Schubert Mass in G

Franz Schubert (1797 1828)
Missa no. 2 in G
Mass no. 2 in G major
(D 167)
Choral Score
Contents:
I. Kyrie
p. 1 - 5
II. Gloria in excelsis
p. 6 - 11
III. Credo in unum Deum
p. 12 - 20
IV. Sanctus
p. 21 - 23
V. Benedictus
p. 24 - 27
VI. Agnus Dei
p. 28 - 30
Copyright 2015 by CPDL, Choral Public Domain License

This edition can be fully distributed, duplicated, performed, and recorded
References:
(please note that some of these editions may still be under copyright within the
European Union or elsewhere)
1. Breitkopf & Hrtel F.S. 152, ed. Eusebius Mandyczewski 1887
(http://imslp.org )
2. Breitkopf & Hrtel EB 6418, ed. Friedrich Spiro 1904 (http://imslp.org)
(Also, see Zeitschrift der Internationalen Musikgesellschaft volume V
(1903), p. 51 54, article: Friedrich Spiro: Zu Schuberts G-dur-Messe )
https://archive.org/details/ZeitschriftDerInternationalenMusikgesellschaft0519
03-04 )
3. Seluria editions, ed. Julien Painot 2014 ((http://imslp.org )
4. Carus Verlag 40.675, ed. Bernhard Paul 1995 (including the Klosterneuburg
discovery, printed edition)
5. Breitkopf & Hrtel EB 8611, ed. Franz Beyer 1995 (including the
Klosterneuburg discovery, printed edition)
6. Edition Hl, ed. Manfred Hl 2014 (http://www.mhoessl.de )
7. Caf Puccini, ed. Jes Wagner 2014 (http://www.cafe-puccini.dk )
8. Choralwiki, ed. yvind Kre Pettersen (2002) (http://www.choralwiki.org )
Edition revised 2015-01-20
Franz Schuberts mass in G major no. 2 is one of three shorter masses, composed between the first
and the fifth mass. The piece was composed, according to a written note in the composers
autograph score, between the 2nd and the 7th of march 1815. At that time Schubert was only 18 years
old. The piece was originally written only for voices, strings and organ continuo. After Schuberts
death his brother Ferdinand added woodwinds to the score. The first printed edition came in 1844,
but then attributed to a false name.
In the 1980s a set of autograph parts for the composition were discovered at the austrian town
Klosterneuburg (located to the northeast of Vienna), which are dated later than the original score
from 1815. These parts clearly shows that Schubert made some changes in the composition, and that
he also added trumpets and timpani.
Critical observations
The hyphenation of the Latin words should follow the roman catholic handbook Graduale Triplex
(1979), an excerpt from the complete catholic church Latin handbook Graduale Romanum
(1974).
I. Kyrie
Soprano solo, measure 46, 1st beat: should be 1/2, followed by 1/4 rest
(Klosterneuburg, ref. 4, 5)
Tenore, measure 50 52: should be the phrase e-lei-son (Klosterneuburg, ref. 4, 5),
Probably corrupted as early as in ref. 1, compared with Schuberts original score.

Basso, measure 77, 2nd beat 78, 3rd beat: all notes transposed 8va to g
(Klosterneuburg, ref. 4, ref. 5 gives both pitches, depending on which sources used),
analogous to measure 75 - 76
Basso, measure 93: should be 1/2 + 1/4 with the lyrics le i (Klosterneuburg, ref. 4
only)
II. Gloria
Time signature should be common time (4/4), not alla breve (2/2) (Klosterneuburg, ref.
4, 5)
Tenore, measure 6, 1st beat: should be d1 (Klosterneuburg, ref. 4, 5 ), not fA1
Baritono solo, measure 44, 3rd beat measure 46: the phrase mi-se-re-re
(Klosterneuburg, ref. 4 only, see below, ref. 5: tacet!)
Baritone solo, measure 50, 3rd beat measure 51: the phrase mi-se-re-re
(Klosterneuburg, ref. 4 only, see example below, ref. 5: tacet!)
All voices, measure 78 81: Some sources (ex. ref. 2, 3) instead give the lyrics Je-su,
Je-su Chri-ste cum San-cto, probably a later attempt to adapt the lyrics to the
ordinarium missae instead of using Schuberts original lyrics (confirmed by the
Klosterneuburg discovery). This passage cannot be found in ref. 1. Also, see ref. 1, 4, 5
Tenore, measure 83 84: Ref. 1 gives the pitch d for all notes. Ref. 2 expresses the
opinion that, for harmonical reasons, the sequence must be corrected to d h a g fA
This opinion has been universally prevailing for most of the later editions. But the
Klosterneuburg discovery clearly shows that the composer kept the original pitch (d)
III.Credo
Tenore, measure 19: 1/2 + 1/2 (d1), should be 1/2 dotted + 1/4 (d1) (Klosterneuburg, ref.
4, 5 and some modern editions, ref. 3, 7)
Soprano, alto, measure 28 3rd 4th beat: Some sources (ex. ref. 2, 3) give the phrase et
ex, probably a later attempt to adapt the lyrics to the ordinarium missae instead of using
Schuberts original lyrics (confirmed by the Klosterneuburg discovery).
Alto, measure 47: 1/2 + 1/4 (g1 fA1) + 1/4 (fA1) fa a cta, should be 1/2 + 1/2 (g1 +
fA1, Klosterneuburg, ref. 4, 5 and ref. 3), fa-cta
All voices, measure 127: in older editions indicated as 1/2 + 1/4 dotted + 1/8, should be
1/2 + 1/4 + 1/4 (Klosterneuburg, ref. 4, 5)
Alto, measure 180: 1/2 dotted + 1/4 ( fA1 ) sae cu should be 1/2 + 1/4 (g1 fA1) +
1/4 (fA1) sae e cu (Klosterneuburg, ref. 4, 5), analogous to measure 176
Tenore, measure 186: ref. 1 indicates (from the composers autograph) the first note with
the pitch fA. Ref. 2 expresses the opinion that this was erroneously written by the
composer and changes the pitch to a. The Klosterneuburg discovery, however, shows
that the pitch really should be fA.
IV. Sanctus
The tempo should beAdagio maestoso, which is clearly indicated in all autographs.
Probably a slip of the pen in ref. 1, then propagated to later editions.
The word Hosanna is a Latinized version of the Hebrew word Hoshianna (Save,
rescue, savior!", Ps. 118:25). Due to the fact that the letter H was almost completely lost
in classical Latin during the end of the classical period, the word is often witten as
Osanna in sacred Latin lyrics. The letter H is silent in the italian/ecclesiastical Latin
pronouciation, with some rare exceptions.
V. Benedictus
Soprano solo, measure 6: the syllable Do- (in Do-mi-ni) should be indicated with
regular notes, not grace notes, analogous to tenore solo, measure 22 and baritono solo,
measure 38. Probably a misinterpretation in ref. 1, which has then been propagated into
later editions.
Soprano solo, measure 10: the syllable -nit (in ve-nit) should be 1/16 dotted + 1/32
(Klosterneuburg, ref. 4, 5)
Soprano solo, measure 46 47: the phrase in no-mi-ne Do-mi-ni as found in other
sources, should be qui ve-nit in no-mi-ne (Klosterneuburg, ref. 4, 5)
VI. Agnus Dei
Soprano solo, measure 10, 1st beat: Probably a misunderstanding in ref. l, should be 1/8
+ 1/8 fA1 preceded by a grace note 1/16 g1 (analogous to measure 7, 4th beat)
Baritono solo, measure 24, 1st beat: Probably a misunderstanding in ref. 1, should be 1/8
+ 1/8 cA preceded by a grace note 1/16 d (analogous to measure 21, 4th beat)
Basso, measure 40, 3rd 4th beat: Ref. 1 indicates all notes (1/8, 1/16, 1/8, 1/8) with the
pitch G. Ref. 2 Ref. 2 expresses the opinion that this was erroneously written by the
composer and changes the pitch to the sequence G G G C. The Klosterneuburg
discovery shows that Schubert himself has already corrected this, and even transposed
the pitch 8va ( g g g c1 Klosterneuburg, ref. 4, 5), analogous to basso, measure 26
I. Kyrie
Missa no. 2 in G (D 167)

(1815)
Coro e solo
Franz Schubert (1797 - 1828)
Andante con moto
Soprano
Ky - ri - e
e - lei
son,
tutti
tutti

Alto
Ky - ri - e
Tenore
son,
son,
Ky - ri - e
e - lei
tutti

Ky - ri - e
Basso
10
lei - son,
lei - son,
11
Ky - ri -e e - lei - son, e - lei
Ky - ri - e
e - lei
13
Ky - ri - e
e - lei
son, Ky - ri -e e -
Ky - ri - e
e - lei
son, Ky - ri -e e -
son,
son,
son,
son,
Page 1 of 30
son, Ky - ri -e e -
son, Ky - ri -e e -
e - lei
son,
12
Ky - ri - e
lei - son,
lei - son,
e - lei
e - lei
tutti
14
16

17
Ky - ri - e
Ky - ri - e
Ky - ri - e
Ky - ri - e
e -
e -
e -
e -
18
lei
lei
lei
son,
son,
lei - son,
e - lei
e - lei
e - lei
e - lei
28
son.
22
23
lei
29
son,
son,
lei
27
Ky - ri - e
Ky - ri - e
21
Ky - ri - e
33
20
Ky - ri - e
Ky - ri - e
son,
Ky - ri - e
Ky - ri - e
Ky - ri - e
son,
26
lei

19
lei
lei
son,
24
e - lei
son,
e - lei
son,
e - lei
son,
son,
e - lei
son,
31

soprano solo
25
30
Chri - ste
e - lei - son,
32
Chri - ste e -
son.
son.
son.
35

34
36
Chri -ste e - lei - son,
Chri - ste e - lei - son,
Page 2 of 30
37
38
39
40
Chri - ste
e - lei - son,
41
43
Chri - ste e - lei - son,
44
Chri -ste
cresc.
42
45
e - lei
46
Chri - ste,
48
son,
tutti
e - lei
tutti
47
son,
e -
tutti
e - lei
tutti
son,
e -
Chri - ste,
49

lei
son,
son,
son,
60
e - lei - son, Chri - ste e - lei
Chri - ste, Chri - ste e - lei
son,
e - lei - son, Chri - ste e - lei
63

e - lei
ste
Chri
ste
Page 3 of 30
son,
e - lei
son.
son.
e - lei
son,
e - lei
son,
57
e - lei
son.
e - lei
son,
son.
ste
64
e - lei
ste
56
61
62

Chri
Chri - ste, Chri - ste, Chri - ste e - lei
Chri
Chri - ste,
59
ste
e - lei
Chri
son,
53
Chri - ste,
son,
52
son,
54
55

51
Chri - ste,
58
Chri - ste, Chri
lei
50
e - lei
65
68
69
Ky - ri - e
Ky - ri - e
Ky - ri - e
Ky - ri - e
70

71
73
e - lei
son,
e - lei
son,
son,
e - lei
e - lei
Ky - ri - e
Ky - ri - e
lei - son,
lei - son,
lei - son,
85
lei
Ky - ri - e
88
son,
son,
son,
lei
lei
87
son,
Ky - ri - e
Ky - ri - e
Ky - ri - e
son, Ky - ri -e e -
Ky - ri - e
e - lei
son, Ky - ri -e e -
81
son,
son,
son,
83
89
lei
Ky - ri - e
Ky - ri - e
e -
lei - son, Ky
son,
e -
e -
Ky - ri - e
son,
Page 4 of 30
91
e -
90
lei - son, Ky

84
Ky - ri - e
lei
Ky - ri - e
son,
lei

86
e - lei
son, Ky - ri -e e -
Ky - ri - e
e - lei
son, Ky - ri -e e -
77
78
79
80

lei - son,
75
son,
74
e - lei
76

72
92
e -
ri - e
ri - e
e - lei - son, e -
e - lei
son, e -
Ky - ri - e
e -
93
lei
lei
lei

lei
96
son.
94
son.
son.
95
son.
Page 5 of 30
97
II. Gloria
Coro e soli
(1815)
Allegro maestoso
Soprano
solo
Baritono
solo
Soprano
Alto
Tenore
Basso
pax
pax

pax
pax
tutti 3
in ex - cel - sis
Glo - ri - a
tutti
Glo - ri - a
in ex - cel - sis
De
10
12
ho - mi - ni - bus
bo - nae vo - lun - ta
ho - mi - ni - bus
Et
o!
Lau - da
Lau - da
tis.
Lau - da
Et
in ter - ra
Et
in ter - ra
14
-
mus Te,
Lau - da
in ter - ra
o!
in ter - ra
o!
tis.
tis.
13

Et
tis.
o!
in ex - cel - sis
Page 6 of 30
De
ho - mi - ni - bus
De
ho - mi - ni - bus
De
11
Glo - ri - a
tutti
tutti
in ex - cel - sis
Glo - ri - a
mus Te,
mus Te,
be - ne -

be - ne -
be - ne -
mus Te,
be - ne -
2
15
di - ci - mus
di - ci - mus
Te,
ad - o - ra
Te,
ad - o - ra
Te,
ad - o - ra
Te.
mus
Te, glo- ri - fi - ca - mus
Te,
mus
mus
mus
Te,
Te,
Te,
24
25

ad - o - ra
ad - o - ra
mus
mus

26
Gra - ti - as a - gi - mus Ti - bi pro- pter ma -gnam glo - ri - am
Tu - am,
Tu - am,
19
23
ad -o - ra - mus Te!
28

29
Do - mi - ne
De - us,
30
Rex
De - us,
Rex
Tu - am,
Do - mi - ne
Gra - ti - as
Do - mi - ne
De - us,
Do - mi - ne
Rex
De - us,
Rex
Tu - am,
ad -o - ra - mus Te!
20
18
Te.
27
ad - o - ra
22
Te,
di - ci - mus
21
17
di - ci - mus
16
Page 7 of 30
gi - mus
31
Ti - bi pro- pter ma -gnam glo - ri - am
coe - le - stis,
coe - le - stis,
coe - le - stis,
coe - le - stis,
32
De
De
De
De
us
33
Pa - ter o -
us
Pa - ter o -
us
Pa - ter o -
us
Pa - ter o -
34
mni
mni
mni
po - tens,
po - tens,
solo
41
Do - mi - ne
Brs.
40
Do - mi - ne
tutti
Chri
43
gnus
De - i,
li - us
tol - lis pec -ca - ta
Pa - tris,
42
Chri
qui
43
ste!
ste!
ste!
45
45
mi - se - re - re
no
mi - se - re - re,
mi - se - re - re
Mi - se - re - re
no - bis,
mi - se - re - re,
mi - se - re - re
Page 8 of 30
tutti 44
no - bis,
mun - di
Mi - se - re - re
44
Chri
Fi - li u - ni - ge - ni - te, Je - su
42
ste!
Do - mi - ne
tutti
39
Chri
41
38
Fi - li u - ni - ge - ni te Je - su
Do - mi - ne
De - us,
solo
37
Fi
Do - mi - ne
po - tens,
40
36
po - tens,

mni
Ss.
35
tutti
no
no
mi - se - re - re
no
46
Ss.
47
Do - mi - ne
Brs.
46
De - us,
Fi
49
gnus
Pa - tris
mi - se - re - re
mi - se - re - re
49
no - bis,
Ss.
Brs.
Do - mi - ne
bis,
52
bis,

bis,
bis.
51
no
mi - se - re - re,
mi - se - re - re
mi - se - re - re
54

Fi - li - us
De - us,
54
mi - se- re - re,
gnus
56

55
Pa - tris,
53
no
bis,
su - sci - pe
de - pre - ca - ti
su - sci - pe
de - pre - ca - ti
no
no
no
58
bis.
De - i,
55
57
56
tutti
57
mi - se - re - re
no
tutti
mi - se - re - re
53
mi - se - re - re
bis,
52
50
tutti
mi - se - re - re,
no - bis,
tol - lis pec- ca - ta mun -di,
bis,
51
qui
48
50
De - i,

li - us
bis,
47
bis,
48
bis.
nem no-stram, mi - se - re
re.
nem no -stram, mi - se - re
re.
tutti
mi - se - re - re
Page 9 of 30
no
58
no
bis.
59
San - ctus,
San - ctus,
San - ctus,
San - ctus,
73
San
ctus
San
ctus
San
ctus
71
lus
ni - am
Tu
so - lus Al - tis - si - mus,
quo
ni - am
Tu
ni - am
Tu
Tu
ni - am
74

Tu
so - lus
75
San - ctus,
Tu
so - lus
San - ctus,
Tu
so - lus
San - ctus,
Tu
so - lus
San - ctus,
Page 10 of 30
76
quo - ni - am Tu
so - lus
quo - ni - am Tu
so - lus
quo - ni - am Tu
so - lus
Do - mi - nus,
so - lus
70
so
quo - ni - am Tu
72
ni - am
quo
ni - am
Tu
so - lus
quo
ni - am
Tu
so - lus
quo
ni - am
Tu
so - lus
Tu
so - lus

Tu
68
ctus
so - lus
quo
tu
quo
San
Quo - ni - am
Do - mi - nus,
so - lus
tutti
Do - mi - nus,
Quo - ni - am Tu
Quo - ni - am Tu
Do - mi - nus,
67
tutti
quo
66
tutti
quo
65
so - lus
Quo - ni - am Tu

69
tutti
64
77
so - lus Al - tis
si - mus,
Tu
so - lus Al - tis
si - mus,
Tu
so - lus Al - tis
si - mus,
Tu
so - lus Al - tis
si - mus,
78
Tu
so - lus
Do
Do
so - lus
Tu
so - lus
Tu
83
De
De
De
Pa
Pa
Pa
Pa

De
so - lus
80
Do
Tu
79
- tris
- tris
- tris
mi
mi
mi
nus. Cum San - cto
nus. Cum San - cto
men.
men.
82
men.
Page 11 of 30
Spi - ri- tu in glo - ri - a
86
men.
85
nus. Cum San - cto
nus. Cum San - cto
84
- tris
Do
mi
81
III. Credo
Coro
(1815)
Allegro moderato
Soprano
Cre - do in
Alto
Cre - do in
tem,
tem,
Cre - do in
Basso
Cre - do in
Tenore
tem,

tem,
10
num De
num De
num De
num De
et
ter
fa - cto- rem coe - li
et
et
ter
ter
et
ter
um,
Pa - trem o - mni - pot - en

13
vi
vi
rae,
vi
rae,
vi
Page 12 of 30
rae,
rae,
12
um,
um,
um,
11

14

15
si - bi - li - um
o - mni -
si - bi - li - um
si - bi - li - um
o - mni -
o - mni -
si - bi - li - um
o - mni -
um
et
in - vi - si
um

et
in - vi - si
um
et
in - vi - si
um
et
16
23
24
25
bi - li
bi
31
De - i,
32
33
sae - cu - la,
o - mni - a
um.
sae - cu - la,
u - num Do - mi- num,
In
u - num Do - mi- num,
um.
27
29
28
ex
An - te
34
Pa
ni - ge - ni tum.
22
De - i,
o - mni - a
In
An - te
um.
21
26
Fi - li - um
20
li - um.
bi - li
sum Chri - stum,
na - tum,
bi - li
na - tum,
sum Chri - stum,
in - vi - si
Je
19
Fi - li - um
30
18
Je
17
ex
Pa
ni - ge - ni- tum.
35
36
De - o,
lu - men de
lu - mi - ne,
De - um de
De - o,
lu - men de
lu - mi - ne,
De - um de
De - o,
lu - men de
lu - mi - ne,
lu - men de
lu - mi - ne,
De - um de
Page 13 of 30
De - o,
tre
De - um de
tre
3
37
ve - rum de
De - um
quem
tri,
per
quem
per
quem
ve - ro.
per
De - o
ctum,
46
Ge

fa
fa - cta
o - mni - a
fa
o - mni - a
fa
no - stram sa - lu - tem de - scen - dit de
cta sunt.
coe
coe
coe
Page 14 of 30
49
cta sunt.
Pa
ho - mi- nes, et
Qui pro - pter nos
ho - mi- nes, et
Qui pro - pter nos
ho - mi- nes, et
Qui pro - pter nos
ho - mi- nes, et
55
lis.
56
57
Et
lis.
lis.
Et
in - car
lis.
Et
in - car
50
Qui pro - pter nos
Con - sub-stan - ti - a - lem
coe
Pa
Con - sub-stan - ti - a - lem
sunt.
54
fa
53
non
ni - tum
52
51
ni - tum
fa
cta sunt.
o - mni - a
43
non
48

42
Ge
47
o - mni - a
ve - ro.
ve - ro.
quem
tri,
De - o
per
45
41
ve - ro.
ctum,
De - o
44
ve - rum de
40
De - o
ve - rum de
ve - rum de
De - um
39
De - um
De - um
38
Et
na
na
58
in - car
in - car
na
na
tus
de
tus
est
est
est
de
vir
de
gi - ne:
Et
ho
Spi - ri - tu
Spi - ri - tu
67
mo fac - tus
est.
gi - ne:
Et
ho
mo fac - tus
est.
gi - ne:
Et
ho
mo fac - tus
est.
vir
gi - ne:
Et
ho
vir
76
fi
77
xus
et
xus
xus
et
et
xus
et
mo fac - tus
i - am
pro
no
i - am
i - am
i - am
pro
pro
pro
Ma - ri
79
no
no
no
Page 15 of 30
Ma - ri
Ma - ri
ex
74
Cru -
Cru -
Cru -
bis
73
Pon
Cru -
sub
bis
ex
bis
bis
Ma - ri
80
ex
est.

78
70
ex
69

64
Sanc - to
68
Sanc - to
Sanc - to
63
Sanc - to
Spi - ri - tu

62
Spi - ri - tu

66
61
vir
fi
est
tus
fi
tus
fi
75
60
de
65
59
81
sub
Pon
sub
Pon
sub
Pon
- ci -
- ci -
- ci -
ti
Pi -
ti
ti
- ci -
82
ti
Pi -
Pi -
Pi -
83
la

la
la

la
97
Et
Et
to,
pas
sus
et
se
85
to,
pas
to,
pas
to,
pas
98
sus
sus
86
et
se
et
se
sus
et
99
88
pul
pul
pul
pul
100
di - e,
tus
est.
est.
tus
est.
tus
tus
est.
101
se - cun
90
102
dum
103
scri - ptu
di - e,
se - cun
dum
scri - ptu
re - sur - re - xit
di - e,
se - cun
dum
scri - ptu
ter - ti - a
Et
re - sur - re - xit
ter - ti - a
scri - ptu
Et
re - sur - re - xit
89
ter - ti - a
re - sur - re - xit
se
87
ter - ti - a
104
84
ras.
ras.
ras.
a - scen - dit in
a - scen - dit in
a - scen - dit in
Et
a - scen - dit in
di - e,
Et
106
Et
105
Et
ras.
coe
coe
coe
108
Page 16 of 30
lum:
lum:
dum
109
110
se - det ad
lum:
lum:
coe
se - cun
107
de - xte - ram
se - det ad
de - xte - ram
se - det ad
de - xte - ram
se - det ad
de - xte - ram
111
tris.
Pa
Pa
ju - di - ca
ju - di - ca
jus
jus
ju - di - ca
127
Et
re
reg - ni non
te - rum
ven
128
e - rit
e - rit
e - rit
e - rit
tu
tu
rus
est
rus
cum
est
rus
est
cum
rus
est
cum
vos
et
mor - tu - os,
vos
et
vos

124
glo
et
glo
132
133
fi
fi
fi
fi
Page 17 of 30
ri -
cu
cu
cu
nis.
nis.
ri -
131
cu
130
mor - tu - os,
ri -
125
129
glo
mor - tu - os,
ri -
mor - tu - os,
cum
glo
117
123
et
116
vos
122
tu
ven
vi
te - rum
vi
tu
ven
re
te - rum
vi
reg - ni non
jus
vi
ven
115
te - rum
re
121
re
114
reg - ni non
jus
120
reg - ni non
Et
119
Et
tris.
ju - di - ca
Et
tris.
126
tris.
Pa
113
Pa
118
112
nis.
nis.
134
137
138
Cre
Cre
Cre
Cre
144
Do -
do,
do,
cre
do,
147
cre
mi - num
dit.
ce
dit.
dit,

ce
et
vi - vi - fi - can
mi - num
vi - vi - fi - can
mi - num
153
et
et
vi - vi - fi - can
154
155
Qui cum Pa - tre et
Qui cum Pa - tre et
in
Spi - ri - tum San - ctum
do
do
in
do
in
tem,
qui ex
149
tem,
150
151
Pa - tre et
Fi - li - o pro -
qui ex
qui ex
tem,
qui ex
Pa - tre et
Pa - tre et
157
Fi - li - o pro -
Fi - li - o pro -
Pa - tre et
Fi - li - o,
Fi - li - o,
143
tem,
156
142
in
148
do
141
cre
ce
ce
cre
152
do,
vi - vi - fi - can
Do -
140
et
Do -
146
139
mi - num
Do -
145
Fi - li - o pro -
158
qui cum Pa - tre et
qui cum Pa - tre et
Si - mul -ad - o - ra - tur,
dit,
Si - mul ad - o - ra - tur,
Page 18 of 30
159
160
161
Fi - li - o,
Fi - li - o,
163
qui
lo - cu - tus est.
162
qui
lo - cu - tus est.
167
fi - te - or
fi - te - or
fi - te - or
fi - te - or
173
169
u - num ba - ptis - ma
in
in
174
175
re - mis - si - o - nem
in
170
in
o - rum. Et
168
vi - tam ven - tu - ri
sae
o - rum. Et
sae
o - rum. Et
per
Pro - phe - tas, con -
per
Pro - phe - tas, con -
171
pec - ca
pec - ca
pec - ca
172
to - rum, mor - tu -
pec - ca
et
sae
Con -
cu - li,
sae
177
176
o - rum. Et
con - glo- ri - fi - ca - tur,

166
165
Con -
con - glo- ri - fi - ca - tur,
164
Page 19 of 30
178
179
cu - li,
et
cu - li,
et
cu - li,
et
180
sae
sae
cu - li.

sae

181

sae
cu - li.
cu - li.
cu - li.
182
men,
men,
183
men,
men,
184
men,
men,
185
Page 20 of 30
men,
men,
186
188
187
a - men,
a - men,
a - men,
a - men,
men.
men.
men.
men.
IV. Sanctus

(1815)
Adagio maestoso
Soprano
Alto
Tenore
Basso
Coro
San - ctus,
San - ctus,
San - ctus,
San - ctus,
San - ctus,
San - ctus Do - mi- nus
De - us Sa - ba -oth!
San - ctus,
San - ctus,
San - ctus,
7 8 9
Ple - ni sunt coe - li et
ter - ra
glo - ri - a
Tu - a,
ple - ni sunt coe - li et
ter
Tu - a,
ra.
ra.
glo - ri - a
ter
ter - ra
ter - ra
glo - ri - a
Tu - a,
ter
ra.
ter - ra
glo - ri - a
Tu - a,
ple - ni - sunt coe - li et
ter
ra.
Page 21 of 30
10
Allegro
O - san - na in
ex - cel - sis, o - san - na
cel
na in
san - na
in ex - cel
21
sis,
o - san - na
na in
ex - cel
sis,

san - na
in
ex
san - na in
ex
cel
sis,
ex - cel - sis,
sis,
o - san
na in
ex -
na,
o -
ex - cel
sis,
o -
24

23
Page 22 of 30
na,
o - san
na in
o - san
o - san
o - san
sis,
o - san
na,
in
cel
sis,
o -
ex - cel
ex - cel
sis, o - san - na
22

sis,
19
o - san
in ex - cel
ex - cel

in
ex -
sis, o - san - na
o - san - na in
18

ex - cel
sis,
14
O - san
san - na in
na in
cel
ex - cel
O - san
17
sis, o - san

20
16
in
O - san
15
12 13
11
ex - cel
na in
na
in ex - cel
na in
ex - cel
sis,
in ex - cel
26
25
sis,
sis,
o - san - na in
o - san - na in
sis,
31
32
san - na in

san - na in
san - na in
33

ex - cel
ex - cel
ex - cel - sis, o - san - na in
Page 23 of 30
ex - cel - o
36
sis.
sis.
sis.
sis.
37
o -
san - na,
o -
o -
ex - cel - sis, o - san - na,
35
ex - cel
34
ex - cel
30

san - na in
29

san - na in
28

sis,
o - san - na in
27
o -
V. Benedictus
Soli e coro
(1815)
Andante grazioso
Soprano
Be- ne - di
Basso
5
6
Tenore
Soprano solo
Alto
ctus, qui ve
nit in no - mi - ne Do
mi -
8 9 10 11 12

17
18

ni,
be
13
ne - di - ctus,
14
15
be - ne - di - ctus qui
19

20
ni,
ve - nit
be
be - ne -di - ctus, qui
be - ne - di - ctus, qui
ctus, qui ve
25
ve
nit
ve - nit in no
nit,
ne - di - ctus,
qui
mi - ne Do - mi - ni,
in
no - mi - ne Do
mi - ne
mi - ni,
27
ve
ve - nit in no
Page 24 of 30
no - mi - ne Do - mi 23
26
be - ne - di - ctus,
ve - nit in
22
qui
solo
Tenore

no - mi- ne Do - mi - ni,
21
24
Do - mi - ni,
16
Be - ne - di
in
qui ve - nit in no - mi - ne
Do - mi- ni,
nit,
28
29
31
32
30
be -
be - ne - di - ctus in
ne - di - ctus, qui
ve - nit
qui
in
ve - nit
Be- ne - di
38
ve - nit in no
no - mi - ne Do
42
mi - ne Do
mi ni,
mi - ne Do - mi

ve
nit in no
be - ne-di-ctus,
qui
mi - ne
ve
be
nit,
Page 25 of 30
in
ve
ne - di - ctus,
be
nit,
45
be
ne - di - ctus,
qui
ne - di - ctus,
ne - di - ctus,
ne - di - ctus,
Do - mi-ni,
nit
44
be
be - ne-di - ctus qui
be 43
mi - ni,
ni,
qui
41
be - ne - di - ctus qui
ctus, qui ve
40
39

ve - nit in no
Baritono solo
37
be - ne - di - ctus
no - mi - ne Do - mi - ni,
36
in
be - ne -
di - ctus, qui ve - nit
in
35
34
33
be
ne - di - ctus,
47 48
46
ve - nit
in
51
san - na in ex - cel
qui
in
ve - nit
in
60
san - na in ex - cel - sis, o -
61
sis, o - san - na in
ex - cel
in ex - cel
tutti
sis,
sis, o -
o - san - na in ex -
O - san - na in
Page 26 of 30
62
ve - nit
O - san - na in ex - cel - sis, o - san - na
tutti
sis, o - san - na in ex - cel
Allegro
no - mi - ne Do - mi - ni.
nit in
56
tutti 55

58 59
54
57
ve
qui
52
mi - ni,
50
qui
no - mi - ne Do
49
ex - cel
sis, o -
64

63
san - na
66
o - san
tutti
O - san - na in
ex - cel - sis, o
sis, o - san
san - na
in ex - cel
na,
sis,

san - na in ex - cel
68
67
in ex - cel - sis,
cel
65
na, o - san - na in ex -

sis, o - san
na, o - san - na in ex -
- cel
na in ex -
o - san - na in ex - cel - sis, o - san
o - san - na in ex
sis, o - sa - na in ex - cel
sis, in ex -
76
70
71 72 73 74 75
69
cel
o - san - na in ex - cel - sis, o - san - na in ex - cel - sis, o - san - na, o - san - na in ex -
sis,
cel
sis,
cel
sis,
o - sa - na in ex - cel - sis, o - san - na, o - san - na in ex -
cel
cel
cel
sis,

77
cel
cel
sis,
sis,
80
ex - cel
ex - cel
ex - cel
o - san - na in
79
ex - cel
o - san - na in
sis,
o - san - na in
sis,
78
o - san - na in
sis.
sis.
sis.
Page 27 of 30
81
sis.
82
VI. Agnus Dei

(1815)
Soprano
tutti 11

re
no - bis,
mi - se - re - re no
tutti

mi - se - re - re no - bis,
10
A - gnus De - i, qui tol - lis pec- ca - ta mun - di:
mi - se - re
soprano solo
6
Basso
Tenore
Lento
Alto
Soli e coro
tutti
tutti
12
bis,
bis,
bis,
bis,
Page 28 of 30

mi - se - re - re,
2
14

13
mi - se - re - re, mi - se - re - re
mi - se - re - re,
no
mi - se - re - re
no
no
no

tutti
baritono solo
bis.
re
no - bis,
28
bis,
mi - se - re - re, mi - se - re - re no -
29
mi - se - re - re, mi - se - re - re no -
bis.
bis,
mi - se - re - re, mi - se - re - re no - bis.
mi - se - re - re, mi - se - re - re, mi - se - re - re no -
bis.
38
35 36 37

soprano solo
34
bis.
bis,
bis,
A - gnus De - i, qui
27
tutti
tutti
mi - se - re - re no - bis, mi - se - re
20
23 24

tutti
bis.
22
26

25
bis.
tol - lis pec- ca - ta mun - di:
21
bis.
15
A - gnus De i, qui tol - lis pec- ca - ta mun -di:
do - na no - bis
Page 29 of 30
pa-cem, do-na no-bis pa
cem,
3
39
tutti

40
tutti
do- na no- bis, do- na no- bis pa - cem.
do - na no- bis pa - cem,
tutti
43

42
tutti
41
do - na pa -cem, do- na no- bis, do- na no- bis pa - cem.
Page 30 of 30
44
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Schubert Mass in G

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Schubert Mass in G

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Franz Schubert (1797 1828)

II. Gloria in excelsis

III. Credo in unum Deum

VI. Agnus Dei

Copyright 2015 by CPDL, Choral Public Domain License

Edition revised 2015-01-20

Probably corrupted as early as in ref. 1, compared with Schuberts original score.

Missa no. 2 in G (D 167)

Franz Schubert (1797 - 1828)

Andante con moto

Ky - ri -e e - lei - son, e - lei

Ky - ri -e e - lei - son, e - lei

Ky - ri -e e - lei - son, e - lei

Ky - ri -e e - lei - son, e - lei

Chri -ste e - lei - son,

Chri - ste e - lei - son,

Chri - ste e - lei - son,

e - lei - son, Chri - ste e - lei

Chri - ste, Chri - ste e - lei

e - lei - son, Chri - ste e - lei

Chri - ste, Chri - ste, Chri - ste e - lei

Chri - ste, Chri

Ky - ri -e e - lei - son, e - lei

Ky - ri -e e - lei - son, e - lei

Ky - ri -e e - lei - son, e - lei

Ky - ri -e e - lei - son, e - lei

Missa no. 2 in G (D 167)

Franz Schubert (1797 - 1828)

Te, glo- ri - fi - ca - mus

Te, glo- ri - fi - ca - mus

Te, glo- ri - fi - ca - mus

Te, glo- ri - fi - ca - mus

Gra - ti - as a - gi - mus Ti - bi pro- pter ma -gnam glo - ri - am

Gra - ti - as a - gi - mus Ti - bi pro- pter ma -gnam glo - ri - am

Gra - ti - as a - gi - mus Ti - bi pro- pter ma -gnam glo - ri - am

Ti - bi pro- pter ma -gnam glo - ri - am

tol - lis pec -ca - ta

tol - lis pec- ca - ta mun -di,

so - lus Al - tis - si - mus,

so - lus Al - tis - si - mus,

so - lus Al - tis - si - mus,

so - lus Al - tis - si - mus,

nus. Cum San - cto

nus. Cum San - cto

Spi - ri- tu in glo - ri - a

Spi - ri- tu in glo - ri - a

Spi - ri- tu in glo - ri - a

Spi - ri- tu in glo - ri - a

nus. Cum San - cto

nus. Cum San - cto

Missa no. 2 in G (D 167)

Franz Schubert (1797 - 1828)

fa - cto- rem coe - li

fa - cto- rem coe - li

fa - cto- rem coe - li

Pa - trem o - mni - pot - en

Pa - trem o - mni - pot - en

Pa - trem o - mni - pot - en

Pa - trem o - mni - pot - en

fa - cto- rem coe - li

u - num Do - mi- num,

u - num Do - mi- num,

sum Chri - stum,

sum Chri - stum,