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AN ALFRED
MASTERNORK
ED]TION
tt
FREDERIC CHOPIN
Waltzes (Complete)
About
This Edition
ca.l
sub je
ct to the
same
painstaking research as the
The Waltzes
repertoire to this
day,
among the most frequently
A wntercolot; c. 1 I3 6, of Chopin
fu Mari Wod.zirsk (1819-1896)
well-known Masterwork
Pedaling
The
Ornamentation
fll t
and
Ia
trill,
somenrnes referred to as
ff
uses the
following indication:
written:
or, with sufx:
The second note of the prefix is not to be repeated, since the trill proper begins on the upper
note.
played:
When a short ppoggittur t the pitch of the main note is placed before the trill, the trill
begins on the main note, on the beat. The starting note is not repeated'
played:
wntten:
The Appoggiatura
fr
Appoggiaturs, single and double, are generally played on the_beat. Exceptions are anticipatnJf the following note, octave skips, and those written before bar lines.
Thematic Index
69 No z
10.
Page
Moderato
Page
66
r-
Op.70, No.
Op.34, No.
Molto vivace
(Posthumous)
16
Op.34, No.2
Tempo giusto
Op.70, No.
(Posthumous)
4.
Vivace
32
(Posthumous)
Molto vivace
Tempo giusto
Op.64, No.
(Posthumous)
L7.
(Posthumous)
96
(Posthumous)
con espress,one
Op. 18
Vivo
1.
al -l ll
,r
t"-,+
E
>z-
321321
al
tC
rr
++
lr
lI
321!21
ll
leggeramente
@ fn" uill
L-+<
@
dt>
.-/
+=
\4.
+ +
-^'
.a+
..1-
+t
ffi
c)n
nEl
onima
Z-<.
rt t'
@ plaved:
@ tlay
ru
' r
the sbort ppoggittrs very quickly , on the ,ber, almost simultaneously with the following large note.
ll
y/,,
I2
@
tut
it t
tt
t*
,t
"fz UlG
LLI Jll
:
I
++
+-+
13
EDr
Ieggieramente
t4
poco -
15
accelerando
T6
Vivace
--'Tzl52
U
2.
lr
\
I
ilt
@ Th. aoggitara, witten before the baJine , must anticipatc the beat.
Lr_l
t-tr--
t-
gva-
(poco rit.)
-'
t8
t9
E
^\
20
2t
@
t-
AJ
IE
.
!2
4r*
J,'
l>t-t
**
22
23
w-
(a
lempo)
!'
8vq
24
\l
t r z
25
45
dim
++
-+
++
++
pll
1
++
-L
R.
AJ
.l-
rf\.
]JJ
.t**
*.t
8vq-------'l
H. F^--
--
-lr
r*
*,*
4l
26
Lento
Baronne C.
o++
3.
FI _---------1
t'
i-i
++
+t
++
@
ldr
The
trill
begins on the
pincipl
note,
3-
27
@ m.
lr
JED ).
28
(ped. ad lib.)
29
3l3l
tl3
30
sostctruto
31
32
Vivace
4..
ue'
e-
+'
+'
+
+
J<> e
e'
+. ++ -.'c'rcsc. -e
e+
__
+
+
in
measures
l-9
are
+' e
C
33
\t
343
^a/-----\.
34
t t-'.
2 t sz
t zttz
r-
4r'**2o
nrz
.,
424
@ fhy
@
The
trill
35
/w:
<-_-z)
(\-)
, Ls -,,,
t3z,24t,3:
a,, a t,1
in both
cases is
Valse
Op.42
(vivace)
ffi
IL
L-L.
I LI I r'l I r r
ped. simile
q
I
lt
Iqil-Irr
5t r
trrtr
z 1
lqr
r | '[ [
pl.ayed beginning on the principal note. There are reasons to belicve that
C,hopin may have playcd it beginning on the upper nore.
The original sources show no pedal indications hm here through measue 40.
37
38
,r39
40
Eil
":*y'':
ped. ad lih.)
I
4l
'l
++
@ Prayed:
(c)u
t+
#flJ
vr
;Jl
ct'esc'.__ _ -
L++
r:r
+)
r[r *
42
5.2
ar lfllrrl lr
ta)
I'rlttt
lflrrl
rr
'-
lqllr"f
on tbe bet.
44
ffifl--_
45
accelerando
Valse
Potocka
Molto vivace
tL
1.
^ I
(ped. simile)
-- tc I
u
++
b5
,^Tq,t4
^,
'l
tt
ftft
tfr
47
1^
t+z
131
Zl
@
@
This
^nd
3 1r .2
48
lh +'
t-
,--
**
+t
TF
++
+J}
+ +
*r*
t?
till traditiondly begins on the principal note. There is evidence, however, that
bcen played by Chopin beginning on the upper note .
This
it
may have
(r--------------r)
+-
x4
:L
-=-
e I
i.t'rV*
zv I
8;
*t1
-=L
1 ' z 'C
i-
)-- i-.1
-+-
.-?ti
@B
t7
J--_FFF
_:)
l--F-1---1---1-
^Ct
1
r frsJe
6V
"
50
Valse
Tempo giusto
7.
ur,
U-u
)i-\t
Ir-
--
ri
?;-:
lr
-++J
--
frr
|
Ll'
u-I
t7
f,P
I +
| f-b
++
++
3 23
11
!1
2 3
33
'[
f
51
Pi
mosso
ped. simile)
(pcd. sitnile)
ffi
lt
3 t,
l12
t'o-r-,t- -^--r
--
52
@ Pi1 lento
'
-'4:
L23
Apoco
riletwto
53
(ped. simile)
ped. simile)
3 r1^4 .
gVA'
'
54
[I29] Tempo I
oD2
Jg
-rn
z t LL.
.3-- 3-,
3L
r-Lr
X-r-
fiE
-l-=
I
55
lftIl
Pi
mosso
ped. simile)
a rtl
(ped. simile)
8Va
56
Valse
Moderato
u
(ped. simile)
trn
72
aJ
f?
?+
57
6/z-^
(t1.--r-aJ
+4
I L2-
l==J= J
r
J-J
58
sotto
Doce
-t+
t
/'
+
2l
t3
/-=
ul
ttr
r
62
@
@
The
trill properly
J_
++1_=_
59
@ri
U
-+J'Jostcnulo
r
**
t*
(
Playcd:
ped. simile)
**
60
r_
z +?t
zL
3_1 4 Z
(Pcd. sintilc)
61
ru
?+
al fine
I
62
Valse
Op.69, No 1 (Posthumous)
9.
65
t,
64
2,-,t
@/-
a)
++
rlt
**
,lL
r
,
lempo
4^
63
('Pcd. simile)
,.,--<,
i' :rr1-\
ta)
fi+:).
FI r -b.J
-b-l
>^
4_
tempo
,itE ,nriorro
!,7
/-:
,a +' tl+
r:) Jl
'I t ).1
7,4:
[2L
.4
Do
-tl
b
3
,ll\e/
I l- ::'/
4-I
I
e]
t7=
aL
@,
u
tt-
>- - - poco
a
ta
B-
L'r
poco->- -- - -
E L L
tt
-l
! ^ r-itr
t"'t? ^
,rur,.l-
+e
a)
,i
\ 7= v-'/
I
l-
ll
+e
? ln,
aL
,3
\--l
lI
65
u\r
aL
I
_\
I \//
\' j l
66
Valse
Op. 69, No. 2 (Posthumous)
Moderato )=ru"
10.
(ped. simile)
(ped. simile)
67
anima
2lL!.
Con
iurn h,
k--ffi
.)
+
ts
*t
rf
5,,--
t*
++'f
68
ffi
tg
l4
tr{h
++
rt+
ped. simile)
2 o,z
4lt
.++
tt-
1 2,
69
ped. simile)
4t
412
10
IIE
s-#
tttttt
.
+ +
t!
++
tt
-J
++
eted, sitrtile)
IIETI
L-\r
--r
--1pI
t8
trlttt
tt
tt
!+*
.-t.-+
+-
i:5
IJ
dittt.z
!.l.
+--
. 4
1.
3 _ ta+
ta)
+:tnEr----+-
3
1
'f
t
ffi
tz/4-)
ped, similc )
t5
ET-
al
+rG
++
.rbb
*ll
++
-t_{J
,**
7l
(ped.
<-1
sintite)
l2
lr
lr
AJ
A,+
**
tt
++
-t
-FE
(ted.
@
4,9,
64
$m.ibJ
5z-+r
+L
simile)
++
,ft
ril.
++
t
-*+
5z---
*a
72
Valse
Molto vivace J.:r,
2
Jp. 70
rv,1\o. I (rosthumous
z--l.e
-\
11.
brillante
,-'th
/'3
+r.
8Va
3,---\
3^
,/
s\l
l-r?,
ped. similc)
SVCt
3
41
(ped. simile)
gva
'2
Sval
('
!g
The
trill
')
bet,
-'
73
1s t
.o""o J=ro
'B +g
s-L 3
Meno
;b'H.;
,
?
t2l
L9*x
cantabile
ped. simile)
(ped. simile)
4 l
74
@ H.r. theoggitramustanlicipne
thebeat,orbe includedinthearpeggiation
r
75
(ped. simile)
gva -
(ped. simile)
76
Valse
Op. 70, No.2 (Posthumous)
12,
l:>
l-t-tlr
3
i,s>
13
---1
tu
, {'1
IJJ
\+T
'5
21
'nI. =-=:-
l.L{
-l
.J
I.t-t
2, I
_]_l
ttJ
g J-4.
i |
,3
, ,4
t2t
I
L-'-=--
,.
alJ
l.4
crcs('.
l-
Play the first of the three small notes on tlte bet, togethe with the lowest note of the arpeggiated
left hand chod.
77
tl'
, , o
\-.
++
ht+
Played:
'.
atm.
+
L
'5+
>'\\- .>
qm
---j+
,5
L
I Lt
78
rg
19
,l
(ped. similc)
80
Valse
Op. 70, No.
13.
The F's are not tied, as most editions show, here and in similar measules.
-g----":
Played:
(Posthumous)
81
i i i ',j
r(ot
@6
Played:
e43
i2
nI
82
4
3
-t-l-
5
3
83
Valse
(Posthumous)
(Allegro)
82
4 t
2l
r21321
(arurc .pad)
'zl
-w
t8
85
86
Walzer
Tempo
di
(Posthumous)
valse
rr5
I
,ll
----l+
ffi1
@Played:
ffi
rt
++
tt
.++
cresc.
87
8Va
played:
88
21321
(Fd.
,t3
simile
213
2 1
89
1q
2
1
tr!
l2
----..J
90
8Va-'
26
t.
43
9t
Valse
(Posthumous)
ts
,,
l-]tr"n
-- -l
do
I
ll ,.:U
tFFt
grzioso
92
gva- -
1J
EVa -
r3
------------
93
gva -
l-l
. ar
\_z
8VA-
3 2 t
-'
2)
(l
UI
l
\-r
,)
95
@8VA
'
t---l
96
Valse
(Posthumous)
t7.
98
;-r\
.)
/-\
ta
-------
tt
**
a
--
Played:
*t
+
F
99
Walzer
(posthumous)
5F
zl
Moderato
Ll-l_LlI
Ped. ad lib.
@m
L4l
l2
11
**
dim. e rtrd.
(Trio)
I
rt
f
-
)+
b
3
I
llllF---
8---------------r
trttPr
dm. e rtard.
2*
+
h
t02
Valse@
to Emile Gaillard
(Posthumous)
Sostenuto M.M.
J = 96 - 100
19.
@ fn"
autograph of this selection is in the library of the Paris Conservatoire. It is signed, "F.F. Chopin, Paris, 20 July 1840."
It was discovered in l94l by Dr. Jacques Chailley, then secretary general of the Conservatoire, who brought it to the attention of
the First International Musicological Congress Devoted to the Works of Frdric Chopin (Warsaw, 1960). The piece was found
in an album belonging to Emile Gaillard, a friend and pupil of Chopin. Because the composer gave no title to the selection,
Dr. Chailley suggested the title "Albumleaf." All pedaling is editorial except that in the final measure.
@ ff
103
43
.)
+
f
b++
+
t
i-
12l
6212
', ? !
3l
r34
5-
11.
D.C. al Fine
CHOPIN
Track
Title
1,.
2.
GrandeValse Brillante,
J.
4.
5.
Valse,
6.
Valse,
18
Op.42
10.
1'.......
Valse, Op.64,No. 2
Valse, Op.64,No.3
Valse, Op.69, No. 1 (posth )
Valse, Op.69,No.2 (posth.)
1.1.
Valse,
1.2.
Valse,
7.
8.
9.
Op.64,No.
""""'6
...
"""" "'26
3'.--...."" "32
...""""""'36
.-....""""'46
"""
50
"""56
.-..""""'62
.""""'66
15.
(posth.)
"""""76
""""" 80
Valse, Op. 70, No. 3 (posth.)
.'.".."""""'83
Valse(posth) .-Walzer
(posth.)......
"""' 86
1.6.
Valse (posth
13.
14.
Op.70, No.2
18.
........"""""91
)
'..-".."""""96
Valse(posth) .
WaIzer (posth.).......'..:'........... """'99
19.
Valse (posth
1,7.
......-.""""102