Documente Academic
Documente Profesional
Documente Cultură
15
Mental
Health
Mental Health is our focus in this issue of The Bridge.
IN THIS ISSUE:
Pg. 5 Local Teachers Win
Presidential Award
Pg. 7 Spotlight on
Mental Illness
Pg. 12 Bridges of
Montpelier
The Bridge
P.O. Box 1143
Montpelier, VT 05601
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THE BRIDGE
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Nature Watch
R
by Nona Estrin
ed maple and ash still stunning deep red and purple, the yellows and oranges of
sugar maple not far behind. Today, familiar woodland ways were transformed
in late afternoon by golden light that surrounded us and seemed to penetrate
everything. Coming home we picked chanterelles the color of that light, at the edge of
a wetland. It's odd, but we almost didn't go walking as the day seemed drab and damp!
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THE BRIDGE
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Repairs New floors and walls
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Consulting ICF foundations
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T H E B R I D G E
by Jennifer Myka
MONTPELIER/BARRE Amid all the debates about school consolidation, property taxes
and teacher contracts, there's some good news in Central Vermont, courtesy of Washington,
D. C. and two award-winning local teachers.
The White House in August announced that Mary Louise McLaughlin, a science teacher at
Barre Town Middle and Elementary School, and Kate McCann, a math teacher at U-32, were
recipients of the prestigious Presidential Award for Excellence in Mathematics and Science
Teaching. The award is given each year to two teachers in each U.S. state and territory, one
each in math and science. The award alternates yearly between teachers of students in the
seventh through 12th grades and teachers of students from kindergarten through the sixth
grade. According the Presidential Award website, the award is the nation's highest honor
for K-12 teachers in math or science, and finalists are judged by a distinguished panel of
scientists, mathematicians and educators.
Mary Louise McLaughlin
"I knew we had a national Presidential Award winner when I hired her," said Tim Crowley,
the now-retired Barre Town Principal who gets the credit for hiring McLaughlin four years
ago. She showed up for the interview, he said, with a stack of journals she required all of her
students to keep in order to record their thinking and their thought processes in coming to
their scientific conclusions. She sold me in a heartbeat, said Crowley
What McLaughlin does, said Crowley, is require students to learn protocols about how to
talk about science and, importantly, to communicate about it with others. Her dual teaching
certifications in science and language arts ensure that students learn not only science, but also
how to communicate science to others.
The notebooks are filled to the brim with ideas, explanations and hand-drawn pictures that
help each child understand their own thought processes, and operate as a way for students to
think and re-think their ideas.
McLaughlin said she started working as a teacher after a number of years in the private sector
doing environmental consulting. She went back to school for her teaching certification and
has now been in the classroom for 14 years.
Her method of teaching, she says, puts kids in the driver's seat; they're the active learners,
and they have to make sense. When first presented with a problem or scenario, they
write what they think about it, or how they think the problem will be solved, so they have
something to bring to what McLaughlin calls the scientists' meeting, where students sit in
small groups and share their ideas. Then they start asking questions and making discoveries
through communication with their peers and hands-on experimentation.
They're very resistant at first because they want to know the answer. But getting kids to
take the time to think, and then write about what they think and what they've learned, either
with words or pictures, helps in building the culture of how do we talk and share ideas?
The various ways she allows students to convey information ensures that "everyone will be
successful but not necessarily in every mode," McLaughlin says.
"I love to make kids think," says McLaughlin, and seeing her kids learn is what motivates her
to keep working and growing professionally. What does she love most? "When the kids get it.
That lightbulb moment," she says. "And when former students come back," she says, smiling
broadly," and say, You really prepared me."
Kate McCann
A dedication to teaching students how to think and communicate is also what drives Kate
McCann in her teaching. "Kate is extremely involved in math education at the state and
national levels," says U-32 Principal Steven Dellinger-Pate. "She brings a broader perspective."
"Math is about problem-solving, not equations," says McCann. To that end, she finds various
ways of getting her students to think about the material she is presenting, such as having
students work in pairs, or engage in computer games that anonymously track their progress
in answering questions. Another interesting activity is having a student write down the steps
he or she followed to solve a problem, then giving those steps to another student to see if that
student can get to the correct answer.
She, like McLaughlin, is adamant about requiring students to show their work. Students hate
showing their work, she says, but "showing the work is constructing the argument." As with
McLaughlin, McCann notes the importance of requiring students to "construct an argument
and critique the reasoning of others."
McCann's dedication to her craft is evident in the numerous extracurricular activities she
Courtesy Photo. Kate McCann, left, and Mary Louise McLauglin share a
smile in front of the White House.
engages in when not teaching, including spending a week of her summer scoring advancedplacement statistics exams, obtaining National Board Certification and presenting at
conferences and trainings to further her professional development.
"I have an innate drive to be the best I can be in the classroom, so I'm always trying to
improve," says McCann. She also believes there needs to be a lot of communication, and that
"it's okay to have a classroom that's noisy." She said she's always asking herself, "How can I
get students talking to one another?"
The application process for the Presidential Award requires significant work on the part of
the nominees as well as their circles of support. In addition to letters of recommendation and
a long written application, the nominees are required to submit a 40-minute uninterrupted
tape of them teaching a class, and a written reflection of that tape. McLaughlin almost gave
up when the first three tries at videotaping bombed as a result of technical and recording
difficulties. But she says the process was worth it.
Both McLaughlin and McCann were extremely positive about the process, noting how much
they learned about themselves in going through it. "It was like getting an independent audit
of your teaching," says McCann. "I learned a lot."
The winners received a visit to Washington, D.C. for the awards ceremony as well as a
$10,000 monetary award and a signed award certificate from President Barack Obama.
THE BRIDGE
T H E B R I D G E
by Karli Robertson
An Exploration of Depression
THE BRIDGE
New Construction
Renovations
Woodworking
General Contracting
223-3447
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T H E B R I D G E
Essay
Nearby Frontiers
by Matthew Maitland Thomas
he house was in a small, weed-choked town on the very outer rim of a tiny metropolis.
Not far away there was a shuttered factory. Within sight of the factory was the ruin
of a granary. On the main drag there was a Dairy Queen. Across from the DQ was a
grungy laundromat. The town was a despairing place, and I was there, in the cramped rooms
of the house.
A dog was locked in a room at the back of the house. The dog was not at all socialized and
was vicious, probably to the point of being murderous. It made a great commotion behind the
rooms heavy door. Finally, there was the clattering of claws on wood followed by a violent
thud. The dogs owner laughed, but not me. The dog had rammed the door, trying to escape.
Shortly before I left, the dog was taken outside. It had to come through the front room. Chaos
engulfed the house when the door was opened. The dog was a fury of muscles and teeth.
Snarling, it lunged for me. Flying spittle hit my face. Its owner pulled hard on the choke chain.
The dog yelped, recovered, and lunged again and again, each time coming a millimeter closer
to my nose.
I encountered the dog once more on the way to my car. It was chained to a stake in the ground
in the side yard. Instructing me to stay outside the well-worn path made by its endless pacing,
the owner dared me to turn my back on the dog. While I stood before it, the dog crouched,
growling softly. When I turned my back, the dog flew at me as though let loose from hell.
The dog in its three manifestations the unknown terror locked behind a heavy door, the
spasmodic font of chaos disturbing a settled room and the beast upon which you cannot turn
your back is a tidy representation of mental illness. But this representation is shallow, empty
and lazy (even the term mental illness feels inadequate). It is thus because it excludes people.
What the dog-as-representation-of-mental-illness describes instead are the loony-in-the-attic,
the maniac and the psycho, the tawdry minstrels of crazy.
These are not people. People are our friends and lovers, spouses and partners, parents and
siblings, grandparents, aunts, uncles and cousins, our acquaintances and the strangers we pass
on the street. I know that; I know better. And yet, when thinking about mental illness, I wrote
this dog into existence, gnashing teeth and all. I might as well have named it Madness.
If, like me, you are in close physical and emotional proximity to a person who lives with
mental illness, you understand that such metaphors are not only thin and unimaginative,
but fail morally and ethically. They are inaccurate. They are cruel. When unchallenged, that
cruelty opens the curtain on a horror show of mistreatment, exclusion, violence and suffering.
A new metaphor is needed, one that is kinder and more accurately describes mental illness as
perceived by someone like me, one of its watchers, who is co-located with mental illness by way
of a person who lives with it, who lives with me.
The house, the dog and the puddle of a town dissolve into a vast openness. A sea of tall grass,
shimmying in the breezes that ripple the plains, runs clear to the curve of the Earth. A single
guard tower interrupts the space. This is the last outpost on the far-flung reaches of a great
empire. One sentry mans the tower. His duty is to watch the lands beyond the border for the
stirrings of trouble. But there are none, not ever. Whatever war or campaign of conquest it was
that established this border happened long ago. Its heroes and villains are the stuff of legend
and fairy tale. The rest is morning mist.
Observer of an uneventful expanse, the sentry has little to do, so he goes about his life. He
reads, does laundry, takes naps, eats and goes for walks. Every so often, a dog comes sniffing
around the tower. The dog is not wild; it belongs to someone, the sentry somehow knows. It
reminds him of the dog he had as a child. The sentry feeds, pets and plays with the dog. He
watches as it bounds off across the plain, headed home to its family. He has not met them yet,
wherever they are, but he suspects theyre probably not so different than him.
Far from his capitol and its dogmas, on the edge of the border lands, the sentry feels the
prejudices of his imperial upbringing flaking away. The Enemy? The Other? Lies and
hyperbole, the sentry concludes while checking over the guard tower. It is in great need
of repair. The stones are weathered. The foundation is cracked. The sentry hopes the
construction detail never arrives, that the tower be forgotten, that the swaying grasses grow tall
enough to weave a sheath around the tower and pull it down to the earth. Then, he will sit on
the leftover mound and look across what used to be a boundary. Whoever dwells beyond the
edges of his empire, the sentry understands, is not strange or dangerous, and they are certainly
not to be hated, hurt or feared.
THE BRIDGE
Since many individuals hesitate or refuse to ask for assistance, it is helpful to think about neighbors and friends
who may be coping with alienation and isolation. Transportation may be one of the biggest barriers to feeling
happy, so Rood suggests offering to take someone shopping when you go shopping, or give them a ride to church.
People who live alone need to find ways to build connections through relationships. Sometimes they can socialize
at local senior centers, such as the Barre Senior Center or the Montpelier Senior Activity Center. Others use the
services of Project Independence or the Washington County Mental Health offices on Summer Street in Barre.
But some people eschew going to a senior center and make connections through Facebook on their computers
or even by watching television. Many rely on the History Channel or Arts and Entertainment, Rood said, but
pointed out there are other ways to make connections as well. The Council on Aging has a senior companion
program, for example. Another suggestion is to volunteer your services to the extent you are able. If you can still
drive, volunteer to help others. Visit people. Take them to appointments. Those who are retired and can drive,
there is a big need for that, said Rood.
For additional information, call the Central Vermont Council on Aging at 479-0531 or Washington County
Mental Health Services at 229-0591.
In 2013, more than 7,000 people age 65 or older died by suicide (CDC,
2013). Suicide rates are higher among older adults than in the general
population (CDC, 2013). In addition to the thousands of older adults who
die by suicide, many more have made suicide attempts and suffer from
the emotional pain of suicidal thoughts. Suicide rates are particularly high
among older men higher than among any other group in the United
States (CDC, 2013). Although suicide attempts are more common among
older women than older men (SAMHSA, 2013b), attempts are more likely
to be fatal among men because men are more likely than women to use
firearms (CDC, 2013).
Although older adults (both men and women) are less likely than younger
adults to report serious thoughts of suicide or a suicide attempt (SAMHSA,
2013b), attempts are more likely to result in death among older adults than
among younger people (Conwell, 1997; Fassberg et al., 2012).
Poetry
Bloody Headlines
If, when passing me in the
hallway,
On the street,
wherever,
You wonder if I take these
bloody.
recurring headlines
personally The answer is
Yes
T H E B R I D G E
eres how former Plainfield Select Board member David Strong tells the story of how the Plainfield
Opera House got a much-needed new piano:
Four years ago the Plainfield Opera House building was shut down.
We had a massive community effort to restore it, renovate it and upgrade the buildings systems.
I was on the select board at the time and I helped write some of the grants that helped raised needed
money for structural work, drainage work, a new standing seam roof, a new heating system and
new electric throughout the building.
We built a warming kitchen in the opera house for food preparation. We built an accessible
bathroom. We raised about $300,000. The building is owned by the town. About a quarter of the
needed money came from private donations, another quarter was tax money and the rest was grants
from the Vermont Arts Council, the Vermont Housing & Conservation board and other agencies
and organizations.
Now that the renovations are completed, we are looking at bringing back programming in the
opera house and one thing we needed was a piano that was suitable for a small hall like the opera
house. We needed a good piano that a concert pianist could use. A piano tuner found us a Baldwin
piano (model L). Concert pianist Diane Huling tested the piano and recommended it to us. And
the current owners were willing to sell it to us for $5,000, considerably less than its market value.
Weve started a new organization called Friends of the Plainfield Opera House. We knew we needed
a piano so we said lets raise the money in time for Naomi Flanders to stage Mozarts Cosi Fan
Tutte at the opera house in mid-October. Weve raised about $4,000 now and were hoping to
complete the fund drive by the end of 2016. Thats when the current owners need to be paid.
One more detail and this is personal, The piano is being dedicated to the memory of my mother,
Jane Reid Strong. She was a concert pianist as a young woman. She was from Vermont and when
she retired she returned to Vermont and performed on the piano. She was an accompanist for the
Barre Choraleers and she played organ at the Church of the Good Shepherd in Barre.
In closing, Strong said, Im thrilled at the dedication of the piano to my mother. She loved playing
the piano. She loved all kinds of music. And this is something we can do to honor her memory.
As told to writer Nat Frothingham by David Strong, former Plainfield selectboard chairman.
Editors Note: David Strong noted, with thanks, that the Monteverdi Music School has been
willing to act as the Fiscal Agent for Friends of the Plainfield Town Opera House during a time
when the organization doesnt yet have (tax-deductible) not-for-profit status. Because of Monteverdis
help, donations for the piano can be tax-deductible.
PLAINFIELD Echo Valley Community Arts will be presenting Mozart's lively comedic
opera "Cosi Fan Tutte" at The Plainfield Opera House October 1416 and the 2123. Directed
by Naomi Flanders and Music Director Mary Jane Austin, the opera will be sung in English and
set in the year 1969.
The cast is comprised of Vermont opera singers: Lillian Broderick, Kevin Ginter, Annalise
Shelmandine, Mark Boutwell, Meghan McCormack and Marek Pyka. For more information go to
echovalleycommunityarts.com. For reservations you can email Naomi Flanders: naomiflanders@
gmail.com or call 225-6471.
Pianist Diane Huling testing out the piano that was destined for the Plainfield
Town Opera House.
THE BRIDGE
Bridges of Montpelier
by Dot Helling
Winoo
After the widespread devastation of the 1927 flood most of the steel truss bridges that were
installed followed a design that could be erected relatively quickly, in mass production style.
Montpelier Granite Street Bridge is one of our most significant historic bridges because its
construction pre-dates the 1927 flood and it survived the flood. It is my understanding that
after the flood, the Granite Street Bridge was one of the only remaining bridges that crossed
theWinooski River. Its so narrow because it was designed for a time of small horse-drawn carts
and vehicles and it had to be strong enough to carry heavy granite loads. Its been rehabilitated
twice and the first rehab won a historic preservation award.
Cummings Street Bridge used to be known as the ice house bridge because the old ice
storage facility was located on Cummings Street and they used to cut ice from the river and
store it for summer use with saw dust insulation. Keep an eye open for news of the Cummings
Street Bridge. Its scheduled to be replaced beginning next fall.
Grout
T H E B R I D G E
Thank you to the City's Planning & Development Office and Public Works Department for providing this map of Montpelier's bridges.
102
River
100
t Road Bridge
State
House
THE BRIDGE
by Nat Frothingham
In a phone conversation with The Bridge, OBrien said, If youre a woman who grew up in
the United States, you have dealt with body issues and food.
In the course of making her film, OBrien met people who had become obsessed with food
and obsessed with weight. It can take over your life, she said.
About eating disorders, she said, Eating disorders are a disease. They stem from mental
health issues. I wanted to explore the roots of the problem. Many people with eating
Thursday,
October 20
is Moonlight Madness in
Downtown Montpelier.
T H E B R I D G E
Community Events
Events happening
October 6 22
THURSDAY, OCTOBER 6
FRIDAY, OCTOBER 7
SATURDAY, OCTOBER 8
Calendar of Events
SUNDAY, OCTOBER 9
MONDAY, OCTOBER 10
TUESDAY, OCTOBER 11
Zero Waste Home Tips. With Cassandra Hemenway, CVSWDM Outreach Manager & Charlotte
Low, CVSWDM Outreach Coordinator. Learn
how to reduce your waste at home and on the go.
5:307:30 p.m. Hunger Mountain Co-op, Montpelier. Free.
WEDNESDAY, OCTOBER 12
THURSDAY, OCTOBER 13
FRIDAY, OCTOBER 14
Performing
Arts
THEATER, STORYTELLING,
COMEDY
Through Oct. 22: Stowe Theatre Guild
presents The Rocky Horror Show. Due to the
mature themes, only adult tickets will be sold.
Shows run Wed.Sat., 7:30 p.m. Stowe Theatre
Guild, 67 Main St., Stowe. $25. 253-3961.
stowetheatre.com
THE BRIDGE
Live Music
VENUES
Charlie Os World Famous. 70 Main St., Montpelier. Free. 223-6820.
Every Mon.: Comedy Caf Open Mic, 8:30 p.m.
Every Tues.: Godfather Karaoke, 9:30 p.m.
Oct. 6: Scott Graves, 7 p.m.
Oct. 7: Abby Jenne & Hard Livers (soul rock) 6
p.m.; The Concrete Rivals Reunion Show (surf) 9
p.m.
Oct. 8: 4th Annual Drag Night w/ House of
LeMay. PWAC Benefit. 9 p.m.
Oct. 14: Abby Jenne & Hard Livers (soul rock) 6
p.m.; John Lackard Band (blues) 9 p.m.
Oct. 15: The Simple Pleasure (electropop) 9 p.m.
Oct. 20: Ladybeast, Seax, Hessian (metal) 9 p.m.
Oct. 21: Abby Jenne & Hard Livers (soul rock) 6
general public create ceramic items from clay to sell.
Proceeds will go to Operation Smile, an organization
that provides free surgery for children born with a
cleft palate. Noonmidnight. Johnson State College
ceramics studio. $5 participation fee.
SATURDAY, OCTOBER 15
SUNDAY, OCTOBER 16
SPECIAL EVENTS
Oct. 7: Friday Night Fires with Myra Flynn. Singersongwriter. Indie/soul. 79 p.m. Fresh Tracks Farm
Vineyard & Winery, 4373 VT-12, Montpelier.
Oct. 8: Jewish Jazz. A lively evening of American
Jazz and classic Klezmer interwoven with fascinating
history. 7 p.m. Beth Jacob Synagogue, 10 Harrison
Ave., Montpelier. $15 members; $20 non-members.
Tickets: https://bethjacobvt.org/civicrm/event/
register?id=1363&reset=1. Also available at door for
cash or check
MONDAY, OCTOBER 17
TUESDAY, OCTOBER 18
The Onion River Exchange Time Bank. Join Heather Kralik and a panel of Time Banking members as
they share their many stories of exchanges, relay what
it is like to be a member and answer any questions
you may have. 5:306:30 p.m. Hunger Mountain
Co-op, Montpelier. Free.
Local Author Series: Kevin Macneil Brown.
Montpelier author Macneil Brown celebrates the
publication of his ninth novel with readings from his
work and a discussion about the art of writing fiction
inspired by landscape, history and depth of place.
Q&A and book signing follows. 7 p.m. KelloggHubbard Library, Montpelier.
WEDNESDAY, OCTOBER 19
THURSDAY, OCTOBER 20
FRIDAY, OCTOBER 21
SATURDAY, OCTOBER 22
NAMI Vermont Mental Illness & Recovery Workshop. Discusses mental illnesses, coping strategies
and other NAMI programming. Hedding Methodist
Church, 40 Washington St, Barre. Must register to
attend. Call for more details: 800-639-6480.
Champlain Lake Watch. The Champlain flyway
is a corridor for tens of thousands of waterfowl that
migrate through Vermont each spring and fall. Well
search the Champlain Valley for ducks, geese and
others. 7:30 a.m.3:30 p.m. North Branch Nature
Center, 713 Elm St., Montpelier. Free for teens. 2296206. northbranchnaturecenter.org
Work Hike with Green Mountain Club. All abilities
needed and welcomed. Various distances. Bring
lunch and water, wear sturdy boots, work clothes
and gloves. Tools supplied. Meet at Montpelier High
School at 8 a.m. . Contact Andrew Nuquist, 2233550 or trails@gmcmontpelier.org.
EarthWalk Fall Community Day & Harvest Celebration. Join us for Earth Oven Pizza, games, nature
crafts, songs, pumpkin carving, fire by friction, wild
food, stories and more! Children under 12, please
bring an adult. 11 a.m.3 p.m. Earthwalk, Hawthorn
Meadow on the Goddard College campus, Plainfield.
Suggested donation: $3; $10 per family. Please leave
pets at home. 454-8500. earthwalkvermont.org.
Fur Fest. Hors doeuvres, delicious desserts by Birchgrove Baking, piano music by Michael Arnowitt
and an exciting live and silent auction. All proceeds
benefit the shelter animals. 58 p.m. The Hayloft,
179 Guptil Road, Waterbury. $35. www.centralvermonthumane.org
Saw-whet Owl Banding. Exciting opportunity to
view these common, yet seldom-seen, birds. Follow
signs from North Branch Nature Center parking lot
to the banding station and be sure to dress warmly.
7 p.m. NBNC, 713 Elm St., Montpelier. Donations
welcome. 229-6206. northbranchnaturecenter.org
T H E B R I D G E
Visual Arts
EXHIBITS
Calendar of Events
Second floor gallery: In Our Hands An environmental art and architecture exhibit by artist and
designer Shannon Lee Gilmour using post-consumer plastic.
Third floor gallery: November and Equinox to Solstice Paintings and Daily Sketches by Paul Calter
Through Nov. 6: Land and Light and Water and
Air. Annual juried landscape exhibition, featuring
over 100 landscape paintings by New England artists
in the Main Gallery at Bryan Gallery, Jeffersonville.
bryangallery.org
Through Nov. 11: New Deal Art. Large exhibit of the
Works Progress Administration (WPA) Federal art
collection along with a satellite show at the Central
VT Medical Center. Closing reception: Nov. 10,
57 p.m. T.W. Wood Art Gallery, 46 Barre St.,
Montpelier. 262-6035
Through Nov. 13: Pat Steir: Drawings & Prints
Prints and drawings. Video of Pat Steir by Stowe
artist Molly Davies will accompany the work. Gallery hours: noon5 p.m., Wed.Sun. Helen Day
Art Center, 90 Pond St., Stowe. 253-8358. mail@
helenday.com. helenday.com
Through Nov. 13: Sally Gil, Intergalactic Current.
Collaged paintings. Helen Day Art Center, 90 Pond
St., Stowe. director@helenday.com. 253 8358
Oct. 10Dec. 9: Paletteers of Vermont Fall Art
Show. Reception and member meeting: Oct.
11, 5:307:30 p.m. Aldrich Public Library, Milne
Room, 6 Washington St., Barre.
Through Dec. 30: Shedding Light On The Working Forest. Paintings and poetry by visual artist
Kathleen Kolb and poet Verandah Porche. Opening
reception: Oct. 6, 47 p.m. Vermont Supreme
Court Gallery, Montpelier.
Through Dec. 30: Mary Admasian, Shadowlands.
Paintings, assemblages and sculptures, mixed-media
paintings are created on birch panels. Opening
reception: Oct. 6, 47 p.m. Pavilion Building, 109
SPECIAL EVENTS
THE BRIDGE
Weekly Events
ARTS & CRAFTS
BICYCLING
Open Shop Nights. Volunteer-run community
bike shop: bike donations and repairs. Wed., 46
p.m.; other nights. Freeride Montpelier, 89 Barre
St., Montpelier. 552-3521. freeridemontpelier.org.
BUSINESS, FINANCE,
COMPUTERS, EDUCATION
Gamelan Rehearsals. Sun., 79 p.m. Pratt Center, Goddard College. Free. 426-3498. steven.
light@jsc.edu. light.kathy@gmail.com.
RECYCLING
NAMI Vermont Connection Recovery Support Group. For ondividuals living with mental
illness. Every Fri., 34 p.m. Another Way, 125
Barre St., Montpelier. 876-7949. info@namivt.
org
Additional Recycling. The Additional Recyclables Collection Center accepts scores of hardto-recycle items. Mon., Wed., Fri., noon6 p.m.;
Third Sat., 9 a.m.1 p.m. ARCC, 540 North
Main St., Barre. $1 per carload. 229-9383 x106.
For list of accepted items, go to cvswmd.org/arcc.
RESOURCES
Onion River Exchange Tool Library. 80 tools
both power and manual. Wed., 46 p.m.; Sat.,
911 a.m. 46 Barre St., Montpelier. 661-8959.
info@orexchange.com.
SOLIDARITY/IDENTITY
Womens Group. Women explore important
issues and challenges in their lives in a warm and
supportive environment. Facilitated by psychotherapist Kathleen Zura. Two different group
meetings: every Mon., 5:307:30 p.m. and every
Wed., 34:30 p.m. 138 Main St., Montpelier.
324-4611. Insurances accepted.
Rainbow Umbrella of Central Vermont, an
adult LGBTQ group, meets every other Tuesday,
5:30 to 7:00 pm, at the Montpelier Senior
Center. For specifics, write toRUCVTAdmin@
PrideCenterVT.org
Bowling. Rainbow Umbrella of Central Vermont, an adult LGBTQ group, bowls at Twin
City Lanes on Sunday afternoons twice a month.
For dates and times, write to RUCVTAdmin@
PrideCenterVT.org
SPIRITUALITY
Christian Science Reading Room. You're invited
to visit the Reading Room and see what we
have for your spiritual growth. You can borrow,
purchase or simply enjoy material in a quiet study
room. Hours: Wed., 11 a.m.7:15 p.m.; Thurs.
Sat., 11 a.m.1 p.m. 145 State St., Montpelier.
223-2477.
A Course in Miracles. A study in spiritual transformation. Group meets each Tues., 78 p.m.
Christ Episcopal Church, 64 State St., Montpelier. 279-1495.
Christian Counseling. Tues. and Thurs. Daniel
Dr., Barre. Reasonable cost. By appt. only: 4790302.
Rite of Christian Initiation of Adults. For those
interested in learning about the Catholic faith, or
current Catholics who want to learn more. Wed.,
7 p.m. St. Monica Church, 79 Summer St.,
Barre. Register: 479-3253.
Deepening Our Jewish Roots. Fun, engaging
text study and discussion on Jewish spirituality.
Sun., 4:456:15 p.m. Yearning for Learning Center, Montpelier. 223-0583.
info@
yearning4learning.org.
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V
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ermonters use a lot of energy to heat our homes, power our lives and transport us where we
need to go.
Virtually all of the energy we use to drive our cars, trucks and buses is imported into the state,
as is the majority of the energy we use to heat our homes and businesses. And we remain reliant
on other states and nations to generate the electric power we need to light our homes, charge our
computers and run our many appliances.
The reality is, Vermonters have not had to think about or take responsibility for generating
the energy that makes our energy-intensive society work. But thats changing, for a lot of reasons.
More and more coal and nuclear power plants are coming off line each year. They are too dirty,
too expensive and too dangerous to continue operating. Combine that with the glut of cheap
natural gas and the growing affordability and efficiency of renewable energy technology and the
result is an energy transformation.
In Vermont it is resulting in more clean energy resources being deployed across the state, leading
to significant economic development and a much cleaner electric portfolio thats recognizing and
responding to the climate crisis and greater energy independence.
Its also come with controversy as communities adjust to seeing more solar panels pop up on the
landscape. Unfortunately, controversy has distracted attention from the reason why this transition
is happening.
We have a growing obligation to take more responsibility for how that energy is generated, rather
than simply enjoying the benefits. And climate change is already costing the nation billions in
response to increased droughts, floods, wildfires and a rising sea.
How Vermont embraces this new energy transition matters. A lot. Thats why organizations have
worked with communities across Vermont to implement conservation and efficiency programs,
undertake projects that give people transportation choices and advance community-owned
renewable energy.
We have also worked from the local level to the highest levels of government to promote and
craft plans that will help achieve the most strategic, well-supported approaches to transitioning
off of fossil fuels. We believe strongly that, to succeed, Vermonters must be actively engaged in
our energy transition.
And, it is why we are optimistic about the new, forward-looking framework enacted by the
Legislature last session Act 174 designed to empower communities and regions who
undertake comprehensive energy planning to exercise a greater role in how energy generation is
sited.
Act 174 requires regions to consider how they will contribute to meeting heating, transportation
and electrical needs. And it enables communities (but does not require them) to do the same,
identifying solutions they think will work best in the context of their own goals and values.
Communities and regions that demonstrate their planned participation in this energy shift can
receive a determination by the Public Service Department that gives deference to their plans in
proceeding on energy projects before the Public Service Board.
How can we incentivize projects on the already-built landscape that, in many instances, are
more expensive than the same facility built in an open field? How can we site more distributed,
renewable generation in locations that protect natural resources, communities and people, while
at the same time remaining affordable?
The State needs to balance multiple goals in this energy transition. There are and will be
challenges and tradeoffs. Act 174 creates a framework that will help communities with their own
energy vision. But its important to remember as this new planning framework rolls out some of
the big reasons behind it.
We have a responsibility and an opportunity to meet far more of our energy needs through
resources carefully deployed in our own backyards. Act 174 creates a way to articulate how that
happens. The oft-missing why is an essential part of the equation, however, that I hope will inspire
more people to participate in this new planning process and come to the table willing to be part
of the solution.
The author is the executive director of Vermont Natural Resources Council.
Editors Note this was edited for length
T H E B R I D G E
Editorial
Letters
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Senator Patrick Leahy is a 20th century
pork barrel power broker who needs to be
removed from office. He has outlived his
usefulness, and should step aside and retire
before his reputation is tarnished any more
by the largest scandal in Vermont history,
the EB 5 Jay Peak Ponzi scheme. He also
betrayed the voters trust for the sake of
good old fashioned political cronyism in his
sabotage of the Bernie Sanders campaign with
his endorsement of his "friend" and political
crony, Hillary Clinton. In addition, his lack of
a comprehensive energy plan and his support
of the destruction of fragile ridgeline habitat
to construct industrial scale wind turbines has
to be challenged. Facts support the position
that these large scale industrial wind farms do
not actually reduce Vermont's carbon footprint
according to a recent report by the Vermont
Law school. They only benefit the developers,
and financiers, who are on the Senators gravy
train.
I think that we should consider term limits as
the ultimate solution to the problem of corrupt
pork barrel 20th century politics, and instead
spend our money wisely for things that are
actually beneficial to their stated purpose.
Jerry Trudell, Chelsea
T H E B R I D G E
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