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This book is considered by many to be Eric Bernes sequel to Games People Play.
Although Berne published other books since Games was released in 1964, most of those
works were oriented towards those trained in psychotherapy and not towards the
individuals who made Games People Play a runaway bestseller.
In What Do You Say After You Say Hello? Berne presents a summary of Transactional Analysis, introducing (or to many, reintroducing) structural analysis, ego states, rituals, pastimes, and games. Berne then introduces the concept of Scripts to the
mainstream world audience for the first time. As Berne and his followers began refining Transactional Analysis since its formal
introduction in 1958, Berne began developing many new ideas, such as Scripts. This was the first mainstream book in which the
idea of scripts was introduced.
In What Do You Say After You Say Hello, Berne approaches scripts chronologically. He shows how parental programming will lay the
basis for the script in the plastic years of childhood and how adolescent rebellion may lead to an anti-script. Berne then goes on
to analyze the scripts of many familiar fairy tales, such as Cinderella and Little Red Riding Hood.
Berne then goes on to introduce what he calls the script-breakers. A script-breaker is Bernes remedy to parental programming. With
these tools, one is able to break out of a script entirely and change your destiny. Lastly, Berne presents objectively and fairly some
objections and criticisms to script theory.
You can get multiple versions of the book from Amazon.com.
Review of What Do You Say After You Say Hello?
Another advertisement for What Do You Say After You
Say Hello seen in the NY Times Book Review in 1972.
Eric Berne was a psychoanalyst who became well known in the 1970s for
his system of transactional analysis, the transactions in question being
mostly those between a young child and its parents. He proposed various
structures for this relationship based on the roles parent/adult/child that
every person plays and presents life stories as scripts that can be good or bad.
This was his last book completed just before his death in 1970. It nicely ties together his main discoveries and provides a fascinating
selection of scripts tracing them from their source and presenting them in his very effective parent/adult/child format. The system
can be presented diagramatically and one needs to use it to get the most out of the book. However, once over this hurdle the system is
very useful and effective. This reviewer has experimented with it on a number of occasions and it really does explain and predict in the
way that he claims.
Bernes bad luck was that he wrote the book in 1970 when psychology was going through a bad patch with a flood of bizarre systems
appearing. The good gets lost with the bad and T.A. now tends to be labelled as an outmoded California fashion related to
Freudianism.
Its good to see that Berne arrives at his system empirically with his basic framework being bolstered with all the evidence he can find.
He examines accents, voices, vocabulary, types of laughter, names, in fact anything he can lay his hands on to provide effective cross
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