Documente Academic
Documente Profesional
Documente Cultură
FOR
BOYS
BY
'X
,-.
FREDERICK
A.
INVENTOR
OF
Author
185
FREDERICK
THE
TELEPHONE
WIRELESS
of'^In"ventingfor Boys''
Boys'
WITH
COLLINS
Book
of Submarines,"
AND
ILLUSTRATIONS
NEW
YORK
A.
STOKES
PUBLISHERS
"The
etc.
DIAGRAMS
COMPANY
Copyright, 1918, by
Frederick
All
Stokes
A.
Company
rightsreserved
OCT 23 1918
.K
TO
MY
CLARENCE
NEPHEW
AND
AND
NIECE
MAY
ZEITLER
life, if
Your
and
parts
haven't
phases
of
well
the
to
in
do
and
this
is
part
of
of
out
it
when
But
for
and
outdoor
body
This
with
playing
get
so
crafts
described
hours
doing
the
hobby
like.
about
and
something
the
of
it, still
There
to
action
(c)
where
any
of
great
jig-sawing,
is
and
of
extent
it is
things
don't
various
all
mistake
your
deals
you
want
and
arts
your
not
spare
to
have
die-sinking
tremendously
in
and
mind
for
using
(b)
constructive.
while
the
engaged
gymnastics
your
printing,
something
visualizing
in
less
of
kinds
chess,
or
written
kind
in
or
neglected
is
only
as
in, for
edge
three
are
in
have
latter
the
to
as
work
sadly
checkers
more
interested
such
elders
your
to
mind
your
chiefly
which
book
to
you
where
games,
doing
are
is
body
your
pretty
enough
want
There
dominoes,
at
often
and
routine.
(a)
instance
where
and
get
you
playing
to
comes
daily
your
ends,
attend
school.
playing, namely
as
it that
will
you
three
first
the
about
say
sleeping
to
see
eating, (2)
(i)
are
is
boy,
average
playing.
for
important
very
and
eating
quite likely
will
to
existence
your
the
like
(4)
word
BOY
these
and
it
live
you
four
into
split up
THE
TO
WORD
brain
or
ing
fascinatand
then
WORD
with
them
fashioning
THE
TO
BOY
and
hands
your
ought
you
to
it.
do
these
of
of
source
and
that
the
time
things
pick
up
value,
more
to
work
an
engine,
well
you
there
lot
your
of
information
brain
and
like
together
then
and
you
the
whenever
depend
can
occasion
The
Antlers,"
Congers,
N.
Y.
what
may
Frederick
on
while
the
is
same
far
of
learn
connected
them
doing
will
hands
direct
dynamo
at
is
hands.
and
will
and
own
your
and,
it
in
once
you
after
and
planning
eyes
A.
"
of
but
described,
have
them
with
fun
the
them
at
them
made
you
is
only
look
to
time
long
upon
ucts
by-prod-
the
playing
last
spent
pleasure
great
know
Not
been
have
of
crafts
and
arts
efforts
your
kinds
other
from
Different
to
arise.
Collins.
to
serve
CONTENTS
CHAPTER
I.
PAGE
CARPENTRY
WORK
The
Tools
How
Hints
How
to
and
Bit
Use
Plane
"
How
Marking
and
Gauge
Clamps
How
and
"
Use
to
How
Make
to
Good
Hand
Use
to
to
Nail
to
Drive
Make
Glue
and
and
Use
Screws
How
"
How
"
How
Use
els
Chis-
Brace
"
to
to
Gimlet
Screws
Rule
How
"
"
Saw
Use
to
Use
to
Use
to
How
"
How
Tools
of
How
"
Use
to
Tools
Hammer
Gouges
MAKING
Kinds
Using
How
"
The
"
on
Hold
to
"
Need
You
Some
CABINET
AND
Set
"
Nails
Glue-Pot
How
"
Use
to
It
How
Sharpen
to
About
Sharpening
Chisels
and
Auger
How
Edge
About
How
a
SCROLL
"
Make
Joints
Sharpening
Tools
To
"
of
Etch
Wood
Removing
Name
Your
Use
to
Oak;
Birch;
Walnut
"
Corner
Joints
Drawings
Things
"
You
for
Make
to
Tool
About
Make
to
Bench
How
"
to
Make
WOOD
TURNING,
WOOD
ETC
24
Sawing
Sawing
Sawing
Work
Chest
Scroll
Scroll
How
Sharpening
About
Joints
SAWING,
CARVING,
All
About
"
Mahogany;
Working
to
"
Your
of
Kinds
Cedar;
to
"
Bits
Tools
from
Pine;
II.
Care
Tools
on
Plane
Take
to
Tools
Saws
Bits
Rust
How
Your
Outfits
"
Outfit
Use
the
Scroll
ix
Saw
Cheap
Scroll
CONTENTS
CHAPTER
PAGE
Other
Few
A
Twist
A
A
"
How
The
How
The
"
Saw
TO
Fancy
of
Boxes,
FOR
Turning
Lathe
How
The
of
Pliers
Saw
Blades
Designs
"
for
Saw
Lester
Scroll
The
Saw
Scroll
Saw
Works
Scroll
Power
Scroll
Saw
Saw
Woods
How
"
Saw
Outfits
"
"
Trimmings
"
Etc.
Wood
in
a
Pair
Saws
for
Scroll
Work
Scroll
Foot-
Woods
Table
Wood
Scroll
on
Scroll
Foot- Power
Fleetwood
Foot-Power
Get
Scroll
"
on
"
for
Scroll
"
Design
Sawing
Cricket
saw
Stock
Hammer
Trace
Scroll
Files
"
Drill
Small
TO
Things
Saw-Table
Hand
"
Helpful
First
is Made
Lathe
Lathe
Cheapest
for
Attachments
Turning
Tools
You
the
Can
Buy
Companion
Wood
for
Lathe
How
"
Turn
to
Wood
The
Art
Wood
of
Set
Your
Chip
or
Wood
Carving
Carving
"
in
Make
to
Make
Burning
Tools
Necessary
Etching
an
Alcohol
an
About
"
Carving
Woods
Wood
Pyrography,
How
Best
Wood
of
Panel
"
The
"
Kinds
"
Carving
Solid
Tools
Carving
of
Carving
for
The
Carving
the
Tool
A
Lamp
How
Designs
"
"
How
"
to
Better
Outfit
Burn
in the
to
Designs
Coloring
Where
Staining
and
Buy
to
Wood
Stains
"
Ebony
Stain
"
Fumed
Oak
HL
AND
METALS
Your
METAL
Kit
Tools
About
of
"
Tools
Some
Sharpening
WORKING
The
"
Hints
Tools
S6
Various
on
Using
Kinds
the
of
Tools
CONTENTS
xi
chapter
page
Metals
Their
and
Uses
Iron
Iron
Wrought
Steel
Tin
Zinc
Lead
Copper
Aluminum
A
Useful
Few
Alloys
Brass
Type-Metal
Pewter
How
Ideas
Work
Metal
Do
TO
Sheet
"
and
Cutting
Joints
How
Sketch
Your
Work
Metal
Sawing
Seams
Making
"
and
Metals
Solder
TO
First
"
Fluxes
Solders
Bolts
Rivets
and
Finishing
Metal
Coloring
"
"
"
Metals
"
"
Frosting
"
Sheet
Giving Brass
Bluing Brass
Dull Look
Color
a
Giving Brass
Green
Metals
Up
Steel
Bluing
Bending
"
Brass
Articles
Brass
and
Copper
How
"
Lacquering
"
Make
to
the
Lacquer
IV.
VENETIAN
BRASS
PIERCED
REPOUSSE,
IRON,
WORK
PEWTER
AND
Venetian
The
Need
Making
Tools
Dead
Must
Have
What
to
How
"
Materials
The
"
First
Do
Design
Toaster
Work
Simple
Boiler
Plate
Doing
"
Make
to
Egg
You
Tools
You
How
Iron
Bent
How
to
to
Make
for
Iron
"
Make
an
Venetian
Holder
Black
Repousse
Needed
Finish
Work
Work
for
Repousse
Work
"
How
to
^(i
xii
CONTENTS
chapter
page
Prepare
Work
the
Bossing
"
Work
the
Flat
Candlestick
Photo
Frame
Make
to
Make
to
Work
Polishing Metal
Coloring and Lacquering Metals
ishing,
Fin-
"
Work
Metal
Outfit
The
How
"
the
How
"
Design
and
Cleaning
Pierced
Tracing
"
Do
to
With
it
"
How
"
How
Do
to
the
Work
Casting
Working
and
Something
Pewter
About
Pewter
About
"
Cast
to
Pewter
Working
Pewter
Pewter
The
"
Making
"
How
"
sary
Neces-
Patterns
Mold
the
Make
to
"
Finishing
the
Ware
Engraving
that
How
"
Engrave
to
EXPLAINED
SIMPLY
DRAWING
103
Drawing
Free-Hand
Talent
Practice
versus
Draw
TO
Simple
Proportions
Faces
Objects
The
"
Working
Figure
Sketching
Shade
"
"
The
How
"
Lifb
Still
Perspective
in
Point
Vanishing
TO
Figures
Human
Drawing
"
Sketches
Outline
"
You
for
Line
the
of
Draw
to
Pictures
"
Simple
"
Sketching
How
Used
are
Metal
ON
V.
Metal
on
Tools
The
Drawing
Drawings
Tools
Drawing
Working
Making
Have
Should
You
Simple
"
Drawings
Plain
Drawings
"
Isometric
tive
Perspec-
How
Draw
Drawings
Some
Simple
How
Aids
Draw
TO
Spiral
to
Make
"
How
and
Drawing
to
Circle
to
Use
"
Draw
a
an
to
Ellipse
Pantagraph
"
"
How
How
CONTENTS
xiii
CHAPTER
PAGE
Make
TO
How
Reflecting
Make
TO
Tracings
Impressions
Art
Cutting
of
VI.
SOME
KINKS
How
IN
The
To
Blue
The
Fixing
Good
AN
Enlargement
Developer
How
How
How
Make
to
Make
to
Make
Paper
the
Lantern
Slides
How
"
Photographs
Photography
Spirit
Photographs
Fish
VII
How
"
to
Lantern
Lantern
Radium
Trick
Make
Reflectoscope
Magic
Make
TO
to
Reflectoscope
Work
to
to
How
"
Bromide
the
Make
TO
How
"
How
"
Apparatus
Use
to
Camera
for
Make
How
Camera
Developer
Cheap
and
TO
Fixing Solution
Plate
the
Enlarging
How
Receipt for
"
Bath
an
and
of
Dry
Printing
Pictures
Toning
Make
to
131
the
Kind
Develop
fer
Trans-
"
Prints
Fix
Simplest
How
ored
Hon-
and
Pictures
Contact
of
and
Combined
ing
Last-
Required
Kind
Tone
Ancient
Silhouettes
the
Materials
Another
Make
"
PHOTOGRAPHY
Make
to
Board
Decalcomania
of
Transfer
to
To
"
The
"
Pictures
How
Drawing
PRINTING
Taking
"
AND
Way
One
"
to
Caricature
ALLIED
ITS
Catch
Big
Photographs
ARTS
157
....
Kinds
Presses
Printing
of
Self-Inking
Works
The
"
Outfit
Outfit
Press
About
Press
Sizes
for
"
Type
Relative
and
Number
of
Press
the
Prices
Presses
of
"
Need
Press
3x5
Outfit
Parts
How
"
and
You
The
"
for
Type
an
Outfit
"
10
for
Press
Setting
of
Type
Letters
"
Styles
xiv
CONTENTS
PAGE
CHAPTER
of
Type
of
Sizes
Your
Ink
Printing
"
Your
Stock
Art
Making
Laying
Sizing
How
the
Finally
How
"
Pulp
Paper
Molds
The
"
Make
to
Need
You
"
Paper
Books
Bind
Cover
the
Sewing
"
Book
ting
Put-
"
BURNING
SINKING,
DIE
STAMPS,
183
STENCILS
AND
BRANDS
the
title
the
on
RUBBER
ors
Col-
in
And
"
"
Finishing
Making
VIII.
Gold
to
Type
Making
the
and
TO
How
"
Printing
"
"
Supply
Is
Paper
Job
the
Distributing
in
Paper
of
What
"
Rollers
and
The
"
Sizes
Type
Setting the Type
About
"
Type
of
Printing
"
Type
The
of
Table
"
Cases
Ready
Clean
The
Type
Type
Making
Parts
The
"
Stamps
Rubber
How
Needed
Materials
The
Making
Mold
the
Make
to
How
Make
How
"
to
Ink
Stamp
Rubber
Pad
Copygraph
Letter
"
Use
to
Pad
Ink
an
Make
TO
Rubber
the
ber
Rub-
the
How
Stamp
Rubber
How
Vulcanizing
"
Mounting
"
Stamps
Rubber
Make
TO
How
"
How
"
to
Copy
Hectograph
Make
to
a
Inks
Sinking
Die
How
How
the
Letters
Plates,
"
Finishing
Etc.
"
Up
Badge
the
Burning
Ho'W
Sink
to
Name
Badges,
Make
to
Brands
TO
How
Make
to
the
Use
Brand
Burning
Burning
Brand
Stencils
How
TO
Cut
Stencils
Cutting Paper
Stencils
"
Cutting Brass
Stcn-
CONTENTS
XV
CHAPTER
PAGE
cils
How
"
How
Use
to
Make
to
Practical
Stencil
Stencils
Decorative
Ink
How
"
Mixing
"
"
Stencils
"
Use
to
Colors
for
Stenciling Borders
IX.
THE
ART
OF
What
Is
Glass
Use
TO
Glass
How
Tubes
To
To
"
Seal
Tube
Size
To
"
End
How
To
Make
to
Blow
Make
Hole
in
Same
the
of
Side
other
An-
of
Bulb
"
To
"
Make
of
Tubes
of
Tube
of
Ends
the
Ends
To
"
"
"
the
on
Tube
of
Round
the
End
Tube
Disks
Glass
Tubes
Join Two
the
Join a Tube
to
To
"
in
Glass
Is
To
Border
Nozzle
Glass
Cut
Tubing
"
One
Finish
Holes
to
Cut
Burner
Glass
Blow
TO
of
Glass
Btinsen
to
How
"
to
Drill
Ways
to
Bend
to
What
How
How
"
Glass
How
"
How
"
Couple
202
Cut
to
Cutter
Edges
A
"
Tubing
How
"
Glass
Glass
OFF
GLASS
WORKING
Blowpipe
How
"
Blow
to
Bulb
How
Etch
to
The
Sand
Glass
The
"
How
"
Acid
Glass
Cement
TO
Frost
Process
Blast
Ground
How
Glass
Process
Way
Simple
"
Make
to
to
Glass
Substitutes
Glass
for
Mica
Gelatine
How
X.
TOYS
Silver
TO
FOR
How
THE
TO
KIDDIES
Make
TO
Make
a
Nifty
Coaster
Wheelbarrow
Swing
Horse
Puzzle
Truck
Automobile
Swell
High-Low
Stick
227
Policeman's
a
an
Make
A
Mirror
"
How
How
to
Make
to
to
Make
to
How
"
"
"
How
"
How
"
How
Make
Make
to
Pony
a
and
xvi
CONTENTS
CHAPTER
PAGE
Cart
How
"
How
to
XL
HOME
to
Make
Life-Like
Dancing
Wireless
MADE
Make
to
Make
Goose
Sambo
"
How
"
Pup
MUSICAL
INSTRUMENTS
.
The
Musical
How
The
Them
Musical
How
Tomato
The
Play Them
to
Cans
Them
To
"
Play the
Musical
Cans
Musical
How
How
"
Tomato
Make
to
252
Coins
Make
to
Glasses
Make
to
Them
How
"
the
Play
to
Glasses
The
Tubular
How
Harp
Make
to
It
Musical
The
How
How
"
Push
Harp
Pipe
Make
to
the
Play
to
It
How
to
How
to
"
Push
Play the
Pipe
The
Xylophone
Curious
How
The
Make
to
Make
to
"
Play the
phone
Xylo-
Tubaphone
Peculiar
How
It
It
How
"
Play the
to
Tuba-
phone
The
Cathedral
How
Make
to
Cathedral
How
An
SOME
to
How
"
Play
to
the
Harp
Make
Egyptia.n
How
XII.
to
Them
Chimes
Aeolian
The
Chimes
It
How
the
How
to
Wind
Plays It
Fiddle
It
Make
EVENING
"
"
Make
the
Bow
ENTERTAINMENTS
274
...
Cartoons
While
Drawing
Thirty
Glass
The
the
Minutes
of
Wait
You
Cartoons
Chemistry
of
Milk
Vicious
"
The
Soap
The
"
Magic
Bubbles
Mystic
Fountain
"
The
"
Un-
CONTENTS
xvii
CHAPTER
PAGE
Wheel
CANNY
Giving
"
Travelogue
"
Electrical
An
Soiree
Demonstrating
"
Without
Electricity
The
Electrified
Apparatus
Papers
How
"
Person
How
Like
Repels
"
Making
Experiments
The
With
Induction,
Spark
or
Palms
How
to
Talk
on
Making
How
the
Telegraphy
Fun
for
Read
the
the
Engine
Palms
Steam
Model
Engine
Engine
Works
Electrify
Like
Apparatus
Coil
strating
Demon"
Wireless
Reading
to
ILLUSTRATIONS
XX
PAGE
Outfit
An
How
that
the
Tool
in
Burning
The
Chief
Some
How
Sconce
How
A
Punch
How
Pierced
Brass
Pierced
Brass
Home
Made
Tools
for
How
An
A
A
The
Simple
View
Vanishing
How
Find
to
The
Vanishing
The
Drawing
The
The
Plan
The
Box
How
Square
the
Lines
96
98
Metal
on
99
100
Sheet
of
of
the
Horse
and
Race
Horse
.
Body
105
106
107
108
Face
of
Perspective Drawing
Put
109
....
Point
Vanishing
Points
loi
104
....
Boxer
Face
Points
the
^.
and
Man
Human
the
of
Copper
of
Drawing
no
Use
to
in
"
.
Tools
and
Drawing
Drawn
95
is Made
Drawing
the
Profile
The
on
of
93
Pewter
Graver
Outline
View
91
Ware
of
Full
90
Sign
Engraving
Line
Work
Brass
Shade
Melting
Proportions
85
Pierced
for
Pewter
Engraving
Simple
85
....
89
Casting
Hold
to
Work
Repousse
Frame
Toast
Pewter
for
Punch
Candle
for
Ladle
How
84
67
Need
Iron
81
Hammer
Designs
Photo
You
Tools
80
Holder
63
Repousse
Repousse
The
'j'j
Candlestick
Repousse
Punch
Hold
to
Work
79
Plate
Repousse
and
70
Iron
Candle
Hold
to
Venetian
Boiler
Venetian
for
59
Made
are
Toaster
Egg
an
58
Tools
Joints
for
Iron
Make
Artistic
and
Need
Bent
to
An
You
54
Tools
Working
Seams
Useful
53
54
Working
Metal
Metal
Vapor
Design
Metal
Materials
Benzine
is Heated
the
Other
How
Burns
Need
You
Triangle
for
on
the
Drawing
Board
.
Box
in Isometric
for
112
Isometric
.114
115
116
Perspective
Drawings
are
Made
.
.117
ILLUSTRATIONS
xxi
PAGE
of
Sheet
of
Proportions
The
Drawing
Isometric
Paper
Ellipse
Isometric
an
ii8
119
How
to
Draw
Circle
with
Thread
120
How
to
Draw
Spiral with
Thread
121
How
to
Draw
an
How
How
Your
of
They
Photo
The
Pin-hole
Two
Camera
Cheap
of
Impression
Your
and
Hand
125
Great-Grand-ma
127
Camera
Complete
Good
123
131
Pin-hole
and
Used
and
Frame
Printing
Easily Made
122
is Made
Great-Grand-pa
Young)
Were
12a
Used
Board
(Soot)
Carbon
(When
An
and
Reflecting Drawing
Lasting
Thread
is Made
Pantagraph
Silhouettes
Ellipse with
135
with
Cloth
and
Rubber
Cameras
Bands
137
139
Home-made
Enlarging
Apparatus
141
Home-made
Enlarging
Apparatus
143
Home-made
Enlarging
Apparatus
144
Cheaply
Cross
Reflectoscope
Made
The
Reflectoscope
The
Parts
The
Magic
Way
How
of
Coin
Catch
Caricatures
Model
Magic
for
Ready
a
145
the
Reflectoscope
....
Use
for
Ready
Lantern
to
of
Home-made
Photograph
One
of
View
Top
Section
Made
147
Lantern
149
Use
with
150
Radium
152
Cod
155
Made
are
Self-inking
156
Printing
Press
159
Outfit
for
The
Parts
of
How
the
Type
The
Upper
Case
168
The
Lower
Case
168
An
How
to
Putting
Tools
A
How
for
Sewing
The
Stick
on
Bound
Up
Stick
in the
a
167
169
Chase
170
Chase
171
Making
Boards
Book
Arranged
are
of Type
Paper
the
162
165
Composing
Locking
Cut
Press
Type
Cases
for
Frame
to
Hold
a
Model
146
and
Muslin
Cloth
Flap
Complete
177
for
Book
Binding
....
179
180
181
xxii
ILLUSTRATIONS
PAGE
Matrix
The
Frame,
Chase
and
Boards
for
Making
Rubber
Stamps
The
184
in the
Type
Matrix
The
Chase.
of
Plaster
Paris
Impression
in the
Frame
Matrix
186
the
with
Rubber
Gum
in
Ready
Place
to
canize
Vul-
187
The
Rubber
Pulling
First
The
Stamp
Ready
Impression
an
Badge
on
and
Last
Making
Steps
in
Burning
Stencil
Glass
The
Letters
and
to
Cut
Cutter
Circular
Kinds
Iron
of
Hold
to
Pane
Two
Regular
Cross
of
of
in
210
Tube
a
a
a
211
Tube
212
Tube
212
Making
Tube
.
.213
Ring
of tht Apparatus
Apparatus
with
Glass
Policeman's
Automobile
for
Coaster
Ready
215
to
216
Use
217
a
Glass
of
Glass
for
Truck
Ready
Bulb
Sand
219
Blast
Together
Put
Etching
for
Ready
220
Etching
221
.
223
or
Will
Now
You
Be
Good
228
....
Truck
Automobile
Swell
218
Glass
218
Bulb
Acid
Puzzle,
the
Blow-pipe
Bellows
Blowing
in
Blast
214
Blowing
Thick
Ready
to
229
Run
230
Coaster
to
205
207
Arrangement
Part
The
Cutter
205
Home-made
Step
for
Glass
Together.
Last
Etching
Point
208
in
Tubes
Foot
Steps
Making
Plans
197
199
Diamond
of
Hole
Blowing
Regular
The
Copper
Blow-Pipe
Glass
Plans
or
195
Tubes
End
Section
First
194
Burners
the
Welding
Sand
Sinking
Cutter
Bunsen
Make
193
of Glass
Glass
Glass
to
The
Die
Stencils
for
204
for
Bordering
How
192
Vise.
Cutters
Right Way
How
in
Badge
of
191
Badge
Figures
Brand
188
the Copygraph
Flat-iron
Steel Letters
from
Steps in Making
Use
to
Ride
231
On
.'
"
"32
xxiii
ILLUSTRATIONS
PAGE
The
Nifty Wheelbarrow.
the
for
Plans
Ready
Barrow
to
Wheel
234
for
Plans
Ready
Swing
The
Ride
Stick
for
Plans
High-low
the
Horse
and
Pony
High
237
Cross
Banbury
to
Swing
Low,
Swing
to
236
Swing
238
The
Cart.
and
Pony
Cart
When
Done
240
the Life-like
How
Dancing
The
Mechanism
The
Wireless
Side
When
How
to
The
Harp
How
to
Parts
the
How
A
of
His
the
Wireless
of
Dog
Pup
Pup
245
247
Pup
House
Your
or
in
House
Tomato
for
Ready
Clap
Hurry
249
....
Hands
He
250
257
Harp
259
Pipe is Played
The
Bars
Cathedral
The
Harp
263
are
Made
of
Wood
are
Made
of
Metal
Fiddle
Bow
How
the
Fiddle
How
an
First
Principles of
Easel
Simple
273
is Made
276
278
Cartooning
Cartoons
Fountain
265
272
is Played
of Amor,
271
is Made
the
268
Egyptian
How
Tubes
266
Aeolus
an
264
.
Chimes
of
Mystic
261
Pipe
Push
Tubaphone.
The
258
Thrills
Xylophone.
The
254
255
Thousand
Push
Oracle
Spin It
Glasses
Musical
The
to
Can
Play the
a
Coin
Musical
Bars
Three
House
Dog
253
the
of
for
Control
Wireless
The
Plans
the
246
Solenoid
of the Wireless
the
of
Hold
Musical
The
of
Coin
Chopin
The
Floor
the
House
Dog
View
View
Out
Musical
The
244
248
Call
You
Comes
Sambo
in
Slot
Electric
with
End
Front
the
of
Section
Cross
Action
The
Dancing
Pup, the
Spanker
The
243
of the
End
241
242
Sambo
The
Back
Shall I Wander
Where
Gander,
Goosie, Goosie
The
is Made
Goose
or
that
You
Are
You
Can
Do
in Love?
279
280
282
xxiv
ILLUSTRATIONS
PAGE
Making
Hydrogen
Soap
The
Vicious
The
Uncanny
The
Electrified
Gas
283
Bubbles
285
Wheel
Simple
Cross
Chloride
287
Papers
Wireless
of
Section
291
Demonstration
the
Set
Showing
Coherer
294
Construction
Its
295
.
The
Parts
of
the
Hand
Named
According
to
Science
296
.
The
Parts
Working
the
Hand
View
Section
of
Named
for
Drawings
Cross
End
of
Side
the
According
the
View
Engine.
of
The
the
Crank
Arm
Top
View
The
Steam
to
Demonstration
Palmistry
Steam
298
Engine.
Engine
Shaft.
302
The
Rocker
304
of
the
Engine
Engine
Ready
306
to
Demonstrate
309
HANDICRAFT
BOYS
FOR
CHAPTER
CARPENTRY
CABINET
AND
WORK
MAKING
Did
shipwrecked
Well,
on
To
be
finished
a
nobly
you
But
to
is
to
as
get
tools
in
to
in
out
work
for
with
useful
Crusoe
be
in
of
a
and
be
wouldn't
artistic
jack-knife
All
workshop
and
you'll take
with
and
on
room
did.
to
highly
in
while
upon
as
serve
home.
way
things
need
it would
marooned
wood.
the
you
months'
very
looked
be
island
your
few
bungalow.
might
of
use
in
workmanship,
to
worker
light
making
Robinson
some
of
plenty
it
have
the
were
Crusoe
things you'd
awfully
savage
don't
limited
prowess
be
well
and
you
all the
furniture
community
of
and
palmetto
it would
exhibit
if you
Robinson
like
bad
fashioned
your
but
civilized
rare
or
sure
do
you'd
island
terribly
three-room
what
so
have
you'd
furnish
had
be
about
tropical
if you
it wouldn't
time
think
ever
you
lonely
show
to
as
your
keen
own
to
there
where
buy
your
need
you
few
isle
do
is
good
pleasure
hands
as
HANDICRAFT
The
Tools
out
and
for
while
it
buy
is
always
usually of
If you
afford
can
buy
of
very
buy
regular
tools
should
but
each
the
pleasure lies.
making,
the
few
of
(i)
are
weighing
regular carpenter'shammer.
inch
hickory, with a 2^
hammer
which
handle
the
wedged
goes
off boards
sawing with
about
half
cabinet
for
called,are
there
actly
ex-
should
shown
be
in
Figs.
try
to
the
through
get
of
mallet, made
and
face
is
which
9 ounces,
(2)
clear
the
a
the
hack
Ohio
2.Disston
Tool
saws
are
the
grain, (b)
that
or
saw
Company
kind
16 inch
in
one
and
head
12
to
miter
inches
makes
20
board
saw
for
inch
can
as
long and
good hammers.
get.
crosscut
is used
which
"
grain so
called; it is about
The
tools
cast-steel,adze-eye, bell-
handsaw
across
lengthwise, (c)
any
first are
at
usually called
for
can
is
in.
(3) Four
"
in
and
you
many
used
tools
for
will need
these
and
faced
tools
make
to
joinery are
used
size
and
The
go
of them.
more
All
those
as
usually kept
are
same
Now
don't need
you
as
to
good tools
of
safely.
"
of
supply house
tool
be the very
of Tools.
Kind
The
chest
great mistake
large number
quality.
poor
to
of
chest
It is
"
there
they are
then
Need.
You
BOYS
FOR
saw
ing
saw-
rip-saw,
be sawed
it is
has
times
some-
about
HANDICRAFT
4
teeth
20
the
to
smooth
(d)
cut.
tapering blade
holes
out
wood.
compass
about
The
than
shorter
of
to
and
narrow,
is used
to
is thinner
saw
with
it than
cut
of
wheels
or
be cut
can
fine and
very
disks,
cut
saw
compass
curves
long
keyhole
it has
saw;
inches
10
blade
BOYS
that it makes
so
in boards, and
narrower
and
inch
FOR
with
and
holes
pass
com-
saw.
(4)
trough
miter
A
of
(pronounced mi'-ter) is
box
wood
screwed
to it but
the box
have
formed
of
without
in
with
bottom
top
ends.
or
two
The
kerfs
little
sides
sides of
they are
of
called,at angles of 45 and 90 degrees so that strips
be sawed
wood, molding and the like can
accurately
or
mitered, to make a corner
joint.
across,
(5) Three planes ^ and these are (a) a block plane
for small lightwork;
(b) a smoothing plane which is
has a handle
and is set fine,that is
a little longer and
the bit,or blade is finelyadjusted for finishingwork;
and
(c) a jack-plane,which is a large plane used for
planing off rough surfaces.
chisels,* or firmer chisels as they are
(6) Three
called.
These
are
regularflat,bevel-edgedcarpenter's
should
be ^, J4 ^^^
the blades
chisels and
V^ inch
saw-cuts
them,
or
as
wide, respectively.
(7)
them
gouges,^
Three
their
full
firmer
or
These
name.
gouges
I like
Buck
Brothers
Buck
Brothers'
are
noted
gouges
are
for
their
also
chisels.
good.
to
gouges,
are
give
simply
H
WITH
BORING
J9H0LE
BR/^CE/l/iDBir
HOW
/J
SCREWDRIVER
fl N/IIL
13 USED
TO
THE
USING/IM/^RKING
Fig.
2.
G/IUGE
FEW
TO
HOW
TRY SQUARE
THE
THE
MORE
TO
COMMON
/IND
IT
HOW
SET/IHP
HOLD
RIGHT
SH/IRPEN
WOOD
USE
WORKING
IT
W/?r
/? CHISEL
TOOLS
HANDICRAFT
chisels with
curved
be
can
groove
having %, ^
of the
as
ought
Vie
and
Yz
is
and
(9)
maple
of
enough
(11)
a
An
not, hence
its
Two
(12)
for
other
the
and
holes
brace
for
in wood
often
%, %6, %,
carpenter'srule.
try-square with
6,
(13)
largescrews.
two
or
being
are
should
be
least
at
for
Two
apiece.
(15)
6
holes
hand
When
for
startingscrews
or
screws,
are
made
of
or
cut
they
are
about
7 inches
long
They
and
inches
wide.
auger
steel
bits get
the
gimlets,
are
glued.
are
cost
The
more
used
they should
only
ful
use-
the like.
they are
and
the
and
togetherwhen
after
you
urements
meas-
square
and
as
wood
wood
piecesof
more
clamps
or
better,
or
small
double
bored
screw.
make
to
thing is
graduated in
of one
good
only
not
be
(10)
thumb
brass
try whether
to
is
adjustablehead
drivers, one
called ; these
clamp
with.
is used
screw
Four
bit,
name.
making
(14)
curve
and
one
blades
the
as
get them
is fitted with
This
but
bore
to
fold
iron bound
with
with
the
9-inch blade.
bits.^
boxwood
with
work
to
rounded
in diameter.
four
inch
an
them
regularsweep,
or
regular,2- foot,
marking gauge;
i6ths
tool
inch
an
inch
Get
five auger
have
to
board.
that
so
is called.
and
know,
you
You
in
brace
BOYS
cuttingedges
cut
cuttingedge
(8)
FOR
to
they
jaws
open
quarter
Jennings.
CARPENTRY
head
of
denting
(16)
nail below
the
oil-stone
Washita
inches
keep
(17)
it in and
A
tools
oil, or
is needed
(18)
want
to
for
A
You
quarter
or
can
your
can
brush.
clamp
the
without
make
often
small
you
box
inch
or
to
long
will be
with
cover
the dust.
filled with
can
comes
in
sewing
handy
oil,
good, light lubricating
of Le
own
J^
stone
kind
right
5 inches
oil
other
buy
less,or
or
machine
tools.
sharpening your
make
is
on
should
any
small
brush.
cents.
the wood
of
protect it from
so
2m,
and
you
sewing
Fig.
machine
wide
and
large enough
to
surface
it.
sharpen wood-working
thick,
WORK
if you
Page's liquidglue,or
glue
then
% pint can
can
which
round
of
buy
holds
glue-pot and
liquid glue for a
get
cast
iron,
pint for
bristle brush
water-
about
for
40
glue
HANDICRAFT
Some
tools
Hints
easilytell
can
but
How
end
hold
and
in your
that is
it
hand
and
this takes
of
the
jar off
using it surer
wood-
on
When
use
close
How
to
"
thumb
your
I tell you
Hold
"
the
wood
taking it
am
hold
it
to
never
all of
the
sawed
be
to
for
granted that
fingersof your
in the handle
on
mer
ham-
Ss,for driviflg
chisels
right hand
use
to
Saw.
Never
the work
kind.
righthanded; put
are
with
Use
left hand
your
you
mallet
the
pounding;
are
makes
and
arm
its
the free
wrist above
and
less tiresome.
mallet
to
wooden
with
use
mer,
ham-
use
from
it is you
of your
of any
work
you
rather
and
willing
whatever
or
them
be
you
inches
handle
must
When
"
that it
so
hammer
practice.
to
couple of
hold
you
used
I have
should
you
Hammer.
the handle
grasp
Since
"
eliough to
just how
and
Hold
to
BOYS
skilled workman
do the rest
to
Tools.
old
was
you
become
to
Using
on
since I
ever
FOR
the
of
saw
handle
grip the
firmly.
To
to
of
start
guide
it to
will look
way
course
saw.
and
the back
straightbut
between
rest
at
an
the
this does
Stand
not
the
of
where
thumb
your
steady it.
and
down
the mark
put it on
saw
the board
saw
too
the
saw
and
that
your
don't
angle of 45 degrees,that
and
horizontal
apply
to
back
want
you
the
saw
hold
it
is half
vertical.
or
eye
Of
keyhole
CARPENTRY
How
handle
no
rest
Use
to
Plane.
Since
"
right hand
lay your
left hand
your
WORK
the
on
nose
and
lettingup
on
it
on
it.
Make
the
plane
little as
plane has
smooth
over
short,
it goes
as
it
draw
you
back.
jack-planehas
saw-handle
hand.
handle
it is held
and
If there
is
like
knob
no
it
on
a
with
saw
the
on
something
right
your
of
nose
like
it hold
it
it. When
using a
by laying your left hand across
jack plane give it a long stroke with even
pressure and
will take off the
you
How
Use
to
Chisels
properly when
inches
Hold
below
shaving all
groove
the beveled
from
and
at
the
mortise.
it
with
your
the
Gouges
of
left hand.
and
you
when
at
making
from
in the
used
are
chisel
couple
from
horizontal
slightangle
grip
down
edge
hold
To
"
cutting a
slight angle
cuttinga
Gouges.
and
it with
grooves,
same
way
the
sharp
chisels.
as
How
Use
to
pointed end
be
of
of
handle
crank
the brace
you
start
you
are
and
to
boring to
down.
your
the bit in
bore
the
on
brace
with
Set
"
spot which
exact
bore.
to
are
you
line with
bit
that it is
on
Hold
left hand
your
right hand.
sightthe
see
Bit.
and
the hole
the
with
and
Brace
the bit
of
the center
top handle
up
of
along.
way
thickness
same
Have
your
the
the
the top of
and
after
both
plumb
eye
and
is to
"
that is
straight
HANDICRAFT
lo
How
Use
to
long
into
again
How
device
The
head
which
is
is
spaced off
rule
one
distance
point.
in inches
making
accuratelyor
have
you
"
wooden
The
bar
bar
is
is
to
near
on
useful
board
end
one
of
graduated,that is,it
fractions
it easy
of
set
the
inch
an
head
like
at
any
point.
hold
the gauge
set
This
Gauge.
and
the steel
from
When
the rule
In
lines
parallel
straight.
on
this makes
and
inch.
an
feet
sub-divided
are
more
or
it is
of
slides
steel
which
of
Marking
off
edge
one
inches
joinery use
to mark
when
is two
misfits.
Use
to
BOYS
rule
carpenter's
i6ths
and
for
will have
"
into
8ths
measurements
you
Rule.
divided
and
FOR
the head
against
the
to mark, press
edge of the board you want
steel point against the surface and
draw
the gauge
along with both hands when the point will scratch a
the
line.
How
piecesof
time
to Use
having a
is used
have
inch
Nail
driven
it,hold
forefingerand
with your
hammer.
the
"
screw
of
drive
After
little at
that is
woodwork.
the shank,
After
end
you
is within, say, %
up
parallel.
finishingnail,that is,a
kept even,
are
of the surface
on
togetherbetween
head
in
the
"
each
screw
Set.
Put
Clamps.
or
to be held
nail set
and
are
clamp and
that the jaws
so
How
nail
that
wood
Screws
Hand
of the
jaws
a
Use
to
is sunk
of your
thumb
nail set
below
the
FOR
HANDICRAFT
12
BOYS
pieces of genuine
Coignet glue into
small
good glue, put some
Peter
Cooper or imported French
the inside glue pot in enough water
make
pot is
outer
to
set
Stir the
boil.
glue until
The
it.
cover
the water
fire and
on
to
in it is
brought
it
be about
thick
as
as
"
or
cabinet
maker.
Sharpening Saws.
About
be held
which
When
the
the
that
means
next
one
with
to
would
tooth
one
it is bent
ought
to
just as
be
who
makes
you
at
first.
one
the other
long jaws
be
must
this is done
and
way
the
trifle and
way
set, which
set.
learn
to
well,
Keep
must
saw
vibrating.
is bent
saw
business
by filing
the
with
vise
saw
tool called
You
is
that
from
saw
is done
taper fileand
saw
saw-vise,
keep
hand
This
"
file your
a
of
saws
filing
let
saws
this
do
oiled
when
it
but
saws
little better, to
or
your
own
man
job
not
for
in
use.
Plane
About
few
Bits.
"
To
drops of oil
CARPENTRY
Washita
your
on
tool
flat
toward
the stone
on
edge
oil stone
it and
on
or
the beveled
and
it
edge of
rounding
the
it rests
it that
to
see
will make
you
the
and
it moves
draw
from
it toward
be
must
ground
get
it back
hone
and
you,
or
it
move
the
on
it pretty hard
on
on
it as
nick
in
easingup
plane-bitgets
a
grind stone;
out
on
to do
carpenter
then
and
grasp
you
you.
chisel
hands
back, pressingdown
away
When
at
both
one
hold
you,
get it
you
firmly with
as
13
uneven.
When
it
WORK
it for you,
it,that is,sharpen it
if you
on
haven't
when
and
it it
get
you
oil stone
your
as
before.
Get
and
Washita
instead
stone
of
rub
you
the stone
grind a woodworking
About
of
cutter
it must
fine file
can
hone
it with
slipof
to
Take
in
them
But
plan
chest
each
if you
to
moistened
or
an
the
on
Never
try
to
wheel.
emery
Bits.
An
"
ordinary
it does
when
the
inside.
of Your
you
Tools.
don't
need
"
to
gouges
and
A
then
oil stone.
an
dry
of the gouge
sharpening but
sharpened on
used
Care
is nice and
away
be
be
on
Auger
needs
very
How
tool
touchingup
the gouge.
on
Sharpening
auger-bitseldom
the
for the
slipstone
shop
work-
If your
tools
put your
get through
ing
us-
time.
use
wipe
with
them
them
only
off
oil and
with
then
in awhile
once
a
piece
lock them
of
it is
good
cheese-cloth
up where
neither
the
baby
get them
can
the street
show
tools
stand
Etch
tool you
hot solution
Next
melted
Put
y2
touch
covers
Let
add
"4
exposed parts
the acid
solution
paraffinand
steel exactlyas
acid
it.
about.
Be
Do
you
a
not
careful
should, brush
and
is
you
stay
some
not
marked
to
ammonia
scratch
needle
or
posed
ex-
it.
on
into
glass stoppered
the
Shake
into it and
acid
it until the
for
on
half
water,
or
off
scrape
etched
name
hour
an
the
on
it.
you
must
into
water
get
hot
the
careful
layer of
thin
darning
act
with
poison and
pour
ate,
carbon-
of the steel.
it off
wash
with
it is cold
letters with
the
on,
fingers.
of wood
it,dip a splint
in
saw,
be
of nitric acid.^
ounce
scratched
Nitric
with
can
water
the
the
an
well to mix
then
and
with your
surface
solution
and
water
surface
of
ounce
an
bottle and
solution
soda, in
called
the acid
and
name
the
sodium
or
other
some
finely
very
Clean
"
etch your
paraffinand when
clear through it with
sharp pointed tool so
wax
name
your
to
want
the cleaned
cover
Tools.
on
the cleaned
touch
to
not
off
rust
part; let it
rusted
by dissolvingsome
made
commonly
get the
can
the
on
of your
any
and
Name
Your
whatever
or
Should
"
lime.
unslacked
powdered
To
oil
sweet
some
couple of days
Tools.
signs of rustingyou
by rubbing
across
them.
from
Dust
Removing
girl from
the hired
nor
borrow
can
BOYS
FOR
HANDICRAFT
14
it
over
so
the acid
your
on
it
label the
as
as
bottle
it will
clothes, but
this
will
taining
con-
splash
if
you
it
neutralize
CARPENTRY
Kinds
of Wood
each
and
woods
crafts.
For
probably
these
Use.
to
its
has
one
There
"
and
use
than
more
15
are
specialuse
cabinet
carpentry
not
kinds
many
in the arts
making
half-a-dozen
you
woods
"
is
and
will
(4)
zvalnut.
(6)
a
of
and
are,
Pine.
WORK
wood
good
for
making things
in
it is too
are
kinds
two
of
cabinet work.
and
work.
to
easy
or
Cedar.
it is
family and
kinds
of
white
cedar.
Red
cedar
cedar
of; it has
fragrant wood
This
"
soft
nearly as
and
these
is the kind
pastelred
to
and
wardrobe
white
(a)
are
color
it is
is about
and
nice
especially
for
the
red
to
want
you
pirieit
pine.
as
belongs
makes
do
get
to
There
cedar
are
and
to make
pine
two
(b)
things
like it.
easiest wood
making
the
to
Next
work
i6
HANDICRAFT
such
BOYS
FOR
as
and
boxes
the
Hke.
Mahogany.
of
and
Also
"
likewise there
and
(a)
mahogany and these are
(b) Spanish mahogany.
Honduras
made
and
of
color than
and
weight
softer
it is much
mahogany
Honduras
is the kind
mahogany
kinds
two
are
cigarboxes
that
are
both
lighterin
and
You
Spanish mahogany.
can
make
and
Oak.
in
should
it
have
makes
This
"
making
an
"
wood
easy
to
their
piece of
This
from
different
in color, fine
wood
oak
work
ful
use-
it takes
furniture
depend
you
on
it
nearly.
of time,
family but
It is light
the oak
to
quiteeasy
used
after
But
can
you
belongs
it is
nice
tools when
and
furniture
grained,so tough
it makes
for
is
and
design of which
cutting edges.
wood
wood
the
of furniture
Birch.
furniture.
strong, beautiful
all kinds
lose
soon
made
is
of
plain.
be
It is not
on
of nice
manner
work.
to
and
elastic it cannot
fine
polish.
For
these
it is
very
good
and
be
turning.
It is from
the
bark
of
the birch
that the
Indians
WORK
CARPENTRY
their canoes,
made
and
Walnut.
This
"
is
and
work
than
How
to
wood
oak
and
is
and
Make
long ago
it is
The
"
place where
together,and
joinery in woodworking
carving.
working
joint in wood-
word
or
hence
ful
beauti-
It is easier
for
two
tal
ornamen-
else
wanted.
fine wood
for
wherever
and
Joints.
the
fitted
are
the
of
be used
can
means
that
stocks
furniture, gun
to
story
of wood
color
must
we
this is
but
17
piecesof
more
the
words
joiner
parlance.
^W
-\^W
fl THE
SQUfiRE
BUTT
OR
JOINT
THE
x\\S
There
(i) where
which
two
{2) where
corner.
kinds
two
are
of
HOW
chief
edge
edges of
are
joints
kinds
flat surfaces
the
^^
TONGUEPTiD
E- THE
GROOVE
JOim
JOINT
Fig. 3.
Lf)P JOINT
\^^
^^
\"-THE REBPTED
and
BEVELED
of
fixed
boards
you
most
these
jointsand
are
two
made
useful
ways
about
each
to
meet
to
to
make
are,
other,
form
both
half-a-dozen
for your
needs.
i8
HANDICRAFT
Edge Joints.
the
joint; (b)
all of which
joint
three
are
flat,or
butt
There
"
these
the
shown
are
hutted
simply
This
In
nailed
joint is made
each
end
fixed
are
other.
a
the
on
do
this
Joints.
should
square
mitered
box
it true
and
trouble
in
these
of
one
are
lap
neater
the
edge
of
fitted and
they are
the boards
of
lap-jointis
board
one
it
without
the
at
made
and
joints
by planing
in the
groove
There
the
five
are
and
these
lap, or
the
by using
(a)
are
the
lap-joints.
jointswhich
corner
rebated
piecedjoint; (d)
corner
when
the
about
joint; (b)
of all of which
make.
"
know
joint,and
Now
half
of
well
you
and
together.
of
surfaces
edge
plane and
Corner
board
that when
so
jointthan
To
rabbet
are
smooth.
and
tongue
are
glued.
or
lap-jointthe edge
fastened
of the boards
better
of
by cutting away
together the
even
boards
abutting ends
the
on
otherwise
or
matched
nailed, screwed
unless
simplest form
is laid
board
something else.
to
the
(c) the
Fig. 3.
edges of the
the
weak
very
or
square
in
together and
joint is
fastened
joint
square
(a) the
are
make
to
ways
easy
lap-jointand
In
BOYS
FOR
the
butt,or
joint; (c)
the
dove-tail
common
are
you
make
can
a
in
a
saw
good
Fig. 4.
board
joint you
making anything
in wood
off
straight,plane
will
have
that you
small
want
to
HANDICRAFT
20
it 4 inches
draw
the
FOR
long.
work-bench
The
the
and
BOYS
which
box
tool
made
I have
drawings
follow
of
will
how
you
to
make
"
Fig. 5.
How
yard
feet
or
long
bars
cross
be
Make
to
any
AN
EASILY
Work
planing mill
for the
Bench.
and
legs,and
get
two
BENCH
WORK
one
2x2
"
Go
of
thick
to
lumber
scantling12
scantlingsfor the
2x2
and
kind
MADE
piece of wood.
cross
bar
If you
can
can't
WORK
CARPENTRY
get
scantlingsget
2y.2
the
time
same
thick, 10
inches
the bench
and
4 feet
and
inches
and
Fig 5
four
long;
then
nail, or
of
frame
and
the
inch
four
nail
Saw
piecesfor
scantlings
the
first
feet
legs2
inches
long,
the
to
top of the
on
the end
to
in
shown
as
cross-bar
lay them
them
the
long.
better, screw
screw
or
inches
or
feet 6
of the bench
foot boards,
3 feet 6 inches
the frame
middle
feet
cross-bars
up
Build
boards
side bars
two
boards
will have
that you
so
up
long
and
whichever
have
all sides.
on
get three
wide
two
4's and
size you
At
21
bars.
cross
5C/?""^v
a?ass
s"cr/o/v
GUIDE
/?
FdONT
l_\^^j/jwnXEC"
NUT
5 f^
=
When
you
vise
wood
have
the
for
bench
your
thus
1"
TO
^COLLAR
WmH"R.
Fig. 6.
7ZZ
\SCREW
SCREW
bench
work
far
QOLUIR
along put
on
the
and
in
Fig.
vise.
A
can
jaws
wood-worker's
be
are
bought
about
vise
for
they open
nearly 12
it to
bench
your
left hand
Fig- 5-
edge
$3.50
inches
is
of
the
on
wide
inches.
to
shown
as
screw
up
at
about
to
and
12
All you
the
rear
have
The
$9.00.
inches
jaw
to
to
as
long
do
the
to
and
fix
front
shown
in
HANDICRAFT
22
tool board
The
is not
great convenience.
feet
end
these
"
shown
as
in
of the bench
back
necessitybut it is
absolute
an
it
make
To
called cleats
are
and
off
round
are
you
and
Screw
Fig. 5.
couple of strips
"
boards
off two
saw
together with
of wood
BOYS
FOR
one
the
to
things
in wood.
How
to
chestnut
are
Tool
good woods
lid for
it of
to
inch
make
the
have
inches
not
hold
Screw
to
wide
lid 3
inches
high,
rest
Screw
the
tightenough.
a stripof wood
on;
put
two
or
12
boards
See
tool
and
inches
long.
the box
stuff; have
carpenter's
or
STRIPS.
12
high,
inches
7a.
your
birch
thick
MOULDING
Fig.
Either
Chest."
Make
the
Make
chest
30
inches
inches
together as
Fig. 7.
three
wide
hinges
on
long and
and
30
nails will
box
and
CARPENTRY
lid and
be
fit
not
of
particularhow
evenly
cover
you
can
and
put
on
fallingback
inches
serve
when
as
you
long
and
Fig. 7.
long and
6 inches
keyhole
your
tray of
in
at
To
on
better
which
is handier
keep
piece of
the
hasp
box
chain
this will
and
check.
Finally make
shown
lock
it and
to
front
padlock, or
it,screw
open
lid will
staple on
top and
a
on
looking job.
neater
put
the
or
the
regular chest
it
Fasten
near
can
you
23
do
you
chest.
middle
that
so
makes
about
the
on
in the
the box
the
WORK
the ends
Make
the
out
saw
inches
as
high
handle
grips with
partitions4%
Make
saw.
or
f\
JF'\
f
"^
ze'k"
Fig
inches
and
high
put
than
get such
the
28^
and
chest
this
chapter
company
macher,
Avenue
you
You
with
can
of
time
buy
any
as
them
or
and
if
you
tool
together
may
so
out
with-
described
or
is not
York
need
and
so.
dealer
one
narrower
forth
I have
Company,
want.
and
you
do
you
hardware
just what
chest
long, screw
slide it back
town
Schlemmer
tool
each
any
in your
and
your
of the bottom
tools out
"
for
inches
can
you
liftingthe tray
Note.
tray
the bottom.
on
the
7b.
corner
at
tool
in
supply
hand
Ham-
of
Fourth
II
CHAPTER
SAWING,
SCROLL
you
sized
for
work
carpenter
find
tools, and
the
(2)
wood
chief
get these
to
whole
turning;
pretty
of
tools
good
to
do
things don't
be
nor
wood
(3)
and
carving
of
chest
scroll
(i)
are
work
wood-
of
kinds
room
these
of
ones
other
are
lot
making.
there
neither
take
that
it hard
because
discouraged
quite
cabinet
and
if you
Now
and
shop
it takes
observed,
have
may
room
ETC.
CARVING,
WOOD
As
TURNING,
WOOD
ing;
saw-
(4)
pyrography.
Not
but
only
they
make
time
your
and
will
when
be
precisely
and
these
ornamental
you
get
valuable
sawing,
the
your
same
to
hands
thing and
designs
of
out
is called.
24
same
working
factors
as
your
something
you
live.
Sawing
Scroll
sawing
the
achieved
long
as
jects
ob-
art
trains
and
one
three
have
you
the
work
at
these
you
About
fret
the
pleasant
trades
whether
not
or
and
together
All
Scroll
useful
are
eyes
harmoniously
that
of
pursuits
profitable because
are
you
mind,
the
are
and
jig sawing
that
is
wood,
sawing
or
all
mean
interlaced
fretwork
as
it
With
scroll
boards
thin
WOOD
SAWING,
SCROLL
you
make
and
There
is
foot
power
work
with
costing50
frame
saw
saw
the
most
pleasure,of
more
but
scroll saw,
25
and
cents
most
though
be moved
to turn
and
up
and
down,
it is
little
very
fine
saw
it takes
is
saw
few
exquisitepatterns
dainty articles imaginable.
in using a regular
course,
do just as good
can
you
and
frame
hand
the
out
can
TURNING
that
it
enough
narrow
sharp curves.
Now
scroll saws,
as
I shall call
kinds
and
these
those
run
by foot-power, and
are
(i)
them,
are
of
three
by hand; (2)
(3) those operated by
worked
those
CLfiMP
S/)W
3flW
BLADES
BL/iDE
CLfiMP
/JWL
2flWFRfiM"
H/)NDLE
Fig. 8.
and
Cheap
simple
Scroll
and
cheap
Sawing
scroll
sawing
Outfit.
"
outfit
The
simplest
26
HANDICRAFT
idea
to
you
ought
(e)
brackets
out
saw
have
to
other
fancy knickknacks
of
designs/
sheet
some
BOYS
and
sheet
FOR
and
(f)
some
iron
or
fancy
wood.
scroll
The
frame
saw
is
which
usually nickel-plated,
inches
wide
to
end
one
blade
to
to
put
the
and
clamp
the Scroll
saw
blade
the
of
the
is fitted
the
that
so
saw
frame.
Saw.
first thing to do
The
"
in the frame
teeth
about
handle
end
each
steel bar,
frame
long.
to
tightin
Use
points
forms
inches
12
be held
can
How
is
and
bent
and
be
have
the
is toward
that
down,
to
sure
handle.
Next
piece of
thin
the
mark
design
^^
wood
both
sides, hold
it flat
your
left hand,
grip
hand
and
shown
in
You
are
the
set
and
hold
Fig. 9.
ready
sawblade
down
and
strokes.
You
the
sometimes
to
This
is
See
Fancy
10
York
Both
can
City.
the
to
on
the
"
Woods
be
begin
bought
to
to
give
it
sawing
latter
and
"
paper
Scroll
of
L.
such
the
up
smooth
easilyit
and
wood
turned
so
as
design;
frame
and
be
as
right
your
find how
it
on
table with
the
even
can
hold
smooth
saw
turn
on
is vertical
out
saw
the
carbon
for
blade
saw
surprisedto
advantage
ordinary
the
are
you
out
saw
with
handle
saw
careful
will be
frame
saw
on
now
to
that
so
be
When
works.
not
it
intend
you
little
is used
for
writing.
type-
New
28
HANDICRAFT
with
sides
screwed
This
the
sawed
makes
the
it is
from
grip on
it.
buy
can
end
10.
the
it.
of
the
HAND
board
"
shown
at A
Twist
drill,see
in
than
you
should
inch
thick board
Pair
pliersis
"The
them
have
very
nearly
and
You
SAW
useful
it and
gives you
table
saw
firm
or
you
To
do
have
and
of scroll
set
job
reallyneat
thin
and
saw
made
are
three cornered
and
as
for
they only
can
make
a
a
and
making
holes
cost
cents
50
hole
in
Vs
minute.
Millers
Falls, Mass., makes
Company,
tool companies sell them.
Falls
all
are
you
TABLE
M.ooth part of
in the
"
"
is far
one.
of Pliers.
Millers
and
11,
awl
an
from
1 1.
Stock.
Drill
B, Fig.
in wood
Fig.
wood
the
clamp
^^
and
project out
raises
of
cents.
50
end
easilymake
can
for
BOYS
one
SCROLL
surface
You
one
of
clamped to,
Fig.
sawing
of
out
the bottom
to
table
FOR
making
toward
Small
Scroll
these
C in
Hammer.
with
known
finallyget
picturedat
There
(i) Star
as
success.
Fig. 11.
as
"
29
efforts
sawing
And
"
Blades.
Saw
are
and
kinds made
blades
saw
mer
ham-
D.
two
are
small
and
(2)
man
Ger-
blades.
saw
As
at
drive brads
to
scroll
your
shown
pair is
TURNING
WOOD
SAWING,
SCROLL
is
one
good
as
/ITWI ST
the
as
other
by
all
buy
means
DRILL
STOCK
8HS9
SCROLL
YER'S
SfiW
S/JW
FILES
5LPDES
{H/71F SIZE)
D
D
nSM^LL
H/IMMER
FLAT
SIDE
NOSE,
PLIERS
CUTTING
Fig.
II.
Star
blades.
Fig.
in
the
and
of
11,
the
How
smaller
to
draw
your
use.
In
Trace
own
either
the surface
sizes
cents
blade
the
on
smaller
three
larger sizes 15
teeth
from
sizes
but
The
made.
are
The
you
of the wood
to
10
cost
OF/f
PL/iCED
TO
are
tools
shown
are
10
at
Wood.
at
larger sizes
two
dozen.
on
must
you
fiRE
sawing
is shown
designs or buy
case
9/fW
and
Design
TEETH
WIDE /7P^RT
CLE/JN
CUT
scroll
necessary
SOME
THE
cents
The
dozen
spacing
F.
"
You
can
printedready
transfer
the design
going to saw.
them
to
to
HANDICRAFT
30
To
do
this
lay a sheet
impression paper
call
it,or
the
prepared
sheet
Now
with
take
pointed
When
side
is
be
A,
and
thimble
one
other
the
York
H.
L.
and
12
the
of
makes
clock
and
sells for
to
so
"
wood
12
from
range
power
you
these
$4.50.
saw
Thumb
It has
work
your
that you
or
that you
saw
can
a
on
$4.50
to
This
"
can
buy
bevel
inlay it with
and
get patterns
can
mechanical
at
signs
de-
in
Fig.
several
are
and
the
$25.
is the
and
table that
a
thousand
the market
on
thread
cases,
There
"
saws
"
glove boxes,
articles you
Saws.
foot-powerscroll
pricesof
The
Scroll
sign
de-
it.
trace
furniture,alphabetsand
the horizontal engine shown
fire engine shown
at B.
Foot-Power
the
the wood
on
for doll
like
design.
Designs in great
Wild, Publisher, 171
cages,
useful
piece of
"
pretty and
tacks}^
the
City. Besides
boxes, bird
Sawing.
of
bought
thumb
of
lines
design
of the sheets
outline
forgot to
you
the
lay
pencil or
you
typists
it,with
as
call
corners
lead
in black
Scroll
New
handkerchief
wood;
the
trace
Avenue
the
it all done
for
jig sawyers
fasten
plainlymarked
Designs
varietycan
paper
glue,or, better,with
and
have
BOYS
carbon
as
sharp, hard
bone
you
of
to
next
top of it;and
on
the wood
to
FOR
cheapestfootis the
tiltswhich
that
"
some
is
on
other
that
one
permits
a
slant
kind
of
metal.
tacks
are
short,flat
headed
tacks
used
by draughtsmen.
9rftHORIZONTAL
^T ft FIRE
Fig.
12.
MECHANICAL
STEAM
ENGINE
ENGINE
MASTERPIECES
31
MADE
WITH
SCROLL
SAW
little machine
This
inches
high;
good work
follow
the
as
it looks
what
it is made
which
machines
BOYS
FOR
HANDICRAFT
32
13
shows
like.
TILTING
T/PBLe^
Fig.
The
has
and
cast
the
crank
The
Scroll
Lester
frame
iron
pitman
wheel
Lester
Saw.
"
with
has
that
the
and
is
This
"
the
SAW
MADE
well
made
SCROLL
FOOT-POWER
CHEAPEST
THE
13.
arms
of the
several
"
very
are
of
handy
saw
connects
saw,
frame
the
ash.
attachments
and
SCROLL
these
(a)
are
sawdust
the
(b)
automatic
an
which
the
prevents
a
TURNING
saw
Hne
you
clamp
from
blades
saw
are
with
33
which
blower,
dust
the
from
away
adjustablelever
an
(c)
WOOD
SAWING,
blows
sawing on;
hinged jaw
breaking;
and
drillingattachment.
Fig.
14.
THE
SCROLL
LESTER
SAW
LATHE
TURNING
WITH
ATTACHMENT
This
is 35
30
saw,
which
inches
high
pounds.
The
The
Fleetzuood
consequently the
is shown
and
Scroll
Fig.
in the
weighs
lathe
most
in
attachment
Sazv.
"
$10.00,
neighborhood of
costs
$2.00 extra.
This
expensive
14, costs
is the
foot
power
best
and
scroll
It has
made.
saw
is fitted with
tihing table,
A
plain stand
can
fancy stand,
see
be
bought
Fig.
Fig. 15.
How
saw
saws
shown
13 and
grooved
on
wheel
SCROLL
SAW
of
the end
of
fixed
to
very
the
with
with
"
see
like
frame
If you
that the
a
is
spindle,which
it,by a pitman or
a
$25.00.
will
14 you
part
drill and
Works.
frames
saw
It
one
or
for
Saw
inches.
this kind
had
be
can
of
$21.00,
for
Scroll
lower
crank
vertical
saw
FLEETWOOD
have
The
frame.
small
THE
again at Figs.
with
a
15,
Foot-Power
will look
scroll
scroll
i6
nearly
of
swing
blov/ingattachment.
a
BOYS
FOR
HANDICRAFT
34
hand
nected
con-
has
rod
enough
against the
the table
on
hard
down
Press
BOYS
FOR
HANDICRAFT
36
up
on
the
work
of the
strokes
around
speed
even
an
blade
the
keep
too
fast.
Fancy
Woods
and
do
for
TABLE
on
saw
not
feed the
Saw
as
the
saw
at
against the
wood
Work.
"
Fancy
WOODS
Price
Name
the
Run
SAW
SCROLL
OF
saw;
it
keep
to
the line.
Scroll
to
planed
to
per foot
thickness
of
yio to
Poplar, or White
Spanish Cedar
White
Maple
Sycamore
Hazel
Oak
Wood
or
Bass
$0.07
Wood
White
or
White
Ash
Holly
Black
Walnut
Bird's
Eye Maple
Mahogany
Cocobola
Amaranth
Rosewood
Satin
Wood
Tulip
Real
Ebony
These
A, New
Grand
50
can
be
that
woods
that
Wood
planed
are
is
sides
37
for scroll
sawing
Ke, %, %6 and
of
thick
inch
TURNING
both
on
in thicknesses
bought
be
can
WOOD
SAWING,
SCROLL
is the
best to
^ inch.
for
use
all
ordinary work.
The
chief
the
price of
for scroll
good
Trimmings
pulls,box
nails, that
wire
legs, small
moldings, etc.,
be
can
scroll
specializein
who
dealers
and
screws
above
the
of
are
hinges,knobs,
hooks, French
bought
Brass
"
and
that
fancy woods
sawing.
for Boxes, Etc.
drawer
screws,
and
common
thickness
name,
sawyer's materials.
And
now
in
of wood
wood
or
to
another
lathe and
the
outfit you
pleasureof rounding
form, no, not if you
Get
than
Lathe
to
try
anything
the
buy
on
to
How
for very
a
or
Lathe
gouge,
wood
with
never
forget the
to
sawing
you
up of
bit of wood
will
live
to
were
turn
that
one,
is if you
to
one
with
and
costs
shapely
thousand
It is far better
"
into
years.
buy
expect
thingsto make
one
chisel
need
First.
make
it with
stick
spin a
it is called.
for scroll
than
shape
nating
highly fasci-
and
this is to
and
wood-work
turning as
While
more
of
in Wood
come
we
kind
Turning
in the second
lathe
to
turn
to
get
you
can
turning lathe
con-
little money.
is Made,
"
wood
BOYS
FOR
HANDICRAFT
38
sists of
PULLEY
CONE
F/)CE
T/?P"R.
CENTER.
PU7T"
ST/?Rr/NG\
WHEEL
SPUR
HBflDSTOCK
J,EST
^^,^
16.
Fig.
head
The
of
is formed
A
frame.
this holds
The
allows
spindle and
while
being
it is
it to be
slippedback
and
at any
point which
second
is
and
the
end
and
the
other
the
tailstock
clamped
to
spindlein
is
and
on
the
to
tightlyin place
rest, which
tool
on
stand; it
the
of
and
long
is screwed
center
wood
the
turning
your
is
spur
bed
the
to
LATHE
TURNING
pulley mounted
cone
The
turned.
is fixed
stock
OF
PARTS
CHIEF
THE
^^^
be
short
has
rest
end.
turned
headstock
These
parts
forth
spindle which
to
and
rest
be
the
on
allows
set
the
center
the bed
the
of
on
and
one
sharp point on
piece of
between
taper
the bed
is threaded
on
wood
spur
the
which
center
of
tailstock.
this in
SCROLL
is mounted
turn
a
SAWING,
drive wheel
scroll
The
this is driven
and
it is connected
stand.
on
WOOD
by
TURNING
The
by
is fitted with
stand
a
39
treadle
with which
foot-power
saw.
Cheapest
lathe you
T/i"
Lathe
You
buy is called
SAW
the
Fig.
17.
THE
Buy.
"
Companion;
The
SCROLL
S/fi/V
WHEEL
CHEAPEST
WOOD
TURNING
LATHE
est
cheap-
it is made
THES/^W
T/JBLE
EMERY
Can
MADE
HANDICRAFT
40
FOR
$10.50. It has
turning tools and a 2
center.
When
well and
you
is shown
ready
are
complete
3 inches
in
for
is fitted with
charge.
get it
you
Attachments
Company,
it costs
three
in diameter
attachment
be
may
for
bought
and
larger lathes
Turning Tools
chisels
are
for
^^
turning wood
and
to
four
chisels
inch
lathe
This
lathe
these
bought
with
lathe bed
course
these
tachments
at-
better
money.
tools
of
for
used
The
gouges.
points,namely,
in all sizes
point,
square
in
shown
are
scroll
Of
and
kinds
inches
the
more
chisels
saw
of
The
"
circular
extra.
on
extra
Fig
18.
^4 inch
from
wide.
Gouges also
and
be
can
The
Both
17.
for
point; (3)
round
These
Fig.
Wood.
with
$1.25
extra.
"
6x7
clamped
simply
are
made
be
be had
can
oil it
without
is
table
it costs
in
it up,
Lathe.
wheel
saw
$3.00
shown
are
spur
17.
can
rest,
plate and
turning.
some
Y.,
short
it, set
emery
and
that
face
attachment
straightedge guide;
saw
inch
Companion
inch
Falls, N.
long and
uncrate
Fig.
useful
very
Millers
do
to
the
BOYS
come
in sizes from
parting tool,which
is used
% inch
to
to
up
cut
off
inch,
turned
in
Fig.
13
Buck
50
cents
Bros.'
You
can
buy
them
fitted with
applewood handles
about
18.
and
are
counted
best.
SAWING,
SCROLL
dealers
ware
41
Schlemmer
Hammacher,
and
Ave.
Fourth
of
or
TURNING
WOOD
and
Co.,
York.
^=^
SKEWPO/NT
C
ROUND
POINT
SPE/}R
SQUARE
POINT
POINT
GOUGE
THE
"L
THEP/IRTINGTOOL
18.
Fig.
How
Turn
to
Wood.
reallygood job on
A good thing to try
handles.
The
what
on
you
Take
in the
trifle
face
stick of
larger than
be
and
plateas
This
the
intend
of
to
wood,
drive
shown
done
back-center
screw
or
of
in
Fig.
up
the
is forced
square,
depend
it doesn't
longer and
that
against the
end
tool
some
course,
inches
largestdiameter
one
for.
round
couple
the
will, of
them
out
practiceawhile.
is to make
on
these
turn
can
you
must
you
hand
use
tools
turning
Before
"
your
size
wood
lathe
least matter,
to
is
OF
SET
the
spurs
handle
of
the
19.
feed
into
end
of
the
wood
HANDICRAFT
42
Vs of
about
within
and
Now
down;
it round
carry
to
power
Fig.
wheel
the
wood
is 5 times
drive
wheel
which
minute.
you
as
the
speed of
and
want
to
comes
going
to
turn
TO
times
to
IN
THE
it up
work
and
LATHE
will
the
large as
100
WOOD
ROUGH
WAY
RIGHT
treadle
THE
pulley of
THE
20.
that it
are
you
the
on
smoothly
the
wood
so
work.
foot
soon
very
the
for
PUTTING
19.
the rest
clamp
of
ready
put your
Fig.
and
inch
an
are
you
inch ;
an
BOYS
FOR
If
headstock.
HOLD
the
every
turn
WOOD
TOOL
WORKING
pulley and
drive
the
you
treadle
will revolve
500
times
HANDICRAFT
44
FOR
between
the
21,
or
points
thickness
you
then
the
you
time
to
turn
you
The
is
Carving
Art
caliperswith
want
the turned
part
can
try it from
time
just slipthrough
forms
simple
look
pretty
to
it
be
can
between
Your
it that
of
Carving
can
set
of
this number
inch, a %
tools and
you
that
see
of these
two
they
turners'
of tools costs
about
the above
is
with
set of
work.
six
of
up
with
begin with
To
"
in itself
combination
turned
Tools.
chisels and
just about
are
and
four
the
inch,
are
!4
carving
gouges,
penters'
car-
as
same
Such
gouges.
you
carving tools.
and
do
to
art
an
some
are
easy
in
and
chisels
set
$3.00.
includes
effect
is made
inch and
and
well
once
carving
fine
working
all wood-
of
yet there
at
of scroll sawed
Set
hardest
and
are
While
with
Carving
the
learn
to
at.
used
kinds
some
of
of Wood
all odds
by
processes
so
will
off the
measure
the
points.
the
wood
size it with
can
you
BOYS
tools
dozen
as
well
carving tools
as
couple
and
of
this
bent
with
Ys and % inch sweeps, a couple
flutinggouges,
of front bent tools,a straightparting tool,and a veinin Fig. 22; the
at A
ing tool,all of which is shown
sweeps,
shown
as
at
the
B.
curved
cutting edges
are
called, are
The
fit into
which
to
of
tangs
the
prevent
The
best
tools, that
handles, have
from
handles
carving tools
by S. J. Addis
you
these
the
TURNING
WOOD
SAWING,
SCROLL
of London,
shoulders
creeping
and
sharp ends
is the
the market
on
45
splitting.
and
those
are
can't go
you
them
on
made
if
wrong
buy them.
iii||iiii|!iai'j:i!li|lllp|fft.'Jim|ir
j;
GOUGE
BEND
SHORT
CHISEL
STRAIGHT
"ililli|![i||!'fiWff'fi!!fla
P/?RT/HGT00l,
STR/HGHT
CHISEL
SKEW
fl
GOUG".
"END
LONG
GOUG"
BEND
FRONT
TOOL
VEININ6
BENTFILE
"T8
ItSiS
Of
SWEEPS
TOOLS
C/^RV/NG
Fig.
Carving
22.
sharp,but
up
to
with
do
When
KINDS
tools
sharpened but
AND
SWEEPS
they
as
come
OF
CARVING
from
TOOLS
the
makers
not
the inside
an
C/iRV"R!3 M/?LL5T
WOOD
bevel
oil stone
are
slipand
most
wood
are
ground
be rubbed
carvers
like
this themselves.
you
buy
set
of
carving tools
you
also want
FOR
HANDICRAFT
46
to
get
face 2"!^^
inches
its
21,
Also
of
mallet made
carver's
in diameter
and,
get
^^
with
lignum-vitcE
as
will
you
from
Washita
BOYS
in
see
Fig.
the
ordinary kinds.
an
Arkansas
carv-
ill
n
Fig. 23.
ing
Fig. 23
and
small
wedge-shaped
of
they
cost
stamps
are
oil-stone.
of
made
stamping in background
in
different designs are
shown
about a quarter apiece.
useful
very
number
work.
is
BACKGROUNDS
IN
markers, which
more
or
STAMPING
FOR
slip,w^hich
tool
Two
MARKERS
mm
for
WOPK
TO
S" CmVED
.////^///^/'
BENCH
^
IT
LEG
/?sm
/^C/}RVERSV/SE
/^H/)NDCLmP
Fig.
To
make
14
and
SCHEMES
24.
for
hold
the work
two
or
heavy.
snihs
more
Lignum-vita: is
It grows
while
you
as
are
wood
tropical America.
CARVING
carving it
shown
greenish-brown
in
when
work
holding
at
A
and
in
can
you
Fig.
is very
24.
hard
SCROLL
little clamps
These
when
couple of snibs
better
shown
and
screw
For
B.
at
wood-carver's
vise
Best
Woods
out
the latter to
use
couple of
shown
clipit with
bench.
your
hand
in relief you
carving
as
47
carve
is to
scheme
TURNING
sawed
screw
to
want
you
WOOD
are
wood
ordinary
an
SAWING,
as
screws
will need
C.
at
is soft and
to
you
but
will not
beautiful
finer work
are
Kinds
of wood
need
woods
apple,pear,
largelyused.
of Wood
When
cut
you
school
Black
the
to
and
sycamore
"
fine wood
walnut
nice
are
Carving.
There
for
not
to
care
and
ing
carv-
prevent
mahogany
while
carve,
are
for
wood
red-
California
three kinds
was
it's not
your
kind
carving on
of
Most
only the
trying to
.fault.
a
Fig. 25.
primitive attempt
chip carving.
that
in
your
made
you
is
take
to
and
figurecarving,as shown
called
careful
surface
at
be
the
with pine.
as
splintering
are
must
you
grain.
tougher but it
is much
and
"
work
to
easy
splinterit along
Oak
for
likelyyou
savage
got
at
desk
what
the
is
birch
find
is called
chip
carv-
48
HANDICRAFT
ing, and
it is very
of
some
BOYS
FOR
It is shown
beautiful.
at A.
Panel
the
but
carving
design
ft-PZ/W
is done
is made
Fig. 25.
to
surface
and
To
make
at
it is carved
planted on,
carve
that
lilyof
sinking the
B.
C/?RV/NQ
KINDS
OF
out
is
the
carving
Sometimes
part stand
some
or
also
wood
P/?/V"l
shown
pieces of
by cutting out
FIGURE
ground, as
flat
on
of
glued
when
it is desirable
in relief above
out
separate
piece of
the
wood
on.
valleyor
deer's head
out
of
solid block
of
carving,
using
as
tools and
the next
is not
of wood
an
eye
as
for art
as
easy
have
if you
but
TURNING
WOOET
SAWING,
SCROLL
you
the other
natural
can
49
kinds
aptitude for
succeed
as
well
one.
WTCHGOES
Fig. 25D.
WATCH
CARVED
CASE
HOLDER
carve
on
the
"
board.
To
do
this
you
can
either
HANDICR.\FT
50
draw
the
sheet
the
design you
snibs
the
and
heavier
the
with
the
the
veining
and
"
stand
board
chisels
and
for
the
of
planted
at
To
inch
with
more
two
or
Carve
the
out
the
and
lighter
chisel
cut
to
and
even.
put in.
carving leaves,
of
carved
are
of
out
the
is sunk
ground
face
sur-
jects
ob-
these
transferring,the pattern
or
use
finally
and
The
head
glued
The
varnish
never
with
it out
cut
it is called.
as
veining tool
can
be
to
the
work
it.
and
gouges
the
to
carved
out
ground,
oiled
be
can
or
It is shown
ished
fin-
C.
make
trace
the
kind
the
radiating lines.
on
top of it and
tool
never
like
as
at
polished but
and
are
then
before; then
shown
as
board
in relief.
out
as
and
Use
this
the
Begin by drawing,
the
better, lay
or,
work.
tool.
make
In
Carving.
board
for
parting
of the
on
bench
your
ready
at
transfer
to
are
sharp
Panel
the
on
paper
to
board
lines
corners
board,
pencil.
you
with
lines
want
lead
Screw
In
impression
BOYS
the
design directlyon
of
it with
FOR
watch
piece
saw
out
thick
and
draw
Carve
the
cross
with
piece
for
the
the
holder
case
on
and
the
of
like the
walnut,
the
veining tool.
pocket i inch
other
or
shown
wood,
case
by
design.
lower
leaves
one
of
part
in
the
relief and
Now
thick
saw
and
put in the
out
carve
another
out
the
HANDICRAFT
52
Greek
pyro, which
word
draw
you
The
writing with
with
fire instead.
is called
of iron, copper
is heated
in
you
upon
burns
you
piece
white
or
hot.
curved
have
wood
of
need
point which
curved
it is red
the
press
which
with
until
flame
it is hot
When
platinum
or
is formed
This
to
pyrography
The
etching tool.
an
graph,
in
fire,only
Tools."
Necessary
fire, and
means
is
write, that
BOYS
FOR
the
drawn
design
it
and
=::-:^
/7'
TOOL
ETCHING
THE
ZD
How
to
copper
rod
in
THE
Make
an
down
to
point to
Fig. 26
and
How
to
Make
You
make
can
an
the purpose
serve
about
/4 inch
the
Alcohol
alcohol
very
lamp
well.
in diameter
and
of
shown
The
"
Make
make
long; file
at
and
end.
etchingtool
Bunsen
or
an
piece of
the other
on
alcohol
3 inches
shape
Lamp.
an
Get
"
and
file handle
in either
be heated
must
put
an
Tool.
Etching
in diameter
PYROGRAPHY
FOR
USED
TOOL
inch
end
one
Fig. 26.
W/rHH/?NDL"
COA/PIETE
B-
flame.
a
a
in the cork
tin tube
inch
your
lamp
is done.
If you
can
get gas
you
can
Outfit.
Better
Fig.
26c.
bought
for
house
About
make
ready
pine
vapor,
num
plati-
see
C,
can
V/?POR
THAT
BURNS
more.^^
and
buy
can
has
BURNS
TH/?7
OUTFIT
$3.00
you
the
can
them
hotter
BENZINE
VAPOR
If you
have
tool
which
you
are
uses
gas
in
it for
50
less.
or
you
AN
alcohol
burns
and
/JLCOHOL
cents
makes
"
C- /^/y OUTFIT
your
which
53
is less trouble.
and
pointed tool
be
TURNING
^^
burner
Biinsen
use
flame
WOOD
SAWING,
SCROLL
"
own
your
to
designs,but
Draw
use.
basswood
or
If
Designs.
with
good
if not
your
designs on
soft
lead
drawing
at
you
can
buy
soft white
pencil having
blunt
shown
as
15
Can
Boston,
1"
and
at
be
D.
bought
Hold
of
the
the
L.
tool
E.
as
Knott
shown
at
Apparatus
and
Company,
Mass.
for pyrography
Everything needed
Adams
Co., Cornhill, Boston.
can
be
had
of
the
Frost
HANDICRAFT
54
without
using
point along
When
much
too
burnt
have
you
background by making
Fig.
then
bum
in
This
produces
makes
26d.
the
Fig.
When
the
in
have
you
design
but
how
they
in
are
the
lot of
cross-hatched
design
26e.
stand
burning
become
in
evenly.
burn
in
the
heated
is
the
across
effect which
out
in
burnt
push the
closelyspaced lines;
tool
the
and
design
parallellines
more
a
draw
pressure
lines until
the
BOYS
FOR
in bold
the
first set.
at
tance
dis-
relief.
design
can
burn
can
shade
the lines
evenly.
Coloring
and
Staining
Wood.
"
Stains
and
dyes
SCROLL
of
colors
all
Stain.
of
grained
used
with
on
been
give
it
the
dull
name
with
it
of
saucer
tight
on
of
box
brown
fumed
real
will
or
inky
other
look.
After
be
it
make
any
ebony
should
the
close
Put
the
stain
ebony
with
polished
with
it
color
oak.
for
colored
be
can
ammonia
leave
and
holly,
saturated
wax
finish.
Oak
in
it
brush.
wood
Oak.
putting
it
Reynolds
and
wood
white
soft
"
take
S5
York.
and
gives
a
used
Fumed
lid
the
on
it
wood,
solution
Devoe
New
ferrous-sulphate
When
black.
is
the
Street,
Brush
TURNING
"
solution
by
of
bought
Fulton
loi
Ebony
to
be
can
Company,
has
WOOD
SAWING,
paste
a
tight
is
beautiful
fitting
the
up
couple
which
of
known
lid
in
which
the
around
cracks
days
brown
when
by
it
the
will
trade
III
CHAPTER
is
There
makes
it is
just
as
that
shape wood,
there
Then
metals
and
Metal
classes
as
strong
Your
do.
working
don't
need
you
cost
very
useful
enough
working,
things
which
object
an
divided
be
can
( i ) the
are
strictly practical,
but
purely ornamental,
wood
table
often
can
you
utility
both
possesses
need
tools
ought
you
of
about
metal
work,
ordinary
have
to
chapter
filing,
a
As
etc.
bench,
or
in
good
do.
Tools.
according
you
do
to
this
in
you
drilling, bending,
will
Kit
tell
to
you
sawing,
If
wood
these
and
in
that
tools
working
to
tools
of
about
thing
make
soon
intention
is my
certain
it is to
as
kind
right
yet
merit.
artistic
such
good
tools
like
the
(2)
them
combine
the
can
working,
two
It
and
them.
and
and
is the
you
for
pay
into
fellow
elem^ents
the
have
you
another
is
that
and
much
to
is, if
these
to
it with.
do
to
fashion
to
easy
appeal
strong
that
metals
working
about
something
tremendously
WORKING
METAL
AND
METALS
get
To
"
to
all of
work
the
those
56
kind
metals
of
I have
you
work
listed
will
you
below
need
intend
you
METAL
will have
of
kind
is
nearly all
job that
full
quitea
don't
need
just get
kit is
and
buy all
to
as
all of
You
but
however,
once,
have
must
any
them
fifteen dollars.
at
you
do
to
following list
includes
of
them
of
time
The
up.
kit which
need
it until your
complete.
Kinds
Various
The
tools
come
may
57
tools you
neighborhood
tool at
the hand
and
one
in the
will cost
WORKING
For
of what
made
are
your
hammer
Tools.
than
harder
tempered
are
of
which
wood
is known
kit of machinists'
working
tools
working
tool-steel.
as
tools get ( i
about
weights
Metal
"
ounces
ball
this
"
pein
is
makes
saw
frame; (5)
saw
blade; (6)
holding
inch
in
hack
hand
(4)
jeweler'sadjustable
frame
saw
twist
(8)
to
drill stock
drills from
Morse
diameter;
with
to
drills
hold
steel
machinist's
steel square
with
2%
inch
for
chuck
inch
Mc, %2, H
inch
8 inch
an
%6
into
a
cut;
shank
round
Four
(7)
inch
ameter.
in di-
%c
and
rule, graduated
inch; (9)
an
blade; (10)
screw
cuttingtaps
handle
and
(15)
dies,this
and
set
five dies
contains
which
cut
stock
or
%4, %4,
%2 inch in diameter.
few
files
"
flat,hand, round
and
half-
SNIPS
TJNNERS
FL/?T NOSE
S/DE
J? ROSE
tiOSE
PLIERS
GU/?GE
COUNTERSINK
OIL
RE/JMER
y? TJJPER
OF
/? l/V/RE
LEVEL
/? BENCH
ROUND
FL/ITNOSEPUERS
PLIERS
CUTTING
SET
COPPER
/?NP
SOLDERING
L/fMP
/?LCOHOL
SCREW
T/?PS
/?ND
CnN
/?A/E" O/L5T0NE
CUTTING
A7JJCW/V/STS
DIES
Fig. 27.
THE
CHIEF
METAL
58
WORKING
V/5E
TOOLS
6o
HANDICRAFT
in
round
FOR
the most
BOYS
and
second
screw
solderingfluid yourself,and
which
I told
burner
Bunsen
machinist's
want
pound
is nice
and
hold
to
and
When
cut
you
get
blade
saw
prefer
heavier
the
work
of metal
in
close to the
use
of
and
rest
it.
of
little pressure
saw
with
and
sheet
cut
ordinary pair.
an
metal
with
them
your
bench
and
on
Metals
to
snips are
can
you
that
let
you
thicker
are
sawed
by using
frame
you
for
machinist's
have
the vise
on
fine
hack
or
use
(5)
"
For
the outward,
special
for metal
work.
saw
should
jeweler'ssaws
Brand
vise and
jaws
this
as
with
Tinner's
(3)
heavy
be
can
scroll
Fish
use
of
be sawed.
frame
jeweler'ssaw
I
end
pein
of the rivet
thick with
handle
metals
in
ball
bits of metal
leverage on
must
(4) While
( i ) When
"
shears
sheet
and
better
%2 inch
than
in
shown
are
direction
well.
inch
the
the end
bend
an
blade
the lower
can
%2 of
to
up
tools
use
round.
piecesof wire as
simply large powerful
metal
make
can
alcohol
an
Tools.
the
down
off
cut
these
in every
it out
spread
useful
are
of
Using
on
to
make
can
All
lamp,
in the last chapter,or
supply of gas, and (20)
rivet something
to
the hammer
will
have
V2
about
28.
Hints
Some
(19)
make
to
if you
vise.
and
Figs. 27
you
how
you
will be
cut
to
saw
vibrate;
cuttingstroke,
METAL
and
let up
for metal
kind
too
the
crowd
the
hard
which
You
oil
can
it is
will
you
with
can
in cabinet
close
for
enough,
than
%2nd
your
measurements
of
steel square
to
don't
try
to
it will cut
at
is better
carpenters'try
in
rule and
down
to
it should
for
iron
inch
not
be
for
way
but
(8)
make
small
work
metal
will find it
you
are
more
work
inch.
an
whereas
Vie
machine
every
square
drilHng
accuratelywith
wood
%4th of
to
In
more
work
inch, and
an
not
point.
work
metal
factory
only satis-
careful
and
turning.
much
measurements
or
the
are
mighty
be
the drill
on
you
these
drill stock
measure
than
back
saw
drill into
keep plenty of
a
the
work,
the
on
speed with
(7)
draw
you
usingftwistdrills,and
In
press
as
teeth.
dull the
(6)
it
on
61
WORKING
quite
expensive.
the
(9) The
advantage of spring dividers over
ordinary kind is that you can set them very accurately
and they will stay where
In scribinga
set them.
you
circle with
your
center
from
(10)
pair
punch
of
dividers
first
mark
as
used
calipersare
inside diameters
of
cylindersand
you
with
center
viders
di-
slipping.
Inside
the outside
the
of
measure
caliper with
thing. (12)
anything
that
distance
between
your
rule
find
center
measuring the
the
like,and,
used
is round.
the
to
for
punch
is
In
the
the
for
versely
con-
measuring
either
points of
diameter
useful
alvv'ays
your
of
to
case
the
make
62
a
HANDICRAFT
FOR
startingpoint in metal
off
sight of.
lost
or
(13)
with
taps and
of
set
of whatever
in metal
metal
work
screw
cuttingtools
becomes
things if
you
When
you
dies
it is next
and
the
tap, the
hole
in
be
trifle smaller
than
the
threads
the
then
The
give it one
half-a-turn
backward
be
method
on
with
rod
holds
iron
for
make
metal
of
must
of
course
tap; the
the
stock
and
as
turn
the
stock
and
cut
you
tinuously
con-
forward
complete turn
will be
you
the
and
good when
less
oil
of
softer
die.
the
on
metals
the
case
tap
cutting
are
you
in the
hole
the
plenty
use
brass
these
piece of
metal
die ; in this
of
set
the tap.
same
threads
All
diameter
but
break
to
apt
in
don't
metal
the
in
forever.
impossibleto
to
the
called
handle
around
and
have
cutting threads
are
joy
threads
screw
got them.
haven't
is
if you
easy
cut
to
kind
with
a
BOYS
rod
In
ing
thread-
die, but
or
lubricant
must
is not
needed.
(14) In
cutting
or
filingwork
stroke
stroke
teeth
of
ease
the
for
saw,
and
that
press
teeth
is,so
down
of
that
file
the
on
up
file
outward
the
on
are
the
on
like the
set
is made
the cut
turn
re-
on
the
stroke.
out
you
small
are
file
can
filingin
the
held
be
the
other
but
file held
in
which
heavier
hand
one
can
work
firmly by
the
be
and
the work
rested
must
handle
on
the
be put in
with
one
METAL
hand
the
and
putting in
In
(15)
the
of
of
IS
new
be
on
and
with
inch
put
blade
will
use
fit the
the
fingers
the
largest
solder.
resin
brown
be
used, if it
is the
wide
and
the
of
of
tin it
To
thick,4 inches
some
slot in the
the blade
coated
about
long,
it
one,
it must
board
always
screw
twistingthe edges
from
shape.
(16) Before
a
guided by
screw;
screw-driver
whose
size screw-driver
head
and
hand.
other
of your
steadied
end
63
WORKING
point of
get a pine
6
inches
bits of
solder
and
it.
File off the copper
bright
and
make
It is
it is
a
on
the
point is sharp
the board
on
all sides
and
copper
until
with
a
and
melt
then
rub
it and
film
of
it is
the
solder
is
it.
on
(17)
than
solder
in them
formed
heat
smooth;
until the
to
cheaper to buy
make
it but
you
stick of
can
solderingpaste
easilyand
cheaply
an
water.
the tip
heating the soldering iron keep it near
alcohol
of the flame; if you
use
an
lamp don't have
burner
the wick
Bunsen
too
a
high and if you use
adjust the openings in it until the flame is as nearly
In
invisible
About
tools you
these
can
as
you
can
get it.
HANDICRAFT
64
the beveled
Hold
and
of the
edge
it to and
move
FOR
fro, being
drill
perfectlystraightup
sharpening it.
Metals
has
its
you
are
uses
especial
going to
should
There
Iron.
formed
This
"
it is pure
which
means
that it
It is hard
give
is
or
drawn
small
without
iron
in it and
be hammered
than
of
and
you
are
metal
what
metal
you
couple of alloys,
mixing two or more
a
in detail.
you
useful
metal
into
iron
wire
without
for
These
substances
properties. For
in
carbon
but
this makes
or
drawn.
can
by heating it
be cast,
red
hot
to
iron
breaking.
or
little carbon
it easy
of
be hammered
it cannot
or
work
S'teel contains
then
cast-iron
forged,tempered
and
in iron
instance
danger of cracking
very
breaking.
tains
nearly all of it concarbon, silica,phosphorus,
elements.
has
have.
we
it is ductile in
cracking,and
out
of
useful
most
iron ; steel
the
into molds
cast
Wrought
can
percent of
other
to
keep
each
kind
the
for
most
get pure
to
large amount
drawn
these
it has
it different
good
woods
you
without
be
sulphur or
to
depend largelyon
to
as
that it is
can
Like
"
the stone
while
down
by melting and
be hammered
has
make
is the
When
can
careful
it will
and
I shall describe
and
very
and
Uses.
together,which
metals
point on
are
are
drill
it of.
make
which
their
and
BOYS
and
other
stances
subit
because
more
than
bon
car-
cast
hardened
METAL
Tin.
This
"
is
well
so
white
it is
like silver,and
into
out
WORKING
found
the Tin
from
What
there.
it is used
Tin
looks
that
sheets
and
it
much
very
mered
ham-
be
can
which
know
you
rust
is
sheet
oxidize
or
because
the ancients
it chiefly
they got
we
covering
as
places but
many
Islands
thin
plate,that is
not
thin
in very
called Britain
does
malleable
so
very
that
tin-foil.
as
It is not
tin
metal
65
largely used
iron
with
coated
other
for
is
metals
really
tin, and
because
it
in air.
in
alloys such
making
It
etc.
has
soft
as
low
very
melting point.
Zinc.
is
This
"
is sometimes
found
combination
When
with
it
can
be
again.
Zinc
is easy
Lead.
for
alloywe
This
"
into
to
and
know
is the
and
though it
usually found
temperatures
instance
to
100
cut
bluish-graycolor.
in
when
it behaves
it is cold
it
degrees Fahrenheit,^'^
sheets and
rods; curiously
150
degrees or
200
when
mixed
it gets
over
with
copper
it
brass.
as
softest
metal
It is very
known
heavy
and
and
melts
it has
at
temperature.
i'^
200
the
to
it is
state
different
to
it is heated
brittle
metal
elements.
easilyrolled
though when
forms
at
white
pure
ways;
but
quite brittle,
low
it is heated
is
in
in
other
in various
bluish
The
this
years
Fahrenheit
country.
ago,
thermometer
Fahrenheit
and
he
invented
scale
was
the
is the
German
mercurial
one
generally used
scientist
who
thermometer.
lived
HANDICRAFT
66
Lead
the
will read
you
of
one
was
there.
BOYS
FOR
earliest metals
the
Book
been
It has
Job
of
used
be
rolled
into
largelyused
Copper.
This
"
and
in
metal
of
before
art
bronze
iron
been
color, has
even
made
were
found
that
to
It does
saw
not
United
in the
It is
fairly
high luster, is
iron
and
of
copper
ancients
but
the
and
trades
as
ships,the conducting
in
other
but
metal.
it is
so
Copper is
tough
that
it
drill.
oxidize
graduallychanges
drawn
and
use.
in the arts
tin is the
weapons
by the
tempered now,
into
came
apparatus,
and
of copper
made
were
steel is
as
which
easily hammered
is hard
in
state
pure
utensils and
known
was
war
electrical
of
i\merica.
largelyused
Copper is now
for the sheathing and
bolts
as
in
Superior
Lake
reddish
lost when
parts of
of 25
pewter is made
is found
metal
Chili, South
and
tempered
was
lead
parts of
80
50
ductile.
malleable, and
Long
other
75 parts of tin.
large quantitiesaround
and
of
hard
be
can
is made
tin; type-rnetal
parts of
States
it
or
it
soft
so
forming alloyswith
in
20
it is
drawn.
or
It is also
and
ancient
the
and
shape
any
tioned
men-
immemorial
time
from
in
can
it
will find
you
if
and
known
and
in
dry
takes
on
air but
a
in moist
layer of
air it
carbonate
of
68
HANDICRAFT
All kinds
Type-metal.
"
cool after
never
lead
and
this is the
which
if you
want
the
engines and
and
they
edges of
the
so
the
is
parts
will
expand
and
and
beautifullyclear
so
cast
do
can
it melts
at
iron
an
of 80
alloymade
an
like you
it in
melt
can
and
antimony
to
As
using type-metal.
you
is
why type
reason
sharp. So
mold
when
shrink
of metals
parts of
20
BOYS
sharp.
very
type metal
Now
of
into
being run
castingsare
FOR
good job by
low
ladle
temperature
kitchen
the
over
fire.
Pewter.
tin and
used
This
"
25
for
How
to
about
come
will be
said
about
and
with
others
First
to
The
to.
make
make
first has
to
do
what
size to
when
you
a
When
Ideas.
Your
object which
sketching it
on
and
have
you
first
paper
cut
how
alloy and
so
"
know
you
there
metals
will
are
bear
with
drawing
them
nearly anything
you
and
the
and
try
themselves.
To
have
that
start
out
in mind
can
you
without
see
just
it will
look
ing
be-
finished
that
if you
to
an
again
vogue
this
propertiesof
you
Sketch
hold
house-
and
into
Now
"
things which,
Work.
the
little
much
was
chapter.
Metal
Do
tools
other
few
will
it in the next
to work
days
table-ware
it
and
More
of
all kinds
making
hope.
of 75 parts of
is made
utensils
I
alloy,which
how
disappointedboy.
you
get
an
abstract
idea
for
design or
WORKING
METAL
machine
that you
rule and
compasses,
J
penciland
and
paper
of
take
form
concrete
drawing
dimensions, of each
sizes,or
when
put in
to
is, make
that
scale
to
want
69
it out
draw
it and
mark
thing is done.
By roughly sketchingthe object,or, better,by
else
traced
having
shape
dividers
is thin
sheet
then
Should
with
it in
stencil
hold
to
How
and
wood
this
Seams
blade
just
as
and
sharp
the
an
easilypunch
it out
simply
a
you
design
open
can
metal
saw.
be
hole
saw
you
in
to
it
jeweler's
would
sharp
thick
too
small
though
with
very
scroll saw,
hack
cut
or
drill
or
may
out
have
vise.
Joints.
"
The
next
thing to
do
explained in Chapter V.
will be
in Inventing for Boys, by the
Fuller
directions
found
A. Stokes Company,
N. Y.
present author, published by Frederick
21 See
Chapter VIII.
to
make
out
saw
in
way
the
the
snipsif
your
or
you
is
After
"
thick to be sheared
hole
punch,
should
with
the metal
Making
20
in
then
can
frame
pieceof
make
terials.^'^
ma-
scribed it with
or
with
it out
do
design
with
jeweler'sor
your
to
But
cut
you
awl,
an
chisel,which
cutter's
the
out
If it is too
center
your
or
or
chisel. ^^
punch
saw
with
want
you
kind
of any
cut
enough.
it out
saw
punch
can
you
marked
on
center
your
"
otherwise
or
want
you
point of
your
Work.
Metal
Sheet
ing
mak-
accurate
anything
and
be
the
an
cold
the
it should
part just as
working
drawings
is
having
after
depend
in any
The
together.
put them
the
where
event
again
metals, but
of the
piecesmeet,
is to
this will
do
you
the thickness
largelyon
very
way
metal
pieces of
different
the
out
cut
BOYS
FOR
HANDICRAFT
70
or
seam
joint
be made.
must
soldered
riveted
or
the
is thin
If the metal
'/////////
SE/fM
C-LAP
^-GPtOOV"DSEflt1
RJVETED
"
{"" BUTT
BUTT
W-CORNER
JOINT
Fig.
or
you
the
however,
either
and
nuts
on
A
or
and
make
can
rivet
as
hutt
strong
brazing
or
the
way
is thick
bolt it
shown
scam
at
can
to
skill to
make
at
make
can
you
made
are
shown
as
SE/iM
OVERfOLD
joints
seam
together with
If,
B.
lap
seam
having
screws
C.
be
made
considerable
Another
and
folded
metal
them
seams
metal
HOW
29.
\^- C/RCULfiR
J-CIRCUUJR
SE/fM
FOLDED
\-CIRCULm
LAP
SE/IM
SCREiVED
"
PIECEDJOINT
GPOOVEDSEfiM
JOINT
BOLTED
G-BUTT
F-BOX
LAP'
BOX
JOINT
do
butt
by
hard
it takes
good job
seam
of
two
of
soldering
hot
flame
this kind.
thick sheets
METAL
of
metal
rivet
then
shown
making
sheet
be
is thin
seam
the
thick
you
can
and
form
shown
at
G,
When
or
sides
of
be made
as
both
them
as
bolted
of
edges
E
pictured at
as
or
folded
if
or
when
or
if the metal
at
the
they
together;
shown
shown
How
ends
tubes
on
seam
at
as
or
Solder
soldering metals
if you
soldered
screwed
the
screw
in
pieces
it
to
thick
pieces is
it and
metal
the
that
so
be
can
the
of
it
more
or
as
enough
other
piece
H.
lap
as
to
and
cylindersyou
shown
I,
at
circular
the
will not
After
"
you
oxidizing
must
and
to
require
Metals.
is to
use
you
Fluxes.
thread
inch
piece of
cornered
joint
one
Me
say
or
overfolded
can
circular
as
seam
K.
at
solder
are
three
thread
at
circular
seam
metal
butt
putting
a
When
joints one
drill and
the
shown
as
metals
both
over
drill and
can
then
plate on
riveted
put
can
which
make
bent
pieces of
corner
it
their
enough.
If
to
be
soldered,
grooved
you
corner
should
can
the
strip or
with
71
D.
at
In
them
lay
is to
WORKING
right kind
have
you
use
any
make
fluxes
flux, but
flux
if the
the
and
proper
trouble.
the metal
stick.
to
be
from
Different
kinds.
tinware
parts
surfaces
the
solder
different
new
and
in
secret
perfectly clean
cleaned
the
of
of
great
flux to prevent
soldering bright
them
have
have
The
"
are
use
old
powdered
then
scrape
HANDICRAFT
72
them
clean
and
solution.
chloride
well
full of
inkbottle
muriate
of
muriatic
acid and
This
it dissolve
water;
warm
ordinary
of
soldering fluid
it will rust
as
of
cent,
of
in it
lead
10
the
flux
It is
good
off from
for
for
iron
solder
To
all
or
per
cop-
and
lead, pewter
tallow, Gallipolioil
Venice
or
90
pentine.
tur-
all metals
before
clean
alloy
any
successfullyfor
be used
can
is
acid and
of muriatic
cent,
per
zinc with
solder
to
they
soldered.
are
Solders.
fluxes
so
Just
"
also do
certain
as
these
metals
soldering tinware
For
soldering lead
formed
of
pewter
which
use
fine
melts
at
is
need
part of
require given
metals
specialsolders.
fine tinner's
lead
plumber's
2
low
flows
parts of lead.
composed
For
best.
solder
temperature
made
solder
which
To
solder
a
use
is
pew-
part of bismuth.
Bolts
to
flux
For
use
make
good
quickly.
very
water.
Resin
of
clean
be used.
can
of
is
be washed
them
only kind
solution made
with
small
can
you
copper.
but it must
work
sal ammoniac
per
or
in
"
zinc
of
zinc clippingsin
by dissolvingsome
the solderingfluid add some
to make
zinc
kind
The
chloride
^inc
of
5 cents' worth
of zinc
flux
it.
to
water
use
is muriate
which
"
and
make
To
BOYS
FOR
and
Rivets.
be fixed together
Where
"
so
that
two
they
piecesof
can
metal
be taken
are
apart
WORKING
METAL
again, machine
for
down
hammered
forms
be
slippeddown
small
it
on
wood
with
bar, or
round
bent
the
over
paper
or
put
with
can
burr,
length
can
down.
be
can
metal
sheet
it into
put
shape
Metals.
cloth
emery
off the
with
on
be
sharp
part is
can
of
corner
be bent
to
thick
metal
in your
use
piece of
vise
be
bent
an
iron
pair of
sheet metal
and
pounding
hammer.
Of
"
to
rub
all the
course
with
up
surface
out
file; then
the
use
rough
emery
file marks
by polishingit
and
with
cus
cro-
cloth.
Coloring Metals.
metal
and
out
peined
pound
sheet
the
over
be smoothed
finallyfinish
^^
bend
and
of
by putting it
edge
must
in
To
pliers.
nose
Finishing Up
parts
it
small
very
flat
or
be
^/4 inch
either be
can
is called
then
"
piece
pounding
if
have
mallet.
edges of
either by
and
point spreads
the end
form
metal
iron
as
stores.
Metal.
or
wooden
The
can
hardware
Sheet
Bending
boUs,^^
or
is known
rivet
the
as
work
of
Now
it and
over
most
at
small
washer, which
Copper-rivets as
bought
them,
on
made
that
so
burr, or
nuts
useful.
found
will be
with
screws
73
"
things that
Many
greatlyimproved
3^ou
in appearance
make
by
of
ing
color-
them.
22
Machine
Luther
23
H.
Crocus
screws
and
Wightman,
is
powder
bolts
for
model
work
Boston, Mass.
made
of
iron
rust.
can
be bought
of
HANDICRAFT
74
Billing Steel.
First
"
soda.
Now
blue, in
want
to
sand
and
heat
they
2^4 drams
mix
of
in %
calcined soda
add
Brass
ounces
of
and
be
25
Giving
of
of
and
be
can
solution made
given
lows:
fol-
as
of
ounces
this solution
to
^V-idrams
tartar,
in
% pintof
of
then
sulphite
hypoit is
when
water
solution
of
ounce
an
Suspend
solution and
in the
then
Dull
Look.
mix
V^
and
sal
of
moniac
am-
the articles
on
the
all other
Ave.
and
First
"
of
ounce
in 4
paint the
it off,oil,dry and
and
Make
"
of water.
ounces
zvhite arsenic
Fourth
Color.
Green
wipe
Amend,
in
of
it takes
This
pair
them
brass
pint of water;
until
2*
want
you
piecesof
dissolved
Brass
brush
with
get
want.
thoroughly;
Use
of
clean
dry,
oil.
copper sulphate, %
greened
ounce
full of
use.
Giving
to
it is you
antimony sulphideJ^^ 2
drams
of soda
to
color
of kermes.
2^
it with
ready
the
are
by puttingthem
half
caustic
of
whatever
articles around
Polished
"
solution
or
clean
and
fire.
into clean
BillingBrass.
articles
hot
pan
over
the
drop them
fine color
iron
them
until
tweezers
in
screws,
an
moving
Keep
then
the
put
BOYS
polish the
by immersing them
them
FOR
proper
clean
iron
of
ounces
rust
and
muriatic
articles with
dull
the articles
^/4
acid.
this solution
Then
appearance.
lacquer it.
chemicals
i8th
can
be
Street, New
bought
York.
of
Eimer
and
CHAPTER
VENETIAN
IRON,
REPOUSSE,
AND
BRASS
iron
work
time
ago,
tools
few
and
ought
you
and
to
Venetian
iron
of
strips
fixing
then
and
called
this
sconces,
end
The
of
into
only
it
do
to
thin,
bending
scrolls
and
with
together
objects
such
lanterns
and
brackets
and
be
can
for
tools
a
pair
nose
2-foot
This
rule;
means
as
egg
with,
narrow
other
shapes
iron
little
clamps
boilers, candlestick
them
hang
to
graph
photo-
on,
out
with-
creations
artistic
and
helpful
made.
You
Tools
round
25
consists
need
you
it.
at
way
frames
(i)
work
them
and
long
binders.
In
few
hand
iron
do
ornamental
Italy,
materials
your
wrought
of
Venice,
to
easy
inexpensive
try
kind
in
vogue
it is
as
Work
useful
most
into
came
WORK
Iron
Bent
and
pretty
VERY
PIERCED
PEWTER
Venetian
IV
flat
inch
(4)
that
nose
inch
the
vise;
pliers
(5)
are
76
work
pliers ;2^
pliers; (3)
a
will
You
"
iron
Venetian
making
of
Have.
Must
and
(2)
inches
of
very
these
a
are
pair
of
four-fold,
box-wood
pair
need
tinner's
long.
snips
VENETIAN
and
(6)
The
You
Materials
Need.
The
"
are
stripsfor
The
largest.
all
designs except
stripiron
pricesrange
be
can
from
16 cents
to
% inch.
in coils of
comes
^^
bought
%6 and
the
use
of
is made
work
this
inch wide
the
which
in four different
In
all of
Fig. 2y,
in
shown
77
rivetinghammer,
small
IRON
25 cents
50
a
feet and
coil.
BINDERS
COIL OF WROUGHT
IRON
Fig.
Then
are
in
STRIP
MATERIALS
30.
you
of lead
will
need
hundred.
wire
scrolls and
FOR
VENETIAN
package
Complete*
Also
g^i
for with
these you
circles you
intend
straightenthem
26
NEED
YOU
of
10
LE/JD
FOR
MEJ^
out
and
IRON
WORK
hinders
bent
and
these
"
as
shown
about
cost
make
of
accuratelymeasure
WIRE
SORING
iron, then
off
bent
the
iron
Co., Fourth
iron
of
length
BOYS
FOR
HANDICRAFT
78
need.
you
They
cost
cents
strip.
What
first
The
thing
object you
How
to
work
start
with
straightlines.
then
31,
strips
latter
the
and
"
Now
measure
an
forms
the frame.
extra
stripsare
to
the
to
bend
the curved
Lap
side V2
it with
there
that
and
cut
off three
in
Fig.
side
in-
the
and
frame
exactly how
sharp
the ends
of
two
are
end
rest
the
and
frame
place where
Fix
and
corners
pointswhere
flat nose
pliers
off the
your
your
round
pliers
nose
of the
the
your
on
hammer
up.
of the
beyond the
use
and
iron
the
mark
and
bent
will look
if you
stripsof
lapping
done
pliersand
your
one
for
inch, fasten
an
tighten it
Now
and
chieflyof
shown
as
out
be
bend
handle.
it
the
measure
This
to
that
of
find
inch
allow
will
good piece
be.
should
the
it is formed
will observe
you
"
is
This
plan
the
of paper
iron.
because
a
and
tools
your
sheet
on
of bent
Draw
"
get
Toaster.-"
Simple Design.
you
draw
to
Make
to
after
make
to
are
Making
"
do
to
together is
materials
of
First.
Do
to
again
at
Fig. 31,
will
this end
sets
it is shown
so
in the handle
binder
on
see
and
of it and
you
of
each
that the
stripwith
rough
ends
binders
will be
VENETIAN
the
inside,file down
with
over
with
or
Wo
Nang
Fong
then
present it to Pietro
whoever
or
oil,polish it off
sweet
some
all
toaster
until it is nice
cloth
fine emery
it with
smooth, rub
and
79
piece of
IRON
it is that
Hilda
or
presidesover
the kitchen.
Fig. 31.
How
to
Make
toaster
you
are
little harder
of work
The
matter
three
is
an
USEFUL
ready
egg
picture may
to
to
Having
hand
design
for
the
made
something
at
piece
next
your
boiler.
look
parts
toaster
"
try your
^ood
iron
Boiler.
Egg
an
and
bent
the egg
boiler and
(c)
these
the
There
are
(a)
handle.
are
as
only
the egg
Each
of
HANDICRAFT
8o
four
the
FOR
holders
egg
is formed
iron
it;lap the
and
ends
that
so
put
on
BOYS
of
an
egg
binder
stripof
will slipthrough
to hold the joint
ring
or
tight.
Mark,
34
bend
an
then
and
off and
cut
bend
the
half
ovals
stripsto
Fig. 32.
HOW
to
This
ring
and
hold
them
is shown
Each
to
the
binder
at
and
B.
them
press
in
at A
the ends
place.
which
on
fit the
make
hard
The
an
way
rests
egg
of
the
egg.
boiler
half
each
stripsover
the
shape
egg
an
of
down
of two
oval
over
the
with
your
pliersto
egg
holder
is made
in
Fig. 32.
and pressed on
leg is a short stripbent over
rigidby putting a
top of the ring. It is made
on
it and
To
make
bend
to
the
one
of
handle
the
take
half
a
ovals
piece of
at C ; then
as
shown
lead
wire
straighten
VENETIAN
it out
and
Bend
the
with
that
off
ends
of
round
your
and
the
press
polishthe
egg
the
length.
same
and
shape
it up
phers.
four
furthest
are
stripof iron of
it over
/4 an inch
nose
join the
Now
loop
cut
81
IRON
ends
apart
as
boiler and
of
the
shown
handle
File,rub
at B.
give it
to
the
to
on
the
chef
rings
up and
with
your
compliments.
How
to
this
make
Ys
drill, a
which
Make
plate holder
inch
twist
described
are
Venetian
in
Plate
will have
you
drill, and
Chapter
add
to
center
III
Holder.
"
to
To
"
hand
punch
your
"
list of
tools.
Fig.
The
the
egg
33.
AN
plateholder
boiler
but
ARTISTIC
VENETIAN
is of
more
as
you
PLATE
HOLDER
simple construction
have
emerged
from
than
the
"
82
HANDICRAFT
to
depend
design
the
on
the
Find
cut
Fig.
the
ring and
Now
use
of
allow
drill %
for the
it and
on
to do
legs as shov^n
in
very
Fig. 33,
off
of
the
plate
legs with
the
paper
the
34.
find the
Likewise
will have
you
four
diameter
length of
and
measure
of
BOYS
ring.
the
Drav^
dining-room
It consists
job.
riveted
FOR
your
stripsof
SCONCE
for
it is to
lead
iron
v\^ill
this
hold.
wire
and
accordingly.
candle
inch
legs,half
drill four
inch
holes
way
holes
or
over
in each
between
in the
for the
lap joint.
stripyou
intend
to
bottom
ring at equi-distant
HANDICRAFT
84
with
on
neither air
and
black
word
and
When
form
to
means
in
when
relief
sheet
on
to
The
has
one
like
end,
Then
HOW
35.
number
tools
repousse
is
as
30
serve
of
work
hold
blunt
shown
at
the
well.
For
which
in
repousse
rounded
other
Fig. 35.
hammer
chisels and
B, Fig. 35,
markers
are
These
design in the sheet metal.
cents
apiece and a set of eight or
you
portant
it is im-
but
jeweler^shammer
it is shown
to
of
it flat and
of
the
emboss
will
face
or
use
rightkind.
peininghammer;
Fig.
about
this kind
hammer
repousse
to
want
you
"
for
the
use
word
producing designs in
by hammering it on the back.
Very few
Repousse Work.
for
needed
are
spoilit.
of
process
metal
Needed
Tools
tools
the
mean
you
will
dead
be
re-poo'-say) is a French
and repousage (prorelief,
nounced
the
re-poo'-sazh)is
put it
Work
Repousse
(pronounced
it will
dry
moisture
nor
Doing
Repousse
BOYS
turpentineand
it with
brush.
soft
thin
thick
If it is too
FOR
called
needed
to
tools cost
ten
tools
REPOUSSE
boxwood
punches
always
35B.
How
PUNCH
to
32
and
pewter
To
metal
28
or
Brown
Can
of the
be
how
and
steel
punches
are
r\
r\
"
for
repousse
The
kind
is cold-rolled
hold
to
Sharp
work
wooden
sheet
repousse
gauge,
and
ready
block
bought of
Frost
designs
but
work
of
metal
copper
''^^
punch
brass, aluminum
also be hammered.
can
get the
to
but
Work.
work
to
Fig. 35c.
No.
punch
and
Prepare the
is easiest
that
used
^^
mmD
Fig.
be
can
85
used
.^
WORK
with
the
cement
piece of
made
Patterson
Adams
fasten
as
sheet
folYork,
melt
lows:
stir in
skillet,and
or
until they
paris,^^
ful
in a tablespoon
Take
board
it is stillhot
down
hard
cemented
and
while
the cement
Pour
press
it will be
Design.
the
of
sheet
the
on
it
firmly
it.
to
Tracing
design
so
the board
on
12
by nailinga strip
inch higher
that it is %
an
tray of
of the board.
on
and
wide
inches
thick, lo
inch
it
the surface
than
which
resin
of
and
tallow
stick better.
make
around
wood
of
of
each
long and
inches
are
the cement
will make
of
pound
BOYS
FOR
HANDICRAFT
86
by
means
pencilor
can
begin to trace
straightand curved
the
you
paper
the
drawn
have
you
either
metal
transfer
of
After
"
with
edge chisels.
hold
To
right,grip it between
finger,let
index
and
chisel
at
laying on
it
sheet
gentle taps
2"
you
This
it
hold
the
tool
on
the
sheet of metal
your
third,
or
shown
as
or
but
at
in
the
the
fine
rate
the
of
about
can
be
not
strike
through the
succession of light,
go
clear
100
plaster and
Do
Fig. 35.
punch may
instead give it
will make
is very
at
is
by the end
shown
as
and
and
of
of the hammer
handle
you
metal
medius, fingerlie
or
Fig. 35.
The
and
next,
your
thumb
your
minute
or
even.
bought of
any
dentist.
so
REPOUSSE
over
enough
Then
or
the other
Now
hammer
the
relief
of the
or
punches
numerous
the
the
plate
when
and
it is hot
use
boxwood
your
the
other
or
copper,
matt
can
you
traced
side down.
and
punches
have
chisels hold
flame
it to the block
cement
87
you
the
Bunsen
take
can
you
After
"
design with
alcohol
an
bold
the
of
outline
Work.
the
Bossing
WORK
shown
metal, into
with
ground
steel
or
one
any
B.
at
ThERlNGFOR
TH^ CmOLE
C/?NDLEST/C/(
THE
THE
DESIGN
ON
WHENDONE
THEMET/^L
Fig.
How
36.
Make
to
Flat
for you
simple,artistic
once
make
it,cut
draw
making
out
spiderand
a
Punch
bodies
REPOUSSE
bee-line
the
Candlestick.
to
start
more
6%
his web
for
insects
it
as
with
with
and
shown
is
because
less useful.
inches
poor
at
This
"
with
or
sheet of brass
the 'outline
of
and
candlestick
square
little flyor
in
your
chisels
your
molding
it is
To
and
two
Fig. 36.
and
raise
tools.
the
The
HANDICRAFT
88
ground
left flat
be
can
When
marker.
is 5 inches
4%
cut
then
rivet it to
groove
cut
in
corner
brass
the tongues
then
and
all
How
frame
to
Make
the back
of
with
over
with
get it,or
Photo
it
cut
be
can
other
kind
of
you
of this
front
silver
German
sheet of
liard
bil-
C.
complete at
made
polish
green
or
over.
brass
The
cut
it,slip
on
piece of
"
circle in
them
any
Frame.
out
long and
some
of brass, copper
be made
can
bend
It is shown
at hand.
have
and
can
candle
bottom
the
cover
sheet.
Scribe
B.
at
and
by hammering
wood; bend it and
3 inches
and
shown
of
cloth if you
may
that it
so
up
it
the
holds
high
as
through
of
of the brass
the candlestick
Rub
scallop
% inch wide
brass
of hard
block
inch
of the sheet
corner
them
bend
middle
ring which
the
make
three tongues
out
done
bossing
stripof
raise the
long;
it in
stripof
the
square.
inches
To
put it in with
can
you
snips and
your
the handle
For
or
have
you
edges with
the
BOYS
FOR
tin
or
brass.
You
and
with
round
or
fancy. Suppose
inches and
A
in
surface
the oval
Fig. 37.
the
make
opening 3%
Draw
of the metal
and
size you
want
them
work
or
of
5 inches
the
it into
trim
as
it 7x9
shown
design
you
to
at
the
I have
shape as
the metal
until after
square
or
in it to suit your
outside
transfer
or
previouslydescribed.
Do
not
cut the opening
the
opening
oval
an
you
round, oblong
frame
the
make
can
sheet to
have
ham-
REPOUSSE
mered
it
this draws
as
the
finished
front
brass, 5 inches
the
as
of
edge
shown
at
Solder
the
solder
and
end
for
6 inches
both
and
After
out.
back
89
of
it of
have
you
sheet
long, and
tin
bend
edges %
the side
or
over
inch
B.
edges
stay,
the metal
make
wide
one
WORK
the back
to
stand
or
of the
the back
on
frame
of
and
it.
This
then
com-
SOLDER
TO
THE:
B/fCK
OFTH"\
FRONT
THE
H/JMM"R"P
THE
FRONT
Fig.
in it between
them
To
clean
and
stone
red
with
of
with
alcohol
the
stone
with
work
and
slipped
on
which
German
and
mix
soft flannel
rub
metals
machine
some
a
be
can
the back.
of these
then
rouge.
frame
photograph
and
any
pad made
polishwipe
and
photo
OF
FR/^ME
rotten
a
the
front
clean
with
repousse
and
To
"
dampened
some
2)7'
the
Cleaning
Silver.
THE
frame
pletesthe
B/?CK
some
oil and
dered
powrub
rag.
and
a
oil
perfectly
chamois
you
have
skin
put
HANDICRAFT
90
Frosting, Coloring
will
in
find
recipes for
Lacquering
finishingarticles
Pierced
is
metal
art
make
The
are
by all odds
work
and
little and
very
Metal
the
in these
styles
won't
you
Do
to
few
need
THd
is
work
practiceto
any
materials
The
include
and
all
but
cost
reallypretty.
It With."
indeed
easiest of
simplest and
the finished
Outfit
very
You
"
Work
Metals,
and
III.
Chapter
This
BOYS
FOR
These
Tools."
(i)
pear-shaped
M/JLLET
c
/? TR/^CJNG
POINT
MODELING
TOOL
38A.
T/iCK
z:^^
b-
Fig.
THUMB
"
MODELING
TOOL
STIPPLING
/JWL
THE
TOOLS
YOU
NEED
S
FOR
n
PIERCED
BRASS
WORK
mallet
of
and
for
(5)
Fig. 38.
You
sheet
metal
or
(a)
sheet
are
of
impression paper;
shown
at
designs; (b)
(c)
dozen
in
or
HANDICRAFT
92
FOR
then
transfer
and
them
cut
yourself.
out
outfit for
An
as
BOYS
60
little as
brass
or
them
for
and
cents
for
bought
of
number
buy
the
designs stamped
of
or
be
can
can
with
each,
cents
25
you
cutouts
copper
work
any
German
silver
on
for
50
each.
cents
How
lay
pierced brass
to
the
Do
sheet
the
The
"
with
metal
of
board
drawing
Work.
thing to
design on it
the
fasten
and
first
there
it
is to
do
on
with
your
thumb
tacks.
with
Now
YiQ inch
about
The
that
all
small
and
leaves
but
over
are
the
modeling
after
is then
background
have
you
shape
up
and
at
all there
is to
the actual
you
have
After
this
the leaves
the vein
on
awl,
look.
in the
to
done
the
hard
the
sign.
de-
use
larger
whatever
or
the
be.
may
do
the
prettierit will
tool
of
stippled with
not
To
little holes
punch
is, dotted
Use
stipplingawl
your
this
the
same
made
time
hand
and
force
ease
of
work
the
your
up
and
it.
on
This
is
piercingbrass.
cheese
then
it
it in toward
design take
of
press
brass
some
cloth
and
polishit with
rub
clean
cloth.
Since
work
the
is very
brass
or
thin you
other
metal
will have
to
for
back
pierced
it up
brass
with thin
WORK
PEWTER
shades
be used
is shown
one
a
for
at
a
and
toast
Venetian
^6 is
they
as
bent
shown
at
and
other
design
are.
93
for
candle
panel that
iron
be
can
hanger
hung
which
articles
small
at
shade
C, while
on
I described
on
page
D.
.1
/6
"sr
Fig.
380.
Casting
Since
BRASS
PIERCED
and
Working
fascinatingprocess
and
SIGN
Pewter
excepting tin
TOAST
you
to
melt
But
"
can
do
and
them
lead
unless
have
you
castingmetals is
it by melting 25
HANDICRAFT
94
75 parts of tin
alloycalled pewter.
This
alloy is as old
eleven
centuries
home
in every
Then
German
right,for
hausen, Germany,
formed
of
or
tion
inven-
19th
nearly
tury
cen-
every
of
those
but
it
nickel,zinc and
is
all for
it is
entirelyout
went
copper,
Hildburg-
at
silver at
it is not
tin,
silver,which
first made
was
alloys
of
is formed
German
and
ing
for mak-
cheap processes
use.
there is
But
dignityand
of the other
none
revived
made
to
How
of
metals
common
these
to
Make
Pewter.
have
You
can
you
live at
able
to
get the
"
do
you
have
ladle, see
Fig.
39,
over
Foil
at
easily
not
may
be
however, get
Company,
521
75 cents
any
wherever
town
you
at
of
can
you
can,
be
being
now
know
but
home
it may
glory.
not
it
When
are
and
efforts
for
days
produce it again in
one
an
ten
of
the
in
metal, which
antimony,
all
for
age
of
used
were
glass and
britannia
and
copper
golden
forms
civilized country.
pottery and
as
hills and
beginning
the invention
came
known
the
say
utensils
pewter
"
the
BOYS
togetherwhich
the
as
before
is to
that
"
of
FOR
pound.
the lead in
kitchen
fire and
PEWTER
skim
off the
come
to
both
thus
formed, which
with
sweet
well
other
is softer
and
into any
shape.
soldered
of
lead,
that is at
to
31
it
solder
and
it
Cast
203
Pewter.
is
cast
the
Paris
making
Bismuth
be
can
tallow, Gallipolioil
melts
of 9
it
be hammered
can
tin and
at
worked
because
or
is made
parts of
his-
degrees Fahrenheit,
than
that at
in which
pewter
degrees less
The
"
way
by making molds
metal
into
them.
of
iron
But
is
can
you
and
do
using
molds.
any
a
brass
and
plasterof
In
be
can
boils.
pouring
very
Pewter
presentlysee
of
make
PEWTER
part of
temperature
water
is usually
and
flux
is oiled
so
turpentineand pewterer'ssolder,which
This
How
MELTING
"
alloy
want.
will
you
by using
muth.^^
which
as
that
pan
you
ductile,hence
more
part of
malleable
be cast
can
FOR
Pewter.
the
pour
stickingand
thickness
LADLE
Working
like any
Venice
IRON
39.
then
and
Fig.
After
is pewter, in
sheets of it of whatever
It
then
stir them
melted
About
95
the
are
WORK
kind
reddish
of
white
castingsyou
metal.
need
flask,
HANDICRAFT
96
that
is
Fig.
40;
wooden
the
the bottom
these
bottom
the
mold
the
of
frame
pins
is made
in
the
they
is called
that
cope
the
they keep
taken
when
the
in holes
set
together
be
can
in
in
it is called.
as
holes
flask
then
and
pins
the
shown
halves, as
flask
drag,
or
set
parts of
pattern removed
in
made
fitted with
be
of the
When
and
frame
top half
this must
and
BOYS
FOR
they
after
that
so
top
the
and
apart
put together
are
P/fTTERN
i^PLMTER
Fig.
couple
are
you
The
inches
going
metal
the
of
of coats
^~
make
This
it
inches
made
top and
Necessary.
wood
pewter, provided it is
it nice
be
to
is
larger
the
all
size
and
of shellac
be
and
round
of
the
You
"
anything
not
too
smooth
varnish.
you
can
pattern
want
cast
to
intricate,and
after
all
it
over
give
turn
or
saw
in
papering
sand-
couple
^^
at paint stores
bought already made
shellac
in alcohol.
yellow
by dissolving some
can
of
halves
bottom
be
cast.
to
of
out
casting
pewter
deeper than
Patterns
carve
or
couple
of
the
Make
even.
flask
HOW
40.
or
you
can
WORK
PEWTER
idea
If it is your
can
ordinary china
use
they
mold
all
with
any
with
over
kind
you
patterns, provided
your
handles, but
of
of pewter
before
making
oil, using
it will not
brush
for
then
stick and
the
pose,
purdraw
can
you
easily.
the
Making
Mold.
lower
half
dental
plasterof
thick
of
the
batter
as
take
Then
nearly
brush
is even,
the cope
one
the
have
you
it down
press
into
made
the
top edge of
until the
and
Your
or
plaster
the
tern
patthat
plasteris hard,
do
the
inclined
Drill
fit the
pewter.
to
V^ inch
cope
to
When
must
plasterget
without
lift the
the
top of both
it off
put
on
with
even
hard.
cope
trouble
Now
tern
pat-
flush,
about
come
plaster,smooth
is to
move
from
pattern
the
over
let the
can
you
the
fill it with
next
which
oil
plasterwhich
with
seems
it is
with
even
sweet
the hard
and
the
it.
night.
is,over
that
as
the
and
table; mix
until it is about
water
drag with
fillthe
until it is
or
the
is
that
drag,
board
with
pattern, whether
your
china
Paris
the
Lay
"
flask,on
and
Just before
for
dishes
without
sweet
that
so
it
are
table-ware
make
to
97
from
and
the
then
a
drag
lift the
knife
if it
stick.
hole
the
it is cold
take
the
flask
apart, take
HANDICRAFT
98
the
casting out
have
be
make
piece;now
it has
cooled
which
them
cast
spoilit
if you
even
it hollow.
Some
vessels
solder
are
to
was
when
pewter and
layer turn
the
metal
out
melted
If
it
though
solid
let the
separatelyand
of the vessel.
just as
form
to
and
leave
it
in the melted
pour
down
other hollow
or
for
enough
upside
will
mold
solid
mold
don't
gently and
cups, tankards
cast
BOYS
the mold.
to break
Where
FOR
handles
them
needed
are
the
to
on
finished pewter
run
body
is shown
ware
C.
at
Fig. 40c.
HOME
MADE
PEWTER
Plates
Finishing the Ware.
scraped with a steel scraper and
and
"
and
smooth
rub
whiting,but
If
you
put your
do
have
cups
them
not
a
and
with
polishthem.
turning lathe
other
round
WARE
the
like
when
rag
of
they
dipped in
any
kind
objectsin
can
are
be
nice
oil and
you
it and
can
turn
HANDICRAFT
lOO
enough
do
to
4%
is
B,
the
hand
tool in the
is shown
the
with
flat side
cut
knob
The
the
it which
shown
palm
of
keeps
the
hold
to
w^ay
shaped
as
away
gripped in
against
engraved
is very
of
with
described, but
to
HOW
41C.
Engrave
to
length,that
same
graver
C.
Fig.
How
been
be
can
the
fitted with
are
has
rightposition.
at
different
The
with.
Fig. 41.
they
BOYS
work
about
are
gravers
third of which
so
wood
in
at
5 inches, and
or
handles
at
the
of
ordinary
shown
shapes are
All
all
FOR
Metal.
on
Burgundy
if it is
"
it should
small
the
hold
graver
If the
be
fixed
object to
to
pitch compound
large object
it need
be
block
above
be
not
mounted.
either
In
thick
leather
to
work
any
to
be
case
an
pad
rest
engraving pad,
filled with
the
work
easilyturned
angle while
it is
sand, is
on
in any
that
a
because
round,
very
great
it
permits
direction
being engraved.
is, a
and
heM
venience
con-
the
at
WORK
PEWTER
Fig.
Rolled
and
it
you
sheet copper
trace
can
by dabbing
metal
34
surface
You
can
use
together
Canada
balsam
cake
of
then
dab
ENGRAVING
AN
4ID.
Chinese
it
on
is
the
thin
with
film
but
of
OF
SHEET
good
design
your
beeswax
ON
101
COPPER
metal
to
practiceon
want
to
engrave
you
^^
engraver's wax
then
fingerand
it is better
to
make
on
on
the
sketching the
a
wax
ing
by melt-
of beeswax,
of tallow, i part of
parts
3 parts
and
of olive oil. Or you
buy a small
i part
can
finger, rub it on the white and
white, wet your
the metal
surface.
HANDICRAFT
102
outline
with
shov^n
sharp
at
bone
point.
in
Fig.
FOR
stylus,
An
41.
that
example
BOYS
is
piece
of
art
of
bone
engraving
ing
havis
CHAPTER
DRAWING
SIMPLY
EXPLAINED
Free-hand
A
made
PICTURE
of
aid
the
the
by
rule
Drawing
and
hand
and
is
compass
without
and
eye
called
free-hand
drawing.
able
be
To
nicest
accomplishments
the
sketch
can
and,
ink
to
are,
my
photographs
Talent
natural
born
to
by
chances
you
have
you
be
can
or
have
surprised
draw.
Pictures
the
only
you
not
if you
to
find
rules
what
as
have
follow
this
really
learn
then
little
in
might
ever
can
entirely
be
and
will
down
and
pen
you
to
they
way
have
are
written
what
seem
certain
following
the
instructions
will
and
or
fellows
are
others
remember;
done.
Some
and
you
interesting
as
well
are
"
sketching
talent
is
sketch
whether
they
artists, while
this
Now
thinking, just
then
to
pencil
the
of
one
for
want
with
Practice.
for
and
made
provided
versus
have
can
see
you
of
way
bent
minus
things
is
drawing
you
sketches
further,
call
free-hand
do
to
ticing.
prac-
talent
the
simple
chapter
clever
but
you
pictures
"
for
You
to
Draw.
103
"
There
are
two
kinds
HANDICRAFT
104
sketches
of free-hand
lifemodels
of
and
for
(2)
and
furniture
FOR
able
to
inanimate
Simple
to make
consist
horse
Sketches.
in
and
beast
As
"
will
you
will be
tates.
dic-
fancy
by
see
of the
of
ning
by begin-
and
merely straightlines
of
(i)
are
simple drawings
Line
and
at
these
ancestor
savage
least
at
and
of still life,
ers,
that is, fruit,flow-
first how
your
do
to
you
livingfigures includingman
where
BOYS
ing
lookand
man
but you
will also
B
Fig.
observe
42.
SIMPLE
LINE
DRAWING
looks like
that A
OF
AND
HORSE
the action is
because
boxer
MAN
there.
This
is because
note
the exact
and
body
The
keynote
to
draw
as
it
The
when
I sketched
positionof the
they appeared
as
in
it,not
sketching
as
you
it I
boxer's
at
careful
was
head,
that
arms,
given
figure in action
wish
or
believe it
legs
moment.
is
to
to
always
look
but
actuallyis.
line sketches
and
only
look
as
like
man
landing
stretch
right,and
they
as
EXPLAINED
SIMPLY
DRAWING
horse
because
do
coming
with
the
other, and
each
positions. The
proportion is always
become
way
to
of
to
notice
Outline
Sketching Simple
sketch
FlG.
43.
in
them
and
at
To
then
and
the
when
in the
good judge
sizes of
the relative
them
actually needed
When
"
UF
then
can
you
draw
outline
straightlines
sketches
show
draw
much
more
AND
you
and
men
BOXiiii
you
to
will
straight line
around
ani-
JdUKSE
RACE
outlines
around
realistic as
shown
if you
see
give the
want
first and
sketch
it, when
to.
can
you
In
these
rub
line
out-
that
the
erly
prop-
Fig. 43.
this
draw
DKAWiiNG
make
in
do
the
out
OUTU.NE
action
so
are
set
are
Figures.
straightline figuresto
SIMPLE
mals
home
draw.
things you
can
the
right length
(b) they
correct
the
down
proportioned,that is, of
compared
105
used.
Figure.
"
If you
io6
when
will remember
that
form
human
torso
or
proper,
Fig.
the
44A.
measured
if you
How
natural
to
will look
to
Draw
figure from
whole
are
THE
long
as
PROPORTIONS
be
the
pictureof
arms
legs should
drawing
inside
at A
in
of
looking faces
the
the
Fig. 44,
Faces.
"
if you
THE
OF
times
You
the
as
neck
as
body,
length
you
can
as
toe
the
that
and
BODY
will
you
see
it in proportion.
easilydraw
a
head
the
of
will have
the
body
long as
HUMAN
crotch,
to
that the
as
as
are
you
the
7 times
be
should
BOYS
FOR
HANDICRAFT
fairly
number
of
io8
HANDICRAFT
less hard
or
Hke
quite easy
before
or
tions and
your
eye
a
hand
and
pair of
means.
a
then
set
up
it
draw
purely
choice
mechanical
and
as
in
do
sheet of paper
OF
VIEW
on
your
THE
but
it
use
degenerates
take
can
you
you
way
The
"
if you
FACE
paper,
process;
Perspective.
manner
measure
it whichever
do
to.
want
perspective
perspectiveis what
drawing of an object or a view on
in
drawing
To
them
it is art, but
to
PROFILE
in this
drawing
alone
dividers
then mark
Drawing
about
object itself
and
it is
but
memory
the
after
creditable
FlG. 44c.
into
have
pattern
do
can
your
rule
from
it.
If you
with
them
if you
so
to
you
see
you
do
to
objectswith anything
inanimate
portrayal of
true
sketch
to
BOYS
FOR
as
it appears
to
must
draw
it in
perspective.
when
As an
illustration,
you
look
down
railroad
SIMPLY
DRAWING
track
will
you
at
your
to
that the
see
feet, but
the
in
then
point and
at
So
a
they
apart
to
seem
larger than
look
the other
at
the top of
the
edge b^
look
you
longer than
seem
the eye,
from
away
distance
far
very
come
for
when
they
distance.
too, when
will
rails look
109
EXPLAINED
the
and
edges would
lines
if
meet
which
they
the
edge
is farther
d which
and
box
form
projected as
were
POINT
Fig. 45A.
POINTS
VANISHING
THE
by the dotted
shown
thing
same
is true
lines at
for
OF
PERSPECTIVE
in
front
the
DRAWING
Fig. 45,
the
and
the
and
side of the
box.
Vanishing Point.
The
or
any
if you
and
as
draw
them
of
out
far
as
the top of
B ; then
arm's
tilt the
and
meet
vanish,
then
vanishing point.
vanishing point
yourself at
at
enough
box
draw
find the
shown
you
object,such
front
when
other
hence
To
So
"
of
surface
the
box, hold
of
an
pencilout
length and
shut
penciluntil
it follows
one
in
eye,
the
eye
seemed
as
line
it,when
vanishing point.
draw;
the
line
now
of
open
the
your
box
that
with
same
in
draw
can
this is the
and
the
now
angle
line and
the other
two
You
this slant, or
at
paper
the
do
the
to
straightis reallyslanting.
your
on
it is called,and
draw
that
see
be
at first to
Draw
going
are
will
you
BOYS
FOR
HANDICRAFT
110
and
front
back
POINT
\t/lNlSHINC
SOLID P"NC/L
PENCIL
FIRST
WW
SHOWS
FROM
IS TURN5D
WITH
T(;)3EP/IR/ILLEL
OF
EDGE
BOOH-
\
^DOTTEDUNES
INDICFITE
FIRST
ITION
PENCIL
WHEHREPE/ITEP
OF
IN
POSIT/ON
HORIZONT/IL
POS
TOEDGSOFdOOK
THt
P5NC/L
WILL dE SEEN
TO THE
TO CONViRGE
V/iWISHING
POINT
Fig. 45B.
Houses
how
to
find
all other
and
art
sizes
the
of
which
But
drawn
A
barn
is sacrificed
object
is called
are
to
certain
for the
an
isometric
conform
kinds
sake
drawn
to
of
of
with
the
first
mechanical
showing
the
abnormal
picture results
perspective.
houses
with
an
and
point
objectsshould be
vanishing
the
drawn
and
all other
in this way
is shown
at
C, and
you
DRAWING
will
SIMPLY
that
see
the lines
roof
the
forming it
EXPLAINED
iii
looks
to
run
since
perfectlynatural
vanishingpoints.
,s^^
.?o'
/
.i^
^-9,
^^^%-"SH H
'"^---"Ilj'""-
Fig. 45c.
How
from
drawing
POINTS
VANISHING
THE
an
see
seems
do
you
that
the
white,
or
light
high
it
on
fall it is dark.
not
To
it
USE
TO
When
"
PUT
Drawing.
object you will
Shade
to
1 H
shade
drawing
your
that
so
it will
show
the
where
show
begins,but
light leaves
the
make
must
you
shown
as
them
these
now
are
we
not
from, hence
When
anything
most
of
to
come
intended
they
are
drawings
or
gradually one
Fig. 45.
of another
kind
"boys,and
wood
merge
shadow
Drawings
Working
And
in
at
the
off and
many
metal
men,
want
to
and
work
make
their
forthwith
tools
course
Now
crochet
to
your
mind's
and
(3) build
eye,
(2)
material
instruments,
or
called, consist
plan
RULING
as
the
scale,
to
pictureis
figure
it; see
for
one
Have.
they
as
part of
commonly
are
(i )
Drawing
"
one
or
more
pairs of compasses
more
or
know
it is done.
Should
most
paper
will need
you
draiving tools
the
on
you
it in
see
You
for
(i )
will be able to
you
just rightwhen
Tools
Drawing
the
this way
various
the
exactly how
it out
unless
"
is to
"
draw
from
it up
much
just how
then
article
an
of
and
wdlly-nilly
it out
sweater
By working
called.
out
whack
and
going
are
BOYS
FOR
HANDICRAFT
112
PEN
LBWS/NBOX
LENGTHENING
B/JR
PEN
FOR
COMP/I5S
BOW
PEN
DIVIDERS
PENCIL
COMPASS
Fig.
with
and
pen
pens.
46.
you
DRAWING
TOOLS
pencilpoints,and
of
One
THE
to
will
each
of
begin
with.
need
(4)
YOU
(3)
the
IN COMPASS
NEED
one
or
above
A
cheap
rule, or
ing
rid-
more
be
tools
will
set
is shown
scale
as
it is
called; (5)
long; (7)
(9)
30
square
degree triangle 5
inches
these
what
they
of which
free ends
off and
The
end
inches.
is used
pencilor
Not
like the
draw
to
34
dividers,but
is formed
is
only
or
of
two
bowed
steel blades
that
they
make
so
lines of
different
ruling pen
with
This
Koh-i-noor
3"
Get
3'^
This
rubbing
or
Faber's
is
up
forced
varying
from
it is thicker
pen
semi-circle of brass
be
can
is used
the
to
edge of
square,
protractor is
^^
circles,
in ink.
Get
one
and
an
rule
take,
to
curves
writing pen
used
distances.
made
are
tool
ruling pen
widths.
how
pointed;they are
subdivide
it; this
make
let's
now
for and
things are
tool
adjustment so
having a screw
together or drawn
apart and
than
And
needle
either with
A
lead
has
into
inches;
10x12
(HHH)
other
is
are
compasses
either
long; (8)
used.
are
mark
inches
20
pencils,"^^
;^^ (11) a bottle of Higfew thumb
tacks, and (13) a
hard
tools and
pair of dividers
less than
not
113
protractor; (6)
some
EXPLAINED
SIMPLY
DRAWING
fed
Venus
with
medium
or
pencils
are
good
ones.
rubber
prepared
stick India
Van
India
ink
ink
with
or
of German
smooth
surface.
Dyke.
but
water.
you
can
make
your
own
by
114
HANDICRAFT
silver and
it is divided
half
of
You
can
circle and
buy
of
of
one
you
"
the
lines
Fig. 47.
The
SQUARE
in
it is
circle.
protractor and
laying it
numbered
are
of
from
of the
on
to
TRIANGLE
AND
is laid
square
thick
since
"
any
180
of the
the horizontal
THE
drawing
thin
of your
they
"
degrees
360 degrees
are
rule is from
short
the
i8o
BOYS
quarter.
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straightedge
into
there
for
one
FOR
with
piece,against
board
pieceflat on
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and
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the
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left hand
edge
across
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of
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the
long
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Simple
kinds
and
of
square
as
shown
Working
in
Fig. 47.
Drawings.
working drawings
these are,
"
that
There
will be
(pronounced i-so-mef-ric)drazvingsand
both of these quite easy to do.
two
are
of
use
to
you
(2) isometric
you
will find
HANDICRAFT
ii6
make
if you
box
picture shown
like the
Fig.
48D.
Isometric
THE
BOX
caption of Drawing
engineers
do
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kind
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lines to
or
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drawn
told
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isometric
are
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see
true
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call isometric
they
object
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do
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of perspective
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and
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"
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perspectiveis purely
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make
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at
drawings
perspective,that
out
in wood
thickness, and
and
PerspectiveDrawings.
drawings
but
BOYS
lengthy breadth
mensions, namely
that
FOR
you
exactly how
the
still draw
can
the
you
finished
object
will look.
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make
drawmg
of
this kind
draw
line
on
sheet
of
paper
near
the
ends
from
Hnes
where
they
meet
there
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isometric
and
four
are
Keuffel
This
best
the
which
for
lines
cents
15
of
or
City.
York
Street, New
buy
to
materials
drawing
in
(i)
this paper
buy
can
get the
can
are
on
them
49.
you
these
degree
30
through
Fig.
by which
and
117
two
line
in
at
ways
dealer
any
and
vertical
paper
on
and
ruled
quire of
bottom
shown
are
a
the
as
degree lines
30
EXPLAINED
SIMPLY
DRAWING
way.
90'
leo
Fig.
49A.
HOW
(2) Take
wide
from
and
and
lines
sheet
to
corner
draw
horizontal
drawing
draw
that
the
lines will be
(3) By laying a
and
and
so
near
30
line
drawings
paper
vertical line
line
horizontal
isometric
white
long
corner
for
of
inches
10
other, than
a
the
two
they
through
the
diagonal
will
each
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the middle
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lines
and
diagonal
degrees apart.
degree triangleon
along
made
bottom.
30
are
30
your
degree
side
square
of
it
as
ii8
HANDICRAFT
in
shown
lines with
board
horizontal
the
rule
30
draw
with
the paper
Slide
the
mark
degree
30
and
bottom
of
exactly on
the
line.
paper
drawing
the
degree diagonal
sheet
your
and
the
near
draw
line
that
so
of the paper.
do
the
lines
on
drawing
your
isometric
of
sheet
to
line
then
and
protractor
Having, now,
are
ready
you
on
paper
the middle
is to
one
cross
through
square
near
another
board, draw
it will
your
Fig. 49B.
of
horizontal
line
degree scale
sheet
the center
on
degree
30
protractor.
and
BOYS
and
this tack
do
To
Fig. 47;
FOR
the
of
isometric
drawing.
need
to
vertical
do
ruled
the
Whatever
is to
lines
and
follow
you
paper
the
ture
pic30
simply
can't
curves.
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draw
as
as
an
SIMPLY
DRAWING
^^
make
ellipse,
isometric
that is, if it is
axis, then
make
have
that is
one
draw
it
as
of
inch
THE
draw
to
to
want
your
compasses
make
38
you
OF
draw
make
can
loop in
the
ISOMETRIC
will
you
for your
or
these
pipe,
few
prin-
ELLIPSE
working drawing
please.
no
"
to
Drawing
Should
compasses
you
bit of
strong
stringat whatever
want
ever
at hand
tie
AN
i,
tube
with
Now
Circle.
have
show
to
C.
you
circle and
you
Draw
we
in
Simple Aids
Some
as
to
we
long,
PROPORTIONS
in mind
as
at
near
nearly anything
How
picturedat
FlG. 49c.
cipleswell
it
if you
thus
purpose;
wide,
119
proportionof %
it in the
inch
shown
major axis, as
EXPLAINED
you
thread
or
should
with
can
to
length you
to
pin,
want
more
in
FOR
HANDICRAFT
120
the radius
This
done, drive
the
want
lead
at
the
in
the
of
center
pencilin
shown
the
loop
Fig.
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50A.
to
Draw
thread
to
and
as
paper
the
which
on
drawing
Next
move
except
on
and
board
the thread
taut
want
as
with
Make
tie the
and
to
shown
loop
the
in
one
end
tightlyto
end
pin until
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the
draw
at
thread
other
around
loop; push
you
of
pin, as
the
circle
the thread
the
point
you
result.
"
before
largepin; wind
it is
draw
the
it around
move
Spiral.
point where
circle, put
HOW
the
in at
pin
perfect circle,nearly,will
of
of the circle
be.
to
"
diameter
is half of the
that
"
BOYS
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loop and
making the
circle and
you
the
will
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find that
pretty geometricalspiralwhich
you
you
did in
have
is known
drawn
as
the
very
spiral
DRAWING
SIMPLY
It is
of Archimedes.
the
was
the center
Fig.
How
HOW
string;but
each
instead
of
draw
string,slip it
over
graph is
Make
and
simple
point
thread
pin
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ellipsecan
you
means
will need
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the
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circle,that is, by
one
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shown
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as
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to
Draw
in the
and
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it
121
constant
to
drawn
of
uniform
at
called
explain that
first to
with
moving
so
EXPLAINED
the
it around
Use
mechanical
the
pins
when
an
A pantaPantagraph.
linkage for enlarging,
"
size of
picture.
It is shown
"
To
wood
make
about
one
of these
inch
instruments
thick, Y2
an
inch
get four
stripsof
wide, and
18
or
HANDICRAFT
122
20
inches
in each
long.
three
of
HOW
to
sticks
the
drill
Now
Fig. 50c.
BOYS
FOR
length of
draw
an
make
ellipse
with
hole
the
of
the ends
In
it.
thread
size
of
lead
pencil.
Make
tin tubes
two
each
an
inch
ZO"
PICTURE
PJCTURE
SCREW
PIVOT
HERE
Fig.
51.
how
in the ends
pencilthrough
is
pantagraph
each
and
made
tube;
screw
block
used
push
of
bit
wood
HANDICRAFT
124
will
make
do;
glass in
clear
the board
of
object, such
look
into
leaf
or
of
glass at
would
projectedplainlyon
it in with
the
and
fit an
the
frame
sheet
lo
middle
the
to
of
Fig. 52.
do
to
sheet
the
in
have
as
glass and
the
screw
shown
all you
Now
frame
wood
it and
as
BOYS
FOR
is to
lay a pictureor
on
butterfly,
on
paper
the
and
you
paper
will
of
side and
other
acute
angle
the
picture
easily
see
that
so
side
one
sharp slant, or
flat
you
can
pencil.
fective
and efMake
A
How
to
Tracings.
very
easy
to copy
picture already drawn, or
way
any
a photograph, in line,is to use
even
tracing paper.
This
kind
which
of paper,
can
buy of any
you
dealer in drawing materials, is quite transparent and
make
a
tracinglay the drawing you
very tough. To
to
want
on
drawing board, then lay the
copy
your
tracing paper on top of it, rough side up, and push a
them
thumb
tack into each corner
to hold
together.
the outline of the picture with
Now
trace
a
cil
pendraw
"
then
and
does
paper
it with
make
can
draw
not
take
the ink
littlepowdered
as
many
India
the surface
readilyrub
chalk
on
If the
ink.
soft
duplicatecopies as
you
rag.
want
of
You
by
make
way
to
your
friends'
Take
lastingimpressions of
fingerprintsand hands.
sheet of heavy glazed white
your
paper,
own
say
and
5x7
hold
inches, and
removed
chimney
back
Fig.
so
53.
that
EXPLAINED
SIMPLY
DRAWING
the
LASTING
it
over
and
flame
CARBON
the
will
kerosene
125
with
lamp
(sOOT)
IMPRESSION
like
OF
the
thrown
locomotive.
YOUR
HAND
whicli
the
126
palm
of your
not
to
hand
press
on
lasts.
me
hard
too
ful
care-
the
To
get
of
hollow
the
or
destroyed.
your
fingersof
the
As
last
long
as
made
process
as
the
the author
by
Fig. 53.
of
are
and
surface
whole
genuine carbon
this kind
Honored
and
you
until the
a
glass
of the paper
they will
in
of
any
corner
this is
kind
is the
films
the
cover
one
on
and
is shown
Since
to
printof
Ancient
impression is
the
print,as
across
fade
ago
"
of
Art
the
ettes.
Cutting Silhou-
generation let
younger
tell you
It is
cut
or
and
down
printscannot
The
be
of it with
buy it at
can
teaspoon ful
8 years
must
flintvarnish, which
some
evenly covered.
paper
it; you
lines in the
the
made
have
let it flow
the
press
on
the back
on
negatives. You
is
the
photographers use
Pour
then
the
you
called, pour
that
table and
hand.
other
After
BOYS
fingersdown
your
down
press
your
flat down
impression of
clear
on
paper
hand
sharpness of
a
FOR
HANDICRAFT
out
of
black
else cut
silk back
of
out
of it
paper
and
white
mounted
that it looks
so
with
paper
like
person
white
on
piece of
card,
black
ture
in minia-
shadow
of the sitter.
It
was
Minister
conduct
to
so
called
after
of Finance
in 1759;
everything cheap
been
M.
discovered
and
de
Silhouette,a French
his
rigideconomy
his
name
to
photography
paintedportraitswere
and
as
be
in the
tacked
had
not
on
yet
costly,the
filled in with
outlines
paper
and
substitute known
as
the years
and
honored
But
made
taken
not
"
artist who
Fig. 54.
OF
details,stillyou
and
paper
Take
wide
and
Glazed
get it from
went
to
have
to
their
pictures
and
shears
paste
of
GREAT-GRAND-PA
AND
cuttingsilhouettes
make
can
is
so
them
MA
GREAT-GRAND-
young)
were
is all but
easy
and
with
some
black
glazed
little practice.
about
3 inches
sitter with
paper
her
can
Dennison
long and
face turned
seat
your
toward
lost
all the
shows
nified
dig-
father
great grand-
our
side of his
40
when
so
they
photography
because
one
cheapest
name.
wanted
YOUR
(when
the art
the
were
their silhouettes.
out
cut
SILHOUETTES
While
and
they
"
127
by silhouettes became
rolled
art
black
the
hence
grandmother
and
EXPLAINED
SIMPLY
DRAWING
you.
Now
inches
the
with
be
128
a
HANDICRAFT
FOR
at
around
the back
to
All
on
your
shears
and
your
Transfer
find how
few
remember
is Latin
which
madness,
fun
properly will
different
of
transfer
imaginable
wonderful
used
each.
from
There
plus
with
not
break
pictures
The
cost
can
from
the
mania
and
is Greek
of
thousands
line
care
of
work.
and
when
off.
come
bought
cents
little flowers
from
call
French
plus calqiicr,
picturesinclude
simple
the
because
which
every
1%
of
was
down,
be
you
(pronounced
skill and
or
little
real work.
hundreds
in
very
used
half
this
as
means
course
are
and
decalcomania
by
made
plumage
Of
"
for
not
decorators
subjects and
dollars
to
ettes
silhou-
picturesand
But
decalcomanic
trace,
are
picturesare
These
and
de which
for
by painters and
These
off.
or
pictures,
the Latin
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will
you
pair of
Decalcomania.
came
for
transfer
chanical
me-
it takes
or
de-cal'co-ma'-ni-a)
used
little knack
A
your
your
and
paper
picturesare.
have
not
bought
that
made
were
Now
for
sitter and
likeness.
or
who
picture transferred
they
keep
must
5 cent
will
finallycuttingout
transfer
indeed
boys
the
Fig. 54.
Pictures,
what
know
you
in
shown
are
and
profileof
reasonably faithful
face to
cutting you
are
you
truly surprisedto
get
the
up
of the head
the
on
eye
on
starting
hair, then
the paper,
cut
bust.
time
artistic eye
be
going
BOYS
cupids
in
to
every
to
in
10,000
couple
subject
birds
groups
with
to
SIMPLY
DRAWING
buildings; then
fair
world's
beautiful
and
EXPLAINED
there
and
crests
129
letters and
are
coats-of-arms
grams
mono-
in
gold
brilliant colors.
and
When
get ready
you
Palm, Fechteler
York,
their
to
or
and
Fifth
Company, 67
branch
western
at
the number
pictureson
of
write
to
Avenue,
New
West
Lake
54
and
price-list
you
decalcomanie
do
to
this will
length of
each
sheet
the
and
give
ture,
picprice
sheet.
per
Hoiv
transferred
be
can
instead
etc., but
as
used
you
of them
varnish
have
the
picture let
the
face
with
of
water
the
on
transfer
a
cents
and
in water
alone
paint store,
you
for
is very
of
buy
can
to
the
surface,
roll it down
of
face
tacky; now
the
on
or
V2 pint can.
varnish
down
sponge
which
applied the
dry until it
it
at
get
varnish
for 35
them
can
you
transfer
you
of
regular pictures
soaking
thin coat
company
After
of
The
"
wood,
to
the toy
which
a
the above
with
to
very
better,use
Pictures.
the
Transfer
to
hard
put
it
wet
with
felt roller.
In
with
chamois
for
20
removed
couple
of
minutes
with
water
wet
skin.
minutes
and
After
or
peel it
the
so,
by dampening
better, with
or,
the
wet
the
or
varnish
it with
at
dilute
detergent
once
piece of
picturehas
around
oughly
thor-
again
design
paper
it
dried
can
be
turpentine,ammonia
made
of
equal
HANDICRAFT
130
of
parts
FOR
turpentine
it
rubbing
and
lightly
away
crude
and
BOYS
oil
and
quickly
with
immediately
a
dry,
soft
rag.
the
After
should
be
the
picture
given
next
one
day.
has
or
been
more
transferred
protecting
as
coats
it
above,
of
nish
var-
HANDICRAFT
132
Materials
The
(i)
get
sheet
dozen
at
Required.
of clear
sheets
of
Now
take
described
or
in the
surface
with
of
one
tracing paper
the
on
last
press
the
in the
sunlight.
the
buy
made
on
to
When
the
the
if
and
the
lines
of
the
of
is
frame
run
water.
it is well
hang
dry
with
white
using
Another
it is
can
make
by
warm
floating it
you
marine
artistic
ferric citrate in
blue
on
Kind
will
you
negative that
pretty and
it
and
lines
if
especially
You
washed
have
you
along.
it
plainly on
it,as
it is
by putting
or
on
In
clear
this
with
it
by
print
by
way
get
can
line
good,
made
view,
blue
wash
ground.
have
the
enough
it up
frame
back
at
show
it
far
the
hinged
look
and
on
cloth;
or
set
the
of
a
drawing
the
blue-paper
on
take
printing
called, by lettingwater
corner
of
as
its inked
tracingpaper
half
open
frame
print out
When
sheet
printing frame
minutes
see
the
on
ink
lay it with
this
on
India
printing
paper
with
can
you
have
you
with
chapter and
side
paper,
few
drawings
glass;lay
of the
*i
Fig. 55 and
(2) a couple of
which
tracing cloth
its sensitised
Every
the
on
take
in
fit it,and
blue-paper^'^
make,
can
you
any
of
or
shown
as
glass to
BOYS
Buy,
"
printingframe
FOR
camera,
some
very
pictures.
of Contact
blue
water
on
Printing.
"
If
you
like
print paper
by dissolving ammonium
and coating the surface
of the paper
top
of
the
solution.
nature
fine
to
is known
what
133
of contact
process
Instead
advantage.
use
PHOTOGRAPHY
the above
use
can
you
to
IN
KINKS
SOME
of blue
ter
it is bet-
paper
^^
solio paper
as
ing
printsilver
or
'^^
pa per.
To
silver paper
or
fix the
and
Set
the
it,then put
over
frame
glass side
the
hinged
that the
so
of
back
it.
and
Tone
the
Fix
and
brilliancy
this is done
solution
of chloride
made
not
to
Picture.
To
"
blue paper.
tone
and
give
by putting it
you
overexpose
quicker than
its color
change
to
means
be careful
in
silver
it
more
chemical
toning bath
of gold, or
of
on;
than
darker
on
half
open
print is coming
shades
of
printsmuch
and
time
to
the
how
see
print a couple
it when
finished,but
To
frame
fall full
sunlightwill
time
From
the
want
in the
the back
springs.
the
make
silver
contact
as
it
is called.
To
no
of
hyphosulphite of
it
to treat
and
soda
so
this is done
with
just hypo
or
lightwall
that the
a
solution
it is called
as
for short.
The
is to
easiest
buy
*2
Solio
*^
Silver
to
way
bottle of solio
is*coated
paper
paper
and
tone
silver
prints
toning solution'*''^which
first with
is coated
fix your
gelatin and
first with
albumen
then
and
with
then
is
silver.
with
silver.
**It
can
be
bought
at
any
store
where
photographic materials
HANDICRAFT
134
a
combined
the
from
frame
tray in which
solution
and
When
and
do
have
you
not
wash
mixed
of
ounces
fixing bath.
and
toning
print takes on
tray containinga
the
Take
it but
put it into
of solio toning
ounces
the
another
BOYS
FOR
solution
made
of
of
ounce
dozen
J2
ounces
printsat
Recipe for
tion.
two
up
and
and
tone
fix them
the
at
'an
mix
of
Dissolve
"
in
of
solutions,as
20
of alum
in
of
ounces
in
Then
granulated sugar.
borax
of
ounces
hot
lows:
fol-
cold
crystals
dissolve
and
water
it with
then
and
A.
ounce
ounce
solutions,called stock
ounces
an
combined
Solution
Stock
water
Combined
make
To
"
mix
Stock
the
"
chloride
of gold and
grains of
32
of
acetate
lead
in 4
of water.
ounces
when
Now
dozen
are
can
you
time.
same
once
sold
this page.
want
to
prints,take
4x5
and
you
an
or
you
of
ounce
can
make
the
it
tone
ounces
stock
of the stock
solution
yourself from
half
picture or
the
formula
solution
and
pour
given
on
SOME
into
them
KINKS
IN
tray and
tone
PHOTOGRAPHY
them
135
I have
as
previously
described.
The
buy
Simplest
real
little use
make
shall describe
of
apparatus
dollars
just consider
scientific
as
When
"
three
or
so
one,
Camera.
for two
camera
to
of
Kind
can
you
it
the
of
seems
camera
curiosityrather
than
an
utility.
yBOX
M;
TINFO/L
PLATE
PINHOLE^
SHUTTER
LEVER
'^'^PlWTHERE
!L
/)///^^/^/J
/ / /y" ^^ /
]p/^^/A^y'y"y//y',
///,
S'
";
PL/iTE
TO EXPOSE
^
'
OF'
To
A.
Cross
B.
The
make
/^ND RESTING
56.
EASILY
AN
section
the
way
showing
shutter
thin
wood
inches
cut
hole
an
inch
the
pin hole.
and
depth
at
inches
of
in
of
Fit
the
so
lens, form
of
or
square
called because
a
box
cut
the
long;
end
one
inch
an
into
box
stripsare
pin
pasteboard
inches
in
wood
notched
of
8
and
in diameter
stripof
These
strips.
notched
Fig. 56.
CAMERA
works.
pin-holecamera,
placeof
ON PIN STOP
PIN-HOLE
MADE
CLOSED
LEVER
SHUTTER
C/IMERM
Fig.
OPEN
LEVER
SHUTTER
for
thick
it to
as
shown
to
hold
136
HANDICRAFT
sensitised
dry plate^^
little device
simply
wide
at
of
at
the
box
Now
Drill
that
thick
of
better
of
it.
You
inch
pin-hole; it
the
wide
long, %
and
pivot this
horizontal
end
other
the
at
in the
front
the
to
is
inch
Vs inch in diameter
on
line with
the
the
smooth
box
and
ready
with
then
and
close
want
and
out
to
and
*^
You
^^
down
dry plate is
bromide
of
will find
dark
light except
red-lamp can
use
be
of
silver
be
must
will spoil
bought
sheet
of
red
for
lever
makes
for
because
quarter
or
or
red
on
dry plate
glass
for
it in
the
cloth
can
dark-room
second, let
side with
to
of
gelatin
light.
IX.
Chapter
ray
or
seascape
one
instant
you
it
over
object you
it sensitive
making
used
into
camera
the
at
glass coated
which
directions
room
red
the
can
you
Fig. 56.
landscape,a
on
sheet
in
camera
be it
the
so
in the
until
black
at
your
do
to
shown
as
point
press
take
center
grooves
back
done
load
the
on
in the
picture and
and. fasten
photograph,
scapegoat,
A
box
rubber-band
Go
the
on
cover
hole
farther
This
pictureplain.
Glue
one.
the hole
over
smooth
take
hole
pin-
fairlygood-sized pin,
to
now
dark-room,'^'^ and
your
tinfoil
this
of
up
certainlyno
important than
needle, prick
sheet
camera
pin-hole,and
nice
the
are
slipa
either
2/4 inches
hole
it is
more
ever
or
with
close
brass
the
make
piece of
inside
the
and
an
stripof
so
to
was
*^
B.
make
brass
and
Next
of the hole.
center
see
sheet
end
one
of the
center
open
bit of
shown
as
to
BOYS
FOR
any
make
paper.
of
kind
it strikes
one
it.
and
It will
of it when
go
IN
KINKS
SOME
How
Develop
to
camera
into
that
is, immerse
must
get
s6c.
the
Plate.
Dry
the
tray and
pour
pin-hole
cover
the
pin-hole
Next
take
and
develop
the
chemical
solution
pictureout
camera
rubber
Rock
and
137
is made.
it in
Fig
back
dark-room
your
developer to bring
you
drop
the exposure
again and
PHOTOGRAPHY
you
"
on
it.
your
plate,
called
To
do
this
developer over
complete
with
it.
cloth
and
band
have
over
the
side up
in
138
HANDICRAFT
FOR
the
negative
developed
it is called
Let
until
bath
which
hour
or
it in
let
gentle
wash
it in
good, tried
and
of water
^^
in 28
When
of the pyro
with
Take
"
then
and
you
and
it in
28
ounces
cated
desic-
of
ounces
of
ounces
lows:
fol-
as
sulphuric acid.
of
Dissolve
"
pyrogallic
of
ounce
minims
20
make
can
solutions
two
short, dissolve
of soda
sulphiteof
of water.
ounces
want
you
an
Stand
water.
You
"
add
carbonate
it for
on
dry
to
developerin
Solution, B.
Soda
disappeared
run
Developer.
for
then
and
night
silver
it.
true
water
fixing
free
light,have
of
over
Solution, A.
Pyro
the
in the
is, the
changes of clean
the
Make
to
by
prints from
How
soda
remain
"
parts, that
stream
negative rack
make
can
v^hite
the
negative
affected
not
was
then
and
all the
when
"
BOYS
to
solution
develop
%
and
and
of water
ounces
ounce
an
tion
solu-
of the soda
ounce
an
plate mix
do
to
need
this you
graduated glass:
to Make
How
bath
for
Fixing
borax
be used
in the
A
^^
20
for
same
Good
Desiccate
To
Bath."
of
ounces
one
or
two
make
of
ounce
crystalsand
A
water.
Y^
developer
platesbut
you
can
good
ing
fix-
hypo, 60
of
ounce
only
can
fix 50
plates
fixing bath.
and
means
Cheap
Camera.
thoroughly
dry.
"
To
take
real
pic-
HANDICRAFT
140
Graflex
buy
and
mother
Every
^^
camera
doesn't
good
for
what
has
camera
lenses, which
up
glass
and
latter
again
of two
lenses
formed
that
lenses
is of
matic
achro-
two
acromatic
of which
Hint
rectilinear
of
each
one
cemented
are
is called
lens
means
other
the
is rich
if father
$75.00
care.
BOYS
FOR
lens
is of
glass, and
crown
these
two
Canada
with
together
is
balsam.^^
whereas
Now
all the
of
ray
the
makes
lens
the white
the
These
little cameras
shutters
film instead
come
be
can
kind
same
loaded
of
How
make
50
this kind
photographing
51
This
Canada
are
used
is
balsam.
up
to
clear
the
gum
in
lines
snap
sensitive
luloid
cel-
thin
These
roll films
dozen
each
and
daylight.
The
used
are
dry-plates.
Enlarging Apparatus.
for
an
of
in
on
fixingsolutions
enlarged picture of
an
With
camera
developing and
Make
to
the
is the
spread
on
into
the
all
mechanical
films, that
is
lets
name.
glassplates.
lengths of % and i
spools in
on
they
of
its
lens
building curved
filled with
gelatine emulsion
silver and
when
singleconvex
keeps
hence
roll
use
lens
are
they
and
of
straightlines
produce
edges
acromatic
while
lightand
acromatic
picture, an
and
straight,or rectilinear,
its
around
through it, an
light passes
through only
lens will
convex
common
camera
very
that
you
instant
can
you
is obtained
small
see
snap
from
negative
the
the
a
object
To
"
take
you
are
shutter.
tree
called
the
of
clear sheets
Make
separate
In
i}i
hole
socket
as
7 inches
high
it
of
which
electric
Cut
hole
fasten
and
opal glass ^^
52
The
near
53
Ground
the top of it
and
put
cut
electric
is fixed
in
the
on
edge
an
plug
screw
put
one
"
light
in
nitrogen
it
100
set
in the
lamp
out
at
in
the
of
the
Light Co.,
all other
top
of
the
which
of
sheet
over
^^
APPARATUS
ENLARGING
HOME-MADE
gives
about
75
candle
4H
inches
Fig. 58.
front
opening.
Park
3%
board
ground
52
illuminating box.
glass ^^
Get
or,
sheet
Place, New
York,
better, of
of
bright
sells these
electrical
supplies.
or
glass can be bought at a glazier's
explained in Chapter IX.
5*
Opal glass.
lamps
as
Delco
and
shown
as
power,
have
wide,
OF
OFTHETOP
watt
inches
SECT/ON
C/c'OSS
The
and
top
then
and
wood,
and
cord
it will go
58A.
lamp
the
perfectly
two
get
in diameter
inches
Fig.
be
can
141
opening.
thick
middle
the
to
"
far
as
that
so
fit the
inch
of
long and
6 inches
and
camera
your
glass to
box
box.
of
back
the
out
PHOTOGRAPHY
IN
KINKS
SOME
you
can
make
it
tin 6
wide
inches
semi-circle
and
Next
which
easiest way
6
Fasten
be
used
to
do
wide
inches
for
stand
is to
shown
as
for
angle blocks
shown
as
take
board
drawing
your
saw
at
through the
it
B.
at
this is to
and
of
it will reflect
that
so
front
in
lamp
it into
long, bend
inches
lo
it in the box
the
light from
the
and
set
BOYS
FOR
HANDICRAFT
142
piece
inches
12
it with
to
D, and
long.
couple of
ready
are
you
board
thick
inch
to
make
enlargement.
an
How
to
Make
the apparatus
the
as
glass
ready
box
with
Put
the
table.
set the
the
light in
of
in the back
Now
the
from
of
Open
focus
the
until the
get it
you
where
Make
the
the
Bromide
and
up
stand
about
paper
bromine.
then
is
make
to
shutter,
turn
with
C.
shown
as
the
on
feet away
8x10
an
the stand
and
through
perfectlydark
room
camera
to
largement.
en-
light and
and
from
light leaks
lightand
25
the illuminator
so,
with
set
camera
the
another
plain sheets of
two
that is,move
the camera,
camera
it is called, on
bands;
close
the
illuminator,
the
the
drawing board
lens
have
to
the camera,
the
set
you
them
fasten
When
"
and
camera
negative between
then
and
Enlargement.
an
put
paper
sheet
cover
with
up
dark
the cracks
cloth.
bromide
sensitized with
room
dark-
paper
compound
of
on
ver
sil-
IN
KINKS
SOME
drawing board
with
expose
the
PHOTOGRAPHY
thumb
tacks.
the paper
bromide
as
with
are
you
the shutter
Open
the
hght passing
it again. The
just like a dry
to
close
the
through
143
fixed
is done.
be almost
must
you
films.
dry plates or
/LLUniNJ^TOR.
as
Before
..y\
SCREEN
Fig.
58B.
The
illuminator
C.
The
camera.
D.
The
of time
to
expose
of bromide
paper
the
board
and
good scheme
this take
the
first
solution
for
bromide
paper,
for
can
say
usually
be.
how
developer
and
diagonally
one
you
"
sheet
inch wide
time
length
the
test
stripsi
strip at
expose
paper.
to
do
To
it into
cut
and
then
should
long the exposure
Paper.
Developer for Bromide
tell about
A
the paper.
and
the
APPARATUS
long; fasten
inches
minutes
showing
for
pictureit is
across
stand
ENLARGING
HOME-MADE
B.
making
10
good
velox
stock
paper,
HANDICRAFT
144
and
films
chemicals
dessiccated
ounce;
V2
chinon
sulphiteof
desiccated
ounce;
in the order
until it is
one
; potassium bromide
ounces
each
30
these
by adding
of hot water
ounces
stirringin
and
made
be
BOYS
FOR
named
dissolved; elon
1%
Vs
carbonate
grains and
wood
soda
ounces;
alcohol
ounces.
V/^ REFLECTOR
/VEG/7T/VE
"GOES
HERE
ELECTRI
"
58c.
Fig.
Cross
This
bottle
act
on
ounce
To
made
water
section
developer
it.
of
To
the
ENLARGING
HOME-MADE
top
is
fix bromide
APPARATUS
enlarging apparatus.
the
for
keep
long
kept full,otherwise
develop six
stock
of
view
will
containing it
solution
10
and
printskeep
bromide
6
ounces
printsuse
of
moving
them
if the
time
water.
in
bath
of hypo in 2 quarts of
by dissolving 8 ounces
of metabisulphiteof
and
then adding 1/4ounce
potassium
and
printsremain
wash
socket]
ILLUMINfJTOfi
THE
E.
^/w
^^^^
"
them
ounce
in this bath
thoroughly.
of
powdered
for about
10
alum.
minutes
Let
and
the
then
How
is
Make
to
glass slides
object such
throw
and
as
an
If you
have
but
use
can
works
of it
image
instead
reUectoscope
of
using
parent
trans-
pictureor opaque
watch, your hand, etc,
of
on
the
any
screen.
^^
folding camera
"
you
the
145
Reflectoscope.
magic lantern
of
kind
PHOTOGRAPHY
IN
KINKS
SOME
can
you
convert
it
L/iMP.
"
\
DOTTED
LIfiES INDIC/ITE
PICTURE
HELD
/3
HERE
/^ELECTOR
Fig.
into
dandy
Make
tools.
together
"
and
it
can
First
box
CHEAPLY
MADE
REFLECTOSCOPE
A.
The
projector.
B.
The
ilhiminator
so
reflectoscope,
get busy with
your
fastened
box
it is reallytwo
boxes
a
in Fig. 59,
the peculiar shape shown
"
of
be of wood
make
projector,and
^*A
59
camera
or
of metal
as
you
wish.
the
can
not
be
used
because
it's focus
is fixed.
side
and
one
two
wood
to
high ^^
5 inches
and
wide
off.
To
cleats %
an
and
"
top and
inch
square
projector to the
at A in Fig. 59.
5'9C.
another
done, make
This
TOP
SECTION
CROSS
box
inches
shown
as
Cut
lamp
iH
at
inch
described
as
It
must
fit the
OF
THE
front, back
fasten
5 inches
with.
on
long
This
box
REFLECTOSCOPE
side,and
one
5 inches
4% inches
high.
set
Bend
this in the
B.
hole
in the
directions
bottom
and
camera
VIEW
the
leave
the
fix the
is shown
BOYS
FOR
HANDICRAFT
146
back
of your
camera.
be
for
for
an
making
electric
an
but
tightfitting
larging
enso
HANDICRAFT
148
until the
the
pictureon
BOYS
FOR
is
screen
sharp
as
as
can
you
get it.
The
the
way
this:
is like
reflectoscopeworks
the
in virtue of the
pictureis projected upon the screen
well as
the lamp, as
fact that the direct light from
that portion of it which
is reflected back by the tin, is
thrown
against the surface of the picture or object
this the light is reflected
held in the opening; from
through the lens which enlargesit and projectsit on
the
screen.
How
lantern
magic
make
to
Make
to
of
out
according to
be
inches
edges
inch
thick
side
one
as
the base
the
bellows
type then
for
it
shown
45^ inch
at
lens
one
on
box
the
in
hold
kind
wide
and
14
V2
wood
long along
the
it in between
set
end, but if it is of
front
the
make
Fig. 60.
will have
you
to
the
make
to
in
camera
shelf
place as
C.
L. E. Knott
condensing
at
is of the
camera
8 inches
and
lows
bel-
use
stripsof
two
screw
shown
stripson
The
inches
high
the
58
board, 5%
or
because
is better
you
inch
at
to
box
Whichever
focused.
wide, %
as
buy a
$1.00,
to
50 cents
it is
as
easy
have
either
latter
or
If your
shown
the
nail
on
will
you
use
and
long
inch
an
can
you
though
picture can
just as
and
this lantern
of
is
camera
make
To
"
size.
camera,
base
reflectoscopebut
condensing lens^^
For
Lantern.
Magic
for
for
Co., Boston,
Apparatus
50
$1.10.
cents;
inch
one
Mass., sells a
for
"
75
inch
cents, and
make
Next
How
text
board
the
Make
covering
the
cut
lens.
This
lens
shown
at
in
inches
screen
as
diameter
can
you
in the
above
size of
or
double
the
picture on
inches
as
4%
be
it should
the
small
as
piano
while
and
lens
picture will
the
all of
lens is
get all of
to
use
described
as
condensing
convex
149
stead
Enlarging Apparatus, but infront with
ground glass make
an
fit it and
to
PHOTOGRAPHY
illuminator
an
to
of
a
IN
KINKS
SOME
though
show.
not
RUBB"R.Bfim
RUBBERBfiND
/f'-^i^
FRAME
THE
TO HOLD
^J^
FOLDING
^^^
CflMERffiS
TO THE
FIXED
FRpns
PU)NO
DOUBLE
CONVEX
CONVEX
AT
ONE
OF
THEUJN-
C0ND"NSJNGL"NSE5
TBRNSUDE^
HOLDERS
FRONTBO/IRD
laUMlN/lTOR
Fig. 60.
Cut
out
an
inch
THE
six
at
inch.
ends
as
Now
and
HOME-MADE
punch
three of these
one
projects over
put the
of the
shown
at
clipsso
E.
MAGIC
hole
lens
that
the
in the
they will
LANTERN
inch
wide
and
of
each
in the end
clipsto
equi-distantpoints around
of each
end
OF
long
piece. Screw
board
PARTS
each
the hole
side
so
of
the
that the
and
adjust the
the lens in
place
HANDICRAFT
150
The
tin
brass
or
each
one
holes
of
and
next
the
them
wide
long
lower
above
and
do
thing to
inch
the
near
last
over
FOR
and
BOYS
is to cut
inches
shown
way
as
edge
of
each
below
the
one
stripsof
two
bend
and
long
F; punch three
at
and
one
one
screw
lens
condensing
on
E.
These
at
3M inches apart as shown
bent stripsform
the holder for the lantern slides. The
magic lantern complete is shown at G.
the
board
Fig. 60G.
How
to
wall;
the
on
Work
camera
close up
If
to
it and
back
How
using
slide
the
the
out
end
rear
back
"
slide holder.
a
until the
you
and
lantern
push
first taken
up
illuminator
slipa
then
USE
bed-sheet
the
room;
and
FOR
Tack
"
box
camera
picture is
camera
much
the
having
the lantern
are
you
lantern
"
READ\
light in
the
on
in the holder
upside down
the
Lantern.
lightsin
turn
of
the
turn
LANTERN
MAGIC
THE
can
focus
the
move
large
as
If it is
it and
get
a
a
as
whole
want
you
ing
fold-
picture with
better definition.
to
Make
Lantern
Slides.-"
lantern
slide is
glass with
of
sheet
IN
KINKS
SOME
this size
be used
can
151
3I4
inches
4j4
full sized
in any
it.
transparent pictureon
slide is
lantern
standard
PHOTOGRAPHY
and
of
one
lantern
magic
or
stereopticon.^^
To
not
make
lantern
hard
thing
need
you
to
make
to
Put
printing frame.
lay your negative on
on
make
to
is
just as
white
the
should
the
use
directions
When
on
one
side.
How
to
^^
now
60
is
chemicals
glass in it and
radium
it in your
make
dark
for it
it of course,
expose
dry plate or
printingframe
When
film.
about
plateis developed,fixed
of
kind
come
have
glass of
passepartout
make
clean
dry platebut
that
you
clear
on
the
equipment
inches
12
light.
"
all the
lightto
the
exactly like
glass
of
must
you
it hold
lantern slide
of
it with
as
from
away
sheet
sensitive
expose
you
besides
print,but
using a
room,
them
printingis
contact
Now
doivn
do
by direct
at all,and
slides
with
to
the
developer called
the plates.
the lantern
slide made,
size
same
binding,that
It is then
Make
is
for
the
bind the
the
sheet
cover-
edges
paper
with
gummed
use.
Photographs.
photographs, or
in
placea
called
"
stripof
ready for
Radium
washed
and
"
skiagraphs as
You
they
can
are
is
stereopticon is really two magic lanterns, but the word
often used
lantern.
to mean
a high-grade magic
Lantern
slide plates can
be bought at any
photographic supply
A
house.
called, with
and
The
at
four
You
buy
can
stoppered
of
for
bottle
$i.oo
nitrate.
uranium
and
these
in
substances
the
or
oxide,
uranium
black
nitrate
one
any
substances, if
radioactive
itself,are
pitchblende,thorium
stances
sub-
outlay.
important
most
of radioactive
number
small
very
radium
except
we
of
one
any
BOYS
FOR
HANDICRAFT
152
four
of
set
glass
for
is low it
of these substances
radioactivity
and this is all
is sufficient to make
a shadow-picture
small
other
of a coin or
that an
X-ray picture is
the
While
"
"
ORE
ON
OUTS/DE
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photograph
of
is laid
black paper
envelope,which
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the
in it is laid
you
will
find
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in
on
for
developing
shadow
the
radium
radioactive
in this way
on
with
dry plate,and
undisturbed
made
top of
object if it
on
coin
the
picture of
Let
them
stance
submain
re-
coin
as
shown
Fig. 6i.
"i
The
L. E.
Knott
Apparatus
substances in stock.
these
active
radio-
IN
KINKS
SOME
Trick
PHOTOGRAPHY
153
Photography
Spirit Photographs.
When
"
photography
was
got
John Herschel, the great astronomer,
these have
he called magic photographs and
up what
of spiritphotographs by
the name
under
been worked
Sir
young
in the business.
idea
is to
future
wife
or
shows
medium
inch
an
be
to
She
bit of
what
(What's the
like.
well
afterward?)
that
Be
it may,
as
from
paper
are!
when
use
water
it to
joys
when
and
truly appeared
with
the
head
foreknow
will
will know
so
the bit
removes
photograph
it and
on
and
sorrows
they
the medium
seems
fain
would
simpleton'sforehead
the
reallyand
her
then
"
what
of
who
he
the
about
paper
it's
saucer
ninny
of his, or
look
there
"
you
Now
fun
some
stamp
trick
them;
size
all of
dissolve
in
wash
saturated
at
hypo dissolved
them
solution
saturated
the
is done
fix them
and
61
into
paper
the partner
has
sometimes
"
aforesaid
the
of
this end
To
husband.
day
ordinary, common
every
dignity and mysticism presses
much
of
his
superstition
piece of perfectlyblank
square.
dips the
future
her
of
victim
the
show
mercury
well
^'^
solution
has
its present
of
of
been
some
in water
then
and
bichloride
bichloride
dissolved
temperature
have
can
you
and
of mercury
the
pressure.
don't
them
soak
of
in
but
in
water
one
which
mercury
is
tone
in which
that
it will
HANDICRAFT
154
to
want
When
done
subject'sforehead
One
Way
that
know
is
it is
simply a
the
Hence
for
of
is
it out
chair and
little way
French
by having
is
camera
it.
It
on
faking.
friend
the
(If
of him
then
will be about
take
the
him
request
all boots
can
in
table
to
feet
The
picture.
and
is
kindly
that his
so
his
You
back
lean
table.
adapted
well
very
call
in front
camera
result is that he
you
off from
apparatus
highly polishedmahogany
take off his spurs first.)
will be nearest
the
near
very
of
your
your
proportionatelylarger than
an
the
as
easily try
Stand
it to
press
exaggerated perspective.
camera
camouflage
soak
"
photographed
case
hypo,
picturewill appear.
Of
course
Big Fish.
object
an
two,
or
of
the
it will look
photographed
when
minute
Catch
when
put it away
and
strong solution
and
to
perfectly
it.
use
it for
picturein
the paper
dry
make
do,
you
BOYS
pictureand
again; this
until you
the
the
FOR
little
very
head.
Another
fellow
yarns
line
choose
"
with
"
fish loom
up
ad., and
the
scales
shown
as
as
and
shown
will
sizingup
fish
A
at
as
who
one
big
as
Fig.
the
boy will be
at
B.
the
62.
the
eyes
end
This
in
cod
the
pole and
will make
the
time
some
of
of
Scott's
size of
It will be
photograph a
for his whaling
is noted
dangling at
in
is to
the
Emulsion
lone
man
fisher-
before
person
who
the
is
156
HANDICRAFT
youth
riding
his
around
shown
at
above
the
If
can
if your
(If
you
who
sat
for
it.)
Fig.
62
of
neck
hold
picture
cut
his
and
out
the
the
that
so
the
of
finally
him
have
Fig.
62c.
the
background
sitter
painted
you
in
the
BOYS
place
sitter.
Seat
foreground
head
then
just
comes
take
as
graph
photo-
him.
nov^
the
for
and
collar
of
of
collar
and
donkey;
subject
your
FOR
on
the
the
friend
was
for
keep
it will
in
this
is the
foreground
that
the
Orient
picture
gladly
pay
the
it will
for
you
the
20
way
years
a
hundred
one
shade
same
look
his
on
back
ground
namely
"
of
are
"
so
made
are
that
"
cardboard
trim
will
the
and
"
caricatures
HOW
exactly
to
the
as
Mecca.
fellow
dollars
CHAPTER
PRINTING
If
AND
there
ever
was
have
press
when
Gutenburg^^
was
men
have
"
off
run
But
anything
to
and
done
of
though,
small
larger
if
another
you
of
Johanne
62
movable
To
6^
Money
Dodd,
go
story.
Kinds
by
etc.,
types
make
Making
Mead
for
than
press
there
but
yourself
about
it
the
sands
thoubition.
am-
it, for
of
$1.50
all
on
up
is said
fun
is
in
ing
printit
in
money
is
that
but
way,
out
of
out
can
there
right
and
type
best
of
lot
few
enjoyment
you
not
After
real
that
civilized
for
it.
day
and
many
highly
more
the
of
and
all the
for
get
is
and
complete
pay
can
only
since
"
press,
that
printing
stickfuls
have
outfit
to
you
Not
one.
on
to-day
want
want
types,
boy
few
gratified
of
not
Ever
every
set
self-inking
cards,
too,
to
printing
you
did
ARTS
movable
ago,
have
who
invented
fellows
buy
ALLIED
him.
impressions
you
ITS
meet
wanted
them
can
you
to
years
some
of
boy
yet
500
some
VII
^'^
Printing
Gutenburg
about
money
Presses.
was
the
year
out
of
for
Boys
and
Co.,
by
New
of
There
"
German
York
157
printer.
He
invented
1450.
job-printing
the
kinds
two
are
present
City.
on
author
small
and
scale
read
published
HANDICRAFT
158
of
made
printingpresses
You
do
make
can
have
$1.50
type. Many
of
which
if you
and
get
of
the real
joy
The
Parts
is the
has
been
model
are
the
(i)
chase, and
will
you
(7)
to
Excelsior
that
and
it is
good
well,
this press
for
they
these
and
carriage;(5)
the
know
never
follows
it which
the
made
are
The
"
50 years
chief parts
body; (2)
ink-roller
(4) the
for
market
seven
include
the
self-inkingpress just as
the same
on
principle.
all built
will
descriptionof
other
There
small
prices
at
little presses
of this kind
press
the
on
The
are
half
this
sold
are
all stores
printing.
of a Self-Inking Press.
of
name
one.
are
and
these
of
type about
use
$5.00
to
good
begin with.
to
nearly
to
and
do
for to
up,
and
from
but
wood
built of iron
press
is finished
toy departments of
ranging
font
inked
hand
of
out
outfit is needed
printinga good
in the
inked
hand
(i )
are
printing press
Small
these
and
and
presses,
BOYS
FOR
are
(6)
shown
the
in
Fig. 63.
The
other
parts.
of the
it.
even,
it
so.
body
of
the
The
bed,
body castingand
For
and
this
reason
it is
serves
press
as
you
to
will see,
it must
be
support
all the
is
reallya part
type rest against
perfectlysmooth
is machined,
to
and
make
AND
PRINTING
swings
bed.
the
on
platen
pair
the
hold
to
printed but
is laid
of
the
on
away
sheet
or
the
it when
and
is
platen and
hinged
place while
in
body and
card,
grippers are
paper
releases
bed
The
with
159
of the
the
it.
to
into contact
and
up
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be
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brought
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and
to
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over
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get
their
disk
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latter
the
type
from
ink
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by levers
revolves
table
is made
and
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direction
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so
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on
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to
which
revolve
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and
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little at
is
a
the
the
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table
to
fro
and
to
moves
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the
The
PRINTING
SELF-INKING
MODEL
The
the
'
is
spread;
time
so
part of it in every
is locked
in
an
iron
frame
called
HANDICRAFT
i6o
a
movable
parts
is moved
the
and
it, the
to
rollers
ratchet
to the
ink
When
the
card,
down
the
in
blank
ready
It may
from
you
Sizes
or
this
to
run
and
on
chase
small
ink
on
the
platen.
that
it
keeps
it
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moves
of
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the
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that
surface
fresh
ink
the
to
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sheet
card,
the
to
of
with
swings
the
the
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type; you
left hand
your
platen
the ink-rollers
your
out
and
put
you
are
impression.
to
cards
Prices
this
the
with
contact
their pressure;
face
another
off from
makes
up;
sheet
with
600
the
the handle
the
that
nov^,
some
type and
paper
surpriseyou
500
can
or
one
make
to
so
the
over
printed card
a
the
back; the
move
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type you
put
on
pivoted
over
and
of paper
down
through
turns
circle,by
sheet
arms
and
up
chase
grippers hold
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platen up,
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press
you
table which
a
the
perform their
them
have
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card
when
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paper
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"
in the
set
type
in the press;
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ink
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have
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finallyall
functions.
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fixed
bed ; and
the
on
coupled to
are
and
up
various
you
this fits
and
chase
BOYS
FOR
that any
know
hour
an
1,000
to
of Presses.
2,000
"
if you
cards
The
expert
are
per
hour.
Excelsior
press
in three
sizes and
the
and
can
one
PRINTING
this
and
and
Outfit
The
jobs
You
Need.
depend largely on
Outfit for a J ,r 5 Press.
course,
buy
a
an
to
up
postal card
size;
is
large
$25.00
costs
press
161
and
to
can
you
6x10
nice
ARTS
ALLIED
ITS
will do
one
(3)
enough
or
AND
Your
"
the
A
need
you
press
couple of
these
and
will, of
outfit
size of
"
circulars,
have.
you
dollars
consist
will
(a)
(d)
of
case,
of
black
ink.
font of type
face
same
letter to
about
body
and
set
under
the
Leads
Typesetting.
type; and
type
into
for a ^
set
of
bodkin.
on
out
gage
The
the
and
or
of
fonts
to
of
find
will
"
the
each
more
Type
and
metal
less
to
wooden
vided
tray diin which
boxes
are
kept apart.
The
fixtures of
above
named
press
and
of
(a)
for them;
(c)
(b) type cases
pins,and (d) a pair of tzveefjcrs,or a
ing
gage-pinsare pinned into the paper back-
type,
hold
for an
amount
called
called
those
platen to keep
type from
having
You
shallow
type
8 Press.
all of
the card
it in its proper
bobkin, which
Outfit
of
kind
stripsof type
used
is
case
font
right
little compartments
the letters of
Outfit
thin
are
heading
next
are
type-high which
than
the
and
ordinary job.
an
up
type
enough of
means
is
form
8
10
you
Press.
"
sheet
place.
large needle,
when
or
are
This
The
is used
from
ping
slip-
tweezers,
for
picking
correctingit.
outfit should
have
HANDICRAFT
l62
will need
you
of
fixtures
all the
both
is
composing stick,which
t}^e in
shown
as
set
you
in
it,is
described
those
of
four
less than
not
BOYS
FOR
fonts
of type, while
little metal
hold
to
tray
necessity. These
and
above
fixtures
the
are
Fig. 64.
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Type
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FOR
In
"
In
I^ZZZJ
MODEL
Sr/QK
PRESS
the
listed
are
in the
that
A's
as
4A,
8A-10A,
or
there
are
letters
are
font
4A
other
likely to
are
ber
Num-
type catalogues
all of the
that
letters and
Relative
"
looking over
that
means
to
Setting Type.
and
this
proportion
thus
OUTFIT
capitalA
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Letters.
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$2.90
36a
Paces
CUT
CLEAR
BOYS
FOR
HANDICRAFT
i64
123
Popular
$1.95
ISA
12345
PRESSES
EXCELSIOR
,A
$2,10
GRAiisro
lOA
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GOOD formany places
circular
to
town
or
any
full font
called,and
of
which
12 Point
No.
from
intend
you
set
is shown
type, make
know.
at
a
as
half,
it is
L.
Roman,
face
and
for many
jobbing.
Cast
to read.
clear and
easy
durable
and
most
nickel metal
Parts
things about
will need
you
newspaper
/ $
known.
The
and
printa cook-book,
to
Books, circulars
uses.
Very
12
Pica
PLAIN
for poster
should
finally
directoryor a
And
a
Clear
and
Good
"3.00
20a
lla
$5.35
15a
1234567890
Before
explaininghow to
of a Type.
ready and print,there are a few little
letters and about type which
are
good to
"
PRINTING
First
let's take,
H.
Now
the
and
AND
of
way
ARTS
by
these
bit of
metal
letter
is
plain
fine lines at
embellishments
and
165
the
illustration,
is embellished
one
bottom
top and
by
ALLIED
will observe
you
second
ITS
are
the
called
ser^-ifs.
As
simple a
it than
to
you
learn
them
body
of
by
the
can
shake
heart.
as
type has
these
Named,
parts
more
you
parts
are
ought
to
the
(a)
THE
JHE
BEVEL
THE
a"/?RO
OR
SHOULDER
THE
M/fRK
PIN
THEB/^C/r-^\," THE
BELLY
ORFRONT
THeBOPYORsnmK
THEN/CKS
THEFEET^^^^^
\the groove
Fig.
65.
THE
PARTS
OF
TYPE
the
and
pin marks,
It very
a
part of
often
a
all of these
happens
is
is called
out
the
Fig. 65.
scripttype
beyond the body
kern.
The
that
nick
and
in
the type is to
is
in
in italics and
pointed out
are
the
toward
you.
HANDICRAFT
i66
The
it takes
letter in that
are
sizes and
"
not
Then
change
sizes
the
under
old
by
OF
TABLE
NAMES
OF
inch
be
into
the
generaluse.
systems
new
are
to
you
TYPE
NEW
"
Nonpareil
"
Minion
Brevier
"
Bourgeois
'*
Primer
10
"
Small
Pica
11
"
Pica
12
''
English
It is
sizes for type bodies.
in decimal
points or fractions of
system
of
.0138 inch,
point
and
''
18''
Primer
is
know
"
Long
it is measured
given
point
5H
because
The
SIZES
POINT
Agate
is the standard
point
SIZES
called, is
face;
by point.
Pearl
This
long
known
was
and
made
8IZE3
Great
called
standard
in
size
it will enable
and
name
each
v^as
the
and
63
of the
is made
Type
of Type.
so
long ago
very
it is called, came
OLD
letters; j is
full breadth
the
by a name.
system,^^as
in the
are
Sizes
The
Finally
short
up
which
instrument
b d f h i1t
g p q
sharp
mold.
called
are
by
the
it from
removes
s
is made
pin-mark
BOYS
FOR
so
nonpareil,
that
burgeois is
point, etc.
as
it used
so
an
to
AND
PRINTING
Your
Type Cases.
these
and
cases
ITS
upper
There
"
made
are
are
(2)
the
167
ARTS
two
kinds
(i )
the
hold
to
letters,and
case
ALLIED
small
of
type
capital,or
lozver
or
case
letters.
The
is because
the
the
reason
the
small
that
case
composing
called upper
are
capitals
holds
than
stand
them
the
case
small
letters
case
is set
higher
which
holds
letters
nearer
on
the
to
(/PP"/^ C/7S"
LOWER
C/f3"
YPE
Fig. 66a.
the hand
of the
the caps he
than
of the
There
only
case
are
describe
12^
can
buy
one
who
the
cases
the
set the
can
want
regular case.
in
The
with
48
It is
to
go
plan
to
used
are
The
more
ment
arrange-
Fig. 66.
of
of them.
"for 35 cents.
they
as
at A
schemes
square
arranged
are
type faster.
is shown
three
doesn't
cases
type
compositor and
several
inches
one
how
QAB/NET
first is
boxes
small type
in it and
good enough
the
view
for any
bother
of
of
lay
the
you
ing
learn-
of
HANDICRAFT
i68
and
regular upper
You
will
than
any
see
lower
that the
other
and
box
in
And
you
settingup
will also
the
job
observe
FlG. 66c.
tributed
but
and
the boxes
this arrangement
the most
case
is shown
in the lower
this is because
Fig. 66b,
used
BOYS
FOR
THE
upper
than
there
at
case
is
are
more
C.
larger
e's
case
other
any
that
LOWER
spaced in
the
placesto
letter.
one
letters
are
dis-
CASE
very
uneven
and
reach.
way,
are
used
AND
ITS
Where
PRINTING
"
line to
set
stick and
be
small
the open
Now
read
from
Fig.
the
from
put in
justlike
letter
on
get
but not
between
it
as
and
the
HOW
sized
medium
it,and
to
begin to
the
enough
end
to
the words
it is called.
of
start
to
slide to
lefthand
set
the
left.
the
thumb.
stick
space, which
high
the
set
on
up.
is made;
any
If when
word.
word, put
so
without
and
line ithere is
lengthen out
of
corner
your
composing
the next
another
is,
and
its box
hold
that
Fig. 67,
to
It should
ter
copy, pick the first let-
it in the
set
letter from
67.
in
one
composing
dollar.
shown
Now
you
and
the nick
the next
Take
you
than
more
use
you
lines of your
few
its box
as
from
side
a
means
will cost
one
169
ARTS
have
you
by all
left hand
in the
held
with
should
you
ALLIED
a
a
space
left
thin space
line,or justify
HANDICRAFT
lyo
When
thin
of
the type,
The
against it
have
must
type
placed on
Fig.
the
smooth
68.
an
stone,
and
it tightand
chase
A
it like
have
line and
new
of
out
a
as
type
in
and
the
and
piece of
or
chase
the
to
slate
do this without
making pi of it,
journeyman, put a lead
bottom
then
on
so
stick and
can
for
shoulder
type and
you
good way
hold
of
in
it will
stick
and
shown
as
do
the
to
full of type.
taken
all of the
thumbs
surface, such
bottom
start
is
lead, that
comes
imposing stone,
or
dropping some
takes practice. To
at
and
be
putting
called
stone
which
stick half
now
BOYS
line put
the
set
stripof typemetal
until you
have
you
FOR
with
your
your
other
easilylift it out
on
the
fore
fingers
fingers,hold
and
into the
Fig. 68.
you
to
do
it at first is to
it set in the
together
without
composing
much
wet
the
stick when
trouble.
When
HANDICRAFT
172
The
take
you
thing
next
block
with
on
do
to
of
the
side
of
Lay this
mallet
make
can
BOYS
plane
one
felt.
the
You
top.
is to
wood
piece of
FOR
which
the
on
is
ered
cov-
type and
get all of
to
a
the
planer or buy
type
for
one
or
in the
sheets
the
of
pivoted bands
and
off
run
grippers
few
set
are
of the sheet
they
heavy
must
be cut
side
lay on
every
time
you
the
it
then
edges
not
come
out
plain,
backing on the
the impression is
paper
sheet
of
backing
paper
of cardboard
or,
is to put about
the blade
roll it out
even
the
on
another
and
the
card
platen sheet
the
or
to
sheet
the
of
it in.
you
can
three
use
much
as
of
these
thin and
ink
can
as
penknife
even
with
bent
pins to
"
point of
the
the
that the
just catch
below
that
so
feed
sheet,
is
cardboard
of
will
gage
be careful
part of
under
impression
paper
Instead
the
the type
away.
piece of
left hand
will
the
on
paper
bit of
the
When
paste
Ink
of the
latter.
impression does
piece of
that
will not
the
of the
edge
put three
means
platen by
impressions;but
so
but
If part of
paste
the
on
on
paper
and
press
you
for you
the
on
get
can
small
ink
to
on
do
the
table and
hand
roller.
Lay
stock
your
and
right hand
the
against
the
press
in
feed
and
press
and
you
unlock
the
rag
dipped
in
If
the
with
ink
smut
form
left
until the
job
is done.
soon
as
As
"
from
the
tooth-brush
the
before
it with
rag.
in
clean
ink
with
benzine
it out
the
when
dirty or
does
To
also.
do
not
good
have
"
cleaned
o' type at
two
or
the
three
time
on
letters
at
lead
form
and
take
drop
each
line
pick off
left hand;
in your
once
then
and
all the
wash
and
benzine
rollers gets
it off with
have
and
when
dipped
it
raise
hand, feed
turpentineand
wipe
and
you
the press
well wash
work
your
benzine, or
on
with
rub
is gone
left hand;
out
Type.
your
hand
your
your
the chase
take
printeda job
away
with
on
so
Clean
to
ink and
down
with
time
the
get it in squarely
you
pins; take
173
right of
the
to
sheet at
it that
printedsheet
one
table
or
to
see
gage
How
card
ARTS
ALLIED
the
on
handle
in another
ITS
AND
PRINTING
into
one
its
respectivebox.
The
course
like to
Rollers.
and
will
you
may
for
Ink
buy
know
your
how
iVo
and
turpentinedry soap
well in
mortar
The
ink
Ink.
all
is
as
old
1%
with
as
the
India
ounces;
a
to
01
use
Here's
of capivi 4%
ounce;
While
"
ready
it is made.
indigo %
ounces;
"
you
recipe
hills and
ounces;
red
mix
pestle;then
as
black
lampounce,
these
mix
gredien
inthe
HANDICRAFT
174
with
boiled
FOR
linseed
BOYS
oil to
the
right thickness.
When
that is
buying ink for job printing get one
a
quick drier and this costs from 50 cents to $1.50 a
pound according to quahty. You can also buy colored
mass
inks
in
purple in
The
ink
ounce
Rollers.
rollers
best
of
them
glue;
want
you
yourself get
and
better to
buy
can.
cheaper and
to
Cooper's
pound Peter
house
hand
try your
syrup, and
pint
glycerine.
Soak
the
all the
excess
it is
While
"
ready made, if
making
at
for 60 cents
cans
brown
green,
put it in
water,
before
things and
mold, which
is
length
set
the
want
you
the
roller
middle
the
mold
take
on
skim
it from
the
pour
brass
simply a
it
Now
you
then
spindle of
of
the top.
to
comes
5 minutes
other
soft,drain off
an
that
scum
About
and
until it is
slow
the
rain water
glue in
mixture
cylinderof
The
roller.
into
the
the diameter
stock,
as
the
exactly in the
composition is poured
is called, is set
and
the
into it.
Printing
color
colors, or
to
do, but
for
it.
colored
use
small
in
Colors.
Printing
"
printing,is
since
profitable,
It is
inks
than
plain type
trouble
in
you
little harder
it is with
and
good
doing
not
to
in
two
or
more
only interestingwork
can
easilyget orders
do a good job with
black
colored
creditable
ink, but if
ink
job.
you
you
will
will
have
PRINTING
AND
which
the
makes
will stand
and
in
out
bronze
can
be had
materials
bought
Meriden,
their
the
Dust
when
cotton
and
and
Conn.,
gold size
of
can
red
be
to
stick better.
ounce
silver, cardinal
can
want
you
bit of
175
the
cess
ex-
letters
gold beautifully.
buy a 3
powder
can
or
powder
off with
powder
You
you
tuft of cotton,
ARTS
print in
do it either by printing
can
dusting bronze powder over
print the job with gold size
then
in black
ALLIED
When
"
of in black
giltinstead
it with
Gold.
in
Printing
ITS
in
ounce
the
of
ought
you
of
above
Company,
for
send
to
gold,
in
the
Press
Kelsey
quarter
cans
All
copper.
for
one
of
catalogues.
And
Finally Your
Stock
Supply.
will need
You
"
"
print one
to
letter-heads
Cards
and
in
come
and
"
match
colors
and
tend
in-
ments,
bill-heads,state-
envelopes to
all sizes
quantity however
for
paper
for
them.
and
in
any
small;
sold
the
under
they are
thin
of
name
white, thin colored, heavy china,
business Bristol,fine Bristol, extra
Une
Bristol,satin
enameled
cards
and
with
linen
gold beveled
with
the
is
and
lace
for
round
be
Paper can
for labels; linen
paper
finishedBristol.
edges, and
bought that
and
bond
is
of
good white
stock
for newspaper
there
edges; fancy
mourning.
gummed
papers
cheapest kind
Then
are
on
one
used
white
for
and
are
bossed,
em-
side
respondence;
cor-
colored
but you
should
use
work.
Before
or-
HANDICRAFT
176
dering stock
for
full set of
what
Of
it feels,but
how
old,
so
make
Art
you
know
it is not
it is
What
from
materials
carbon,
to
into
fibers
of
^*
CqH^qO^,
hydrogen
and
wood
or
formed
of
of
so
ought
you
call cellulose
atoms
10
art
an
by chemical
are
composed
turn
it is
what
is
straw
rags,
chemists
how
it.
Paper is made
"
what
know
you
making
useful, that
all about
Is.
is in
of
just
like and
looks
paper
so
know
These
of
substance
atoms
but
processes
up
will know
you
paper
likelythat
and
to
sheets.
made
is to send
do
to
Paper Making
what
made;
Paper
mechanical
then
and
of
so
wonderful
enough
thin
samples
The
course
and
buying.
are
you
kind
of any
BOYS
FOR
and
this
that
is 6
and
5 atoms
of oxygen.
How
to
use
a
pulp
to
Make
make
the
first.
Cotton
this is called
Paper.
rag
paper
about
them
up
dirt and
^*
into
soda
"
of
they
little
for
makes
"
are
little paper
take
begin with.
make
cotton
stir them
the tender
into
converted
these materials
linen
or
the
you
couple of hours,
and
forms
are
white
material
be
because
"
To
Pulp.
grease,
Cellulose
whether
trees.
pound
caustic
the
to
it must
linen
or
of
paper
Whatever
"
to
and
solution
out
get
cut
of
all the
often.
ground-work
shoots
in
rags
of
of
all
fern
or
vegetable tissues
the hard
"
wood
of
from
boihng
be broken
You
out
the
dirty
them
and
then
and
beaten
wash
Next
up
this
do
can
with
fine, and
mills
paper
and
break
up
Molds
70.
You
FRAME
Need.
inches
wire
netting having
in
Laying
on
on
the
Fig. 70.
this purpose.
pulp
"
into
and
the
called,is
In
often.
water
used
to
are
wash
an
about
School
20
MAKING
frames
half-a-dozen
inch
cover
wide,
these
wires
slate frames
to
and
about
with
brass
the
are
inch
good
as
for
the
the
Make
sides ; and
5x8
shown
separated.
a
chopping
then using
are
PAPER
FOR
of wood
it is
must
the rags.
Fig.
The
engine,as
rag
resulted
linen
or
water
them
on
change
must
you
clean
177
has
cotton
knives
pair of chopping
cut
that
water
the
ARTS
by puttingthe fabrics
ALLIED
ITS
AND
PRINTING
"
HANDICRAFT
178
them
set
to
the
filled and
molds
down
of
sheet
in the
blottingpaper
and
the paper
over
put them
then
and
under
side
up-
lay another
are
making.
and
blottingpaper
the
frame
each
you
all the
have
you
the paper
this
pressure;
smooth
two
by placing the pile between
and screwing them
thick boards
together with
do
can
you
pileup
making
When
dry.
sheet
on
In this way
side to
one
BOYS
FOR
inch
place
Next
hoard,^^ make
the
them
pile of
and
them
screw
oil
of
sheets
between
paper
up
tween
be-
"
sizing.
the
Make
sizingby dissolvinggelatinein
until it is about
water
as
thick
milk
as
with
the
hot
cream
in it.
the
Pour
sizing into
shallow
dish
or,
Put
over.
of oil board
the
on
all
wood
the
sized
again, make
clamps,
let them
paper
better,
side
to
between
pileof them,
stay under
and
it
wet
the
screw
pressure
I.
in Chapter
description of these clamps will be found
66 This
and
buy it at a painter's
can
is a heavy oiled paper
you
St.,
and
of C. B. Hewitt
Bros., 48 Beekman
supply store, or
65
New
York
City.
i8o
HANDICRAFT
the boards
and
of them
shown
as
than
shown
at
cloth
over
shown
and
of
in
at D
CLOTH
by
the
of
one
done
other
that
so
glue
of
wider
inch
binding
are
the
will be
they
/4 an
you
sides
space
book
the
this
C;
to
on
the cloth
to
other
thickness
the
the width
as
side with
one
on
each
separated from
long
as
B.
at
glue them
thin and
on
times
boards
these
Coat
three
BOYS
FOR
edges
the
as
the
of
boards
as
Fig. y2.
FOLDED
OVER
D
Fig.
While
the back
it
and
cut
and
within
i"4
2
of the book
the book
inches
II
Sewing
leather
Bldg., New
SEWING
is
shorter
inches
as
the
The
as
the
and
wide
you
muslin
Book.
"
address
on
The
Du
width
would
inch
Pont
suppose
thick
which
is
the
muslin
cut
the book
next
of the back
instance
For
it is flat open.
all; then
materials
York.
wide
than
flap
muslin
the
drying take
is 5 inches
in
on
inches
when
inches long.
ers'
72.
is shown
operationis
Febrikoid
at
to
E.
sew
Co., Equitable
AND
PRINTING
this
pieceto
will need
thin
and
needle
the back
of
the
sharp awl,
book;
hammer,
thread
waxed
"
you
large darning
some
181
ARTS
ALLIED
ITS
is the best.
Before
white
doing
however,
so,
make
take
sheet
of
good
paper
"^hWil
Fig.
F, then put
at
the
book
yz-
and
book
bound
the
on
good
the
piece of
tight,and
complete
muslin
be
and
the
sure
it to
sew
flapsare
even.
This
done
spread
place the
between
and
rub
back
the covers,
the muslin
same
thing
to do
now
with
the
is to turn
of
the
glue on
some
the
book
it
turn
down
smooth
back.
back
over
one
All
ers,
pasteboard covthe cloth binding
on
on
on
that
the
front
it; then
remains
of the blank
pages
cover
do
for
the
you
which
i82
HANDICRAFT
sewed
you
which
the
have
you
of
of
night
over
wood
off
Putting
you
name
of
glue
foot
five
your
on
can
don't
"
heavy
it
paper
to
the
the
the
it
lay
book
it
screw
wood
up
the
on
morning
when
have
it
cover
one
between
tight
Let
clamps.
will
you
glue
flap.
and
of
in
and
clamps
to
pair
muslin
boards
BOYS
and
bound
smooth
jaws
book
the
conceal
After
couple
the
to
on
will
FOR
it
between
there
stay
the
take
you
book
more
to
add
shelf.
Title.
the
If
the
the
forget
and
front
of
title
of
the
the
or
cover
book
name
on
as
printing
piece
shown
press
author's
the
and
author's
it,
gild
have
you
"
on
"
cloth
of
in
Fig.
slip
and
73.
CHAPTER
VIII
STAMPS,
RUBBER
AND
BRANDS
rubber
which
is
shown
in
then
boxes,
intend
called
of
and
rubber
handle
is
as
inked
it leaves
and
sion
impres-
an
chase,
another
inches
on
wood
in
Fig.
inches
than
wide
74.
wide
books,
tags,
taste
to
them
use
the
matrix
wide,
These
two
(5)
and
Two
7
183
line ;
inches
inch
smooth
long;
which
made
thick
frames
of
shoulder;
frame,
inch
frame
made
high,
its
to
is
(4)
4x5
shown
boards
(6)
of
and
are
if
stick
(3 )
sides
(i)
need
composing
the
feet
Materials
will
you
^%6
and
The
"
one
on
its
inch
the -sides.
(2)
type;
inches
called
i
stamps
from
type
bad
Stamps.
more
up
inch
frame,
of
of
4x5
i
of
height
it is very
rubber
setting
marking
envelopes.
make
wood
for
Rubber
fonts
more
or
thick,
with
stamp
surface
etc., but
To
"
and
the
useful
are
Make
to
strip
When
in
molded
block
smooth
bundles,
Needed.
the
on
stamps
How
strip
on
yy.
letter-heads
you
matter
it.
Rubber
one
is
mounted
Fig.
pressed
on
for
Stamps
type
ING
BURN-
STENCILS
Rubber
stamp
then
SINKING,
DIE
at
inch
tooth-
HANDICRAFT
i84
BOYS
FOR
rubber
stamps
is sold under
can
you
buy
in sheets
comes
the
%6
about
of
signature stamp
$1.00 a pound.^^
name
it for about
and
gum
Br TH6M/)TRlXFRfiME
Pt-THE
CHRSE
Fig.
74.
MATRIX
THE
CHASE
FRAME,
RUBBER
Unvulcanized
with
and
can
In
You
Rubber
STAMPS
is crude
india-rubber
this is heated
mixed
it gets very
soft
be molded
it
but it is very
and
when
sulphur and
it gets cold
68
rubber
MAKING
FOR
BOARDS
AND
can
elastic
buy
well.
signature stamp
Company,
ordering of this
as
firm
10
ask
Central
for
No.
gum
Park
of
The
Goodyear
Tire-
York
City.
New
West,
4093, %6 inch thick.
will be
stamp
When
rubber
around
it
frame
the
cold
up
in
water
and
molasses.
Pour
the
frame
the
as
the
fill up
the
the
When
the
plaster has
type and
the
plasterwith
69
See
When
talHzation
the
solid
and
water
"^0
type
the
set
make
sweet
; mix
it thin
very
the
plaster
has
forms
the
substance, and
powder,
power
of
this process
which
taking
up
is called
tooth-brush,
even
it is
with
the
of
the
call
water
face
some
enough
we
in
type
Fig. 75.
and
utes.
min-
few
plasteruntil
oil; now
up
high
as
the
oil the
hard
in
type
plaster set^'^^
hence,
in
shown
as
sorghum
them
hold
the
away
frame
the thick
over
in
to
frame, and
of
with
the
enough
shoulders
frame
that
see
the
let the
it will do
brush
as
between
and
with
exactly even
and
set
around
Now
it is hard
it in water
wood
high
thick
as
space
^ype.
yet before
place and
string
plaster all
the
of
When
dip
it about
that
tie
enough plasterwith
than
fill the
to
make
and
face
little more
bowl
tablespoon
have
you
side
each
on
oil and
to
want
you
^^
lead
rubber
of it.
it is in the middle
mix
that
make
to
making
log.
thick, shoulder
matter
type
up
sweet
the
tight. Lay
over
Next
of, put
w^h
over
set
type
stamp
of
type,
rollingoff
as
how
know
you
set
to
the
have
you
the
how
easy
as
Since
"
castings and
pewter
make
Mold.
the
Making
185
SINKING
DIE
STAMPS,
RUBBER
more
so
that
its water
plaster
it will
of
crys-
Paris
plaster of
aad
forming
setting.
;
a
HANDICRAFT
i86
easilyinto
flow
the frame
stay
off, when
will be
in
plasteras the
the
with
its
frame
lower
hard
and
plasterimpressionis
the
75D.
type
Vulcanizing
the
in
muslin
the
them
in
Put
other
stripof
on
of
the
the
inch
night
lift it
frame
TYPE
Pl/fSTER
OF
IN
plaster
of
paris
FRAME
piece of
wider
and
the
un-
all
longer
the type;
rubber
boards
bottom
e.
Cut
"
impression of
one
fill
the matrix.
MATRIX
THE
Rubber.
rubber
the
from
matrix.
and
the
This
high.
called
chase,
IN
the
gum
than
round
then
MmRIX
P/?C"S
IMPRESSION
vulcanized
over
can
you
TYPE
Fig.
type and
very
formed
the
on
that
so
the
it.
this frame
Let
of
little space
every
with
up
BOYS
FOR
of
the
peelthe stripof
and
lay it on the
gum
on
the
matrix
iron
clamps
and
screw
as
shown
Fig. y6.
Half
kettle
fill a
of the kettle
"
with
but not
water;
in the water
lay the
"
and
mold
on
top
put both of
i88
HANDICRAFT
Mounting
pair
of
shears
a
Fig.
How
ink
off the
having
wood
is used
rubber
stamp
Rubber
Make
an
of
wood
each
and
3 inches
Ink
on
long;
2x3
inches, lay
then
cover
the
Pad.
is ^
cut
of
two
latter
to
"
block
of
use
specialkind of
writing ink
as
is too
rubber.
out
inch
four
out
with
Fig. "j"].
ready
Cut
"
do
to
stamp
smooth
Stamp.
need
you
rubber
in
stamps,
which
that
the
thin and
To
shown
rubber
for
it
as
the
of
mount
handle
BOYS
All
"
edges
and
'j'j.
Use
to
Rubber.
the
trim
is to
now
FOR
two
blocks
thick, 2
of
inches
wide
cloth
stripsof woolen
the
stripson each
by gluing a piece
pine
block
of
and
muslin
it.
over
Pour
each
pad
to
dozen
and
or
rub
distribute
15
the
the
drops
of
surfaces
ink
rubber
of
evenly.
both
When
stamp
of
ink
them
not
in
on
gether
touse
keep their
will not
Red
Ink,
in
box
"
Mix
"
parts of vermilion
so
A Black
Stamp Inks.
lampblack with 7 parts of olive
3 parts of
them
on
Rubber
Make
Mix
get
189
SINKING
together and
surfaces
inked
DIE
STAMPS,
RUBBER
with
Ink.
"
oil.
3 parts
olive oil.
of
Ink.
Blue
Mix
"
parts of
aniline
Ink.
Green
Mix
"
castor
How
pad,
Greek
hekaton
hence
to
To
which
letter
letter with
and
rub
of
the
pad
on
the
pad,
almost
as
way
as
or
and
it and
bright
as
now
and
50
or
"
called
copygraph
the
from
"
graph
write,
to
gelatine pad
you
write
must
ink; then
you
for
ptdl it off
clear
as
it
on
the
of
on
the face
clean paper
a
original.
In
the
the
you
will have
you
copies of
100
lay
be left
sheet
lay a
you
nal
origi-
your
fingers. When
your
impression will
an
if
rub
many
and
drawing.
with
it down
is
"
aniline
an
the sheet
remove
blue, 15
oleic acid
and
100,
means
copygraph pad
use
pad
it is often
hundred
Pad.
Copygraph
write
duplicatinga
parts.
hectograph, as
or
aniline
yellow, 50 parts
Make
to
and
oil.
castor
parts of
25
blue
copy
this
originalletter
be made.
can
To
make
gelatinein
'"^
You
stamps,
can'buy
pads, and
Co., 88 Chambers
good rubber
ink
can
St., N.
be
Y.
stamp
bought
C.
ounce
of
the
the
let it stand
it and
pad for
of
best
for
Rubber
quarter.
Everson
and
Reed
a
HANDICRAFT
190
hours.
24
of
Put
water,
it into
pour
jacketed pot.
be
to
or
the
water
the inside
hot,
degrees Fahrenheit.
from
the gelatineand
put
it
good
glycerinewhile it is yet on
stir the mixture
in a while
slowly every once
bubbles
from
to prevent
forming, and skim
smooth
to
forms
that
the
make
it out.
hot
in order
off
have
you
teaspoonful of
pan
tin
Set
the
sheet zinc
to
want
use
of
nice
oil of
the
cloves
if you
pie pan
on
pan
little
and
copy
to
When
fire;
it sweet.
Next
you
stir in
mixture
keep
top of it.
on
cup
wuter
latter in the
froth
and
heat
and
200
of
can
glycerinein
of
the stove
on
outside
ounces
exact, to about
Drain
the
Put
the pot
set
pot,
tablespoonful
BOYS
FOR
larger than
inch high, or
an
merely
to
want
try
night
over
the
it is
ready
write
your
use.
How
Copy
to
letter with
and
use
While
can,
you
try
the
pad.
to
must
to
do
it with.
writing is gettingdry
wash
you
face
the
make
cold
an
water,
of
the
take
the
pad
part of it.
Let
on
couple of minutes,
and
then
grip a
stay
corner
with
dry
as
will
the
spoil
written
fingersover
your
on
as
it before
else you
gently rub
the paper
it
gelatinewith
impressionor
clean
small
squeeze
side down
every
steel pen
it with
wet
You
"
new
the
sponge,
This
Letter.
the
of
pad
it and
for
pull
it
slowly
78.
you
do
this
To
rub
it
as
and
have
pull it
as
ute
original,let it remain for a minKeep on making copies until you
did the
you
191
in Fig.
evenly from the pad as shown
are
ready to make your copies.
lay a clean sheet of paper on the pad,
and
Now
SINKING
DIE
STAMPS,
RUBBER
off.
as
many
want
you
or
the
impressiongets
too
faint.
THE.
GELPTlNEPm
THE
OF
SHEET
P/?P"R
^THB
Fig.
78.
When
of
PULLING
with
pad
before
How
Mix
30
10
you
Make
to
O/^
IMPRESSION
Z/NCP/P/V
FROM
THE
parts of
moist
parts of alcohol.
Red
make
new
"
and
Mix
"
10
are
stir
as
Black
of
Ink.
"
nigrosene;
arabic
anilines
parts of fuchsin, 10
before.
oughly
thor-
and
are
60
solved
dis-
thoroughly mixed.
parts of glycerineand
alcohol; 10
Heat
it until the
Heat
dry
copy.
Hectograph Inks.
methyl violet;20 parts
Ink.
the face
let it
and
sponge
COPYGRAPH
you
the
AN
T/N
parts of
50 parts of water.
HANDICRAFT
192
FOR
Die
How
sink
to
boy
into
make
wants
It is
"
or
sheet
if you
easy
steel
with
metal
it too, for
every
medal.
SHIELD
THE
OF GERM/^N
SHEET
work
fascinating
have
of
out
money
some
badge
etc.
piece of
yet it is very
can
Sinking
Badges,
name
dies and
you
Make
to
BOYS
CUT
SiLVER OR 5R/^SS
OUT
WTHSHIELD
M/IRKEDONIT
Fig.
Badges
inch
or
for
ones
of
chisel and
a
block
and
74
these
7**
of hard
You
The
can
wood
'^^
makes
mighty
inch
one
curved
side of
silver in any
Row, N. Y.
buy German
Bros., Park
P.
silver
%4
metal
cold
which
chiselj^ also
must
be nice
"^^
smooth.
Patterson
75
/4 and
BADGE
To
badge get
of sheet
kind
German
it takes
of any
but
more
MAKING
IN
STEPS
FIRST
B.
be made
can
thick
pretty
79A,
F.
Smith
Co., 325
West
quantity and
42nd
St., N.
thickness
Y.
C,
make
chisels.
You
can
make
it
so
by scraping it with
of
piece of glass.
RUBBER
on
and
then
shown
at A
and
to
work
Fig.
THE
Sink
the
BADGE
Mark
Fig. 80
$3.00.
the lines
be sunk
to
the
surface
which
the
mark
'''^
Ave.
you
Can
and
be
with
all
193
intend
you
When
make
to
the block
on
chisels and
your
of wood
hammer
have
you
as
it cut
FLAT-IRON
on
VISE.
will cost
badge
on
soft lead
very
rubbed
lines with
as
IN
SINKING
hood
neighbor-
the letters
are
pencil,or, better,wax
white
your
fingeron
and
then
bone.
some
Hammacher,
13th Street,New
D.
in the
which
by tapping it with
over
of
IN
'^'^
LETTERS
they
the
For
"
of
set
and
have
had
latter
Letters.
ON
in
of
badge
Fig. 79.
THE
shown
SINKING
rough edges.
will need
you
79c.
in
with
it out
cut
the
lay the
sheet of meal;
of
the outline
Draw
DIE
STAMPS,
York.
Schlemmer
wax
and
Co., Fourth
HANDICRAFT
194
Otherwise
you
BOYS
FOR
will have
trouble
badge
gettingthe
in
lines
out.
Now
iron
lay
Then
to
flat-iron
"
and
stamp
with
serifs"^^
Fig. 8o.
shown
at
Hold
a
sink
into
of
steel letter
with
blow
the
side toward
of
edge
for
you
the letter
sinking
die
line you
the
going
are
have
drawn
by working
both
to
perfectlystraightand
the
and
metal
the
letter below
is the way
figures
you
as
D.
the
goodly
the notched
and
middle
name
the lower
on
letters
steel
the
exactly on
perfectlysmooth
piece of
in a vise, see
C, is good.
letter of the
it with
hold
the
on
screwed
the middle
take
and
the
leave
surface.
get the
name
the
Finish
on
the
the
die
will
impression of the
stamping
the middle
from
ways
when
hammer
give it
the
name
letter,for this
badge evenly.
78
See
set
of
Chapter VII,
on
Printing.
"
196
HANDICRAFT
finish it off with
then
and
lathe of any
and
stone
Heat
put
FOR
kind get
oil
the
it and
on
some
crocus.
feltwheel
^^
then
the
stamped surface
surface
but
Put
it away
and
you
will have
leave
all that
How
to
shown
as
cardboard
and
inch
without
long and
Mix
box
up
with
say
at
F.
of
wood
Brand.
inch
make
it, make
To
on
3 inches
and
high
the cardboard
box
of
handles
by burning
"
initials
your
wide,
the
mark
top.
some
let it set.
it is
away
one
perfectlyhard
from
it,and
that is %
and
with
dry
the
on
they
it
tear
narrow
initials,
reversingthe letters just as
your
letters.
sunk
Brands
burning brand,
sticks to
ware
the hard-
at
get
is in the
name
the rotten-
use
Burning
you
regularbadge
have
crocus.
If you
and
of the
enamel, which
hlack
some
BOYS
are
out
on
type.
Take
from
around
the
letters to
and
a
depth
F. W.
Gesswein
platers' and
cut
away
of
the
plaster
inch, thus
polishers'supplies.
cians',
St.,sells engravers*, opti-
RUBBER
ters
shown
as
plasterto
in
at
Fig.
Give
it
197
couple
of
but
certain extent
SINKING
81.
which
varnish^^
of shellac
coats
DIE
STAMPS,
not
the mold.
to
.^^
:^
"
\J
P/?Tr"RN
3"
OF
FOR
BURNING
BRmP
-^ PU?STER
P/?RI5
J^
BUR.NING
COMPUTE
THE.
BJ?fiND
81.
Fig.
this pattern to
Now
take
brass
casting made
up
nice and
of
the
next
inch
on
one
and
81
You
the
put it in
it out
In alcohol
last
and
Use
can
or
thing to
%6
get
fire and
make
this varnish
it
when
firmly on
it at
To
rod
by dissolving yellow
a
paint
store.
ring
inch
die
like B.
the burning
use
wood
iron
an
it is about
the
to
tap.
it will look
"
%6
inch
brand, when
Brand.
brand
the
end
other
Burning
buy
is to
inches
12
press
can
of
long, bend
with a ?i6
the
done, drill
it with
do
the surface
keep
to
have
and
get it file it
you
This
thread
and
you
When
the back
of
COrPER
OR
foundry
be careful
and
it into the
brand
take
inch
end, thread
to
brass
it.
in diameter, and
screw
How
an
IRON
OF
perfectlyflat.
in the center
of %
The
of
and
smooth
letters
inch hole
depth
BRAND
BURNING
red
you
gum
hot,
want
shellac
198
HANDICRAFT
mark
to
and
BOYS
your
the wood
long as
FOR
the wood
on
as
lasts,nearly.
Stencils
stencil is
in which
metal
broken
letters
lines,and
design
it
piece of heavy
on
There
the open
those
used
for
decorative
How
two
are
for
surface
spaces
with
kinds
of
cut
sheet
through
marking the
by daubing a
brush
or
of
with
letters
color
or
on
sponge.
stencils, namely
and
practicalwork
(2) those
(i)
for
used
purposes.
Cut
to
Stencils.
You
"
in either
(a)
copper.
Paper stencils,as
metal
and
serve
your
oil
hoard,^^ or
much
called,are
they
as
in thin sheet
those
cut
quite durable
brass
in oil board
those
than
stencils
your
cut
or
are
in sheet
need.
every
stencils with
are
cut
can
(b)
easier to make
CuttingPaper
with
design are
it is used
smooth
any
through
or
thin
or
paper
is
Stencils.
"
sheet of
All you
oil board
need
and
to
a
cut
paper
pen-knife
A stencil alphabet
good, sharp-pointedblade.
is shown
in Fig. 82 and
at A
by taking a look at it
will see
be broken
exactly where the lines must
you
a
hold
the
First
mark
to
want
you
82
man
out
middle
line of
Oil board
St.,New
together.
with
through the
every
letters
can
to
York.
draw
line down
letters you
be
then
want
draw
bought of C. B. Hewitt
and
sheet
pair of
For
lines
Bros., 48 Beek-
across
whatever
When
want
you
mark
in the
the middle
letter and
board
then
and
right and
this way
metal
exactlyin
in the
you
be.
with
line of the
of
rest
them
start
the middle
on
oil board
left; by letteringthe
the
to
it
word
or
name
draw
draw
the letters to
height of
the
you
199
between
the space
have
and
SINKING
DIE
STAMPS,
RUBBER
word
or
name
or
of the sheet.
the middle
A WAm'll
M"\lll(WITM.STH\'(:il.S
M JKLM
"|
.SMTIMK
OPnRiJTU
VVVXYZAi
a7IKM)BI":
IK)U."\IUS
Fig. S2.
To
cut
A.
How
B.
C.
Decorative
knife
with
your
just as
side
toward
to
board
but
take
press
smooth
pen
little closer to
you
and
you
write
when
lines you
but
the
cut
or
the
on
knife
at
at
will slant in
bevel
the paper.
turn
can
positionfor cutting.
pressure
hard
so
hold
point. Start
the
vertical one,
the best
much
down
board
horizontal; hold
all the
do
borders.
wall
the center
It does
for
lay it on
if it is
that
boxes.
marking
line if it is
so
cut.
are
stencil
stencils
and
leUers
for
you
fingersa
slightangle
In
stencil
top of each
left hand
letters
stencil
the stencil
your
the
STENCIL
to
enough
cut
on
through
the
blade
the
to
HANDICRAFT
200
the first
make
the
into
sharp
to
the
the letters
stencils
When
you
file them
the
the
of
at
How
called
it
is shown
is the
littleand
dab
then
and
to
use
it
cake
on
the
especiallyfor
stencil with.
to
the
"
ink; ^^
of stencil
surface
paint
Stencil Inks.
Make
shellac and
logwood
color
it,or
want
you
copper
The
the
stock
in
Brown
thickness
Nearly
stock,
Co., Cor.
every
or
you
Fourth
Row,
New
stencils.
and
Sharpe
Wire
sheet
metal.
stationery
can
to
are
you
it
in
spaces
Ave.
and
it red
if this
if you
York,
want
and
used
stencil
Y.
it to be
ink
for
and
Schlemmer
Hammacher,
13th Street, N.
is the
sheet brass
carry
is also
carries
of
of
ounces
little boilingwater
Gage
store
get them
carmine
for
of
Dissolve
"
make
to
blue
Bros., Park
Patterson
in
part of borax
put in enough
in
sharp.
are
the brush.
Hoiv
85
off of
hurr
short, stubby
"
to
not
for
made
and
tight to
"
and
stencil chisels.
edges
kind
rub
stencils
B.
at
Stencils.
best
metal.
design as
with
all the
brush
stencil down
the
mark
84
skill
Brown
file the
design
that
so
stencil
purpose
Dampen
83
small
metal
or
with
them
or
Practical
Use
to
brush,
with
right
or
25
the letters
cut
letters
practicalstencil
No.
angle
an
sheet
about
out
then
and
have
edges
hold
very
over
run
cuts
the paper
I'b cut
"
metal
mark
gauge;
paper
designs on
sheet
^*
Sharpe
the
the
make
cut
never
It takes
Stencils.
^^
annealed
also
corners.
the
or
Cutting Brass
the
and
through
ing
stencils but the chief part of the art lies in draw-
cut
use
clear
go
same
up
cut
BOYS
FOR
C.
and
ing
measur-
brushes
and
RUBBER
Then
blue.
thick
as
add
hot
enough
SINKING
water
201
it
make
to
about
cream.
as
How
DIE
STAMPS,
Decorative
Use
to
Stencils.
Art
stencils
"
be
can
with
used
borders
see
careful
not
to
kalsomined
this
Write
87
St.,
to
the
catalogue
and
^'^
color
in
of
for
putting
these
cut
can
your
rative
deco-
design
own
or
Borders.
with
much
stir
will
half-a-dozen
or
the
be
tints
little
very
hot
some
color
wall
make
To
"
be
water;
effect
the
on
contrasting.
too
be
can
for
had
work.
s^
for
colors
adapted
stencils
frescoed
or
Beautiful
Stenciling
too
kinds
cut.^^
decorative
use
certain
You
after
82,
for
stenciling
moresco
walls.
already
for
colors
for
especially
Fig.
Colors
Mixing
the
in
them
buy
can
you
is
kalsomined
on
stencils,
it
but
work,
effect
good
Co.,
Chicago,
Made
by
N.
Y.,
and
of
Frost
their
Ills.,
Benjamin
sold
and
Art
for
by
Cut
a
H.
paint
Co.,
Adams
list
Stencils.
of
their
Cornhill,
Also
Boston,
to
Sears,
decorative
Son's
Moore
and
dealers
generally.
Mass.,
Roebuck
stencils.
Co.,
i8o
William
CHAPTER
ART
THE
One
of
the
is
working
in
is
it
seems
of
One
for
reason
beautiful,
so
GLASS
glass.
the
to
WORKING
OF
most
substance
IX
hard
so
observer
ordinary
this
and
be
to
arts
it
is because
so
fragile that
the
beyond
pale
tools.
contraire,
Au
if you
worked
tools
it
it.
Further,
material
is
What
by
which
glass can
the
^^
that
years
glass is
Before
"
getting
down
worked
be
few
means
of
how
and
it is
inscriptions on
the
art
ago
or
chemical
the
to
a
good
of
Egyptian
the
working
before
the
compound,
glass
the
cesses
pro-
scheme
ticed
prac-
exodus.^^
Hebrew
the
ments
monu-
was
chief
substance
Sand
by melting sand,
is formed
of
lime
chemical
The
of
itself.
substance
glass is made
together.
which
89
are
The
88
in
tell you
to
need
you
kind
right
is sand.
Common
soda
pleasure
tools
Is.
show
of which
the
the
inexpensive.
Hieroglyphic
Now
say
much
me
Glass
4,000
French
gives
about
know
to
mix
and
do
to
the
as
sacred,
departure
of
and
the
glypho
which
Israelites
Moses.
202
from
means
Egypt
to
and
element
on
stone
hieros
carve.
under
the
ance
guid-
HANDICRAFT
204
as
shown
in
at
You
Fig. 83.
it will
quarter and
BOYS
FOR
needs
all your
serve
buy
can
for
one
If
well.
very
money
with
object you
no
of
one
can
It is shown
them.
B.
at
83.
Fig.
How
steel
B.
diamond
with
screw
steel wheel
is made
Glass
Cutter.
hammer,
into
cutter
will be
you
glass cutter.
point glass cutter.
"
"
There
but
in all trades
in
cutters
wheel
A.
Use
to
GLASS
some
and
if you
so
find
surprisedto
he
as
will
before
kerosene
tricks
are
drove
dip the
each
cut
easilyit
how
cuts.
To
hold
use
diamond
index
place the
and
cutter
middle
square,
it
along evenly.
three
it
just as
fingers,as
firmly on
would
you
shown
againstthe straightedge
it down
press
cutter, hold
grip the
penciland
thumb,
Then
the
your
at
C.
of your
glassand
draw
THE
rightkind
sharp angle,that is,very
To
until
Fig.
make
83c
hold
it,and
the
THE
it
RIGHT
and
never
cut
never
clear
or
twice
over
ON
POINT
will
you
the
same
at
slowly
is made.
cut
DIAMOND
down
CUT
raise it
and
slanting,
205
cut
HOLD
TO
WAY
straightup
of
and
smooth, sound
GLASS
WORKING
OF
ART
GLASS
Don't
CUTTER
surely spoil
line.
THIS
^T3QU/?R"
P^N"OFGl/?SS
DR^W/NG
Fig. 84.
It takes
than
will make
you
HOW
to
skill to
more
rightway
BO/7RO
to
use
cut
use
pane
of
diamond
proficient.
glass
cutter
the
littlepractice
2o6
When
head
the
and
You
clean cut.
along the
the
of
cut
sheet
of
rub
corners
it
stone
coarse
better
have
on
is to
way
good,
sheet of
glass
side of
each
put it into
one
and
glass cutter
it off.
Glass
which
on
it
on
glass as
make
Edges.
When
"
the
it up
and
zvhetstone, that is
your
grind
it
cutter
will
round
off the
of
kind
any
be
have
you
cut
you
on
one.
How
sheet
thick
inch
and
Glass.
in
Holes
Drill
to
through
as
it.
The
bed
bend
to
hard.
drill too
little should
Take
how, grind
know
than
it has
is to
sharpen it
The
when
best kind
ian, or
page
in every
it
on
you
for
your
of
direction.
putty is
to
press
down
you
hole
grindstone
the
on
to
next
sharper point
best
thing to
do
oilstone.
drill stock
as
to
the
use
shown
the pressure
Set
the
allow
get it ; the
on
then
of
Morse
reciprocatingone,
29,
glass
drill
To
"
of
drill and
on
the
of
smooth
To
the
If not
on.
slightlyrough.
of
enough glass on
shank
Off
Finish
to
square
then
tightand
hold
the
on
the
easilybreak the
easilybreak
then
How
is
firm
it
then
can
notches
can
you
get
of
blade
glass lay it on
if there
cut
to
the
the
it
of
sheet of
in
shown
with
board
drawing
to cut
want
you
BOYS
FOR
HANDICRAFT
drill
is
at
an
archimedin
Fig.
on
the
glass is
on
the
glass at
11,
even
the
THE
ART
point where
fingersof
the hole
much
too
the
break
Vie inch
in diameter
in diameter
from
do
will
or
you
drill
slow
go
of
drill
to
hole
and
are
to
Cut
Ways
slow
break
with
Fig. 85.
Second
the wheel
The
right
You
can
CUTTER
Glass
Tubing.
rather
with
the other.
on
is marked
of
name
GLASS
off
all round
and
can
you
TUBES
and
use
seat
on
The
sure
cornered
to
way
end
one
and
of the rod
arm
cut
glass cutter;
gauge
off in fractions
three
ameter
di-
trouble.
easy
is to
of
The
"
break
cut
file ^^
FOR
An
"
smooth
steel rod
cuttingwheel
92
Way.
glasstubing off
this is
surely
careful.
three-cornered
The
put
job because
% inch in
to
up
"
tube
not
the
the
slippingand
will find it
can
you
Couple
First
it with
you
if you
A
to
quite hard
hold
made;
207
glass.
will find it
You
on
pressure
GLASS
keep it
turpentine.
with
the drill at
be
is to
left hand
your
lubricate it well
Work
WORKING
OF
of
file is
an
steel
ing
hold-
inch
three
like
square
me.
^^
and
buy
Co., Fourth
one
Ave.
of
and
these
tools
of
Hammacher,
York.
^^
Schlemmer
208
FOR
HANDICRAFT
rule and
as
shown
in
To
use
cutter
on
the V
set
to
set the
togethertightand
break
can
How
on
this rod
Glass
the
at
the
; press
in
the tube
good
length
with
outside
it and
turn
it will make
Cut
the rod
on
with
and
stop
tube; then
the
cut
it in the tube
rods
in it slides
screw
Fig. 85.
the cutter
want
you
stop with
BOYS
and
cut
easily.
Disks.
sawing out a
round
board, laying it flat on a sheet of glass and
the edge of the
running your glass cutter around
cut out
an
approximatelyround disk
pattern you can
of glass.
to
Fig. 86.
But
a
an
to cut
^^
hardwood
mounted
be turned
base
so
shown
as
head
adjustable cutter
can
glass
perfectlyround
out
circular
By
"
it.
on
that it
can
cutter
disk you
in
on
The
Fig. 86.
a
square
rod
revolve
have
must
It has
rod
so
is mounted
around
the
latter.
After
of
the
the cutter
circle you
head
intend
is set
to
on
cut
the
hold
rod
it down
on
the
THE
ART
moved
in
round
which
the
Little
and
circle and
The
smoothed
which
circle
is made
cut
be
can
is then
head
cutter
clean
209
is
inches
20
after
up.
called
the
in diameter
about
If you
cents.
50
GLASS
glass cutter,
will cut
Beauty
costs
disk
the
of
edge
circular
This
WORKING
thumb-piece.
the
glass by
OF
making
are
fric-
need
cut
to
glassplateswith.
How
how
Bend
to
bend
to
interested
are
apparatus
to
There
tubes
with
Eimer
New
a
a
air,the
(i )
are
you
which
of
Bunsen
Burner
Is.
bend
to
Bunsen
Avenue,
Cor.
and
buy of
Street,
can
you
glass
^*
burner
being regulatedby
amount
burner
Bunsen
the oxygen
plain Bunsen
have
Complete
in
This
"
i8th
is
and
found
these
need
Fourth
in the tube
8*
things you
Amend,
gas
you
before
experiment.
and
and
how
know
York.
which
should
What
and
"
just two
are
the
(2)
It is useful to know
Tubing.
if you
piece of glass tubing,especially
in chemistry and want
to set up
some
in fact you
"
start
ever
Glass
The
gas
is shown
in
instructions
Magic
by Fleming
H.
hot
very
in
air aids
in the
no
faster than
burner
opens
in the burner.
makes
moves
with
is mixed
ring which
in
burner
your
of Science
Revell
at
house
by
the
Co., New
because
the
ordinary burner
an
the
making
for
flame
gas
to
bum.
A, in Fig. ^y.
you
Bunsen
present
York.
can
burner
author
If
use
an
will
and
be
lished
pub-
HANDICRAFT
210
alcohol
yourself.
Bending
tube
you
which
burner
Tube.
have
should
shown
as
hot
Hold
B.
the
want
to
for
make
an
of the
ing
illuminat-
tube
bend
the
over
lamp until it is
alcohol
or
all
or
piece of glass
like
flame
wide
at
of the burner,
flame
bend
To
"
buy
give
to
either
can
you
the Glass
burner
Bunsen
red
^^
lamp
BOYS
FOR
heated
it.
BURNER
fj CHEflP
BUNSENBURNER
BURNER
PIRHOLE
T0C/9S
SUPPLY
Fig.
Now
87.
the
turn
tube
as
you
will
little
very
smooth
95
the
it from
How
OF
flame
w^hich
practiceyou
bend
to
in The
just where
make
an
Magic
alcohol
of
with
flame
around
and
fingers
your
soft;
becomes
and
you
burners
bunsen
in the
evenly all
until it is heated
take
KINDS
REGULPTOR
FOR/?/R
do
can
will be
you
able
want
lamp
Science.
very
out
to
it
easily.
With
make
good
it.
of
an
ink-bottle
is
plained
ex-
HANDICRAFT
212
tube
of
you
have
FOR
press
BOYS
it down
on
piece
iron.
^PULL
Make
To
apparatus it
89.
SEALING
Glass
very
-^
\))
FLAME
Fig.
PULL
OFF
Nozzle.
often
6"^^
THE
END
In
"
OF
TUBE
settingup chemical
happens that
glass nozzle
is
BLOW
H^^
J\
^HERE
CORK
UTTLE"ULB
B
-
^t^
"
THEHOLE
Fig. 90.
needed.
tube
as
To
make
described
HOW
to
make
nozzle
above
and
hole
in
seal off
tube
piece of glass
by nicking it with a file
a
THE
can
you
want
Hole
size in
have
which
is described
in
Fig.
in
farther
where
90,
it until
little bulb
take
trim
it away;
of the hole
round
To
cork
Join
into
until the
hole
one
will be
Tubes
Two
end
of
and
blow-pipe,
the
hole
and
and
gentlepuffs
of
the
and
edge
when
run
B.
at
Size.
tubes
glass
the
shown
Same
bulb
thin
around
glassbegins to
the
the
the
as
stick
then
When
produced
point,see
blow
the tube
of
one
of
hole
it is called,you
gently crack
heat
now
again
smooth
make
is formed.
file and
the
mouth
in your
and
size
on.
want
you
end
is cold
To
"
end
one
Tube.
or
other
the
213
piercingit,as
sharp pointed flame
to
up
in
tube,
ought
Cork
GLASS
it.
Make
any
WORKING
OF
have
you
To
ART
Put
"
hold
the
^^
PRESS
^^
HERE
CORK
PRESS
HERE
A
PRESS
HERE
CORK
jXs.
HEmHERE
d
'PRESSHERE
Fig. 9IA.
WELDING
TWO
TUBES
TOGETHER.
B,
MAKING
TUBE
HANDICRAFT
214
other
in the flame
end
tube
shown
as
Let
at
enough
to
enough
of the other
end
one
melted
stick
form
them
as
the
them
make
BOYS
Fig. 91.
press
make
to
in
well
as
of the tubes
the ends
thicken; now
not
FOR
ends
but
together hard
together but
thick
melt
to
not
hard
ring.
FUJME
'/f/R
Fig.
To
make
92A.
good job
flame
and
heat
the
blow
into
the
open
glass
the
smooth.
the
BLOW-PIPE
should
you
juncture all
end
trifle. While
glass in
REGULAR
of
to
use
around
tube
red
to
pointed
hot
spread
and
the
ing
blowing keep turnthe joint nice and
make
are
you
flame
the
now
THE
To
make
heat
the tube
tube
as
press them
It is
in the
described
at
of
then
cork
and
togetherhard
while
it is stillhot
make
it less brittle
to
to
the
in
both
up
they
make
ends;
good joint.
the
glass,which
means
cold
soft
are
around
by lettingit get
the
of the other
When
to
One.
tube
end
cotton
wrap
anneal
the
one
enough
215
of Another
side
B, in Fig. 91.
good scheme
and
the hole
GLASS
Side
the
to
around
shown
WORKING
hole
aheady
manner
OF
Tube
Join One
First
"
ART
joint
to
slowly.
STOPCOCK
'FOR/ffR
RUBBER
COUPLING
\ TOP
OF
T/JBLE
J'
TO BELLOWS
Fig.
To
CROSS
92B.
Blow
Make
section
Bulb
"
the
blow-pipe in
For
to
get
blow-pipe
made
of
Tube."
blowing bulbs
need
like, you
order
home
End
the
on
Blow-Pipe.
flasks and
of
on
How
to
tubes, for
regular glassblower's
hotter
than
flame
Bunsen
burner
gives.
You
can
buy a blow-pipeas shown
for $1.50,^*^
of you
can
easilymake one
96
Blowpipes
Schlemmer
and
and
bellows
Co., Fourth
can
Ave.
be
and
bought
13th
at
as
of
St.,New
in
Fig. 92
follows
get
Hammacher,
York.
2l6
drill
and
Vz inch
of about
as
shown
Next
take
hole
end.
Make
Fig. 92c.
THE
in
make
hole
the
about
This
the lower
the
first
end;
an
angle
stopcock in
the
pipe over
in diameter
cork and
push
READY
ARRANGEMENT
inches
long
to
long and
burner
of the
tubes
two
it
14
one
the
over
TO
USE
force
pipe and
tightenough
to
hold
ber
rub-
of it.
the middle
of the
and
from
in it 3 inches
completes the
ends
put
inch
bend
end
8 inches
size and
pipe.
one
length at
one
of the latter
glasstube exactlyin
tube
same
tube
the lower
from
long
Fig. 92.
BLOWING
GLASS
Connect
it to
through
first
glass tube %
solder
at
long and
inches
size and
inches
lo
in it 3 inches
hole
and
pipe
latter
and
in diameter
inch
fit another
the
tube
brass
BOYS
FOR
HANDICRAFT
glasstube
a
of
the
stopcock into
this
brass
fit a
but
with
you
into and
tube
want
to
through
set
the
THE
ART
top of your
the lower
with
tube
air
molders'
or
of
make
bellows
which
pair,or
Fig.
at
92D.
mouth
of the brass
regulatingthe
or
brush
had
at
work
How
tube
to
about
be
buy
for
buy
can
which
gas
small
of
can
jet or
brass
compressed
ordinary
about $1.50,
pipe
regular blowan
are
very
much
BELLOWS
FOOT
of
the
which
tube
is the gas
of air and
amount
mouth
of
glass tube
is,drawing it in and
gas,
the
you
D,
REGULAR
that
"
you
$8.00.
By adjustingthe mouth
is the air tube
can
it and
the table.
the
source
blower
you
shown
better,for about
other
or
The
C.
as
projectbelow
and
217
above
stopcocks are
illuminatinggas
bellows
can
you
at
GLASS
foot blower
shown
as
that the
so
the
connect
source
WORKING
of the tubes
ends
Next
other
table
OF
the
of
"
out
which
of the
tube, and
by
pointed flame
large size,can
blowpipe according
to
be
the
doing.
are
Blow
inch
Bulb.
"
Take
in diameter
and
15
inches
long;
2i8
HANDICRAFT
draw
end
one
shown
in
at A
Then
heat
PRESS
long
out
BOYS
FOR
and
3 inches
as
Fig. 93.
part of the tube
small
in
large,or
HE/^THERE
HERE
PRESS
HERE
FLAME
Fig.
93.
A.
B.
brush
flame,
Drawing
Forming
at
BLOWING
the
out
GLASS
BULB
tube.
glass rings
then
and
glass thicker
IN
the tube
on
the
turn
until it is soft
the
STEPS
FIRST
this
both
on
press
point.
all the
ends
the
Do
to
time
make
thing
same
/^ELT/?NPSE/fL
^
THICK
R/NG
OFFHFRF
'CORK
G
Fig. 93c.
MAKING
THICK
RING
several
enough
to
above
the
make
so
at
you
OF
on
GLASS
until you
B, which
want.
are
have
thick
HANDICRAFT
220
glass surface
a
of
sheet
FOR
etch
or
BOYS
stencilled
name
or
is
need
(i )
inches
wide, 5 inches
shown
at
Fig. 94A.
in
Fig.
PARTS
OF
box
high and
Cut
94.
the
with
hole
apparatus
10
Hd 5
tightfitting
inches
long as
in
sand
for
wide
with
off and
name
(3)
and
Clean
etch
all around;
on
the
it
rub
it
pound
of
surface
w^arm
or
(2)
the
with
dry.
Next
can
pound
of
end,
say
etching
of wood
rather
an
coarse
of shot.
water
you
one
blast
emery,
design on
glass.
All you
inch
make
glass
a
you
littlesoda
cut
a
are
going
in it,wash
stencil
with
to
it
your
geometricaldesign by
THE
of
sheet
folding a
Now
cut
the box
in
out
and
the
and
sponge
cut
box.
piece of
a
a
Lay
hole
this
rub
in the cut
be
flat.
parts with
to
sure
it down
out
the
of
end
too.
in it the exact
on
221
and
paper
Coat
the
pair of shears.
mucilage, lay the stencil on
the mucilage off clean
Rub
slightlymoist
GLASS
WORKING
OF
ART
the
with
box
GL/?SS
TENC/L
CLOTH
Fig. 94B.
SAND
BLAST
the hole
togethertightwith
94,
or
tie it up
the box
and
PUT
APPARATUS
with
TOGETHER
it and
glass over
rubber
bands
string.
as
The
FOR
READY
shown
fix them
all
in
Fig.
at
cloth cut-out
ETCHING
from
between
sifting
through.
Put
tight and
then
the emery
and
emery
shake
in the
it hard
up
and
down
so
of the
on
that
glass
HANDICRAFT
222
with
much
as
minutes
force
half
or
an
FOR
BOYS
for
as
15
etched
deep enough.
When
you
particlesof
shot
and
This
process
for
as
the
open
have
emery
of
each
of
box
been
find
embedded
etching can
will
you
in
become
be used
that
the
the
lead
cuttingtool.
for metals
as
well
To
ground
glass.
How
Make
to
glass go
about
Ground
it
Glass.
above
as
"
described
make
but
in this
case
stencil is needed.
no
The
Acid
Hydrofluoricacid is made by
with
treatingHuor-spar,^''
sulphuric acid. The acid
which
is thus formed
acts
on
glass by eating into it
for this reason
and
it must
be kept in either rubber,
lead or platinum bottles upon
which
effect.
it has no
In etching large surfaces
the acid is not
the
put on
glass directlybecause it eats so smoothly the effect
is not strikingenough; instead the following process
is used which
leaves a rough surface
more
nearly like
Process.
etch
an
ounce
pour
a
lead
and
"
blast.
dish
with
the
size of
the
sides
inch
an
glass you
high.
of
powdered
flour-sparinto
enough
concentrated
sulphuricacid
thick
paste.
Coat
the surface
of the
the
on
Put
you
can
York,
it of
buy
or
of
"
the
want
about
dish
and
it to make
Fluorspar is calcium
fluoride;
and
Ave.
i8th
Amend, 4th
St., New
Apparatus Co., Boston, Mass.
^"^
the
Eimer
L.
E.
beesand
Knott
THE
pointed instrument
intend
you
Lay
the
with
then
scratch
to
steel
on
mixture,
containing the fluor-spar
Fig. 95, and let it stand over night.
/RUBBER
BOTTLE
the
to
side down
waxed
other
shown
as
The
glass.
dish
the
on
sign
de-
the
or
name
your
223
scriber,or
glass with
GLASS
WORKING
OF
rosin,and
and
wax
ART
at
vapor
in
formed
'^YDROFLUOR/C/?C/D
RUBBE/^
stopp":r^"
TRJ9Y
spmrno
FLOOR
/?ap
SULPHURIC
j7
ETCH/NG
THERnOMETERTVaE
Fig. 95.
ETCHING
A.
Etching
sheet
B.
Etching
thermometer
GLASS
of glass with
tube
WITH
ACID
fluor-spar.
with hydrofluoric acid.
tendency
great
or
The
scrape
is eaten
unite, and
off the
on
wax
it.
thus
which
the
it has
grates
glass disinte-
the
away.
morning
next
etched
to
attacks
and
when
you
you
take
of?
the
name
glass,
or
sign
de-
HANDICRAFT
224
etch
To
the
coat
etc.,
with
them
just as
shown
B, using
at
How
the
edges
surfaces
or
in which
water
with
clean
cloth
fingerstouch
Brush
the
To
of
careful not
be
in
some
let your
to
together as tightly
tin
which
bath
zvater
When
a
ounce
of
thick
A
larger pot
in
pot
tin of water
or
stir
or
"
the fire,put
keep the
to
it should
be
cement
about
as
cream.
solution
of
the
much
running
to
alum
Frost
water
glass on
of
the
off and
Glass.
zvater, which
in hot
alum
Lay
ounces
and
sugar
best
it is called.
as
Simple Way
much
in
1%
add
the mixture
Heat
and
as
and
of the
ounces
then
sets
the starch
few
sweet
and
dissolved.
they are
can
dissolve
hot water
pulverized starch
until
as
little
parts.
the cement
make
arable
gum
in
and
press
cement
possible.
as
or
made
and
as
the
over
cement
follow
the cleaned
direct
on
glass clean
hot
fixed together with
put
then
and
in this
but
"
and
wood
To
"
be
to
have
you
above
hydrofluoricacid
Glass.
Cement
to
described
hues
the
scratch
spHnter of
BOYS
thermometers, burettes,
and
wax
put the
can
you
graduations on
them
figureson
case
FOR
alum
as
"
let it cool
to
means
saturated
dissolve
as
possible.
perfectlylevel
water
Make
as
table and
you
slowly,when
can
pour
without
the alum
on
its
will
THE
ART
the
cover
for
fine
with
glass
substitute
WORKING
OF
GLASS
crystals. This
salts in hot
Epsom
with
clear solution
cases
that
used
are
because
Mica.
silicate and
because
ways
Gelatine.
and
hoofs
substance
of
In
glass.
some
of
is
from
and
It is useful
animals.
a
wrongly
from
it
sheets; in color
obtained
is
but
India; it is
jet black
fireproof.
horns
is also
thin
it is
which
it
of
number
Farther
translucent.
gelatineand
pure
in
to
Gelatine
"
mixing
solving
dis-
glassbut generallythey
cheaper.
the
to
then
are
instead
splitinto
colorless
transparent
There
"
found
be
can
from
ranges
by
and
mineral, which
isinglass,is
called
be made
is better than
they are
This
"
good
arabic.
be used
can
substitute
Glass.
can
water
of gum
for
Substitutes
substances
is
ground glass.
225
the
in many
skins,
the
Isinglass is
nearly
is obtained
chieflyfrom
the
ders
air-blad-
of fish.
make
sheets of either
some
of
To
is the
form
and
of
in
enough
it is still hot
hot
build
up
pour
the
on
lay another
the
edges
the
water
strain
with
that it will
so
it is cold.
it
a
through
clean
sheet
thickness
sheet of
piece of
putty;
some
gelatineto a
greased and hot
gelatineand
"
when
glassand
Now
"
solve
disisinglass,
ter
isinglass the lat-
glue, or
While
cheese
best
finest
the
gelatine,or
of
the
warm
of
glass
Vs inch.
glasson
top
until it is cold.
226
The
of
sheets
How
buy
to
there
make
color
any
while
gelatine
Mirror.
it
While
ing
add-
by
is
hot.
it
is
much
"
mirror
times
are
the
to
BOYS
given
be
can
Silver
to
cheaper
gelatine
aniline
little
it
than
it
when
is
useful
is
make
to
how
know
to
still
one
to
one.
As
know,
you
free
from
film
of
bubbles
silver.
The
silver
of
silver
the
solution
until
hydroxide
little
caustic
and
potash
drops
more
is
mirror
air
solution
weak
FOR
HANDICRAFT
of
ammonia
the
glass
the
upon
clear
This
then
and
finally
adding
in
put
few
little
very
glycerine.
float
Now
will
is
thick
the
water,
film
be
soon
enough
of
dry
silver
and
this
on
with
coated
take
on
varnish
the
glass
the
back
it
and
mixture
silver.
When
from
of
your
when
the
it
with
mirror
the
face
sur-
the
film
wash
bath,
clean,
is
done.
ammonium
done,
and
is
mixing
by
with
clear
glass
which
of
made
nitrate
is
of
back
is
bath
it.
to
sheet
cold
228
FOR
HANDICRAFT
Street
clothier
shown
in
the
to
Fig.
96.
of
the
high
as
each
of
and
to
stripvv^ith a couple of
policeman's
policeman
into them
and
top
foot
the
near
both
through
brads
fast
leg
of
ends
the
inches
persuasion,3
Fig. 96.
the
Pivot
of Semitic
BOYS
or
puzzle,
brads.
will
now
be
you
Nov^
good
v^^hen you
of
the
of
his
brains
color
ought
will add
How
to
to
be.
little red
the realism
to
Make
Truck.
and
Cut
inches
so
out
wide
that
to
board
for
and
it is
Fig. 97.
front
it's easy
end.
Bore
make,
inches
a
to any
V^ inch
little
tiny,weentie
inch
wide
This
"
too.
the bottom
14 inches
water
of the toy.
Automobile
an
blue
and
in
hole
front
2%
as
one
thick, 4%
end
shown
inches
from
of it
at
the
off
Saw
inches long
this block
of
the
across
board
wood
inch
body 6%
line in
inches
with
"
and
2%
and
glue
the back
from
Make
Fig. 97.
inch
229
square
the seat
this is to brace
"
by the dotted
shown
a
block
KIDDIES
THE
FOR
TOYS
wide
3%
and
seat
as
of
inches
C-TH^HOOD
VJ"W
TOP
Fig. 97.
To
34 inch
front
and
6%
short
back, and
inches
of
wood
the bottom.
Next
round
long
box,
or
make
wide
cut
4%
stripsof
for
the
the bottom
out
inches
wood
and
wide
long
2
Nail
to
stripsof
two
inches
sides.
close up
on
TRUCK
one
and
two
it rests
AUTOMOBILE
THE
thick and
stripson
blocks
FOR
body
2^/1inches
the other
and
the
make
wood
PLANS
for
and
the
inches wide
one
of
the
the seat
and
the
stripson
"
HANDICRAFT
230
that
is
left; set it
and
drive
and
into
brings the
down
fast to
one
the
boards
side-
through
each
of
the
boards
side-
it
4^
front
inches
fast
the
or
up
and
long
end,
let
both
these
nail the
and
inch
of
are
tom
of the bot-
rear
bottom
the
have
and
the
near
back
of
this
bottom;
be closed
can
blocks
square
one
the
near
shoves.
at
over
from
the
of
that
so
Nail
inches
ends
tail-board
inch
shade
just a
2
the
BOYS
the
between
brad
tail-board
off two
them
in
as
Saw
FOR
other
the
from
end.
Fig. 97D.
Make
wide
hood
and
and
READY
TRUCK
block
inches
of
high
the
side
views.
wheel
RUN
TO
bevel
front
bottom
in
For
the
inches
1%
wood
and
this to
top and
out
saw
of
nail
C;
in the
shown
wheel
at
AUTOMOBILE
out
long
shown
as
THE
as
steering
1% inches in
diameter.
The
last
thing
inch
thick
hole
in the exact
the
end
of
and
the
to
2%
do
inches
center
axle
is to
in
wheels
four
diameter; drill
of each
with
out
saw
wheel
inch
and
screw
long, round
Vs inch
it
on
head,
TOYS
wood
it will look
How
to
like D
and
Make
toy that
is
much
like
run
Swell
fire
is
This
"
but
when
engine.
will like
the automobile
231
bright red
Coaster.
little tot
every
just as simple as
very
the .automobile
Paint
screw.
KIDDIES
THE
FOR
tical
pracIt
immensely.
it must
be made
stronger.
/^"'
/s"
l.^f
/f-TOP
TWNDU
V/ey/
""K
"^
BOLT
\
C-/^^\A
T^
HmG5R
Fig. 98.
Get
thick, 5%
out
so
in
front
inches
that
bore
end
%6
and
make
a
with
the
inch
FOR
and
hole
inch
SWELL
is the
is 2%
end
Fig. 98;
Next
of
wide
one
places marked
out
PLANS
hardwood
board,
B'/fXLE SUPPORT
Y/EW
C'S/DE
14
COASTEE
best, %
inches
inches
i
holes
inch
across
or
long
wide
as
and
inch
it
saw
shown
in diameter
the
back
at
in the
at
the
circles.
rear
thick
axle
board
support
a
and
for this
saw
and
HANDICRAFT
232
long
7 inches
inches
the
the
end.
rear
This
it you
done
want
Fig.
use
98E.
THE
of
out
and
stick
READY
D, and
bore
B.
to
it and
RIDE
the
for
and
i
inch
ON
a
piece
long; saw
and
2^ inches deep
wide
inch wide
Round
at
bore
15 inches
iVs inches
until it is
down
C,
TO
piece2
by screwing an
hardwood
of
at
steeringhandle,
COASTER
wide
end
one
it ii4 inches
across
the support
the
make
it
shown
as
seat
of
bit and
and
to
thick, 2 inches
the
Brace
end
one
hangers
this support to
Screw
BOYS
brace
your
through
hole
of
out
saw
Take
square.
inch
from
and
FOR
end
wheel
for the
the other
saw
6 inches
and
deep.
handle, as shown
to
the end
for the
handle
bar.
Slip
the
rounded
end
TOYS
in
inch
diameter
KIDDIES
THE
FOR
6
and
inches
long,
233
for
the
handle
bar.
Saw
diameter, bore
Set
one.
Push
bolt
through
bolt
in
each
of
center
hangers of
between
the
through
them
it won't
How
run
any
and
screw
Get
to
Make
long
for the
down
back
for
the
back
inches
of the last
in
at A
shown
at
E.
attractive but
more
little
make
no
% inch
other
axle; bore
ends
of
inch
the
inches
3 inches
half
holes
sticks 4
more
inch
choptie
24
about
one
is
time.
and
square
bore
two
bore two
it in
of each
Next
This
"
tickle any
can
you
end
one
done
cut
inches
6%
holes
and
more
inch
off four
third
inches
sticks %
will do
ones
square
them
on
Fig. 99.
This
or
and
handle.
ones
as
run,
it
make
will
and
in the
through
way
to
screw
Nifty Wheelbarrow.
off
round
and
and
support
ready
sticks of wood
two
and
better.
half to death
'most
is
brightpaint will
wheelbarrow
cute
the axle
of
the coaster
of
coat
the
wheels
in the
inches
hanger
nut, when
"
the
of
one
hole
is 4
nut.
^4 inch
which
of
each
steeringhandle, slipa
the
on
wheels
three
out
the
next
long, and
and
"
in diameter
inch
an
one
make
one
6%
inches
one
10^
the last
of
long,
inches
long.
Out
diameter
of
board
and
bore
inch thick
a
hole
saw
wheel
in its center
5 inches
an
inch
in
in
HANDICRAFT
234
Smear
diameter.
glue
some
stick and
shortest
FOR
is the
TOPVtEW
the
on
BOYS
have
at
on
it
so
the
that it is
ofi
it
4^/4inches
other
the
of
middle
wide
at
one
OF
B/IRROW
WHEEL
COMPLETE
C- mEBLBARROW
\
B- SIDE
Fig.
99.
A,
B.
VJEyV
PLANS
FOR
BARROW
and
7 inches
the
toward
holes
READY
and
the
the
THE
C.
WHEEL
TO
near
larger than
WHEELBARROW.
NIFTY
long. Through
back
shade
THE
an
middle, but
upper
inch
edge, bore
in diameter
little
two
and
if you
intend
to
paint it you
must
do
so
before
you
HANDICRAFT
236
wide
each
for
glue
smear
sticks.
down
side, cut
them
on
backs
The
FOR
BOYS
drive
and
of the
into
them
swing,
as
14
cross-
at
see
that
ends,
the
will
you
made
are
the
round
and
they
C,
are
thick
inch
C^OSS
B/fRS
/^"
/i-TH"SE/IT
E
21
C'
Fig.
FRONT
PLANS
100.
and
wide
and
each
end
goes
14
from
Now
get
about
rope
middle
front
and
two
10
with
long
the
front
of
one
bar, thence
end
and
seat
and
it.
the
inch
swing
inch
each
through
through two
finallythrough the hole
then knot
hole
to
in
keep
fallingout.
pieces of good %
feet long; double
pass
SWING
HIGH-LOW
THE
FOR
inches
across
B/fR
holes
in the
the
thick manila
piece
in
the
hole
in
the
in the
side-strips
cross-bar
of
the
This
the
done
of
cross-strips
the cross-bars
of the seat.
the
and
same
Fig.
All
way
have
you
do
to
of
to
Make
improvement
doesn't
Saw
as
low,
holes
through
pieceof
shown
swing
high
into
in and
rope
D.
at
of
the
the
top
screwed
little tot
all
in
give him
or
swing.
How
runaway
hooks
last of
swing
is to
the
through
the other
done,
to
now
is
ready
couple
over
ropes
Fix
swing
swing
the
iood.
side and
the
237
end
back, then
the
of
cross-strips
in the
other
the
pass
KIDDIES
THE
FOR
TOYS
take
over
so
much
Stick
Horse.
"
This
is
great
because
riding a broomstick
imagination to change it into
it
a
horse.
out
of
board
5 inches
square
the
head
of
fierysteed as shown
dapple-gray,with a
a
a
real
Make
pony.
the head
stick %
on
in
at
its neck
inch
to
and
square
paint it
and
loi
like
look
then
nail
3 feet
long
webbing and
of
or
Fig.
on
mane
rein
BOYS
FOR
HANDICRAFT
238
straddle.
HE/) P
THE
HORSE
THE
OF
THE
STICK
HORSE
CO/iPLET"
Fig.
Make
thin
from
as
stick
down
out
in
to
cross
square
until
they
pair of
diameter
banbury
inch
axle
nail the
to
the
wheels
and
and
are
free
inches
inch
an
of
end
the
of %
inch
thick
inch
hole
bore
their centers.
wheel
over
each
through each
coming off, and it
shown
horse
stick
the ends
and
diameter
through
axle of
an
long; whittle
in
ride
ioi.
nail
at
B.
end
of the
end
to
will be
axle
prevent the
fit and
ready
"
drive
and
wheels
to
ride
TOYS
How
and
pony
Make
to
cart
to
are
make
to
be used
KIDDIES
Pony and
be played
Cart.
size marked
it the
can
THE
FOR
out-of-doors
with
in
If
"
little
this
in the house
Fig.
then you
239
should
if it is
but
102
you
it twice
make
the size.
Get
a
horse,
or
least
at
and
then
green,
for
Make
good
as
block
1%
them.
between
This
1%
wide
and
of
piece of %
diameter
the
Set
wheel
run
in the
shown
to it as
Make
of
wide
and
next,
or
inch
6 inches
the middle
of it.
so
red
but
are
shown
as
inch
the
inches
long
square
with
inch
opening %
an
A.
at
wheel
hole
drive
center
nail, glue
of
the
or
screw
long
an
inch
Saw
out
inch
through its
and
and
C, which
Saw
they can
is
stuff, 3 inches
inches
screw
that
see
long. Nail
4%
and
in diameter
of wood
done
cart
inch square
ture,
pic-
center.
nail
wire
in
for it
wheel
the horse
at B.
the
made
and
square
opening
and
This
on.
inch
inch
an
thick wood
Ke
color
and
wood
long
inch
drill
wide
leaves
inches
and
it any
in the
in little picturebooks,
inches
stripsof
wood
% an
of
shown
it
on
colors.
by nailingtwo
a
thick,draw
one
Paint
ponies,even
frame
inch
an
the
as
it out.
saw
of these
never
board
nice smooth
out
them
pair of
to
turn
wood
the
ends
and
2%
wheels
an
in
inches
of the
strip
freely.
Next
make
the
stripsof
wood
shafts:
inches
the bottom
on
box
high, 4
stripof
long
simply
these
are
about
formed
5%
of
inches
two
long.
HANDICRAFT
240
Nail
the
the ends
middle
will
FOR
of these
and
at
the
to
front end
distance
BOYS
apart
of
that
so
the
cart
the
in
horse
them.
"xi:7
COMPLETB
FR/IMBFOR
THE
WHEEL
6*"
'^
PONY
Fig. 109 A,
PLANS
B.
FOR
PONY
CART
Glue,
as
shown
brother
you
otherwise
or
how
to
give him
finished pony
and
D,
at
play
a
and
CART.
DONE
fasten
the
you
with
chance
cart
AND
WHEN
shafts
then
can
C.
THE
PONY
to
the
show
your
play
will then
look
with
horse,
little
it before
it too.
like the
AND
The
picture.
TOYS
How
Make
to
THE
FOR
KIDDIES
Life-like
241
Goose.
Nearly
unless they
"
that
lifelike in
her
toward
her
head
body when
she is drawn
are
is
gray-goose
from
out
moves
all
and
the floor
over
back
by
string.
Get
two
and
wide
Fig.
HOW
103.
A.
The
size of
B.
The
size of
C.
The
crank
body
on
one
then
fasten
Saw
them
in the
center
of
as
shown
together
drill
and
out
makes
which
of them,
the
a,
goose's
made
body.
and
the goose
at
with
circle which
bore, three
inch
the
of the
as
shown
body
of
neck.
life-like.
drill,or
edge
the
the head
for
the board
is
goose
for
board
shaft
them
life-like
the
the
the outline
is the
holes
at
by
the
the
wheel; also
points near
largercircles.
HANDICRAFT
242
On
long draw
inches
shown
as
goose,
hole
the
near
its head
mean
wheels
off
through the
on
C.
at
wire
hole
wheel
and
drill
Saw
in
the
goose's neck
form
to
in
small
of the wire
bend
and
end
body,
then
tightand bend
the
shown
as
each
put
in the
hole
thick, slipit
crankshaft
is to
move
end
wooden
-Ke hole
Viq inch
wire
iron
next
the
bird's
by which
two
drill
Vie inch
d.
"
out
and
of
neck
paint the
Now
5H
and
one.
The
each
it out
neck.
sides of it
on
the
both
through
wide
and
its neck.
piece of
inches
head
in diameter
of each
the center
wire
of
saw
and
inches
Cut
B,
at
end
the
out
the anterior
body and
I
V^ inch thick,2%
board
BOYS
FOR
of
the
force
up
what
Fig.
103c.
three
Make
inch
them
the
GOOsiE,
long;
goosie
pins of
smear
boards
apart and
which
the
goose's head.
When
the
front
ends
these
also act
wander
and
and
drive
the
as
in diameter
the
body
finished
shall
inch
glue on
holes;
the
form
pins in
wood
some
gently through
where
gander,
it will
guide
look
for the
like
C.
HANDICRAFT
244
Make
inches
box
long;
end;
one
through
hole
bore
the
it
both
shown
as
cut
upside
middle
through
hole in it
or
of
and
drill
%6
hole
top and
drill
%6
inch
the
large
down
the
sides
BOYS
inches
turn
FOR
inches
from
back
at B.
ffj'
HOteWTOP
OFBOX
HOLE/N
0P"R/?rJNO
Fig.
off
Cut
long
it and
glue
it inside
the
stripand
OF
MECHANISM
%
stripof wood
box is wide, drill
the
as
THE
IO4B.
one
the
in the
box
THE
an
a
DANCING
inch
SAMBO
and
square
as
so
that
the
in the
hole
will be in
line.
Now
3J^
off
cut
through
it
through
the
the
through
shown
at
stripof
inches
hole
from
in the
hardwood
inches
under
end
and
one
of
drill
Ke
end; ,slipthe
the
with
box
the
B.
hole
in
it and
the
sides
of
hole
inch
the
lever
its end
a
box
wire
as
Slip the
of
mechanism
shown
the
sorts
of
keep
the
down
Fig.
for
working
his
I05A.
How
of
end
THE
to
you
the
on
the
working
fingers
your
sending a telegraphmessage,
small time Ethiopian will execute
as
all
long time.
the
lever
race
own
cleverly you
WIRELESS
Make
or
any
one
give
can
not
even
the
ber
mem-
possessed.
ever
PUP.
THE
DOG
HOUSE
Wireless
bull-pupfor
remarkable
when
rests
the
good humor
By
that
so
on
through
through
were
you
A, the
at
and
Sambo
245
Sambo.
By working
though
box
This
of the lever.
end
as
the
in the cross-bar
KIDDIES
is fixed to
which
wire
THE
FOR
TOYS
he will
SLOT
IN
Pup."
THE
This
jump out
else calls him, when
OF
FLOOR
is
THE
most
of the kennel
you
clapyour
246
FOR
HANDICRAFT
hands
on
or
other
any
occasion
BOYS
when
noise
loud
is
made.
make
Always
catch
him
there.
that when
so
house
and
cut
out
before
pup
wide
inches
you
he'll know
pine boards
thick
inch
piece 7
gets home
he
smooth
Use
for
dog-house
he's
for the
8 inches
and
"A"
k
CD
Fig.
long
inches
the
back
THE
out
inches
wide
floor.
Now
plane to
Cut
end
two
and
inch
OF
and
inch
of the
deep
as
HOUSE
wide
shown
long
groove
of
edge of
i-!4inches
the
and
at
sides
and
the board
through
slot cut
the
DOG
parallelwith
an
8 inches
THE
slot clear
pieces for
bevel
allow
end
END
it V2
each
on
BACK
one
have
long and
Cut
from
and
long; then
inch
IO5B.
1%
7"
3/?CK
in
'V2an
Fig. 105.
the house
screw
them
to
the
slopeof
the roof
but before
TOYS
put it
you
of
out
This
apparatus
(i)
are
three cells of
The
247
wireless
of the
7 inches
spanker; (2)
out
apparatus
Make
dog-house.
shown
as
square
solenoid; (3)
B.
at
consists
clock-spring
; (4)
or
jump
board
back
KIDDIES
install the
must
you
the pup
that makes
a
on
THE
FOR
these
stiff pieceof
telephonetransmitter
and
(5)
two
dry battery.
spanker,so called
because
out
TACT
TIN CONSTRIP
'LUNGER.
30 LT
CONT/fCT
PL/fT"
BR/fOS
ORPIVOTS
Fig. 105c.
of
his
SPANKER
THE
WITH
ELECTRIC
SOLENOID
CONTROL
wood
at C; it is simply a stripof
kennel, is shown
% inch thick, i inch wide and 3% inches long.
Tack,
or
to
form
middle
an
of
end.
one
the brads
A
otherv^ase fix,a
electrical contact
it and
The
rest
solenoid
then
drive
spanker
sets
in the grooves
is
merely
an
tin to
piece of
; cut
a
brad
one
side of it
edge
near
serve
as
pivots.
electromagnetwith
loose
248
HANDICRAFT
iron
core
long
and
it %6
in it.
inch
double
Fig.
in
cotton
is done.
inches
Make
i/4 inches
cardboard
in diameter
covered
wire
your
iron
bolt
long makes
CROSS
magnet
section
inch
view
house
Make
and
when
screw
the
of
in the
spanker is back
as
section
cross
a
is drawn
far
as
22
solenoid
and
1%
loose
iron
ready
pup
wireless
stripof
plunger
the
or
spanker
to
plateof
contact
the
in
action
Slip it through
shown
as
20
in diameter
good plunger, as
side
the solenoid
screw
and
inches
the hole
No.
is called.
and
have
it full of
FOR
core
and
spool i^^
diameter; wind
An
105D.
BOYS
FOR
into
drawing
tin
of the
the
or
at
D.
sheet brass
spanker so
solenoid
it will go the
of the
and
platewill
that
the
come
TOYS
the tin
with
in contact
THE
FOR
the
on
to
KIDDIES
spanker.
249
Put
stop in
falhng
far forward.
too
Next
get
in
holes
two
house
end
one
and
pressingout
the
THE
IO5E.
the
free end
spanker. Fasten
by
of
the
spring
of
means
the
of
hang-
FRONT
Fig.
it to the back
screw
near
punch
clock-spring,
END
FRONT
VIEW
OF
THE
PUP
WIRELESS
HOUSE
otherwise, an
ers,
or
the
roof
the
front of
of
diameter,
front
on,
ordinarytelephonetransmitter
the house
as
the house
and
to
as
the
get in and
shown
hole
at
will
of the transmitter.
shown
cut
out, and
E,
be
so
D.
at
that
4
a
when
directlyover
make
Now
opening
hole 1%
you
to
in it
inches in
put the
the mouthpiece
HANDICRAFT
250
Before
at
of the transmitter
of the solenoid
these
connections
IO5F.
WHEN
HE
plete if
then
Saw
be
2%
he must
CALL
THE
Now
make
the
pieces of
made
OF
inches
slide
wires
plate;join the
other
PUP
HOUSE
OR
IN
of the
spanker. When
in and
the
on
one
circuit will be
WIRELESS
DOG
atus
appar-
the
one
the
on
the
connected
put
of
the
front
CLAP
YOUR
com-
HANDS
HURRY
the
of
spanker
the
is
house
the pup.
body
wood
HIS
up
battery; lead
the tin
are
OUT
back.
the
to
to
battery is
pushed
and
YOU
COMES
connect
the contact
to
wires
FlG.
front
BOYS
of the transmitter
wire
the
putting on
shown
as
FOR
of the pup
and
high
and
easilyon
together. He should
and
done
5 inches long when
See F, Fig. 105.
the floor.
glue them
and
his
CHAPTER
is music
There
get it
to
MUSICAL
MADE
HOME
beats
fence
he
in
pie-pan
INSTRUMENTS
everything if
without
out
XI
cracking it.
with
is
When
how
small
drums
stick, or
only know
you
on
boy
wooden
neighbors won't
the
believe it.
This
is because
he
after
while
and
singlenote
he
is
gets
it is
By this I
by uneven
music
Any
musical
by
sounds
instrument
Q8
The
use
gong,
and
9"
For
Science
and
the
it is
as
by
set up
will
tone,
drum,
these
not
called
of
by the present
York.
Co., New
sound
air
cymbals
bombastic
and
waves
air
by shock,
is
played
or
all set
octave
up
the
alone
musical
or
but if
it is
as
by
sound
cussion
con-
instruments.
sound
see
The
waves.
be bombastic.
sweet
set
while
to
eight of them,
bell, and
order.
volume
and
produces
very
are
is sound
even
instrument
of
are
theory
that
^^
tones, of
called,is said
it are
set
or
the sounds
call noise
in time
this
especiallyif
nerves,
bombastic
we
^^
zvaves
bombastic
of
sion
succes-
repetitionof
he thinks
hence
that what
air
is made
When
you
grown-up's
in
note
same
constant
reallymusic
mean
concussion
or
on
the
up
the
writing a book;
noise but
up
sets
Magic
H.
of
Revell
MUSICAL
called,and
air
before
one
vibrate
"
is
one
then make
first one
Coins.
very
music
in cold
even
How
"
higher than
and
the other
and
a
pleasingway
to
is to
brass
it with
'"ose diameters
pair
from
range
by
bining
com-
resemblance
them
io6a.
and
out
the
Them.
show
take
that
"
is
there
piece of
sheet
compasses
eight
inches
inches.
f^
Fig.
of
Make
to
Saw
in
call music.
we
on
heard
and
note
simple and
scribe
is the
which
pitch
produced
are
each
253
Musical
The
of
it and
these tones
of what
that
"
will
you
that the
so
waves
of time
second
the
them
tune
of
number
INSTRUMENTS
to 3
3H
musical
file them
coin
down
so
that
each
one
500
vibrations
until the
2000
smallest
vibrations
second, the
and
next
750
and
second.
so
on
make
nearly so,
series.
in
at A
Fig.
io6b.
^^^
how
to
surface
its
and
of
as
edges
of
or
harmonic
each
one
until the
and
To
"
hold
the
play
the
on
of
coin
and
"
tune
top
musical
the
marble
down
in the
number,
is justright.
one
to
musical
is known
what
Fig. io6
Play Them.
coins spin them
How
its whole
out
notches
saw
of each
tone
rings
will have
you
Now
shown
as
coin
each
When
BOYS
FOR
HANDICRAFT
254
to
each
as
the
with
table
spin
"
it
coin dies
table
ring
out
in
clear, loud
tone.
The
100
that
If
coins
will
you
when
it
be laid in
should
look
spins
closely
fast at
at
the
first the
row
on
spinning coin
axis
about
which
will
you
it rotates
see
is
mences
upright. As the coin comit spins gradually begins
the axis about which
to die down
of the coin until finally
the diameter
to the center
to shift from
This
its center.
is spinning directly about
at the finish the coin
of the earth.
motion
is the same
the processional motion
as
its diameter
and
that
the
coin
stands
MUSICAL
whatever
will
which
it
note
INSTRUMENTS
produce it,hold
the
and
hand
either
of
combination
little distance
very
to
more
of
will
them
that
learn
to
with
going
at
agreeable
in music
give
spin them
have
to
easy
B, and
mony.
har-
as
play
real coins
and
and
at
are
pleasingnovelty.
The
Them.
off
learn
that is known
are
at
coin
the
pick up
out
shown
as
or
you
tones
coins
musical
it
soon
two
time, when
same
The
can
keep
ring
to
want
you
^SS
Musical
The
"
instrument
musical
tomato
How
"
make
cans
I should
bombastic
very
"
Cans.
Tomato
Make
to
a
bombastic
say.
Be
that
n/JLLET
FELT'
Fig. 107.
as
can
and
cans
on
Now
CHOPIN
TOMATO
It may,
carefullyand
the
THE
keep
piece of
felt
by pouring
as
water
melt
Next
on
shown
in
them
in
the
soak
cans,
them.
CAN
off the
again.
Fig.
107.
cans
you
tops of
Set each
can
tune
256
HANDICRAFT
them
that each
so
regular order
of
forth
whole
number
notes
You
need
octave.
an
BOYS
in the first
water
any
will send
one
all of them
and
note
FOR
but
can
do
this
use
not
to
put
for the
one
which
on
in the
the
damenta
fun-
chord
is
formed.
Make
couple of mallets,as
with
cans
as
ball
To
the Tomato
Play
them
set
cans
of
couple
and
mallet
While
harmony
dissonance
the
way
101
the
to do
These
combinations
102
Chopin
103
"
tomato
the sweetest
board
the
of
three
tones
are
canned
still
about
crazy
tune
Make
to
cans,
the
and
heard.
ever
chief
we
factors
Them.
musical
glassgobletsand
wide
which
(pronounced
dirge is
be
the instrumen
"
glasses
make
To
them
mount
feet
melody,
that both
How
music
thin
inches
12
for
say
to
one
softly.
ear
to
will do,
no
Undertakers
Glasses.
from
cloth
may
tuned
cans.
^^
have
tap them
have
great
on.
Musical
about
set
on
is
tomato
Different
who
one.
you
woolen
hand
thick
as
piece of felt,or
performer ought
dirge ^'^^
The
on
the
glue a wooden
of each
When
"
thick
in each
and
the musical
row
and
end
one
of
folks
instrument
funeral
some
and
make
in
sticks about
long
as
Cans.
thicknesses
with
the
pair of
lead-penciland twice
% inch in diameter on
the
called,of
are
that
long. An easy
each gobletdown
make
up
the
various
call music.
Sho'-pan)
was
Polish
musical
mourning.
poser.
com-
MUSICAL
with
couple
in
shown
as
To
stripsof
the
ends
glassespour
When
octave.
of
tin
brass
or
placed
of
musical
in them
water
until each
form
together they
learned
have
you
octave
an
257
108.
has
on
thin
Fig.
the
tune
of
screwing
it and
across
INSTRUMENTS
to
an
glassesyou
build
can
the
up
to
22
Fig.
How
play
Play
to
108.
the
the
moisten
Glasses.
of
rims
GLASSES
MUSICAL
THE
"
the
startingin
Before
rub
glasses and
to
your
vinegar,
fingerswith water in which you have put some
or
better,a little acetic acid/^^ until they feel quite
rough.
when
Now
the rim
between
edge
a
of
glassand
the
of the
you
skin
of
glass will
wonderfully sweet
the pressure
a
104
This
very, beautiful
acid
them
fingersflat
around
set
fingerson
tremolo
contained
in
the
out.
on
it,the friction
your
tone
of your
is the
rub
your
the
and
By varying
glassesyou
can
duce
pro-
effect.
vinegar that gives it its value.
258
HANDICRAFT
It is
scheme
good
into each
goblet so
of
begins
sound
will be
The
Tubular
easilymade
and
BOYS
few
just as
to
glassthey
play
can
services
those
put
friction between
the
If you
to
that
whatever
tipsinto
FOR
of
Harp,"
of the musical
and
glass.
the
of
Make
tones
glassesbut they
This
much
much
are
your
ments.
entertain-
It."
very
crease
in-
so
glasses well
to
gives out
and
to
musical
How
finger
your
nearest
in demand
instrument
are
them
set
dip
can
like
deeper
louder.
/?
s^
B
\GLUE
CLOTH
ON
HERE
ff.r'
!?"'"
="=
36'
"V
6
Sl.
Fig.
To
1*^5
"
^^^
and
Brass
Hungerford
A,
this
make
hell-metal
good
109
"
bell
brass
"
metal
Copper
OF
THOUSAND
will need
you
it into
cut
Brass
HARP
harp
tube
and
THE
B.
tube
THRILLS
feet of
12
will do
eight pieces;
but
saw
V2
inch
it is not
off the
as
first
bought of the U.
York.
Co., 89 Lafayette St., New
tubing
can
be
T.
26o
HANDICRAFT
this
and
ment
if you
the
want
harp
the expense.
about
How
stand
get
powder
pair of
to
nice
harp
is shown
Harp.
old
When
"
rub
tubing
don't
you
care
C.
complete at
off the
cut
into
the
made
have
you
it well
metal
or
and
gloves and
rosin and
some
look
The
the
Play
to
either wood,
be of
can
BOYS
FOR
fingers;
palms of
the
the
gloves.
This done, put
tube
and
draw
your
sounding board,
will be
shown
as
emitted.
Not
the sound
make
the
on
but
C, and
at
only
the
does
it is hollow
as
beautiful
vibrate
tube
it acts
tone
as
to
tor,
resona-
tions
smypatheticvibrations
in the tube which will reenforce
the simple vibraof the tube both in strengthand quality.
the top of the tube
By waving your finger over
while you are playing it with the other hand
a tremolo
if
beautiful
and
effect can
be produced that is very
versatile
are
you
will
sound
up
make
can
you
set
it sound
Musical
The
This
musical
played
like
Push
Pipe.
How
"
is
instrument
an
you
use
can
off four
stripsof
long and
have
other two
2%
off
one
of
other
any
two
Make
It.
inches
the
them
wide,
3 inch
kind
as
wide
"
it is
pipe but
by pushing
in and
it.
the
you
pipe of
organ
have
at
wood
of
to
organ
like
voice.
human
but
almost
inches
shown
in
boards
so
i6 inches
wide
and
Fig. no.
that
hand.
the
Saw
it will be
12%
inches
edge
as
2/4 inches
Cut
out
wide
as
and
shown
at
wide
end
and
to
thick and
inch
an
inches
for the
board
V2
board
high
end
one
sharp
B.
at
another
Take
plane down
and
long
shown
261
INSTRUMENTS
MUSICAL
as
inch
bore
it
make
shown
D.
at
thick, 2% inches
% inch hole in it
E.
fiVi^
o
Fig.
As
take
of
it
common
as
mouth;
bottom
a
supply
you
a
square
PARTS
1 10.
shown
then
board.
OF
this
pipe
at
with
air
spool and
thread
push
musical
that
can
over
Next
tube and
make
glue
and
the
by blowing
trim
you
so
pipe
down
one
in
it,
end
sides together
to
form
262
HANDICRAFT
piece of
three-cornered
2%
and
high
inches
of its
bring one
Glue
lower
of the
end
its top
between
side of
lower
thick
G.
at
piece of
edge
the
and
of the tube
inch
space
of
the
short
mouthpiece
and
the
to
Y^
sharp edge
the
at
that it leaves
pipe so
close
very
pipe.
shown
wood
will
This
and
side of the
the
end
shown
as
wide, 3 inches
inches
of the short
thick
the
wood
sharp edge
to the
BOYS
FOR
in the
push pipe is
done.
If
of
now
the
To
it.
play
but
which
of
push
wide
inches
tune
these
of the
and
boards
The
on
inches
to
pipe
do
or
must
of
and
"
of
inch
long; screw
block
stop,
sides and
two
out
stripsof %
12
with
pipe
organ
clothespinwill
handle.
popular airs
slides in and
two
have
screw
on
wood
a
it in
slide, will of
slipsnugly
stop,
pipe.
Make
2%
wood,
thick
of each
end
one
the
size of
the
knob
"
the
head
for
center
course
but
half
movable
the
the
range
it.
on
a
and
octave
an
from
will issue
it must
pipe
if it will sound
the
on
top
mouthpiece, a soft
whistle
steamboat
the open
over
the
through
do
pushj
this
blow
of
hand
place your
play many
can
To
of
and
octave
an
you
or
pipe
like that
note
of
will
you
be
open
easily in
the
pipe.
^
will blow
Play the Push Pipe. If now
you
through the mouthpiece and slide the stop in and out
will be produced. It takes
various tones and semi-tones
to stop the slide
to learn just where
very littlepractice
To
"
MUSICAL
make
to
given
playing musical
the
thing for
The
This
how
iioj.
make
To
to
the
make
above
How
Make
to
is easy
and
off
because
of
rule-of-thumb
learn
the
method
play.
to
maple
longestone
all the
a
variation
the
"
stick of
little at
any
It.
is
zil-o-fon^,
to
make
in
just
played
right lengths of
difference
is
pronounced
and
them
saw
for tone,
out
will
Hence
^^^
pipe
"
is
act.
cut
get the
will have
try them
is
5 inches.
you
buy
or
one
inch
an
push
all apt in
at
are
musical
the
instrument, which
To
Xylophone.
make
263
that is if you
"
black-face
Curious
cheap to
Y2
note
instruments.
Fig.
INSTRUMENTS
length
for
others
time
and
in thickness
of
them.
ing
determin-
107
Can
Ke
inch
hole
through both
be bought for
push pipe can
Apparatus Co., Boston, Mass.
be
bought
the L. E. Knott
Co.,
of
any
Boston.
dealer
ends
of each
bar
in musical
instruments
or
of
string them
and
Make
inches
wire
on
rolls of
two
straw
ends
of
BOYS
FOR
HANDICRAFT
264
inch
in
them
keep
to
and
in diameter
these rolls
on
place.
20
board
as
and
"
get
or
turn
/4 inch
wooden
two
in
hole
balls
each
and
one
in diameter
inch
in
glue
; bore
of
one
the
sticks.
Fig.
Take
stand
III.
AN
hammer
the middle
for dear
of the bar
life and
it will sound.
this
the
and
about
and
with
WOOD
it
loosely;
of
the
inches
pound
the
the
above
in
ball ends
the bars
musical
more
pieces like
reason
OF
sticks
6
Now
over.
the
For
the
Circus
are
you
brass
can
tubing %
inches long
Use
it is
hold
and
that
so
MADE
"
By using
metal,
hand
ARE
Life Gallop
The
in each
xylophone
are
parallelwith
of the xylophone
bars
BARS
THE
the
over
hammers
the
XYLOPHONE.
tubes,
have
inch
or
made
better, tubes
xylophone
in diameter
for the
"
and
fundamental.
of
another
have
of
bell
order.
the first
one
MUSICAL
Keep
inches
wide
17
Fig.
Saw
of
at
and
inch
end,
17
and
all in tune.
stuff and
4 inches
til
un-
Make
the bottom
have
wide
down
the other
at
end
long.
BARS
THE
TUBAPHONE.
off two
them
filing
inch
265
off and
all done
one
inches
112.
wide
them
frame
wooden
and
sawing them
on
have
you
INSTRUMENTS
stripsof wood %
inches long. Bore
apart measured
MADE
ARE
an
TUBES
thick, i inch
inch
fifteen
their
from
METAL
OF
inch
in
centers
holes
them;
end
one
of each
in diameter
with
felt.
exactlythe
The
This
and
Beat
same
one
inches
the
way
Cathedral
is
stick which
Chimes.
with
do
"
the music
and
depth.
about
then
the
when
you
Hozv
to
and
be
long, and
tubes
you
should
inch
it
covering
in
felt mallets
phone.
play the xyloMake
instruments
Them.
to
"
make
tone
266
HANDICRAFT
make
To
about
a
inch
off
saw
inches
12
block
it
BOYS
FOR
wide
board, %
and
inches
22
each
to
square
or
inch
long
and
for it to
corner
Get
thick,
screw
rest
size shown
on.
in
at
in the board, 4 in
Fig.
with
row
each
CATHEDRAL
full sized
A.
B.
The
the
holes
also 5 inches
THE
113.
binding post.
the sounding board.
chimes
on
5 inches
then
apart, and
eight spiralsof
No.
apart and
screw
have
the
rows
binding post
into
hole.
Make
108
CHIMES
These
Place,
Park
Get
be
can
it of
Hungerford
bought
New
the
York
U.
T.
Building, New
of
the
14
Manhattan
Electrical
Supply
City.
Hungerford
York.
Brass
and
Copper
Co.,
HANDICRAFT
268
beech
a
hold
to
which
board
the
hole 3 inches
sound
BOYS
FOR
is to
be
in diameter
used
for
both
near
togetherand screw
up the ends
clamps to hold it togethertight while
with
box
Fig.
When
shown
the
holes
shown
inch
in
at
Fig.
like
1V2 inches
about
brads
violin
long and
near
have
each
Make
one
notches
driven
wings
Each
pegs.
two
i
cut
bridges of hard
inch high and
5
in
one
peg
side.
inches
inch
wide
get
as
row
to
pegs
them
should
have
pins can
of the box
is shown
wood
Now
hitch
end
inch
fit
as
be
%2
on
should
one
wood
dozen
dozen
line with
each
should
the
drying.
end, six in
Make
114.
glue
your
it is
drill
one
of the
AEOLUS
OF
of the
brass
HARP
deep in
these
and
at
THE
thoroughly dry,
it is
holes
peg
114.
ends
at
and
be
in
A.
thick; have
and
dozen
with
12
catgut
MUSICAL
269
INSTRUMENTS
bridge
you
have
under
each
all of
end
wind
out
another
% inch
set
it
won't
is to make
the
the
over
How
the
^olus
it
on
may
the
wind
blow
Plays
play the harp
an
in order
be
and
cover
the wind
emitted
and
as
It,
To
this
force
much
produced but
to
make
the
as
window
slant.
the
end
cut
block
and
cover
as
sible
pos-
that
old
abilityset
that
so
the
the window
Pull
strings.
softlybeautiful
blows
wind
the
the
to
blows
when
"
open
the
When
done,
of
purpose
with
Wind
stringsat
the
The
strings.
sill of
harp
This
strikes the
on
vibrate.
on
set
strings in
very tight or
thick
and
square
hole
the
the
tune
stringson
them
make
inch
the
end
the
strings in place
then
and
the
the
on
wind
down
pass
tween
be-
will be
tones
discords
hard
wind
will
monies
exquisitehar-
subsides
will
again prevail.
Egyptian Fiddle.
An
"
early Egyptians
called
invented
in medieval
played
with
the
not
times, that
How)
be called
bow.
I'll bet
to
it with
is in about
make
though
and
"
rehah
a
the
rehec
It.
Make
fiddle,or
play
to
how
to
as
bow.
The
they
Later
9th century,
and
it
that
the
was
play sounds
then
fiddle I
better
HANDICRAFT
270
than
Egyptian
any
rebab
To
make
make
fiddle of
stringand
only
box
it is
though
"
be 4 inches
inches
Cut
long.
of the board
wide
hole
which
hoard
J
using
wood
For
clamps
the neck
2/4 inches
inch
and
glue
end
of
thick,
screw
this end
The
110
The
Antonio
inches
wide,
it down
until
of this end
conical
Next
the
and
the
to
the
back
inches
hole
out
saw
of
of the neck
to
center
pieces together
bore
it is fixed
way
one
inches
12
in the
cut
length
at
the
peg.
a
stuff;
piece out
deep;
fit in
and
with
narrow
the
peg
box
sounding
is
side view
the
115.
a
inch
bridge
high
make
and, finally,
inch
cut
deep for
the
out
I
and
thick
and
use
long;
"
wood
wide
tight.
wood
1V2
stick of
inches
clearly shown
Cut
them
inch
the box.
Fig.
hold
15 inches
and
and
in it and
all of
thick
this end
end
glue
and
inch
wide
through
other
take
thick
is
end
one
to
inches
to
one
thick
inch
in diameter
going
has
violinist
inch
end
are
you
then
and
other
inches
%6
or
only
master
high, 6
the
at
it
"
be of %
should
this box
end, 8
by
Vs
of
which
should
kind
is needed
one
sounding
this
made
ever
exactlya Stradivariiis}'^^
not
in
BOYS
FOR
thick
and
a
an
of
a
i
piece of
Y2 inches
of
tail-piece
inch
wide
17th century.
at
hard
long
a
one
shown
as
bit of
end,
by the famous
Italy, in the
wood
old
hard
i
inch
violin
early part
"
inch
at
C ;
wood
wide
maker
of
the
INSTRUMENTS
MUSICAL
the other
at
and
end
each
and
end
whittle
or
inches
271
Drill
long.
hole
to
in
sharp
edge.
of the
In the middle
bore
hitch-pin. Fasten
stringthrough
the
the
SOUNDING
hole
hard
to
tail-piece
in the
wood
peg
box
for
hitch-pinwith
the
end
of
sharp
end
an
violin
tail-
of the
BOX
Cd
TUNING
PIN
Fig.
other
bring the
in the peg
G
not
keep
end
in the
FOR
it from
and
up
neck.
clef,if
tune
make
you
it
to
a
so
that it
Make
the
violin bow
FIDDLE
thread
it
Finally put
enough
know
EGYPTIAN
AN
How
to
PLANS
it to
piece; knot
the
115.
the
bridge
under
it to the treble,or
Tune
about
the hole
through
music
to
it,or if
do
gives a pleasingtone.
Bow.
"
The
best
of is Brazilian
kind
of
lance-wood
wood
or
of
HANDICRAFT
272
but
snake-wood,
can
you
use
Take
and
round
stripof
inches
24
drill
not
hole
Y2
wood
long and
in each
it out
it to
screw
Cut
they
as
IJ
""
bow
Fig.
not
115D,
HOW
the hard
comes
hairs; get 50
"
the
60 white
or
pullingthem
buy
bunch
of
under
one
and
even
this done
of
the blocks
close
screw
where
If
down
when
you
you
blade
the block
they go
will
will
10
under
look
see
I told you
and
put
the
end
of each
block
them
them
have
you
down
of the hairs
have
a
cents.
one
when
tail but
Sears, Roebuck,
20
or
ends
you
Dohhin's
of
put
and
the other
oppositeblock, and
putting on the
about 2 feet long;
from
together screw
fasten
made
that is
out
them
somehow
them
Having got
is
horsehairs
advise
to
bow
part and
and
but
'^}^
"
zr
rather
called:
are
the
out
"
y^'
I do
; then
at
it smooth.
frogs
and
one
shown
as
sandpaper
or
wide
tight.
very
Now
yours
an
saw
to
stringedfiddle of
one
beech.
up
blocks
two
for this
piece of
BOYS
FOR
under
the
all
tight;
all drawn
littleglue on
one
the
taut
places
the blocks.
at
that it
about
horsehair
seems
very
in the second
through
scope
micro-
saw
chapter,that is,
INSTRUMENTS
MUSICAL
it has
same
the
on
direction
other
the
on
same
so
Do
You
not
genuine
costs
and
buy
but
5 cents
much
use
can
kind
Bernardel
makes
HOW
rosin
of
that
large
played
up
the
in
teeth
and
of
the
fiddle
gives the
It
from
bites
of
at
E.
tion
direc-
one
hairs
down
to
in
the
is the
strokes.
played
is
bow
ought
running
the
the
run
hairs
but
best
sound.
rosin
results
on
The
for
is the
which
and
France
hard
it often.
rosin
volume
is shown
the
the
on
the
them
running
friction
imported
quarter.
a
a
with
the
piece
the
about
fiddle is
115E.
of
teeth
the
that
string on
Fig.
half
the
half
other
the
and
with
bow
all of
it and
on
rights then
By
way.
be put
fine teeth
lot of
273
the
way
string
the
XII
CHAPTER
is
There
too
having
youngest
is
This
time
get the
to
neither
the
of
It
family
is
soiree
^^^
with
call
to
after
folks
will
is
divertisement
it
off
you
1"
the
all
know
This
then
and
whenever
is
to
be
French
the
time
old
and
month
boy
of
or
cians
magiwill
you
all of
that
one
coming
them
let
couple
spirit
about
as
if
the
your
next
one
the
next
pleasure.
should
you
the
to
with
even
you
the
as
first
the
given
and
interest
spare
divertisement,
every
once
forward
look
give
to
swa're)
it,
have
you
Moreover,
comes
plan
(pronounced
to
up
which
"
it is done.
that
see
well
can
it takes
as
it with
give
it is
"
enjoy.
but
do
the
which
can
to
to
mother
or
noble
used
find
to
thing
together
props
inclination
the
had
member
oldest
hard
father
your
they
all
at
not
getting together
entertainment
of
the
as
is
of
heads
the
that
that
and
evening
well
life
home
overlook
an
as
of
feature
famiHes
many
and
ENTERTAINMENTS
EVENING
SOME
it and
word
of
join
them.
moves
they
and
gathering.
274
it
what
know
don't
means
weeks
in
and
talk
Naturally
know
an
it
before
about
since
anything
evening
social
HANDICRAFT
276
cents
and
"
board
tack
the wall.
or
crayon,^^^which
it makes
or
sheets
dozen
Also
buy
is better
to
your
stick of black
chalk
than
or
Fig. 116.
Drawing
in hand
not
and
an
HOW
the Cartoons.
explain that
"
easel
is
drawing
marking
charcoal
for
smut,
blur
in with
Start
what
made
you
propose
the
show
based.
store.
off.
rub
112
BOYS
FOR
You
can
buy
marking
crayon
at
hardware
your
to
crayon
do
is to
drawing
is
of the boxer
or
stationery
SOME
EVENING
reaching for
shown
as
in
ENTERTAINMENTS
the
Fig. 42,
draw
Next
and
free hand
of
43.
you
can
lines with
performance,
your
mark
After
have
you
all about
them
draw
the
mark
on
your
next
outline
the
inches
in
features
Now
these
do
is
and
the
in
human
this makes
it easy
explained
the clean
on
shown
as
and
Fig.
with
at
for any
the
and
44
body.
Have
the lines
time
same
to
one
one
get the
proportion.
each
the
that
one
You
that
your
can
last part of
finale
grand
is your
so
family audience
The
drawings
and
practicedrawing these
11*
have
gin
be-
the crayon.
in the face
comes
fingers.
to
draw
the
figures on
all you
squares
"fi-na^le) and
about
these
in
expert
then
man
ruled
not
are
off into
apart
explain that
figures,which
lines
beast, the out-
you
proportions of
sheet
loping
gal-
lead-pencilbefore
of
and
man
trace
and
made
tear
Drazv-
the horse
line
If you
over
draw
simple
the
Fig.
drawing
in faint
paper
to
in
chapter called
then
these
around
shown
as
invisible opponent
three-quarterstretch.
reallythe skeletons
are
the
on
his
in the
over
of
maxillary
277
and
(pronounced
cartoons}^'^
also
when
tongue
^^^
have
you
will be
You
an
exhibition
and
it is
patter
some
do
them
as
clever
begin by explaininghow
should
for
as
'^'^^
the
your
the expres-
of it.
11*
is
cartoon
278
HANDICRAFT
mind
the
representedby
Draw
is at
rest
few
very
row
shown
the
on
at
sleep can
be
lines and
you
MUCH
some
DISDAIN
Fig.
Next
four
draw
before
you
it and
laugh
is
Joy
can
shown
by
down
as
Show
its
PRINCIPLES
OF
four
awake
of
ends
your
each
/J LITTLE
/?NORY
CARTOONING
circle and
littleaudience
curved
fourth
modesty
little arcs,
pointing up,
circle,while
oppositeto
how
sorrow
will
see
approval.
third
in the
is the
more
first circle.
the
in the
draw
FIRST
represented by four
lines with
joy
SURPRISEP
II7A.
crayon
first that
say
in the
SOMEY^H/IT
y^
straighthorizontal
shown
as
WDEMme
you
four
in
marking
your
Now
Fig. 117.
represented by
QUITEMODEST
all be
can
"
in diameter
inches
in
F/fsrmLEEP
look
features
simple lines.
with
them
the
is excited
or
or
paper
draw
BOYS
"
eight circles 5
double
as
FOR
lines the
of
is
you
course,
which
curved
which
is, of
sorrozv
ends
or
point
of
row
sor-
joy.
lit-
angles in
tie
ENTERTAINMENTS
EVENING
SOME
of each
the
at
one
the
279
vertex,
point
or
is the
disdain,which
sixth
ing
hav-
surpriseall
portray
BYDEUGHT
OP
nOON
Fig.
P/JTmO
H/SPO/PE
S/LV"/^Y
DE
117
Q
THREE
B, C, D.
SIMPLE
two
nose
and
pointed down
without
shown
of
your
them
at
half
marking
is to
draw
large circle
and
JUSTHEmO
^
my
B
crayon
YOU
will have
CAN
the
DO
the ends
a
eyes,
very
of
good
tellingyou how to
and D in Fig. 117,
dozen
JOKEf)
THAT
CARTOONS
you
the
HAS-
slantinglines for
and an angle with
representationof anger,
Now
do
HE
seventh
to
will have
you
the
four
have
you
times
and
on
when
sheet
you
draw
draw
of
the
each
paper
get before
toons
carone
with
your
audience
lightning
of
Here
some
are
Chemistry.
experiments in chemistry
pretty and easilymade
as
give the explanation
you can
you perform them
Thirty
and
like
artist.
crayon
very
them
able to do
will be
you
BOYS
FOR
HANDICRAFT
28o
Minutes
about
written
I have
"
each
will
which
one
as
serve
the
patter.
The
show
BLOWING
ii8.
Fig.
it with
The
of
or
amor,
through
ouDY
BLOW/NG
STR/JW
you
are
or
blow
to
love?
in
comes
it be-
when
straw
all purposes,
milk
bottle.
then
oracle
Effect." Yon
"
grams
once
the
to
of the
/fFTER
THROUGH
STR/^W
THROUGH
and
'M^ci
\g-
Ci e/p^
BEFORE
7/i^
in
Let
a
pour
it stand
while.
Let
for
24
hours
it stand
and
another
shake
24
it every
hours
and
is called lime
ENTERTAINMENTS
EVENING
SOME
^^^
water
this
and
is the
281
common
mystic
of
name
milk.
Action.
Chemical
The
in the water
is calcium
through the
lime
breath
acts
on
insoluble
white
gives it
carbonate
sells it
the Fun
For
tell which
the
water.
"
whom
you
girlsare
ordinary water
You
must
want
water;
forms
limestone.
as
and
this
verily look
like
man
the milk-
unto
woe
By pretendingyou
Thing.
lime
see
make
to
then
to
who
and
as
everybody
change
of clear
many
that those
course,
are
the
in love
given
are
and
blow
can
around
in love hand
it,of
believe
have
sure
but
and
your
such.
as
of
several glassesof
the lime
is white
in
solution
doth
that
blow
dissolve in the
not
in the
suspended
does
hme
you
dioxide
hydroxide
powder commonly known
opalescenthue
an
carbon
the
when
calcium
the
it remains
water
the
hydroxide and
water
the calcium
Since
In
"
it is
into
water
milk
in love.
are
The
Magic
bottle, or
empty
an
cork
Fountain."
with
two
The
Florence
Effect.
"
then
flask, and
push
of the bottle.
holes
show
You
end
push a glass tube having a nozzle on one
through one of the holes in the cork until the nozzle
nearly touches the bottom of the bottle.
Next
Through
dropper, or
tube
116
the other
fountain
down
project's
You
can
buy it in
hole
pen
into
a
drug
in the cork
filler.
bowl
store
The
push
end
medicine
of
containingwater
already
to
use.
the
long
which
282
have
you
FOR
HANDICRAFT
colored
blue
^^'^
you
can
copper sulphate or
dissolvingin
it
arrangement
of
BOYS
either with
make
indigo
or
violet
beautiful
the
apparatus is shown
at
by
The
with
in
Fig.
119.
FJU7SK
TUBE
GL/7SS
NOZZLE
WITH
HOLE
TWO
'RUBBER
STOPPER
NEP/C/NE
PROPPER
GLfiSSDISH
Fig. II9A.
Now
when
you
MYSTIC
THE
squeeze
the
FOUNTAIN
bulb
of
the
medicine
and
rushes
the tube
dropper the colored water
up
squirts out of the nozzle into a pretty fountain until
the
flask is
The
117
Any
nearly
Cause.
kind
"
of
full.
Instead
colored
of the bottle
water
will do
being empty
for this
experiment.
as
HANDICRAFT
284
mon
flask you
with
tube
to filland
piece of
connect
rubber
ence
into the Flor-
down
straighttube
want
BOYS
FOR
tube
shown
is also
as
the
atB.
The
funnel,
the
The
dish
of
described
When
in diameter
shake
touch
reach
will
take
by
The
hydrogen
compound
bubble
with
and
gas
is
flame
it fires the
necessary
bubbles
The
"
which
the
combine
bubbles
Show
with
the
3 inches
size of about
will rise
they
slowly
Before
that
are
oxygen
gas
filled with
and
when
mixture
these
two
simply mixed
are
When
"
revolver.
Cause.
gases
bottle
air.
the
them
on
explode viciouslywith
made
Effect.
The
blow
off and
them
gracefully in
and
the
the
below.
bubbles
the
then
and
and
gas.
"
soap-suds
tube
of
mouth
the
down
nozzle
long
the
apparatus
of
the
hydrogen chloride
Vicious
Soap Bubbles.
filled with
until the
it,into
in
dropper
time
with
medicine
sulphuricacid
up, pour
little at
very
then
and
set
apparatus
gases
in
it, and
The
apparatus
is shown
in
Fig.
120.
It consists
(2)
an
The
oxygen
of
(i)
gas
hydrogen
gas
generator and
generator.
hydrogen bottle
or
flask
is fitted with
two
hole
L
an
and
is
shown
another
The
hole
in
in the fountain
Fig. 119.
stopper which
in
the L tube
to
of which
has
is fitted with
flask
or
tube
an
OXYGEN
to the L
.\
^BURNER
K^^
^DROGEN
it
is
free
/.S'
\
.BERTUBE
-^
\\
^BUNSEN
tube
in the
tubing and
^_^_LTUBE
RUBBER
single
running through
Connected
Fig. 119.
length of rubber
fi^xed another
and
experiment
Connected
tubing into
bottle
oxygen
at
glass funnel
is fitted.
tube
shown
as
at
length of rubber
runs
just as described
tube
285
ENTERTAINMENTS
EVENING
SOME
W/fX7^R^
o
GENER/JTOR
iri/BESCEME/^T-
EDW/mSEW/YCmy
^DISHOF
SOAPSUDS
Fig.
end
120.
place the
them
tube
two
short
together with
rubber
tube
is forced
soap
shorter
and
tubes
side
the
over
by
tube.
side
sealing wax.
on
bubbles
and
Now
cement
long length of
of
ends
the
double
free end
and, finally,
a clay pipe is fitted into the
of the rubber
VICIOUS
THE
the
hydrogen
or
flasks
bottle
far apart
as
put
in
is shown
handful
as
of
Fig. 120.
possibleand
granulated
286
HANDICRAFT
Dilute
zinc.
the funnel
hydrochloric acid
the zinc when
on
generated
or
Put
handful
potassium chlorate
and
burner
under
When
the two
gases
in the
long
rubber
Caution.
The
both
the
hydrogen
of
parts of
dioxide,
bottle and
oxygen
it will
give
L
then
set
off oxygen.
tubes
they
mix
and
hydrogen
that
bubbles
the
as
around
towel
be set free,
manganese
not
and
apparatus
part of
tube
Do
"
down
poured
mixture
it when
will have
claypipe you
is
hydrogen will
of
in the
finelypowdered,
Bunsen
^^^
it is called.
as
small
BOYS
FOR
flask.
rise in the air because
blown
are
the oxygen
and
lighterthan
are
the
air.
The
full of
is shown
4 inches
and
Wheel.
Uncanny
emptiness and
in diameter, with
inch
mounted
on
wire
so
"
then
the
to
that it can
Effect.
be
pitcher
wheel,
cardboard
buckets, or
glued
across
a
The
"
cones
rim
and
inch
high
which
is
revolved, is passed
for examination.
pitcherabove
wheel
will turn
water
on
at
in
The
11^
it.
it and
round
on
pour
the
out
just as
It is indeed
table you
hold
nothing on
though you
uncanny.
The
the
empty
it when
were
the
pouring
idea is shown
Fig. 121.
Cause.
If you
But
"
want
hydrochloric acid.
to
it is all canny
enough
when
you
for normal
EVENING
SOME
empty
gas
called
wheel
cardboard
the
latter
does
pushes
however, you
When,
the
air.
as
The
287
pitcheris apparently
have, forsooth, previously filled it with a
carbon
dioxide.
This gas is 1% times as
you
heavy
While
it is done.
how
know
ENTERTAINMENTS
not
move
all parts of
on
the carbon
pour
it
equally.
dioxide
gas
on
CU'
PiTCHEfi
C/}RDBO/}RD
WHEEL
P/JPER
/1IXTURE0F
BUCKETS,
SUPRIC
FL/JSK,
OXIDE
/JND
C/fPBON
DELIVERY
TUBE
6UNSEN
BURNER
8
PITCHER
"^^
Fig.
it from
the
air
heavier
and
the
121.
the wheel
Make
dry bottle
and
poured
than
is heavier
(the gas)
if you
them
makes
water
on
them;
revolves.
Carbon
or
it
WHEEL
little buckets
just as surelyas
to
UNCANNY
THE
pitcher,since
it fills the
hence
How
HOWTHEUNC/INNY
IS M/POE
WHEEL
flask
Dioxide
of
the
Gas.
kind
"
Take
shown
in
fectly
perthe
as
picturedat
B.
288
HANDICRAFT
equal
cupricoxide)
minutes
wood
burner
the
longer;
dioxide
carbon
mixture
charcoal.
it
until
is
(that
this mixture
Heat
glows and
will then
bottle
in it of
oxide
copper
for
few
full of
be
glasspitcherand put
it to
over
the
gas.
it into
Pour
BOYS
put
powdered
and
Bunsen
over
slant and
of
amounts
FOR
from
sheet of
it until
glass
are
you
experiment.
travelogue is simply a
country, illustrated with pictures
"
talk
of
travel,or
on
on
kind.
some
give a
be able to
To
that
country
going
are
you
have
must
you
neither, it does
done
talk does
travel
to
not
traveled
but
tell about
that
mean
if you
have
read
must
you
in the
been
or
essarily
nec-
mean
up
it.
on
country
then
over
it
outline
yourself,but
there
Now
talk
read
on,
of
whatever
on
carefully,
them
just as though
this must
four
are
books
good
had
you
gone
conform
course
to
get.
can
series of
choice
to
route
picturesyou
show
several
get
intend
you
and
the
this
do
To
methods
pictures and
the amount
according to
can
you
follow
can
you
of money
make
you
to
your
want
to
invest in it
(i)
dozen
them
around
The
or
expensiveway is to cut a
pictures out of magazines, arrange
first and
twenty
least
according to
your
As
you
them.
route
and
describe
build
each
up
your
place pass
talk
the
EVENING
SOME
ENTERTAINMENTS
which
pictures,
each
to
turn
(2)
the
should
is to get
better way
the
^^^
stereoscope
country
and
Each
different
through
when
the
lenses
in three
the
stereoscope
one
person
far
(3)
schemes
look
can
is to
the
chapter called
can
show
any
kind
Some
of
and
on
from
view
blend
The
slightly
into
looks
image
one
clear
and
parently
ap-
of
only drawback
travel
pictureat
formed
observer
wonderfully
talk is that
only
time.
better
make
the
they
aid to
at
talk
made
when
out
an
to
present.
scene
dimensions.
as
stereographsof
pictureis called,is
them
at
are
person
same
stands
scene
in
of
pictureshowing the
the
and
viewpoints
the
the
each
to
stereograph,as
picturesof the
of two
cardboard,
on
set
you
pass
the instrument
and
mounted
present.
person
trip or
be
289
Kinks
in
picturein
You
Photography.
a
if
reflectoscope
it is
with
screen
reflectoscope.
stereoscope
Underwood
Roebuck
and
and
the
Underwood,
or
better,if you
that
will take
afford
can
the
regular
be bought
can
stereograms
Fifth
New
York, or
Ave.,
417
from
Sears,
For
and
the
Charles
Beseler
slides,namely,
Sets
slides
lantern
BOYS
FOR
HANDICRAFT
290
^^^
for
3%
4%
inches square.
talks
traveloguesor
on
any
to be
success.
Soiree.
Electrical
An
Experiments
"
are
that have
however
electricity
in
by
harnessed
been
old,
or
young
man
tangibleand
spectacular.
there are
Now
some
very extraordinary effects that
^^^
do not
which
with static electricity
show
can
you
require apparatus of any kind as you will presently
will make
but if you
or
buy a /'^inch induction
see,
coil ^^*
ments
can
perform a series of classic experiyou
that will create
sion
a profound and
lastingimpresit
the most
are
all who
on
them.
see
Electricity Without
Demonstrating
Did
"
and
without
electricity
Well
dark
in the winter
room
this is
one
way
need
"
Sets
122
Co.,
123
lantern
of
make
to
a
cat
^^^
Many
and
Complete
found
125
can
be
rented
make
can
of the
Charles
lot
Beseler
York
City.
23rd Street, New
in
static electricitywill be found
with
experiments
of Electricityby the present author and published by
Appleton
124
slides
you
East
131
Book
The
But
Papers,
Electrified
The
be
in
cat
do it with.
to
D.
sparks fly?
the
see
rub
ever
you
Apparatus.
in
cat
Co.
instructions
The
is not
for
making
of Electricity.
but only
apparatus
an
induction
Book
kitten
growed
up.
HANDICRAFT
292
How
to
that
Person
will
your
make
is without
that
"
Electrify a
girlsgiggle when
school
strikes
This
"
is
above
as
real
bones.
then
and
and
them
his
cheek
them
or
her
of
each
cheek.
Put
drawn
interest
their
this
time
and
hold
them
free
ends
of
other.
If
repeleach
the
there
two
hence
they
other
is
steel
Since
the
tell
get
the
in
periment
ex-
just the
together by
the
fly
other.
positively
are
same.
the
across
either
the
would
it shows
case
space
between
paper.
two
or
magnet
"negativelyelectrified.
will
papers
paper
like
acting
force
paper
of
strips of
Experiments
dry battery of
128
strips of
are
were
stripsof
Making
common
both
is, since
electrified and
will
Electrify two
"
repel each
apart for like signs of electricity
That
the
and
This
club.
same
stick
on
paper
at
tween
be-
and
to
shown
as
one's
some
attraction
electrified
an
paper
news-
least.
Instantly the
ends.
to
mutual
lessen
not
it close
will be
Repels Like.
Like
newspaper
the
to
it will
be
present
person
in the
How
will
paper
they belong
laugh but
hold
the
as
tintypestaken
their
have
reason
funny
face; instantlythere
that
ment
experi-
an
To
to
}^^
they
any
their mental
BOYS
FOR
is
With
three
and
Apparatus.
electric
cells,an
an
"
electromagnet,
positivelyelectrified
the
person
With
bell, a
all
must
of
be
which
so,
ENTERTAINMENTS
EVENING
SOME
demonstration, and
hour's
^^^
buy
or
entertainment
provide
can
you
easilymake
can
you
293
dollar
thought
or
for
enough
for
food
for
an
last
to
year.
Induction,
The
is
but
for
apparatus
an
Spark Coil.
or
changing
direct
from
low
pressure,
battery
coil
induction
An
"
into
an
coil you
induction
an
of wonderful
experiments such
beautiful
brilliant and
in gases,
small
^^^
electric motor
tubes, which
that
so
they
produce
electric discharge
By fixing these
etc., etc.
of
streaks
showing the
colors
number
any
miniature
as
Geissler
lightning,lighting up
make
can
tubes
be
can
to
revolved
passing through
them, the eflfectsare further heightened.
Demonstrating Wireless Telegraphy. All you have
while
the
high
tension
is
current
"
to
do to make
that
of brass
wire
to
wall
near
with
129
the
wire
L.
Manhattan
on
the
of them
one
coil into
wireless
balls
The
induction
your
the
the other
and
ceilingand
which
E.
points of
then
in
ends
couple
spark-gap, fasten
end
connect
small
mitter,
trans-
to
nail in the
the
sheet
other
of
one
brass
or
Apparatus
Co., Boston, Mass., and The
New
York, sell all these
Row,
Co., Park
Knott
Electric
things.
130
small
electric motor
in electrical
supplies
Park
New
Row,
or
York.
of
can
be
the Manhattan
Electrical
any
dealer
Supply Co.,
HANDICRAFT
294
that
copper
rests
FOR
the
on
floor
BOYS
shown
as
in
at
Fig.
123.
To
make
send
(b)
on
receiver
relay, (c)
can
transmitter,you
your
You
make
the
of the apparatus
"
an
signalsyou
will need
(a) a coherer,
electric hell and
(d) a dry cell.
coherer
but the other three pieces
you
M"T/fl
the
had
better
buy.
PLmE
"WIRE
3P/fRK
G/IP
^REL/)Y
INDUCT/ON
CO/L
0:
B/1TTER.Y
MEr/lLPLff7t\
B/rriERY
v^UYING
THE
Fig.
1 I ONFLOOR.
TRANSMITTER
123.
SIMPLE
WIRELESS
4
DEMONSTRATION
SET
For
inches
apart
on
cut
block
off
as
shown
at
and
your
coherer
is done.
Connect
up
the
dry cell
board
on
fasten
a
nail
shown
as
wire
to
to
the
in
at
C;
of the coherer
and
to
wire
295
wiring diagram
of the rods
one
ceiHng; fix
the
near
and
rod
ENTERTAINMENTS
EVENING
SOME
or
coherer
the other
to
which
copper
rests
the floor.
on
B
C^^^
PLUG
J^FiL
to /)"R//JL
DkP'-'^^
_R"
I NO
TOORYCELL
Fig.
TO/$EL/fY
section
CROSS
123B.
TOORQUf^D
the
of
its
showing
coherer
CONSTRUCTION
when
Now
is
which
which
of
side
one
on
the
press
you
is
the
on
key
the
of the sender,
button
or
the
room,
oppositeside
bell of
the
will
of the room,
wires
will find it
City.
Reading
P. T.
simply explained in
which
was
breaking
to
American
see
Fun.
with
their
necks
to
people
love
sacred
whitewash,
to
be
pay
less
of Wire-
Book
York
and
white
a
elephant,
small
the
their
remarked
humbugged."
when
ago
years
less than
nor
more
deep but
rather
Co., New
Many
"
exhibitinga
nothing
elephant covered
coin
for
was
my
Appleton and
D.
Palms
Barnum
telegraphyis
wireless
theory of
published by
were
create
wonder.
The
you
ceiver,
re-
Indian
good
folks
hard-earned
that
And
"
the
they
HANDICRAFT
296
do.
a
palmistry is
Now
scale and
small
squint you
can't
of
First
FOR
for
find
kind
of mild
evening
an
anything
all there
BOYS
fun
beat
to
three
are
of
humbuggery
words
and
on
bunkum-
it.
that
are
con-
WO"S
'^ro^s'
THBN/JR
OR
Fig.
I24A.
the
parts
the
of
hand
named
to
according
SCIENCE
stantlyused
which
The
first is
you
you
will
must
know
how
surely show
ignorance.
is
art
correctly or
pronounce
second
in the
to
your
the
third
ENTERTAINMENTS
EVENING
SOME
is
palmistry,which
be
sure
to
While
is
say
is pronounced
them
nearly
poV -mis-try
;
now
right.
believes
one
every
in it in-so-far
nothing
297
it is
as
in
palmistry there
possibleto
read
per-
muNrs
i"
k\
lii
K
LINEflCi
^
^
^
m
B
Fig. I24B.
son's
is not
PARTS
character
it; but
hand
THE
there
you
in
afe
OF
or
are
HAND
THE
to
divine
ACCORDING
one's
future
things
some
reading
good health
NAMED
and
and
you
these
whether
are
can
PALMISTRY
TO
by
tell from
if its
owner
the brain
of
means
that
the
is
or
goes
298
HANDICRAFT
it is
with
mechanically
Further
from
supposed
the
be
to
and
temper
foibles
and
man
or
reading
and
temperament
peculiarities. In
fact
Sherlock
of the person
Holmes,
limited
means
Read
to
should
you
these
learn
the
human
hand
the
scientific
stock
The
before
of
of
knowledge
of
names
the
and
these
by
palmists.
eminences
are
at
the
that
palmist
these
To
they
it goes
all down
find
out
without
it is
by
alone.
of
the
hand.
and
system,
saying
of
; these
24
of
for
that
are
the
To
you
the
terms
observe
these
to
by heart.
the
are
are
greatly
very
down
inter-related.
were
la
parts
mounts
will
You
mounts
palms and
the
Fig
add
the
used
called
in
and
shown
are
of
lines
and
the
things which
read
get them
to
of
hand
different
will
you
his
corresponding parts
at
and
names
or
much
the
to
her
or
her
very
two
mounts
the
shown
given
are
the
his
whole, and
are
begin
you
names
are
There
"
given and
names
as
are
you
palmistry
deduction,
hand, and
your
in
the
investigationof
an
Palms.
(i) the
are
The
to
study
hand
about
also
but
of the
mannerisms
whose
perament.
tem-
hand
the
"
artistic
an
from
woman
How
is of
or
not
"
palmists is simply
no
BOYS
girl or
or
inclined
gather
can
you
the
boy
FOR
hand
that
the
that
after
named
ancients
get
by
must
posed
supas
have
pat.
what
kind
of
health
the
subject is
in,
HANDICRAFT
300
Apollo, as
to
talk at
or
she has
that he
length on;
had
the
is
called,is
may
and
the
everybody
live
anywhere
is in
he
to
wants
don't
and
"
if
already
the
except
for
"
place
you'lllive happily
say
after."
ever
Since
will
folks
convince
to
try
foolishlybelieve
them
to the
in it, when
nothing
them
Just
two
and
play palmist
you
these
mighty
ladies do not
connubial
the
be
only
doing
loud
careful
snitch
before
that the
latter
singlegirlsand
so
former
are
(whatever
felicity
the
the
rings and
the
istry
ignoble art of palm-
the
read
(i)
are
thinking that
that
is
there
tell them
will then
you
pointerson
more
palmistrydon't
real service.
(2)
in
the
of
he
handsome
about
way
"
forgetto
York
other
one
will follow;
pretty girl,or
good
subjectthat
had
case
BOYS
tell every
can
you
will marry
she
or
as
man
FOR
lead you
are
living in
the
Steam
enjoying
^'^^
state
married
that may
^^^
territory
state
be)
of
and
of
single
your
final
blessedness.
A
Talk
on
evening entertainment
and
steam
You
134
one
give
"
For
thumb-nail
lecture
on
steam-engine.
133
the
Engine.
one
of the great
Probably Utah.
Most
likely Arizona.
is interested
prime
movers
in steam
cause
be-
but there
are
EVENING
SOME
few
very
people
who
indeed
have
301
idea of how
any
engine works.
steam
If you
and
will do
the
the
know,
when
steam
engine
how
you
of it is not
how
To
the
and
why
engine
that
entirelyof
by steam,^^^
runs
wood
and
power
but
I shall tell
the purpose
to
show
actly
ex-
inside
the
saw
this may
be
done
the
cylinderand
split-down the middle
lengthwise so
the
of them
be clearlyseen
and
can
functions of the pistonand the slide
are
in these
it is to
cylinder first
and
disks
of
out
two
"
the
easiest
wood
for
to
way
the
do
cylinder
heads
bore
that
and
Make
so
it works.
movements
valve
The
model
actuallyto produce
chest
that
engine
steam
develops power.
"
not
on
your
Engine.
almost
the end
steam
and
runs
build is
made
one
of
talk
can
you
the Model
to
of
principles
age
are
you
Making
I tell you,
exactly as
demonstrate
that, whatever
but
ENTERTAINMENTS
of
a
for the
1"-^
to
build
model
steam
book
explained in my
new
and
by Small, Maynard
Co., Boston,
136
in the
and
box
stuffing"
cylinder and
the
slide valve
on
steam
rod.
real
chest
steam
from
Mass.
engine
is to
keep
the
steam
302
and
the holes
Next
4%
outside
in diameter
from
the short
The
6 inches
and
have
edges
shown
as
piston rod.
The
it in the center.
cut
%
and
deep
C.
the
Put
piston
smear
hole
thick
rod
in the
wood
chest,
one
of
rod
to
wood
inch
go
inch
end
chest is next
in
pieces are
at
drill
is
in
hole
or
it
inch
an
shown
as
fit it into
for it
at
of
heads
in
for
whittle
out,
square;
the
the
the
the
%6 inch
use
inches
stuffingbox % an inch in
long, bore a % inch hole through
for the
and
it and
B, and
inch
12
pieces 2
the
piece of
inches
long;
a
cylinder,slip the
the cylinder headv
order;
for
and
the
the
through
hole
simply
wide
of
four
through. Turn,
of
of wood
disk
inch
through
of
inside
out
piston and
a
and
hole
the
saw
inch
hole
shown
them
the
and
these
as
M.6
piston
through
steam
of
two
glue on
piston.
some
The
bore
bore
diameter
end
one
inch
an
each
from
inch
out
piston rod
in
inch
an
slot in
and
in diameter
3 inches
hole %
list is the
piston,saw
the
For
of
D.
at
the
on
two
and
rings
out
cut
of each
the center
the
of
tin, a piece 5%
holes V2 an inch
of
long ; cut
make
inside
the
Now
better
or
long edges
thing
next
wood
one
glue
F.
and
at
that
so
cylinderheads.
and
of the
one
shown
and
C,
head
cyhnder
and
thin cardboard,
wide
inches
303
in diameter
see
of the
end
of
sheet
inches
in diameter,
each
to
the
exactlyin a line as
out two
rings of %
are
saw
inches
of
the center
it to
glue
the
ENTERTAINMENTS
EVENING
SOME
steam
center
of
slide valve
a
piece of
diameter
the center
and
of
HANDICRAFT
304
it and
it to
glue
that has
the
the hole
two
holes
inch
square
two
chest
heads.
wood,
of
or
//VT/PAr"
inches
rQ
A, C and
at
of
out
square
F.
the other
and
make
cardboard
chest head
steam
blocks
sr"/?n
the
shown
as
i%
Now
of
center
in it
Saw
BOYS
FOR
or
CHEST
SUPPORT
STEfinCHESr
rh!^
HE/fD
T^h
B/fC/c
POf?r
CYU/VDEP
HE/iP
SLiDEVniYl
CONNECTING
,
\j^O PIVOT-
EDHEfSE^
V
.
B/fSE
BO/?RD
^//zBlock
BLOCK
WHEEL
FL Y
GOES
CONNECTINeROO^.f^^;!
"'/z
GOES
Fig.
125B.
END
VIEW
of
the
THE
engine,
2%
side measurement,
and
sides of
chest;
Bore
the steam
a
trough ; this
through
the
steam
inch
which
inches
at
in the center
flows
three
of the bottom
CRANK
SHAFT.
".
shown
as
the steam
Bore
THE
H/P/VDLE
HERE
ARM
chest.
in the middle
hole
d.
ROCKER
-/*-
HEeE
of
and
F.
-J^inch
of the
ing
open-
trough
in
as
line
is also
305
3o6
HANDICRAFT
shown
at
and
F.
the ports to
are
of
ends
The
the
and
long
as
that
the
only
it will
high,
the
of
out
ends
the
posite
op-
hole, or
central
of
one
the
at
the
on
at
the
bottom; the
E, is
and
cut
cylinder ports
time
same
i/4 inch
wide, and
long
will observe
cover
vise
inch
inches
port
side
one
inch
you
exhaust
slide-valve ;
and
top
on
bottom,
so
it %
make
into and
cylinder,and
the
nearest
port C.
the
make
BOYS
holes
two
FOR
and
need
you
out
and
put
it.
on
slide valve
% inch in
piece of wood
diameter
and 11% inches long. Whittle
or
plane one
end
flat and
drill a %
inch hole through it. This
done, set the slide valve in the steam
chest; slipthe
slide valve rod through the head
and
glue it to the
The
is
rod
slide valve.
Now
an
make
inch
long
four
tubes
in diameter, and
and
formed
the other
all of them
cut
lengthwise;the
they are hollow.
When
of
fix, one
or
the
chest
exhaust
glue,or
the
out
of
ones
other
done
steam
a
chest and
guide
block
wide
intake
one
into
of the steam
into the
the holes
for
the
have
of each
out
is to
tin
inches
you
show
that
otherwise
glue, or
the
short
long tubes
1%
long; when
which
into
or
of them
stripY2 inch
ports, of the
Saw
cardboard
two
the tubes
short
and
have
purpose
have
you
pipesof
3 inches
two
one
steam
or
port of the
the
middle,
chest; then
end
in the
piston rod
holes,
or
cylinders.
to
slide
3o8
HANDICRAFT
FOR
BOYS
drill
centers
crankshaft
thick wire
eccentric
Saw
rod
force
out
it
slipthe
of
made
on
The
of the
forming
back
of
the base.
inch
wide
in
place by
This
the top,
high;
drill
over
is thus
the
to
ever,
bent, how-
in the end
of
the
it.
on
8 inches
the crankshaft
block
real
board
inch
of the crankshaft
supported
engine,but the
inch
line
to
of
be
the
to
thick, i
and
top of it
in the
next
end
the bottom
at
base
then
crank.
an
hole
and
;
screwed
is
inches wide
the
must
from
the other
on
of the crankshaft
is held
inches
be bent
it to form
bend
and
end
at
inch
thick wood,
inch
in
rear
piece of %
the crank
their
must
connecting rod
wire
front end
that
so
the wire
over
end
bend
flywheelof %
the crankshaft
end
pistonrod
apart.
long which
then
and
diameter, drill
by
each
inches
be
can
inches
13
in
at D; before it
shape shown
slipthe wire through the hole
exact
in
hole
precisely8%
are
The
inch
of the
slip this
the connecting
and
rod.
The
last
the
mount
thing
it is built up
wide
inch
from
the
one
wide
inches
and
end
back
of
is to
set
to
on;
an
inch
base
sort
to
of
in
from
one
Saw
corner,
slot in it
2
inches
in.
it
an
board
long
make
this is
9 inches
and
fly-wheelto
Screw
done
shelf and
and
be
to
inch thick, 10
inches wide
309
HANDICRAFT
310
3 inches
and
necessary
glue
the
four
the
from
glue
and
the hole
clears the
it is all done
How
all is in
sides
the
of
flywheel around
clear
chest to
with
2%
inches
first one
from
the
that the
the
pipe, when
in
pillow
flywheel
Then
base-board.
"
your
Now
if you
hand,
will
or
will
turn
better, belt
used
steam
then
which
passes
the
exactly how
see
from
the
flow
to
path for the steam
the other port is connected
the cylinder,
exhaust
the
crankshaft
it into
of
up
like F.
it,you
to
the
line and
look
that when
and
end
Works.
Engine
of
slot in the
the
will
and
board
end
one
other
slipthe
that
see
put
the
board, and
the base-board.
to
arm
base; the
the
to
base-board
cylinderhead
block;
block
the back
to
it
it is
the
front
open
assemble
as
guide
block
guide
rod
pivot block
Drill
cylinderto
piston rod
the
slide valve
be
screw
the
this must
of the base-board.
called,screw
the
can
legs
corners
To
or
perfectlyrigid and if
brace it with angle blocks.
Finally
inch square
and
2V2 inches long on
long;
you
BOYS
FOR
gives
steam
to
into
the
the
air.
When
give your
being to
you
know
last
say
it you
all aoout
evening divertisement
Good-by.
THE
END
are
and
then
ready
for the
to
time
INDEX
Brass
Aeolian
How
make
to
Alloys
frost, 75
Stencils, 198-200
Bromide
photo paper,
dy
66, 68, 93
Pewter,
Solders, 66, ^2
metal, 66, 68
Type
Useful, 67
Aluminum,
67
Arkansas
carving tool slip, 46
of
Art
working
glass, 202
Auger
bits, carpenter's
6, 13
Brass,
Automobile
truck,
make
to
dull, 74
To
52
an,
continued.
"
To
Bunsen
burner,
Burning
196
brand,
making,
Calipers, spring,
Cameras,
135-140
Camouflage
Candle
228
make
to
a,
1-23
62
57,
photographs,
shade,
pierced
how
154
brass, 91
make
to
87
repousse,
Carbon
142
209
how
Cabinet
Candlestick,
an,
60,
dioxide
how
gas,
to
make,
Badges,
Barnum,
how
to
P.
T.,
Bellows
for
Bench,
make,
Carbon
Carborundum
295
blow
how
192-196
pipe,
make
to
Cards
217
a
penter's,
car-
iron
work,
Venetian
Bismuth,
Blow
Venetian.
bent
iron
See
for
glass
blowing,
214
Blue
prints,
Bluing
to
make,
131
steel, 74
Brass,
Caricature
glass,
and
How
to
sharpen,
How
to
use,
Miter
"
Book
of
Oil
"
Book
of
Brass,
How
To
and
Electricity," 290
Wireless," 295
bits, carpenter's,
Nail
6,
11
4,
12,
8-12
glue, 7,
il
6,
set,
can,
2,
10
7
4,
Rule, 6, 10
Saws, 2, 8
Screw
drivers, 6
Screws, 6, 10, 11
6, 9
67
to
box,
Planes,
blue, 74
color, 74
311
155
bits, 6,
auger
4,
rivets, y2
Bookbinding,
179-181
Brace
and
Mallet,
203
d^
stone,
tools:
Chisels,
Gimlets,
Gouges,
Hammer,
Liquid
74
Bohemian
Bolts
how
123
printing, 175
photographs,
for
Brace
work
95
pipe
oil
Carpenter's
20.
Bent
287
impressions,
13
INDEX
312
Carpenter's tools
To
etch
To
remove
name
your
14
oil-stone, 7
bench,
Washita
Carpenter's work
to
make
chest, 22
Carpentry work, 1-23
Woods
for, 15-17
Cartoons, 275-278
Carver's
Carving
Carving
room,
Dead
black
For
46
Die
glass, 224
294
a,
Colored
glass, 203
metals, 73, 74, 81 ;
Coloring
wood, 54
Colors, printing in, 174; stencil,
201
lathe,
turning
wood
for
drawing,
stand,
167;
use,
Cricket
to
make
189-191
scroll saw,
sawing,
iron
30
work,
dry plates,137
bromide
143
paper,
glass cutters,
Dividers
203
and,
Spring, 57, 61
For
drawing,
Disston
saws,
Perspective, 108
to find vanishing point,
How
109-111
How
to shade, 11 1
Isometric
perspective
118
Plain
With
ellipse,121
a
pantagraph,
30
Cutting pliers,57, 60
121
Cartoons, 275
:
carpentry
stick,
For
metal
Isometric
and
ellipse,
Circle, 119
Spiral, 120
For
132
112
Drawing :
Free-hand, 103
Life models, 104
Still life,104, 107
Human
figure, 105-108
Tracings
how
bent
for
Working,
printing,photo,
Copper, 66
Copygraph,
scroll
112
162-169
Contact
for
Drawings
37
Compasses
Composing
trace
57, 62
punch, machinist's,57, 61
Chase, putting type in use, 170
Chemistry, 280
to make
a tool,22
Chest, how
Chimes, Cathedral, 265
Chip carving, 47
Chisels, 4, 9
to draw
Circle, how
a, 119
Clamps, carpenter's, 6; wood
carver's, 46
Cleaning metals, 89
Coaster, to make
a, 231
Coins, musical, 253
Companion
to
Cellulose, 176
make
how
wood,
Venetian
for
24, 44-51
Cathedral
to
in a, 53
96
Diamond
Coherer,
burn
to
on
Developer
93, 97
chimes, 268
for
128
stencils,199-201
a, 29
Casting pewter,
Cement
Center
iron, a, 81
for
Decorative
Design, how
Designs
oil stone,
washita
tool slip,46
wood,
a,
136
Dark
Design
Tool
make
to
243
Decalcomania,
how
20
a,
Sambo,
Dancing
14
on,
from,
rust
Try-square,
continued.
"
work,
19
work, 68
in
perspective,116
of,
124
Drawing board,
Reflecting, 123
113
Drawing
paper,
Drawing
tools, 112,
113
113
INDEX
Drill attachment
313
Files:
for
stock, 57, 60
Twist, 28
Drills,Morse
twist, 57, 61
"
Dry
plates,136, 137
For
lantern slides,151
Flint glass,203
Easel, how
to make
an, 276
stain for wood, 55
Ebony
Egg boiler,Venetian iron, 79
Egyptian rebec, 269
Electrical evening, an, 290
experiments, 292
:
Electricity
Demonstrating without
Static,291
person,
to
how
draw
to, 292
an,
Fumed
oak, 55
Glass
paratus,
ap-
118,
Cartoons,
276
Chemistry, 280
Travelogue, 287
Electricity,290
Wireless
telegraphy, 293
Palmistry, 295
Steam
engine, 300
Etching glass, 219, 222
to make
Etching tool,how
of
How
To
your
name
on
tools, 14
Excelsior
printing presses,
158
in chemistry, 280
In electricity,
290
Experiments
thermometer
Blow
Bellows
for, 217
How
to etch, 219,
222
To
make
222
To
cement,
To
frost,224
Egyptian, 269
ground,
224
Glass
a, 215
cutters, 203, 204, 208
disks, how to cut, 208
edges, to finish off,206
Glass
nozzle, how
to
make,
Glass
tubing, how
to
cut, 207
Glass
Glass
To
To
bend, 209
To
seal, 211
pierce, 213
round
Glue, how
Glue
the
ends
scale.
to
to
of, 211
253
make
pot, how
212
and
make
use,
a,
11
11
Gravers,
Ground
an
202
cut, 203
drill holes in, 206
Graflex
Fahrenheit
11
to
join, 213
Glasses, musical,
52
ing
saw-
working, 202-226
made,
To
To
an,
Scroll
121
loi
Engraver's wax,
Engraving on metal, 99
Engraving tools, 99
Engine building for boys, 301
Enlarging apparatus, photo, 140
Entertainments, 274
soldering,71
sawing, See
Art
How
290
for
Fret
Gimlets, carpenter's,6,
Electrical
Electrify a
Ellipse, how
a,
134
Fluxes,
Fiddle,
28
sawyers,
machinists, 57, 62
Figure carving, 51
Finger and hand prints, 125
Fixing bath, how to make
Drill
Etching
scroll
For
33
camera,
140
99
glass,
to
make,
Gutenburg, Johanne,
157
222
INDEX
314
Hack
57, 60
saw,
carpenter's,2, 8
Hammers,
Scroll
29
sawyers,
Machinist's, 57, 60
Hand, parts of the human,
298
finger prints, 125
inlaid printing presses,
and
Hand
Hand
Hand
157
made
carpenter's,2
carpenter's, 6,
screws,
Hand
Justifying,169
Kodaks,
176
paper,
17
Metal, 70
saws,
Hand
scroll
table, 27
saw
scroll
for
Hardware
sawyerS;
how
make
to
Hieroglyphics, 202
Hydrogen chloride
make, 283
stick,
gas,
how
to
stone,
Printing, 173
188
Metals
How
64
color
to
black,
dead
81
bent, See
work, Venetian
Venetian
Isometric
bent
work
iron
ings,
draw-
perspective
ruled
Jeweler's saw
Saws, 60
153
gauge,
carvers,
64
uses,
solder, 71
to
Iron, 64
Tin, 64
Lead, 65
Zinc, 65
Copper, 66
Type-metal, 66, 68
Brass,
paper,
116
67
frame, 57
Bismuth,
95
work
Metal
:
Tools
for, 57-63
Drawing
Metal
46
carpenter's,6,
Aluminum, 67
Pewter, 68, 94
116
Ellipses, 118
Isometric
wood
for
Their
How
Iron:
2)7
science, 209
Metal, engraving, 99
photographs,
10
Ink
151
fountain, 281
make
to
lantern, how
and
operate, 148-150
Marking
191
stencils,200
rollers, 173
For
Ink
150,
turners,
use,
Magic
Magic
Markers
189
stamp,
copygraph,
For
and
Magic
Mallet, carpenter's,2
Machinist's
tools, See
tools
working
120
India, 113
rubber
wood
of
Ink:
For
make
Lead, 65, 93
Lead
glass, 203
Lead
pencils for drawing, 113
Lenses, photo, 140
vitae mallets, 46
Lignum
Magic
Imposing
to
slides, 139,
for
Lathe
Lacquer, how
75
Lantern
10
Hand
Iron
139
plans for, 68
3i6
INDEX
conthmed
Printing
stand, 167
Composing
Imposing stone, 169
for press,
Chase
169
Making
ready, 172
Ink, 173
Ink
rollers, 174
In colors, 174
In gold, 175
Stock
supply, 175
See also Type
Sconce,
"
Printing
Screw
Screw
Woods
Scroll
worked,
Prints, photo,
for
Pulp
133
drawing,
113
Pyrography, 51-53
substances, 152
Radiographs,
152
photographs,
Radium
for
Rosin
Rubber
i
Crusoe,
fiddle bows,
stamps
to make
How
151
123
use,
183-
pads, 188
blast process,
219
Carpenter's, 2, 8,
Disston,
Hack, 57
Jeweler's,57, 60
12
Shellac
70
varnish, 96,
158
197
metal
work,
Metal
See
work, 70
Silhouettes, 126
Silvering glass, 226
Silver prints, photo, 133
Sketching, see Drawing
Snibs
Inks, 189
Rule, carpenter's,6, 10
for drawing, 112
Ruling pens
bits, 6
Russel
Jennings' auger
Rust
tools, removing, 14
on
Sand
Saw
27-29
Self-inking printingpresses,
Sharpening tools, 63
Skiagraphs,
273
and
Fleetwood, 2)3"
sawyer's tools,
Designs, 30
Hardware,
Z7
Seams
in metal
work,
Scroll
Sheet
188
Ink
30
Shears, tinner's,57, 60
36
Lester, 32
paper,
Radioactive
use,
11
25
Cricket,
176
pipe, musical, 260
Push
Foot-power, 30-35
160
for
Protractors
to
saws
Hand,
157, 158
and
prices, 160
Sizes
drivers
Carpenter's, 6
Machinist's,60, 63
to drive,
Screws, how
Scroll sawing, 24-37
Designs for, 29, 30
Kinds,
How
iron, 82
and
dies,
57, 62
presses
Venetian
cutting taps
for
151
wood
carvers,
46
to
blue, 74
and
figures, 193
Letters
Glass cutters,
203
INDEX
Steel rule, machinist's,57, 61
Steel
machinist's,
square,
57, 61
Stencils,198-201
inks, how
Stencil
make,
to
200,
201
Stradivari, Antonio,
Swing,
make
to
Turning
270
tools
cutting,
Cases, 167
How
to
heit,
Fahren-
How
to
to
How
See
screw
57, 62
scale,
Thermometer
65
Theory
of
Thumb
tacks,
make,
to
213
for
wood,
40
Type:
Styles of, 163-166
a, 235
dies,
and
tube, how
Stereoscope, 289
Stereographs, 289
Stereoptican, 151
Taps
317
113
Tin, 65
set, 169
distribute, 173
clean, 173
also Printing
Type form, how to lock
Type-metal, 66
up,
171
Tin-foil, 65
snips, 57, 60, 6s
Turner's
Toaster,
Tomato
musical,
cans,
255
134
a, 22
Venetian
bent
Carpenter's
Carpenter's,see
tools
Woodworking,
Wood
40
turning,
working,
Metal
holder, 81
to
horse,
Pony
Goose,
and
Dancing
Wireless
carvers,
holder, how
13
to
a,
carve
48
227
Wheelbarrow,
to
make
nifty,
233
Wireless
pup,
to
make
Wireless
Wireless
set, to
make
237
telegraphy,
Wood
241
243
245
to make, 124
Tracings, how
Transfer
pictures,128
Travelogue, giving a, 287
a, 245
a,
293
strating,
demon-
293
cart, 239
pup,
ters,
carpen-
46
slip stone,
Watch
231
Sambo,
for
oil-stone
Washita
truck, 228
Wheelbarrow,
Coaster, 231
Swing, 235
76
Washita
puzzle,
Policeman's
work,
For
make
Automobile
84
Repousse work,
Engraving, 99
Drawing, 112
I'oys, how
work, 76-84
57-63
iron
bent
Venetian
iron
Toaster, 78
Egg boiler,79
Plate
Stick
wheel, 286
iron, 78
Venetian
Uncanny
How
to
turn, 41
3i8
INDEX
Wood
carving-,
Wood
filler,
Wood
24,
how
to
turning,
Lathe
for,
Tools,
40,
Woods
Work
44-51
make,
li
For
carpentry,
scroll
For
carving,
to
Isometric
See
15
sawing,
also
Woodworking
joints,
tools.
tools
make
plan,
115
116
perspective,
Drawings
36
17
See
a,
47
Xylophone,
Woodworking
make
18
carpentry,
How
41
For
drawings
For
37-40
to
20
Working
2"7
24,
how
bench,
penter's
Car-
Zinc,
65
curious,
263