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http://en.wikipedia.org/wiki/Chd
http://en.wikipedia.org/wiki/Ch%C3%B6d
Chd (Tibetan:
, Wylie: gcod lit. 'to sever'[1]), is a spiritual practice found primarily in Tibetan Buddhism.
Also known as "Cutting Through the Ego,"[2] the practice is based on the Prajpramit sutra. It combines
prajpramit philosophy with specific meditation methods and a tantric ritual.
(Tibetan: gcod sgrub thabs; Sanskrit: cheda-sdhana; both literally "cutting practice"),
pronounced ch (the d is silent).
...Chd was never a unique, monolithic tradition. One should really speak of Chd traditions and
lineages since Chd has never constituted a school.[3]
A form of Chd was practiced in India by Buddhist mahsiddhas, prior to the 10th Century.[4] However, Chd
as practised today developed from the entwined traditions of the early Indian tantric practices transmitted to
Tibet and the Bonpo[citation needed] and Tibetan Buddhist Vajrayna[citation needed] lineages. Besides the Bonpo,
there are two main Tibetan Buddhist Chd traditions, the "Mother" and "Father" lineages. In Tibetan tradition,
Dampa Sangye is known as the Father of Chd and Machig Labdron, founder of the Mahmudra Chd lineages,
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as the Mother of Chd. Chd developed outside the monastic system. It was subsequently adopted by the four
main schools of Tibetan Buddhism.
The Chd, as an internalization of an outer ritual, involves a form of self-sacrifice:[5] the practitioner visualizes
their own body as the offering at a ganachakra or tantric feast. The purpose of the practice is to engender a sense
of victory and fearlessness.[citation needed] These two qualities are represented iconographically by the dhvaja, or
victory banner and the kartika, or ritual knife. The banner symbolizes overcoming obstacles and the knife
symbolizes cutting through the ego. Since fearful or painful situations help the practitioner's work of cutting
through attachment to the self, such situations may be cultivated.[6] Machig Labdrn said: "To consider
adversity as a friend is the instruction of Chd".[4]
Chdpa as Avadhta
Sarat Chandra Das equated the Chd practitioner (Tibetan:
" ku-su-lu-pa is a word of Tantrik mysticism, its proper Tibetan equivalent being
gcod-pa, the art of exorcism. The mystic Tantrik rites of the Avadhauts, called Avadhtipa in Tibet,
exist in India."[7]
NB: = kusulu or kusulupa (Sanskrit; Tibetan loanword) that is studying texts rarely whilst focusing on
meditation and praxis. Often used disparagingly by pandits.
Avadhtas, or 'mad saints,' are well known for their 'crazy wisdom.' Chd practitioners (chdpas) are a type of
avadhta particularly respected, detested, feared or held in awe due to their role as denizens of the charnel
ground. Edou says they were often associated with the role of shaman and exorcist:
"The Ch[d]pa's very lifestyle on the fringe of society - dwelling in the solitude of burial grounds
and haunted places, added to the mad behavior and contact with the world of darkness and mystery
- was enough for credulous people to view the Chdpa in a role usually attributed to shamans and
other exorcists, an assimilation which also happened to medieval European shepherds. Only
someone who has visited one of Tibet's charnel fields and witnessed the offering of a corpse to the
vultures may be able to understand the full impact of what the Chd tradition refers to as places that
inspire terror."[8]
In Chd, the adept symbolically offers the flesh of their body in a form of gaacakra or tantric feast.
Iconographically, the skin of the practitioner's body may represent surface reality or maya. It is cut from bones
that represent the true reality of the mindstream. Some commentators see the Chd ritual as cognate with the
prototypical initiation of a shaman.[citation needed] Traditionally, Chd is regarded as challenging, potentially
dangerous and inappropriate for some practitioners.[9]
Ritual objects
Practitioners of the Chd ritual, Chdpa, use a kangling or human thighbone trumpet, and a Chd drum, a hand
drum similar to but larger than the amaru commonly used in Tibetan ritual. In a version of the Chd sdhana
of Jigme Lingpa from the Longchen Nyingthig terma, five ritual knives (phurbas), are employed to demarcate
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Bone ornaments
A recurrent theme in the iconography of the Tibetan Buddhist tantras is a
Tibetan Board Carving of Vajrayogini
group of five or six bone ornaments[13] ornamenting the bodies of
Dakini
various enlightened beings who appear in the texts. The Sanskrit
includes the term mudr, meaning "seal".[14] The Hevajra tantra
associates the bone ornaments directly with the five wisdoms, which also appear as the Five Dhyani Buddhas.
These are explained in a commentary to the Hevajra tantra by Jamgn Kongtrul:[15]
the wheel-like[16] crown ornament (sometimes called "crown jewel"),[17] symbolic of Akobhya and
mirror-like pristine awareness[18]
the earrings[19] representing Amitbha and the pristine awareness of discernment[20]
the necklace[21] symbolizing Ratnasambhva and the pristine awareness of total sameness[22]
the bracelets[23] and anklets[24] symbolic of Vairocna and the pristine awareness of the ultimate
dimension of phenomena[25]
the girdle[26] symbolizing Amoghasiddhi and the accomplishing pristine awareness[27]
The sixth ornament sometimes referred to is ash from a cremation ground smeared on the body.[28]
Sources such as Stephen Beyer have described Machig Labdrn as the founder of the practice of Chd.[29] This
is accurate in that she is the founder of the Tibetan Buddhist Mahamudr Chd lineages. Machig Labdrn is
credited with providing the name "Chd" and developing unique approaches to the practice.[30] Biographies
suggest it was transmitted to her via sources of the mahsiddha and Tantric traditions.[4] She did not found the
Dzogchen lineages, although they do recognize her, and she does not appear at all in the Bn Chd lineages.[4]
Among the formative influences on Mahamudr Chd was Dampa Sangye's 'Pacification of Suffering'.[31]
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shortly after Kamalala won his famous debate with Moheyan as to whether Tibet should adopt the "sudden"
route to enlightenment or his "gradual" route, Kamalala used the technique of phowa, transferring his
mindstream to animate a corpse polluted with contagion in order to safely move the hazard it presented. As the
mindstream of Kamalala was otherwise engaged, a mahasiddha by the name of Padampa Sangye came across
the vacant "physical basis"[33] of Kamalala. Padampa Sangye, was not karmically blessed with an aesthetic
corporeal form, and upon finding the very handsome and healthy empty body of Kamalala, which he assumed
to be a newly dead fresh corpse, used phowa to transfer his own mindstream into Kamalala's body. Padampa
Sangye's mindstream in Kamalala's body continued the ascent to the Himalaya and thereby transmitted the
Pacification of Suffering teachings and the Indian form of Chd which contributed to the Mahamudra Chd of
Machig Labdrn. The mindstream of Kamalala was unable to return to his own body and so was forced to
enter the vacant body of Padampa Sangye.[34][35]
Chd literally means "cutting through". It cuts through hindrances and obscuration, sometimes called 'demons'
or 'gods'. Examples of demons are ignorance, anger and, in particular, the dualism of perceiving the self as
inherently meaningful, contrary to the Buddhist doctrine of no-self.[40] The practitioner is fully immersed in the
ritual: "With a stunning array of visualizations, song, music, and prayer, it engages every aspect of ones being
and effects a powerful transformation of the interior landscape."[41]
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Dzogchen forms of Chd enable the practitioner to maintain primordial awareness (rigpa) free from fear. Here,
the Chd ritual essentialises elements of phowa, gaacakra, pramit and lojong[42] gyulu, kyil khor,
brahmavihra, sel and tonglen.[43]
Chd usually commences with phowa in which the practitioner visualises their mindstream as the five pure
lights leaving the body through the aperture of the sahasrara at the top of the head. This is said to ensure
psychic integrity of, and compassion for the practitioner of the rite (sdhaka).[citation needed] In most versions of
the sdhana, the mindstream precipitates into a tulpa simulacrum of the dkin Vajrayogin. In the body of
enjoyment[44] attained through visualization, the sdhaka offers the ganacakra of their own physical body, to
the 'four' guests: Triratna, kis, dharmapalas, beings of the bhavachakra, the ever present genius loci and
pretas. The rite may be protracted with separate offerings to each maala of guests, or significantly abridged.
Many variations of the sdhana still exist.[45]
Chd, like all tantric systems, has outer, inner and secret aspects. They are described in an evocation sung to
Nyama Paldabum by Milarepa:
External chod is to wander in fearful places where there are deities and demons. Internal chod is to
offer one's own body as food to the deities and demons. Ultimate chod is to realize the true nature
of the mind and cut through the fine strand of hair of subtle ignorance. I am the yogi who has these
three kinds of chod practice.[34]
The Chd is now a staple of the advanced sdhana of Tibetan Buddhist traditions. It is practiced worldwide
following dissemination by the Tibetan diaspora.
Chd was mostly practised outside the Tibetan monastery system by chdpas, who were yogis, yogis and
ngagpas rather than bhikus and bhikus. Because of this, material on Chd has been less widely available to
Western readers than some other tantric Buddhist practices. The first Western reports of Chd came from a
French adventurer who lived in Tibet, Alexandra David-Nel in her travelogue Magic and Mystery in Tibet,
published in 1932. Walter Evans-Wentz published the first translation of a Chd liturgy in his 1935 book
Tibetan Yoga and Secret Doctrines. Anila Rinchen Palmo translated several essays about Chd in the 1987
collection Cutting Through Ego-Clinging.[citation needed] Giacomella Orofino's piece entitled "The Great
Wisdom Mother" was included in Tantra in Practice in 2000 and in addition she published articles on Machig
Labdrn in Italian.[46]
Bodymind
Cham Dance
Dampa Sangye
Dhvaja
Machig Labdron
Mindstream
Sky burial
Tantra techniques (Vajrayana)
Tsultrim Allione
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31.
32.
33.
34.
35.
36.
37.
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39.
(http://www.rinpoche.com/teachings/chod.htm) .
(accessed: November 2, 2007)
^ Tib: zhi byed
^ namthar
^ kuten
^ a b Thrangu, Khenchen & Klonk, Christoph
(translator) & Hollmann, Gaby (editor and annotator)
(2006). Chod The Introduction & A Few Practices.
Source: [2] (http://www.rinpoche.com/teachings
/chod.htm) (accessed: November 2, 2007)
^ Tantric Glossary (http://lionsroar.name
/tantric_glossary.htm)
^ 1996: 7
^ Edou, Jrme (1996). Machig Labdrn and the
Foundations of Chd (http://books.google.co.uk
/books?id=AQULAAAAYAAJ&) . Snow Lion
Publications. p. 7. ISBN 978-1-55939-039-2.
http://books.google.co.uk
/books?id=AQULAAAAYAAJ&.
^ 1995: p.15
^ Schaeffer, Kurtis R. (1995). The Englightened
Heart of Buddhahood: A Study and Translation of the
Third Karma pa Rang byung rdo rje's Work on
Tathagatagarbha. (Wylie: de bzhin pa'i snying po
http://en.wikipedia.org/wiki/Chd
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Primary Sources
Machik Labdron: Machik's Complete Explanation: Clarifying the Meaning of Chod (Tsadra Foundation),
Snow Lion Publications (June 25, 2003), ISBN 1-55939-182-0 (10), ISBN 978-1-55939-182-5 (13),
Translation by Sarah Harding (Review by Michelle Sorensen (https://www.h-net.org/reviews
/showrev.php?id=12208) )
Secondary Sources
Allione, Tsultrim (1984/2000). "The Biography of Machig Labdron (1055-1145)." in Women of Wisdom.
Pp. 165220. Snow Lion Publications. ISBN 1-55939-141-3
Allione, Tsultrim (1998). "Feeding the Demons." in Buddhism in America. Brian D. Hotchkiss, ed.
Pp. 344363. Rutland, VT; Boston, MA; Tokyo: Charles E. Tuttle Co., Inc.
Benard, Elisabeth Anne (1990). "Ma Chig Lab Dron. Chos Yang 3:43-51.
Beyer, Stephen (1973). The Cult of Tara. University of California Press. ISBN 0-520-03635-2
Edou, Jrme (1996). Machig Labdrn and the Foundations of Chd (http://books.google.co.uk
/books?id=AQULAAAAYAAJ&) . Snow Lion Publications. ISBN 978-1-55939-039-2.
http://books.google.co.uk/books?id=AQULAAAAYAAJ&.
Harding, Sarah (2003). Machik's Complete Explanation: Clarifying the Meaning of Chd. Snow Lion
Publications. ISBN 1-55939-182-0
Kollmar-Paulenz, Karenina (1998). Ma gcig Lab sgrn maThe Life of a Tibetan Woman Mystic
between Adaptation and Rebellion. The Tibet Journal 23(2):11-32.
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Orofino, Giacomella (2000). The Great Wisdom Mother and the Gcod Tradition. in Tantra in Practice.
David Gordon White, ed. Pp. 396416. Princeton, NJ: Princeton University Press.
Stott, David (1989). Offering the Body: the Practice of gCod in Tibetan Buddhism. Religion
19:221-226.
Lawrence, Leslie L. (2002) "Csd" ISBN 963-8229-76-4
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