or (more rarely) its promise
looms in their minds. Then there is the
picture as a picture. Would you like this
on your wall? I would.
Finally, who prots from art? Eightcolour lithographs are not cheap: this one,
at 88x72cm (near enough 35x28in), is
e960 (something between 700 and
800, depending on fast-uctuating

exchange rates) from www.social-animals.
net, which handles all of JRs art sales.
But artists have to live, and of course
there are both the costs of production and
the gallerys cut to consider. Surprisingly
often artists work for little more than the
message on the beggars placard: Will
work for food. Its rarely quite that bad but,
equally, few artists are rolling in the lap of
luxury: art often costs more than food,
especially if you are given to making vast
prints and gluing them to sidewalks.

You may see such art as self-indulgent
and irrelevant, but you could say the same
about schools. Does everyone really need
to know all that stuff? Nah. You dont need
much of an education to stack shelves or
watch TV. But schools are run for those
whose lives can be transformed by the
magic of knowledge, thought and
intelligence, and we never know who
they are going to be. Art is the same.
On average, we all prot.
Roger Hicks has been writing about photography since 1981 and has published more than three dozen books on the subject, many in partnership with his wife Frances Schultz (visit his website
at www.rogerandfrances.com). Every week in this column Roger deconstructs a classic or contemporary photograph. Next week he considers an image by Paul Fusco
82
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Saturday 27 February 2016

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often nd myself wishing more of

The directors of photography on film sets are

THERE are some individuals in culture