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Chromatic Solfege Ingenera, when you sharp asyllabeit picks up an SeeGsound, ‘and when you flat sable it picks up an Obay®sound. The ‘one big exception is Re which becomes URafiwhen flattened. Ge omitted few possibilities from this map because | dont think youll ever use them. You almost naver see anctespaled La asa sharp mi or afl do, for example, Fa Re Do Two Basic Exercises In genera, you want to use the scale asa referential framework for these extranotes. So, hereare ‘wo exercises you can use as scalar warm-ups with chromatic notes inserted. “Thefirst insartsa chromatic passing tone baween scale degrees. However, if thereisno Croorifor ‘an extra passing tone, you can just repeat thefirst sable (like Li mi fal) This works ascending ‘and descending - use the Esherpingll syllables on the way up and the EatingZ syllables on the way ‘Thenext oneinserts achromatic lower neghbor below each denree. Certain scale degrees areadly have ahal-step lower neighbor, s0 they are plan (like [tami fa) You can continue to dolower ‘nei ghborsion the way down as well like 80 ti do, titi, las 1a.0) though it istricky. ac.

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