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THE PHILOSOPHICALREVIEW
whose passive voice (reLOoyat) means "obey," or "trust." It means
getting a person to do something you want him to do, by the use of
almost any means short of physical compulsion. Its usual means of
operation is of course words, though words may be accompanied
by gifts, or may even contain threats. One who knew how to "talk
people over" was obviously a very useful and powerful man; and
with the rise of democracies, when large numbers of people had to
be talked over in assemblies, skill in persuasion became one of the
principal requirements for political leadership.8 Hence the rise of
rhetoric, which by its Sicilian master, Gorgias, was explicitly called
the "art of persuasion," and came to be cultivated by all the smart
young men who aspired to a career in public life.
Plato, as we know, had no high opinion of the rhetoricians, and
at least in his early dialogues the art which they professed was to
him equally contemptible. In the Gorgias it is called a "sham"a pseudo-art that professes to guide men without claiming to know
the principles upon which wise counsel can be based. But between
the Gorgias and the Phaedrus Plato's attitude toward rhetoric
apparently underwent a remarkable change. From the Phaedrus we
learn that when practiced properly it is a very great art indeed; it
is the art of leading souls (psychagogy).9 This is not to say that
Plato's opinion of the rhetoricians had altered. In his opinion they
were still far from being masters of this great art, and one of his
purposes in this dialogue is to lay down the principles that must be
mastered if one would be a genuine rhetorician. Since the function
of rhetoric is to lead souls, the master of this -art must first of all
know the nature of this thing, the soul, on which his art is exercised.
Is the soul one and uniform everywhere, or are there various kinds
of souls, i.e., persons? And if there are different kinds of souls, what
power of acting or of being acted upon belongs to each, and by
7Cf. the proverb: "Gifts persuade even the gods." Euripides, Medea 964;
Laws 804d.
Plato, Republic 39oe; and note 1rewretuervovsACUOots,
8The comic poet, Eupolis, says of Pericles (fr. 94, 5): "Persuasion sat
upon his lips."
9Phaedrus 26ia. This word i&vxaywyta, with its cognate verb, came
later to be used to denote the leading of departed souls to the nether world,
or the evoking of the dead by special rites. There is a hint of the magical
implications in Laws go9b.
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in which these
bryb6s, Chr&etv. The most important passages
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religious festivals-monthly, semi-monthly, annual, and biennialat which the citizens come together, sometimes by tribes and sometimes in a single concourse, for a day of friendship and ceremony.
For each of these festivals certain dances and songs are consecrated,
and no one, under penalty of indictment for impiety, may offer
any other dance or hymn to the gods (799a-800a). The songs
deemed appropriate for these occasions are hymns selected or
adapted from the compositions of the older poets, with the addition of such newer compositions as win the approval of the judges;
all others are resolutely excluded (802b-d). Again at the monthly
athletic contests, poets shall celebrate the victors--but no one may
sing who is not at least fifty years of age, and of proved character
(829cd). Plato makes provision also for musical contests, also carefully regulated (834e-835b). In general, no one is allowed to enter
into competition a piece that has not been approved in advance.
The judges of these contests are not the audience and the spectators, but specially elected experts (764d-765d).12 They are to consider not only what the author intended to represent, and whether
or not his execution was successful, but also whether it was worth
doing (667b-669b). All these are ways of enchanting, or casting a
spell over, the minds of the citizens. By such means, the Athenian
Stranger says, "We shall persuade those who need persuading more
effectively than we could by any other words" (664c).
It turns out that the persuasive preambles also are considered by
Plato a species of enchantment. The clue to understanding the kind
of art they embody and the way in which they influence the citizen,
is given in the passage in which Plato explains how the poet is to
be induced to sing and write according to the canons. Just as the
child must be charmed by music and rhythm to a love of virtue
and orderliness, so the poet must be "persuaded" by "noble and
66oa), i.e., by
THE PHILOSOPHICALREVIEW
Vrwcp) addressed to the man who doubts the providence of the
gods.
The ruler of the universe has ordered all things with a view to the
excellence and preservation of the whole, and each part, as far as may
be, has an action and passion appropriate to it.
. .
. One of these
(195I),
498.
THE PHILOSOPHICALREVIEW
gredient. Socrates had persistently asked the question, "Can virtue
be taught?" And no answer is given us in the earlier, more Socratic,
dialogues. Plato's answer is: "Yes. Virtue can be taught, but not
by instruction in the narrow meaning of the term. To learn, or
acquire, virtue means the training of the feelings, the discipline of
the passions, the formation of habits. Such habituation and training
under the guidance of intellectual insight is moral instruction." This
is also Aristotle's teaching, and that of countless educators since
their time who have been concerned with the training of character.
We cannot in truth condemn Plato's methods as unfair means of
persuasion without at the same time condemning most of what has
ever taken place under the guise of moral instruction. It is exactly
what we try to do in our homes, in the church, in every organization or group that wishes to produce and perpetuate a type of
character and behavior. We try to enchant the soul so that it will
instinctively love that which intelligent judgment pronounces best.
The tragedy of Plato, we can see, is not the conflict between
noble words and ignoble and treacherous intentions. It is the conflict between his desire for the moral health of his fellowmen and
the love of reason, critical reason, in human affairs. Plato never
renounced either of these objects of his devotion; but they are not
easy to reconcile, and the form of the synthesis he gives them in his
later days really means the victory of morality and the suppression
of reason. Let us see how this is so.
Nowhere in his writings does Plato express more frequently than
in the Laws his desire for the supremacy of reason in human affairs.
The chief of all the virtues is Nous, or intelligence, and it is this
that all the other virtues serve (963a). Our state is to be called,
not a monarchy, nor a democracy, but by some term indicative of
that power which is supreme in it, viz., Nous (7I3a). This Nous
is what is truly divine in the cosmos; it is Plato's God. This divine
Nous furnishes the standards for all legislation, and the laws are
sovereign only because they have this reason in them. Plato no
longer suggests-in fact he explicitly rejects-the conception of
personal absolutism. All officials are themselves subject to the law,
and there are numerous special devices to assure that this sovereignty of the law be maintained. Plato is in fact the earliest protagonist of a principle that modern legislators, particularly of the
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THE PHILOSOPHICALREVIEW
PLATO'S CONCEPTION
OF PERSUASION
PLATO'S CONCEPTION
OF PERSUASION
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