C.

T.

B.

C.
- ta

A.

mun

T.

B.

- re

nus

no

De

De

qui

- re - re

di,

bis,

mi - se - re

mi - se - re

re,

lis

bis,

pec - ca

tol

qui

ta

mi

nus

De

se - re - re

no

De

nus

De

mun

tol

mi

tol - lis pec -

lis pec - ca - ta

mun

20

di,

qui

bis,

mi - se - re

24

bis,

re,

no

nus

qui

mun

re

lis pec - ca - ta

di,

no

mi - se - re

lis pec - ca - ta

tol

re,

10

Ag

mi - se - re

qui

no

tol

se - re - re

pec - ca

lis

- i,

tol

T.

- ca - ta mun


B.

Ag

C.

qui

Ag

di,

nus

Ag

Ag

mun

C.

A.

A.

Agnus Dei

di,

di,

mi

mi -

se -

mi

se - re - re

bis,

se - re - re

no

mi -


C.
A.

T.

B.

no

Ag

Ag

- ca

mun

nus

- ta

ta

mun

di,

qui

tol

i,

qui

di,

ta

mun

mun

qui

do

25

na no

ta mun

qui

qui

tol - lis pec-

bis

pa

na no -

di,

di,

do

ta

tol - lis pec - ca

tol - lis pec - ca

ta

pec - ca

do

tol - lis pec - ca

tol - lis pec -

di,

di,

di,

qui

qui

40

Ag -

tol - lis pec - ca

di,

tol - lis

i,

tol - lis pec - ca

ta,

qui

qui

lis pec - ca - ta mun

De

i,

nus

qui

i,

i,

di,

mun

mun

Ag

De

nus

De

tol - lis pec - ca

- ca

nus

bis,

bis,

De

De

mun

nus De

Ag

no

- ta

nus De

- ta

re

- i,

30

Ag

- i,

se - re

bis,

cem,

bis

pa

bis

pa

cem,

- na no

pa

- cem, do

bis

bis

pa

50

cem,

do

pa

na no

na

no

cem,

do

na

no

bis

cem, do - na no -

bis

pa

do -

do

bis

na no

cem,

bis

pa

bis

pa

bis

cem,

bis pa

pa

cem,

no - bis

pa

na no -

pa

cem.

pa

do - na

na no

pa

pa

cem,

cem,

cem,

pa

bis

cem,

bis

do

na no

do - na no

pa

cem,

na no

do - na no

do

cem,

do

pa

cem,

pa

pa

do

na no - bis

bis

cem,

pa

bis

do

bis

cem,

no

-na

do - na no

do - na no

cem.

cem.

cem.

I.12: bis

Edition transposed down a tone from published pitch

Sources:
Polyphony: [William Byrd: Mass for four voices] (No title or publication information on any surviving edition; probably
printed in London by Thomas East, c.1592).
Plainsong: from the Liber Usualis, chosen for their mode rather than liturgical function. If the Mass is used liturgically,
performers may wish to substitute the proper chants.
Part of my complete edition of the published vocal works of William Byrd made available through the Choral Public Domain Library (http://www.cpdl.org).
For general editorial notes, please visit my user page at http://www.cpdl.org/wiki/index.php/User:DaveF.
All scores are made freely available according to the CPDL Licence for downloading, printing, performing and recording. No further conditions are
or can be attached, although its always good to hear of any performances.
Please do not, without consulting me, make copies of my scores available through other websites theres no need, first of all, as CPDL is always here,
and secondly by doing so you put these editions beyond my control and so will miss out on any updates and revisions.

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