1) YELLOW by Coldplay. Here's a nice simple line to get started with.

2) WITH OR WITHOUT YOU by U2. One of my favourite U2 songs - simple bass line
too, four chords, root notes in a steady 8th note pulse.
3) EVERY BREATH YOU TAKE by The Police. The first of three Sting basslines. This
one's mainly root notes, mainly 8th notes.
4)ROXANNE by The Police. A nice example of the Police's early mix of reggae and
rock (see also 'So Lonely').
5) MESSAGE IN A BOTTLE by The Police. Another great Sting line, he's not a
virtuoso but he plays memorable bass lines.
6) ANOTHER ONE BITES THE DUST by Queen. One of the most recognisable
basslines in bassdom, played by one of its most underrated players - John Deacon
(crap claim to fame: I went to the same school as John Deacon!).
7) ADDICTED TO LOVE by Robert Palmer Interesting 80s rock bassline - learn to
rock without the root note on the downbeat. Oh and great video too! (if a bit sexist)
8) DAYTRIPPER by The Beatles The Beatles wrote great tunes, Paul McCartney
played great basslines. this riff based tune can be played much heavier than the
Beatles original.
9) NEW YEARS DAY by U2 A simple Adam Clayton line, 8th notes all the way.
10) LIGHT MY FIRE by The Doors. Nice 8th note bassline with lots of major and
minor triads.
11) MONEY FOR NOTHING by Dire Straits. I've got a feeling Sting might have
played the bassline on this, it's a nice 8th note riff kind of song.
12) SATISFACTION by The Rolling Stones Simple yet effective Bill Wyman 8th note
line on classic 60s rock track.
13) KEEP ON RUNNING by Spencer Davies Group. A great track featuring Muff
Winwood's iconic driving bassline, the whole tune was reportedly written in less than
10 minutes once he'd come up with the bassline.

14) YOU CAN DRIVE MY CAR by The Beatles More McCartney 8th notes from his
transtional mid sixties period.
15) LIVING ON A PRAYER by Bon Jovi 80s stadium rock, Bon Jovi style so big hair
and lots of 8th notes!
16) YOU REALLY GOT ME by The Kinks Another typical 60s style rock line
17) SUNSHINE OF YOUR LOVE by Cream. Learn an iconic bass riff and the blues
scale in a single two bar measure! Jack Bruce with Cream, 'nuff said!
18) BROWN SUGAR by The Rolling Stones Another Stones classic, another Bill
Wyman bass line - simple but effective.
19) BET THAT YOU LOOK GOOD ON THE DANCEFLOOR by Arctic Monkeys Great
contemporary tune, a good one for the rock jam repertoire.
20) I BELIEVE IN A THING CALLED LOVE by The Darkness Straightforward riff
based rock tune.
21) YOU GIVE LOVE A BAD NAME by Bon Jovi More Bon Jovi, more 8th note rock.
22) COME AS YOU ARE by Nirvana Some seattle grunge - 8th note style!
23) I SAW HER STANDING THERE by The Beatles Another McCartney line, this
one's a good right hand workout, lots of 8th notes at a brisk tempo (approx 160
BPM).
24) ARE YOU GONNA GO MY WAY by Lenny Kravitz I always enjoy gigging this
tune, it's got a cool basic groove plus some rhythmic embellishments and a guitar
solo sections that's great for drums and bass to play (especially if the drummer's got
a double bass pedal!).
25) CRAZY LITTLE THING CALLED LOVE by Queen. Another John Deacon
bassline to another Queen classic - this one introduces the shuffle feel.
26) SWEET HOME CHICAGO by Blues Brother. Not strictly a rock tune but a 12 bar
blues featuring Duck Dunn swinging his butt off (the extended film soundtrack version
has got some nice upper register work too!).

27) ALL MY LOVING by The Beatles. Another McCartney line, this time a lesson in
how to walk through a pop tune. See also 29 below.
28) SPIRIT IN THE SKY by Norm Greenbaum A popular tune, nice shuffle bassline.
29) EIGHT DAYS A WEEK by The Beatles. See 27 above!
30) METAL GURU by T Rex An underrated band whose time was tragically cut short,
this tune is a great example of a mid tempo rock shuffle.
31) TOWN CALLED MALICE by The Jam If you've subscribed to my Ezine you'll
already know I love this tune as it's one of the tunes analysed and given away as a
freebie! (if you haven't subscribed, what are you waiting for? The sign up box is in the
top right hand corner of this page!)
32) RUNNING FREE by IRON MAIDEN. A heavy shuffle this time, one of the first
Maiden classics.
33) MY GENERATION by The Who A classic bassline from The OX (Jon Entwistle).
Features include his great bass solo plus playing straight 8ths over the shuffle
rhythm.
34) HEY JOE by Jimi Hendrix. Hey Joe is a rock jam standard - Noel Redding's bass
line introduces students to playing 16th notes at a reasonable tempo!
35) TIME IS RUNNING OUT by Muse The first of three basslines by Chris
Wolstenhome (and my favourite Muse track).
36) PURPLE HAZE by Jimi Hendrix Another jamming standard, great tune, great line.
37) SUNDAY BLOODY SUNDAY by U2 I've got a soft spot for this one, it's one of the
first tunes I gigged regularly back in the day ("Le Pub" in the ski resort of Meribel with
a french guitarist/vocalist called Christophe Magnon) - it's not particularly complex but
is another good intro to 16th notes.
38) PINBALL WIZARD by The Who Another great tune by the Who, another great
performance by The Ox.
39) CALIFORNICATION by The Red Hot Chilli Peppers - First of three bass lines
from Flea, the cool line to Californication features some melodic upper register

playing as well as some more typical lower register rocking 16th notes. A personal
fave!
40) HARD TO HANDLE by The Black Crowes The original (Otis Redding) was a
great track, this version is OK but is a nice feature for a rocking 16th note bass line.
41) YOU OUGHTA KNOW by Alanis Morisette You wait 40 odd songs for a Flea bass
line to come along and then like buses here come's another. Great song, great bass
line, loads of 16th notes, ghost notes and tasty fills to feast on.
42) SMELLS LIKE TEEN SPIRIT by Nirvana Some more Seattle style grunge
43) CROSSROADS by Cream. My favourite Jack Bruce track with Cream (his
favourite is Politician which shows you how much I know!) A masterclass in the blues,
rock style.
44) AEROPLANE by The Red Hot Chilli Peppers And here's another barrage from
Flea's furious fingers!
45) SMOOTH CRIMINAL by Alien Ant Farm I had to gig this a few times about five
years ago - great version of a classic MJ song, great bassline, great exercise in 16th
notes.
46) ANTHEM by Rush Geddy Lee was probably more responsible than anyone for
me picking up a bass guitar in the first place. By Rush standards this is a fairly
conventional tune, but you gotta love what Geddy plays under the guitar solo. Class
with a capital C!
47) HIT ME WITH YOUR RHYTHM STICK by Ian Drury and the Blockheads This is
an unusual song choice - it's not a rock tune in the classic sense, but it's got a
restless punky energy to it - and a killer bassline!
48) NUMBER OF THE BEAST by Iron Maiden Another one from Steve Harris another bass player highly underrated IMO. This song's got everything you'd expect
in a Maiden song - high register intro work, tons of 16th note moshes and gallops,
some tricky unison lines and even some odd time signature! Great workout.
49) HYSTERIA by Muse The song that started an empire (erm, well, actually a web
page). One of Chris Wolstenholme's finest, another great workout.

50) STOCKHOLM SYNDROME by Muse Same as HYSTERIA. When you've finished

the course and learnt all of these tunes you'll have a thorough grounding in the rock
idiom and be on the cusp of progressing from a beginner to an intermediate level
bass player!
1) STAND BY ME. A nice simple line to start with that repeats throughout the song.
2) MY GIRL. The first (of many) Jamerson lines. A simple line with a memorable hook
underpinning the soulful sound of the Temptations.
3) DOCK OF THE BAY. The song that (posthumously) made Otis Redding an
international superstar. Legend has it that the whistled outro was an adlib because
Otis forgot the words. A simple Duck Dunn bassline.
4) I SAY A LITTLE PRAYER. The Groovemaster himself - Mr Jerry Jemmott underpins this Aretha Franklin tune.
5) MUSTANG SALLY. Duck Dunn again - this Wilson Pickett song is a staple in the
repertoire of cover bands. Most players reference the version played by The
Commitments - but the Wicked Pickett's version is superior!
6) IN THE MIDNIGHT HOUR. Another cover band staple, another simple yet effective
Duck Dunn line.
7) SATISFACTION. The only song in both the Rock and Soul 50 Song list - this
version is Otis Redding's and features - yeah, you guessed it - Duck Dunn again.
8) TIME IS TIGHT. I love Duck's work with Booker T - Time is Tight is a great tune
with a great unison line.
9) I HEARD IT THROUGH THE GRAPEVINE. Jamerson's line on the Marvin Gaye
classic. Another must know song from most cover band's repertoire.
10) SAME OLD SONG. This Four Tops classic has a typical mid sixties soul style
bass line (see also I CAN'T HELP MYSELF and CAN'T TURN YOU LOOSE below
for similar), at a faster tempo than some of the earlier tunes. The challenge is to keep
the picking hand technique even and consistent.
11) KNOCK ON WOOD. Another Duck Dunn tune - he truly had mastered the greasy
soul 8th note feel of the period. This tune features a bit more syncopation and some
higher register notes.

12) YOU CAN'T HURRY LOVE. A memorable Jamerson line. Here's a challenge - try
playing the song with a totally different bass part, different notes, different rhythms.
That exercise will go a long way to teaching you about Jamerson's genius - the bass
line MAKES the song!
13) I CAN'T HELP MYSELF . See 10 above - more of the same!
14) LOST IN MUSIC. We fast forward to the late 70s for this Bernard Edwards classic
- it's deceptively simple note wise but it's all about note length and the groove.
15) LET'S GROOVE. An EW&F tune, as with LOST IN MUSIC there's nothing fancy
notewise but the tune is all about the groove.
16) I FEEL GOOD. James Brown. The Godfather. 'Nuff said.
17) THIS OLD HEART OF MINE - another mid sixties Motown tune with a Jamerson
line. Great tune, great to play.
18) UPTIGHT. Early Stevie Wonder. Another great tune that's fun to play.
19) I CAN'T TURN YOU LOOSE. More Duck Dunn 8th notes. Keeping it even at the
song's tempo is the challenge.
20) SHAKE A TAILFEATHER. The Blues Brother's version. A good workout for left
and right hand co-ordination.
21) GREEN ONIONS. We start looking at shuffles with Green Onions. Simple minor
blues, but a great illustration of the shuffle feel.
22) BABY LOVE. A tune with a really subtle shuffle feel. This is from back in the day
when Jamerson kept it simple.
23) MY GUY. And so's this - the original was played on Jamerson's upright and you
can really hear his jazz background in some of his pull offs chord descends. Great
outro too, very cool.
24) 634-5789. Another Duck Dunn shuffle on this often overlooked Wilson Pickett
tune.
25) SWEET HOME CHICAGO. And here's another Duck Dunn shuffle. Check out the
upper register work on the extended version from the Blues Brothers soundtrack.

26) YOU SEND ME. Jerry Jemmott put in a class performance on this Aretha tune.
Technically speaking this is a tune in 12/8 rather than a shuffle, but the bassline is so
good I couldn't resist putting it in.
27) HEATWAVE. This is an interesting Jameson line. he plays a 'walking' shuffle on
this tune in the same way that McCartney does on ALL MY LOVING in the rock tunes
version of the list.
28) THIS TIME IT'S REAL. Finally we can get Rocco Prestia in on the action! Rocco
is a master of the shuffle and this tune is a great example of it - for the virtuoso
example of it check CREDIT below.
29) HOW SWEET IT IS. Junior Walker's version of this tune let Jameson stretch out compare this with Marvin Gaye's reading of the same tune which I believe was
recorded a year or so earlier. Jameson could play a nasty shuffle when he wanted to,
check out this tune for the proof.
30) I'LL TAKE YOU THERE. We're starting to introduce 16th notes now - this Staple
Singers groove is a modest tempo but has a great line with a great feel.
31) SHOTGUN. More Jameson and Junior Walker. Predominantly an eight note
groove with some sixteenth notes in the intro.
32) SOUL MAN. Duck Dunn again with Sam and Dave this time. Great song. Great
line. What else is there to say?
33) SEPTEMBER. A Verdine White classic. My favourite EW&F tune to boot.
34) SEX MACHINE. James Brown. AND Bootsy? That's tooooo funky.
35) I WISH. I think long time Stevie sideman Nathan Watts played this line - but I
could be wrong. Whoever played it, it's a very cool line to get under your fingers.
36) SUPER BAD. More James Brown. More Bootsy.
37) GOOD TIMES. This tune is played by loads of cover bands so it's always worth
knowing. Bernard Edwards' grooves are always deep in the pocket and this one's no
exception.
38) THINKING OF YOU. This tune is often overlooked when bass players look at
Bernard's work (Le Freak, We are Family, Everybody Dance etc etc often get the

attention). But it's deceptively difficult, nailing the chorus is a great left hand workout
for any bassist.
39) THINK
40) CISSY STRUT
41) ATTITUDE DANCE. This is one of my favourite Tower of Power tunes from my
favourite TOP album - Monster on a Leash (always reminds me of a four week gig in
St Tropez where this was never off the stereo). The bassline is a great example of
how muting can really lift a line and make it drive.
42) WHAT'S GOING ON. Reportedly this was one of Jameson's favourite bass
lines/songs/sessions. And one of his first published credits. See STANDING IN THE
SHADOWS OF MOTOWN for a poignant account of his life story - and 49
transcriptions of his work.
43) REACH OUT I'LL BE THERE. Levi Stubbs belting it out. Jameson laying it down.
A match in motown heaven.
44) WHAT IS HIP. Rocco's 16th note anthem. A great study in right hand picking
(unless you're left handed!).
45) ONLY SO MUCH OIL IN THE GROUND. Ditto but with more time appropriate
lyrics than when the song was first released (mid 70s).
46) HOME COOKING. There's a great transcription of this in STANDING IN THE
SHADOWS OF MOTOWN - it's a truly great bass line. Only bettered by....
47) BERNADETTE. More Levi Stubbs. More Jameson. This IMO is almost the
pinnacle of Jameson's motown work.
48) CREDIT. This should really be in the shuffles section (Song 20 to 29) but the
technical demands of this Tower of Power tune are such that it got bumped down to
Week 48. A killing bassline, almost Rocco's finest hour (IMO)...
49) COUNT ON ME. A totally overlooked song in the Tower of Power canon - with a
wicked percolating 16th note bassline. Master this one and you'll be funking for the
real thing!

50) FOR ONCE IN MY LIFE. This tune is the pinnacle of Jameson's work at Motown.
You could study it for months and still be taking lessons out of it. Here's two
staggering facts: the line was probably improvised, every SINGLE bar is different. It's
like a concerto for bass. Seriously STANDING IN THE SHADOWS OF MOTOWN is
worth buying just for the transcription and play along of this tune (played by another
truly great bass player, Pino Palladino).

Bass For Beginners - We Are Young by Fun

Revolution by The Beatles
Bass For Beginners - Sunny Afternoon by The Kings
Don't Fear The Reaper by Blue Oyster Cult
Under The Bridge by The Red Hot Chili Peppers
Dani California Part 1 by The Red Hot Chili Peppers
Dani California Part 2 by The Red Hot Chili Peppers
Californication Part 1 by The Red Hot Chili Peppers
Californication Part 2 by The Red Hot Chili peppers
Back In The USSR by The Beatles
Bass For Beginners House of The Rising Sun by The Animals
Can't Get Enough Part 1 by Bad Companqy
With A Little Help From My Friends Part 2 by The Beatles
With A Little Help From My Friends Part 1 by The Beatles
Suspicious Minds Part 2 by Elvis
Suspicious Minds Part 1 by Elvis
I Feel Fine by The Beatles
Treasure by Bruno Mars
Bass For Beginners - All Shook Up - by Elvis
Bass For Beginners - Teddy Bear by Elvis
Bass For Beginners - Hearthbreak Hotel by Elvis

Bass For Beginners - When A Man Loves A Woman by Percy Sledge

Bass for Beginners - Baby Love by The Supremes
Johnny B Goode by Johnny Winters - bass by Tommy Shannon
Twist And Shout by The Beatles
Bass For Beginners - You Send Me by Sam Cooke
Love Shack by The B-52s
Bass For Beginners - Love Me Do
Bass For Beginners - Whiter Shade of Pale
Don't Stop Believing by Journey
Bass for Beginners - Wonderful Tonight by Eric Clapton
And Your Bird Can Sing by The Beatles
I Want Your Love by Chic
Bass For Beginers - Imagine
Mustang Sally (Buddy Guy)
Boogie Oogie Oogie - Taste Of Honey
Bass For Beginners - Yesterday
Take Me To The River by The Commitments
Hello Goodbye by The Beatles
Mustang Sally by The Commitments
When Love Comes To Town by U2 and BB King
Mustang Sally by Wilson Pickett
Born Under A Bad Sign by Cream
Red Red Wine by UB40
Oh Pretty Woman by Albert Collins
Rocking Down The Highway by The Doobie Brothers
I'm A Believer by The Monkees

Born On the Bayou by Creedence Clearwater Revival

Got To Get You Into My Life by The Beatles
Lady Writer by Dire Straits
Walk This Way by Aerosmith
Walk Don't Run by The Ventures
Bad Moon Rising by Creedence Clearwater Revival
Proud Mary by Creedence Clearwater Revival
Staying Alive by The Bee Gees
Jessica Part 2 by The Allman Brothers
Lady Marmalade by Labelle
Jessica Part 1 by The Allman Brothers
Pretty Woman by Roy Orbison
Spirits In The Material World by The Police
Born To Be Wild by Steppenwolf
Get Off My Cloud by The Rolling Stones
Jive Talking by The Bee Gees
Gimme 3 Steps Part 2 by Lynyrd Skynyrd
Walk On The Wild Side by Lou Reed
On Broadway by George Benson
Gimme 3 Steps Part 1 by Lynyrd Skynyrd
Roll Over Beethoven by The Beatles
Isn't She Lovely by Stevie Wonder
Summertime Blues by Eddie Cochran
Uptight by Stevie Wonder
Locked Out Of Heaven by Bruno Mars
Birthday by The Beatles

Annie Wants A Baby by The Chili Peppers/Flea

The Lazy Song by Bruno Mars
The Joker by Steve Miller Band
Three Little Birds by Bob Marley
Rolling In The Deep by Adele
Another Brick In The Wall by Pink Floyd
The Power Of Love - Huey Lewis And The News
Bass For Beginners - Green Onions
Your Love Is King by Sade
Just The Two Of Us by Bill Withers
Smooth Operator Part 2 by Sade
Smooth Operator Part 1 by Sade
Ghostbusters by Ray Parker
Maneater by Hall And Oates
Feeling Good by Muse
Night Fever by The Bee Gees
Let's Stick Together by Bryan Ferry
You're The One That I Want by David Hungate/Grease
Going Underground Parts 1 and 2 by The Jam
Town Called Malice by The Jam
I Feel Free by Cream
Sultans Of Swings by Dire Straits
People Get Ready by Jeff Beck
Could You Be Loved by Bob Marley
White Room by Cream
Badge by Cream

Dizzy Miss Lizzy by The Beatles

Bass For Beginners - Sunshine Of Your Love
Cocaine - Eric Clapton
China Grove - The Doobie Brothers
Bass For Beginners - Seven Nation Army
Roadhouse Blues by The Doors
People Are Strange by The Doors
Break On Through To The Other Side by The Doors
Stone Cold Crazy by Queen
Hello I Love You by The Doors
Riders On The Storm by The Doors
Hammer To Fall by Queen
One Vision Part 2 by Queen
One Vision Part 1 by Queen
It's A Kind Of Magic by Queen
I Want To Break Free by Queen
September by Earth Wind And Fire
We Are Family by Sister Sledge
You Should Be Dancing by The Bee Gees
And The Beat Goes On by The Whispers
Ain't No Stopping Us Now - McFadden & Whitehead
Let's Go Round Again - The Average White Band
You Make Loving Fun (Part 2) by Fleetwood Mac, bass by John McVie
You Make Loving Fun (Part 1) by Fleetwood Mac, bass by John McVie
Dreams by Fleetwood Mac, bass by John McVie
Little Lies by Fleetwood Mac, bass by John McVie

Don't Stop by Fleetwood Mac, bass by John McVie

Stepping Out by Joe Jackson/Graham Maby
I'm The Man by Joe Jackson/Graham Maby
Fools In Love by Joe Jackson/Graham Maby
Is She Really Going Out With Him by Joe Jackson/Graham Maby
Lovecats by The Cure
A Hard Day's Night by The Beatles
Can't Buy Me Love by The Beatles
All My Loving by The Beatles
8 Days A Week by The Beatles/Paul McCartney
Buffalo Soldier by Bob Marley
Brown Sugar by The Rolling Stones
Paint It Black by The Rolling Stones
Honky Tonk Woman by The Rolling Stones
Start Me Up by The Rolling Stones
Jumping Jack Flash by The Rolling Stones
I Get Around by The Beach Boys
Wouldn't It Be Nice by The Beach Boys
California Girls by The Beach Boys
Surfing USA by The Beach Boys
Midnight Hour by Wilson Pickett/Duck Dunn
The Adventures of Raindance Maggie by The Chili Peppers/Flea
Respect by Otis Redding/Duck Dunn
Hard To Handle by Otis Redding/Duck Dunn
Hold On I'm Coming by Sam and Dave/Duck Dunn
Knock On Wood by Eddie Floyd/Duck Dunn

Mr Pitiful by Otis redding/Duck Dunn

Mama's Pearl by The Jackson 5
Shake Your Body (Down To The Ground) by The Jacksons
ABC by The Jackson 5
Pretty Young Thing by Michael Jackson
Beat It by Michael Jackson
Cadillac Ranch by Garry Tallent/Bruce Springsteen
Jackson Cage by Garry Tallent/Bruce Springsteen
Sherry Darling by Garry Tallent/Bruce Springsteen
The Ties That Bind by Garry Tallent/Bruce Springsteen
Don't Stop Me Now by Queen
Don't Stop Me Now Part 2 by Queen
25 Miles by Edwin Starr
What Does It Take (To Win your Love) by Junior Walker/James Jamerson
Come See About Me by The Supremes/James Jamerson
Back in My Arms Again by The Supremes/James Jamerson
Heatwave by Martha Reeves/James Jamerson.
Ain't Too Proud To Beg by The Temptations/James Jamerson
The Chain by Fleetwood Mac
Little Green Bag from Reservoir Dogs
Long Train Running by The Doobie Brothers
Jimmy Mack by Martha Reeves & The Vandellas
5ive Gears In Reverse by Elvis Costello
Drive My Car by The Beatles
Wonderwall by Oasis
Exodus by Bob Marley

Get It On by T-Rex
Satisfaction by The Rolling Stones
You Shook Me All Night Long by AC:DC
Tear Your Playhouse Down by Paul Young (Pino's bass line...)
I Can't Turn You Loose by Otis Redding
Don't Look Back In Anger by Oasis
Little Wing by Jimi Hendrix
Come Together by The Beatles
Purple Haze by Jimi Hendrix
Walking On The Moon by The Police
Crazy Little Thing Called Love by Queen
Radioactive by The Kings Of Leon
China Girl by David Bowie
Parklife by Blur
Disco Inferno by The Trammps
That's The Way I Like It by KC& The Sunshine Band
Le Freak by Chic
Good Times by Chic
I Want You Back Part 1 by The Jackson 5
I Want You Back Part 2 by The Jackson 5
Smooth Criminal by Michael Jackson
Money For Nothing by Dire Straits
Master Blaster by Stevie Wonder
Sir Duke by Stevie Wonder
Sir Duke Part 2 by Stevie Wonder
One Love/People Get Ready by Bob Marley

Tush by ZZ Top
She's Not There by Santana
Soul Man by Sam And Dave
Teenage Dirtbag by Wheatus
Should I Stay Or Should I Go by the Clash
Smells Like Teen Spirit by Nirvana
La Grange by ZZ Top
Billie Jean by Michael Jackson
Bad by Michael Jackson
Jamming by Bob Marley
Play That Funky Music by Wild Cherry
Get Up Stand Up by Bob Marley
Use Somebody by The Kings Of Leon
Pick Up The Pieces by The Average White Band
I Can't Stand Up For Falling Down by Elvis Costello
Let's Groove Tonight by Earth Wind & Fire
Baggy Trousers by Madness
Cover Me by Bruce Springsteen
It Must Be Love by Madness
Bring On The Night by The Police
The Bed's Too Big Without You by The Police
Time Is Tight by Booker T And The MGs
Tears of A Clown by Smoky Robinson
Brown Eyed Girl by Van Morrison
Pump It Up by Elvis Costello

Older Song Tutorials With PDFs:

Back in 2009 I filmed a sequence of simple song tutorials aimed at beginners. Those
tutorials had PDFs to go with them....when I moved the website at the beginning of
2012 those PDFs got lost. I've remade them and these free bass lessons are
available to subscribers of my free monthly ezine.
Can't Stand Losing You by The Police
Under Pressure by Queen
Let's Dance by David Bowie
Moondance by Van Morrison
I Shot The Sherriff by Bob Marley (also Eric Clapton version)