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  • Lick10 Tab

    Încărcat de

    Heidy Balza
    80 vizualizări3 pagini
    The document provides a fusion guitar lick called Lick 10 written by Martin Miller. It uses diatonic triads moving up the neck of the guitar via slides in G dorian. The descending part was played from muscle memory and may be difficult to recreate note for note slowly. The lick is included to spark creativity and raise the player's fusion skills. An audio recording and tab of the lick is also provided.

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    martin miller

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    The document provides a fusion guitar lick called Lick 10 written by Martin Miller. It uses diatonic triads moving up the neck of the guitar via slides in G dorian. The descending part was played from muscle memory and may be difficult to recreate note for note slowly. The lick is included to spark creativity and raise the player's fusion skills. An audio recording and tab of the lick is also provided.

    Drepturi de autor:

    © All Rights Reserved
    Descărcați ca PDF, TXT sau citiți online pe Scribd
    Indicator pentru conținut neadecvat
    80 vizualizări3 pagini

    Lick10 Tab

    Încărcat de

    Heidy Balza
    The document provides a fusion guitar lick called Lick 10 written by Martin Miller. It uses diatonic triads moving up the neck of the guitar via slides in G dorian. The descending part was played from muscle memory and may be difficult to recreate note for note slowly. The lick is included to spark creativity and raise the player's fusion skills. An audio recording and tab of the lick is also provided.

    Drepturi de autor:

    © All Rights Reserved
    Descărcați ca PDF, TXT sau citiți online pe Scribd
    Indicator pentru conținut neadecvat
    din 3

    TAB

    Martin Miller

    20 FUSION LICKS
    These licks will spark your creativity in
    no time, and seriously raise your fusion
    game!

    LICK 10
    Martin says...
    This lick uses a combination of two sequences. The first one is based on diatonic triads on
    the top two strings moving up horizontally via slides. Try to go up and down the entire neck
    with this principle, using only the notes of G dorian. Once youve done the work, this kind of
    sequence will be a useful addition to your improvisational vocabulary. You might just use a
    few notes from it to connect idea A with idea B.
    The descending part was played entirely from muscle memory. I probably wouldnt be able
    to recreate it note for note slowly. Its just one of those things that you developed almost like
    a habit. Just go for it and hopefully itll come out clean! ;)

    WWW.JAMTRACKCENTRAL.COM

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    LICK 10
    As recorded by jamtrackcentral.com
    (From the 2014 Album MARTIN MILLER 20 FUSION LICKS)

    P = 135

    Gm7

    8va

    e
    Ie 44

    T
    A
    B

    10

    10

    12

    sl.

    12

    13

    10

    sl.

    10

    11

    13

    sl.

    V V V V V V V V V V V V V V V V V V V V V V V V

    sl.

    8va

    e
    Ie

    15

    T
    A
    B

    12

    13

    15

    17

    13

    15

    17

    13

    15

    17

    15

    13

    12

    13

    15

    13

    12

    10

    12

    13

    12

    10

    13

    V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V
    e
    3
    Ie
    sl.

    T
    A
    B

    e
    Ie

    10 11 13 11 10 11 13 15 13 11 10 11 13 11 10

    H
    4

    sl.

    sl.

    sl.

    12

    sl.

    9
    P

    10 12 10
    H

    12

    10

    10

    T
    A
    B

    10
    H

    sl.

    sl.

    10 12 14 12 10
    H

    sl.

    R
    P

    10
    sl.

    BluesJamTracks Ltd 2014


    Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

    sl.

    10 12 10
    H

    9
    P

    12
    P

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