Sunteți pe pagina 1din 151

DIVERSIT ET IDENTIT

CULTURELLE
EN EUROPE
TOME 11/1

Editura Muzeul Literaturii Romne


Bucureti, 2014

Publicaie semestrial editat de:


Muzeul Naional al Literaturii Romne
Director fondator:
Prof. univ. dr. Petre Gheorghe Brlea, U.O.C.
Colegiul de redacie:
Acad. Marius Sala, Vicepreedinte al Academiei Romne
Prof. univ. dr. Libue Valentov, Universitatea Carol al IV-lea
Praga, Republica Ceh
Prof. univ. dr. Lucian Chiu, Institutul George Clinescu al
Academiei Romne; Muzeul Naional al Literaturii
Romne, Bucureti
Conf. univ. dr. Roxana-Magdalena Brlea, Academia de Studii
Economice, Bucureti
Prof. univ. dr. Ccile Vilvandre de Sousa, Universidad CastillaLa Mancha, Ciudad Real, Spania
Prof. univ. dr. Emmanuelle Danblon, Universit Libre de
Bruxelles Universit dEurope
Secretariat de redacie:
Constantin-Georgel Stoica
Angela Stnescu
Ioana Raicu
Tehnoredactare i design:
Constantin-Georgel Stoica
Mihai Cuciureanu
Adresa redaciei:
Bulevardul Dacia, nr. 12, Bucureti, CP 010402, Romania
http://www.mnlr.ro/ro-dice.html

Scientific Board:

ANGELESCU, Silviu, Universitatea din Bucureti, Departamentul de Studii Culturale, Prof. univ.dr.
BUNACIU, Otniel Ioan, Universitatea din Bucureti, Decan, Prof. univ. dr.
BUSUIOC, Monica, Institutul de Lingvistic Bucureti, Cercettor st. pr.
CHIRCU,Adrian,UniversitateaBabe-BolyaiCluj-Napoca,DepartamentuldeLimbaRomniLingvisticGeneral,Lectoruniv.dr.
CHIVU, Gheorghe, Universitatea din Bucureti, Academia Romn, Prof. univ. dr., Membru al Academiei Romn
CODLEANU, Mioara, Universitatea Ovidius Constana, Conf. univ. dr.
CONSTANTINESCU,Mihaela,UniversitateadinBucureti,DepartamentuldeStudiiCulturale-Director,Prof.univ.dr.
COSTA,Ioana,UniversitateadinBucureti,FacultateadeLimbiStrine,DepartamentuldeLimbiClasice,Prof.univ.,Cercettorst.pr.
COEREANU, Valentin, Centrul Naional de Studii Mihai Eminescu Ipoteti, Dr. Cercettor st. pr.
CRISTESCU, Ioan, Muzeul Naional al Literaturii Romne, Bucureti, Cercettor st. pr.
DANC, Wilhelm, Universitatea din Bucureti, Facultatea de Teologie Catolic, Prof. univ.dr., Decan.
DASCLU, Criu, Academia Romn, Filiala Titu Maiorescu Timioara, Prof. univ.dr., Director.
DINU, Mihai, Universitatea din Bucureti, Facultatea de Litere, Prof. univ. dr.
DULCIU, Dan, Societatea Mihai Eminescu Bucureti, Traductor, Curator.
FLOREA, Silvia, Universitatea Lucian Blaga Sibiu, Departamentul de Limbi Moderne, Conf. univ. dr.
INKOVA, Olga, Universit de Genve,Dpartement de Langues Mditerranennes, Slaves et Orientales, Prof. univ. dr., Directeur.
IOANA, Nicolae, Universitatea Dunrea de Jos Gala, Decan, Prof. univ. dr.
ISPAS, Sabina, Institutul de Etnografie i Folclor Bucureti, Academia Romn, Director, Membru al Academiei Romne.
LOC, Nicolas, Universit Libre de Bruxelles, GRAL-Dr., Cercettor.
MANZOTTI, Emilio, Universit de Genve, Dpartement de Langues Romanes, Prof. univ. dr., Directeur.
MITU, Mihaela, Universitatea din Piteti, Conf. univ. dr.
MOROIANU, Cristian, Universiatatea din Bucureti, Facultatea de Litere, Conf. univ. dr., Prodecan.
NAINEC, Jiri, Universitatea Carol IV Praga, Departamentul Antropologie i Studii Culturale, Prof. univ. dr.
NDRAG, Lavinia, Universitatea Ovidius Constana, Departamentul de Limbi Moderne, Prof. univ. dr., Director.
NICOLAE, Florentina, Universitatea Ovidius Constana, Conf. univ. dr.
PANEA, Nicolae, Universitatea din Craiova, Decan, Prof., univ. dr.
PETRESCU, Victor, Redactor revista Litere, Dr.
RESTOUEIX, Jean-Philippe, Consiliul Europei, Bruxelles, ef scie,TODI, Aida-Universitatea Ovidius Constana, Conf. univ. dr.
TOMESCU, Emilia Domnia, Institutulde LingvisticBucureti,Universitatea PetroliGazedinPloieti,Cercettorst.pr.,Prof. univ.dr.
VASILOIU, Ioana, Muzeul Naional al Literaturii Romne, Bucureti, Cercettor.
WALD,Lucia,UniversitateadinBucureti,FacultateadeLimbiStrine,DepartamentuldeLimbiClasice,Prof.univ.dr.

Descrierea CIP a Bibliotecii Naionale a Romniei


Diversit et identit culturelle en Europe/Diversitate i
identitate cultural n Europa / Editor: Petre Gheorghe Brlea
ISSN: 2067 - 0931
An XI, nr. 1 Bucureti: Editura Muzeul Literaturii Romne - 2014.
151 p.
008(4+498)(063)

Diversit et Identit Culturelle en Europe

SOMMAIRE
FONDEMENTS DU DIALOGUE CULTUREL
Fee-Alexandra HAASE
Cosmos, the order of the Universe, and the Spheres of
the World: the tradition of the conceptualization of
globalization in the discourse of philosophy/7
Fabiola KADI
Posie et religion, leurs rapports et leurs particularits dans
la vie de lhomme/33
Silvia FLOREA; Peter J. WELLS; Diana FLOREA
The web is the limit: language, culture and MOOCs/53
Angela STNESCU
Collocation-centred approaches to teaching and learning
English vocabulary/67
Edlira XEGA
The implementation of syllabi for the study of English in
conformity with the Common European Framework of
Reference /73

CONFLUENCES
Adrian CHIRCU
La relation entre les adverbes et les vocabulaires
fondamental et reprsentatif de la langue roumaine/95
5

Diversit et Identit Culturelle en Europe

Petre Gheorghe BRLEA; Ana Maria PANU


The etymologic structure of Romanian mythonyms (I) /105
Eva RAVA (KANE); Anyla SARAI
The phraseology of head in relation with Balkan mentality
(contrastive analysis of the phraseology of Albanian,
Bulgarian and Greek languages)/125

CONVERGENCES ET DIVERGENCES IDENTITAIRES


Gjergji PENDAVINJI; Robert STRATOBERDHA
La communication interculturelle et la ngociation de
lidentit des Albanais/ 133
Ramona Elena STANCIU
The modern evolution of Trgovite Towns cultural life
(1878-1914)/ 147

Diversit et Identit Culturelle en Europe

FONDEMENTS DU DIALOGUE CULTUREL


COSMOS, THE ORDER OF THE UNIVERSE,
AND THE SPHERES OF THE WORLD: THE
TRADITION OF THE CONCEPTUALIZATION
OF GLOBALIZATION IN THE DISCOURSE OF
PHILOSOPHY
Fee-Alexandra HAASE
University of Nizwa
f.haase1@gmx.de
Abstract:
Philosophy has until present time a stable usage of the term and concept of the
sphere as a part of the representation of the world around us. We trace this path of the
sphere in the Western philosophy and the status the concepts of world, universe, and
sphere had for the worldview of philosophers in the history of the Western culture. We
will show that recently European philosophers have joint this concept of the sphere with
the idea of globalization. But before the emergence of globalization the previous
conceptualizations of the world in philosophy have had a different function than in
contemporary political and economic thinking of the discourse of globalization. For the
philosopher it established the reality, which surrounds the human, while the economic and
political proponents of globalization describe and use globalization as a process they are
performing. Even the contemporary philosophers using globalization refer to this
complex discourse.
Keywords:
History of Globalization - History of European Philosophy - Discourse Studies 'Public Sphere' - Conceptualization - Global Discourse - Cultural History of Globalization.

Diversit et Identit Culturelle en Europe

1. Introduction: The Discourse of Philosophy of the World:


A Distinction of the Concepts World, Universe, and Cosmos
vs. the Human Being
Many aspects of philosophy concern the world around us; so
philosophy is interested in the origin and order of the world in the sense of
the surrounding reality, asks about the conditions of this reality and the
perception of it, and the separation of the human I or Ego and the
surrounding world . But also the evolutionary and social development of the
world around us from a historical perspective as described by Marx
concerns philosophers. The question of the representation of the world in
our language and the interaction of mind, language, and the reality around
us are also topics of philosophy inquiring the world around us. World,
universe, and sphere are used in philosophical writings as the concepts,
which refer to the reality the human is located in; this reality is often the
counterpoint to the human experienced by the person as the otherness of the
world, which we perceive through our senses and arrange in our mind. The
relationship between both, human and world, and the conditions of the
reception of the world in the mind of the human are discussed in
philosophical discourses. On other words expressed: The philosophers
world is a conceptual term and in some regard a metaphorical placeholder
for the representation of the surrounding environment. As such, it is only
distinguishable from the human as the area the human operates in and
experiences as different from himself or herself. It seems like the
philosophers used since antiquity used the concepts of word, universe,
and cosmos as the framing markers of their thinking mind, which aimed at
the most abstract and commonly acceptable concepts humans are able to
think about. So the early Greek philosophers have used the term cosmos
for the universe in an ordered way as a whole; the spheres were
considered even still in Christian thinking as the separated parts of the
8

Diversit et Identit Culturelle en Europe

world, which surrounded the earth, until the scholars in Renaissance started
with their inquiry of the world using the natural sciences and distancing
themselves from the religious answers. But the idea of the areas of the
world around us was still formulated after the paradigm change of the
sciences gave up the ideas of the layers or spheres of the world. In logic the
universe of discourse is a class, which brings a virtually endless number
of arguments, which can be derives from it. Cosmos means according to
the The American Heritage Dictionary of the English Language (2000) the
universe regarded as an orderly, harmonious whole, an ordered, harmonious
whole, and harmony and order as distinct from chaos. Cosmos in Collins
English Dictionary (2003) means the world or universe considered as an
ordered system, any ordered system, harmony, and order. The word
cosmos is known since 11501200 and derived from Middle English and
Greek ksmos for order, form, arrangement, the world, and
universe. According to Random House Kernerman Webster's College
Dictionary (2010) cosmos means the world or universe regarded as an
orderly, harmonious system, a complete, orderly, harmonious system, an
order and harmony, and any of a genus, Cosmos, of New World composite
plants having open clusters of flowers with red or yellow disks and wide
rays of white, pink, or purple. In contemporary research literature regarding
philosophy the concept sphere is used, which can be traced back to the
earliest Greek philosophy and cosmological writings. Habermas as social
philosopher of pragmatism made the public sphere as the place of
structural transformation in social theory and epistemology famous. The
universe of discourse or domain of discourse is in logic a class
containing all the entities referred to in a discourse or an argument. In
formal logic the argument is defined by this universe of discourse. Every
argument or statement made in that universe applies to all entities of the
universe. Volkmer uses the term global public sphere: The strategy of
9

Diversit et Identit Culturelle en Europe

international communication theory, should be to develop a methodology


for the understanding of 'particular' interpretations, meanings, relevances of
the global public sphere, to detect the specifics of this communication space
for different world regions - in times of peace and times of crisis. Fiss and
Hirsch (2005: 30) stated that how major events are constructed in public
discourse continues to be a topic of interest across disciplines. Particularly
large-scale transformations such as industrialization, the emergence of
capitalism, democratization, or globalization are marked by discursive
struggles over their social and cultural impacts, and the outcome of these
struggles may facilitate or impede the transformations widespread
acceptance. Brendel (1997) in Symbolism of the Sphere. A Contribution to
the History of Earlier Greek Philosophy described the concept of the
sphere of ancient scholars. Robertson (2009) published under the title
Spheres of Reason his New Essays in the Philosophy of Normativity. Inglis
(1998) published Spheres of Philosophical Inquiry and the Historiography
of Medieval Philosophy. Volkmer (2013) wrote that it can be argued, that
fantasies and ideas of the world as a somehow common place have
existed since Plato described in his dialogue Timaeus the history of the
world by the affiliation of the four elements to each other, since Aristotle
defined the 'world state', since Francis Bacon distinguished between
different world concepts globus terrestris, and globus intellectualis. It
was idea of a 'world society' as a universe of nature and reasoning, a global
arena for public debate during the Enlightenment which has inaugurated
modernity. Postmodern thinkers replaced 'reasoning' by 'simulation' and
Hegel's term of World Spirit (Weltgeist) by an idea of 'instant' truth,
created by the media and conveying the image of a shrinking world. A
sphere is a three-dimensional geometrical perfectly round form. The
English word sphere derived from Greek and Latin sphaera for
ball and globe. The Greek word for ball occurred in the Odysee
10

Diversit et Identit Culturelle en Europe

(6.100) in the expression play at ball. As the hollow sphere


or globe it was used in the ancient physics since the time of Anaximander.
It was believed that the spheres revolve around the earth carrying the
heavenly bodies. According to the Pythagoreans the spheres were arranged
after the intervals of the musical scale. Aristotle used the word in his
Metaphysics (1073b18). (Liddell; Scott) In philosophy the concept of the
public sphere was introduced by Habermas. Sloterdijk makes the
extension as the globe in connection with the concept of globalization.
The world was since oldest Greek philosophers practiced philosophy a
philosophical concept. Since antiquity in logic the universe of discourse or
domain of discourse is a class containing all the entities referred to in a
discourse or an argument. In other words expressed: the argument is
defined by this universe of discourse. Every argument or statement, which
is made in that universe, applies to all entities of the universe. How much
this concept touched the natural sciences and the humanities at the same
time can be seen in the writing A Letter to a Friend Wherein is Plainly
Shewn that it is Impossible to Understand the Classick Authors, or the
Modern Philosophy, without Knowing the Globe, Sphere, and Geography.
Whereto is Annexed a Refutation of this Proposition, Cartesius est
Materialiter Atheus was published in Dublin on the 6th of December 1711.
Actually, globalization has in the field of philosophy less place to be an
important field of studies. It can be treated by philosophers like any other
subject within the methodology of philosophy. From the perspective of
philosophy, the term globalization was subject to critical commentaries
since it raised in the 70s of the last century. Schneewind (2002: 169-178)
discussed globalization in the history of philosophy. Scheuerman (2013)
wrote on globalization in the Stanford Encyclopedia of Philosophy: The
term globalization has only become commonplace in the last two decades,
and academic commentators who employed the term as late as the 1970s
11

Diversit et Identit Culturelle en Europe

accurately recognized the novelty of doing so. At least since the advent of
industrial capitalism, however, intellectual discourse has been replete with
allusions to phenomena strikingly akin to those that have garnered the
attention of recent theorists of globalization. The raising interest in
globalization from the perspective of the philosophy of the 20th and 21st
century cannot be seen in another way than the co-incidence of this
buzzword of the economic and trade organizations, which promote
globalization, and the long history of the conceptual usage of terminology
of the semantic field of the cosmos, the universe and the spheres
within them. The earliest philosophers used this terminology, since they
were in the position of being universal scholars, which did not separate the
different fields of their studies.
2. The World in German Philosophy of the 19th Century
Platos Politics can be considered the first philosopher who used for
politics the term sphere of action. Aristotle in his Politics (book 4, section
1300b) writes that a difference among judicial courts rests upon three
determinants, which are constituents, sphere of action, and mode of
appointment. The usage of globalization for the area of culture can be
traced back to Hegels work The Phenomenology of Mind. The in Free
Concrete Mind: Spirit in the section The Spirit in Self-Estrangement (I. b.
Belief and Pure Insight (1); 1. Belief and Pure Insight) Hegel states that
the spiritual condition of self-estrangement exists in the sphere of culture
as a fact. Hegel in Science of Logic also speaks about the spiritual sphere
with an infinitely manifold content that is communicable. Hegel in his
Aesthetics (Lectures on Aesthetics. Volume 2. Part III. The System of the
Individual Arts) wrote as introduction to this part about art, which resides in
the sphere of the universal world-views:
12

Diversit et Identit Culturelle en Europe

This realization of the Ideal amounted only to the still purely


inner production of art within the sphere of the universal world-views
into which it was elaborated. But it is implicit in the very conception
of beauty that it shall make itself objective externally as a work of art
presented to immediate vision, to sense and sensuous imagination.
Consequently it is only through this existent, which is appropriate to
itself, that beauty really explicitly becomes beauty and the Ideal.
Therefore, thirdly, we still have to survey this sphere in which the
work of art is actualized in the element of the sensuous. For only in
virtue of this final configuration is the work of art genuinely concrete,
an individual at once real, singular, and perfect.
Hegel used for the traditional separations of areas the concept
sphere. Hegel also employed the terms in order to distinguish between
the private and public area; at this time, this was the mental framework
for the rise of the democracy in Europe during the 19th century. Kant
used the expression sphere of a concept as a metaphoric term for the
extension of a concept. Kant (1787) in Critique of Pure Reason in II.
Transcendental Doctrine of Method ( II. The Discipline of Pure Reason
in Respect of its Polemical Employment) described the earth:
If I represent the earth, as it appears to my senses, as a flat surface
with a circular horizon, I cannot know how far it extends. But
experience teaches me that, how far soever I go, I always see before
me a space in which I can proceed farther; and thus I know the limits
of my actual knowledge of the earth at any given time, but not the
limits of all possible geography. But if I have got so far as to know
that the earth is a sphere, and that its surface is spherical, I am able
even from a small part of it, for instance, from the magnitude of a
degree, to know determinately, in accordance with principles a priori,

13

Diversit et Identit Culturelle en Europe

the diameter and through it the total superficial area of the earth; and
although I am ignorant of the objects which this surface may contain,
I yet have knowledge of its limits and extent.
The archetypical usage of the spherical concept of financial
globalization we find in the work of Marx. Marx used in his economic
manuscripts of the Capital (Vol. I. Chapter Six) the expression sphere of
circulation. In the Capital (Volume II; Chapter 1) The Circuit of Money
Capital Marx deals with the changes in form (or metamorphoses) of capital
in the sphere of circulation. Scheuermann (2013) in the article
Globalization of the Stanford Encyclopedia of Philosophy wrote on Marx
contribution to globalization: Another German migr, the socialist
theorist Karl Marx, in 1848 formulated the first theoretical explanation of
the sense of territorial compression that so fascinated his contemporaries. In
Marx's account, the imperatives of capitalist production inevitably drove the
bourgeoisie to nestle everywhere, settle everywhere, and establish
connections everywhere. Marx described that new technologies provided
the necessary infrastructure for a cosmopolitan future socialist civilization,
while simultaneously functioning in the present as indispensable
organizational tools for a working class destined to undertake a revolution
no less oblivious to traditional territorial divisions than the system of
capitalist exploitation it hoped to dismantle. Prior the Marx historical
materialism, concepts like Weltgeist (world spirit) and Weltseele
(world soul) emerged in the second half of the 19 th century in the German
philosophy. Hegel and Schopenhauer use the concept world in this
context. The world as an idea and the will of the human was the opus
magnum of Schopenhauer and is an important work for the relationship
between the mind and the reality of the human. Schopenhauer in The World
As Will And Idea in First Book. The World As Idea. First Aspect. The Idea
Subordinated To The Principle Of Sufficient Reason: The Object Of
14

Diversit et Identit Culturelle en Europe

Experience And Science formulated that the world is the idea of the mind,
when saying:
1. The world is my idea:this is a truth which holds good
for everything that lives and knows, though man alone can bring it
into reflective and abstract consciousness. If he really does this, he
has attained to philosophical wisdom. It then becomes clear and
certain to him that what he knows is not a sun and an earth, but only
an eye that sees a sun, a hand that feels an earth; that the world
which surrounds him is there only as idea, i.e., only in relation to
something else, the consciousness, which is himself.
The statement The world is idea Schopenhauer traces back as a
truth involved in the skeptical reflections from which Descartes started,
which Berkeley distinctly enunciated, and Kant's missed to respect as a
principle. This truth Schopenhauer traced back to the wise men of India
as appearing indeed as the fundamental tenet of the Vednta philosophy
ascribed to Vyasa. Schopenhauer wrote:
For as the world is in one aspect entirely idea, so in another it is
entirely will. A reality which is neither of these two, but an object in
itself (into which the thing in itself has unfortunately dwindled in the
hands of Kant), is the phantom of a dream, and its acceptance is an
ignis fatuus in philosophy.
Schopenhauer wrote about concepts:
9. Concepts form a distinct class of ideas, existing only in the
mind of man, and entirely different from the ideas of perception which
15

Diversit et Identit Culturelle en Europe

we have considered up till now. We can therefore never attain to a


sensuous and, properly speaking, evident knowledge of their nature,
but only to a knowledge which is abstract and discursive. It would,
therefore, be absurd to demand that they should be verified in
experience, if by experience is meant the real external world, which
consists of ideas of perception, or that they should be brought before
the eyes or the imagination like objects of perception. They can only
be thought, not perceived, and only the effects which men accomplish
through them are properly objects of experience. Such effects are
language, preconceived and planned action and science, and all that
results from these. Speech, as an object of outer experience, is
obviously nothing more than a very complete telegraph, which
communicates arbitrary signs with the greatest rapidity and the finest
distinctions of difference.
In the third book Schopenhauer describes the states of the world as
idea and as will:
When the Platonic Idea appears, in it subject and object are no
longer to be distinguished, for the Platonic Idea, the adequate
objectivity of will, the true world as idea, arises only when the subject
and object reciprocally fill and penetrate each other completely; and
in the same way the knowing and the known individuals, as things in
themselves, are not to be distinguished. For if we look entirely away
from the true world as idea, there remains nothing but the world as
will. The will is the in-itself of the Platonic Idea, which fully
objectifies it; it is also the in-itself of the particular thing and of the
individual that knows it, which objectify it incompletely. As will,
outside the idea and all its forms, it is one and the same in the object
16

Diversit et Identit Culturelle en Europe

contemplated and in the individual, who soars aloft in this


contemplation, and becomes conscious of himself as pure subject.
The mental place for the production of ideas is the genius:
37. Genius, then, consists, according to our explanation, in the
capacity for knowing, independently of the principle of sufficient
reason, not individual things, which have their existence only in their
relations, but the Ideas of such things, and of being oneself the
correlative of the Idea, and thus no longer an individual, but the pure
subject of knowledge.
Ludwig Wittgenstein (1921, 2013) writes in his Tractatus LogicoPhilosophicus:
1.
The world is everything that is the case.
1.1 The world is the totality of facts, not of things.
1.11 The world is determined by the facts, and by these being all
the facts.
1.12 For the totality of facts determines both what is the case, and
also all that is not the case.
1.13 The facts in logical space are the world.
1.2 The world divides into facts.
1.21 Any one can either be the case or not be the case, and
everything else remain the same.
Wittgenstein defines the total reality as world:
2.063 The total reality is the world.
17

Diversit et Identit Culturelle en Europe

For Wittgenstein the representation through depiction of the world is


possible via the logical picture:
2.182 Every picture is also a logical picture.
(On the other hand, for example, not every picture is spatial.)
2.19 The logical picture can depict the world.
Wittgensteins statement that the proposition can produce a world
indicates that the mind is also able to produce a world of its concepts:
4.023 The proposition determines reality to this extent, that one only
needs to say Yes or No to it to make it agree with reality. It must
therefore be completely described by the proposition. A proposition is
the description of a fact. As the description of an object describes it
by its external properties so propositions describe reality by its
internal properties. The proposition constructs a world with the help
of a logical scaffolding, and therefore one can actually see in the
proposition all the logical features possessed by reality if it is true.
One can draw conclusions from a false proposition.

1. The Universe of Discourse in the U.S. American Philosophy


of Peirce and Marcuse
The discourse is the philosophical form of a dissertation both orally or in a
written form. As such, the discourse is a functional format of thinking and
not a literary genre. Of course we can distinguish the discourse of the
philosophers as a unit and a distinct literary feature. But the main functions
of the discourse are the communication of mental contents in a formal way.
18

Diversit et Identit Culturelle en Europe

The Greek word means discourse and argument. More as a


communicative linguistic form the word for discourse and
conversation and for talking and discourse were used. The
action of having a discourse was described by the verb . In the formal
language of rhetoric and were formats of discourse. The usage
of the expression universe of discourse is a relative new concept of the
early 20th century logic of the U.S. American logician Pierce. Pierce (2013)
gives the following definition of the universe of discourse: "The universe
of discourse is the aggregate of the individual objects which "exist," that is
are independently side by side in the collection of experiences to which the
deliverer and interpreter of a set of symbols have agreed to refer and to
consider." ('The Principles of Logical Graphics, MS 493, n.d.) Pierce
(1906; 2013) wrote: in 'The Bedrock beneath Pragmaticism'
"...the Phemic Sheet iconizes the Universe of Discourse, since it
more immediately represents a field of Thought, or Mental Experience,
which is itself directed to the Universe of Discourse, and considered as a
sign, denotes that Universe. Moreover, it [is because it must be understood]
as being directed to that Universe, that it is iconized by the Phemic Sheet.
So, on the principle that logicians call "the Nota notae" that the sign of
anything, X, is itself a sign of the very same X, the Phemic Sheet, in
representing the field of attention, represents the general object of that
attention, the Universe of Discourse." ('The Bedrock beneath
Pragmaticism', CP 4.561n1, c. 1906).
Pierce (Universe 1902; 2013) also describes the origin of the term
university of discourse:
... Universe (in logic) of discourse, of a proposition, &c. In every
proposition the circumstances of its enunciation show that it refers to some
collection of individuals or of possibilities, which cannot be adequately
described, but can only be indicated as something familiar to both speaker
19

Diversit et Identit Culturelle en Europe

and auditor. At one time it may be the physical universe of sense (1) [Note
(Commens): This refers to the previous item in the DPP], at another it may
be the imaginary "world" of some play or novel, at another a range of
possibilities. The term was introduced by De Morgan in 1846 (Cambridge
Philosophical Transactions, viii, 380) but De Morgan never showed that he
fully comprehended it. It does not seem to be absolutely necessary in all
cases that there should be an index proper outside the symbolic terms of the
proposition to show what it is that is referred to; but in general there is such
an index in the environment common to speaker and auditor. This De
Morgan has not remarked; but what he has remarked has likewise its
importance, namely, that for the purposes of logic it makes no difference
whether the universe be wide or narrow. The idea of a limited logical
universe was adopted by Boole and has been employed by all subsequent
exact logicians. There is besides a universe of marks or characters,
whenever marks are considered substantively, that is, as abstractions, as
they commonly are in ordinary speech, even though the forms of language
do not show it. Thus only, there comes to be a material difference between
an affirmative and a negative proposition. For it will then alone be one
thing to say that an object wants some character common to all men and
another to say that it possesses every character common to all non-men.
Only instead of giving three qualities it gives four, for the assertion may be
that an object wants some character common to all non-men; a point made
by ancient writers. In 1882 O. C. Mitchell extended the theory of the logical
universe by the introduction of the idea of 'dimension'." ('Universe (2)',
DPP 2 / CP 2.536, 1902) In Minute Logic (1902; 2013) Pierce explains with
the example of the class of people introduced to the Eleusian mysteries that
every one of them, but no people of another class, experienced the feeling
of awe and participates in this universe of discourse:
20

Diversit et Identit Culturelle en Europe

"... I wish my description of what is true or false, to apply to what is


not only true or false generally, but also to what is true or false under
conditions already assumed. Whatever may be the limitations previously
imposed, that to which the truth or falsity is limited may be called the
universe of discourse. For example, at the mention of a certain name, every
person initiated into the Eleusinian mysteries invariably experiences a
feeling of awe. This is true. It is therefore true that every person initiated
into the Eleusinian mysteries always experiences a sentiment of awe; not
universally, but only under the limitations already understood before this is
said." ('Minute Logic', CP 6.351, c. 1902).
The next statement of Pierce is interesting, since it concerns the
aspect of the imagination as a field of experience, a situation, which we can
use to describe the state of globalization: "When the universe of discourse
relates to a common experience, but this experience is of something
imaginary, as when we discuss the world of Shakespeare's creation in the
play of Hamlet, we find individual distinction existing so far as the work of
imagination has carried it, while beyond that point there is vagueness and
generality. So, in the discussion of the consequences of a mathematical
hypothesis, as long as we keep to what is distinctly posited and its positive
implications, we find discrete elements, but when we pass to mere
possibilities, the individuals merge together. This remark will be fully
illustrated in the sequel." ('Multitude and Number', CP 4.172, 1897)
Marcuse in One-Dimensional Man in the chapter The Closing of the
Universe of Discourse wrote that the language of total administration
mediates between the masters and their dependents. Its publicity agents
shape the universe of communication in which the one-dimensional
behaviour expresses itself. Such a language produces a discourse, which
is deprived of the mediations which are the stages of the process of
cognition and cognitive evaluation. The concepts which comprehend the
21

Diversit et Identit Culturelle en Europe

facts and thereby transcend the facts are losing their authentic linguistic
representation. Without these mediations, language tends to express and
promote the immediate identification of reason and fact, truth and
established truth, essence and existence, the thing and its function.
Marcuse depicts a state of power, when functionalization of language
helps to repel non-conformist elements from the structure and movement
of speech.
In this behavioral universe, words and concepts tend to coincide, or
rather the concept tends to be absorbed by the word. The former has
no other content than that designated by the word in the publicized
and standardized usage, and the word is expected to have no other
response than the publicized and standardized behaviour (reaction).
The word becomes clich and, as clich, governs the speech or the
writing; the communication thus precludes genuine development of
meaning. To be sure, any language contains innumerable terms which
do not require development of their meaning, such as the terms
designating the objects and implements of daily life, visible nature,
vital needs and wants. These terms are generally understood so that their
mere appearance produces a response (linguistic or operational)
adequate to the pragmatic context in which they are spoken.
Marcuse described here the impact of a functionalized language,
which as an absolute power destroys the values of the discourse. As
assemblage of clich the language is dead and formal serving as the
framework of a totalitarian discourse. This state Marcuse marks as the end
of the universe of discourse.

22

Diversit et Identit Culturelle en Europe

The World in European Philosophy of the 21 st Century:


Habermas, Sloterdijk, and Nancy
In Minima Moralia Theodor Adorno 1951 criticized that What
philosophy once called life, has turned into the sphere of the private and
then merely of consumption. Habermas published 2006 Religion in the
Public Sphere. Habermas described the communicative situation of the 20 th
and the 21st century with the distinction between the public and the private
sphere across his writings. Scheuermann (2013) in the article Globalization
of the Stanford Encyclopedy of Philosophy wrote on Heideggers
contribution to globalization: But it was probably the German
philosopher Martin Heidegger who most clearly anticipated contemporary
debates about globalization. Heidegger not only described the abolition of
distance as a constitutive feature of our contemporary condition, but he
linked recent shifts in spatial experience to no less fundamental alterations
in the temporality of human activity: All distances in time and space are
shrinking. Man now reaches overnight, by places, places which formerly
took weeks and months of travel (Heidegger 1950, 165). (Heidegger
1950, 165).
In the encyclopedia article The Public Sphere, which appeared 1964
written by Habermas (1974: 49) in New German Critique the concept of the
public sphere is explained as follows: We mean first of all a realm of our
social life in which something approaching public opinion can be formed.
Access is guaranteed to all citizens. A portion of the public sphere comes
into being in every conversation in which private individuals assemble to
form a public body.' They then behave neither like business or professional
people transacting private affairs, nor like members of a constitutional order
subject to the legal constraints of a state bureaucracy. Citizens behave as a
public body when they confer in an unrestricted fashion-that is, with the
guarantee of freedom of assembly and association and the freedom to
2.

23

Diversit et Identit Culturelle en Europe

express and publish their opinions-about matters of general interest.


Habermas lets the concept of the public sphere begin with the European
Renaissance stating that there is no indication European society of the high
middle ages possessed a public sphere as a unique realm distinct from the
private sphere. Nevertheless, it was not coincidental that during that period
symbols of sovereignty, for instance the princely seal, were deemed
public. (1964: 54) Habermas in his article stated that the end of the civil
society with its social welfare state will starts with the structural
transformation of the public sphere itself. The idea of the public sphere,
preserved in the social welfare state mass democracy, an idea which calls
for a rationalization of power through the medium of public discussion
among private individuals, threatens to disintegrate with the structural
transformation of the public sphere itself. It could only be realized today, on
an altered basis, as a rational reorganization of social and political power
under the mutual control of rival organizations committed to the public
sphere in their internal structure as well as in their relations with the state
and each other. (1964: 55) The transformation is the usual term in the
discourse of the proponents of the globalization for the changes that
globalization brings in several parts of the world. But while Habermans
sees this process of transformation as a problematic state, the organizations,
which promote globalization consider it a positive process. Nearly 50
years later, in 2013, in his lecture Democracy, Solidarity and the European
Crisis Habermas on the 26th of April 2013 at the Catholic University of
Leuven said that the European Central Bank, the Commission, and the
European Court of Justice have intervened most profoundly in the everyday
lives of European citizens over the decades, even though these institutions
are the least subject to democratic controls. The lack of relations and
representation of the formation of the will and opinion of citizens of the
democracy of Europe and the policies made by European institutions is the
24

Diversit et Identit Culturelle en Europe

critical point Habermas mentioned: Thus, to the present day there remains
a gulf at the European level between the citizens opinion- and willformation, on the one hand, and the policies actually adopted to solve the
pressing problems, on the other. According to Habermas ironically that
what unite the European citizens today are the Eurosceptical mindsets that
have become more pronounced in all of the member countries during the
crisis, albeit in each country for different and rather polarizing reasons. As
solution Habermas presents here the concepts of Sittlichkeit (morality)
and solidarity.
Sloterdijk developed an account of globalization with the historical
and philosophical consequences of the earth considered to be as a globe and
globalization as the last phase in a process staring first with the
circumnavigation of the earth. In the last phase of globalization the world
system as a capitalist system determines the conditions of life. The original
book in German was published in 2005 with the title Im Weltinnenraum des
Kapitals (2005) as a philosophical theory of globalization. Sloterdijk
presents a philosophy of space in the Sphren-trilogy of terrestrial
globalization. (2005: 14) The globe is a philosophical concept (Globus,
Kugel, sphaira) resulting from terrestrial globalization (2005: 37)
Terrestrial globalization is the process of material expansion, which
Sloterdijk calls world history in a philosophical sense (2005: 28). After
the terrestrial globalization a cosmic-Uranian or morphological
globalization followed, which began with the Greek culture and after this
stage a electronic globalization. The Weltinnenraum (world interior) of
this sphere and age is the result from the contraction of the world by money
(capital). Sloterdijk wrote the trilogy Spheres, which was published
1998, 1999, and 2004. Spheres are for Sloterdijk spaces of
coexistence. Sloterdijk argued that the current concept of globalization
lacks a historical perspective.
25

Diversit et Identit Culturelle en Europe

In the work of the philosopher Nancy the philosophical concept


world is a main theme besides Le Sens du Monde the book La Creation du
Monde ou la Mondalisation focuses of this topic. Nancys La Creation du
Monde ou la Mondalisation was translated as The Creation of the World or
Globalization. The expression of the process of world-becoming
(mondanisation) was used by Nancy (2007: 44) In the authors Prefatory
Note to the English Language Edition. Note on the Untranslatable
Mondialisation (2007: 23) Nancy writes that it is not without paradox that
in many languages the French term mondialisation is quite difficult to
translate, and that perhaps this difficulty makes it almost untranslatable.
Nancy (2007: 23) writes that the French language has used the word
mondialisation since the middle of the twentieth century, which seems to
me slightly before the term globalization appeared in English. In the
author's Prefatory Note to the French Language Edition Nancy (2007: 29)
writes that the creation of the world or globalization as a conjunction must
be understood simultaneously and alternatively in its disjunctive,
substitutive, or conjunctive senses. According to the first sense: between the
creation of the world or globalization, one must choose, since one implies
the exclusion of the other. According to the second sense: the creation of
the world, in other words globalization, the former must be understood as
the latter. According to the third sense: the creation of the world or
globalization, one or the other indifferently, leads us to a similar result
(which remains to be determined). Nancy also describes related concepts.
In Urbi et Orbi Rome is presented as the paradigm for the concept of
urbanization. Nancy (2007: 31) writes here regarding urbi et orbi that
this formulation drawn from papal benediction has come to mean
everywhere and anywhere in ordinary language. Nancy (2007: 32) writes
that the urbalization is the process, when the city spreads and extends all
the way to the point where, while it tends to cover the entire orb of the
26

Diversit et Identit Culturelle en Europe

planet, it loses its properties as a city, and, of course with them, those
properties that would allow it to be distinguished from a country. Nancy
(2007: 33) writes that the West has come to encompass the word, and in
this movement it disappears as what was supposed to orient the course of
this world. For all that, up until now, one cannot say that any other
configuration of the world or any other philosophy of the universal and of
reason have challenged that course. Nancy (2007: 33) writes that the
world has lost its capacity to form a world (faire monde): it seems only to
have gained that capacity of proliferating, to the extent of its means, the
un-world (immonde), which, until now, and whatever one may think of
retrospective illusions, has never in history impacted the totality of the orb
to such an extent. In the end, everything takes place as if the world affected
and permeated itself with a death drive that soon would have nothing else to
destroy than the world itself. Nancy distinguishes globalisation
(globalization) and mondialisation (world-forming). Nancy provides a
philosophical reflection of the phenomenon of globalization. Nancy takes
the linguistic sophistical approach, which attaches to the word specific
meanings. On the contrary, the approach of Sloterdijk is a historical
analysis and interpretation of the history of humanity under the aspect of
globalization. While Sloterdijk extends the concept globalization in the
historical dimension as a process and thus contributed to historical
understanding of this concept, Nancy analyses this concept. Sloterdik sets
up a discourse, where he interprets things as items of globalization. The
criticism of this procedure would be the accusation of historical
revisionism. But what Sloterdijk here does, it the setting of absolute terms,
which derive like the terms of globalization from a constructed and
inorganic background. These terms are a framework set up to imitate the
discourse; these terms are conceptual and not historical. In the case of
Sloterdijkss terms, the terms are bound to a discourse, which is supporting
27

Diversit et Identit Culturelle en Europe

the idea of globalization and actually supports the power construction of


the contemporary promoting organizations of globalization as positive and
evolutionary developed from a historical background, which Sloterdijk depicts.
3. Conclusions:
The Results of the Universe of Discourse of Globalization for
the World
We can consider globalization to be part of an argument. Here now
the discourse applies to all entities of the class that they belong to the
world as expressed in the literal meaning of globalization. As a noun for
a process this word claims that the globalization is a permanent process.
Like all the followers of the Eleusian Mysteries as a class of humans among
all humans are the ones, which participate in the feeling of awe, in the case
of the globalization the class of people involved in it participate in the
experience of the global. This experience is not a real and physical
experience, but the experience of the world around them as global. In
order to illustrate the difference we can give the following example: While
someone without the idea of globalization living in the U.S. does not
associate with McDonalds idea of globalization, but a traditional U.S.
American brand and a local tradition, a person from another culture who
visits McDonalds for the first time will consider the restaurant as a
contribution to the globalization of his/her country. We have seen that
Marcuse demonstrated that the functional language leads to the end of the
discourse, since its authoritarian form builds up structures, which set
borders. Marcuse also stated that this functional language is a radically
anti-historical language: operational rationality has little room and little use
for historical reason. Formal languages like the languages of computer
languages, but also the formalized language of business communication, of
administration, and of globalization allow the consumer only to
participate in the discourse, when the concepts and terms of this language
are accepted and used. How regulative such a language operates, we can see
28

Diversit et Identit Culturelle en Europe

in the case of Sloterdijks conceptualization of the globalization as


historical principle. The language the philosopher used becomes formal and
consists of neologisms, which extend the discourse of globalization. But
these terms lack any historical documentation. These terms are invented and
created in order to build a discourse around them. The problem is that
formal languages are logically correct, but de facto not in any case
acceptable as truth. This phenomenon is known as the problem of the
fallacies, which a language through wrong reasoning can produce. At the
point, where a term is not a historically grown term, but an invented term,
the discourse cannot be traced back to the history and the discourse of it
loses the relation to the past of traditional and cultural background. This
state we can see as pars pro toto in the conceptualization of globalization
of Sloterdijk, but the actual discourse about globalization shows a similar
usage of absolute terminology, which destroys the organic and historical
language with words of historical of paths tracing back to democracy,
religion, and other organic social structures and with this process the
representations of political and cultural developments.
4. Works Cited
Cosmos. Collins English Dictionary. Complete and Unabridged. 2003.
The
Free
Dictionary.
October
23,
2013.
<http://www.thefreedictionary.com/cosmos>.
Cosmos. Random House Kernerman Webster's College Dictionary.
Edition 2010. The Free Dictionary. October 23, 2013.
<http://www.thefreedictionary.com/cosmos>.
Cosmos. The American Heritage Dictionary of the English Language.
2000.
The
Free
Dictionary.
October
23,
2013.
<http://www.thefreedictionary.com/cosmos>.
Sphere of a Concept. Kant Dictionary. Philosophy Dictionary. May 23,
2013.<http://www.philosophy-dictionary.org/SPHERE_OF_A_CONCEPT>.
29

Diversit et Identit Culturelle en Europe

Universe of Discourse. The Commens Pierce Dictionary. Peirce's


Terminology in His Own Words. Ed. Mats Bergman and Sami Paavola.
October
23,
2013.
<http://www.helsinki.fi/science/commens
/terms/universedisc.html>.
AUTENRIETH, Georg,1891, A Homeric Dictionary for Schools and
Colleges. New York: Harper and Brothers,. Perseus Project. Tufts
University.
June
23,
2013.
<http://www.perseus.tufts.edu
/hopper/text?doc=Perseus%3Atext%3A1999.04.0073%3Aentry%3Ds
fai%3Dra&highlight=ball>.
BRENDEL, Otto J., 1977, Symbolism of the Sphere. A Contribution to the
History of Earlier Greek Philosophy. Leiden: Brill.
FISS, Peer C; HIRSCH, Paul M., 2005, The Discourse of Globalization.
Framing and Sensemaking of an Emerging Concept. American
Sociological Review 70 (2005): 2952. USC Research Computing
Facility. Unversity os Southern California. October 23, 2013.
<http://wwwbcf.usc.edu/~fiss/Fiss%20and%20Hirsch%20ASR%202005.pdf>.
HABERMAS, Jrgen, 2006, Religion in the Public Sphere. European
Journal of Philosophy 14.1 (2006): 125. DOI: 10.1111/j.14680378.2006.00241.x.
HABERMAS, Jrgen, 2013, Democracy, Solidarity and the European
Crisis. Lecture delivered by Professor Jrgen Habermas on 26 April
2013 in Leuven. University of Leuven. October 23, 2013.
<http://www.kuleuven.be/communicatie/evenementen/evenementen/j
urgen-habermas/democracy-solidarity-and-the-european-crisis>.
HABERMAS, Jrgen, 2013, The Public Sphere: An Encyclopedia
Article. Tr. Sara Lennox and Frank Lennox. New German Critique 3
(1974):
49-55.
JSTOR.
October
23,
30

Diversit et Identit Culturelle en Europe

2013.<http://links.jstor.org/sici?sici=0094-033X%28197423%290
%3A3%3C49%3ATPSAEA%3E2.0.CO%3B2-Z>.
HEGEL, Georg Wilhelm Friedrich, 2013, Phenomenology of Mind.
Marxists Archive. October 1, 2013. <http://www.marxists.org/
reference/archive/hegel/works/ph/phc2b1b.htm>.
INGLIS, John, 2013, Spheres of Philosophical Inquiry and the
Historiography of Medieval Philosophy. - Leiden: Brill, 1998.
KANT, Immanual, 2013, Critique of Pure Reason. Marxists Internet
Archive. October 23, 2013. <http://www.marxists.org/reference
/subject/ethics/kant/reason/ch04.htm>.
LIDDELL, Henry GEORGE; Scott, Robert, 1940, A Greek-English
Lexicon. Oxford: Clarendon Press. Perseus Project. Tufts University.
June
23,
2013.
<http://www.perseus.tufts.edu/hopper
/text?doc=Perseus%3Atext%3A1999.04.0057%3Aentry%3Dsfai%3
Dra%5E&highlight=ball>.
MARCUSE, Herbert, 2013, One-Dimensional Man. Herbert Marcuse
Archive.
Marxists
Archive.
October
23,
2013.
<http://www.marxists.org/reference/archive/marcuse/works/onedimensional-man/ch04.htm>.
NANCY, Jean Luc, 2007, The Creation of the World or Globalization.
Albany: State University of New York Press.
ROBERTSON, Simon, 2009, Spheres of Reason. New Essays in the
Philosophy of Normativity. Oxford: Oxford University Press.
SCHEUERMAN, William, 2013, Globalization. Stanford Encyclopedia
of Philosophy. Stanford University. October 22, 2013.
<http://plato.stanford.edu/entries/globalization/>.
SCHNEEWIND, J. B., 2002, Globalization and the History of
Philosophy. Journal of the History of Ideas 66.2 (2002): 169-178.
31

Diversit et Identit Culturelle en Europe

SCHOPENHAUER, Arthur, 2013, The World As Will And Idea. Tr. R. B.


Haldane and J. Kemp. Vol. 1 of 3. Project Gutenberg. May 23, 2013.
<http://www.gutenberg.org/files/38427/38427-h/38427-h.html>.
SLOTERDIJK, Peter, 2005, Im Weltinnenraum des Kapitals. Fr eine
Philosophische Theorie der Globalisierung. Frankfurt a.M.:
Suhrkamp.
SLOTERDIJK, Peter; HOBAN, Wieland, 2013, In the World Interior of
Capital. Im Weltinnenraum des Kapitals. For a Philosophical Theory
of Globalization. Cambridge: Polity Press.
VOLKMER, Ingrid, 2013, International Communication Theory in
Transition: Parameters of the New Global Public Sphere. MIT
Communications
Forum.
May
23,
2013.
<http://web.mit.edu/comm-forum/papers/volkmer.html>.
WITTGENSTEIN, Ludwig, 2013, Tractatus Logico-Philosophicus. Tr. C.
K.
Ogden
Project
Gutenberg.
October
23,
2013.
<http://www.gutenberg.org/files/5740/5740-pdf.pdf>.

32

Diversit et Identit Culturelle en Europe

POSIE ET RELIGION, LEURS RAPPORTS ET


LEURS PARTICULARITS DANS LA VIE DE
LHOMME
Fabiola KADI
Universit F.S. Noli, Kora
fabiola_muco@yahoo.fr
Abstract:
This paper aims to study the permanent connection that exists between literature
and especially poetry, and the sacred. It is a delicate issue which deserves to be treated
anyway, due to this stable coexistence even though has been objected over the centuries.
We think that this relationship should not be left in limbo, because poets of all times have
been inspired by the sacred as any other topic. It is time to leave behind the prejudices that
characterize our modern era in terms of poetry with religious themes, and to highlight its
incontestable aesthetic values.
Keywords: poetry, religious, human, creation, inspiration.

1. Lomniprsence de la posie
La littrature est en volution constante. Son statut change jour
aprs jour sous linfluence de diffrents facteurs. De nos jours, la littrature
et surtout la posie, sont menaces par le cinma, la radio, la tlvision,
linformatique etc. On constate une diminution du nombre de lecteurs de
posie, peu sont ceux en effet qui veulent entrer dans le monde mystrieux
de la parole potique. Dans son capharnam sonore, notre socit rejette la
posie comme elle quitte la spiritualit.
Peu nombreux sont ceux qui la gotent comme si elle navait plus
rien nous dire. Et pourtant, beaucoup duvres potiques sont publies.
Dans son livre Anthologie de la posie mystique contemporaine, Jean-Luc
Maxence cite le pote suisse, Gustave Roud: Croyez-moi, la posie est un
33

Diversit et Identit Culturelle en Europe

prsent merveilleux qui nous est offert tous, grands et petits, mais
beaucoup ne sen rendent pas compte. Et pourtant, il importe, voyez-vous,
que chacun sente ds son plus jeune ge que ce trsor lui appartient ou
quil peut devenir sien. Car sans la posie nous ne pouvons dcouvrir ni
connatre vraiment le monde o nous nous sommes veills la vie. Cest
grce elle que nous allons dmerveillement en merveillement: elle nous
ouvre les yeux et le cur. 1
La posie a toujours t prsente toutes les poques de lhumanit.
De la naissance jusqu la mort, lhomme des socits traditionnelles a
toujours t accompagn par des hymnes, des chants, des prires, la plupart
desquels sont de vrais pomes. Ce genre ft le domaine de prdilection de
lhumanit dans les moments heureux et tristes, dans les pleurs et les jeux.
On dit souvent que la posie est ne dans ses formes orales et crites
comme une manire de mmoriser les vnements de la vie humaine.
Daprs Georges Jean, elle est la mmoire des peuples qui nont pas
lcriture .2
La posie parle de lexprience humaine, des individus, ou des
groupes sociaux. Et pourtant, il semble quaujourdhui elle se rduit un
simple sujet scolaire dans lequel, la rime est plus importante que le contenu
de la posie elle-mme.
Est-ce que la posie a quelque chose nous dire aujourdhui qui
peut tre essentiel?
Lexprience de la posie est avant tout une aventure spirituelle, que ce soit
dans le bonheur ou le malheur, dans labsence ou labondance, elle est
toujours lie lme humaine.
En chaque homme, il y a un pote, et surtout chez les enfants, mme
si avec le passage du temps, on oublie lmerveillement de lge enfantin
1
2

J.-L. Maxence, 1999, p. 13.


http://www.flsh.unilim.fr/ditl/Fahey/POSIEPoetry_n.html .

34

Diversit et Identit Culturelle en Europe

qui est un des lments essentiels dans la vie dun homme. Lenfant
contemple avec curiosit tout ce qui lentoure et cest ce qui laide
avancer dans la vie, apprendre des choses nouvelles.
En quittant le large monde de notre enfance, non seulement on
sest gar de la terre des feries, mais on est entr sans vergogne pour se
balader dans un dsert aride, strile de ltonnement et de la
comprhension, en prtendant quon a pouss lhorizon de nos limites et on
na rien vu. La recherche est comprhensible et lloignement est lgitime;
mais le voyage a t celui dun imprudent. 3 dclare lcrivain et
lapologiste chrtien Ravi Zacharias. Lhomme, et surtout le pote, a besoin
de sexprimer ouvertement, davoir une perception plus claire de ce qui
lentoure, cest ce qui laide spanouir.
Par la posie, le pote touche une trs grande varit de sentiments
(lamour, lamiti, la famille, la religion, lamour pour la patrie). Ce genre
littraire nest pas une simple expression artistique; il prend la forme dune
consolation devant les preuves les plus dures de la vie: dception, perte,
absence, mort, deuil, etc. Lie intrinsquement la ralit humaine, au
lyrisme individuel et collectif, la posie est une jouissance, comme la
musique, sadressant la sensibilit, la partie irrelle de notre vie. La
posie largit notre part de rve, de libert, dnergie cratrice de notre
existence en tant quhumains. Daprs Yves Bonnefoy, lcriture devient
le matriau dune rflexion dont lintention est de clarifier ce que nous
sommes, de dlivrer le Je profond des modes dtre du moi... 4. Bonnefoy
lance lide de la profondeur de la posie en la considrant comme une
recherche. Rimbaud prtendait apporter un changement dans sa vie
travers lcriture potique. Pour Mallarm, le monde ressemble plus un
3

Traduit partir de la traduction albanaise, R. Zacharias, 1999, p. 89-90.


http://www.lemondedesreligions.fr/entretiens/yves-bonnefoy-la-poesie-c-est-ce-qui-reprend-a-lareligion-son-bien-30-12-2011-2157_111.php.
4

35

Diversit et Identit Culturelle en Europe

texte qu un spectacle, et la question quil se pose devant ce texte, est:


Quest-ce que cela veut dire?.5
La posie est une peinture du monde rel auquel elle sapproche en
mettant en vidence ses mystres, mais elle est aussi une magie, avec les
paroles et les images, elle transforme le monde travers limagination.
Dans la posie, le lecteur peut discerner le beau et quitter la laideur de la
ralit qui lentoure.
Le pote a la capacit, mme devant cette laideur, de dcider de
rver, de vivre ailleurs, indpendamment de la ralit o il vit, ide
exprime par Hugo: ...Les pieds ici, les yeux ailleurs 6 et Baudelaire qui
crit Cette vie est un hpital o chaque malade est possd du dsir de
changer de lit. 7 Le pote peut prendre la dcision de dcrire la ralit dans
son clat ou sa laideur en donnant la possibilit au lecteur de se rapprocher
de cette ralit, ou de sloigner travers la transfiguration. Il invite
souvent le lecteur se retrouver dans la posie et lappelle sunir lui
pour transformer la ralit:
Toi, nes-tu pas, comme moi-mme,
Flambeau dans ce monde pre et vil,
Ame, cest--dire problme,
Et femme, cest--dire exil? 8
Artisan de la langue, le pote se spare des autres mortels, tant le seul qui
puisse exprimer la ralit profonde, travers sa cration.

P. Claudel, La Catastrophe dIgitur , uvres en prose, Bibl. de la Pliade, Gallimard,


1965, p. 510-511.
6
V. Hugo, Les rayons et les ombres, 1840.
7
Ch. Baudelaire, Le spleen de Paris, Les fleurs du mal, 1861.
8
V. Hugo, Les contemplations,1865.

36

Diversit et Identit Culturelle en Europe

2. La posie, un genre difficile dfinir


Peut-on dfinir la posie et ses formes? Si on veut expliquer ce
terme, on doit mettre en face de lui ce qui nest pas posie. Mais dfinir ce
qui nest pas posie, ce nest pas facile dans nos jours. La posie prend des
formes diverses au cours des sicles, dans diffrents pays, et suivant les
langues, elle reoit tous les visages possibles qui sont parfois
contradictoires. Mme si aucune dfinition de la posie nest entirement
satisfaisante, on ne cesse dessayer de la dcrire. La posie est un art
linguistique et en mme temps cest une exprimentation de la langue.
Lhomme politique et lcrivain franais Georges Pompidou, crit:
Quest-ce donc que la posie? bien savant qui le dira. Quest-ce
que lme? On peut constater chez un homme toutes les manifestations de
la vie, les analyser et les dcrire; on peut nous lavons tous fait au collge
analyser un pome, tudier sa composition, vocabulaire, rythme, rime,
harmonie. Tout cela est la posie ce quun cur qui bat est lme. Une
manifestation extrieure, non une explication, encore moins une
dfinition.9
Roman Jakobson comme dautres auteurs, a dfini le langage
commun comme un moyen pour changer des informations, comme une
monnaie dchange dans les entretiens de la vie quotidienne lie aux
besoins de la vie. Daprs cette dfinition, la langue est avant tout utile et
nous aide clarifier les ides et les sentiments en crivant ou en parlant.
Mais le pote nest pas seulement une personne qui utilise la langue
comme les autres humains, pour changer des ides ou des informations
quotidiennes.
Premirement, le pote sent diffremment des autres personnes,
cest dire quil a dautres choses exprimer, qui nont pas de lien avec les
9

G. Pompidou, 1961, p. 9.

37

Diversit et Identit Culturelle en Europe

mots, ou encore avec la syntaxe de la langue quotidienne. A travers les


mmes mots et le mme schma linguistique, il exprime ses ides. Le pote
joue avec les mots en les employant non seulement pour leur valeur
conceptuelle, mais pour leur pouvoir magique, pour leur sonorit. Dans la
posie, la parole ne recouvre pas une seule ralit, mais toutes les ralits
possibles. Daprs Mallarm, On n'crit pas avec des ides, on crit avec
des mots. 10 De cette faon, en jouant avec les mots, il cre des images et
il renforce, nuance, il change la signification des mots en devenant crateur,
comme ltymologie du mot en grec poiesis lindique, signifiant
produire, crer. Deuximement, le pote sapproche dOrphe et de son
pouvoir pour soumettre la nature, les animaux, les tres humains.
Lefficacit de la parole potique atteint son comble dans la magie des
mots. Nommer les choses et les tres, veut dire exercer un pouvoir
considrable. Les potes sinspirent de diffrents sujets. Pendant lpoque
classique ou romantique, la liste des thmes potiques tait vraiment
limite. Les thmes traditionnels taient plutt lis la nature, comme les
fleurs, la lune, le lac, la mer et aux sentiments. Aujourdhui les potes
peuvent sinspirer des objets aussi, c'est--dire, de matriaux dont on
naurait jamais imagin quils puissent devenir des sujets potiques.
Pour le pote de nos jours, il ny a aucune partie de la nature, du
paysage, des penses ou des actes qui doivent rester en dehors du champ
potique. Pour Novalis et Mallarm, lalphabet tait une des plus grandes
uvres potiques. Mme si on arrive dfinir les formes potiques
caractristiques des potes dune poque, nous ne pourrons pas dcouvrir
les frontires de la posie, parce quelle se situe, entre la vue et la pense, il
ny a pas de distinction. On peut conclure que dfinir la posie est une
dmarche impossible. Peut-tre parce que, Le rapport que lhomme
entretient la posie nest pas horizontal [...], le rapport de la Parole la
10

Dans une lettre Degas.

38

Diversit et Identit Culturelle en Europe

posie est vertical, signe de la dimension de lintriorit qui habite ltre


humain et ne saurait le quitter un seul instant.11 La posie est une cration
qui a sa source dans la Parole, le Logos, o la parole est avant tout potique.
Elle nest pas une simple technique, elle exprime la Vie, sprouve dans le
sentiment. Ce que la parole potique exprime, est beaucoup plus large et
plus profond que lintellect qui lanalyse, qui la dcode en lments
linguistiques. Cette sensation potique nous aide regarder la langue
potiquement, au lieu de la considrer comme un simple moyen. La
posie nest pas une autre parole, elle est la Parole revenue son
expression la plus intime. 12 Lie la profondeur de lme, la posie ne
peut pas sexpliquer, ressemblant toujours lme humaine.
3. Le sacr, un concept difficile dfinir
Le terme sacr est une notion trs difficile dfinir. Ds le dbut
du XX-ime sicle, avec le sociologue franais Emile Durkheim, ce terme
demeure au centre de la dfinition de la religion, mme si le sacr surpasse
la sphre religieuse. Le sacr a t dfini de diffrents points de vue, par des
mthodes et critiques avec des intentions diffrentes. La dfinition de ce
terme est plurivoque. Dun auteur lautre, le sacr ne se comprend pas de
la mme manire. Mircea Eliade, historien des religions et philosophe
roumain, dans son essai clbre Le sacr et le profane, publi en 1957,
crit: La premire dfinition quon peut donner au sacr est le contraire
du profane .13
Peut- on faire une dmarcation finale du sacr et du profane?
Chaque religion du monde a dans son essence la distinction entre le sacr et
le profane. Les gens ont toujours t bercs entre lide de la dualit de
11

http://sergecar.perso.neuf.fr/cours/art6.htm.
http://sergecar.perso.neuf.fr/cours/art6.htm.
13
M. Eliade, 1965, p. 14.
12

39

Diversit et Identit Culturelle en Europe

lunivers, entre un monde doubl, visible et invisible, lun naturel, et lautre


surnaturel, un monde connu et un autre mystrieux, lun sacr et lautre
profane. Les Grecs anciens avaient la croyance polythiste. Ils craignent les
dieux parce quils peuvent exercer leur puissance surnaturelle contre les
Grecs. Dans certains cas, les dieux dcident de communiquer avec les gens
pour leur donner diffrentes informations, leur demander daccomplir
diffrents devoirs. Herms exerce le rle de lenvoy des dieux pour
apporter des messages aux Grecs. Tirsias interprte les messages des dieux
quOlympe envoie aux gens. Ils jouent le rle dun intermdiaire entre les
immortels et les mortels. Historiquement dans le monde, il y a eu une
sparation profonde entre ce qui est considr comme religieux, ou sacr et
ce qui est profane. Le sacr est un objet dtude depuis des sicles mme si
aujourdhui, il semble quon veuille le faire disparatre. Mais, plus on
soppose au sacr, plus il attire lattention et veille la curiosit. De lautre
ct, il faut faire aussi la distinction entre les termes sacr et religieux: Le
sacr ainsi dfini est un ressenti, une exprience spontane, la fois
individuelle et collective, de notre prsence au monde. La religion est une
laboration sociale qui vient dans un second temps. On pourrait dire
qu'elle ritualise et codifie le sacr. Les religions sont l pour domestiquer
le sacr, le rendre intelligible, l'organiser. 14 Dans notre tude, nous avons
centr notre attention sur le deuxime aspect, le religieux.
4. Le pote, collaborateur de Dieu crateur
On sait que dans lAncien Testament, la Parole de Dieu tait lacte
crateur ds le dbut. Tout a t cr par la parole de Dieu, dans la Gense.
Il a cr le monde en nommant les choses: Dieu appela la lumire jour, et
les tnbres nuit. Il y eut un soir et il y eut un matin. Ce fut le premier

14

http://silonrecoltecequelonseme.blogspot.com/2012/05/.

40

Diversit et Identit Culturelle en Europe

jour.15 Le pote, poits est celui qui cre quelque chose. Et si on


sappuie sur la signification de ltymologie de la parole, il y a un seul vrai
pote qui est Dieu mme, avec son uvre ralise en six jours. Quel rle
jouera le pote dans cette merveilleuse uvre de la cration? Il doit
connatre cette uvre, exprimer son harmonie, ladmirer, dcouvrir ses
secrets les plus profonds. Comment le pote, va-t-il crire? Quelle sera son
inspiration? Daprs Platon, le rle de la Muse, est essentiel dans la cration
potique. Ainsi donc, en tant que ce nest pas que par un effet de lart
quils disent tant et de si belles choses sur les sujets dont ils parlent [],
mais par leffet dune grce divine, chacun deux nest capable dune belle
cration que dans la voie sur laquelle la pouss la Muse []
On retrouve la thorie de Platon sur linspiration dans les textes
saints des chrtiens, dans la Bible aussi. Le prophte, dont le pote devient
limage, est celui qui parle la place de lAutre, de Dieu. Il y a des potes
qui prsentent une vision chrtienne de ltre humain et de lunivers. Paul
Claudel tait si li son crateur, quaprs sa conversion, il dclarait: Mon
Dieu, je suis tellement occup vous regarder que je crains d'en oublier de
mourir. Il y a dautres potes merveills de ce Dieu, qui est prsent dans
lhistoire individuelle et collective. Dans son intimit, le pote est berc
dans le regard du Seigneur, rvant du Logos ternel; il devient collaborateur
du grand Crateur, dans lacte de la cration.
Le pote est un intermdiaire, inventeur dun univers avec lequel il
communique travers sa langue analogique, en prsentant lhritage des
temps primitifs et en devenant prophte de lavenir. Il atteint cela laide
de la conception du symbole et de la thorie des correspondances. Le pote
est parmi ceux qui ont les pleins droits dentrer dans un autre monde.
Grard de Nerval crit: Seul le pote peut franchir le seuil qui spare la
vie relle dune autre vie . Alors que Victor Hugo fait appel aux lecteurs
15

Bible, Gense 1:5.

41

Diversit et Identit Culturelle en Europe

afin dcouter le pote comme un rveur sacr qui parle lme humaine et
lui enseigne le message de Dieu aprs lavoir reu.
Peuples! coutez le pote !
coutez le rveur sacr !
Dans votre nuit, sans lui complte,
Lui seul a le front clair.
Des temps futurs perant les ombres,
[] Homme, il est doux comme une femme.
Dieu parle voix basse son me
Comme aux forts et comme aux flots.16
Le pote est un mage, un voyant, un prophte. Il peut entrer dans un
autre monde et mme sil se trouve dans un monde matriel, il garde le
souvenir du ciel. Le pote crateur devient limage de Dieu Crateur
travers sa spiritualit et le pouvoir crateur de son me. Il imite Dieu et
comme Dieu est source du sacr, le pote devient aussi source de posie. Il
participe luvre de Dieu, dans le poiein (cration) universel. Agrippa
dAubign commence son livre Les Tragiques, par un appel solennel quil
fait Dieu (comme Homre fait appel la Muse au dbut dIliade et
dOdysse), avec ces mots: Donne force ma voix, efficace mes vers.17
Le rapport entre Dieu et le pote est vraiment surprenant. Le pote
imite Dieu dans sa cration. Mais, Dieu est le pote des potes qui jette un
doux regard vers sa crature. Il apparat dans la Bible comme un Dieu
artiste, comme le crateur des tres uniques. Luvre artistique la plus
originale ds le commencement est ce regard potique de Dieu vers ltre
humain. Le pote aussi, il cre, il donne vie, il invente quelque chose
16
17

V. Hugo, 2013, p. 8.
A. DAubign, Les Tragiques, Livre VII.

42

Diversit et Identit Culturelle en Europe

travers son art... ce quil fait, il le fait comme tant choisi par Dieu pour
continuer sa cration. Le pote est conscient du mal qui existe dans le
monde et mme sil ne peut pas lexpliquer, il peut crer pour ainsi donner
une rponse au mal travers son regard crateur, il peut accomplir une
uvre damour en crant du beau. Beaucoup de potes ont dcouvert un
lien entre lart et la foi, ils ont cru que crer, est un don sacr et ils ont mis
leurs plumes au service de la cration du beau.
5. La posie - un pont entre lart et la foi
Est-ce quil vaut la peine dtudier le religieux dans la posie? Ce
nest pas la premire fois quon traite ce sujet, mais nous voulons mettre en
vidence limportance de ltude du religieux, car il nous donne la
possibilit de mieux comprendre la littrature et le monde en gnral. La
religion apporte une vision sur lternit travers laquelle elle explique le
monde. On dit souvent que les religions donnent la forme aux civilisations,
elles colorent les socits. Le religieux est souvent utilis pour mettre en
vidence une identit, il est une constante trs importante de lidentit
nationale de diffrents pays.
Le religieux et le mythologique grco-romain, sont une partie
essentielle du patrimoine culturel europen, une source dinspiration
permanente. Cest un langage spcial, plus proche du langage de lart et
surtout de la posie du langage symbolique. On nest pas trs audacieux si
on avoue que la plupart des littratures nationales ont leurs dbuts dans les
croyances religieuses.
La foi est un lment qui accompagne lhomme pendant toute son
histoire avec une influence dans tous les domaines de sa vie.
Le rapport qui existe entre lart et la foi a t discut pendant toute
lhistoire humaine.18 La foi ouvre un mystre, elle influe sur lhomme et lui
18

E. Mounier, 1968, p. 8.

43

Diversit et Identit Culturelle en Europe

offre une libert cratrice19, capable dapporter un renouvellement. La foi


est prsente comme la connaissance du Crateur, ce qui cre de la libert,
des sources dinspiration. Lunion de la foi avec le zle potique nest pas
une raret chez les potes de tous temps. Daprs Rina Lasnier, membre de
lAcadmie canadienne, la posie a toujours t lie au sacr; lhomme a
toujours utilis comme vecteur la posie lorsquil a voulu parler de
Dieu, ou de son me. On a donn la Bible, une valeur de modle
esthtique et stylistique.
La religion et les valeurs traditionnelles peuvent tre une inspiration
pour les potes comme tout autre thme. Le spirituel et la posie marchent
cte cte, ils ne peuvent pas se sparer. Rina Lasnier affirme: Qui nous
demande l'infini de l'amour nous demande la prsence de Dieu. 20 Et
Victor Hugo crit: La posie est de toutes les choses humaines, la plus
voisine des choses divines. 21
Jean-Louis Joubert, dans son livre La Posie, dfend lide que
comme le sacr appartient lme, la posie est lme qui parle
lme 22. Et comme le sacr tient du mystre, la posie aussi est un
mystre, elle ne sexplique pas, elle peut tout simplement se sentir. De la
mme manire, comme le sacr merveille les croyants, la posie fascine
ses lecteurs.
Dans la Bible se trouve le Cantique des Cantiques, qui est un des
plus beaux chants damour dans la littrature universelle. Ce livre chante
lamour du couple, de deux amoureux, qui se rencontrent et se sparent, qui
se cherchent jusqu ce quils se retrouvent. De toutes les livres de la Bible,
cest lun qui a eu le plus grand nombre dinterprtations.

19

Ibidem.
R. Lasnier, 1941.
21
J.-L. Joubert, 2003, p. 8.
22
J.-L. Joubert, 2003, p. 33.
20

44

Diversit et Identit Culturelle en Europe

Car l'amour est fort comme la mort,


la passion est implacable comme l'abme.
Ses flammes sont des flammes brlantes,
c'est un feu divin !
Les torrents ne peuvent teindre l'amour,
les fleuves ne l'emporteront pas.23
Dans ce livre biblique, le nom de Dieu na t cit quune seule fois
et on y chante lattirance de lhomme et de la femme. Comment se peut-il
que ces vers se trouvent dans la Sainte Ecriture? La rponse de la tradition
chrtienne a toujours t positive. On a donn diffrentes interprtations,
lune disant que le livre est une allgorie de lamour de Dieu pour son
peuple, mais il y a aussi linterprtation littrale daprs laquelle le
Cantique est un pome qui parle de deux amoureux. On ne doit pas tre
surpris du fait quil se trouve dans la Bible, car dans aucun endroit du Livre
Saint, il nest interdit de chanter lamour, bien au contraire, un sentiment
accept et bni par Dieu. Donc, on voit que le sacr nexclut pas la posie,
mais trs souvent, il en devient la source.
Daprs Francis Jammes, le pote est un plerin envoy par Dieu sur
terre, pour trouver les traces du Paradis perdu et du Ciel retrouv. Il est
lhomme qui ne possde rien part sa plume, par laquelle il gagne tout. Le
pote ressemble Mose qui frappe le rocher en fait sortir de leau courante
pour irriguer les valles. Il est lhomme qui Dieu a redonn la gloire
perdue dans le jardin dEden. Il occupe la place de tout autre tre dans le
monde et en ce qui concerne le mystique, il a le privilge, la diffrence
des autres mortels, dentendre les voix qui nous rvlent le Ciel.
Le pote accepte la rencontre de la prire dans la profondeur de son
tre, il accueille lEsprit crateur de Dieu et lexprience mystique est ce
23

Bible, Cantique des Cantiques 8 :6,7.

45

Diversit et Identit Culturelle en Europe

regard qui dpasse tout autre regard, o on peut voir avec les yeux du cur
linfluence de lamour qui existait ds la cration. Le pote continue
luvre de la Cration, il nous prsente le divin et le mystre du Ciel. Il
ressemble ainsi aux saints qui continuent luvre de la Croix.
Dans les crits religieux, on peut souvent trouver des uvres de
grande beaut, mais dans cette tude on ne va pas tudier les crits
religieux, mais la posie littraire dans laquelle on trouve des traces du
religieux. Francis Jammes dclare: Je conclus donc ce qu'un mystique
religieux, un vrai mystique, n'est pas ncessairement un pote. Mais la
rciproque n'est point exacte, et j'affirmerai hardiment que, dans tout vrai
pote, dans tout pote exprimant une pense et un sentiment purs, il y a un
mystique. 24
On ne peut agrer lide que tous religieux soient potes, par
contre on peut appuyer lide que la dimension divine accompagne tous
les potes.
Pourtant, le rapport entre lart et la foi est souvent vu comme
contradictoire. Pendant lhistoire humaine, il passe travers diffrentes
tapes. Les littratures des pays chrtiens qui ont embrass les premiers
lEvangile, regardaient la culture paenne et son expression littraire comme
illgales et interdites. La plupart des croyants voyaient les potes comme
une barrire pour lavancement spirituel de lhomme. Les chrtiens des
premiers sicles, expriment ouvertement leur opposition contre les potes
qui sont considrs comme porteurs de paganisme, des traditions
polythistes, de la dgradation morale, chantres des passions humaines et
mme souvent des propagateurs de limmoralit, qui se soumettent aux
rves et limagination. Des philosophes du temps de Saint Augustin, au IIime jusquau IV-ime sicle expriment des critiques contre les potes.
24

F. Jammes, Le Pote Et L'Inspiration: Orn Et Grav Par Armand Coussens, Library of


Alexandria.

46

Diversit et Identit Culturelle en Europe

Pourtant cela ne les a pas empchs de connatre une partie des uvres de
la posie latine et dapprcier cette posie pour ses valeurs esthtiques. 25
Le changement positif dans le rapport des potes et des religieux est
li deux facteurs principaux: dune part, on a une tolrance du
christianisme et une ouverture envers la culture profane, dautre part, les
potes non-chrtiens ont un penchant pour la posie liturgique chrtienne. Il
y a une mutuelle sympathie. Ds lan 111, dans une lettre de Pline le Jeune,
on raconte que les chrtiens de Bitinie sunissaient jour fixe pour
chanter un hymne dialogu quils adressent au Christ comme un dieu ,
pour dclarer la divinit du Christ: on voit apparatre les traits
caractristiques de la posie ancienne chrtienne. Les vers que le pote
Hilaire de Poitiers avait crits comme pigraphe dans son recueil potique
au milieu du IV-ime sicle, tmoignent de cette ouverture de la posie
chrtienne envers les potes:
Heureux le pote la harpe, David, qui le premier
Annonce au monde par des hymnes le Christ tout entier. 26
David est apprci et honor par Hilaire de Poitiers comme le
premier pote du Christ. Du rapprochement des formes antiques et la
louange du Christ, nat une nouvelle posie latine dans laquelle on sent
linfluence de lunivers religieux. Lexpression potique de la foi chrtienne
na pas dtrn la posie antique, mais elle a renouvel les valeurs
religieuses et les formes anciennes travers cette posie. 27
25

Jacques Fontaine, Esthtique et foi d'aprs la posie latine chrtienne des premiers sicles. In: Comptes
rendus des sances de l'Acadmie des Inscriptions et Belles-Lettres, 137e anne, N. 4, 1993, pp. 881-888.
http:/www.persee.fr/web/revues/home/prescript/article/crai_0065-0536_1993_num_137_4_15274.
26
Ibidem.
27
http:/www.persee.fr/web/revues/home/prescript/article/crai_0065-0536_1993_num_137_4_15274.

47

Diversit et Identit Culturelle en Europe

Ainsi, on voit la naissance dun nouvel art potique, qui a ses


origines dans le cur de la foi. Dans les hymnes de Saint Ambroise de
Milan, on trouve la pense religieuse et le zle chrtien, la plus grande
contemplation et lhumilit des demandes quotidiennes qui apparaissent
dans son uvre travers une langue qui semble des fois antique et dautres
fois biblique. Dans son uvre il y a un mlange de lternel avec le
temporel, du cleste avec le terrestre, ce qui rend son uvre acceptable par
les religieux, ainsi que par les non-religieux. Aujourdhui, aprs plus de
seize sicles, son uvre est apprcie, on en lit des parties, on les
commente, on traduit ses hymnes qui trouvent leur place dans les
environnements chrtiens et en dehors deux. Le rythme de lhymne de
Saint Ambroise va servir de modle pour la posie liturgique mdivale.
Dans toutes ces posies ou hymnes, on sent la prsence de ce que Paul
Claudel a nomm La Muse qui sappelle la Grce . Les chrtiens du IVime sicle avaient une nouvelle attitude envers la culture antique: ils y ont
trouv un instrument particulier dexpression et de possibilit de
transmettre leur foi.
Ainsi, la posie chrtienne trouve son origine dans deux sources: les
traditions de la posie latine et les nouvelles valeurs chrtiennes. La loi
divine accepte avec plaisir les ornements de la langue terrestre. Libre des
liens religieux paens, la beaut de la parole potique et de sa langue image
chante lobjet principal de la foi chrtienne: le Seigneur Christ. Les prtres
on voulu que la liturgie soit littraire pour donner Dieu de beaux chants,
mais aussi pour attirer les milieux cultivs qui connaissent la valeur des
vers potiques. Hilaire de Poitiers exprime trs clairement son ide lie
limportance de la louange de Dieu quil appelle labsolu de toute beaut.
Daprs lui, on ne peut pas contempler les beauts de la nature sans penser
la majest et la beaut du Crateur. La beaut des cratures nous fait
connatre Celui qui se cache derrire ce grand tableau, le Crateur mme.
Peu peu, les potes chrtiens remplacent lappel traditionnel de la Muse
par lappel de lEsprit. Souvent, leur prire Que le Saint Esprit inspire
48

Diversit et Identit Culturelle en Europe

mon pome , ouvre les uvres. Le tmoignage le plus vif de cette


coexistence de la foi avec lart, ds les premiers sicles aprs Jsus Christ,
est un pote en prose, un homme chez lequel, la sagesse et linspiration
potique et musicale vont de pair: Saint Augustin, pour qui Dieu est la
Beaut toujours ancienne et toujours nouvelle . Dans luvre La cit de
Dieu, il exprime son admiration pour les beauts de la parole, de la posie
et de la musique comme des cadeaux prcieux que les hommes possdent.
La langue daprs lui possde des ornements inestimables qui sont des dons
qui reprsentent le pouvoir de lesprit humain, la nature qui ont comme
auteur le vrai Dieu souverain. A travers sa mditation profondment
potique, Augustin lve sa posie au rang dun art spirituel. Chez Augustin
sunissent le pote antique inspir et lappel biblique chrtien. Il a crit des
prires sous la forme de pomes qui ont une valeur esthtique
exceptionnelle. Les Confessions parlent dune aventure spirituelle des plus
passionnantes. Ce livre est empli de la prsence de Dieu, mais en mme
temps cest un livre trs humain. Lesprit, travers une trs grande
inspiration, passant dune illusion lautre, dune souffrance lautre,
cherche dans son angoisse la seule Bont jusqu' ce que, aprs lavoir
trouve, il ressente la paix. Dautres esprits tourns vers Dieu, ont racont
leur itinraire pour arriver jusqu' la fin, dans la prsence du plus Haut.
La posie a toujours t lie au cleste et le pote a toujours t vu
comme un tre diffrent des autres, avec des dons spciaux qui viennent
den Haut. Pour dpasser la mort, pour laffronter, lhomme a besoin de
quelque chose qui le surpasse, qui le prcde ou le succde. Il y a toujours
eu une rflexion sur les liens intrinsques entre le sacr et le potique.
Charles Pguy et Paul Claudel au XX-ime ont crit des prires qui
attirent le lecteur croyant et non-croyant travers des vers pleins de beaut
et riches en images. Daprs Charles Pguy, la posie nexiste point sans le
sacr, et Paul Claudel crit quelques annes aprs sa conversion: Peu
peu, lentement et pniblement, se faisait jour dans mon cur cette ide que
lart et la posie aussi sont des choses divines 28. Aprs une longue
28

http://www.dieumaintenant.com/conversionclaudel.html.

49

Diversit et Identit Culturelle en Europe

priode dhsitation, Claudel comprend que le mur lev entre lart et la foi
doit scrouler. Il crit:
Les gens irrflchis prtendent que les enseignements de la
religion, morale et dogme, sont un appauvrissement, une
contrarit pour l'artiste []. Loin d'tre un appauvrissement,
l'adjonction la chose visible de la chose invisible fait plus que
de l'enrichir, elle lui donne un sens, elle la complte .29
Il croit que le pote sinspire de la divinit, dune puissance qui
vient den Haut et il exprime cette conviction dans ses vers:
Et moi, dit le pote, pour attraper les images et les ides,
Il me suffit de cet appt de papier blanc,
Les dieux ny passeront point sans y laisser leurs traces
Comme les oiseaux sur la neige.30
6. Conclusion:
La posie contient du sacr. Ces deux lments ont toujours eu des
relations trs troites, mme si parfois il semble difficile daccepter ce fait.
Les uvres des potes chrtiens des premiers sicles, travers linspiration
et la forme sont un hommage offert Dieu et une partie insparable de la
source inpuisable de la posie europenne. Lhomme a toujours senti le
besoin du spirituel, de ce qui est en dessus de lui et le pote exprime les
aspirations de ltre humain. Oublier la posie dans laquelle on traite le
religieux, serait une perte considrable pour lhistoire de la littrature en
gnral. Prtendre la sparation absolue de la posie avec la religion cest
ignorer la contribution des grands potes appartenant au patrimoine
mondial dont une grande partie ont crit des uvres merveilleuses inspires
de la foi et de leur monde spirituel trs riche. Nous pensons quil faut
redcouvrir la beaut de ces uvres au lieu de les laisser dans loubli par
29
30

Ibidem.
P. Claudel, 1925, Feuilles de saints, p. 113.

50

Diversit et Identit Culturelle en Europe

des jugements subjectifs et souvent fanatiques, luttant tout ce qui contient


du religieux.
Bibliographie
BAUDELAIRE Charles, 2002, Les fleurs du mal, Paris: Magnard (d.
orig.: 1857).
CLAUDEL Paul, 1925, Feuilles de Saints, Paris: Gallimard.
ELIADE Mircea, 1965, Le sacr et le profane, Paris: Gallimard.
FONTAINE Jacques, Esthtique et foi d'aprs la posie latine chrtienne
des premiers sicles. In: Comptes rendus des sances de
l'Acadmie des Inscriptions et Belles-Lettres, 137e anne, N. 4,
1993. pp. 881-888.
HUGO Victor, 2012, Les contemplations, A celle qui est voile , Paris:
Hachette Livre BNF, (d. 1856).
HUGO Victor, 2013, Les rayons et les ombres, Paris: Hachette Livre BNF,
(d.1840).
JAMMES Francis, Le Pote Et L'Inspiration: Orn Et Grav Par Armand
Coussens, Library of Alexandria, EBook #29523.
JOUBERT Jean-Louis, 2003, La posie, Paris: Armand Colin.
La Bible Segond, 1979, Genve: Socit Biblique de Genve.
LASNIER Rina,1941, Le jeu de la voyagre, ditions de la Socit des
crivains canadiens.
MAXENCE Jean-Luc, 1999, Anthologie de la posie mystique
contemporaine, Paris: Presses de la Renaissance.
MOUNIER Emmanuel, 1968, Lengagement et la foi, Paris: ditions du
Seuil.
POMPIDOU Georges, 1961, Anthologie de la posie franaise, Paris:
Librairie gnrale franaise.
ZACHARIAS Ravi,1999, A mund t jetoj njeriu pa Perndin, Ersek:
Shigjeta (Original, Can man live without God?, 1994)
http://sergecar.perso.neuf.fr/cours/art6.htm.
http://silonrecoltecequelonseme.blogspot.com/2012/05/.
http://www.dieumaintenant.com/conversionclaudel.html .
51

Diversit et Identit Culturelle en Europe

http://www.evene.fr/citations/guillaume-du-bartas, Extrait de L'Uranie.


http://www.flsh.unilim.fr/ditl/Fahey/POSIEPoetry_n.html .
http://www.la-croix.com/Religion/Actualite/La-poesie-l-ineffable-en-queted-une-parole-_NG_-2009-02-26-531642.
http://www.lemondedesreligions.fr/entretiens/yves-bonnefoy-la-poesie-cest-ce-qui-reprend-a-la-religion-son-bien-30-12-20112157_111.php.
http:/www.persee.fr/web/revues/home/prescript/article/crai_00650536_1993_num_137_4_15274.

52

Diversit et Identit Culturelle en Europe

THE WEB IS THE LIMIT: LANGUAGE,


CULTURE AND MOOCS
Silvia FLOREA
Lucian Blaga University of Sibiu
silvia.florea@ulbsibiu.ro
Peter J. WELLS
Bucharest Professional Training College
peter.wells@bptc.ro
Diana FLOREA
Lucian Blaga University of Sibiu
diana.florea@ulbsibiu.ro
Abstract:
MOOCs remain the buzzwords of the current landscape of higher education (HE)
provision. In the context of the ever growing use of technology through e-Learning and
OpenCourseWare and of the new generation of tablet-toting, hyper-connected youth, the
university will continue to extend its reach to students around the world, unbounded by
geography and time zones, at a fast pace and at a fraction of the cost of a traditional college
education. In this context, To Mooc or not to Mooc remains a question that several
universities are beginning to consider against more pressing critical reflections on issues
pertaining to their language and culture. Our paper aims to examine the role of language
and culture in online learning, particularly the hegemony of English and Western cultures
against the rising politics of marginality that other languages are forced to adopt in a
dominant, non-negotiable, disruptive online competition space.
Keywords:
MOOCs, culture, languages, hegemonies, peripheries.

Present day education has recently been subject to several drivers,


all of whom have been impacting severely on traditional universitys
demand, diversity, offer, teaching and learning practices1. In their attempt to
1

Conole, 2013.

53

Diversit et Identit Culturelle en Europe

expand their online offerings and make more effective use of technologies,
universities have tackled new competitive niches and business models. In
this context, with an increasing demand for higher student numbers and
greater diversity, the issues pertaining to universities stated aims of
developing students skills in finding and using information effectively
have gradually shifted towards developing learners 21st century digital
literacy skills2 so as to equip them for an increasingly complex and
changing societal context. MOOCs represent, in this respect, an example of
how technologies can disrupt the status quo of education, forewarning all
stakeholders of further changes to come. They also represent a cry for
taking online education (hence MOOCs) more seriously and making more
serious, informed and pedagogically effective design decisions 3.
Looking into the relatively short history of MOOCs, one notices
their rapid emergence as a disruptive education technology, embracing
multiple denominations: educational technology, learning technology,
networked learning, technology-enhanced learning4, and more recently,
Open Educational Resources5. Siemens et al. created the first MOOC in
2008, called Connectivism and Connective Knowledge, a course that
aimed to foster the availability of social and participatory media, heavily
relying on the interaction with a distributed network of peers. There was no
right way throughout the course, the emphasis being on personalised
learning via a personal learning environment. These represented the first
generation of MOOCs and were known as cMOOCs. Soon, variants of this
course quickly started to proliferate, beginning 2011, and a second
generation of MOOCs emerged, known as xMOOCs. These were primarily
based on interactive media, such as lectures, videos and text, with the
2

Jenkins, 2009.
Conole, 2013.
4
Conole and Oliver, 2007.
5
Glennie, Harley et al. 2012.
3

54

Diversit et Identit Culturelle en Europe

emphasis on individual learning, rather than learning through peers. They


provide access to recorded lectures, online tests and digital documents as
alternatives to traditional classroom instructions. Instead of attending a
face-to-face course, students may attend one course online, typically free of
charge. The intense discussion around their present and future impact on
higher education has spurred many definitions. To some, MOOCs represent
fully online learning and teaching spaces involving thousands of learners
from around the world6, presenting thus an ideal medium for enquiries into
how good practice for teaching for cultural inclusion might be applied
online. To others, MOOCs respond to the challenges faced by organisations
and distributed disciplines, whereby thousands of people from around the
world confluence in one unified learning experience 7. Or, as more
pedagogicallyoriented practices, MOOCs are based on principles
stemming from connectivist pedagogy, including aggregation, re-mixing,
re-purposing, and feeding forward with the purpose of creating more
connected and hence effective learning8.
Such unprecedented unbundling of education delivery is also
posing many and significant managerial challenges, as traditional higher
education institutions have had to rethink their governance models in order
to adapt to these changes and domestic reforms. New managerial types have
been emerging, including the Amazon university, (based on e-learning and
sharing content), the on-demand university, where students tailor their
courses and credits over a period of time, the learning hotel, which
continually changes flows of collaboration and interchanges between
academic scholars and corporate, government or professional practitioners,
the corporate university, arguably said to represent a paradigm shift in the
6

Daniel, 2012.
Cormier, 2010.
8
Downes, 2011.
7

55

Diversit et Identit Culturelle en Europe

development of organisational human capital, as well as the umbrella


university, which sees the university as a cooperative rather than a selfcontained entity with fragmented activities, the university becoming a
holding structure with a conglomerate of separately managed
businesses9.
However, irrespective of the definition, pedagogical approach or
change in the university management that these new teaching and learning
technologies are apt to either point to or determine, an ever more pressing
issue with MOOCs is closely related to the complex role of language and
culture in such type of online learning. If we accept that language, like
culture and learning, are culturally embedded phenomena and not mere
tools of communication, and since MOOCs do not take place in a glocalized
space of acculturation, then technologies themselves are not a culturally
neutral phenomenon, rather cultural-specific ventures that are grounded
and provided in a specific cultural context 10.
The role of language and culture in online learning has been wellresearched11. Owing to deeply rooted cultural values, attitudes and modes
of thinking that are difficult to separate from all learning processes 12,
cultural diversity remains a valuable asset for addressing many of the global
challenges that learning communities are nowadays facing. In response to
the threat of loss of cultural identity in the face of globalization, there is a
strong desire and need to preserve cultural diversity and enhance
community cohesiveness through unique cultural expression13. Since
education and instructional design are social processes, and since education
occurs within culture, culture plays a significant role in instructional
9

Squires and Husmann, 2012.


Masoumi & Lindstrm, 2012: 394.
11
Chen, Hsu, & Caropreso, 2006; Henderson, 1996; Parrish & Linder-VanBerschot, 2010.
12
Nisbett, 2003.
13
Mason, 2007.
10

56

Diversit et Identit Culturelle en Europe

planning and design. Hence, instructional providers must be aware both of


their learners cultures and the ways in which these cultures manifest
themselves in learning environments and preferences 14. The complication
arises when separation from the educators own cultures and the culture of
the training that they develop can no longer be made. In other words, a great
challenge, in our view, is represented by the educators cultural perspectives
represented in the design decisions they make in the MOOCs and the very
ways in which they streamline their students to the specific professional,
academic and mainstream cultures which they represent.
Now let us look more closely into the relationship between different
communities of learners and massive open online courses, harnessing
knowledge transfer and information technology for higher education. In all
enthusiasm created by their potential to be a cheap way of delivering
education to vast audiences, it is somewhat tacitly assumed by individuals
and institutions that those who participate willingly in a MOOC accept, per
se, that they will participate and work in English and, in all probability,
encounter (as well as be assessed against) the hegemony of North Atlantic
epistemologies, attitudes and ways of interpreting and seeing the world.
Indeed, if MOOCs are seen as some form of neocolonialism15 and if neocolonialism of today represents imperialism in its final and (perhaps its)
most dangerous stage, then we may as well ask ourselves: who controls
knowledge?16 And for what purposes? We dont claim to be able to provide
answers to either question in what follows, however, the issue is worth
looking into more closely. First, a disclaimer for the use of the neocolonialism term may point to our understanding (and acceptance) of the
term based on the following definition:
14

Nisbett, 2003.
Altbach, 2014.
16
Ibid.
15

57

Diversit et Identit Culturelle en Europe

The term postcolonialism, it could be argued, has arisen to


account for neocolonialism, for continuing modes of imperialist thought
and action across much of the contemporary world. It certainly does not
imply that the colonial era is over: that a stake has been driven through the
heart of Empire that it might never again return. The post in postcolonial
remains, nonetheless, irritatingly cryptic. If it doesn't mean after
colonialism, then what exactly does it mean? Does it, like the post in
postmodernism, risk becoming an empty signifier, a perennial open
question or merely a sign of intellectual fatigue?17
The term neocolonialism together with its ensuing relationship
with MOOCs has also been recently used by Philip G. Altbach, Director of
the Center for International Higher Education at Boston College, who holds
that since MOOCs are largely an American-led effort, with most courses
coming from universities in the United States or other Western countries,
the online courses threaten to exacerbate the worldwide influence
of Western academe, bolstering its higher-education hegemony 18
Indeed, since the instruction language is English (even when the
course content is translated in other languages, it still reflects the original
course and the culture embedded therein), since MOOCs content and
culture are American oriented and based on already existing pedagogical
ideas and practices, since the vast majority of instructors are American, it
follows that no knowledge can be neutral, quite the reverse, it reflects, at
least insofar as MOOCs are concerned, the academic traditions,
methodological approaches, and teaching strategies of the American
academic system.
If the transmission of knowledge in education is determined by
factors such as present experience, historical reproduction, negotiated
17
18

Huggan, 1997:22.
Altbach, 2014.

58

Diversit et Identit Culturelle en Europe

curricula and pedagogy, then meaning-making and knowledge construction


are dominant in the transmission of knowledge 19. Focusing on education
service, Bernstein argues that it is
a public institution central to the production and reproduction of
distributive injustices.20
He maintains that schools are failing in a certain measure to provide
the egalitarian opportunities that underpin social democratic values and
principles (stipulated in the Education Reform Act of 1956) and holds that
schools reproduce a culture in which the society of dominant holders of
power is reproduced in its turn. In other words,
(h)ow a society selects, classifies, distributes, transmits and
evaluates the educational knowledge it considers to be public, reflects both
the distribution of power and the principles of social control 21.
His theoretical model for the analysis of university education based
on a classification of knowledge and focusing on three message systems 22
curricula, pedagogy, and evaluation may be well applied to MOOCs that are
single-handedly conveying the Western canon. Altbachs justification on
MOOCs organic, undeliberate influence, offers little solace:
Those responsible for creating, designing, and delivering MOOC
courses do not seek to impose their values or methodologies on others;
influence happens organically and without conspiracies. A combination of
powerful academic cultures, the location of the main creators and
disseminators of MOOCs, and the orientation of most of those creating and
teaching MOOCs ensures the domination of the largely English-speaking
academic systems23.
19

see Bernstein, 1971a; 1971b; 1996.


Bernstein, 1996:5.
21
Bernstein, 1971:202.
22
Bernstein, 1971:203.
23
Altbach, 2014.
20

59

Diversit et Identit Culturelle en Europe

Western academic systems, modes of inquiry, the literature and


articles in peer-reviewed influential journals dominate all delivery material
of MOOCs. Particularly within the social sciences and humanities
paradigm, most courses reflect Western traditions of knowledge,
methodologies, the Western literature canon, and Western philosophical
assumptions. According to Altbach,
it is, under these circumstances, natural that the dominant ideas
from these centers will dominate academic discourse, and will be reflected
in the thinking and orientations of most of those planning and teaching
MOOCs. MOOC gatekeepers, such as Coursera, Udacity, and others, will
seek to maintain standards as they interpret them, and this will no doubt
strengthen the hegemony of Western methodologies.
Moreover, English is the dominant language of scholarly
communication, hence of internationally circulated academic journals, the
language of websites. Neither terminology nor any course instructions can
be fully effective in reaching non-elite audiences except if in English. If we
consider that internet-based virtual communication typically occurs through
written rather than spoken interactions, then learners may be missing
several benefits, such as the socio-cultural cues24 and orderliness25 typically
encountered and provided by face-to-face interactions. It would be
interesting to have statistics, for example, on how much of closest
interpretation of printed text can be effectively made when participants
coming from various cultural backgrounds are engaged in learning
situations and for that matter, how much of it is based on mutual, reciprocal
understanding and how much on own cultural background. It would be
equally valuable to assess effective communication and knowledge transfer
and management with learners coming from Asian and English speaking
24
25

Roald, 1999.
Allwood & Schroeder, 2000.

60

Diversit et Identit Culturelle en Europe

communities, to take only these two cases for the case in point, knowing
that communication processes are different in their cultures. It is known for
example, that Asian speakers use sentences in which the main point is
postponed until enough background information is known for making
correct connections and inferences, whereas English speakers typically
open discourse with the main topic followed by supportive information.
This culturally embedded discourse disparity often results in English
speakers familiarity with the usage of a topic sentence to open discourse or
anticipate critical information being presented at the start of a conversation
whereas Asian speakers wait until later in discourse for important
information to be made available26. How is then course content assimilated?
How can learning behaviour be the same? Furthermore, at yet another level,
developments in linguistics (semantics in particular) have isolated
intractable phenomena, such as: presuppositions, and other contextdependent implications that require pragmatic solutions 27.
The most often quoted example "Some ten cent pieces are rejected
by this vending machine", shows that "some" may mean either "some and
not all" or "some and perhaps all", and it further indicates that a semantic
theory can give us only a certain proportion of a general account of
language understanding. The gap that remains to be bridged between a
semantic theory and a complete theory of linguistic communication must
account for the hints, implicit purposes, assumptions, social attitudes, etc.
that are effectively communicated by the use of language,28
including the world experience brought to the situation of
discourse by the interlocutors29.

26

Scollon & Scollon, 1995.


Florea, 2013:129.
28
Ibid.
29
Jaszczolt 2006:3.
27

61

Diversit et Identit Culturelle en Europe

Across a larger cultural spectrum, even teacher-student interaction may be


reflective of different norms and values; in the US, it generally occurs on a
position of equality, in the German culture, a confrontational,
argumentative style in a teacherstudent interaction is often considered to
be necessary so as to lend more interest and spark to informal
conversations, whereas to Asian students, interactions of this type are
hardly ever acceptable. The literature indicates that Eastern language
cultures use high-context communication, and receivers of message (and
hence course content) are solely responsible for deducing the entire,
appropriate meaning30, whereas American culture is considered a midcontext culture, characterized by a clearly provided context of conversation
and more task-focused responses. According to Chen, Hsu and Caropreso even
The use of emoticons by Taiwanese students, compared to
American students absence of such symbolic indicators, may reflect the
goal of Taiwanese to compensate for high-context communication typical of
eastern cultures.31
However, the culture-specific determinants of online learning
environment and the performance of learning communities are far more
complex than this and often times intractable, showing a potential for
inhibiting the emergence of a local academic culture and content, and/or of
courses tailored particularly for national audiences. Likewise, cross-cultural
learning takes more processing time for effective communication,
especially given communication context-specific differences. English-as-aforeign-language challenges may often contribute to different learning
behaviours. For example,
Efficiency is a critical criterion for judging job performance in
American society but not in Asian society. This may explain why Taiwanese
30
31

Porter & Samovar, 2003.


Chen, S. J., Hsu, C.L., & Caropreso, E. J., 2006:27.

62

Diversit et Identit Culturelle en Europe

students considered American students to be aggressive, whereas


Americans thought the delay of participation to be a weakness of this crosscultural activity.32
Paradoxically, in the process, while having a rich potential to reach
non-elite audiences, MOOCs seems to strengthen in fact the currently
dominant academic culture, making it more difficult for alternative voices
to be heard. It will be interesting to see in the near future, for example, how
will MOOCs and their foreign ideas impact the Chinese ideology and
socialism, given the breakthrough that these online courses have made in
China in 2013, when Cousera and edX (two major MOOC platforms)
partnered up with Chinese universities to offer their courses online. The
future development of virtual ethnography would perhaps allow for better
collection and analysis of data reflecting more on richness of
communication between and across cultures, if not between and across
dominant nations. Bonding educational discourse may help explain matters
pertaining to sociolinguistics, discourse analysis, new ethnicities and urban
youth culture at several macro levels of education practices and social
organization. Cultural hybridity forms have already been identified as forms
of cognitive dissonance and social marginalization, however new and
different forms of collective representation through different languages in
different learning communities may be the solution for a better functionality
and wider adoption of MOOCs within the paradigm of language, culture,
identity. Our argument here is centered on the need to think beyond the
(marginalizing) politics of marginality and to focus on education produced
solely in the articulation and legitimation of cultural differences. The
rationale is that such unifying-under-one-language spaces will allow for
elaborating communal strategies of selfhood apt to hinder new signs of

32

Ibid.

63

Diversit et Identit Culturelle en Europe

identity, and blur whatever becomes a complex social construct in the


production of self and other perceptions.
As the degree of diversity will proportionally increase, MOOCs may
turn out to represent a unifying voice, making all education more accessible
and less expensive, however it remains to be seen whether in the online
competition space the rising hegemony stakes of English and Western
cultures will come to be globally accepted at all costs. Rivers and people
become crooked by following the lines of least resistance may be just
another way of putting it. Or MOOCing it.
Bibliography
ALLWOOD,
J.,and
SCHROEDER,
R.,
2000,
Intercultural
Communication in a Virtual Environment, in Intercultural
Communication, (4).
ALTBACH, P., 2014, MOOCs as Neocolonialism: Who Controls
Knowledge?, in The Chronicle of Higher Education, April 17, 2014.
BERNSTEIN, B. , 1971b, On the Classification and Framing of
Educational Knowledge, in MFD Young (ed), Knowledge and
Control: New Directions for the Sociology of Education, London:
Collier MacMillan, 47-69.
BERNSTEIN, B., 1996, Pedagogy, Symbolic Control and Identity: Theory,
Research, Critique, London: Taylor and Francis.
BERNSTEIN, B.,1971a, Open Schools, Open Society?, in B. R. Cosin et
al (eds), School and Society: a Sociological Reader, Cambridge,
Massachusetts: MIT Press, 66-69.
CHEN, S. J., HSU, C.L., and CAROPRESO, E. J., 2006, Cross-Cultural
Collaborative Online Learning: When the West Meets the East, in
International Journal of Technology in Teaching and Learning, 2(1), 17-35.
64

Diversit et Identit Culturelle en Europe

CONOLE, G, and OLIVER, M., 2007, Contemporary Perspectives in ELearning Research: Themes, Methods and Impact on Practice,
London: Routledge Falmer.
CONOLE, G., 2013, MOOCs as Disruptive Technologies: Strategies for
Enhancing the Learner Experience and Quality of MOOCs, in RED,
Revista de Educacin a Distancia. Nmero 39, 15 de diciembre de 2013.
DANIEL, J., 2012, Making Sense of MOOCs: Musings in a Maze of
Myth, Paradox and Possibility, in Journal of Interactive Media in
Education, 3.
FLOREA, S., 2013, The Academic Setting: Aspects of Pragmatic
Competence and Transfer in Inter-Cultural Communication, in
Transilvania, Nr. 11-12, Sibiu, p.129-132.
GLENNIE, J., K. HARLEY, et Al., 2012, Open Educational Resources and
Change in Higher Education: Reflections from Practice, Vancouver,
Commonwealth of Learning/UNESCO.
HENDERSON, L., 1996, Instructional Design of Interactive Multimedia:
A Cultural Critique, in Educational Technology Research and
Development, 44(4), 85-104.
HUGGAN, G., 1997, The Neocolonialism of Postcolonialism: A
Cautionary Note, in Links & Letters 4, 1997 19-24.
JASZCZOLT, Katarzyna M., 2006, Defaults in Semantics and
Pragmatics, in Semantics: An International Handbook of Natural
Language Meaning, ed. K. von Heusinger, P. Portner & C.
Maienborn. Berlin: Mouton de Gruyter.
JENKINS, H., 2009, Confronting the Challenges of Participatory Culture:
Media Education for the 21st Century, Mit Pr.
MASON, R., 2007, Internationalizing Education, in M.G. Moore
(Ed.), Handbook of Distance Education (2nd ed., pp. 583-591),
Mahwah, NJ: Lawrence Erlbaum Associates.
65

Diversit et Identit Culturelle en Europe

MASOUMI, D., LINDSTROM, B., 2012,Quality in E-Learning: A


Framework for Promoting and Assuring Quality in Virtual
Institutions, in Journal of Computer Assisted Learning, Volume
28, Issue 1, pages 2741, February 2012.
NISBETT, R.E., 2003, The Geography of Thought: How Asians and
Westerners Think Differently...And Why, New York: Free Press.
PARRISH, Patrick, LINDER-VanBERSCHOT, Jennifer A, 2010, Cultural
Dimensions of Learning: Addressing the Challenges of Multicultural
Instruction, in the International Review of Research in Open and
Distance Learning, Vol 11, No 2.
ROALD, H., 1999,Intercultural Communication, the Print Medium and the
Ideal of Two Way Symmetry in Interaction, in Intercultural
Communication, 2.
SAMOVAR, L. A., PORTER, R. E. (Eds.), 2002, Intercultural
Communication (10th Ed.), Belmont, CA: Wadsworth.
SCOLLON, R., SCOLLON, S. W., 1995, Intercultural communication: A
Discourse Approach, Cambridge, MA: Blackwell Publishers.

66

Diversit et Identit Culturelle en Europe

COLLOCATION-CENTRED APPROACHES TO
TEACHING AND LEARNING ENGLISH
VOCABULARY
Angela STNESCU, PhD
Valahia University of Trgovite
angelastanescu@yahoo.com
Abstract:
The present article is based on the assumption that vocabulary acquisition and
proficiency in English or any other language, for that matter is largely conditioned by
acquiring a sound knowledge of collocation patterns, as well as adequate collocation
practice activities. From beginner to proficiency level, collocation should constitute the
primary focus of any vocabulary development programme. The author presents a range of
collocation-centred teaching techniques and learning strategies, meant at raising awareness
of word association or and at building sound collocation habits, which constitute the basis
of lexical proficiency and appropriacy.
Key-words:
Vocabulary, collocation, patterns, appropriacy, practice activities

Introduction
Foreign students ability to speak and write English both accurately
and fluently is related to a large extent to their mastery of vocabulary,
especially of collocation. Most language mistakes arise from the wrong
association between words, i.e. collocation, which is one of the most
difficult areas of language learning at all levels.
While native speakers collocate naturally and automatically, nonnative speakers have to learn and practice word association systematically
before they are able to sense what sounds right and what does not. What
they need is awareness-raising exercises, which set them thinking about
correct collocations when they do reading or listening activities or when
they look up words in the dictionary, intensive classroom practice and
67

Diversit et Identit Culturelle en Europe

extensive reading (outside the classroom). In other words, they need


sustained exposure to collocation.
Collocation errors are sometimes caused by interference from their
own language (first language interference), when students collocate
according to the rules of their mother tongue, e.g. make a photo, give an
exam, put a question. Knowing a word in a foreign language means
knowing how and when to use it and which words it associates with. That is
why collocation exposure and practice are at a premium, and the teacher
should give students plenty of opportunities for practice.
Collocation learning and practice activities
From the earliest stages of language learning, students of English
should be made aware that new lexical items are not to be learnt in
isolation, but at phrase level, together with the various elements they
collocate with. Of course, such learning habits can only be derived from
good teaching contextualised presentation techniques, collocation-focused
practice activities, encouraging students to use adequate strategies for
recording or storing vocabulary. Some useful strategies and activities are
suggested below.
a)
Using dictionaries for learning, recording and checking
collocations
Good monolingual dictionaries always provide examples of word
collocations. Student should be warned to pay attention to word
combination, and never record words in isolations. They can be asked to
look up and take notes of Verb + Noun collocations with frequently used
verbs such as do, make, get, take, etc. It is useful to point out to our students
that the lists of synonyms often given in a bilingual dictionary or language
thesaurus should not be taken at face value, since, apart from the inherent
differences in meaning, these synonyms also appear in different contexts
and collocate with particular words. Keeping record of the vocabulary they
learn is useful so long as it focuses on collocations rather than on isolated
68

Diversit et Identit Culturelle en Europe

items. Thus students should be trained to pay attention to the most frequent
collocation patterns:
Subject noun + verb: The earth revolves round the sun.
Verb + object noun: take a photo, light a fire, strike a match
Adjective + noun: light sleeper, heavy smoker, heavy traffic,
utter disappointment
Adjective/past participle + preposition: fond of, keen on,
interested in, delighted at, concerned about
Adverb
+
past
participle
(used
attributively):
smartly/badly/fashionably dressed, fully understood, hard-earned, deeply hurt
Adverb + verb: sincerely hope, honestly believe, fully
understand, absolutely love
Verb + adverb: enjoy thoroughly, cry bitterly, eat heartily, work hard
Verb + preposition: insist on, object to, approve of, sympathise with
Reading for collocation
As reading represents the main form of exposure to collocation,
texts used in classroom reading activities can also be exploited for
collocation learning or reinforcement, as a follow-up exercise. Students will
be asked to scan the text and take out any new collocations corresponding
to the patterns presented above. Thus, reading specifically for collocation
can be an extremely productive vocabulary development technique. In
addition, students should also be encouraged to pay attention to collocations
and even pause to write them down when reading outside the classroom.
b)
Matching items
The two halves of different collocation patterns are put in two
separate columns, in jumbled order. Students have to match the
corresponding items. E.g.:
1
1. broaden
a. a screw
2
2. soften
b. your hair
3
3. straighten
c. your mind
4
4. tighten
d. the blow
69

Diversit et Identit Culturelle en Europe

A variation can be used particularly for collocations with DO and


MAKE. The students are given a list of noun phrases to be put under the
right heading. The exercise can be also done as a dictation, with students
writing the nouns they hear under the DO or MAKE headings.
Odd man out
This exercise, involving crossing out the wrong items of a number
of given choices, is suggested by Gairns and Redman (1992, 39).
heavy
strong

A DISH
mild
light
weak

c)
Collocation gap-fill
The exercise consists of a set of gapped sentences focused on
different collocation patterns.
E.g.: She ............ a thick layer of jam on her toast. / I think we are
all ....... agreement.
d)
Collocation error correction
Students have to correct collocation errors in sentences where the
key element requiring a different collocation is underlined:
E.g.: The crime was done last night. / The result was an extreme
disappointment.
e)
Sentence building (from given outline and key word)
The students are required to build a sentence round a given word,
most commonly a noun, by supplying subject, verb, adjective, preposition
and object where applicable. The key words used as cues can be nouns
which are part of verb phrase collocation model cases.
E.g.:
SUBJECT VERB ADJECTIVE

NOUN
INVESTIGATION
RESEARCH
INQUIRY

70

PREPOSITION OBJECT

Diversit et Identit Culturelle en Europe

f)
Matching idioms and definitions
Idioms represent fixed collocation patterns formed round a key verb
or noun. Teaching and learning idioms can be organised round topic based
vocabulary clothes idioms, parts of the body idioms, etc. The students are
given a set of sentences containing idioms and a list of definitions to be matched.
E.g.: Youre going to fail the exam if you dont pull your socks up.
(make an effort)
g)
Matching pairs
The exercise is focused on symmetrical collocations of the type:
noun AND noun, adjective AND adjective, past participle AND past
participle. The students are given the elements to be paired up in separate
lists of jumbled items. E.g.: sick, head, bits, body, dead, bed, odds AND
breakfast, tired, soul, buried, pieces, ends, shoulders
h)
Collocation grids
This is basically another matching exercise configured as a table
containing a column of items with roughly similar meanings but different
collocations and a row of items they can collocate with. The students have
to decide on the associative possibilities of each item by marking the
intersection point between items as a positive collocation match (Rudska et
al., in Gairns and Redman 1992, 38).
woman man child dog bird flower weather view village
beautiful
+
+
+ +
+
+
+
+
lovely
+
+
+
+
+
+
pretty
+
+
+
+
+
+
charming
+
+
+
+
attractive
+
+
+
good-looking
+
+
+
handsome
+
+
71

Diversit et Identit Culturelle en Europe

i)
Find someone who
The activity begins with a matching exercise, with two separate lists
of items to be matched so as to obtain adjective + noun collocations, e.g.
light sleeper, heavy smoker, close friend.
After checking the correct combinations, the students move round
the class to find someone who: is a light sleeper, have a heavy smoker in
their family, has a close friend of a different nationality, has had a serious
illness, etc.
j)
Questionnaires (make vs. do)
The questionnaire should consist of an answer sheet with questions
on problematic collocations, such as make or do combinations. The main
question is In your house, who does/makes things? The question prompts
in the survey chart will include items such as the shopping/the beds/the
cooking/most of the decisions/the ironing/the most money/a mess and the
answer
prompts
can
be
a
man/a
woman/either/you/your
mother/father/brother/sister/wife. Similar questionnaires can be devised in
order to revise relevant vocabulary and collocations on such topics as
personality traits, holidays and travel, leisure activities (Gairns and
Redman, 168).
Bibliography:
DIGBY and MYERS, 1991, Making Sense of Vocabulary, Cassel.
GAIRNS, Ruth; REDMAN, Stuart, 1992, Working with Words: A guide to
teaching and learning vocabulary. Cambridge University Press.
MORGAN, RINVOLUCRI, MARIO, 1986, Vocabulary. Oxford University Press.
REDMAN, Stuart. A Way with Words. Cambridge University Press, 1991
UNDERHILL, Adrian,1980, Use Your Dictionary. Oxford University Press.
WALLACE, Michael J., 1989, Teaching Vocabulary. English Language
Book Society (ELBS), Heinemann Educational Books,
WATCYN-JONES, Peter, 1979, Test Your Vocabulary (Vol. 1- 4). Penguin.

72

Diversit et Identit Culturelle en Europe

THE IMPLEMENTATION OF SYLLABI FOR


THE STUDY OF ENGLISH IN CONFORMITY
WITH THE COMMON EUROPEAN
FRAMEWORK OF REFERENCE
Edlira XEGA
University of Kora, Albania
edixega@yahoo.com
Abstract:
This article highlights the need for teacher development syllabi to strike a balance
between theory and practice, suggesting, in fact, that this is the primary goal of all teacher
development programs. There is an investigation of the teachers role in the syllabus, of the
ways in which it is put into practice and of the extent to which syllabi constitute a point of
reference for both teachers and learners as regards English language acquisition. The
questionnaires used in this study were meant to explore how teachers implement the syllabi
in their teaching, to find out how different teachers in the high schools of the Korca region
refer to the syllabus in their actual classroom practice and to determine the role of the
syllabi and the methodology in language teaching and their effect on learning outcomes.
Key words:
Syllabus, language acquisition, Secondary education, English teachers, questionnaire

1. Introduction
As English becomes more widely used as a language for
international communication, representations of English teaching and
learning evince a greater diversity of viewpoints. 1
In dealing with the syllabi for English, each teacher interprets and
accommodates them to their personality, experience and preconceptions,
thus creating a teaching style or plan of action which the teacher seeks to
implement in the classroom. Teachers claim that their intention is to
promote an open, responsive, learner-centered and democratic classroom
1

Gradol, 2006 p. 48.

73

Diversit et Identit Culturelle en Europe

learning environment.2 To this effect, good use should be made of the


syllabi designed by the Institute of Curricula and Training, part of the
Ministry of Education and Sciences in Albania. The teachers answers show
that they try to understand the context of teaching through their learners
perspectives, offering conclusions about the extent to which the syllabi
incorporate their overall goals, about the teachers responsibility for using
the various components of the syllabus with a view to ensuring the
students better acquisition of the English language.
Syllabus design and implementation involves a process of didactic
reflection, which interprets pedagogical acts in terms of an educative aim.
In this context, the teacher is like an ingenious craftsman who
contextualizes the use of his teaching tools both to the didactic principles
pursued and to the conditions of his classroom practice. 3
2. The principles of syllabus design
Defining the syllabus
Any syllabus expresses, however indirectly, certain assumptions about
language, about the psychological process of learning, and about the
pedagogic and social processes within a classroom. 4
The syllabus is simply a framework within which activities can be
carried out. It is a teaching framework meant to facilitate learning. It only
becomes a threat to pedagogy when it is regarded as an absolute rule for
determining what is to be learnt rather than a mere point of reference
against which outcomes can be measured.5
The syllabus is the specification of the teaching program, or the
pedagogical agenda, which defines a special subject for a particular group
2

Richard and Nunan, 2002, p. 270.


Astolfi- Develay, 1989, p. 9.
4
Breen 1984, p. 49.
5
Widdowson, 1984, p.26
3

74

Diversit et Identit Culturelle en Europe

of learners. It also sets the pedagogical objectives. But it is crucial to be


known that a syllabus is the instrument of an educational policy.6
The teachers task is to follow the syllabus as a course of action by
whatever methodological means seem most appropriate for the facilitation
of learning.7 This is what the Albanian high school teachers interviewed
generally agree on.
Widowson argues that the principles upon which the syllabus has
been designed should be made quite explicit so that teachers can submit
them to appraisal and application. In this way, teachers can make use of the
syllabus as a set of bearings on the planning of their own course in a lesson
sequence (an issue understood and agreed on by Albanian teachers). This
ensures the realization of aspects of language and learning which the
syllabus of its nature cannot account for.
So a syllabus is a construct whose principles teachers can use and
adapt to the circumstances of their own classes. In this explicit way, the
syllabus becomes an important element in the continuing education of
teachers, as they experiment with this variable realization in the process of
actual teaching.8
What most syllabus designers and course-book writers try to provide
is a kind of multi- syllabus, in other words an interlocking set of parameters
for any particular level or stage of study, which includes not only
grammatical and functional syllabi, but also linguistic and communication
skills. Syllabus designers thus juggle with issues of grammar, lexis,
functions, topics and tasks when putting together a teaching sequence, such
as the course-book content.9

Widdowson, 2008, p. 127.


Widdowson, 2008, p. 129.
8
Widdowson, 2008, p. 154.
9
Harmer, 2007, p. 369.
7

75

Diversit et Identit Culturelle en Europe

3. The structure of the secondary education syllabus


Educators recognise that curricular innovation is an extremely complex
matter because of the need to take into account the perceptions of the key
stakeholders within specific socio-cultural contexts. Of these stakeholders,
teachers play the key role in the success or failure of a planned innovation,
since they are the executive decision makers in the actual setting in which
the intended innovation is to be realised the classroom.10
Carless emphasizes that teachers not only need to understand the
theoretical underpinnings of the innovation, but more importantly, how the
innovation is best applied in the classroom. 11
Secondary Education
Secondary General Education provides the framework in for
expanding and deepening general knowledge gained during elementary
education. General secondary schools may design educational programs so
as to enable students to acquire the knowledge, skills, and abilities
necessary for their high school studies or for specific professional training.
The duration of general secondary education is three years.12
Within the high school core curriculum, foreign language study
develops in the 10th and 11th grades to three classes hours per week and in
the 12th grade to 4 classes per week.
Class
10
11
12

10

Hours per week


3 hours
3 hours
4 hours

Weeks
36
36
34

Markee, 1997.
Carless, 2001.
12
Albanian Investment, Development Agency, 2010; p. 15.
11

76

Total
108
108
136

Diversit et Identit Culturelle en Europe

The total for foreign language instruction in secondary Education


amounts to 352 classes.
In an analytical planning, the teacher plans the distribution of
learning objectives according to specific topics, without neglecting the 70%
of the classes planned for the acquisition of new knowledge and the 30% of
general knowledge processing. 13
In the general curriculum, the foreign language course figures as a
core subject in high school, essential for the students instruction. In todays
context, where social and political relations with Europe are more and more
essential in relation to Albanias aspiration for European integration, the
main educational trend is the creation of a pluri-linguistic, multicultural
environment, in which foreign language teaching contributes not only to the
linguistic and cultural education of the learners, but has a particular impact
on the cultural exchange between our country and other countries.
However, there is a significant mismatch between the existing
educational norms in Albania and those implicit in the expected outcomes
of their usually strongly nativespeakerist, state-controlled system of
English curricula. In many parts of the world, such communicationoriented curricula appear to have been introduced by national education
policy makers, with little thought to the demands made on English teachers
by these expected outcomes, or to the teacher educators capacity to
provide teachers with appropriate support.14
Learning a foreign language enables the integration of increasing
numbers of Albanian students in a multi-linguistic cultural reality. The
training of foreign language learners creates conditions for deepening their
knowledge of the cultural values of the rest of the world, alongside the
dissemination of our national values throughout the European nations.
13
14

Udhezues kurrikular, IZHA Kl 10- 12 , 2010, p.11.


Holliday, 2005.

77

Diversit et Identit Culturelle en Europe

The acquisition of a foreign language helps learners in their


preparation for lifelong learning and for using the foreign language in
decisions which affect their progress as individuals and the progress of the
community at local and national level.
Referring to the level reached in the ninth grade and the skill
descriptors according to the Common European Framework of Reference,
the foreign language curricula for the 10th and 12th grades aim to achieve
the level B2, which the learners should attain in the four competencies
attesting to the acquisition of a foreign language.
The syllabus for each grade is divided as follows: Communication
and cultural education (85 classes), linguistic education (23) for grades 10
and 11; Communication and cultural education (104classes), linguistic
education (32) for the 12th grade15. The total number of classes for
secondary school is 352.
The Common European Framework of Reference provides guidance
on the number of guided teaching hours needed to attain the aims of each
CEF level. These teaching hours are calculated for 60 minute-classes:
B1+ level - Approximately 350- 400 hours
B1-2 level - Approximately 400 -450 hours
B2+ level - Approximately 500-600 hours16
These guided teaching hours in the CEFR are the hours during
which the learner is in a formal learning context such as the classroom. In
total there are approximately 600 teaching hours of 60 minutes, or, if
converted to 45 minute teaching hours, there are 800 hours. If we examine
the concordance between this and the syllabi of the Institute of Curricula
and Training of the Ministry of Education in Albania, it results that in
Secondary Education, which includes levels B1+ and B2+, the total number
15
16

Programet e kurrikuls brtham t gjimnazit (klasa X- XII), Gjuhe angleze, 2010, p. 12.
Teachers guide to CEF, p. 7.

78

Diversit et Identit Culturelle en Europe

of 45 minute teaching hours is 352. If they are converted into 60 minutes


teaching hours there are 264 hours.
It is clear that the number of classes provided by secondary
education in the Albanian context is very small when compared to the
standard of hours set by CEFR. The English language program for the 12th
grade aims to achieve and implement standards for the teaching, learning
and assessment of learners at the language level B1+ in accordance with the
Common European Framework for Languages.
Based on the philosophy and guidelines of the Common European
Framework of Reference for Languages and of the National Curriculum of
Modern Languages for Pre-university Public Education, the syllabus for the
12th grade outlines all the linguistic and cross-cultural skills obtained from
grade 3 to grade 9, highlighting the balance between the learners language
proficiency and the communicative skills and abilities of self-expression in
the English language required at the level of independent user.
The syllabus is based on the interests and characteristics of the age
group and caters for the independent intellectual and socio-cultural
development of the learners. The English language program for grade 10
aims to develop linguistic, cultural and intellectual learning able to further
sustain lifelong learning. It aims to develop the students critical thinking
and learner independence outside the classroom, encouraging different
forms of individual and group-work.
The educational content of the English language course for grade 10
is meant to develop language education from the A1-B1 levels attained in
elementary education to the level B1+ aimed at during the stage of upper
secondary education.17
The English language program for grade 11 is an official document
intended to achieve and implement the standards of teaching, learning and
17

Programet e kurrikuls brtham t gjimnazit, kl. X, Gjuhe angleze, 2008, fq 48.

79

Diversit et Identit Culturelle en Europe

assessment of students at the B1.2 levels, according to the Common


European Framework of Reference for Languages, enabling students to go
from the breakthrough level (B1+ in class 10), to the threshold level of
independent user18
This program also supported the National Curriculum guidelines for
Modern Language study within University Public Education. The 11 th grade
program caters for all language skills, obtained from the 3rd grade to the 10th
grade. The content of the program for English language education in the
11th grade, following levels A1 to B1+ obtained during the 9-year
educational cycle, is aimed, at this stage of upper secondary education, at
level B1.2.
The new program of teaching English in the 12th grade aims to
further increase the opportunities offered to learners to develop linguistic
competences and cultural awareness.
The program also aims to expand the students knowledge of
linguistic and grammatical areas, to deepen their insight of the cultural and
social dimension of English-speaking countries, to improve the
communication skills in the English language, as well as linguistic literacy
and understanding of this language 19. The learning objectives of the syllabus
at this stage are aimed towards the B2+ level, so the learners are given practice
enabling them to become independent users of the English language.
4. The relation of CEFR with the syllabus of ICT
Setting the aims and objectives of language learning and teaching
should be based on an appreciation of the needs of both learners and
society, which determines the kind of tasks, activities and processes that the

18
19

Programet e kurrikuls brtham t gjimnazit kl.XI, Gjuhe angleze, 2009, fq. 2.


Programet e kurrikuls brtham t gjimnazit klasa XII, Gjuhe angleze, 2010, fq 12.

80

Diversit et Identit Culturelle en Europe

learners need to carry out in order to satisfy those needs, as well as the
language competences and strategies they need to develop in order to do so.20
In drawing up curricular guidelines or formulating syllabi,
authorities concentrate on the specification of the learning objectives. In
doing so, they may specify only higher-level objectives in terms of tasks,
themes, competences, etc. They are not obliged, though they may wish to
do so, to specify in detail the vocabulary, grammar and functional range
which will enable learners to perform the tasks and approach the topics
prescribed. They may also wish to lay down guidelines or make suggestions
as to the classroom methods to be employed and the stages through which
learners are expected to progress.21
Teachers are generally called upon to observe any official
guidelines, use textbooks and course materials (which they may or may not
be in a position to analyse, evaluate, select and supplement), devise and
administer tests and prepare learners for qualification examinations. They
have to make minute-to-minute decisions about classroom activities, which
they can outline beforehand, but must adjust flexibly in the light of learner
responses. They are expected to monitor the learners progress and find
ways of recognising, analysing and overcoming their learning problems, as
well as of developing their individual learning abilities 22
In this context the promotion of respect for the diversity of
languages in school is significant. It is also a matter of helping learners:
to construct their linguistic and cultural identity through
integrating into it a diversified
experience of otherness;
to develop their ability to learn through this same diversified
experience of relating
20

CEFR, 2001, p.131.


CEFR, 2001, p.141.
22
CEFR,2001, p.141.
21

81

Diversit et Identit Culturelle en Europe

to several languages and cultures.23


5. The study
Data collection
The responses presented through the questionnaire results reflect the
personality, experience and conceptions of the teachers and result in a
teaching style or an action plan that the teacher needs to implement in class.
Having the necessary knowledge and goals is very important, but even
more important is communicating them effectively. 24
This questionnaire was developed so as to reveal the ways in which
teachers interact with learners, transmit knowledge in the classroom and the
thoughts they share on teaching, syllabus and learning objectives.
The questionnaire was used for English language teachers working
in different public and non-public secondary schools located in urban and
rural areas. The school teachers interviewed represent different age-groups
and qualifications. The textbooks they use are written by both Albanian and
foreign authors.
The subjects in the study
This research is focused on a questionnaire survey, developed with a
significant number of 90 teachers, 60 of whom belong to urban areas and 30
to rural ones. The data derived from the checklist were analyzed by using
descriptive statistical methods. Percentages for all items were obtained.
The aims of the study
The research questions that guided the study mainly focused on
topical issues. The questionnaire was applied as the continuation of a
learners survey, in order to detect the teachers opinions on the English
syllabus and their practices concerning: organizing classes; following the
syllabus and adjusting it to the textbooks; the degree of satisfaction with the
23
24

CEFR, 2001, p. 134.


Richards, Nunan; 2002, p. 271.

82

Diversit et Identit Culturelle en Europe

textbooks; the application and realization of appropriate educational


policies during the English language learning process in Korca and in its
surrounding villages. This approach enables the development of an
understanding of the phenomenon from the teachers point of view. 25
The field of the study
The field survey was realized in the respective schools. The
questionnaires were distributed in late April and early May 2013. The
purpose of the questionnaire was explained to the teachers. As part of the
questionnaires was distributed online, not all of them were answered. So
from the 90 teachers planned, the number was reduced to 78.
The average class size for the urban area is 35-40 learners, while for
the rural area it is 25-30 learners.
Methodology
All data analyses are presented in different graphs in percentages.
The teachers were required to complete a questionnaire that examines their
actual opinions of the English syllabus.
The classroom survey data were analyzed both qualitatively and
quantitatively, by considering the assumptions, principles, and values
relating to the truth of Albanian teaching realities and the role that the
syllabi play in furthering English instruction.
The quantitative analysis was conducted with questionnaires handed
out to teachers in order to analyze the aspects of syllabus implementation in
English language teaching in different public and non-public secondary
schools in urban and rural areas, as well as the conformity of the syllabus
with the CEFR standards.
The qualitative analysis consists in a subjective analysis based on
the teachers data and answers. As Paille points out, qualitative research

25

Carless, 2001, p. 266.

83

Diversit et Identit Culturelle en Europe

deals directly with the opinion of the subjects in the study, being carried out
through the common language, without technical tools. 26
The questionnaires clearly define facts or opinions that have been
identified by qualitative methods.27 There data given come from the
Albanian teachers of English interviewed in secondary schools. Generally
the questionnaire contains closed Yes/No questions, based on percentages or
the gradual rating of the teachers opinions, as well as 3-4 open questions.
The questionnaire consists of questions aimed at offering
conclusions about the teachers opinions on: the conformity of the syllabus
with the age of the learners; the extent of cultural content; whether the
syllabus objectives are reflected in the textbooks; how the CEFR objectives
are reflected in the English syllabus compiled by the Institute of Curricula
and Training; on whether the objectives of the English class can be met in
large classes; whether the assessment is done according to the standards set
by CEFR; the extent to which these are followed in the syllabus.
7. Data interpretation
Language awareness is essential for understanding; knowing about a
language, for a teacher, is more important than knowing a language. 28
More, specifically, as seen in the percentages obtained from the
analysis of the questionnaire questions, the following is to be noted.
The questions are grouped into Yes/No, percentages, questions
assessing the language skills and objectives, the monitoring and
implementation of the syllabus. The questionnaire consisted of 22 questions.
The results are presented in graphs, by comparing the replies of
teachers from different schools.
26

Paille, 2004, p.189.


http://www.edu.plymouth.ac.uk.
28
Jenkins, p. 2006.
27

84

Diversit et Identit Culturelle en Europe

The replies to the questionnaire were analyzed qualitatively and


quantitatively. For data and quantitative analysis we used descriptive
statistics, for qualitative analysis the questions are analyzed in general and
specific categories. The development of interpretive and reflective skills
offers a very practical and fruitful alternative to language teacher education.29
a. Comparing the results of teacher responses in urban and rural
Secondary Education: 25 teachers urban area and 15 in rural
area (40 total)
From the responses of the high school teachers interviewed, it
results that a high percentage of teachers from both urban and rural areas
are quite satisfied with the syllabi designed by ICT (Institute of Curricula
and Training) and MES (Ministry of Education and Science).
100% of the high school teachers in the rural area and 85.7% of
those in the urban area share the idea that the syllabus is well-adapted to the
learners level; only a small percentage of 14.2%, believe that the syllabi
are insufficiently adapted to the learners level (Graph 1).

Graph 1
29

Sauvignon 2003, p. 64.

85

Diversit et Identit Culturelle en Europe

Graph 2b below shows that the highest percentage of teachers in the


rural area believe that cultural content covers 80% of the syllabi, compared
to the 71.5% and 28.5% of high school teachers in the urban area, who
think that culture covers between 40% and 60% of the syllabi. 42.8% of the
urban area teachers and 66.6% of the rural area teachers are of the opinion
that the learners age is taken into consideration in a proportion of 80% in
designing the syllabi.
Less than the half of the urban area teachers think that the CEFR
objectives cover 80% of the syllabus, compared to 33.3% of the rural area
high school teachers. Only 28.5% of urban area teachers believe that this
syllabus is 100% in conformity with the CEFR. A high percentage of
teachers in the rural area believe that it meets 60% of the CEFR standards.
The syllabus is covered to a degree of 100% by 66.6% of the rural area
teachers and by 28.5% by urban area teachers (Graph 2).

Graph 2
The highest percentages of the teachers interviewed believe that the
learners age is taken into the consideration when the syllabi are compiled.
86

Diversit et Identit Culturelle en Europe

The highest percentage of the teachers and 85.7% of the urban area
teachers are of the opinion that the objectives are displayed in the textbooks.
There is also a high percentage of urban and rural area teachers who
admit that the objectives of the CEFR are displayed in the syllabus.
According to 100% of rural area teachers and 71.5 % of urban area
teachers, the objectives cannot be reached in the case of large classes. It
seems difficult for them to fully achieve the lesson objectives. All the rural
area high school teachers assess their students on the basis of the CEFR
criteria for assessment and follow the types of assessment set by CEFR30
whereas this is true about more than a half of urban area high school teachers.
All the teachers present the lesson objectives to the learners (Graph 3).

Graph 3
Graph 4 shows that the highest percentage of teachers in both urban
and rural areas specify the learning objectives of every class; 42.8% of

30

CEFR, 2001, p. 182.

87

Diversit et Identit Culturelle en Europe

urban area high school teachers set them at the beginning of each module,
compared to 33.3% of rural areas teachers. A very small number of urban
area teachers take into consideration the learners opinions about the lesson.
Generally the syllabus is strictly followed most of the teachers.

Graph 4b
b. Comparing the results of teachers in public and non-public
Secondary Schools in urban areas: 23 teachers from public high
schools and 15 teachers from non-public Albanian schools (38 total)
This concerns the degree of teacher satisfaction with the syllabus and
the perceptions regarding the correlation of the syllabus with the learners
level. It is very interesting to see from the data presented in graph 5 that the
teachers in public high schools are quite satisfied with the syllabus, in a
slightly higher percentage than the teachers in non public high schools.
85.7% of high school teachers believe that the syllabus is well-suited to the
learners level, while 14.2% think otherwise. By contrast, only 33.3 % of
non-public high school teachers are of the opinion that the syllabus is highly
suited to the learners level in the classes where they teach (Graph 5).
88

Diversit et Identit Culturelle en Europe

Graph 5
Graph 6 shows that 71.5% of public high school teachers consider
that the cultural content covers 40% of the syllabus, whereas 66.6% of nonpublic high school teachers think it covers 80% of the syllabus, even if they
work with the same textbook. 80% of public high school teachers believe
that the learners age is taken into consideration.
As for the CEFR objectives, 28.5% of public high school teachers
think they are reflected in the textbooks in a proportion of 40%, while
42.8% of them consider this to be of 80%. A high percentage of non-public
high school teachers express this view.
A relatively high percentage of these teachers support the view that
the syllabi of ICT are in agreement with CEFR in a proportion of 80%,
while 28.5% of non-public high school teachers believe this conformity to
be 100%. Regarding the syllabus implementation by the teachers, the
highest percentage, of 80%, is achieved in public high schools, compared to
the 42. 8% realised by non public high school teachers (Graph 6).

89

Diversit et Identit Culturelle en Europe

Graph 6
As it is shown above, a considerable percentage of high school
teachers in both groups believe that the learners age is taken into
consideration in designing the syllabi. A high percentage of teachers in
both high schools are of the opinion that the CEFR objectives are
reflected in the textbooks.
66.6% of non-public high school teachers of large classes consider
that the objectives are achieved, in comparison with only 28.5% of public
high school teachers. Most of the teachers in public high schools find it
difficult to achieve their objectives in the context of large classes. The
teachers present the learning objectives to the learners and they generally
set them at the beginning of each class period.
In terms of evaluation, 100% of non-public high school teachers
practice assessment methods based on the CEFR, compared with 42.8% of
teachers in public high schools (Graph 7).

90

Diversit et Identit Culturelle en Europe

Graph 7
100% of non-public high school teachers set objectives at the
beginning of every class and of each chapter, compared with a high
percentage of public high school teachers, who set them for every
teaching class.
In both public and private high schools, the largest percentage of
teachers would prefer to follow the program but not to strictly adhere to
it (Graph 8).

Graph 8b
91

Diversit et Identit Culturelle en Europe

8. Conclusions
Bell (1983) claims that teachers are, in the main, consumers of other
people's syllabuses. In other words, their role is to implement the plans of
applied linguists, government agencies, and so on. However, some teachers
feel relatively free to design the syllabi on which their teaching programmes
are based.31
Most Albanian teachers, in urban and rural, or public and non-public
high schools follow to a certain extent the syllabi designed by ICT and the
Ministry of Education and Sciences, though not always very strictly.
This study has assessed the ability of Albanian teachers to make
judgements which can affect decision-making concerning syllabus design.
The main results of the statistics above are summarized below and
reflect the present situation and opinions of high school teachers on the
syllabi used in the Albanian context.
As regards teachers in urban and rural Secondary Education, the
syllabus conformity with the learners level is higher according to rural area
teachers. A high percentage of these teachers believe that the age level is
well-considered. The CEFR objectives in the syllabus are represented in
proportion of 80% in the opinion of a greater percentage of urban area
teachers. The syllabus is conformity with the CEFR for 100% of the urban
area teachers and for 80% of the rural area teachers. The syllabus is 80%
covered by a great percentage of urban area teachers and 100% by the
greatest percentage of rural area teachers. Age suitability is figures in the
same percentage in the views of both groups of teachers. Both groups share
the idea that the syllabus objectives are presented in the textbooks they
work with. Teachers in the rural area find it difficult to meet the objectives
with large classes, compared with a considerable percentage of urban area

31

Nunan, Widdowson, 1987, p. 10.

92

Diversit et Identit Culturelle en Europe

learners. Assessment is done in conformity with the CEFR, according to the


opinion of the greatest number of teachers belonging to both groups.
As for teachers in public and non-public Secondary Schools, they
are not very satisfied with the syllabus. Culture is seen to be widely
represented in the English syllabus for the greatest percentage of non-public
high school teachers. The learners age is duly taken into consideration in
syllabus design for a high number of non-public high school teachers. The
CEFR objectives are represented in the syllabus in the view of both groups
of teachers, albeit in a greater percentage for non-public high school
teachers. The syllabus conformity to the CEFR and its implementation is
considered to be of 80% by non-public high school teachers. In the opinion
of the greatest percentage of public high school teachers, the objectives are
represented in textbooks. The objectives are found difficult to achieve with
large classes by public high school teachers, whereas non-public high
school teachers consider them achievable. Non-public high school teachers
follow the CEFR to a greater extent than public high school teachers in their
assessment activity. Finally, non-public high school teachers seem to regard
the syllabi more positively than public high school teachers.
Highlighting the role of Albanian teachers in improving the syllabus
quality and use in foreign language education at secondary level in the
Korca region, this study has managed to evaluate their views on the English
syllabus, thus constituting a guide for assessing the decision- making
capacities of its users.32
References:
***, Programet e kurrikuls brtham t gjimnazit (klasa 10-12), Tirane
prill 2010, Fusha: gjuh e huaj lnda: gjuh angleze Instituti i
Zhvillimit te Arsimit (IZHA).
***, Teachers guide to the common European framework. Pearson Longman.
32

Nunan, Widdowson, 1987, p. 58.

93

Diversit et Identit Culturelle en Europe

***, The Common European Framework of Reference for Languages


(CEFR), 2001.
***, Udhezues kurrikular, Instituti I Zhvillimit te Arsimit Klasa 10-12,
Tirane 2010.
Albanian Investment Development Agency, (AIDA), July 2010.
ASTOLFI, Jean Pierre, DEVELAY Michel, 1989, La didactique des
sciences Paris: PUF.
BREEN, M.P. Process syllabuses for the language classroom, 1984 a, in
C.J. Brumfit (Ed.). General English syllabus design. ELT documents
No.118. London: Pergamon Press & British Council.
CARLESS, David, 2001, A case study of curriculum implementation in
Hong Kong.
GRADDOL, David, 2006, English next, British Council.
HARMER Jeremy, 2007, The Practice of English Language Teaching, 4th
edition. Pearson Education Limited.
HOLLIDAY, A, 2005, The Struggle to Teach English as an International
Language. Oxford University Press.
http://www.edu.plymouth.ac.uk
JENKINS Jennifer, 2006. Current perspectives on teaching world Englishes
and English as a lingua franca, in TESOL quarterly 40 (1) 157- 181).
MARKEE, N., 1997, Managing curricular innovation. Cambridge
University Press.
NUNAN D., CALLAN C.N. and WIDDOWSON, H. G., 1987, Syllabus
Design, Oxford University Press.
PAILL Pierre, 2004b. Pertinence de la recherche qualitative , in Alex
Mucchielli (Dir.), Dictionnaire des mthodes qualitatives en sciences
humaines, Armand Colin, Paris.
RICHARDS, Jack C. and NUNAN, D., 2002, Second Language Teacher
Education. Cambridge University Press.
SAUVIGNON, S., 2003, Teaching English as communication: A Global
Perspective on World Englishes.
WIDDOWSON H.G., 1990, Aspects of Language Teaching. Oxford
University Press.
WIDDOWSON, H.G., 1984, Explorations in Applied Linguistics 2. Oxford
University Press.

94

Diversit et Identit Culturelle en Europe

CONFLUENCES
LA RELATION ENTRE LES ADVERBES ET LES
VOCABULAIRES FONDAMENTAL ET
REPRSENTATIF DE LA LANGUE ROUMAINE
Adrian CHIRCU
Universitatea Babe-Bolyai din Cluj-Napoca
adichircu@hotmail.com
Abstract:
The Relationship between Adverbs and the Representative and fundamental
Romanian Language Vocabulary
In his study, the author intends to present the position occupied by adverbs, within
the Romanian fundamental and representative vocabulary framework, as parts of speech
that offer, at the utterance level, important information that makes reference, among others,
to time, place and space.
As often observed, adverbs not only facilitate communication, but also carry a
deictic function. To a great extent, this approach is synchronic and uses data offered by two
research papers that present a statistical analysis (Al. Graur, 1954 and M. Sala, 1988) of the
current Romanian language vocabulary, based on well-determined criteria.
Key words:
Adverb, vocabulary, current Romanian language, frequency, use, synchrony, utterance.

[Le vocabulaire reprsentatif] contient les mots les plus importants


de chaque langue romane. (Sala, 1988, p. 11).
0. Dans cet article, nous nous proposons de poursuivre les
discussions autour de la classe adverbiale roumaine, qui savre tre trs
htrogne et trs complexe, la fois. Ainsi, nous reprenons et nous
dveloppons certaines ides dissmines tout au long de notre ample
95

Diversit et Identit Culturelle en Europe

monographie consacre ladverbe roman1, publie depuis peu, dans


laquelle nous avons illustr les particularits de ladverbe roman, y compris
de ladverbe roumain qui offre, assez souvent, dinsouponnables voies
dinterprtation. Cela nous permettra certainement de revoir linventaire
adverbial et de (re)formuler certaines conclusions.
0.1. Cette fois-ci, nous nous attardons sur les adverbes rpertoris
dans deux des ouvrages traitant sur plusieurs perspectives le vocabulaire de
la langue roumaine si vari et trs htroclite, surtout des points de vue
tymologique et structurel. Il sagit de celui dAl. Graur, ncercare asupra
fondului principal lexical al limbii romne 2 et de celui qui a t coordonn
par Marius Sala, Vocabularul reprezentativ al limbilor romanice3 qui
constituent, jusqu nos jours, malgr la dynamique lexicale des dernires
annes, des points de repre pour toute analyse qualitative et/ou quantitative
du vocabulaire roumain, lui aussi trs composite.
0.2. Il faut mentionner que la dernire investigation a concern
seulement les vocabulaires des langues romanes n plan strict sincronic, i
anume n faza lor actual 4 et ne rend pas compte du critre bas sur
lanciennet du mot dans la langue, car il existe un grand nombre de mots
anciens qui nont plus de relevance de nos jours, cause des ralits
sociales survenues au cours des sicles.5
1. Les inventaires des mots usuels vs. reprsentatifs raliss par les
deux linguistes mentionns supra nous aident relever le rle et la place de
ladverbe dans la langue de tous les jours. Pour leur laboration, ces
linguistes ont fait appel des critres bien dlimits: lanciennet des mots,
1

A. Chircu, 2008.
Al. Graur, 1954.
3
M. Sala, 1988.
4
Idem, ibidem, p. 12.
5
ce sujet, voir Al. Graur, 1965, pp. 31-48.
2

96

Diversit et Identit Culturelle en Europe

lusage, la frquence, la richesse smantique, le pouvoir drivatif ou la


capacit des formes de riches familles phrasologiques6, la richesse
smantique, le pouvoir de drivation ainsi que lusage 7, afin de mieux
circonscrire les faits de langue concerns.
1.1. Malgr leur apparent manque dactualit, les deux listes
ralises il y a quelques dcennies dj sont illustratives en ce qui concerne
ladverbe car la classe adverbiale nest pas ouverte des changements
importants, ce qui lui assure une certaine stabilit. laide de leurs
investigations, les auteurs des ouvrages mentionns ont tent de rendre
compte de lusage des mots roumains travers le temps et de leur emploi
dans la langue parle, ce qui est utile llaboration dautres types
danalyse.
2. En ce qui concerne louvrage dAl. Graur, celui-ci nous fournit
des renseignements prcieux sur le nombre dadverbes qui fait partie du
vocabulaire fondamental du roumain. En appliquant les critres rappels
supra, le linguiste roumain identifie 50 units, pour la plupart dorigine
latine. Certaines dentre elles ont reu une valeur adverbiale lors du passage
du latin vers les langues romanes ou en roumain.
2.1. La plupart 36 est probablement dj forme en latin, vu le
fait quils sont enregistrs dans dautre langues nolatines: abia peine,
acolo l-bas, acum maintenant, adins exprs, afar dehors, aici ici,
aiurea ailleurs, apoi ensuite, aproape prs, presque, aa ainsi, atunci
alors, azi aujourdhui, ca que, comme, bine bien, chiar aussi, cum
comment, doar seulement, fie- soit, foarte trs, ieri hier, nainte
6
7

Al. Graur, 1954, pp. 21-25.


M. Sala et, 1988, p.19.

97

Diversit et Identit Culturelle en Europe

avant, nuntru dedans, nc encore, ncoace de ce ct-ci, ncotro


o, par o, ndrt en arrire, jos en bas, mai plus, mine demain,
nicieri nulle part, nu non, oare est-ce que, odinioar jadis,
autrefois, sus en haut, unde o, vre certain); dautres sont crs en
roumain (cam presque, mpreun ensemble, ndat tout de suite,
parc on dirait que, totui cependant).
2.1.1. ces adverbes, sajoutent dautres dont lorigine est trs
diverse (5- origine slave: ba non, da oui, mcar au moins, prea trop,
zadar (en) vain; 1- origine hongroise: mereu tout le temps, doucement;
2 - origine inconnue: adic cest--dire, iar nouveau/ de nouveau).
3.

Les

auteurs

de

louvrage

reprsentatifs des langues romanes

dcrivant

les

vocabulaires

se sont servis spcialement de


9

Dicionarul explicativ al limbii romne , auquel ils ont appliqu les critres
antrieurement mentionns, mais que nous dtaillons infra:
- pour le critre de la richesse smantique, ont t retenus les mots
qui connaissent au moins cinq sens propres ou figurs (S), en respectant les
informations fournies par ce dictionnaire;
- pour le critre du pouvoir de drivation, ont t retenus les mots
qui possdent au moins trois formes drives, obtenues par suffixation ou
par drivation rgressive (D);
- quant au critre de lusage, celui-ci tient compte de lindice
dusage tabli (13,56) en fonction de Frequency Dictionary of Rumanian
Words10 (U).
8

M. Sala, 1988.
Sigl DEX, 1975. Afin dobserver laugmentation du nombre dadverbes, nous avons
aussi consult la deuxime dition, qui date de 2009.
10
Alphonse Juilland et alii, 1965.
9

98

Diversit et Identit Culturelle en Europe

3.1. Ces critres de slection envisags pour le choix des mots qui
font partie de ce vocabulaire ont t diffremment utiliss en fonction du
degr de la standardisation (langues normaliss ou non normalises):
romn, italian, francez, spaniol (uzaj, bogie semantic i putere de
derivare)[], adaptate la limbile catalan, portughez (frecven, bogie
semantic i putere de derivare). Pentru celelalte trei limbi (sard,
retoroman, occitan) [], am putut aplica numai dou criterii (bogia
semantic i puterea de derivare). 11
3.1.1. Linventaire ralis a permis de constater que les adverbes
qui font partie du vocabulaire reprsentatif de la langue roumaine (qui
compte 2581 mots) sont au nombre de 149. Nanmoins, quelques-uns
dentre eux (69) peuvent avoir dautres valeurs morphologiques
(prposition, conjonction, adjectif, nom, interjection, etc.), ce qui peut
augmenter ou diminuer leur nombre, en fonction de la dmarche danalyse
envisage.
3.1.2. Une fois la liste tablie, celle-ci nous a amen constater
que, du point de vue USD, les adverbes qui font partie de ce groupe sont au
nombre de 12 (bun bon, curat vraiment, effectivement, justement, drept
droitement, directement, sincrement, greu difficilement, gros gros, en
grande quantit, lung longuement, puin peu, repede rapidement, vite,
scurt bref, brivement, tare fort, fortement, urt mauvais, uor
facilement, lgrement).12 Aucun dentre eux na une valeur absolument
11

M. Sala, 1988, p. 13.


En ce qui concerne les adjectifs-adverbes, M. Sala, 1999, p. 146, observe [qu]en
roumain, par exemple, ladverbe revt, le plus souvent, la forme de ladjectif au masculin
singulier-neutre. Voir, ce propos, la remarque que fait Al. Graur, 1963, p. 112: on a
toujours employ un autre moyen, notamment la forme neutre de ladjectif singulier peut
acqurir valeur dadverbe (bun bon, frumos beau, limpede clair) .
12

99

Diversit et Identit Culturelle en Europe

adverbiale. Ils appartiennent aussi dautres classes morphologiques et


reprsentent ainsi 5,79% de la totalit des mots inclus dans le vocabulaire
reprsentatif et qui remplissent le critre USD (207 mots).
3.1.3. Quant au point de vue US, les adverbes sont au nombre de
513 (aa ainsi, gata assez, a suffit, mai encore, plus, nu non, sus en
haut), auxquels sajoutent ceux qui nont pas seulement une valeur
adverbiale 5 + [23] = 28: adnc profondment, aa ainsi, comme a, att
tant, si autant, tellement, bine bien, cnd quand, car, ct combien,
cum comme, comment, des souvent, direct directement, frumos
joliment, convenablement, comme il faut, iute rapidement, ncet
doucement, jos en bas, limpede clairement, natural naturellement,
nou nouveau, precum comme, ru mal, serios srieusement, strns
solidement, serr, i aussi, mme, dj, trziu tard, tot tout, unde o,
comme. Ceux-ci reprsentent 5,98% des mots faisant partie du vocabulaire
reprsentatif qui tient compte du critre US (468).
3.1.4. Pour ce qui est du critre UD, la situation se prsente de la
manire suivante: les adverbes qui correspondent ces critres sont presque
absents 1 (nainte avant, devant) + [3] (nimic rien, noapte nuit, sear
soir) = 4. Ils reprsentent 2,46% des mots faisant partie du vocabulaire
reprsentatif qui tiennent compte du critre UD (162).
3.1.5. Concernant lapplication de SD, la situation ressemble
beaucoup celle qui a t antrieurement expose: [1] adverbe (sigur
certainement, assurment), un pourcentage de 0,89% des mots faisant partie
du vocabulaire reprsentatif qui tient compte du critre SD (112 mots).

13

Dans louvrage, 4 lments figurent pour ce type dadverbes, p. 63.

100

Diversit et Identit Culturelle en Europe

3.1.6. Du point de vue U, les adverbes inclus dans ce groupe (qui


compte 1070 mots) sont assez nombreux 74 + [26] = 100 (abia peine,
absolut absolument, acolo l-bas, acum maintenant, adesea souvent,
adeseori souvent, adic cest--dire, afar dehors, aici ici, alturi
ct, altdat la fois prochaine, altfel autrement, sinon, aminte dans
lesprit, anume exprs, apoi ensuite, puis, aproape presque, asear
hier-soir, asemenea pareillement, galement, astzi aujourdhui, astfel
ainsi, atunci alors, azi aujourdhui, ba non, ca comme, etc.). Ils
reprsentent 9,34% des mots inclus dans cette catgorie.
3.1.7. La richesse smantique (S) a permis de remarquer que la
classe adverbiale compte [3] adverbes (nesigur sans aucune certitude,
relativ relativement, strmb malhonntement, inclin). Ils reprsentent
1,19% des mots intgrs dans ce groupe (252).
3.1.8. Quant la drivation (D), celle-ci renferme 1 adverbe + [0]
= 1 (clare en chevauchant, califourchon) qui reprsente 0,32% des
mots intgrs dans ce groupe (310).
3.1.9. tymologiquement, ladverbe roumain doit beaucoup au
latin, quil sagit des mots hrits ou emprunts au latin savant et aux
langues romanes (le franais et litalien).
3.1.9.1. Mis part quelques adverbes dorigine non-latine (6 slaves: ba non, da oui, iute rapidement, gata assez, termin, prea
trop, tocmai; 2- no-grecs: mcar au moins, sigur sr, certainement et
5 origine inconnue: adic cest--dire, iar nouveau/de nouveau,
nuntru dedans, puin peu, mereu tout le temps, incessamment; 2
latins, mais emprunts lallemand relativ relativement, natural
101

Diversit et Identit Culturelle en Europe

naturellement), tous les autres ont une origine latine ou sont forms, dans
la plupart des cas, dlments dorigine latine.
3.1.10. Parfois, il est difficile de trouver une tymologie exacte.
Cest pour cela que les dictionnaires nous fournissent deux ou mme trois
langues pour expliquer la provenance du mot: probabil < fr. probable, lat.
sav. probabilis; contra < fr. contre, lat. sav., it. contra; relativ < fr. relatif,
lat. sav. relativus, it. relativo (voir supra all. relativ), aspect relev par les
multiples tymons avancs dans les articles des dictionnaires.
Il sagit parfois de ce que les linguistes appellent emprunt par
14

filire , cest--dire un mot qui est entr dans une langue donne par
lintermdiaire dune autre langue, et non par emprunt direct. En mme
temps, cette situation atteste la provenance multiple des adverbes, due
gnralement aux diverses influences des langues modernes occidentales
(franais, italien allemand) que le roumain a subies, auxquelles sajoute le
latin savant.
4. Cette analyse ponctuelle a permis de relever la place des
adverbes dans le cadre de deux types de vocabulaires envisags. Nous
avons constat que les diffrences dinventaire sont significatives, ce qui
sexplique par les critres choisis. Lidentit des units adverbiales hrites,
dveloppes ou empruntes, prsentes dans les deux listes dresses,
tmoigne de la spcificit de la classe adverbiale roumaine qui, par rapport
aux autres langues romanes, est plus ouverte aux emprunts, situation qui
sexplique par les influences supportes par le roumain. 15

14
15

Pour le roumain, se reporter utilement I. Ptru, 1974, pp. 246 259.


Voir ce propos, A. Rosetti, 2002, p. 184.

102

Diversit et Identit Culturelle en Europe

4.1. travers cette recherche ponctuelle, nous avons pu remarquer


limportance des adverbes dans la langue ainsi que la place des adverbes
latins hrits au sein de la langue roumaine, conservatrice et diversifie la
fois. Notre brve tude confirme, sans doute, lobservation dordre gnral
qua faite Marius Sala, il y a quelques annes, selon lequel le
systme adverbial dans les langues romanes diffre considrablement de
celui du latin. Manifestement, les langues romanes se sont forg un
nouveau systme, ce qui nempche pas chaque langue davoir ses
particularits. 16
Bibliographie:
***,1975, Dicionarul explicativ al limbii romne, Bucureti, Academia
Romn (DEX) [ediia a II-a, 2009].
CHIRCU, Adrian, 2008, Ladverbe dans les langues romanes. tudes
tymologique, lexicale et morphologique (franais, roumain, italien,
espagnol, portugais, catalan, provenal), Cluj-Napoca: Casa Crii
de tiin.
GRAUR, A., 1963, La langue roumaine. Esquisse historique, Bucarest:
ditions Meridiane.
GRAUR, Al., 1954, ncercare asupra fondului principal lexical al limbii
romne, Bucureti: Editura Academiei Romne.
GRAUR, Alexandru, 1965, La romanit du roumain, Bucarest: ditions de
lAcadmie Roumaine.
JUILLAND, Alphonse et alii, 1965, Frequency Dictionary of Rumanian
Words, London Hague Paris: Editions Mouton.
16

M. Sala, 1999, p.146.

103

Diversit et Identit Culturelle en Europe

PTRU, I., 1974, mprumuturi prin filier, in: Studii de limba romn,
Cluj-Napoca: Editura Dacia, p. 246-259.
ROSETTI, A., 2002, Histoire de la langue roumaine, des origines au XVIIe
sicle. dition de Dana-Mihaela Zamfir, Cluj-Napoca: ditions Clusium.
SALA, Marius (coord.), 1988, Vocabularul reprezentativ al limbilor
romanice, Bucureti: Editura tiinific i Enciclopedic.
SALA, Marius, 1999, Du latin au roumain. Traduction de Claude Dignoire,
Paris-Bucarest: LHarmattan & Univers Enciclopedic.

104

Diversit et Identit Culturelle en Europe

THE ETYMOLOGIC STRUCTURE OF


ROMANIAN MYTHONYMS (I)
Petre Gheorghe BRLEA
gbarlea@yahoo.fr
Ana Maria PANU
apantu@hotmail.com
Abstract:
A monographic study of Romanian mythonyms cannot ignore the problem of the
etymological strata from which the corpus of these terms originates. Such an analysis is
necessary primarily in order to establish, from this point of view as well, the place of this
special area of Romanian onomastics within the Romanian lexical system. From such a
perspective we can estimate the extent to which mythonyms confirm the general
etymologic structure of Romanian vocabulary and to what extent the terms designating
mythical characters in our fairytales are specifically Romanian.
Keywords:
Mythonyms, etymological analysis, etymological strata, substratum elements, the
Latin stock.

1. Between description and etymological analysis


The internal structure of the lexical area of mythonyms can change,
to a certain extent, the distribution of the thematic groups and subgroups
from the onomasiological make-up of the inventory of mythonymic terms.
This is possible because in the semantic core of some apparently neutral
proper names, seemingly non-analysable at the level of their significance,
one can discover common names originally designating, plants, animals,
social relations, etc., namely entities which have not been integrated in the
respective subgroups, but solely in the subgroup of anthroponyms, pure and
simple. The revelation is so much more interesting as the corrupted forms
of names circulating in the literary folklore of other nations, before they
became fixed in Romanian written versions, hinder the immediate
105

Diversit et Identit Culturelle en Europe

deciphering of their profound significations. For example, Alimon Voinicul


(Alimon the Sturdy) is a personage we can ascribe to the category of semiheroes, meaning the group of human beings endowed with exceptional
qualities, though only on the basis of the appositional epithet and,
alternatively, of the information contained in the respective text. By means
of etymological analysis, we first notice that a phonetic change occurred at
the end of the word Alimon (probably by analogy with Gedeon, Ion,
Machidon a. s. o.), since the initial form was Aliman. This means, in several
languages where the word occurs as a surname anthroponym 1, the
German, belonging to the affluent series of surnames of this type (cf. Rom.
Rusu the Russsian, Neamu the German, Ttaru the Tartar, Turcu
the Turk, Srbu the Serb a. s. o.). From the etymological studies of
Bogdan Petricescu-Hasdeu we learn that in Turkish the term was also used
in a special sense, of horse thief or outlaw. 2 In the same way, Cotoman
means big tomcat, castrated tomcat, a symbol of evil, of mischief
(sometimes also in the role of a helpful companion), as the Slavic kot means
cat. In this way, the list of characters from the sphere of wondrous
animals must be completed, as in the case of Gasperia, a species of
arachnid (though also with the meaning of gypsy-woman), with Hru,
which means a species of predatory bird (sparrow hawk, hen hawk) a. s.
o. However, our research does not probe into the deep layers of a proper
etymological analysis, as a single sub-series of mythonymic terms would
take hundreds of pages, without necessarily leading to the elucidation of the
origins and significations of some terms. In fact, some of the words in our
inventory have been quite amply written about in the course of time, though
the conclusions advanced by reputable linguists have not been unanimously
1

Cf. Gr. Alamanas, It. Alamano, Bg. Alamanoi a. s. o., I. Iordan, 1983, s.v.
B. P. Hasdeu, EMR, s.v. Aliman. This is also a relatively frequent procedure attested in
studies of historical semantics. Even in Romanian mythology or only in the more recent
epic folklore, negative characters are called Jidovi, Lifte (Poles), Muscali (Moscow
people). The character Tartacot, of the series of deformities seems to be realted to
Tartacan Tartar.
2

106

Diversit et Identit Culturelle en Europe

accepted.3 What we propose to do is a description of the etymologic sources


of Romanian mythonyms, with a view to achieving a clarification according
to the criterion of the diachronic linguistic strata which contributed to the
configuration of the lexical system of the Romanian language, with a
special focus on this onomastic nominal segment. To this effect, we
consider as valid solutions, at least from a strictly methodological point of
view, the information provided by etymological or mixed dictionaries.4 It is
only in certain, more debatable situations that we have proceeded to
confront the sources and to broaden the area of documentation, resorting,
for etymological aspects, to specialist monographic studies. 5
Therefore our approach is aimed at creating a panoramic view of
the diatopic, diastratic and diachronic configuration of the inventory of
Romanian mythonyms, according to the following descriptive scheme:
1. The selection of terms from each etymological stratum in the
whole list compiled for our working corpus, without going into details
regarding the options of the authors of lexicographic instruments
concerning the ascertaining of word origins. This only happens for the cases
in which the same term is recorded with different etymologies in different
lexicographic sources or when the term under discussion does not seem to
fit, semantically and formally, the classification proposed by authors.
2. The analysis of the semantic content of the terms fit for
completing the onomasiological groups established in the previous chapter
and the dissembling of the phono-morphological mechanisms which

It is the case of the term Babe, cf. EMR, s.v., or the case of the word copil, for which see
the book by Ion Coteanu and Marius Sala, 1987, Etimologia i limba romn. ProblemePrincipii, Bucureti: Editura Academiei.
4
We have used the etymological indications offered by DLR, MDE, EMR and DEX.
5
Cf. Iorgu Iordan, op. cit.; George Giuglea, 1983, Cuvinte romneti i romanice...,
Edition by Florena Sdeanu, Bucureti: Editura tiinific i Enciclopedic; Ion Ptru,
1984, Nume de persoane i nume de locuri romneti, Bucureti: Editura tiinific i
Enciclopedic .a.

107

Diversit et Identit Culturelle en Europe

directed the evolution of the word towards its secondary, figurative


meaning placing it in a clear-cut series of mythonyms.
3. Finally, we shall make the customary statistic calculations, so as
to make it possible to obtain, as well, a quantitative confirmation of the
qualitative importance which a subgroup of terms has in the general
structure of Romanian mythonyms.
Before applying this analytical scheme, two more specifications
should be made.
As any etymological analysis, deciphering the meanings and
dissembling the phonetic, lexical and morphological structure of
mythonyms presupposes not only the chronological incursions into the
ancient stages of their evolution, but also their correct placing into the
ethno-cultural space. In other words, the principles and methods of
linguistic geography and of dialectology prove to be extremely useful, as in
any study referring to language history. For example, to decipher such a
name as Istian Viteazul (Istian the Brave) we need not probe into very deep
strata, such as Sanskrit or Greek and Roman sources, although the term is
also related to some of these. It suffices for us to know that the respective
name circulates in Transylvania as a Hungarian variant of the anthroponym
tefan, turned into Istian, in standard literary language, and into Istian,
Istina, in dialectal forms (after the model tefania/tefana). Otherwise, thus
we can also explain its original Greek source (Stephanos the crowned one,
the king) as well as the one dialectally attested. 6 The same thing happens
with dialectal terms from Walachia, Banat, Moldavia, phonetically and
morphologically adapted to the specificity of the Romanian language, but
also filtered through the influence of the neighbouring languages, by direct
contact, from the ancient to the recent strata of Romanian lexis, with
Bulgarian, Turkish, Serbian, Croatian, Ukrainian a. s. o. We would not
6

To explain a certain etymon by arguments of a dialectal order, I have used, among others,
Matilda Caragiu-Marioeanu, 1975, Compendiu de dialectologie romn (nord- i suddunrean), Bucureti: Editura tiinific i Enciclopedic.

108

Diversit et Identit Culturelle en Europe

know, for example, that the ornithological series needs to be completed


with names such as Boghez/Boghel or with Socol, if we did not learn that
in Slavic languages there are forms such as Bohe/Bogusz, i.e. owl, and
sokol, hen hawk, sparrow hawk, etc.
Finally, we should specify that that the etymological analysis must
be confined to the general linguistic frameworks, insofar as the relations
with the mythological plane are indirectly derived from these, through the
evolvement of the meaning of the common names underlying proper names,
and, as in any study of ethno-linguistics, through deciphering their
significations and mythological symbolism. If we referred only to the last
two examples given above, it is clear that we must establish the following
relations:
Boghel owl the symbol of wisdom, etc.
Sokol hawk the symbol of courage, the aspiration for heights, etc.
A tighter or, so to say, a more mechanical relation, is not possible.
In the initial stage of our research, we attempted to establish a parallel
between the etymologic strata of Romanian vocabulary and the
mythological strata proper, despite our awareness that, in the lack of old
documentary sources which might attest the first stages in the evolution of
the respective areas for both domains, the terms under discussion can only
be fixed through reconstitution. Or, precisely because the origin of
mythological linguistics was comparative-historical grammar, by means of
which old, common forms of different languages are reconstituted on the
basis of the new material existing in modern languages, and precisely
because its principles and methods have been transferred to comparative
mythology, we considered that the approach can be applied to the material
available in Romanian mythology. This approach has proved inefficient, or,
in any case, deficient in terms of the concrete evidence which would have
needed to be analysed. On the one hand, the oldest Romanian myths have
been conserved only through ritual reminiscences, through superstitions,
beliefs and narrative nuclei tardily attested: some of them at the beginning
109

Diversit et Identit Culturelle en Europe

of the 17th century, in the writings of D. Cantemir, very few later than that
and most of them in the collections realised in the second half of the 19 th
century, albeit on the basis of somewhat earlier documentary fragments. On
the other hand, the linguistic covering in which the ancient mythological
nuclei was passed on to us was adapted to the forms of the epoch in which
they were collected and archived in written/recorded versions, in
conformity with the laws of diachronic linguistics. Thus, for ancient deities
from the solar series, Gebeleizis, Zalmoxis or the goddess Bendis, only the
names were conserved in ancient historical documents, while the narrative
structure of the Romanian fairytales which took over the characters adapted
them to modern times, as Soare (Sun), Lun (Moon), Sfntul Soare (Holy
Sun), Sfnta Lun (Holy Moon). The totemism in the lycanthropic series is
rendered by Lupul (The Wolf) symbol of courage; the symbolism of the
circular sanctuary of Sarmizegetusa has been preserved in its old state
solely as archaeological evidence, while the mythical characters become De
cu Sear (Nightfall Man), Zoril (Dawn-Man), etc., and the lesser deities,
such as the naiads or the later civilizing heroes are Znele (Fairies), FeiFrumoii (Princes Charming), etc.
In the oldest Romanian fairytale preserved, Povestea lumii de
demult (The Tale of the World of Yore), the foundational characters of
Romanian cosmogony are Muntele (the Mountain), Vnturile (the Winds)
Vrful cel mai de Sus (the Highest Peak) and others. But these are terms of
Latin origin, even more, in their evolved, Romanian-adapted variant, which
means that we cannot establish a direct relation between the ancientness of
the Geto-Dacian cosmogonic myth, i.e. pre-Latin, and the Romanian
mythonyms of Latin origin. The chronological difference between them is
of at least a millennium, but the disparate attestations even indicate a
chronological distance of one thousand five hundred two thousand years.
As for the methodological aspects, with special regard to this
perspective on the analysis of mythonyms, I have used, for general
110

Diversit et Identit Culturelle en Europe

problems of etymology, the studies of Th. Hristea, Ion Coteanu, Marius


Sala and others.7
One of the most difficult problems in the analysis of the
appurtenance of mythonyms to a certain mythological stratum has been
their multiple structure, which is the fact that, as I was showing in a
previous chapter, more than a half of the inventory of mythonyms is made
up of compound names, consisting of two, three or even more terms. Of
course, it is by no means obligatory for all the component elements to
belong to the same etymological stratum. On the contrary, it is almost
paradigmatic of the appositive additions or the supplementary
characterising epithets to derive from a lexical stratum situated in a later
stage of the names evolution, according to the principle of the permanent
sedimentations and transformations specific to the genesis of myths. More
often than not, as it has been illustrated, the epithet expresses the same thing
as the determiner, but the storytellers of later epochs lost the original
meaning of the key-word, which they therefore explain by a new term, in
current use at that time, even if, without knowing it, they actually say the
same thing. In the subgroups established in this chapter we have graphically
marked these situations, by bracketing the element belonging to an
etymological stratum other than the one in which I have classified the
key element.
2. Etymological strata of Romanian mythonyms
The valid operation remains the etymological reconstitution of the
lexical strata valid for shorter time spans a few hundreds of years and
for more restricted ethno-linguistic and mythic-folkloric areas, i.e. the
territory of ancient Dacia, by referring to the customary influences from the
neighbouring regions, respectively South-East Europe, the Balkans,
reaching as far as Western Europe and the Middle East, and by highlighting
7

Th. Hristea, 1972, Probleme de etimologie. Studii. Articole. Note, Bucureti: Editura
tiinific. For the study by I. Coteanu and M. Sala, cf. supra, note 3.

111

Diversit et Identit Culturelle en Europe

some reminiscences and evolutions from the mythology of classical


Antiquity and the Middle Ages. The working procedure, for all these cases,
remains the one validated by comparative historical grammar and
comparative historical mythology. Etymological reconstitutions for whole
strata and for individual terms, when the situation requires are made by
proceeding from the current attestations to the ancient forms, by recourse to
an interdisciplinary analysis, meant to fill in the blanks in the structure of
some mythonyms.
2.1. Substratum elements
The difficulties attending the reconstitution of the stock of
substratum elements, because of their antiquity and of the total lack of
documents of the time, should also characterize the sphere of mythonyms in
Romanian vocabulary. It is most fortunate for us that the criteria for
delimitating the words in this stock8 are efficient enough for the terms we
are directly concerned with. Considering that the mythonyms represent, in
principle, personifications of plants, trees, animals, mountains, waters, etc.,
the old forms were better attested because toponyms, hydronyms and
phytonyms are among the most conservative elements in the lexical
structure of a language:
Argeul, Brad (Fir), Bucur, Ciut (Hind, cf. Albanian shut),
Curpn (Tendril, cf. Albanian Kurpen), Ciocrlie, Ciocrlan (Lark),
Dunre (Voinicul) [Danube (the Sturdy)], Frm (Piatr), [Break (Stone)]
Gheonoaie (cf. Albanian Gjon owl, woodpecker), Mzrel (mprat)
[Little Pea (Emperor)], Moaa (Eva), Gammer Moaa (Iana), Mo (Adam),
Mo (Ene), Mo (Gligor), Mo (Lcust), Moii, Moul, Moul Codrilor,
Mugurul (cf. Albanian mugull), Mureul, Murg (cf. Albanian murg),
Murgil, Mua, Oltul, Someul.

The most convincing criteria were established by Cicerone Poghirc, in the chapter
Influena autohton (The autochthonous influence) in Istoria limbii romne (ILR), vol.
II, Bucureti: Editura Academiei, 1969, pp. 313-365.

112

Diversit et Identit Culturelle en Europe

As it can be seen, the autochthonous inventory of mythonyms 9 is


relatively scarce, but is quite well defined thematically, insofar as it
illustrates some stable onomasiological areas: names of plants 10 and
animals, names of mountains and rivers, names of human relations, etc. The
term mal, the Romanian substratum word with the most certain
attestation,11 only occurs as a toponym proper or as a common name,
whereas others, widely studied by specialists, do occur. Noteworthy, in this
sense, is the mythonym Dunre (Voinicul) [Danube (the Sturdy)], to which
Gh. Ivnescu devoted a very pertinent study several years ago. 12 Numerous
research studies have been devoted to mo (old father), with its cu
mythonymic concretisations, Mo (Adam), Mo (Lcust, i.e. Locust), Mo
(Gligore), Moii, Moul (Pdurii, i.e. of the Wood), etc., so much more as it
also has gender derivatives (moa, i.e. gammer), cf. Moaa Eva (also Baba
Eva) or locative-abstract derivatives, moie country, land, region, farming
land, etc., cf. also the Albanian motsch and mosch age, but also old

Among the numerous difficulties in reconstituting the substratum of the Romanian


language there are the very terminological inconsistencies of the specialists. Al. Rosetti, in
the 1969 edition, but also in the definitive one of 1978, of Istoria limbii romne, uses the
term autochthonous as a subdivision of the substratum, but then refers to the whole
substratum, cf. Aciunea subtratului, at page 204; Elementul autohton, at page 607,
but Traca i ilira, at pages 219-230. In the lexicographic works in current use, such as
MDE, the qualifier autochthonous is attributed both to the words inherited from the
Thracian-Dacian substratum and to those formed subsequently from older roots, of diverse
origins, that is to the ones commonly designated as words formed on Romanian territory.
Also, C. Poghirc observes that the correct term for this phase in the history of our language
is that of Geto-Dacian, more restricted to the fairly certain proto-Romanian corpus.
10
The advantage consists especially in the fact that the famous glossaries recording Dacian
words (from the 3rd 4th centuries A.D., unfortunately) are, in fact, some fragments of
writings about medicinal plants, etc. Hydronyms, oronyms and toponyms are recorded in
treatises of history and geography.
11
Cf. Cicerone Poghirc, 1969, p. 331.
12
Cf. Gh. Ivnescu, 1958, Origine pr-indo-europenne des noms du Danube, in:
Constributions onomastiques, Bucureti: Editura Academiei, I, pp. 125-139. Other studies
have also treated the respective toponym from a mythological point of view; cf. Alina
Jercan-Preda, 2010, p. 68.

113

Diversit et Identit Culturelle en Europe

woman. This last attestation explains why in Meglenoromanian there is


only the feminine form, moa.13
In the category of words that can be interpreted as contributions
revealed exclusively by etymological reconstruction there is ghiuj (decrepit
old man) which, in the above-mentioned specialist treatises, is considered to
belong most certainly to the Geto-Dacian stock. It is not to be found as such
in our inventory of mythonyms, but it was proposed as a solution for the
semantic interpretation of some anthroponyms of the type Vj and Vje.14
But these are found in our mythonym Vjbaba (the Old Hag). It is the
correspondent from the Transylvanian variant (col. I. Pop-Reteganul, III, p.
59) of the fairytale Ileana Cosnzeana and it corresponds to Mama Ciuma
(Mother Plague) of the stock fairytale (col. M. Pompiliu) or to Baba Relea
(Evil Hag) of the Bukovina variant (col. G. Sbierea, p. 56). It is Baba din
fundul Iadului, the Hag of Hells Bottom (or Marginea Lumei, the
Worlds Edge, in other variants), the mistress of the nine-hearted horse.
Lazr ineanu, who records these hypostases, considers that in the
Transylvanian dialect Vja means witch, ghost-woman,15 whereas Iorgu
Iordan puts forward other solutions. It may simply be a name of
onomatopoeic origin, from the interjection vj!, from which vijelie might
have been derived, but it may also be a corrupted form of the adjectival
noun ghiuj, of Thracian-Dacian origin, meaning decrepit old man, with an
, pseudo-etymologically equated with i. There are attested forms such as
Vjoi1 for ghiuj (decrepit old man), but also Vjoi2 as swirling brook.
On the other hand, there is also the Bulgarian Vao.16 The fact that VjBaba (Old Hag) would express in a pleonastic manner the same concept by
two different words does not represent a counterargument for this
13

Cf. Al. Rosetti, 1969, p. 272. For the history of the word, cf. also S. Pucariu, Limba
romn, I, p. 172; Gr. Brncu, SCL, XVII, 1966, p. 213; M. Sala, SCL, VI, 1955, p. 140;
C. Poghirc, 1969, p. 345.
14
Cf. I. Iordan, 1983, s.v.
15
L. ineanu, op. cit., p. 640.
16
Apud I. Irodan, loc. cit.

114

Diversit et Identit Culturelle en Europe

etymological interpretation, since in mythonymy, just as in toponymy,


etc., aloglotic pleonasms represent a common phenomenon, as it was
shown above.
In whole, the mythonyms in the substratum of the Romanian
language constitute a quite well-established segment, by reference to the
integral inventory of Romanian mythonyms and, on the other hand a
segment which is convincing in terms of mythological symbolism, through
the personification of plants, trees, animals, birds, of some oronyms and
hydronyms and of some concepts regarding peoples age17, etc.
2.2. The Latin stock of Romanian mythonyms
From a quantitative point of view, the mythonymic segment of
Latin origin is the most consistent, directly proportional with the general
structure of Romanian lexis, from an ethnologic perspective. Qualitatively
as well, this is the most fertile, because it facilitates the most phrases,
periphrases, metaphorical formulations, based on a very wide range of
onomasiological references. From this last point of view, we cannot even
try to delimitate any thematic subareas, as we proceeded in the case of
mythonyms derived from substratum elements, because the names of Latin
origin cover practically all the big groups and all the subgroups and
subseries from the onomasiological classification of the respective terms,
without any existing tendency for the selection of a certain semantic type of
words. We could conceivably observe that chromatic terms and several
determinant semantic fields (celestial bodies, moments of the day, etc.)
derive almost exclusively from Latin. This lexical affluence has its
inconveniences, of a diachronic order. Not all the mythonymic terms of
Latin origin come from Vulgar Latin and, on the other hand, the latter is, in
17

In fact, not even in the case of mythonyms from the Geto-Dacian substratum, it is not
these that selected a certain domain, but, quite the opposite, the fact that from the
substratum words we only know those designating names of plants (thanks to the glosses
of late Greek Antiquity) animals, hydronyms, oronyms etc., makes us identify a few
mythonyms among them. Incidentally, the respective thematic areas are prone to
mythological personification, but this mechanism affects the lexis of any other language.

115

Diversit et Identit Culturelle en Europe

its turn, divided according to certain periods. 18 Some terms belong to


classical literary Latin, such as malus and pirus, which became Mr
(Apple-tree) and Pr (Pear-tree) or homo and bruma, which became Omul
(Pmntului), Man (of the Earth) and Brum (hoar-frost). Others belong
to late Vulgar Latin, such as alapa (for Latin ala, -ae), formosus, -a, -um
(for literary Latin bellus, -a, -um), which became Arip Frumoas
(Beautiful Wing). Some terms belong to even later periods, to the so-called
Danube Latin,19 such as frondia (< frons, -tis), for Frunz (de Mgheran),
Leaf (of Marjoram). Finally, there are also two other important Latin
sources that of elevated Latin, that is of the terms borrowed much later, in
scholarly ways, as well as the one of Romance languages, which serve as
connection, as an intermediary of the transition from Latin to Romanian.
Both are part of the phenomenon of re-Latinising of the Romanian
language.
Most terms were preserved as such throughout all of these stages.
This refers to common names (nouns, adjectives, verbs, adverbs) turned
into metaphoric proper names, symbolic of mythical characters. For
example, Ap Bun (Good Water), Aude Bine (Hear Well), Vede Bine, (See
Well), Luna (Moon), Soarele (Sun) Steaua (Star), etc. have been preserved
as such since the Dacian-Roman period (cca. 105-271 A.D.), throughout the
phase of Danube area Latin (the 4th 5th centuries A.D.), the phase of
common Romanian vernacular (the 5th 8th centuries, that is prior to the
separation of Aromanian from Daco-Romanian), the phase of medieval
Romanian (the 9th 17th centuries), up to that of modern and contemporary
Romanian. Some terms still keep the characteristics of a certain phase,
18

In the staging of the history of the Romanian language, I used as a point of reference the
proposals of the collective of ILR, 1969, vol. I-II, cf. I, pp. 9-10, and II, pp. 15-18. Cf. also
Al. Rosetti, 1979, I, and Fl. Dimitrescu (coord.), 1978, Istoria limbii romne, Bucureti:
Editura Didactic i Pedagogic.
19
Cf. I. Fischer, 1975, Latina dunrean. Introducere n istoria limbii romne, Bucureti:
Editura tiinific i Enciclopedic. It treats of the Latin element of the 4th 5th centuries
North and South of the Danube.

116

Diversit et Identit Culturelle en Europe

which are not always easy to identify. In our classification, we have ignored
these diachronic subdivisions, because we have not intended a study on the
history of language.
We have adopted, as stated above, the etymological solutions
offered by the lexicographic instruments in current use and have extended
our area of research only in the case of some words, considered
semantically unusual and hard to decipher:
Agerul Pmntului* (The Agile/Sprite of the Earth), Aflatul, Alb
mprat (Emperor White), Alba mprteasa (Empress White) Apa Rea,
(Bad Water), Argintar Galbeni Buni (Silversmith Good Ducats), Arip
Frumoas (Fair Wing), Aude Bine, (Hear Well), Aude Ru (Hear Badly),
Aura mprat (Emperor), Austru (Southern Wind), Barbu, Barb Cot (Elllong Beard), Bou (Blanel) (Ox, White Ox), Bourean (Young Ox), Brum
(Hoar-frost), Bucica (Tiny Tot), Cldur (Heat), Chipru, Ciperi,
Constantin, De ctre Ziu (Break of Day), De ctre Sear, De cu Sear
(Falling Night), Doamna (Chiralina*) (Lady), Doamna Florilor (Lady of
the Flowers), Dumnezeu (God), Fata (din Dafin*) (The Maid [of the
Laurel]), Fata Nevzut, Neauzit, din Cer Czut (The
Unseen/Unheard/Sky-fallen Maid), Fata Rumpe Haine* (Tatter-Clothes
Maid), Fata Nenscut de Om Nevzut (Unborn Maid Unseen by Man),
Faurul Pmntului (The Blacksmith of the Earth), Ft Frumos cu Prul de
Aur (Golden-Haired Fair Youth/Prince Charming), Ft Frumos din Lacrim
(Tear-Born Fair Youth/Prince Charming), Ftul (Babei) ([The Hags] Lad),
Fiul Iepei (The Mares Son), Fiul Oii (The Sheeps Son), Fiul Vacii (The
Cows Son), Floarea (Codrilor) (Flower [of the Woods]), Floarea Florilor
(Flower of the Flowers/Flower Queen), Floarea (Flower), Florea nfloritul
(Blossomy Florea), Florian, Florica, Floria, Foametea (Famine), Frntul
(The Crooked), Freac Pietre (Rub Stones), Frigul (Cold), Frigurosul
(Chilly), Frumoasa Lumii (Fairest of the World), Frumoasele (Fair Maids),
Frunz de Mghiran (Leaf of Marjoram), Galben de Soare (Sunny
Golden), Gerul (Frost), Gruor de Aur (Golden Little Wheat), Greuceanu,
117

Diversit et Identit Culturelle en Europe

Inim Putred (Rotten Heart), mpratul Alb (White Emperor), mpratul


Galben (Yellow Emperor), mpratul Negru (Black Emperor), mpratul
Rou (Red Emperor), mpratul Verde (Green Emperor), Lcust Ler*
mprat (Locust Ler Emperor), Lungil (Long Legs), Lupul (Woolf),
(Mama*) Pdurii, (Mama) Soarelui, Mama Vnturilor (Mother of the
Forest/Sun/Winds), Miastra*(Wondrous), Mngiferu, Mr (mprat)
(Apple [Emperor]), Mezil, Miez de Noapte (Midnight), Miaznoapte
(North), Mint (Crea) (Peppermint/Curled Mint), Mintea (Mind), Mucea
fr de Pr (Baldy Snotty), Musta de Aur (Golden Moustache), Barb de
Mtase (Beard of Silk), Mutu (Dumb), Nmiaza Nopii (Dead of Night),
Necuratul (Evil One), Negru mprat (Emperor Black), Nour mprat
(Emperor Cloud), Ochi Rde-Ochi Plnge (Laughing Eye-Weeping Eye),
Omul Pmntului (Man of the Earth), Omul ct chiopul (Tiny Man),
Barba ct Cotul (Elbow/Ell-long Beard), Omul din Lun (Man in the
Moon), Papur mprat (Reed Emperor), Pasre Miastr (Wondrous
Bird), Pr (mprat) Pear (Emperor), Ptru Ft Frumos (Peter Prince
Charming), Pene mprat (Emperor), Pescru (Seagull), Petre Cel
Frumos (Fair Peter), Petrea Celei (Peter of the Bitch-dog), Petrea Ft
Frumos, Petrea Piperiul (Peter Pepper), Petrea chiopul (Lame Peter),
Petrea (Tlhariul) (Highwayman), Petrea (Voinicul) (the Sturdy), Petru
Firicel (Leaflet), Picioare de Cal (Horse Legs), Pier de Cldur (Die of
Heat), Pier de Frig (Die of Cold), Pipru (Little Pepper), Pipru Petru,
Pipru (Viteazul) (the Brave), Por mprat (Emperor Por), Regina Florilor
(Flower Queen), Rou mprat (Emperor Red), Sn Georz (Saint George),
Sn Petru (Saint Peter), Sntana (Saint Ann), Sntilie (Saint Elijah),
Sumedru (Saint Demeter), Snta Duminic (Saint Sunday), Seril
(Nightfall), Scutur Munii (Shake Mountains), Setosul (Thirsty), Soarele
(Sun), Sorin, Sora Crivului (The North Winds Sister), Sora Soarelui
(The Suns Sister), Spat Lat (Broad Back), Spic de Gru (Wheat Spike),
Spic de Aur (Golden Wheat Spike), Statu Palm Barb Cot (Palm Tall Ell
Beard), Strmb Lemne (Bend Wood), chiopul cu Barba ct Cotul (Ell118

Diversit et Identit Culturelle en Europe

Beard Lame Dwarf), Urm Galbin (Yellow Trace), Uor ca Vntul-Greu


ca Pmntul (Light as the Wind, Heavy as the Earth), Vnt mprat (Wind
Emperor), Vntul cel mai de Sus (Highest Wind), Vntoasele (the
Whirlwinds), Vrful cel mai de Sus (The Highest Peak), Vede Bine (See
Well), Verde mprat (Green Emperor), Vulturul (Eagle), Zna Florilor
(Flower Fairy), Zna Munilor (Mountain Fairy), Zna Soarelui (the Sun
Fairy), Zna Stelin (Starry Fairy), Zna Verbin (Verbena Fairy), Zna
Znelor (Fairy/Queen of the Fairies/Fairy-Godmother).
Even from a general survey of the above sub-inventory we can
notice that the problems of interpretation are much more numerous than the
ones mentioned in the preamble to this subchapter. There we discussed the
problems in selecting and including the terms in the Latin class of
mythonyms, problems which we have simplified as much as possible, by
renouncing the sub-classifications according to the chronologic and
dialectal criterion. Unfortunately, these recur, under different forms, in the
analysis of the significations of some mythical character names, without
whose clarification we could not even convincingly complete the
etymological under discussion.
A first problem is that of the usual corrupted forms, more
precisely those which evolved according to later dialectical and historical
laws, at phonetic, morphologic, lexical and semantic levels, until the
complete loss of the connection with their initial Latin etymon.
A second problem is linked to the lexical-morphologic evolutions
even in the standard literary language, by suffix derivation, so active in
Latin and Romanian.20 Though not very productive here, it becomes
complicated by association with other phenomena.
From the Latin Accusative florem, we have inherited the Romanian
floare (flower), respectively the mythonyms Florea and Floarea (with the
20

Fortunately for us, in the case of mythonyms, suffix derivation proved less productive,
so the disassembling of the basis of a form complicated by derivational mechanisms (often
also combined with compounding and conversion) was less fastidious here.

119

Diversit et Identit Culturelle en Europe

respective vocalic alternation), but also the derivatives /diminutives


Florica, Floria, Florian, as well as the compound forms (pleonastic)
Florea nfloritul (Blossomy Florea), with a para-synthetic derivation in the
second term. However, these are infinitely more easily analysable than the
ones which evince the very first problem enounced here, that concerning the
dialectal phonetic and morphologic evolutions. When we say Petrea
Piperiul (Peter Pepper), we understand that, originally, they were the
Romanian terms Petre and piper, respectively the Latin ones petra/Petrus21
and piper. The problem is that, in some Transylvanian and Moldavian
dialects, the labial consonants become palatalised, so that Piper becomes
Chiper, then, by diminutive derivation, Chipru, which would be more
suggestive of chiparosul (cypress) (more mythologizing) rather than of
pepper. But from the context we understand that it refers to the condiment
granule. What is not understood is the form Ciperi, an enigma solved later
(though not definitively, we should believe,), by the philological analysis
carried out by Iorgu Iordan.22
But then compounding complicates almost permanently these
etymological interpretations. If we say Negru mprat, (Emperor Black)
things are all right, as both terms belong to the same language, and, even
more, to the same period in the evolution of Latin, which is a rare case in
mythonymy. But for Pipru Viteazul (Little Pepper the Brave) or Petrea
Voinicul, (Peter the Sturdy), the first term is Latin, while the other is of
Slavic-Magyar and Slavic origin, respectively. It is the same with Frunz de
Mghiran (Leaf of Marjoram), where the second term is the German
Mageran (a certain oregano species), with Sora Crivului (The North
Winds Sister) (Latin + Slavic), etc. In Agerul Pmntului, (The
Agile/Sprite of the Earth), the first term comes from the valid universal
21

Cf. also Greek /, Macedonean bedros/Bedros, French pierre/Pierre etc. On


this antanaclasis is based the assertion attributed to Jesus Christ: Tu es Petrus et super
hanc petram aedificabo meam ecclessiam You are Peter and on this stone I will build my
church.
22
I. Iordan, 1983, s.v. Ciperi.

120

Diversit et Identit Culturelle en Europe

classical Latin stock, since agilis (Acc. agilem) normally evolved towards
ager (with the predictable modifications the loss of the Latin termination,
the rhotacization of intervocalic -l-, etc.), while the second belongs to the
late vulgar stock, as pavimentum has a special significance in Latin (earth
layer, alternatively beaten earth), while in Romanian it acquired the
meaning of terra, a word it replaced for the most part.23
Some terms, even from the very common mythonymic stock, such
as Ft Frumos (Fair Youth/Prince Charming), or Zna/Znele (the FairyGodmother/the Fairies) are always controversially discussed, as it is not
very certain, for example, that Zna derives from Diana, although all the
phonetic, morphological-lexical and semantic-symbolic evidence would
confirm this evolution.
There are terms formed on Romanian soil, such as Mama, a word
of infantile origin, created autonomously in different languages, even
genealogically unrelated,24 so that the popular and archaic Latin mamma,
used in familiar register, bears no relations, despite all appearances, with the
corresponding Romanian term, and the standard literary doublet mater was
not at all adopted from Latin. In the combination Mama Pdurii/Muma
Pdurii (Mother of the Forest), etc., which was classified with the terms of
Latin origin, we can have the form with u (Muma), but also with Maica, a
Slavic form. What is more, the problem regarding the evolution of the Latin
paludem marsh to the Romanian pdure, through metathesis,
rhotacization, and especially through the spectacular change of meaning,
makes the classification in a certain group even more difficult.
Finally, if there can be an end to etymological problems, some
mythonyms are totally encoded. The first term from Ler mprat (Ler
Emperor) was intensely studied, due to its frequency in the incantatory
formulae of carols and spells, texts which accompanying ritual acts. We
23

There remain, however, in Romanian, terra>ear>ar country, respectively,


terranus peasant.
24
Cf. P. Gh. Brlea, 2013, p.192.

121

Diversit et Identit Culturelle en Europe

have accepted the most widespread explanation among specialists: it might


well be a form which was reduced, syncopated (because of its usage in
incantatory, rhythmical and rhymed contexts) to this enigmatic syllable,
deriving from the Hebrew Alleluiiah > Latin ler > Romanian ler/Ler. 25
BIBLIOGRPHY
1. Surces
***, 2003, Antologia basmului cult romnesc. Vol. 1-2. Ediie ngrijit de
Ioan erb, Bucureti: Editura Grai i Suflet- Cultura Naional.
***, 2010, Basmele romnilor, vol. I-X, Bucureti: Editura Curtea Veche.
OPRIAN, I. (ed.), 2005, Basme fantastice romneti, vol. I-IX, Bucureti:
Editura
INEANU, Lazr, 1978, Basmele romne n comparaiune cu legendele
antice, clasice i n legtur cu basmele popoarelor nvecinate i ale
tuturor popoarelor romanice. Ediie ngrijit de Ruxandra Niculescu.
Prefa de Ovidiu Brlea, Bucureti: Editura Minerva.
2. References
BRLEA, P. Gh., 20132, Limba romn contemporan..., Bucureti:
Editura Muzeul Literaturii Romne.
BRLEA, Petre Gheorghe, 2007, Ana cea Bun - Lingvistic i mitologie,
Bucureti: Editura Grai i Suflet - Cultura Naional.
CARAGIU-MARIOEANU, Matilda, 1975, Compendiu de dialectologie
romn (Nord- i Sud-dunrean), Bucureti: Editura tiinific i
Enciclopedic.
COTEANU, Ion; SALA, Marius, 1987, Etimologia i limba romn.
Probleme - Principii, Bucureti: Editura Academiei.

25

The phenomenon is also attested in other lexemes and syntagms, such as the popular
interjection zu, reduction from Romanian (pe) Dumnezeu (by God) < lat. Dominus Deus.

122

Diversit et Identit Culturelle en Europe

DIMITRESCU, Florica (coord.), 1978, Istoria limbii romne, Bucureti:


Editura Didactic i Pedagogic.
EVSEEV, Ivan, 1999, Componenta mitologic a vocabularului romnesc,
Bucureti: Editura Academiei Romne.
FISCHER, I., 1975, Latina dunrean. Introducere n istoria limbii
romne, Bucureti: Editura tiinific i Enciclopedic.
GIUGLEA, George, 1983, Cuvinte romneti i romanice..., Ediie de
Florena Sdeanu, Bucureti: Editura tiinific i Enciclopedic.
HASDEU, Bogdan Petriceicu, 1974-1976, Etymologicum Magnum
Romaniae. Vol. IIII. Ediie ngrijit de Grigore Brncu, Bucureti:
Editura Minerva.
HRISTEA, Theodor, 1972, Probleme de etimologie. Studii. Articole. Note,
Bucureti: Editura tiinific.
IORDAN, I., 1983, Dicionar al numelor de familie romneti, Bucureti:
Editura tiinific i Enciclopedic.
IVNESCU, Gh., 1958, Origine pr-indo-europenne des nous du
Danube, n: Constributions onomastiqus, Bucureti: Editura
Academiei, I, pp. 125-139.
JERCAN-PREDA, Alina, 2010, Locul limbii franceze n structura lexicului
geografic romnesc, Bucureti: Editura Universitar.
PTRU, Ion 1984, Nume de persoane i nume de locuri romneti,
Bucureti: Editura tiinific i Enciclopedic.
POGHIRC, Cicerone, 1996, Influena autohton, n: Istoria limbii
romne, vol. II, Bucureti: Editura Academiei, pp. 313-365.
PUCARIU, Sextil, 1976, Limba romn, I. Privire general, Bucureti:
Editura Minerva.
ROSETTI, Al., 1971, Istoria limbii romne literare, Bucureti: Editura Minerva.
INEANU, Lazr, 1978, Basmele romne n comparaiune cu legendele
antice, clasice i n legtur cu basmele popoarelor nvecinate i ale
tuturor popoarelor romanice. Ediie ngrijit de Ruxandra Niculescu.
Prefa de Ovidiu Brlea, Bucureti: Editura Minerva. (Ed. I: 1895).
123

Diversit et Identit Culturelle en Europe

INEANU, Lazr, 1999, ncercare asupra semasiologiei limbei romne:


Studii istorice despre tranziiunea sensurilor. Ediie de Livia
Vasilu. Timioara: Editura de Vest. (Ed. I: 1887).
INEANU, Lazr, 2012, Ielele sau Znele rele studii folclorice. Ediie
de I. Oprian, Bucureti: Saeculum I.O. (Ed. I: 1896).
VULCNESCU, Mircea, 1991, Dimensiunea romneasc a existenei,
Bucureti: Editura Fundaiei Culturale Romne.
VULCNESCU, R., 1987, Mitologia romn, Bucureti: Editura Academiei.

124

Diversit et Identit Culturelle en Europe

THE PHRASEOLOGY OF HEAD IN RELATION


WITH BALKAN MENTALITY
(CONTRASTIVE ANALYSIS OF THE
PHRASEOLOGY OF ALBANIAN, BULGARIAN
AND GREEK LANGUAGES)
Eva RAVA (KANE), MSc
Anyla SARAI (MAXHE), PhD
Fan S. Noli University, Kor, Albania
kaneeva@ymail.com
animaxhe@yahoo.com

Abstract:
The common points in the phraseology of Balkan languages are often attributed to
some Balkan cultural heritage, a term which is usually not defined any further. So, this
term can allow us to see how this heritage is represented in phraseology. First of all, the
use of a systematic empirical research to describe these phraseological units serves to
determine which idioms actually share a relatively identical lexical and semantic structure
across the three languages and could therefore be called widespread. This article presents
a contrastive study of the structures and semantics of phraseology units containing the
word head in Albanian, Bulgarian and Greek languages. This approach can describe
similarities and differences of mentality as reflected in phraseology.
Key words:
Head, phraseology, contrastive insight, Balkan languages, semantics.

Introduction
Glaser (1996) defines PhUs as Glaser nominations because they
designate a phenomenon, an object, a process or a state, a property or a
relationship outside the world. Every language forms them according to its
particular nature, often according to existing patterns. As a result, they are
widespread not only in the written language but also in the spoken
language. (Thomaj, Lloshi II, 1972: 231).
125

Diversit et Identit Culturelle en Europe

The common points in the phraseology of European languages are


often attributed to some European cultural heritage. Menac (1987)
presented an inventory of several dozens of (supposedly) common
European idioms, drawn from six languages of diverse genetic
relationships, namely two Slavonic (Croatian, Russian), two Germanic
(German, English) and two Romance (French and Italian) languages. Her
analysis reveals quite a large number of near-equivalent idioms in these
languages (Pirrenei, 2005:49). From this point of view, by analogy, in what
is described as Balkan Sprachbund, many scholars have found
concordances between languages in folkloric forms, proverbs etc.
Meanwhile, based on the concept of Glaser, phraseology is described not
only as a nomenclature of designations, but as a linguistic angle of a
common mentality, that in this case is the Balkan mentality. Balkan cultures
are so similar: the long coexistence close to each other, the movement of the
population, the common historical, economic and social circumstances, all
these have determined common linguistics realities.
Language itself is an implicit thought scheme, so through
comparative and contrastive cross-linguistic description it becomes possible
to find out the inner linguistic connections underlying a common Balkan
mentality. One of the main reasons for the similarities in folklore is bound
up with the common elements in the spiritual realm of Balkan nations, seen
as the Balkan cultural heritage, a term which requires defining further.
These similarities are seen by Sanfeld as one of the factors defining the
Balkan community (Thomaj; Lloshi, II 1972:225). Based on this common
Balkan element, the lexical concordances between Balkan languages are
present and more distinctive because it is the nature of linguistic
cognation that the analogies are created from the first contacts mainly in the
field of lexis (Thomaj; Lloshi, II 1972:223).
126

Diversit et Identit Culturelle en Europe

Several other cross-cultural studies start from the traditional


grouping of idioms into thematic groups (e.g. idioms with body parts,
animal or garment constituents), mistakenly referred to as the
onomasiological approach as well. They come to the conclusion that there
are similar idioms in some languages (Piirainen 2005: 47).
Methods
One type of cultural fundament is represented by idioms whose
underlying cultural knowledge chiefly goes back to knowledge folk social
mentality. This type can be divided into smaller subgroups and the
phraseology containing parts of the body is one of them. The analysis
features 108 phraseological units that contain the word head, taken from the
Balkan phraseological dictionary. These phrase units are examined in
parallel in three Balkanic languages: Albanian, Greek and Bulgarian,
starting from the Albanian language. Such parallels include items with
slight lexical differences, which means when the words in both languages
belong to the same semantic field and it is difficult to find any other extralinguistic explanation for the usage of one word or another in the noun
phrases (Hristova Bejleri, 1996).
Results and discussion
According to the meanings given in the Dictionary of the Albanian
language (2002: 587-588), the phraseological units containing the word
head have four main meanings: 1) upper part of the body which is the
location of the brain, the eyes, the ears, the nose etc.; 2) part of the human
body as the unit of thinking, the human being as holder of ideas and of
certain mental capacities; 3) part of the human body as representative of
human life, ego; 4) the beginning of some beings or objects, top.
127

Diversit et Identit Culturelle en Europe

Christians have usually understood the word head to mean


authority over. Thus, Christ is the authority over the church and a
husband is the authority over his wife (1985: 38). In a contrastive analysis
of the phraseological units containing head in Albanian and Bulgarian,
we shall identify will three groups:
The first group includes the phraseological units evincing the same
lexical structure. This means that, in both languages, the phraseological
units contain the same verbs or synonymous verbs followed by the word
head (in Albanian kok-a, in Bulgarian -, in Greek ).
These examples of structural correspondences containing the same verb or
synonymous verbs show lexical-semantic phraseological parallels. The
phraseological units show parallelisms not only in their lexemes but even in
their meanings. There are many instances of phraseological units where
both the form and the structure are the same in both languages, for example
such expressions as: m ra prapa koks -
; i bie koks me grushte (
)- () , mu a koka
- () ., m dhemb koka -
- , heq(fshij) nga koka ()
( , )- ()
(); sm hiqet nga koka -, kok e kmb
- () (
, ); nga koka n kmbt - -
; kok m kok - .,
me kok posht - , kok qep
- ; me kok ulur -
; kruaj kokn - , e
kthej me kok posht -
; kthej kokn prapa - - ;
128

Diversit et Identit Culturelle en Europe

ia lau kokn - ;, se ngre


kokn - ( ), e pres kokn
- ( ).
As already mentioned, in the three languages, these phraseological
units contain verbs with a wide semantic structure. These verbs have more
than one meaning, but in the most cases the verb is used in its literal
meaning. Generally, these units are a result of a transformation of free
noun-phrases to phraseological noun-phrases.
The second group includes phraseological units with a different
structure, having in common the noun head. In these cases, the word
head occurs in its usage as part of the body where the brain is located or
as mind, the process of thinking itself, as in the following groups of
examples: Ia bri koka - ;
sdi ku kam kokn -
() ; si dhemb koka (pr asgj)
- ; i hipi (i krceu) n kok
; - ()
; e ka mendjen prapa koks , ( ) .( ); l kokn
(pr dik a dika) ( , ) -
( ), e lodh kokn kot -
(); m zien (mizron) koka -
() .
This group is semantically based on the figurative meaning of the
components in the phraseological unit. The verbs occurring in these
phraseological units have different meanings but the meaning of the whole
phraseological unit is the same in all three languages. These phraseological
units demonstrate the process of constructing the we in opposition to the
others. This requires archaic operations which utilize rudimentary
129

Diversit et Identit Culturelle en Europe

generalizations, functioning as crude means of detachment which will later


provide the basis for opposition (Frangoudaki & Thalia, 1997:14-16)
The third group includes phraseological expressions containing the
word head in Albanian but not in Bulgarian. In Bulgarian these examples
are linked to lexemes that in most cases express meanings similar to the
meaning of head as brain, mind or connected to the meaning head as
representative of life. Therefore, in Albanian and Greek phraseological
units the word head is present, whereas in Bulgarian phraseological units
other lexemes are used. From a detailed analysis it results that, in the case
of phraseological units containing the word head as the upper part of the
human body, in Bulgarian the word head is replaced with other parts of the
body linked to the head, such as: e nxori kokn - (head-horns).
In Albanian and Greek phraseological units, the word head is used
in its meaning as life, while in Bulgarian phraseological units another word
is used with the same meaning: i ka br kokn - (head-life); prpjek kokn (pas murit) -
- , (head-life); ku m ka
rn koka - -
(head-navel); ska kok dimri (, ) -
() (head-force); ia hngri kokn me t mir
- (head-spirit).
There are some phraseological units in which the word head is used
as process of thinking in Albanian and in Greek, while in Bulgarian
head is replaced with the words mind, brain, in such cases as: sia pret
koka - ; ia shplau kokn-
- , ska kok
(, ) - ; .
130

Diversit et Identit Culturelle en Europe

In this group, even national features of both nations are referred to,
because the phraselogical units carry not only the original structure but even
the meaning of the phraseological unit.
Based on the analysis of these phraseological units, it can be noticed
that most of them are linked to the meaning unit of thinking and
representative of life, ego. In the first case, some phraseological units are
introduced as synonymous versions, where the word head is replaced
with the synonyms mind, brain.
According to J. Thomaj and Xh. Lloshi the common origin of
Indo-European languages explains even the analogies in the process of
formation of the phraseological noun-phrases of this type. Therefore their
origin cannot be explained with any certainty and it is also difficult to
separate the Balkan stock of phraseological units, except in the cases
documented from written monuments (Thomaj; Lloshi, II 1972:227).
Conclusion
As a conclusion, we should point out that these phraseological
parallels cannot be called exhaustive. The contrastive semantic-structural
analysis of phraseological units will complete the linguistic coincidences
between Balkan languages. The study of phraseological units makes it
possible to assume that Balkan languages have to be studied in connection
with each other. At the same time, they preserve the features of the IndoEuropean family, but without affinity or connection to each other.
Even so, these coincidences in phraseology present in the general
system of the Balkan community are linked to the features of every
language in the complexity of its national features, of the history of every
nation in all its aspects (Thomaj; Lloshi, II 1972:234).
Quite probably, a systematic multilingual investigation of idioms,
along lines similar to those outlined above for proverbs, would produce
promising results.
131

Diversit et Identit Culturelle en Europe

References
AKADEMIA E SHKENCAVE T SHQIPRIS, 2002, Fjalor i gjuhs
shqipe, Toena, Tiran, 587-589.
FRANGOUDAKI, A. & THALIA D., 1997, What is our fatherland?
Ethnocentrism in education, Alexandria publications, (in Greek).
GLSER, R., 1998, The Stylistic Potential of Phraseological Units. In
Cowie, A. P. ed.: 1998: Phraseology: Theory, Analysis, and
Applications. Oxford: Clarendon Press: 125-143.
GRUDEM, W., 1985, Does (Head) Mean Source Or Authority
Over in Greek Literature? A Survey of 2,336 Examples, Trinity
Journal no. 6.1 (Spring): 38-59:35.
HRISTOVA-BEJLERI, R., 1996, Njsi frazeologjike q prmbajn
krahasim n shqipe e bullgarishte. Seminari i XVIII i gjuhs, letrsis
dhe kulturs shqiptare, Tiran.
PIIRAINEN, E., 2005, Europeanism, internationalism or something else?
Proposal for a cross-linguistic and cross-cultural research project on
widespread idioms in Europe and beyond, Hermes Journal of
Linguistics no. 35.
THOMAJ, J., 2010, Fjalori frazeologjik i gjuhs shqipe, EDFA, Tiran.
THOMAJ, J., LLOSHI, XH., 1972, Paralele frazeologjike t gjuhs shqipe
me gjuh t tjera t Ballkanit, n Studime mbi leksikun dhe formimin
e fjalve n gjuhn shqipe, II, botim i ASHSH, 223-234.
THOMAJ, J., LLOSHI, XH., HRISTOVA-BEJLERI, R., QIRIAZATI, K.,
MELONASHI, A., 1999, Fjalori ballkanik frazeologjik, Dituria,
Tiran, 160-166.
,
, 1974,
. , 208.

132

Diversit et Identit Culturelle en Europe

CONVERGENCES ET DIVERGENCES
IDENTITAIRES
LA COMMUNICATION INTERCULTURELLE ET
LA NEGOCIATION DE LIDENTITE DES
ALBANAIS
Prof. Dr. Gjergji PENDAVINJI
Doc. Robert STRATOBERDHA
Universit Fan S. Noli Kor, Albanie
gjpendavinji@yahoo.com
robert_npf@hotmail.com

Abstract:
The article presents, from a theoretical perspective, the problem of negotiating the
identity of Albanians in the framework of intercultural communication, introducing at the
same time the data analysis of this phenomenon. The study methodology is based on
ethnographic research and the concept of culture.
One of the main issues of todays discourse, in the context of Albanian social
space, is the intercultural communication as a fundamental aspect of regional and global
integration processes. At the sociocultural level, the debate on negotiating the identity of
Albanians in the European integrated social space has aroused a great deal of interest.
Central to the discussion regarding the identity of Albanians has been the idea of
European identity. This thesis has received a number of interesting social, historical,
linguistic and cultural arguments. Great personalities of Albanian literature and culture,
like Ismail Kadare, Rexhep Qose etc., have brought their contribution to this intellectual
debate, which has sparked off new and innovative ideas with respect to negotiating the
identity of Albanians in the framework of communication within their socio-cultural space.
The review of such an issue, has naturally led us to some controversial
conclusions in terms of support, cultivation and renewal of some very important cultural
values in modern sociocultural communication.
Rsum:
Dans le cadre de la communication interculturelle, larticle expose une
perspective thorique sur le problme de la ngociation de lidentit des Albanais et la
fois prsente une analyse des faits sur le phnomne en question.
La mthodologie dtude est base sur la recherche ethnographique ainsi que sur la culture.

133

Diversit et Identit Culturelle en Europe

Une des questions du discours actuel dans le cadre de lespace social albanais est
la communication interculturelle comme un aspect principal des processus dintgration
rgionale et globale. A ce propos, le dbat sur la ngociation de lidentit des Albanais
dans lespace social europen et plus large encore a suscit beaucoup dintrt sur le plan
socioculturel.
Le problme crucial qui a gagn du terrain dans la discussion de lidentit des
Albanais cest lide de lidentit europenne. Ce dbat, qui a t rendu trs intressant
suite lintervention des personnalits minentes de la culture et des lettres comme Ismail
Kadare, Rexhep Qose, et dautres a mis face face maints arguments au niveau social,
historique, linguistique et culturel sur ce sujet.
Cette polmique intellectuelle a fourni beaucoup dides et darguments nouveaux
propos de la ngociation de lidentit des Albanais dans le cadre de la communication
lintrieur de leur espace socioculturel.
Lanalyse de cette discussion a fait tirer de manire naturelle quelques
conclusions contestables en ce qui concerne le soutien, la sauvegarde et la rnovation de
quelques valeurs culturelles dune trs grande importance la communication moderne
socioculturelle.
Mots cls:
Communication interculturelle; ngociation de lidentit, discours sur lidentit
europenne des Albanais; argument sociolinguistique; analyse sociolinguistique et
ethnoculturelle.

Introduction:
La communication interculturelle ainsi que la ngociation de
lidentit sont en gnral des processus sociologiques lis la culture. Dans
le cadre des dynamiques sociales, les phnomnes de la communication
travers les cultures et les subcultures ainsi que la ngociation des identits
sociales occupent une place importante. Ces processus ont t mis en
vidence galement dans la socit albanaise pendant la premire dcennie
du nouveau sicle (21-e sicle) en tant que consquence de quelques
dveloppements rapides qui ont eu lieu dans tout lespace albanais et
particulirement la fin de la guerre au Kosovo et la cration de ltat
indpendant. Au sein de la dynamique sociale albanaise au Kosovo et des
transformations politiques, conomiques et sociales profondes, la question
de la ngociation de lidentit des Albanais a t lobjet dun dbat
134

Diversit et Identit Culturelle en Europe

intellectuel et a attir lattention sur lhorizon culturel albanais. La


concentration de ce dbat, entre autres mme dans une approche
sociolinguistique o la langue fait la base de largumentation et de la
ngociation de cette identit a t bien intressante. Le dbat a t concentr
essentiellement sur lexplication de la substance de lidentit des Albanais
sous une perspective essentialiste et constructiviste. Il consiste aussi sur le
modle de lanalyse et de largumentation des questions du problme
soulev dbattre comme: lidentit nationale, lidentit intgrale ou mme
partielle, lidentit europenne etc. Ce dbat a t rendu trs intressant
suite lintervention des personnalits minentes de la culture comme
Ismail Kadare, Rexhep Qose, Rexhep Ismaili et dautres personnalits
acadmiques, politiques et du domaine des mdias etc.
Dans cet article nous allons essayer de mettre en vidence le
contenu principal du dbat Kadare Qose, analyser ensuite les arguments
apports et raliser une prsentation aussi prcise que possible de ce
phnomne socioculturel et la fois sociolinguistique vu sous trois aspects
de son dveloppement:
1. La langue, la base de lidentit nationale albanaise.
2. Des zones communes, des zones de divergences et la question de lidentit.
3. Le dbat sur lidentit europenne des Albanais.
1. La langue albanaise, la base de lidentit nationale des Albanais.
Dans la littrature albanologique il existe un fond assez considrable
de travaux qui directement ou indirectement argumente aisment les
fondements linguistiques et culturels de lidentit des albanais. Chaque
faon de poser et de rsoudre ce problme prsente beaucoup dintrt ce
qui constitue une richesse culturelle et scientifique dans le discours sur la
ngociation de lidentit. Tous les chercheurs acceptent que la langue est la
base principale de cette identit nationale albanaise.
135

Diversit et Identit Culturelle en Europe

Il y a assez de travaux scientifiques qui traitent dfinitivement la


thse de la langue albanaise comme la fondation de lidentit nationale
albanaise et qui stendent depuis 1462 avec La formule du baptme en
dialecte du nord (dialecte geg, rgion de Mat), Le Meshar de Gjon
Buzuku en 1555, Leke Matranga en 1592, Pjeter Budi en 1622, Pjetr
Bogdani en 1685, Frank Bardhi en 1635, puis les albanologues Francesko
Maria en 1716, William Martin Leake en 1814, Franesko Rossi, August
Dozon en 1879 et ensuite Kostandin Kristoforidhi en 1882, Sami Frashri
en 1886, Gjergj Pekmezi, et plus encore S. Riza, A. Xhuvani, E. abej, M.
Domi, A. Kostallari et dautres qui arrivent jusqu' nos jours.
De nos jours, dans cette productivit scientifique, on peut citer une
srie darguments contemporains qui prsentent de lintrt. On va sarrter
quelques uns de ces arguments qui ont t labors par la figure
acadmique Rexhep Ismaili1.
Lauteur respectif apporte des arguments afin de soutenir lide que
la langue est une expression initiale de lexprience collective, une mesure
de lidentit du groupe, une rflexion de ltre national.
Nos potes de la Renaissance (Sami Frashri et dautres)
considraient la langue comme llment primordial de lidentit nationale.
Mais la langue a maintenu ce rle ultrieurement aussi: on peut citer ici les
activits linguistiques dans les annes 60 du XX-e sicle o lon
sintressait lunification standardise de la langue (Consultation
Linguistique de Pristina o on a formul le slogan une nation- une
langue), programme qui a entrain plein de dbats.
Dans ces discours, il a t dfini mme la diffrence entre lunit
linguistique et lunit nationale 2.
1

R. ISMAIL, 26. 07. 2005, Discours tenu au Sminaire pour les enseignants, Pristina,
Gjuha dhe identiteti kulturor e kombtar.
2
Idem

136

Diversit et Identit Culturelle en Europe

Malgr la complexit ethnique, tatique, culturelle et religieuse, la


langue a t et lest encore llment principal de lidentit culturelle et
nationale de la communaut albanaise.
Avec la cration de lEtat albanais (1912), la population albanaise
qui est reste en dehors de son territoire surtout celle de la Yougoslavie, a
continu ressentir et considrer la question de lidentit et de lintgrit
nationale comme un objectif et un besoin permanents. Dans le contexte de
la liaison interne de lidentit, la langue albanaise standard reste le pilier de
lidentit nationale et ethnique, de lidentit historique et actuelle malgr
dautres dissimilitudes. Pour cette raison, la langue albanaise a une valeur
particulire symbolique.
En analysant cet espace sociolinguistique albanais ainsi que la
consolidation de la communication interculturelle, nous nous rendons
compte que la culture de la langue demande lattention de tous afin de
protger la langue littraire du phnomne de la stagnation. Mais cette
prcaution et cette attention ont un prix, comme conclut lacadmicien
Rexhep Ismaili, qui constitue le cot de lnergie ncessaire pour faire
apprendre le standard linguistique un grand nombre dinterlocuteurs
parce que cest la seule voie de protection des pressions extraordinaires
dans cette poque de globalisation 3.
2. Des zones communes, des zones de divergences et la question
de lidentit
Dans lanalyse de ce problme on a labor et dvelopp beaucoup
daspects du discours sur lidentit et son cadre interculturel, les aspects
communs et les distinctions dans ce processus.

Idem

137

Diversit et Identit Culturelle en Europe

Gnralement, les individus socialisent lintrieur dun groupe


principalement travers la langue, en communiquant avec les autres ou bien
en recevant linformation qui est absorbe en tant qu un hritage culturel.
De plus, nos identits culturelles peuvent tre si exhaustives que
nous ne pouvons pas remarquer limportance de nos distinctions culturelles.
Thoriquement, il a t accept que lidentit sociale et lidentit
personnelle naissent et se dveloppent lintrieur des grands rseaux de
notre culture4.
Si lon se rfre au phnomne dans notre socit, la question se
pose: peut-on parler dune identit kosovare diffrente de lidentit albanaise?
Dans la ralit actuelle on constate des distinctions dans laspect
tatique, ducatif, mdiatique jusqu' lutilisation dune langue officielle
Pristina diffrente de celle de Tirana. Peut-tre, ces diffrences iront-elles
graduellement et de manire artificielle vers une identit kosovare?
Lexistence mme des deux Etats albanais dans les Balkans peut-elle influer
sur la reformulation des identits des deux cots de la frontire entre
lAlbanie et le Kosovo?
En mme temps, on accepte la nouvelle ralit de communication
grce la formation du nouvel Etat du Kosovo. Les conditions actuelles
sont trs favorables lunification de la communication interculturelle entre
les Albanais dans les Balkans. Cela veut dire que par lintermdiaire du
systme ducatif, des changes culturels en gnral on peut viter les
tendances centrifuges au Kosovo et en Albanie.
Dans ce cadre, il est indispensable de protger et dentretenir la
langue albanaise comme instrument principal de la communication. Cela,
parce que cest la langue albanaise qui a le plus de puissance de transmettre
les valeurs communes des Albanais mieux que les autres instruments
culturels comme les symboles culturels, les lgendes etc. Mais en tout cas,
4

M. ROSALDO, 1984, Culture theory, Cambridge University Press.

138

Diversit et Identit Culturelle en Europe

les diffrences sont un phnomne normal pour chaque socit, donc mme
pour la socit albanaise. A lintrieur de ces distinctions il ny a rien de
trs particulier, ce qui arrive avec presque toutes les nations.
Mais la question se pose si les circonstances sociales et historiques sont
telles que ces diffrences peuvent mener vers de nouvelles identits ou non.
Assurment, la langue reste llment le plus consistant de cette
identit, voire la langue avec toutes ses formes linguistiques. Ainsi, peut-on
mentionner la langue de la posie nationale. Cette langue est une manire
prioritaire et une ralit en soi-mme qui, mme dans son aspect matriel
simplement comme code de communication, contient un lment
didentit5.
Dans le cadre du discours sur lidentit des Albanais, il a t tudi
mme un aspect historico-linguistique li linfluence ottomane chez les
albanais durant cinq sicles doccupation. Donc, combien la domination
ottomane trop longue en Albanie a-t-elle influ sur la sauvegarde ou bien
sur la modification de lidentit albanaise?
Nous distinguons deux attitudes diffrentes dans le dbat sur cet
argument: La premire attitude, reprsente par Ismail Kadare, argumente
que lidentit albanaise est reste inchange et non modifie. Selon lui,
cinq sicles de domination ottomane nont pas chang lidentit des albanais.
La deuxime attitude, soutenue par Rexhep Qose et dautres,
argumente la modification, la trace, les changements qua subis
lidentit albanaise prottomane sous linfluence de la domination ottomane.
Largument de cette attitude est li linfluence que la langue
albanaise a subie o un tas de mots de la langue courante a t emprunt de
la langue turque (tavan=plafond, dysheme=plancher, dyshek=matelas,
jorgan=duvet, tull=brique, alli=pltre, dollap=placard, araf=drap,
5

A. FUGA, 2009/1, Komunikimi bashkkohor midis shqiptarve Dpartement de


journalistique, UT.

139

Diversit et Identit Culturelle en Europe

jastk=oreiller, sndyk=malle, penxhere=fentre, etc.) Quelques partisans


de cette attitude vont mme jusqu' une affirmation extrme disant que
lidentit albanaise a t produite dans les formes actuelles en
consquence de linfluence ottomane6.
Ismail Kadare, dans une interview des derniers temps faisant le
commentaire des dclarations des trois premier-ministres Pristina (Edi
Rama, Hashim Thai et Taip Erdogan) au journal Panorama du 25.10.2013
dit: Une des hontes de la pense albanaise cest celle qui affirme que
lexistence de lAlbanie est due deux remparts: lEtat ottoman et
lEtat communiste 7.
Ismail Kadare dit avoir dvelopp et argument cette ide depuis
longtemps dans le livre Mosmarrveshja (Le Dsaccord).
3. Lidentit europenne des albanais. Le dbat Kadare - Qose
Dans le cadre du phnomne social de la ngociation de lidentit
des Albanais, le dbat des dernires annes, en ce qui concerne lidentit
europenne des Albanais, dbat qui dans les medias est baptis Le dbat
Kadare-Qose cause des deux protagonistes qui lont dirig, a t trs
intressant. Mais dans ce dbat ont t engags aussi dautres intellectuels
dAlbanie, du Kosovo, de la Macdoine et des Albanais dItalie.
Le premier document, qui a initi le dbat, ctait celui de Rexhep
Qose Ideologjia e shprbrjes (Lidologie de dsagrgation) o lauteur
traite quelques ides sur les facteurs influents de la dcomposition de
lidentit des Albanais ou bien de leur unit nationale. Lune des ides
soutenues par Qose est que les albanais nappartiennent pas seulement la
civilisation europenne et quil ne faut pas ngliger le fait que la culture

6
7

A. VEHBIU, 25. 06. 2008, Pr nj prkufizim t identitetit shqiptar, Forum albanais.


Panorama, 25 Octobre 2013.

140

Diversit et Identit Culturelle en Europe

albanaise contient aussi des lments de la civilisation de lEst, o lon


sous-entend la civilisation musulmane.
Les Albanais, en ralit, appartiennent aux deux civilisations: la
civilisation de lOuest et celle de lEst ils ont ramass de ces
civilisations tout ce quils ont voulu et quils nont pas voulu, ils ont
ramass de bon gr ou de force: leur culture, leur civilisation cest donc
lunion des deux cultures, des deux civilisations8.
Ismail Kadare entre en polmique avec cette ide grce son essai
Identiteti europian i shqiptarve (Lidentit europenne des Albanais) o
il affirme que les Albanais ne sont pas moins europens que les autres
nations de lEurope. Les lettres des albanais sont trs claires les
Albanais sont parmi les peuples les plus anciens du continent europen, un
peuple fondateur dans sa cration9
Les arguments fournis par Kadare en faveur de la thse de lidentit
europenne des Albanais sont: largument gographique, largument
anthropologique, largument historique et celui culturel. Selon lui,
lAlbanie ne se situe pas lcart de lEurope, la population albanaise,
comme celle de tout le continent europen, est de race blanche, les contres
actuelles de lAlbanie ont t prsentes en Europe depuis lantiquit, les
lments de la culture populaire albanaise font partie de la culture
europenne10.
Selon cet argument, nous avons faire avec une identit europenne
des Albanais forme depuis lantiquit et le moyen ge pr ottomane.
Kadare contredit galement largument de Qose, selon lequel
lidentit europenne des Albanais a chang au cours des occupations et que
dans la priode ottomane elle a t divise en deux entre lEst et lOuest.
8

R. QOSE, 2006, Ideologjia e shprbrjes, Tirana , p. 31


I. KADARE, 2006, Identiteti europian i shqiptarve, Onufri, Tirana, p.20.
10
Idem, pp, 21-23.
9

141

Diversit et Identit Culturelle en Europe

Kadare accepte que dans la culture albanaise il y a eu des influences anti


europennes comme consquence du programme de lEmpire ottoman pour
loccupation et la dvastation de lEurope entire 11
Suite cet argument, Kadare contredit aussi lide de Qose selon
laquelle les Albanais ont t faits pour tre un pont de liaison ou bien un
lment rconciliateur entre lEst et lOuest. Selon Kadare, les Albanais
sont clairement europens et aligns au ct de lOccident 12.
Sur le plan sociolinguistique, largument de Kadare se dveloppe en
mettant en vidence les corrlations et les lments communs europens
linguistiques et culturels. Selon lui, la littrature ancienne albanaise,
littrature bilingue albanaise et latine, tout comme dans la plupart des pays
europens, a t dveloppe au mme niveau pendant presque trois sicles.
Des personnalits clbres de cette littrature comme Pjetr Budi, Frang
Bardhi, Pjetr Bogdani ditaient leurs uvres bilingues dans les mtropoles
europennes pour les apporter en cachette en Albanie o lcriture et
limprimerie en Albanais ntaient pas permises.
En outre,
dans les conditions dramatiques de linterdiction, en 1908, une
commission dirige par Gjergj Fishta et Mithat Frasheri, depuis la
proclamation de lalphabet latin comme alphabet officiel des Albanais, ont
donn une ide claire de leuropanisation albanaise 13.
Cela savre la veille de lindpendance aprs une longue priode de
cinq sicles, o les esprits taient encore troubles et lalphabet latin dans les
Balkans tait trop rare. Cest avec cet alphabet que lAlbanie est arrive en
1912, lanne de sa libert.

11

Idem, p. 25.
Idem, p. 55.
13
Idem, p. 58.
12

142

Diversit et Identit Culturelle en Europe

Lanalyse critique du dbat Kadare Qose en automne 2006 tait au


centre de la Revue Prpjekja (Leffort). Dans quelques articles, les ides
de Kadare et de ses souteneurs sont considres comme des inspirations
romantiques qui sont nourries dune imagination en noir et blanc de
lhistoire albanaise et de la ralit daujourdhui. Dans ces articles, les
identits albanaise et europenne sont vues de manire essentialiste et sont
considres comme invariables dans leur essence. Pour le chercheur
Artan Puto, le dbat Kadare Qose au dbut a t dplac au niveau de la
politique identitaire, la protection du caractre europen des Albanais et
comme a loccasion est perdue pour que le dbat intellectuel soit
dvelopp en tant que processus de reconnaissance et de discussion 14.
Il pense que Qose a offert une conception plus varie de lidentit
albanaise mais mme celui-ci, quand il analyse la Renaissance Nationale, il
narrive pas la voir comme une construction idologique des intellectuels
et des activistes nationalistes albanais de ce temps-l mais il la prsente
comme une dcouverte de leur part de lidentit existante albanaise. Donc,
Qose na pas saisi la nature construite de lidentit nationale albanaise
comme une cration de la Renaissance Nationale Albanaise.
Mais le point commun des articles de la Revue Prpjekja cest la
mise en vidence de la nature construite des identits. Cest pour cette
raison que le titre Lidentit autrement a t utilis: dune part pour
accepter lapproche constructiviste et dautre part pour se distancier du
point de vu essentialiste de beaucoup dautres dbatteurs pour lesquels le
caractre europen des Albanais est dans lessence quelque chose dj fait
pralablement et qui est inchangeable par lhistoire et la politique.
Lapproche constructiviste part de lide du changement continu des

14

A. Puto, Prpjekja, 23, Fryma romantike dhe nacionaliste n debatin pr identitetin


shqiptar, pp. 13-39.

143

Diversit et Identit Culturelle en Europe

identits et veut mettre en vue les cas de leur rigidit temporaire si bien
dans lespace europen que dans celui albanais.
Conclusions:
Bass sur ltude du discours intellectuel sur lidentit et largument
de ngociation de lidentit des Albanais, nous pouvons tirer quelques
conclusions qui ne sont pas encore dfinitives pour le fait que ce dbat nest
pas encore considr consomm.
Premirement: La communication et la ngociation de lidentit
sous un aspect sociologique sont lies essentiellement la langue. La
ngociation de lidentit albanaise demande pralablement une rflexion et
une relation avec la langue albanaise.
Nous pensons que thoriquement cette relation entre lidentit et la
langue albanaise est essentiellement acceptable et ensuite ngociable. Cette
relation est argumente aujourdhui par les savants de la langue et les
sociolinguistes albanais. La langue albanaise comme fondement identitaire
des Albanais dispose de plusieurs codes de communication et chaque code a
ses propres valeurs identitaires et symboliques. Actuellement,
llargissement des espaces de communication entre les Albanais accentue
davantage le rle unificateur de notre langue et impose de la soigner et de
lentretenir. Les espaces sociaux du fonctionnement de notre langue dans le
processus de la communication renforcent les dimensions identitaires si
bien quils rendent ainsi indispensable et utile lexistence dun standard
unique de cette langue.
Deuximement: Comme il arrive gnralement dans les socits
avances, chez nous aussi, la communication et la ngociation de lidentit
ne peuvent pas se faire en dehors du contexte interculturel. Donc, dans ce
processus il faut accepter comme des faits normaux les diffrences et les
changements lis des facteurs historico-culturels, rgionaux, dialectaux,
etc. Cela se voit mme au niveau sociolinguistique.
144

Diversit et Identit Culturelle en Europe

Laccentuation de lidentit nationale travers la communication


lintrieur de la mosaque et la diversit des codes de pense chez les
albanais dveloppera ultrieurement lapprochement et la relation de la
pense la ralit dans un sens dunification travers la communication
interculturelle au moyen de la langue. Cest ce qui se passe mme avec les
grandes langues en Europe. Sous cet aspect, lidentit europenne des
Albanais serait plus proche et plus lie au systme conceptuel commun des
langues occidentales allant de pair avec le processus de la pense.
Troisimement: Le dbat sur lidentit des Albanais et
particulirement sur leur identit europenne qui est baptis comme le dbat
Kadare Qose, a ouvert un nouvel horizon intellectuel de la pense sur la
ngociation de lidentit des Albanais. Ce dbat a bascul entre deux points
de vue, celui essentialiste et celui constructiviste. Les deux approches ont
labor et ont affront des arguments en enrichissant leurs modles
danalyses, de diagnostic et dargumentation des ides. Ce dbat a ouvert la
perspective larticulation de lide de lEurope dans le discours actuel des
intellectuels albanais soit comme continuit diachronique soit comme
influence synchronique ou plus encore, comme de nouvelles configurations
dans le cadre du projet de lintgration de lAlbanie lUnion Europenne.
References bibliographiques:
FUGA, Artan, 2003, Etiketat politike dhe integrimi europian, Koha jon,
Tiran.
FUGA, Artan, 2003, Majtas jo djathtas Ora, Tiran.
HABERMAS, Jurgen, 2005, Perndimi i prar, Asdreni, Skopje.
ISMAILI, Rexhep, 2005, Gjuha dhe identiteti kulturor e kombtar,
Pristina.
KADARE, Ismail, 2006, Biseda pr Europn, Shekulli, Tirana.
KADARE, Ismail, 2006, Identiteti europian i shqiptarve, Toena, Tirana.
145

Diversit et Identit Culturelle en Europe

KADARE, Ismail, 2006, Thelbi i identitetit t shqiptarve, Shqip, Tirana.


KADARE, Ismail, 2013, Kosova - Turqi? E kam shkruar prej kohsh te
libri Mosmarrveshja Panorama.
MEAD, G, H, 1934, Mind self and society, University of Chicago Press,
Chicago.
PUTO, Arben, 2009, Shqipria Politike, 1912- 1939, Toena, Tirana.
PUTO, Artan, Fryma romantike dhe nacionaliste n debatin pr
identitetin shqiptar, Prpjekja, 23, pp. 13-39.
QOSJA, Rexhep, 2006, Ideologjia e shprbrjes: trajtes mbi ideologjin
integruese n shoqrin e sotme shqiptare, Toena, Tiran.
QOSJA, Rexhep, 2006, Realiteti i shprfillur, Toena, Tiran.
ROSALDO, M, 1984, Culture theory, Cambridge University Press.
RUMFORD, C, 2008, Cosmopolitan Spaces: Europe, Globalization,
Theory, London.
TOCQUEVILLE, Alexis, 2002, Demokracia n Amerik, Fondacioni
Soros, Tirana.

146

Diversit et Identit Culturelle en Europe

THE MODERN EVOLUTION OF TRGOVITE


TOWNS CULTURAL LIFE (1878-1914)
Ramona Elena STANCIU
ramonaestanciu@yahoo.com

Abstract
We could state that after having gone through a stage of great founders and
foundations in the 19th century, the Romanian culture began a new one.
Thus, in the general framework of the rebirth and national affirmation process that
characterized the second half of the 19th century, all the Romanian provinces lived a strong
cultural effervescence. In this context, in the old Walachian capital as well, culture was
reborn, cultural personalities such as I. H. Rdulescu being recognized on a national level.
He even tried to inaugurate a bookshop in Trgovite with the help of I. D. Petrescu. A
restoration in the cultural life of this town occurred through the opening of several primary
schools and the creation of a secondary school in 1874,1 and especially through the
creation of the Society Progresul (The Progress), in 1876, the first cultural society of
Trgovite, which managed to attract the towns personalities. 2 Out of the intellectuals of
Trgovite who laid the foundations of this cultural society and carried out a particular activity, we
shall mention: I. D. Petrescu, D. Condureanu, Al. Dudea.
Key words: culture, library, school, cultural society.

Constantin Manolescu, Mihai Oproiu, Pagini din istoria culturii trgovitene. Societatea
Cultural ,,Progresul (1876) (Pages of the cultural history of Trgovite. The cultural
society Progresul, 1876), in: Victor Petrescu, Mihai Oproiu, Constantin Manolescu,
Trgovitea cultural. Studii. Articole. Note (Cultural Trgovite. Studies. Articles),
Editura Bibliotheca, Trgovite, 2000, pp. 137-138.
2
Ibidem, p. 138; Mihai Oproiu, Dobrin Prvan, Trgovite. Oraul i mprejurimile sale
ntre 1821-1918 (Trgovite. The town and its surroundings between 1821 and 1918), vol.
II, Editura Biblioteca, Trgovite, 2001, pp. 279-280; For the Cultural Society Progresul
(The Progress) of Trgovite see the Central National Historical Archives (Arhivele
Naionale Istorice Centrale), Authority of Dmbovia County (Direcia Judeean
Dmbovia), (henceforth A.N.I.C., D.J.D.) Fond Primria oraului Trgovite (fund:
Trgovite Town Hall), dosar (file) 79/1876-1877.

147

Diversit et Identit Culturelle en Europe

Besides the activity of culturalization undertaken by the Churches


and monasteries, which supported schools and libraries and are
representative in architecture or mural painting, at the beginning of the 19 th
century, a process of effervescence shall begin and continues plentifully
after the 1950s.
Documents kept in the local National Archives, in archives created
by the Prefecture of Dmbovia County, by the Town Hall of Trgovite or
by the local School Committee but also by the schools that are
representative in the cultural landscape of Trgovite preserve pieces of
information that attest serious cultural preoccupations in the area of this
town and of this county, in general.
The prevailing information, when it comes to the existing situation
of the local education, refers to: construction of new schools or rental of
buildings to be attested by commissions caring about pupils health, in
agreement with the demands of the Ministry of Education3; need of repairs,
furniture and teachers, which generated a large number of petitions
addressed to the mayor of the town (door repairs, as the classrooms get
unbearably cold4; brooms and ordinary cloth to dust the furniture, or
metallic mugs to drink water5; school whitewashing, floor and window
cleaning, as the headmasters of the Boys Schools No.1 and No.2 demanded
- these schools occupied the floor and the upper storey of the same
building6); assuring wood to light the fire was another necessity that the
Town Hall needed to solve, as in the case of the School for Cantors, which,
for the cold weather of the year 1911, requested a fathom of wood7.
3

SJAN Dmbovia, Fond Primria Oraului Trgovite, dos.27/1878, f. 3.


Ibidem, f.1.
5
Ibidem, f.5.
6
Ibidem, f.7.
7
Idem, dos.19/1911, f.6.
4

148

Diversit et Identit Culturelle en Europe

At the end of the 19th and the beginning of the 20th century, in town
there were 10 schools running their activity: the 4 grade secondary school,
two schools for girls and two for boys, a school of secondary practice for
girls, founded by Fussea, the school for army assistants of Dealu
Monastery, where in 1912, the Military High School of Dealu Monastery
was founded8, and other schools that had already begun to get open in the
outskirts of the town.
In 1910, the first kindergarten (grdin de copii mici) was
opened, too9.
Another quantitatively representative series of documents of those
times, kept in the local archives, reflect the interest in the books needed to
award the 1st, 2nd and 3rd prize at each school, at the end of a school year
(for example, the headmaster of I.Vcrescu Primary and Secondary
School handed over to the mayor a clear list of the books that needed to be
purchased, some of them being Nine Stories for Children (Nou istorioare
pentru copii), The Two Sisters (Cele dou surori), The Christian Family
(Familia cretin), The Nightingale (Privighetoarea) etc., worth 0.70
lei each 10.
The petitions addressed to the Town Hall also concern other aspects
of the cultural life of Trgovite, for example the holding of certain courses
or the organization of exhibitions, for whose good running it was required
to assure the necessary space11, the organization in Trgovite of congresses
or conferences of the personnel in education (for example, at the 8 th
8

Fr. Dr. C.Niescu, Mnstirea Dealu i Liceul Militar N.Filipescu (Dealu Monastery
and the N. Filipescu Military High School), Tgv., 1932, pp. 60-74.
9
Xxx, coala general Vasile Crlova (Vasile Crlova Primary and Secondary School),
Tgv., 1976, pp.70-74.
10
SJAN Dmbovia, Fond Primria Oraului Trgovite, dos.34/1879, f. 10.
11
Idem, dos.106/1978, f. 4.

149

Diversit et Identit Culturelle en Europe

Romanian Primary Teachers Congress /Congres al nvtorilor din


Romnia, August 1911, for whose organization, the mayor Gonzalv Ionescu
asked the local butchers, bakers and bar-owners to provide enough food
for 2000 people12, or the congress of the Orientalists of Rome, of 1899,
attended among others by Smaranda Gheorghiu (Mother Smara)13.
The organization of the local museums starts timidly, with a
numismatic mini-collection, at the Ienchi Vcrescu Primary and
Secondary School, due to the personality of D.Papazoglu and the donation
made by Fussea in 1911, who donated his houses and goods, where the
History Museum was established14.
The important figures of the local and national culture were given
their due importance by placing their statues in the town squares (I.H.
Rdulescu, Gr. Alexandrescu, Tudor Vladimirescu situated in front of the
Metropolitan Church, owing to the efforts of Mother Smara 15.
The same cultural set included the settlement of different, numerous
societies, according to what the documents indicate Progresul (The
Progress), with a role in the editing of the newspapers Armonia
(Harmony), Progresul (The Progress) or Unirea (The Union); Liga
Cultural din Trgovite (The Cultural League of Trgovite);
Trgovitea - 191016, aiming to preserve and maintain the historical
monuments; Nluca a gymnastics society, founded in 1907; Societatea
Corpului Didactic din Trgovite (The Society of the Teaching Staff of
Trgovite), aiming to create a school for adults, in town17.
12

Idem, dos.21/1911, f. 1-5.


Oproiu Mihai, Dobrin Prvan, Trgovite, vol.II, Tgv., 2001, p. 290.
14
Ibidem, p. 303.
15
Mihai Oproiu, Op.cit.,p. 321.
16
Ibidem, p. 286.
17
SJAN Dmbovia, Fond Primria Oraului Trgovite, dos.27/1878, f. 51.
13

150

Diversit et Identit Culturelle en Europe

We also need to mention the innumerable petitions regarding the


execution of different repair works, demolitions or the building or new
churches, the announcements regarding the events occasioned by the
celebration of Their Royal Majesties, and the numeorus petitions requesting
space or authorization for the organization of different shows, masquerades
or cinema projections18.
Bibliography:
***, 1910, Statutele Societii Trgovitea (Statuses of Trgovitea Society),.
***, 1972 Acta Valachica.
***, 1976, coala general Vasile Crlova (Vasile Crlova School), Trgovite.
***, 1980-1981, Valachica, nr. 12-13, Trgovite.
IANCU, Maria, 1974, Liceul Ienchi Vcrescu, monografie (Ienchi
Vcrescu High School monograph), Trgovite.
NIESCU, Fr. Dr. C., 1932. Mnstirea Dealu i Liceul Militar N.Filipescu
(Dealu Monastery and the N. Filipescu Military High School), Trgovite.
OPROIU, Mihai; PRVAN Dobrin, 2001, Trgovite, vol. II, Trgovite.
SJAN Dmbovia, Fond Comitetul colar al Oraului Trgovite (papers of
the School Committee of Trgovite).
SJAN Dmbovia, Fond Prefectura Judeului Dmbovia (papers of
Dmbovia County Prefecture).
SJAN Dmbovia, Fond Primria Oraului Trgovite (papers of
Trgovite Town Hall).

18

Idem, dos. 37/1878, f. 3, dos. 91/1878, f. 8 i 42, dos.10/1912, f. 4 i 15.

151

S-ar putea să vă placă și