ACCENTS au REBOUND for the SNARE DRUMMERFR pa 4 PREFACE ACCENTS AND REBOUNDS is an advanced textbook, designed to follow and reinforce the author's previous book STICK CONTROL, so widely known and used. Je is presented at the solicitation of (I) the many leading instructors who, having used the former book with such gratifying results, ask for material to follow and (2) the many “name” drummers who consider their daily workout with STICK CONTROL a must and who like- wise suggest more of the same. Accents in varying degeces play an important part in music. Modern music calls more and mote for an infinite variety of emphasis, ‘The drums from their very nature possess a poten- tial for accentwation far greater than any other musical instrument. Hence the drummer is looked to above all others for the utmost in dynamics. The accent routines have been carefully selected from the author's private collection of hand- conditioners and will, with faithful practice, further two-handed dexterity and develop not only the control But the finesse to meet today's most exacting requiremenss, ACCENTS AND REBOUNDS also presents, for the first time, a progressive approach to control of the secondary beat of the roll, so important in the finished exceution of this, the 15 of study in roll production, drummer's long tone. The routines here are the result of and have heen employed by the author in his private teaching most successfully The routines in which accents and rebounds are combined are particularly adaptable to the development af FINGER BOUNCE EXECUTION, a style so effe in which at epeciy tempos sticks are manipulated mainly by finger ac in modern soloing, A special chapter is included on THE BUZZ ROLL in which its relationship to the pure wor beat roll is spelled! out and its use in modern drumming justified Study of STICK CONTROL is recommended first, with ACCENTS AND REBOUNDS to ad to the student, the author urges the serv- follow. Regular practiee is of course a necessity ices of a local expert instructor whenever available, on, Massachusetts GEORGE. LAWRENCE, STONE,Accented Bightbp — yy gig —y— ra vv oveoywyy vio yy {ee ee Pre ee HERE AURL RERL RTAL RUERL ALRE AIRE REMC KERLR Voy vo Vow Vv VV (bbb bps pan asbo pobre u 2 5 pvt TRUER URLR ERUR ERLR LRER LALA CREREZALR LRERE yvoove vv ovo vv ov ey vary iy 7 LL RAUL RALL RREERREL BREE REL RATLR ® Vvovw vv VO vv ov rev voor CRE ULLRR PERK LURR CLRHUELRA LERRGLHR LEAR vovv ovo yw viory Very 4 v TR URCL RURREAEL RERREBLT REREL Voy vw vry voy vy 4 RLAR UWL RE voy ov Vv LRLL RURR DRLE RERR LBLL RERR CREE RURA LRLELER Vv ovory verve y 4 PERL ERER RLRE LRER RikL LER RERLURLR RORLE vy ov 8 FF ea TRER ROME LAER RURL LHERRUERL LRER ALAL LRLNR vv ov Vevey vv ov ry Voir wvy 4 9 a PREP TOME MAR} VULE RORWLUDERRER DULG NADAL vvoveovv oy soft tae DEEL WRRRUTOO WHEW TELE RR EW DERE WRER UULUE vv Vv voVv Vv VV Vv rw a v qT it —e ee = TREE URNR WET E RRR ERUR WEOR HRERWRER ORRT TT vv viv Tety beth hone Repeat each exercise twooly times or more before final ending,Accented Bighths 5 seen vovov vove viv oy Fo foal vd VY 18 HLRL AUREL RERL RERL RERERURL RUERL HERE RBERER voy Vove vVov ov poy ve TR URGDR URLS URUR ERLRTRER LRUR LAER LRERD vov ov Voy vVoVv ov po vo ia 15 RALL RADE RRLLE RREL RALL ARLE ARLE RRLL ARULR Vw wef Perresrricrrrerrrsr rere ere TURRLURR LERA Denk PHAR ULERR LLHR ELAR LURRE vVovov Voy voy OV pv v7 fE = : KURRLSLLE RERA ERLT WLRRURLL RURREREL HERR vov ov Voy voy vy va 18 TREC RURR CRUE BEAR TALL RLERR URLLERLRAR TREL A vovoy voy yoy ov poy 49 BOREL ORUER PORL LRLR RUERL DRL RLERULRER BERLE vo Voy voy ov pov ERER RLERL LRLR ALRL LRER ALRE LAER REAL CHER ® Voy ov Voy yoy ov pv 24 RRRRULUELE RARR ELLE AARR DEEL RRRRULLEL RRRR L yoo Voy vy ov pe TUrh RRA LULL RRRAR LLLLRARRR LLLEERRRR LELER voy Vow voy ov py va 23 RRUR RAR AARR RARR RHRR ARKH BARA RRA ARAR W Vov ov voov voy ov pov vp 24 ebteuece bet eett uber eLEE LbLL LEEE LL Accent heavily in practico~lighter in actual play 8Accented Bighths yyy Pe) Vv vv v vv vv pov vor Y OT ae 26 LRERERER UREA LALA LRTALRLR TRUER ERER CRUR DE y vy y vy vv roy vor v a7 RRLLRRLL AREL v vy cL RNETE WRE? ALOR v yor 4 28 LURRLERR LURRLLERR LLRR LEAR LERR EEE LERRL vy wv v v 29 RUERRURLL RLRRUREL KERR ERLL RERRLUREL RERR y vv vv roy yar 80 TRIE REAR URLCRUWR LRLUADRA CALL ALAR LRLUR v vy y vy vv muy yas 4 3h BERL LRER RERL LRER RURL CREAR RERL EKER RERL DL wy y vv vv poy vie y 4 32 CRER RLRL UREA ALRL LRLKR RLAL TRLR R Vv vv. y vv vv y y vy v- ono 7 93 prpeeee RRWRLELL RRAALLLL RARER LELL RRRRUCLLE RRRRE v wy v vv vv poy yu vy 4 yl 8 ao ee TEED WARR CLLL ABA PECL RAHH LLULRARG tyEER v vv v vy vv y vq vv 4 Poof Pe Gee eT | abate at aa sew a os [eat psa ae 4 TRAN ARAA WHRR RARH ARRR WHAW BERR WRRH RRARR v wy v vy vv Py vas_vv 4 96 ELtL iter TEUh LELe tuteiiee weLe bene t TreeAccented Eighths 7 — st coding fin ay vy vv v vw! vv IT wv HURL AER ORL RDAL BLAU BERL RURL ROWE HONE vo vy vv Veo vw vy ay 38 URLER URER CRURLRLR URL LRLR LRERURUR LALA L v vw vy ¥ Wo Pov May > 39 RREL ARLE RALL RRLL RALL ®ALL RRLEARLEL ALLA v vw vv, v Woop y 40 B LURR CURR LURRLLRR LURK LERR LURRLERR LERRL v vv vv v vor VV yy at z Z RURR LALL RERRLRLE RURR LRLL RLERR ERLE ALRRL Vv vw, vy v vw oyy 4 wy Vv 42 TALL HERR URLE REAR ERLE RERR URLL RLRR LRGER vv vy 4 a feed bab RURL ERLR AUREL TREK RURL URUR RLALLRER RLRLL v vv vv v Wo vy apy 44 fE LRULR RLRL UREA REAL LRLR ALAL UBL RLRL LRLRR Vv vv vy, v, Vv oy wy 71 45 RRRK VELL RRARLLLL RRRR ELL RRARLELL RRRAL Vv, vw vy Vv, We mov Toy 4 46 v vw vy Vv Ww pov v vvv ahaa Sp 5 of 4 a Vv vv vy v VV Po Woyyy 4 Lett bet bUtL CULL FEEL ELLE LLEL dette LULEE8 Accented Dotted Notes = vyoveovyy vyvovy oy sey fin, 1 @eRURTRLRL RERLRLAL RURLALAL RUERERERL RLRLR Vv vy vv vy wy ov rey vay 4 TRERL ALR GRURDALR LF RURLRALH LREREREN LRERE v voy yoy, rn. yorovey 4 HLER ALL RRELABLE RRLER ALE RRELR Vw ov iy Voy mS RRULRRLL ® vv ov Vv TUERRLLAR LURRLERR LURRLLERR LLRRUERR LLRRE vv iv vv ov Vv ov ry vy, 7 ae ANT Bey RURRERLE RERRERLL vow iv Vv ov Pos er 6 faa LRLURLRR LRELRURR 7 E WERLLALA HERLENLR RUERUERLR RESELRUR REBEL vv vO Ty a ee a re TRLRRUERL FRERBURL LRER WERE LARLRALRL -RURR Vw oy vy vv iy yyy 4 8 3 = WRRRLELL BARR LOR@RRELEL RRRRE vv ov vv vy vv vy vo viv 4 Pers eee wf E ULLURRRR FECL RRRR LLLERRAR ECL ER RRR CLEoR viv v vv v vw vv voy vy pda he ee ea) Ay perere ts scereceteereree ste 7 ey RRR ARERR RARHRRRR RRR AHWR W RRR y vu oy Wowiy 4 to Feabaiabts ab TbCLG tle LELeLtiy LLULELEL ELELLLLL LLete ® Practice in the legitimate dotted rhythm a8 ingen above, gs0 Ip the imodera (loons) interprtation af azes¥in: @ Fey poy se] Fe2Aceented Dotted Notes $ yg ft 1 VY v voy = [abo ai waa RURLRUR RURL RURLRERL RERLALAL WURER Voy ov Voy voy vv 14 ERURERER GRERLRER FRERDRER LHLRERLR LRERL vov Voy vv vp T GS SS ee a 15 peel nao plato baie hia 4 RRLUERRLL RELL ARLE RALERREL RREERREL RRELR Vv iv vv Voy ov vv vv T 16 [peso aa : TERRE ERR LLRRLLAR LERRUELRR LLRRLDRR LERAL Vov ov vo voy ov voy vey Gee eee ee ee ee | era ere ese | wer Vo ov Ye Oe ee ee 18 TRULRERR LRELRTRA LRLLRURR TALLER voy iv vv VoOV vv 19 E 3 RLRLURUR REALERER HUERTERER REALERER RURED vVov vo iv Voy vv aT 20 z | DRURRURE LRURRURL LRLRALRL CRERRURL CREAR v v v v vw vr, v T 21 [E "2 RRRACLEL RRRARLCEL KRRRELEE RARRELEL RRARE vv w EEE RRR EULER WAN voov oo voy voy iy voy yoy ov py ov iG Lee os f= fates tae aoa aaa Dubewbbt bituothe HWEbGUEY CONDEDeD Accent heavily in practico-lighter in actual playing,40 Accented Dotted Notes Vv vVov v vv vv / jg TRS, SE, TEE y, vw v vv vv fy var. 4%, qa 7 aaa Sa gay Vv vov v viv Yee v vir y 4 PFREESSEEE REC ESO= a 29 ewer aaa f VIC, 7 20 & co leant oc Vv vow v vey vov v vil vy Bt a Vv VOW vo Vv yoy Vv vi vv 1 CRE RRLRL LRERRY LRUERRURL URLHALAL LRERR Vv vv v v vv Pv va vv » (RB Se a a Ee pg RRRRELECE RURRLEEC KRURLIEL KENRELLE RRRRE v vv fy Var, vy 4 an aw ata a wa pw CR ERRER Lite im Vv vi, vv 1 Sse AT aT bey ELLE LWARR ELELHRRR LEUL HERR RRR WARK RERHHREK KERKW RARRARRH KRAKNRER v yoy v v vow v vi vy oT = 1 ——=— Peacice also in the interpretation of uss F275) S15)Accented Dotted Notes a eS st endicg —— fina a OY vy vv v vv Tr vv, rvvy od WEED WONE RURUNENE KURURLEL RonDRURL RLRLH ve vy vy yo vy vy vy 44 38 DRLRGRER LRLAUNLR CRLRERLA DRERLRER LRERD v vy vy y yy 39 RROELRALE RREEKALL WHEL RAEE RRECRALEL RRLLS Vv, vy 1 40 TORRL ERR LURACCHH TURWLDAR DURRLLAW LLARE 7 Wee YT HOWARD ALG RURALRLD RLBATATL RURAURLL BUNA re LREUMLRR LRLGRLAR CRCLRURR LRLERERR GREER v vw vy Jaa Ea Ta Se ey (a pa a WURRERL LRURRURL LRURRURL LRERRERL LRLRR vy rvyy ST Ts Ent alae a i} BKRRUCLE RRRRE 45 WRRRELUEL RRRARLELL puma be eB od be sh » ian ae : gatelaes ee ee Ge Be ee an FE obo Goat ob bed aaa aaa RGbeLwel VEULEEULL LELEAccented Triplets st endia final oe ge ge tag a Te > wiv v y v vive Vv v v gy aaa sla aaa pds aaa ada =| WERURLRERURT WORD RURERGHL RURDRERLATRT RURERERURDRE > 3 3 a——sinile _ vow WV vovo ov vovov im Vv. Tv a PRERE ERE Re f 2 a adel aso THURURGEDREW CRLECRURURER CRDRURTAT AEA TACHERLALRDR VoOVO ov VoOVo ov Viv ov ry voy a Po en. mrp al faba a a ab ta 8 aafaaae WRUWROWROWAL WHORRTRRCRRLE WRERRERRCRAL ANUARTURTRRE © vVove iv vVove ov vVoveo oy Ty viv 7 PO oe ee 4 Pe ULRLERUERELH LLRLERLERCLER CERTDURELRULR LOROLRELLRLLA Vo v VY v VOVO Vv Ty vy 7 To ek 5 Fao aa alba a ala aaa aaa pesos Ea Tt q WEURCL RECALL RELALUNLLRLL WEERLORLLALL RULRULALERLL oR a an Voy voVe Vv Tw viv 7d — RR rom ek 6§ fb aaa aa al aaa aaa Pw URRURRCARCRR CRRLARLARLAR LARLKALARLAR LRRTARERELED Vovo ov Vovo ov VovVe vw Ty ve ry 7 Vv, vey vov ry vy Tv 10 TECRRRLLEHAN LEURAMELEWER LEEWRWELLRAN ELERRREDEAUR 1 vovoov vow ov vive ry vy od ma eo ee ee faa atta al aba at doa ia RRARAANHANHK RURKUAUARRRR TRRWRHRRURAN RURRKURWR RRA We Vovo ov v ro TLELELLULE Th VEthtahb i butt Repeat each exercise twenty Limes or more before Final eniAccented Triplets 18 14 onting finat 2 a8 ons noe Pay van 1 , voy voy VE Ve By By yi fy yy 38 TR Rar htt aaa aa TeRURURURUL NURLADATNTRE AURCADMURLRE RERLRUAUBURL Wh ve 3y By voovov fy vy wry 7 14 URE WERLRERCR URURURLACRER TRURURURTRER CALALRERL AUR T Voy vv vv vv yy y ary 4 scl TE sl abl tata aspaPT WRERRURRE HEL WRERRLRRE WAL RAL RRURRE RAL RRURRLARERRE We ° voy a TURELRTORGER LLALONTIRLLR LORLURUERLOR LLALERLER TERT v vo v voy v vovefov vovilv 7 7 SRLL RED REL Ac TREE REL RULRDE ALE RIL RULRLERLERLL R Vv, voy v voy v vov Tov v ov “1 ssf TREERRURR URE ORATARUAWURR FARERRURRUAR CRRURRURRLRR L v voy v voy Vv, viv Tov v VI Mmm. PAP ro 1g feats bit) TAL LWALEWALS ALCRRELRALE RACERALORALL RRULAWLLRREL © v voy v voy Vv voy fiv vay od eof H : TER AED WALLNA LURALERAL LUA LURALERALLRA CLR RLCRAL LARC v vVov_otv vv IV 7 WRRGLLARR LDL RWRULE AHALEL AWRLEL ARRELL WARELLRARLEL f v viv v voy v vVovity vO IrY a] A TARE LOD RAR THR ARWURARNK WHR AWERRRUKK WRRRKRRRRGOR RRRARARU RRR v voy v, voy v v Tv Vow ~ oso eT TELECL ULE GUEEEEIVCLED bIRTIEtOP ee LEE ULES Accent heavily in praction—Lightor in nctual playing,14 Accented Triplets oe 2 2 v vy Vv 3 3 3 25 mmm. 2 Vv vv ts eign q vod boy FAT ST at ga aa aa faa aa] z = RERERERURLRL RLRLRERLERERL RERURERUERLRL RLNERERLACAL OR FI sist v vy Vevey oof polaboaaabaaaay TRERERURLWER RL RUA URL RURTRERLE vovy ovo yvovyv vo voyy oy POURS oe ee oy paths taro fi RAL AKL RAL ANT FRURRE AWE ARLE RUURAURRERRE ARLAMLRRERRL ® vovv iy Vy ov vv vy oy Vy 4 TOREERULRLER LER ELH ALALER TEREEREERLUR LERLURULRLER L vovv ovo vevy oy vivv ov Tov voi a PA ee 29 =i REURLEREL AEE ALERULALEALL RELREL RUERUL AEE REL REL ALL & Vovy ovo ovivy ov vovy ov fooy y voir 7 af dl as rat: TRUUNWURRERR CARLARLARORR CRRURRERRERR TARLRRLARURR CL Vovv ovovivy voy vv oy Tooy vy vy iry 7 1 [psieaiardan weaned deed — RREURWLURRIL RRLUERDUCHALL WHEUWRECNRCE RALURRELPREL & Vovy ovo ovovv ov vovv ov foovy ov vor q So ee sf — TORRUD ERE CNR LORRI ARUERA ELRKELARTURR LERECURRELRR 1 Vovv vy vou iy vv ov Tov vy vory 7 vevv ove vovy oy vovy ov fy vy vy ory E pata hs at RHWAKIKUWREN RUWHERKERUHH RERARNRNRURK KRW RRR WAG HORT Vovyovovevy voyvovyoov fy y voty peBog 4g vow ovy Accented Triplets $8 8 8 o 8 og Ww ovv vow Uvy ve ty 15 re ee re yoy w Ne ln i i 38 3g 40 Se a, Faas Ta aa at wd abbey MORERL LR ERE 3 a 3 9 we “vv THE ALR URL RUE vovw vy RURLRERER URL RURUREALREAL RURLALRURURL & simile — VOW VV vow vv Te viovitv TRURERERERER CALRERERLREA LRLALRURL AUR b VOW ovvy vow vv foo vovitv 7 1 pa ae 1 WHE RRL RNY. RAL vow ovy RRL ARE ARE AR, RRLARLARURAL RRURRLRRLARL R voovy VW VV. Vv voV IW k, WEEN ULRLLR vovy vy LURLURLEREER CLRLLREER LOR LERULRLURCER 1 Vow ovv vow vv fv vovitv RLU RUL RLURLL vow _yv TRRURRLRR LAR RUCRELREUREL RLURLERECRLL MLURLERULRLL OR VovY vv vow vy fv viv itv TRRURR UR ERR LRRURRLRALAR LARURALHRURR ccs vow ov vow vy vow vy Tov oy wiry 4 mm ei [abate Vow ow vow vy vow vy Foy ov wiry 7 LERWLORRUTOA CLT ALL ARLURA LLARLUWRELAN TLNAULWRLIAN I vow vy vow vv vow vv Foy oy viv 4 t Rao oe e rebate aa aaa — ERNRELE RRRULERARLLE RRALELRRREEE RRRLLE RRRELL ® Woy vow vy vow vy Pov ry 1 Rome moe oe oe {aaa aaa aia ae} — VEL RRR ELE RR LET RAR EEE RRR LEE RR EEE RAR ELE RRALLL RRR u - vow vy) vow vv vow ov Povo ov wry 7 Q in fiobhi faniaionnen pon iatwetan apr Tt | HMWHUWHARKNE ANWHAHARWANN QNHRARNERARK RWRNWHARRARR vow vv vo vv vo vv_f Vv voivifv dq fan Bee Bee Bees nese 28a eee a! rh) Ventt tb teUeLbunh ot16 REBOUND CONTROL (For the Two-beat Roll) That ago-old cliche’ 4 chain #s only as strong as sts weakest fink could be paraphrased thus: The drummers roll is only as smouth as its secondary beat. It is impossiblo to produco a''porfeet”roll on # drum because, While tho initia! rofi-beat of either stick is struck by hand (or finger) action, the following {tho secondary) boat must be produced by re- bounding- by bounce. ‘Tho bouncing of a drumstick may be compared with that of & rubber ball. In bouncing the ball to the floor, its initial impact produces a blow of given power, but tho rebounds which follow strike with corrospondingly less powor, one by one, until the ball finally comes to rest. Tho samo principle applies to the rebounding of tho sticks. Indeed, if with either sticks or ball we could make rebounds (one or more) as strong in power as the initial impact;the sticks would re- bound to porfection,the ball would bounee forever, and wo would have discovered the secret of per- petual motion. Hence we find there must ever bo a certain degree of irregularity in power between our initial roll-beat and its rebound, ‘The following routines, in which rebounds often appear and arc accontod on the beutsare desigocd that our rolls will, at least to the ear, most to develop maximum control of rebounds to the exter closely approximate'perfection.” 1 PSS e gaia eds SEG FE A RURLALAC RECHRELHALURALLA RERL ATRL ALURREL NLLRAL TRERERLR URRLCRRULRRLLARL UN LULRLR LRRLERA LRRLURN Vv vv Vov vy viv vVoOV v v v v ae (a a a aa a a ea ea} GER GRERL RELNAUDRRULARTEN RURLRORD RELAATL HELMET vvyy vovovyovy vy vw voy vy ferent d penile daewec seen aera! vy vy vvvyvv¥y Vv vvVv vy 5 Gia haa ps TEWENL OL ee vvvVVv¥¥V WV VV VV VV V¥VVVVVY WY Vv VV vy eee rerapertreeecer thet nere ree cect rcrececiiee LRERE ELH CRREERMCERELERRL DRUM ULAR CMNDERH ERRLLET Slow, even tempos first, striking both roll-beats by individual band acti Faster speeds later, quw reboueding. up tw enpacily7 REBOUND CONTROL (For the Two-beat Roll) RLRLRUURREL RURLRLLRALLER RLRURELARLL Por Eee TA AE LOWE RLRALLRAL TRE RUARELRRE CRE RERRLERR LRLAURALERR voy vv vv voy Vv vove vv vv RLRURUURRLER RUM LRUGRALLR RERURLLARLE HERE RELARL Vv viv vy viov Vv voove voy vv 10 TR ER ERRELRRL URE RURRCGRRE LRERLRRLURR LALA LRRLLRR VVVVVV VV VVVVV VV Vv vy¥V¥VY VV Vv V¥V¥V¥Y VV Vv WERLRULARLOR RURERECRRLER RLRLRELARLL HURL RELBRLL VvVV VV Vv VV¥¥V¥Vv¥ VV vyvVVvVyY VY VV V¥VV VV voy Fees OT SSeS Ee eee co Se 42 aaa aa a aaa aaa Daa aw aaa LRULRLRRALUERRL LRLRERRLELARL LRLRLARLERR LRLR LRRLLRR ee OS ee ga a a a a aaa RURLRLLRRLUR RUERLRULRRLL RURLERRLRLER RLRLLAL REL TEE I Sy, SRE, 14 2 “A vow v MV vVeve vv vow vo Voy vv Fo Eee - yan a at face Ff bial 3 VV Vv v vv wv Vv VO vv vVoV vv Klee Petre tie tol a UR ERURRLERRE LRERURRLERR LRUERRLLEAERRL LRERRUERERR VVVVVV VV VV¥VVV V VV VVV V VVV VO vVV¥VV VVV OV a staal VVVVV VV Vo VVVVV OV VV VVV V VVV VO VVVV VVV OV 18 Serer tenaers Weenuk | RLLRR ERURRLURURRL TNERRERERR Accent henvily in practica, Do not burz in theso oxoreises,18 Follow the numbers. REBOUND CONTROL (For the Two-beat Roll) REL RL REE ALL aoe TRLLWOLREL BE v TRH DRE LRA URE vv ov oy ve OY Fr y oe 9 = 15 4 Vv Vv ¥ v PRR. LE, fot 16 FE H T REL REL REE vv vv vy vv 5 5 URn URR ERA LRR yvy vVyvywy WRELLEARILU® VV Vv vv vv BERA LURE URR UR vv VV vv VV RUE REL ALE REL Vy wy vy yoy Lek UNE LWA LER ae at BE 32 fae ERLUNEL ALERT Voveovey Vv URRLARLARRDAR WRDLOURARELOR ns ncaa oraey TER eT Rn I THeCeNTNALER vvvy WW vvV VV vv [ae A a oa fe ye [eet ws vv vv vv d< vey vv vol v v LERR RES ERRUL THLENEY REVERE © Practice ae in tne am ovinm: © CFR FA A49 REBOUND CONTROL (in 6g) & & ROL RUELRALLRRLLR Rt RE RD ALORA CBRL TR DR ER UARLTLCRALERAL RD RE R LHRTE ADURR v Vv Vv, v Vv, Vv v Vv WeeenctR RL LORDD RR LRRLL Vv v v Vv, Vv v, Vv v TOR D R&R GCRNRELARRELHAL ER LR TR ERREL @ULAR VVVVVY Vv¥vV YVvV Vv VY¥YV VY Vv VV vv wtR LR OL WLERRULRRLDEA RL hE RL REURA DRRLL VVVVVVY VV Vv Vv VV VV VV VvvV VV ov TR LR tH URWDERALUAAL FR LAR LR LFRRLL RLERR RoLR LRWETR HLA LRRLLR &LALARLE ALR TRRUL Vv Vv v Vv Vv v v Vv See ee pee pay Vv Vv Vv Vv Vv v Vv v bee ee 4 bow i WLERAL GORD RUERRE LR ERLLRR CRD RLERR vvyvvvVv vvyvV VV vvyvVV vv vV¥VV VY 1 (OSS SEEES aaa Spee aes alsaaaaes hob R LRWEEN RD WDLARELH RL A UNRDD WE © TRAE, vv¥VV Vv ovyvVV vv vVv¥VV Vv vVV¥VYV Vv re howe ENE WL WOEERHE EWE RUUKR GWU HELRE20 REBOUND CONTROL (In¥) v Vv Vv Vv RD OR L oR LR RGLRALLR RL R LR LRWEUBRLD COR LOR L RLURALLRHEL LR LR L RELEHRELLAR RoLOR tOR LRRELRRE LOR LOWS S RUURRLERAE t® LR L RLERRLERR Vvyvey vovovevevy vvyvvy Woy ovioviov = SSeSSs SE a RoLOR GR DRALLARLLR A ORL @ LRRELAALE Vvvvy Vovovvev vvyvwvy vivov viv boR LR F RULRRELARL Fo Roo RL RELRRELAR X (In %), RLRLRLA LRREERALERRELR RURULRLER LORELABLLAALL Vv, Vv v v, v v, Vv v, TR ERURL RLELRRLERALLARL CRUERLRL RULRRUURRULHR voy v v y y v v REELROA LARUERREERRLLA REKURL NW LRRDURAELRAGL voy v v, v v v v, eo’ : TRERURL RELKRLURALLARL CRERL HL RULRRLLAKELER VvvvvvV Yvvvvyvv vyvyv¥VV vVvvvwvoviy COT TT) Fee ese oes pea | RURLRER VRRLURREERRLEN RENE ER CANELRREL ROLE Vv¥VVVVVY Vy¥vV vv vv vyvVVV¥Y Vv Vv vvvV LR LAURE RELRRELRRECRRL LREREN EL REURAEERRELRRah REBOUND CONTROL (In the Four-stroke Ruff) ql at i St it cate cree rai erat heel roa Ree mune niet ane AER rae ueeR rRUR iar reat tiae EERE TERE utr eELe hLER BoER BEER tore - + ~ rere oRRD taeb ORAL rae tant EUR® rere corR buRR TURE vueR werk RRLG wALL aRLL eau RREL eLUR tee veeR NIU Toe Thee weet ane ro Raat aaa want RES aS neem wae KARR wRRR aE weak fees SS St t iS t a beet unk toon teak men tet “Tho graco-nates most effretively executed by finger Vounes active.* REBOUND CONTROL: A (In Triplets and Dots) 1 La v ve Vv fom oo a = RREL Reet RRL WREL simile vo voy RALURBL RAUL REL oree TRAGER y+ AE 4 TERARLER LLRRTER TURRLER 5 WROLARLUCRR WRELRRLLRR BRLERRLLRR HALLRRLEGR RRELRRLGRALL vVoveviy TR RL UR R LLRALUNRULER LGR RL GR R LURRELRRELRR LE vvvVvV Vv vViviy ere em ee ee 9 ee ee = a a a a a ma = TORE URRELRR EER RUEURRED BAL TRAUURE L LR RULARIT Voviviy vVoeviy Vv to f= v LR ALERARLL R RL LRRLURA LT UR RUURGLE R AL UCRRULRR VovVovoy vive viv Pe SS Se eee ee 1 a RORLCRR LLRA L LRALL ARUL @ REL@W LORR L URALL AALL v 42 vVoveveo viveiy fees z = Vo LRRUL WRLC & RULRR LLRA L LARLE RRLL R REDRR LEWR @ fn jazz Idiom more often played: © 5] LS Ll28 REBOUND CONTROL-B Un Triplets and Dots) prerre ch Hy ji, v v v LAR L ~ LRRL LRRL L RRL v Vv v 2 SSeS yyy vov_y moe - 4 abe =i] “LR RLLERR LRRLLAR VovVevovy vovwovwioy 5 TULRRUUWRE ATURRTDARL ULRTTURRL RELBRLUARE Vv Vv Vv voWv v Vv v LA oo eee Ss Pm |. nnn] 6 q RRULR UARLLRRTON DRRECNNCCR URRTLTRRULR g 2 3. sv v Vv Vv Va Va Vs Va Seo Di obesity TE = = at aaa aa TTT RA LL W HLLRALLARITA BTL WR LL W RLEBAEERRLUR 3. simile — vo Vv v voeV Vv Vv Bees oo ers mom CORR LL R@ L GARLLARUCRAL | RR LL RR L URRLUERRLTDRRE Vv vv Vv vy . vv Vv Vv vv. v Vv ARR AGRE Am SSB bo ORR LLRRLER R LL RARLLRARE L RA LLRRULR R LL RBLUARL Vv Vv Vv Vv ve Vv Vv Vv rs JS fam rem PS mee ee ee i fee = Ta a ee a bee aa RH CURR, LARL Lb RHLUER RELA R LURRL LCRRU LC BALLER RLUR Voy ev ve veve vv LORRLDR RULR NM LUNRL CRa@t L RRLUR RELR R LLRRL URRL24 TWO-BEAT ROLL versus THE BUZZ THE TWO-BEAT ROLL is the pure roll of two beats of cithor stick; the first beat struck, the second beat rebounded (bounced). A BEAT AND REBOUND OF BITHER STICK fe th th THE BUZZ ROLL is tho roll of moro than two beats of either stick. A BUZZ OF BITHER STICK SS AAA * WHEREAS A SLIGHT DOWNWARD PRESSURE OF HANDS AND FINGERS as a stick strikos its initial beat produces the single rebound of the TWO-BEAT ROLL, a further dowaward pressure will givo two, three or more rebounds, thus producing the BUZZ. TWO-BEAT ROLL VERSUS THE BUZZ The huge roll has ever been a contenvenial subject among drumaness, mainly because its 8nd hinitations have not filly been Prejudice against it apparentty started io early wat times vith the inception of snititary divavmtie, im whieh the drumnier's dutire were onntined to eutlegr Graroming for marching sakes, The rolls then ensployes, on a giant parsde dren ith heavy dmioticks, sere perlorce. powerful ja nature, and fcre burving seas detinitely out af place Hence, our drummer of ehis eta wae warned against buzzing, and he in turn transmitted this warming 10 those wig followed. ‘THEN AND NOW Through the intervening years new deelopngsts in risie and in drums lave come inte existence fone by one, New and. difereon instruments have been intindlyced sta nie pression section Bie ine theauselves five called for inowv ations, new tel niques: and ene a the Later has been the Inzzing fa the rol For many years the avthy icles and im elinies, importante of tlhe hure crush) roll al jay ss ose 1 ue today. Why? fue traditional yseabrat soll, Recast: i epreseats an additional tos! of the drumming trace, not murele a good cmough aw grt by device to rephaee the we beat rid Tecivesr it is natural estension of ROL VERSUS SANDPAPER Today the all round drismer finds we for as many dogrecs of coarsenest an! fineness in his rolls as there are in sandpaper, each degice dedicated 10 its par (Reprinted by permission from the author's TECHNIQUE OF PERCUSSION in Intemational Musician.) ticular purpose sail eype of drum, While itis agreed hat the pire to-beat roll comes frst in rudimiental cenpovsante aed stills the preferred rall of the stylist. oder druinnnna. especially on a small wires tga pagel with lightweight sticks, more often e2's fea finer, smouther coll. aptly said to resemble ” patter of raindrops an atin r00!" oe “the tearing 4 plere of alk loth” Wire snares bu hy theirs atthe sighest sour disturbance or the single tap of a stiek. “Taviced they Sect es by rinote contol, key at eeetain cones Ural ven while attempting avorheat eal on te Sensnive wisranared. din, t achive anything Set aint fr the snares ve faser than the aks “AVOID THE BUZZ” 15 FOR THE BEGINNER fine teachers tel their dents to aol The siter believe this acionition to be View, mam bone sucha warning i prisarly imended pacticulaaly, for te bewinner, so that ay Ie teamed. to waster dhe Wore. dicate bat iratrally accepted tworbeat yell Fest 1s thaising andl experience develop the we Will find control of tng golle deve pie de. Tax sllimate objective Ieing. the dhs ter app thse in their any gradations wf wane, fern Ue pianisnin of the soll ad. fine bu fy te sinaler int te te fesrtiaiaa s0ae of the ts Feat, played on the guesniared military denn TY IS HERE, WITTEN THE SOUND-SCOPE. OF UIE ROLL. “THE DRUMMER'S LONG TONE PUAT DUE BUZZ, OCCUPIES ITS. HIGHLY IMPORTANT PLACE,25 TWO-BEAT ROLL versus THE BUZZ * In the following exercisos the execution of ono roll is contrasted with that of the other The object is to dovolop sensitivity of hands and fingers and through this, a wider range of control and expression in rolling Slow practice is indicated first at uavarying tempo, with completely relaxed museular action. Timing is tho most important element here, WITH HANDS MOVING AT THE SAME RATE OF SPEED IN ONE ROLL AS IN THE OTHER. (Avoid tho natural tendency to rush the buzzes.) Noto woll, that in slow tempos tho buzzes will suffer, sounding crude and draggy.with spaces in between. Howover, when in later practice, speed is increased to normal playing tempos. the buzzes in the same exercises will“'smooth up" to sound as normal rolls should hor RERUR RERER ofS: TRERE TRERG TRLAL TRORE RERLRLRL R RURURERL B RLRLRLRL R WLRLRLRL B ERURLRERL LRLRERER L URURERER L LRURURER L FAR A RERLERURE HERDER RURLRLNL RERER REALREAL RERER FP pawn WERTRERE RLRLR fa Fr AT VRTRLRUR LNERL LHURORUR LRLRE LRERUALR URTRT UNLRERLA LALAE wae RE RUNERE RURLRURL LRLRLRER RLRTROR taLaUnUR TRLWLRER Repeat each exorcise 20 or mors times.26 'TWO-BEAT ROLL versus THE BUZZ CURLER L TURTUR & LURLLAL rerun TORE RL W RLRLRL ® RLRLAL ® wihOo RE R TRER IRL TREROR LT PAA A ere ey ae a ee Ye CAR A fatal TERE OR EERE LCERELER CLAD LORLER VURL LORGER LORE RURERD ALRL REREAL RURAL RERERE RERL REREL RE -[eaa FRIAR FA Ta ae ta aay URLRIR LRLR LRLRUR LRLR UALRLUR DALAL RORER RE RORLR AL RORLR AL RORLR RE TERE UR T URL ER LERLER ctRL ee BURL AE ROoRL RE RERL RE “RURt RE RER OR yoRER UNTWO-BEAT ROLL versus THE BUZZ 27 KUR BER A ® RLR RER R WER RUR R TRE URL & TRE URL 4 TRELRE C TRL URL L RER URL ® BER URL & ROR URL R RERLRL ® DRL RER L CRE RER L ERE ORLR L LRU RER L 7 RERRLR HLRR LR ALR RURR AERRLR REAR RLRRLR RURR URLERE 7 off Fy Fro.» Fy F A 20 eee are faba a aw bata TRERUR LALR ULRERER LRLR LRURLR LRLR LALRUR LRLR RUR RLR RER NER RUM ROR BER RLR Cae RU URL URE TRL URE TRE URL = EE aaaFollow the wonders at Roll TWO-BEAT ROLL versus THE BUZZ Tho Buze BER ERURT WLR wERLRURL RURLRERD DRURTALR LRURLALR RERLRERE WERURERD CRUBLAUH URLRTRER LRERLRER GRURLRLR El oF = REAL HURL RERTHDRE RLALRLERL RLRTRURE TRERDRLR TRERUARLR TRERLRER ERGRCRUR BURL REAL RDRERERE 12 |B = SI RT RURLRL RULRLWERL TRERTRLR PRERLRLN SEBS BARA, BeeeREREL RURERE RL BERURGRL RERLRERT RLRERERE 22 iF URURURER TALRERT®TWO-BEAT ROLL versus THE BUZZ 29 Rol BURL RERE ® RERURE REAL RURLRE ALRL RERLALRLERL RLRURE RLRL mmm [fata ata af LRURUR DRUR 2RURUR LRER ERLRERLRER LRERLR ERLE BERT WERE RURL BURL URLR TRUER URER TRUER RURDRD TORERE A TURUAT ® oma tp eet pt TRURUR T VRURER TE UNDRERY TRERUR T gy TT la nea FE TD ey ape eI WORURL WERE REWER NURUML BURL RUWCRD BURL yo fe Bd aE Ep par BEER oe URURUR LAUR 1RUNLR LRER LAUR LRLR LAURER LAER @ The wholo cost is often by custom weed to Fill any measure exeopt Ys or 4%80 TWO-BEAT ROLL versus THE BUZZ ‘Two-beat Roll ‘The Bue 13 we So RERE EERE BURL REEL VRUR TRER URLR 45 RERERL R WERLRL & RURLALR RERERE RE 16 URLRER ED TRURDR TE TRERLRT TRUADR L (Ro ty Ete RURLAL RURL BERGA) REBEL RURERLWLAL mm a oem errrrrre Press faba PF TRURER LRUR LRLRER LRER LRLERLRERER CALRE® CRLE WLRLRL RERERE RURURL RERURL CRTRUR TRURU® URERURTWO-BEAT ROLL versus THE BUZZ " Follow the numbers ‘Two-beat Ret ‘The Buz REALRLRER URLRIRLAL URUMLRERE RUREHERLR LRUERERL RL RURLRELRER RURCRURLR LRLRLRLRE 13 20 FE z LRLRURLRL RUERERURLR 4 URUREKERL WERLAEWHR VS ERERERE RURLRGRER LRERER ORL CRER OWL EL WERUNERER HREREKERE WERLRL ELEroe asa aa T RRLLRREL coer eee oo = . Rob OR GL R } R LUERRELRREL R LR Ro LERRLLRRLL E = = ase ‘ Rob OR LR L RRLGERALERRLL R LR L R L RRLLRRLLRRLE Vv v Vv Vv co 5 ARB 753 SS 7 Hy ay Rou WR EERALURALUN@LL BL OR TR TURNUDARET ARTE v y v v oo Cee RSS Oo es ee 8 3 ROL R LUERREURNECRALEUREL Vv Vv SEES hoe ers es 10 SSS hae ae Sal BL RREURRLURHLURALURRED R CURREERREERREURREL ERED v y v v RAR LERRLERRECRRELAREERALL RRUGRRELARLERALERRECRRDE ‘dual band action, Faster Slow speeds first, striking both roll-beats (tho doubled sixteenths) by indiv’ apeeds later, now rebounding Secondary roll-beats, up to capacity.ACCENTS IN PROGRESSIVE ROLLS (Left Lead) % Vv Vv 43 oo eS er Pera Toa t R Lt ® Lt R LORALLAR LOR OL R LURRELER LOR LR LR L RRLLRRELRR LR GR L R L RRELRRELRR v v v v eos See Eee oe) re 18 4 LOR & OR & R LERREERALERR 3 ee 19 fe LOR FOR L RRLERRULARLLRAR LR LR L RRELRALERRELRR - v Vv v v eo ee Se) ee 20 fF “a aa a a a a waa eee DOR LOR LERRLLRREERRLLRR LOR LR LENRUERREURRELRR TOR FORWEERRELRALERRELRR Lb &® EURWCLARLERRLLRRT ERE a _SERSERSEASES TERRLEWNHEERHELRHLERRLCRR LENWHEERRELRRULRR ‘Two-boat roll hore. Do not buzz“ ACCENTS IN FIVE-STROKE ROLLS REWLAURRUDA LRLAL®LLRAL VovVoov vy feeeerrreeere vVoovVo ov vv v HERULRRERUR RAL RRLURULR Vv v vo Vv Vv Vv Vv Vv Vv Vv Vv vo oo Se ee pat abot, [bobbi atts pate tate | RRULALRERLR LLRRERUKERE vv v v RRUURLLALUAR LERRERAL BRE voy vVoouvoy v ig met TRURLRELROL fy eceeererrere syria BRL RRLARELR LURLLWELRRE y voy fae a= By mois ee RURULRRURL A GALRALLALRL RRUERRLERLER LLRLERRL RRL v vv v veo voouv ov Vv ov ov 6 EE eee eee WHLLRURERGR LERRLRLARLAL RRLORLERLER LLRRLRR URAL vo v voy v VoyVoy Vevey 7 19 FE —s RLERURERRELR LRERLARLERRL HOLRLLHRULR LARUE RRELRRL v Vv Vv vy v v Vv Vv Vv Vv v vo HORELRRERLS® LRLARLLRERE yoviov voviov A ersrerrrsss RLLRRULRE RR LR RELRRURCL v, vVivwiy Voy WRUURD WERE TLARUWERERL WLR UWALEN LLANE NETO Vv Vv v n+ Vv ae v v Vv Vv v m4 3 inal to Errererertarrer eer trare Hal ddaraer aaa aay HRLRAERRELE LERLERLERRE WLEUERLORRULR URREWWELRRD Vv Vv v Vv Vv v Vv vo v v v Vv 1: Beene poles fag, [bananas ey WHE RRELR EDR EURLERNE REL HULRRLLRERK UWRULRRE NOT v vow y v voy vey vv we a pada cana of * q WHEDR TON LUN SERRCHRENRE HREVHURRUUR LENKUN EE ELL Slow spoeds first, striking bath rall-bents (the doubled sixteonths) by individual band avtion, Faster speeds later, now rebounding se indary roll-beats35 ACCENTS IN FIVE-STROKE ROLLS 28 soe coos ann nnne aba bbe y 7 FF te ee HELLY RREER LREERRLLERL co eee deen v pina banraa bade eve a] as FF voy voviy ia Se a a aH 39 WRU RRAARLLR LELEDELERRL voy veovey Vv Poe es RRR RRL ore ee CEE EURE REE en int Seo KRUERLRRLERK LORRLRLLALL Vv, RRLLRELELLUEL CLRRLR RA RRA vey vovey Po A ee Pm eee eee ee eee cnet = CRM ER AREER CREE RE LURK RRWRPRARELR LELELELEAML WORRRLLERO RD DRELURRERER WRRRRLERLEU LELLERRERRH ok Sap HRULAL RELRL LERREKURRER RRELEALLLULL LLRRURRARRR Po ae af v vo Vv Vv vo v WOR RREURL i UM ULURALRE vo v Vv Vv Vv Vv vov v Vv v Vv [Esa pinnae Saas NRLURD WEEWE EEOAT RU RET ® TIGTRLELUTOT LEREE WERT ER ao oo se msn me yt Fea faa ea 16 a Ee WORN RR REDT ETE COTEER v v v v v v Vv Vv Vv v of * eee < Whe UKEER ENE a WRERWRWWREL PEELE LLUUR® ae te ae sf Fm 5 pu ER aa paddy TRL REE WE LURETRERRER TORR REET LL LLECEURR® Acevnt heavily in practice. Bo nat burs36 ACCENTS IN SEVEN-STROKE ROLLS Testroke Vivi ¥ Voviv voovo ov voy ov mo ee or mom ssa oom See Fea aa eee eT RLERE RE RRELAR LRURERLLRREL HRERALARLLAR LERLERELLRELE voy yovuy y viv Vv veoy v RRERRLURRLUR LE WMLLARLLRRL v voy v vo V Vv vv Vv Vv Vv v v NV y Vv Vv Aa Oo Vv Vv Vv v Vv v v Vv \ v NV Vv RERULRALLALR TRERRULRRL RL WRLRRLERRELA LLRLERREERRL Nv v Vv Vv Vv Vv v Vv v Vv Vv v 6 RALLARLALRLR LURRLURLALRL RELURRELRLGR LERRLERRERRE Vv v v v V Vv Vv Vv ¥ Vv Vv RLRURERRLLAR LRLRYALDRRLL RLURLLRRULRR LRRLRRLLRRLE v Vv v v Vv v vv Vv Vv Vv Vv Yn : fan, peabas-psTnalaly Vv y v Vv Vv Vv Vv v vv v Vv = pena aa aay , psa ey Vv Vv Vv Vv v 410 FE = = Coe Fe. pa SnEey Sa, g a isa v v Vv Vv Vv Vv Vv Vv pe Job RRUURRLLRLLR LEARLURRURRE NRLERRT RRERR UONREENE EREDACCENTS IN SEVEN- STROKE ROLLS 37 ATLTLSES, , tobe toe WE UMUDARLLRR URRTNNLONNEL «© RHR URWANEORR LELUOT LURRUL voovov ov vy vy yoy yy yy aaa poraiaddv aa staat tetera 26 fas af 2s| be q WOU RMEERRLAR URRLUNMLTETE RWAWNECRWLEL UEUEEARIER RS Vv v y v y v Vv v Vv Vv Vv Vv : Rao Sea eRe 27fe= = a9 WhuLwaD WAL RR LOMRULALE RED WRULARE ET ULO LURRELRR ERT Vv Vv Vv Vv Vv v Vv V Vv V NV ELTA of at Al sof WEWWERRNLURR URLEALLiMRL’ «© RRRARRRRULAN LLELULIDENLT v Vv v vow Vv wv v Vv NV Vv v See oe zy sf RELRRRLLRRE RG LRUCERRLERER RRR RRLURRLLE LELEERRLURRR Vv Vv v Vv vo Vv v Vv vo vo vo Sermo FAS mM Peso Fea 30 Ea ate biotite ,, [nnnonbaoelee SRUURWLWULAL TERRLURER HER TRECRRL LL ULL TERRULARR RAR v v v yv v v Oe on Fa aa aa aaa aa aaa RLERCRARLLAR LRLLERLELRALL RRRARRRALLRR LELLLLLERRLE veoveoy voy yoovoy yoy iy = A safe WU®RRULART AL UWOTURRLUNL® WRRARUERREUL ULL CLARE ® 33] | v voy v voy vouvoy fala as voviyv afin a PURRLERLRBLR RRULARLEL GEL ao v Yovoy a on & sista faa | WORKER WHOLAR CHLERULURKLE WRN ARE LRREL ULE UERRELAR v v v Vv Vv Vv Vv v Vv eorererirere: 4 [paseo aaa v v v Vv Vv LU EERR LEAR v paaareas | ET off SaaS v vy Poa ar [ana ata aaa KUL LMKE KEE HG LERREERERR LW WRRARLLRREL VUCUCRREDRR8 ACCENTS IN FIVES AND SEVENS TRERERERRED WERLRLALURR LRLRERL RRLL vovwiv voy ov ov ov iv TLRURLRLULAR v Vv. Vv OE ABS, , Se aaa at A 14 Fe 4 RLRURLERRLR LCRERLRRLURL RLRURLLRALR LRLRLRRULRL ATER pS RURULRRLLELR LCRURLUERRLERL RLRLRRLLRLR LRLRULRRERD BRU RaEI, ARR ar fe eT fe Fy Fi RURRLLRLRLR LE RLLRRERERE RERRELRL ALR LRLLRRLRERL v v v Vv v v v Vv v Vv Vv v REERALAURLR tARLLALRLURL RELSALRLRLR LARALLRLRERL eo ror eee BOLO rs a Po or 6 fara awa g [pment a a a Vv. 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