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Vorwort

Johann Melchior Molter wurde am 10. Februar 1696 in TiefenortlWerra im FOrstentum Sachsen-Eisenach geboren. 1m Jahre 1717 wurde er als "Musicus" an den HoI des Markgrafen Karl' Wilhelm von Baden-Durlach berufen. Bereils im Jahre 1719 beurlaubte dieser ihn mil vollem Gehalt, um Molter zu erm6glichen, sich in Venedig "in der Musi.k mit Erlemung der ilal. Manier, auch anderer Vortheil und Handgriffe mehrers zu habilit,ieren". Mit dem Ausscheiden J. Ph. Kaiers aus dem Hofdienst wurde Molter 1722 des sen Nachlolger als KapelJ,meisler der Hofmusik im SchlaG zu Durlach und im neuen SchlaG zu Karlsruhe. Ab 1733 wirkte er am Hoi von Sachsen-Eisenach, hiell sich 1738 erneut in Italien auf und trat im Jahre 1743 in die Dienste des Markgrafen Karl friedrich ein, der ihn mit der Neuordnung der Hofmusik in Karlsruhe beauftragte. Molter starb am 12. .Januar 1765 in Karlsruhe.

Bereits als junger Musikerlernte Molter am rnarkqratllchen Hof Werke dar zeitqencsslschen tranzosrschen. oberitalienischen und deulschen Instrumental- und Opemmusik kennen und blieb Zeit seines Lebens verschiedenen stilistischen Einflussen gegenilber offen. Er komponierte eine Vielzahl von Concerti, Sinfonien, Suilen, Cembalound Vokalwerken. Der grbf3te Tell seines Schaffens 9in9 durch die Einwirkungen des Zwelten Wellkrieges verloren, Molters Manuskripl des Concerto in A fur 4 Querilbten und Basso wird heute in der Badischen Landesbibliothek Karlsruhe aufbewahrt. Mein besonderer Dank gilt Herm Dr. Klaus Hafner, dem Leiter der Musikabtailung, fOr die Genehmigung zur Verbffentlichung des Werkes.

In der vorlleqenden Bearbeitung wurde das Concerto nach B~dur transponiert, urn es damit in eine fur Altblockflbten gunstig spietbare Tonart zu bringen. Feh!ende Bogen vorl der Vorschlagsnote zur Hauptnote sind stillschweigend erqanzt. Die Satzbezeichnungen sind Erganzungen des Herausgebers. Aile sonstig.en editorischen Erganzungen sind ourcn Strichelung (Bogen) bzw. durch eckige Klam~ mern gekennzeichnet. Die Continuo-Aussetzung ist lediglich als Anregung anzusehen.

Basel 1984

Manfred Harras

Preface

Johann Melchior Molter was born on February 1 Dlh, 1696, in TiefenortiWerra, Saxony/Eisenach. He was appointed to the position of "Musicus" at the court of Ihe margrave Karl Wilhelm von Baden-Durlach in the year 1717. As early as 1719 the margrave maintained Moller's full salary while allowing him to study in Venice "in order to accomplish himself in music by mastering the Italian manner as well as other advantageous and useful matters." In 1722,. Molter succeeded J. Ph. Kaler upon the departure of the latter from the court, thereby becoming the conductor at Durlach and at the new palace at Karlsruhe.

After 1733 he was active at the court of Saxony/Eisenach., resided again in Italy in 1738, and began service in 1743 under the margrave Karl Friedrich, who placed him in charge of reforming the court music in Karlsruhe. II was in Karlsruhe that Moller died, on January 12th, 1765. Having come in contact with contemporary instrumental and operatic works of French, Upper-Italian, and German composers as a young musician at Ihe court of the margrave, Moller maintained an eclectic approach to stylistic influences throughout his life. His numerous works included Gonce rtos , sinfonies, and suites as well as compositions for voice and for harpsichord, Most of his work was destroyed during World War II.

Molter's manuscript of the Concerto in A major for four flutes and continuo can be found today in the Badische Landesbibliothek in KarlsrUhe. In particular, I would like 10 thank Dr. Klaus Hafner, director of the music department. for allowing the publication of this work.

In the adaptation presented here, the concerto was transposed to B~flat, thereby enhancing its playability on the recorder. Missing phrases thai would connect appoggiaturas to their main notes as well as designations of movements have been added by the editor. All other pertinent additions are eITher in the form of dotted phrase markings or are contained In brackets. The figured-bass realization should be regarded merely as a performance suggestion.

Ba5el1984

Manfred Hanas (translated by Paul Terse)

Umschlaggestaltung / cover design: Michaei Rechl

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