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Life
The only recognized authority for the facts of Benedicts life is book 2 of
the Dialogues of St. Gregory I, who said that he had obtained his information from
four of Benedicts disciples. Though Gregorys work includes many signs and
wonders, his outline of Benedicts life may be accepted as historical. He gives no
dates, however. Benedict was born of good family and was sent by his parents
to Romanschools. His life spanned the decades in which the decayed imperial city
became theRome of the medieval papacy. In Benedicts youth, Rome under Theodoric
still retained vestiges of the old administrative and governmental system, with a
Senate and consuls. In 546 Rome was sacked and emptied of inhabitants by the
Gothic king Totila, and when the attempt of Emperor Justinian I to reconquer and
hold Italy failed, the papacy filled the administrative vacuum and shortly thereafter
became the sovereign power of a small Italian dominion virtually independent of the
Eastern Empire.
Benedict thus served as a link between the monasticism of the East and the new age
that was dawning. Shocked by the licentiousness of Rome, he retired as a young man
to Enfide (modern Affile) in the Simbruinian hills and later to a cave in the rocks
beside the lake then existing near the ruins of Neros palace above Subiaco, 40 miles
(64 km) east of Rome in the foothills of the Abruzzi. There he lived alone for three
years, furnished with food and monastic garb by Romanus, a monk of one of the
numerous monasteries nearby.
When the fame of his sanctity spread, Benedict was persuaded to become abbot of one
of these monasteries. His reforming zeal was resisted, however, and an attempt was
made to poison him. He returned to his cave; but again disciples flocked to him, and
he founded 12 monasteries, each with 12 monks, with himself in general control of
all. Patricians and senators of Rome offered their sons to become monks under his
care, and from these novices came two of his best-known disciples, Maurus and
Placid. Later, disturbed by the intrigues of a neighbouring priest, he left the area,
while the 12 monasteries continued in existence.
A few disciples followed Benedict south, where he settled on the summit of a hill
rising steeply above Cassino, halfway between Rome and Naples. The district was
still largely pagan, but the people were converted by his preaching. His
sister Scholastica, who came to live nearby as the head of a nunnery, died shortly
before her brother. The only certain date in Benedicts life is given by a visit from the
Gothic king Totila about 542. Benedicts feast day is kept by monks on March 21, the
traditional day of his death, and by the Roman Catholic church in Europe on July 11.
Benedicts character, as Gregory points out, must be discovered from his Rule, and the
impression given there is of a wise and mature sanctity, authoritative but fatherly, and
firm but loving. It is that of a spiritual master, fitted and accustomed to rule and guide
others, having himself found his peace in the acceptance of Christ.
become part of the spiritual treasury of the church, from which not only monastic
bodies but also legislators of various institutions have drawn inspiration.
St. Benedict also displayed a spirit of moderation. His monks are allowed clothes
suited to the climate, sufficient food (with no specified fasting apart from the times
observed by the Roman church), and sufficient sleep (7 / 8 hours). The working day
is divided into three roughly equal portions: five to six hours of liturgical and other
prayer; five hours of manual work, whether domestic work, craft work, garden work,
or field work; and four hours reading of the Scriptures and spiritual writings. This
balance of prayer, work, and study is another of Benedicts legacies.
All work was directed to making the monastery self-sufficient and self-contained;
intellectual, literary, and artistic pursuits were not envisaged, but the presence of boys
to be educated and the current needs of the monastery for service books, Bibles, and
the writings of the Church Fathers implied much time spent in teaching and in
copying manuscripts.
1
Bul-ol
The Bul-ol or commonly known as the "Igorot Rice God" is the traditional and the most common
sculpture in the northern part of Luzon. It is usually made in pairs, a male and a female, though there
is no particular rule regarding the gender and posture. This is used in different rituals of thanksgiving,
revenge or healing.
Purpose
The Igorots mark life crises with different rituals and ceremonies dealing with their gods and the
deities. One important icon in their rituals is the Bul-ol which serves different purposes. The most
commonly known purpose of the Bul-ol is as a provider of a bountiful harvest. But aside from that,
the Igorots have different other uses with Bul-ol. IT serves as the guardian spirit that protects the
stored grains in the isolated rice granaries in the fields. Aside from that, there is also a ritual
performed that uses Bul-ol to heal those who are sick or to take revenge on the perceived enemy.
Rituals
The making of the Bul-ol takes rituals to gain blessings from their deities. Every procedure requires a
ceremony, from the selection of the wood until it has been delivered to the house of the owner. The
finished bul-ol sculpture is bathed with pig's blood in order to gain power. This ritual is followed an
oral incantation of myths and offerings of wine, ritual boxes, and rice cakes. Then the carvings,
together with the offerings of wine and ritual boxes, are placed near the priests. The Bul-ol is bathed
again with the sacrificial pig's blood. Later, after the ritual, the carving is placed next to the ritual
bundles of the rice harvest.
During the period July to September, a thanksgiving ritual called bakle is held for the bountiful
harvest. This ritual is done after all the rice has been harvested. This is the time to feed the "rice
god" or Bul-ol. Amidst the festivities, the villagers pound the glutinuos rice, or diket, to make the rice
cake called binakle.
Types
There are various types of Bul-ols. The most common is the one in a seated position with arms
folded in front. There are also some types that are a standing figure with hands out-stretched loosely
hanging or at the sides slightly resting on with the palms of the knees. In some areas, the figures of
pigs are also used.
The figure differs depending on the location of where it has been carved. There are six major
regional styles from different areas such asBanaue, Mayoyao, Hengyon, Lagawe, HapaoHungduan, Kiangan, and Tinoc. Among the Bontocs, there is a similar figure which they
calledtinagtago which is used with the same purpose as the Bul-ol.