Photographers Guide Photo Contests 2017

PART I
PART II
TABLE of CONTENTS
INTRO
ABOUT THE WORLD PHOTOGRAPHY ORGANISATION AND THE SONY WORLD PHOTOGRAPHY AWARDS
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PART III
42 PHOTO CONTESTS TO CONSIDER (OR AVOID)

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PART IV
Russ OConnell: #SWPA Competition Judge & Picture Editor for The Sunday Times Magazine (UK)
Damien Demolder: #SWPA Open & Youth Competition Judge, Photographer and Journalist (UK)
WPPI 16x20 Print Competition

Underwater Photographer of the Year
Sony World Photography Awards (Open and Youth Competition)
Sony World Photography Awards (Professional)
Pictures of the Year International
World Press Photo
Days Japan International Photojournalism Awards
Nikon Photo Contest
Feature Shoot Emerging Photography Awards
Istanbul Photo Awards
Zeiss Photography Award
Audubon Photography Awards
PDN Photo Annual
Leica Oskar Barnack Award
GDT European Wildlife Photographer of the Year
Px3
Red Bull Illume Image Quest
Big Picture Natural World Photography Competition
NPPA Best of Photojournalism
Kuala Lumpur International Photo Awards
Insight Astronomy Photographer of the Year
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Nikon Small World Photomicrography Contest

Magnum Photography Awards
On the Move International Award
Barcelona International Photography Awards
International Drone Photography Awards
IAFOR Documentary Photography Award
National Geographic Traveler Photo Contest
Black & White Spider Awards
APA Awards
Epson International Pano Awards
Photo Camera Clara
International Photography Award
Moran Contemporary Photographic Prize
Travel Photographer of the Year
LensCulture Emerging Talent Awards
International Color Awards
National Geographic Nature Photographer of the Year
Smithsonian Photo Contest
Aperture Portfolio Prize
Wildlife Photographer of the Year
I Shot It: The Best Photo Competition
CONCLUSION
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THE 2017 PHOTOGRAPHERS

GUIDE TO PHOTO
THE PHOTOGRAPHERS
GUIDECONTESTS
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David Chancellor, UK, 2nd Place, Professional, Campaign, 2016 Sony World Photography Awards
2017
Call
For
Entries
Four competitions to choose from

Professional
Open
Youth
Student Focus
Prizes include
Sony digital imaging equipment

Up to $30,000 in cash prizes
International exposure
International exhibitions
Deadlines
Student Focus: December 5, 2016

Open | Youth: January 5, 2017
Professional: January 10, 2017
Enter for free now at worldphoto.org/swpa

THE 2017 PHOTOGRAPHERS GUIDE TO PHOTO CONTESTS
PART I
Intro
hoto contests serve many different purposes for photographers. For some, contests can offer a simple way to judge yourself against others while providing varying levels
of critical feedback. For others, contests can offer
significant marketing exposure and monetary prizes
and equipment. But all contests arent necessarily
worth your while. Unscrupulous contest promoters
can demand overreaching rights grabs and require
high entry fees. Many contests are simply cash making scams that appeal to the ego of the unwitting
photographer. This guide, in partnership with the
World Photography Organisation, is designed to
help you separate the wheat from the chaff.
Weve compiled a list of forty-two photo contests
and rendered a verdict. Recommended contests are
indicated by the
icon. Our subjective analysis is
based on five criteria:
Entry fees:
Entry fees are sometimes used as a way for contests

to simply generate revenue. Many great contests
have no entry fee. That said, entry fees can provide a
way for contests to compensate judges, fund prizes
and exhibitions, and pay for operating costs when a
deep-pocketed sponsor isnt available.
Prizes:
Contests should offer cash and/or equipment prizes

that are in line with the size of the contest and audience. Premier contests attract premier sponsors
which usually lead to better prizes. We value con-
Oysten Glenne Kristiansen
tests that have multiple prizes for different categories or top finishers. We abhor contests that have
entry fees, but only award certificates to the winners.
Submission rights:
Good contests restrict their rights-grabbing

language and only use images in conjunction with
promoting the contest and include appropriate
photo credits. The best contests restrict their use of
images to a fixed duration. All contests will ask for
broad rights to reproduce images in multiple media
(e.g. print, exhibitions, online, in-app, etc), and were
seeing more competitions ask for display rights
to all entries, not just the winners (some contests
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like the Audubon allow entrants to opt-out of this type of usage). This allows
contests to build and show a steady stream of content throughout the course of
the application and judging periods.
Of course, the more an image is displayed online, the greater the chances for it
to be stolen. But the approach to showing curated entries is becoming more of a
norm particularly in contests geared more towards non-professionals.
An example of bad photographer rights from Smithsonian Photo Contest (we
bolded egregious sections). We dont like this language because it allows Smithsonian to use your image on materials that have nothing to do with the competition (e.g. calendars, books, subscription cards, etc):
You retain your rights to your photograph; however, by entering the
contest, you grant the Smithsonian Institution (and those authorized
by the Smithsonian) a royalty-free, world-wide, perpetual, non-exclusive license to publicly display, distribute, reproduce and create derivative works of the entries, in whole or in part, in any media now existing
or later developed, for any Smithsonian Institution purpose, including,
but not limited to, advertising and promotion of the magazine and its
website, exhibition, and commercial products, including but not limited to Smithsonian Institution publications. Any photograph reproduced will include a photographer credit as feasible. The Smithsonian
Institution will not be required to pay any additional consideration or
seek any additional approval in connection with such uses.
Better photographer rights from World Press Photo restrict utilization to specific purposes (e.g. promotion of the contest and education activity):
Copyright holders retain copyright of their work. For awarded pictures, copyright holders grant the World Press Photo Foundation unlimited non-exclusive use of high-resolution pictures for activities in
all media, including social media, online and print, in relation to the
contest, the exhibition, the yearbook, the public archive, and all promotional and educational activities for and under the auspices of the
World Press Photo Foundation, without any remuneration being due.
Tamina Florentine Zuch, Germany, Winner, 2016 ZEISS Photography Award
Great photographer rights from the Sony World Photography Awards restrict
usage and duration.
You hereby grant the World Photography Organisation a non-exclusive, irrevocable licence in each Entry throughout the world for three
years in all media for any use connected to the promotion of You the
author and the SWPA event and/or competition, including, but not
limited too...
Promised exposure:
Sometimes cash and equipment prizes arent significant, but media exposure,
publications and/or exhibitions can bring significant benefits. Certain publications are known for their annual contests/awards, and the design and packaging
of those publications make them collectible.
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Shows like the Sony World Photography Awards at the Somerset House in
London or World Press Photos traveling exhibition have become increasingly
renown, and bring tens of thousands of eyeballs to the winners. Many successful
awards leverage effective public relations to generate millions more views online.
And sometimes exposure can lead to direct work either through print sales or
new assignments and commissions.
A number of photographers have told us that they are more interested in exposure that well-known contests bring them both in terms of general public
relations as well as being seen by an influential jury.
Feedback from past winners:
At the end of the day, winners need to feel sufficiently rewarded for entering the
contest. We spoke to winners from all the contests to get a better sense of the
landscape from the competitors vista.
A number of photographers and contest jurists have warned against producing
content specifically for contests. Decorated photojournalist Heidi Levine cautions,
Photographers should not allow their self worth and work to be determined by
only winning awards. Indeed, while many photographers expressed gratitude for
winning prizes, they were often more concerned with gaining a wider audience for
the topics they were photographing from child trafficking to conservation issues.
Travel Photographer of the Year Marsel van Oosten views contests as a valuable learning tool. If you dont win, it means that the work you thought people
would really like, doesnt jump out from those thousands of images. That doesnt
mean that the quality of your images is not good enough, but it does tell you that
its probably not original enough, or not executed perfectly.
Many photographers express some disdain for the contest culture. Nikon Photo
Contest winner Dina Bova offers some sage advice, I think it is important to
remember that photography is an art and not a sport. In art, you cannot jump
higher than everybody or run faster than others. In photography, as in any other
form of art you just need to be yourself and not try to please someone or to
predict someones tastes.
Klaus Pichler
With a plethora of options, a photographer could spend all their time (and money)
entering contest after contest. But that strategy wont necessarily yield the best return
on investment. Magnum Photography Award winner Aaron Hardin suggests, If
you want to get your work out into the world, then focus your attention, edits, and
entry fees on very specific contests. Know who will see your work. It is better to
enter three appropriate contests for your work than to waste hundreds of dollars on
entry fees on every competition available.
Sian Davey, winner of the PDN Photo Annual Arnold Newman Award, says, I
feel you have to be selective with competitions and awards do your research,
look at how they might promote or support your work after the award; ultimately asking if they have your best interests in mind.
From these criteria, weve rendered a verdict for each contest. Although we
include several hobbyist contests, the verdict is biased towards the professional
(e.g. rights-grabs can significantly affect our recommendation). You can use this
same criteria to evaluate contest that you encounter that we havent reviewed. In
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almost all cases, the availability and amount of a cash prize is a good proxy for
the worth of a contest.
On Manipulation & Ethics
While some contests allow categories of photo-illustrative images, other contests

have strict language regarding acceptable image manipulation in post-processing. Although the industry as a whole still struggles with defining acceptable
manipulation (and often falls back on antiquated terms from the darkroom),
more contests are requesting RAW files from the finalists to verify the integrity
of the entry.
Generally speaking, the removal or addition of objects within the scene is
frowned upon, as is excessive burning and dodging of elements that effectively
removes them from the scene (with the exception of sensor dust). With rapid
advances in technology (e.g. computational photography), its clear that the issue of manipulation will confound contest administrators and judges for the
foreseeable future.
This year the WPPI 16x20 Print Competition instituted a plagiarism rule for
cliches or stereotypical shots according to WPPI Grand Master Jerry Ghionis.
Given the large number of entries each year, WPPI will rely on other photographers
to flag potentially plagiarized images. Ghionis says, If it is the same pose, the
same lighting, the same cropping at the exact location then this would have to be
reviewed by a committee. It would be a rare occurrence for us to enforce the rule,
but we want the rule in place because we do not want an image to win a grand
award for its uniqueness if we were to find out it was specifically copied from the
original author. The rule is, perhaps, a nod to the fact that crowd policing has been
an effective way to catch ethical breaches in the past.
Melissa Groo
Disclaimer:
We strive to publish accurate details on the contest prizes and deadlines. However, in some cases, we were unable to verify 2017 contest information and
therefore relied on information from past years.
The issue of ethics often concerns how a photographer went about capturing
an image. In some genres of photography (e.g. photojournalism), the staging of
scenes (by directing, paying, or even interacting) with the subjects are taboo. But
the role of ethics doesnt end with people.
Many wildlife and nature contests like the Audubon Photo Contest are starting to add language that forbid activities that would stress/harass or bait/lure
wildlife for a picture. Audubon goes further to restrict the use of drones because
of concerns for bird safety.
PART II
About the World

Photography
Organisation
and The
Sony World
Photography
Awards
or this guide weve partnered up with one

of the most prestigious and respectable
awards photographers can be honored
with, the World Photography Organisations Sony
World Photography Awards.
The Sony World Photography Awards
The Sony World Photography Awards (#SWPA),

organised by the World Photography Organisation,
is the worlds largest photography competition. Celebrating its 10th anniversary in 2017, the awards
showcases the best photography in the world from
the past year.
Free to enter and open to all photographers, the
awards are an authoritative voice in the photographic
industry, with the power to shape the careers of its
winning, shortlisted and commended photographers.
The total number of entries received since the first
edition in 2007 has now surpassed 1 million images,
reinforcing its position as one of the most influential photography competitions in existence.
Entry is free and photographers of all abilities can
enter the following competitions:
Professional - 10 categories, judged on a

body of work
Open - 10 categories, rewarding the best

single images
National Awards - Entries submitted to
the Open competition are automatically
entered into the National Awards based
on nationality (Please check if your indi
vidual country is participating)
Youth - for all photographers aged 12-19, a
single image responding to one brief
Student Focus - for those studying photography

Each year a total prize fund of $30,000 (USD)
plus the latest Sony digital imaging equipment is
shared between winning photographers. Photographers are taken on a year-long journey, bringing untold exposure and providing a global stage on which
to present their work.
The hugely popular Sony World Photography
Awards Exhibition, featuring a selection of winning, shortlisted and commended images, is curated
at the prestigious Somerset House, London each
Spring.
The World Photography Organisation recently sat
down with two judges for this years Sony World
Photography Awards to find out more about their
careers and what theyre looking for from photographers entering the contest.
PROFILE
Russ OConnell:
#SWPA Competition
Judge & Picture Editor
for The Sunday
Times Magazine (UK)
Interview by Matthew Oxley,
World Photography Organisation
uss OConnell is Picture Editor of The Sunday Times Magazine, his latest
step in a 14-year career within the photographic and magazine publishing
industry. He worked for some of the biggest consumer publications in the UK
market before fulfilling a lifelong ambition of working for The Sunday Times,
famed for its history of printing the best in photojournalism, portraiture and
photographic essays. He has worked with some of the best photographers in the
world, commissioning assignments ranging from high-end celebrity portraiture,
music and fashion shoots to in-depth reportage photography.
Russ is judging the 2017 Sony World Photography
Awards Professional Competition, so we caught up
to learn more about his path to The Sunday Times
Magazine, plus got his advice for photographers entering this years contest.
I joined in the early 2000's just as the digital photography revolution was beginning, so when I started I was still receiving printed photos & transparencies from various agencies and photographers, while
images via email and ISDN or FTP were slowly
starting to become the standard way of delivery.
Hi Russ. Tell us about your journey to becoming

Picture Editor at The Sunday Times Magazine.
What have been some of the highs and lows, and
what changes have you seen along the way?
It was an exciting introduction to the industry,

bidding on exclusive paparazzi sets of images against
your rivals for ridiculous amounts of money, but I
soon became disillusioned by the whole celebrity
fad, which is when I made the move to become
Photo Director of Q Magazine, which is a monthly
music mag. We shot 90% of the content at Q, which
was brilliant for me in terms of my development
in shoot production, art directing shoots and
developing a definitive photographic style for the
magazine. The job took me all over, often flying to
I studied photography at University, then through

work experience on numerous magazines picture
desks, I ended up landing a job at a weekly magazine called Heat, which at the time was the market
leader in the celebrity entertainment market.
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the US and Europe to art direct cover shoots of various bands and musicians,
even now I think back to how lucky I was to meet and be a part of that process.
When you are on the job it just becomes normality, but if I stand back and think
about it, it was really quite a special opportunity at the time.
I moved on to the role of Photographic Director of British GQ, which had
its highs and lows. What surprised me working there was how advertising-led
the decisions made on that magazine were, often the images with advertisers
clothing would be favoured over the merit of the actual images themselves, to
me, that isn't picture editing at all. I understand the need to please advertisers,
but when it gets in the way of great content, then the line has been crossed; you
may as well be working for a catalogue.
Youve worked with some of the biggest names in photography. Tell us about
your most memorable shoot or commission.
I've been lucky enough in my career to commission and work with some of my
favourite photographers, Norman Jean Roy, Peggy Sirota, Nadav Kander to name
but a few. At Q Magazine I commissioned and art directed their Artists of the
Century cover shoot, featuring 25 of the decade's most relevant musicians and bands
to celebrate the magazine's 25th anniversary. It was a big gatefold covering over 3
panels. This meant meeting & shooting some of the most high profile musicians in
the world, from Paul McCartney, to Amy Winehouse, Rihanna, U2, Dave Grohl,
Kings of Leon, Robert Plant, etc. It was a year in progress, tight at times, but looking
back it was a major achievement and first for the music industry at the time.
Commissioning David Bailey to photograph Paul McCartney was up there with
one of my most memorable experiences. Just being in the room with 2 of the
most iconic figures from the 60's was surreal. But possibly my most memorable
shoot was travelling on tour with Bruce Springsteen in his private jet for an
expansive cover shoot & feature. It's something to tell the grandkids for sure.
If you could give one piece of advice to those entering the Professional competition of the 2017 Sony World Photography Awards, what would it be and why?
Be conscious of your contemporaries and competition, try and choose something

that really stands out, but is relevant in today's saturated market. What may be
special to you personally can be lost or misunderstood to the viewer, so try and
think more commercially or choose images that are more visually appealing, but at
the same time being mindful of cliche images. I want to be blown away by seeing
a portrait or image that immediately invokes an emotional response, not a pastiche
of a famous portrait or replication of a photographer's style that has come before.
How can photographers maximize their chances of getting work in front of
editors such as yourself? What are the best practices for approaching publications and pitching stories?
Research, research, research. Ask yourself, does my work sit with this magazine or
title? There's little point approaching an editor with work that they would never
run in the pages of their magazine or paper. As editors, we often have very little
time to see portfolios, so I can't stress how important it is to be relevant in your
approach and understand the market that you are trying to pitch to. Don't be
disheartened if you get knocked back, most of the time it is simply because your
style or is not what they are looking for, or there is already someone on their books
doing what you do.
What excites you most about the photography world going into 2017?
I think we are currently in one of the most exciting times for photography. We
are in the middle of a complete digital revolution, an age where photography is
available to anyone if they want to be involved. All you need is a smart phone
and you can create and document what you see. Long gone are the days of
needing full professional photographic training to be able to understand how
to take a photograph; it is literally at your fingertips. What has surprised me is
how strong the quality of the current generation of cameras phones are. They
have completely killed the point and shoot market. You don't need high end
DSLR equipment and expensive lenses to capture amazing images. Looking at
photos taken on high end equipment side by side with smartphone technology,
the line is beginning to blur, obviously there will always be a place for the more
serious kit, but there are some people out there doing amazing things with the
cameras on their phone, be it citizen journalism or hobbyists taking landscape
photos on a weekend walk. To me thiscan only be a good thing for the future of
photography and its accessibility and relevance in the world.
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PROFILE
Damien Demolder:
#SWPA Open &
Youth Competition
Judge, Photographer
and Journalist (UK)
Interview by Matthew Oxley,
World Photography Organisation
amien Demolder is a photographer, journalist and photographic equipment expert, speaker, judge and educator. He has worked in the photographic publishing industry for 19 years, including 15 years at the worlds only
weekly photo magazine, Amateur Photographer, where he was editor. He writes
and tests for dpreview.com, British Journal of Photography, Amateur Photographer
and a range of other UK and international publications.
He uses a wide range of equipment, from wooden
plate cameras to the latest DSLRs, is a great fan of
the emerging compact system camera and all products that make good photography more accessible
to more people.
Although he specialises in street photography, he
also shoots portraits, landscapes, architecture, natural
macro and occasionally even wildlife and weddings.
Damien shared with us what excites him most about
photography in 2017 and the #1 piece of advice he
has for those hoping to win this years competition.
Hi Damien. As someone with a unique position in
the photography world: your experience spans
many realms and disciplines, what excites you
most about photography as we head into 2017?
There is a lot to be excited about for the coming year,

mainly because of the new generation of cameras
and lenses that have appeared at the end of this

one. Equipment doesnt thrill me in its own right,
but, when I see new features, functions and abilities
coming forward. I imagine what they can do for me
and what creative doors they can open. The launches
of this year have been very much about making
cameras faster to use and being able to capture
moments without technical hindrance. When the
flaws of a photographic system come between the
photographer and the image, something is wrong.
We dont have perfect cameras, and we never will,
but all the time they are getting better.
The most exciting thing, though, for 2017 will
be seeing how the medium format market is
developing. Physically larger sensors bring a whole
different look to photography and the resolution
and tonal qualities they provide are something else.
With this latest wave of mirrorless cameras from
Hasselblad and Fujifilm, prices are coming down,
and the technology is becoming easier to use. Thats
a brilliant thing.
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Both of these developments, the speed of cameras and the growth of medium
format, are fantastic news for creative photography. They clear the path for new
ways of shooting and new ways for people to express what they see. They will
add a massive buzz to the photographic world.
Why photography? Tell us about your background and how you got to this point
in your career.
I was going to be a musician but realised in time that for me it was all hard work
and no talent. Id had a camera since I was about 14 but it took a while for me
to realise how much I loved taking pictures. I was able to take art at school and
began to teaching myself from books and magazines and from experimenting
in the darkroom. I became obsessed quite quickly and was so driven that I was
able to skip two years of college because Id taught myself already. I learnt about
colour and printing, as well as dealing with people and shooting consistently
and quickly, when I worked as a cruise ship photographer. The places I visited
and the people I met opened my eyes to the world and showed me alternative
experiences and ways of thinking and being.
After some time assisting advertising photographers and working for myself, I
joined the photographic magazine world and was able to totally immerse myself
in photography. I went to the launch of every camera I could and found out
why they were made that way. I interviewed photographers and questioned the
life out of them to understand how they worked and thought. I spoke with enthusiasts, professionals, camera engineers, lens designers and retailers alike and
listened to their moans, elations, struggles, frustrations and passions. I studied
cameras, lenses, accessories, software and the pictures that they make and the
people that used them. I breathed in photography from as many angles as I
could and still do.
Kei Nomiyama, Open photographer of the Year, 2016 Sony World Photography Awards
I want a picture that tells me what you

saw and what you thought when you
saw it.
For me the compelling qualities of photography are that there is so much to

know. I will never be finished, and that it is always changing and new there are
as many ways to see and shoot as there are pairs of eyes on the planet.
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Youve judged a variety of different photography competitions in the past.

What are you looking for most in a single image?
Photography is a means of communicating so I want a picture that tells me what

you saw and what you thought when you saw it. I want to feel Im there with
you seeing the same thing and knowing how you felt at the time. I love romance,
atmosphere and emotion. We can dream but we need to keep it real enough that
others can believe what we are showing them is grounded in the truth. Pictures
should tell a story too, so the photographer needs to point out something to us
or show us something that makes us think. I need images that make me respond.
Talk to us about your long-time role as Editor of Amateur Photographer. What
were the most significant changes you saw in the industry from your time at
the helm?
Of course the greatest change during my time at AP was the shift from film
to digital imaging. When I started at the magazine digital imaging was still in
nappies and presented very limited options not only in terms of the equipment
but also regarding what you could do with the images they were so small.
By the time I left the magazine only a small proportion of the readership was
actively shooting on film. The gradual shift caused all sorts of heated discussions
over that period while the technology slowly caught up with the quality of film
and while the cameras eventually came down in price. The revolution has been
a good one, as most artistic revolutions are, because it has given us new tools
and new ways of doing things. That keeps us fresh. Before my time there are
arguments around the benefits of the 35mm format over medium format, and
before that medium format film over glass plates. We even had a letter in the
archive from a reader who proclaimed that plate photography would never be
as good as wood cuts proving that even in the 1890s these discussions around
evolving technology were going on.
Photography and photographers stayed very much the same, though, throughout
my time on the magazine. Trends sift backwards and forwards as they repeat
themselves across the decades, while some photographers strive to break new
ground and others to shoot the same as their fellows. Digital technology has
settled down now and we have generations of photographers who have never
touched a roll of film. Software has replaced the darkroom and memory cards
the film, but the subjects we put in front of the camera and our desperation to
express ourselves remain constant. Photography still incites passion, compulsion,
introspection and communication. There is still nothing else quite like it.
If you could give one piece of advice to those entering the Open competition of
the 2017 Sony World Photography Awards, what would it be?
Try not to shoot images that have been done a thousand times before and which
only copy and emulate others. Originality is very difficult to achieve in a pure
sense, but being a bit different isnt. Try to put yourself in your images and
submit what makes you happy. You dont have to shoot in the same way as others,
or the same things. Your life and your experience are different to everyone elses
so use your individuality.
Do you have a photographic philosophy?
For me any philosophy around photography has to involve an acceptance of

change and a willingness to change because thats how I develop. When my
photography feels like it is standing still its usually because Ive isolated myself
by not looking, seeing and listening enough to what is going on around me. Im
not sure that the world changes so much as there are new experiences waiting
for me if I am prepared to find them. We dont have to be visually influenced by
other artists work, but we can pay attention to the way others express what they
feel and think. I suppose my philosophy is to try to be open to ideas and ways of
seeing the world. None of us has the whole truth, but the more we look I think
we can piece together a better view.
Photography is beyond the camera and the lens. Those are just the means. Photography should be a reflection of a thinking mind and a sensitive eye an extension of our humanity. Dont assume that thought has to be profound though.
It could just be a response to a nice colour or an interesting line.
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PART III:
42 Photo Contests to Consider

(or Avoid)
*Contests organized by deadline

15
WPPI 16x20 Print Competition

The WPPIs Awards of Excellence 1620 Print Competition is one of the few that still caters to the art of the print in 8 divisions that span more than 30 different categories (including filmmaking). Images are juried and receive Honors of Excellence points, which translate into different distinction awards. For many portrait and wedding photographers,
these awards provide credibility in a highly unregulated market. And unlike many other contests, the judging is open to observers, providing a level of feedback that is rare.
DEADLINE
January 4, 2017
Winners announced: February
PRIZES
Grand Prize:
USD$2,000
plus a full pass to WPPI, one year Photo+

Membership
ENTRY FEES
Print submission:
$45 (members)
$65 (non-members)
Album submission:
$50 (members)
$60 (non-members)
In-camera Artistry:
$30 (members)
$40 (non-members)
PROMISED EXPOSURE
All winners are published in Rangefinder magazine and online,

and exhibited in Vegas during WPPI.
WHAT THE WINNERS SAY
Jacob Atmodjojo took first place honors in the Creative Division

Portrait Contemporary category for 2016, and while hes
happy with the plexiglass trophy and web exposure, he uses
the contest as a measuring stick for himself, saying, it's more
for me to set myself apart (in my portfolio) that I do different
from other wedding and portrait photographers. I don't really
advertise that I won awards such and such in my website, the
winning is more for validation of my works in comparison to
the other of my colleagues.
VERDICT
When it comes to wedding and portrait photography, no one

can touch the vastness of the WPPI empire. But more than
just a juggernaut, the vibe of the annual conference where the
final judging takes place is one of inclusivity and optimism
which is reflected in the international roster of winners. The
Grand Prize could be more generous, but being able to attend
and learn from the judging pays for the price of admission.
Jacob Atmodjojo
Filmmaking:
$55 (members)
$65 (non-members)
16
Underwater Photographer of the Year

In 2017, the contest celebrates its 3rd anniversary and has attracted photographers from around the world who appreciate the beauty of underwater photography.
DEADLINE
January 2, 2017
Winners announced: early February
PRIZES
TBA
ENTRY FEES
5 GBP for up to 3 images

PROMISED EXPOSURE
Exhibition at the London International Dive Show and the Fox

Talbot Museum
2016 Underwater Photographer of the Year Davide Lopresti

used a flash and slow shutter to take his stunning image of a
seahorse. He praises the exposure the win has brought him, and
says The competition has been a great satisfaction for me, the
frame of London makes it truly unique and impressive, and the
media impact has been truly remarkable, even though it hasnt
directly led to new work.
VERDICT
The niche contest attracts strong photography, but compared

to other niche contests, the organization needs to build a
better roster of sponsors while offering more significant prizes
and exposure.
Davide Lopresti
17
Sony World Photography Awards (Open and Youth Competition)

Since 2008, Sony has sponsored the World Photography Awards one of the most highly visible photographic awards program in the world. Students, amateur enthusiasts
and established professional photographers are encouraged to apply and submit their work in Professional, Open, Student or Youth categories.
DEADLINE
January 5, 2017
Winners announced:
after January 31, 2017
PRIZES
USD$5,000
+ flight/accommodation to London to
attend the Sony World Photography
Awards (open).
Flight/accommodation (youth).
ENTRY FEES
None
PROMISED EXPOSURE
Exhibited at the Somerset House in London
Kei Nomiyama, 2016 Open Photographer of the Year, says

that while the awareness of the award in his native Japan is
low, he was surprised that the recognition...has in the West,
especially in Europe. Since the win, he has fielded a slew of
inquiries to purchase and license the image. He recommends
the contest, particularly for the international exposure and
networking potential. WPA is especially done well because
it's accessible in many different languages, allowing different
people from around the world to enter. It's an exciting feeling
knowing that other people from around the world are viewing
your photo.
VERDICT
With each passing year, the Sony World Photography Awards

seem to grow in stature. With a rich cash prize, exhibition,
and massive press coverage, the Awards sit near the top of
our recommended list. Also notable: The contest supports
the Artists Bill of Rights and use of images is restricted to
three years.
Kei Nomiyama
18
Sony World Photography Awards (Professional)

The Sony World Photography Awards is recognized as the leading photographic awards program in the world. Launched in 2008, the awards are dedicated to supporting and
cultivating photographic culture. The Professional division requires a series of images, whereas a single image can be entered in the Open division.
DEADLINE
January 10, 2017

Winners announced:
after January 31, 2017
PRIZES
Winner of the "L'iris D'Or" receives

title of "Sony World Photography
Awards Photographer of The Year", a
USD$25,000
cash prize, flight/accommodation

to London to attend the Sony World
Photography Awards, and Sony camera
equipment. Category winners receive
flight/accommodation to London and
Sony camera equipment.
ENTRY FEES
None
PROMISED EXPOSURE
Exhibited at the Somerset House in London; published in the winners book; featured
in online gallery
Nikolai Linares, winner of the Sports category in 2016, advocates entering the
contest, If you want your stories taken seriously and want people to hear what you
have to tell them with your story, you should always enter the big competitions,
while praising the contest organization, I must say that my whole experience
with the contest has been that the organization is very professional. They took
care of everything from hotel, to flights and all. Getty Images staff photographer
John Moore took the coveted Liris DOr award in 2015 with his stunning work on
the Ebola epidemic in Liberia. The World Photography Organisation very actively
promotes the Sony Awards on social media platforms, so they really do bring wide
exposure to the work. Plus, the exhibition of all the winners' work at Somerset
House in London in very well done and drew huge crowds. I would recommend this
competition to all photographers who want to highlight their work.
VERDICT
A huge cash prize, plus gear, plus an exhibition, plus travel and expenses to the
awards there isn't much not to like about this contest. The exhibition at the
Somerset House might lack the prestige of a show at the Whitney, but its pretty
damn close.
Nikolai Linares
19
Pictures of the Year International

Pictures of the Year International (POYi) is one of the oldest and most prestigious photojournalism programs in the world. POYi itself is a non-profit dedicated to promoting
documentary photographers and freelance photojournalists, and the competition celebrates great work from photojournalists worldwide.
DEADLINE
January 12, 2017

Winners announced:
after February 23, 2017
PRIZES
USD$1,000 and Tiffany
crystal trophy for Photographer of the

Year and Documentary Project of the Year
ENTRY FEES
$50 per entry
PROMISED EXPOSURE
Multiple exhibitions including the Newseum in Washington, D.C.
Newspaper Photographer of the Year 2016 Carolyn Van

Houten thinks the exposure is invaluable saying, Contests, for
me, arent about ego or winning, but are a way to get a story
I care about in front of more eyes and this contest did just
that...The New York Times Lens blog ran a few of the winning
photos. Then a US Congressman saw the photographs on the
NY Times website and wrote a personal letter to me about
how the images moved him. That meant more to me than
actually winning the contest, but that probably wouldnt have
happened without the exposure that the contest brought.
VERDICT
Because POYi relies on its endowment rather than corporate

sponsors, the prize money is small compared to other contests. While certainly prestigious, POYi shouldnt solely rely
on its well-earned reputation when new contests with rich
prizes are emerging every year. Because it only started allowing international entries in 2001, it still doesnt have quite
the global appeal of other contests with international origins.
Carolyn Van Houten
20
World Press Photo

The past few years have been trying for World Press Photo with a spat of controversy regarding manipulation and ethics of the winners. Still, the contest is arguably the most
influential and internationally acclaimed in photojournalism and the organization continues to try to educate and elucidate the issues pressing the industry today.
DEADLINE
January 13, 2017

Winners announced:
second week of February
PRIZES
10,000 for World Press
Photo of the Year, travel expenses to the

Award Ceremony in Amsterdam, Canon
digital camera, and the Golden Eye Award;
1st place in each category receive 1,500

plus the Golden Eye Award and sponsorship of their trip to the Awards Ceremony
in Amsterdam
2nd and 3rd place receives the Golden Eye
Award and a diploma
ENTRY FEES
None
PROMISED EXPOSURE
All prize-winning photos are assembled into an exhibition

that travels to 45 countries are published in a yearbook
distributed worldwide.
2016 Long Term Projects 2nd place winner Nancy Borowick

says, Everything about the World Press Photo contest felt
professional and organized and the application process was
easy and clear. The exposure as a result of the award was
tremendous, with exhibitions in 100 cities in 45 countries so
the work continues to get seen and talked about on the world
stage...Winning a World Press Photo award continues to open
new doors and the relationships and connections that I was
able to develop since the award have been truly invaluable.
Kevin Frayer, I have always entered contests reluctantly
because I feel they can add a competitive dynamic to the way
you see your photography. But there is no question, winning
contests gives recognition and exposure to your work no matter how experienced you are. Some award prizes, others prestige... but all of them offer the opportunity to lift your profile.
Nancy Borowick
VERDICT
The cash prize, exhibit and master classes put World Press
Photo largely into a category of their own. To his credit,
Executive Director Lars Boering has taken a proactive stand
in trying to manage the everpresent issue of manipulation,
ethics and veracity in the field of photojournalism.
21
Days Japan International Photojournalism Awards

Ryuichi Hirokawa started the Japanese monthly journal in 2004 on the anniversary of the Iraq War in response to a distrust of the conventional media that often urged a
path to war. The magazine promotes hard core photojournalism and covers global topics that advocate the dignity of humans and nature.
DEADLINE
January 15, 2017

Winners announced: March 2017
PRIZES
Grand Prize:
1,000,000
+ trophy and camera gear,
(2) 2nd Place Winners:

300,000 + trophy and camera gear
(3) 3rd Place Winners:
100,000 + trophy and camera gear.
ENTRY FEES
None
PROMISED EXPOSURE
Winning photos will appear in DAYS JAPAN magazine and on

the website. Exhibitions will be held in major cities in Japan to
publicly display the awarded works.
The 2016 2nd Place winner Heidi Levine speaks highly of the
contest, I was impressed by the goal of having this contest
focus on the perspective of the civilians. The recognition of
my work has helped to open new opportunities such as being
asked to appear on panel discussions and speak about the
victims of war. The award has allowed Levine to pursue her
projects, and she says, The generous cash prize and camera
has also enabled me to continue with my commitment as a
photojournalist to use the power of photography as a universal tool to bring greater understanding and a voice to those
who are unable to do so themselves.
Heidi Levine
VERDICT
The list of grand prize winners is impressive, and the 2016

First Prize totaled nearly $10,000. What the prize may lack
in public awareness is offset by the prize money, gear and
the caliber of the winners. Plus photographers have a healthy
dose of respect for Hirokawas nearly solitary efforts.
22
Nikon Photo Contest

This year, the biennial award celebrates Nikons 100th anniversary with three categories one of which requires the use of Nikon equipment. Entries are limited to images that
havent been formally displayed.
DEADLINE
January 27, 2017

Winners announced: late June 2017
PRIZES
Nikon 100th Anniversary Prize:
500,000
plus Nikon D5, AF-S Nikkor 24-70mm

f/2.8E ED VR
Grand Prize: Nikon D5, AF-S Nikkor 2470mm f/2.8E ED VR

1st Prize: Nikon D180 + lens
2nd Prize: Nikon D500 + lens
3rd Prize: Nikon D5500 + lens
PROMISED EXPOSURE
Work may appear in exhibitions at venues managed by Nikon and on Nikon social
media
When Dina Bova, winner of the Grand Prize in 2012-2013, entered the contest, she
lowered her expectation because of her style of photography. Im not a pure and
classical photographer, but rather a digital artist that uses photography as a raw material for creating new compositions with computer...But I was nicely surprised to find
out that this contest is very progressive regarding this matter. Indeed, over the years,
the judges have selected an enormous range of styles. Beyond the generous prizes,
Bova compliments the resulting exposure, There were many articles about me and
different magazines, I was invited to TV programs, was given interviews, was invited
to give lectures. Also I had a fantastic trip to Japan for the awards ceremony.
Dina Bova
VERDICT
If there was ever a year to enter the contest, it is this one. The 100th Anniversary
Prize is worth nearly $14,000 USD and the other prizes are no slouches either. The
contest might not have the cachet and name recognition of other prizes, but that
shouldnt stop you from entering.
ENTRY FEES
None
Dina Bova
23
Feature Shoot Emerging Photography Awards

Now in its third year, the Emerging Photography Awards are switching up the judging format to allow a single judge pick a recipient for a given prize rather than tallying votes.
DEADLINE
January 31, 2017

Winners announced: February 15, 2017
PRIZES
$750 (5) grants
representation in Los Angeles and London
ENTRY FEES
$35 for up to 5 images
PROMISED EXPOSURE
Three group exhibitions (2 in NYC and 1 in Sydney)
Camile Michele, who won in 2016, said, "After being published

for Feature Shoot, my work received a lot of attention. The
project was published numerous times in magazines and
online; P3 magazine (Portugal), The Weather Channel (United
States), ZOOM magazine (Italia), Fotopolis magazine (Poland),
etc. I was contacted to participate in exhibitions for example
Uummannaq will be exhibited at Eyes on Main Street Festival
North Carolina in April. I am also selected for the prize Voies
Off , Rencontres Internationales de la Photographie, Arles .
Thank you to Feature Shoot as the award enabled me to get
introduced to many interesting people!"
VERDICT
For the emerging photographer, finding good vehicles to

be discovered can be vexing. Although the prize money
isnt significant, we like Feature Shoots track record of
showcasing talent that might otherwise go unnoticed.
Camile Michele
24
Istanbul Photo Awards

The Turkish-based Anadolu news agency sponsored the first contest in 2014, attracting a whos who of photojournalism with rich cash prizes. The contest unsurprisingly attracts many photographers covering events in the Middle East and Europe with work that typically doesnt get much circulation in the US.
DEADLINE
January 31, 2017

Winners announced: March
PRIZES
USD$10,000
for photo of the year
plus eight categories each with:

1st: $8,000
2nd $5,000
3rd $3,000
ENTRY FEES
None
PROMISED EXPOSURE
Multiple gallery exhibitions in several countries
Abd Doumany, winner of Photo of the Year accolades in 2016,

says, Winning a contest usually gives a good feeling like your
work is appreciated and you did your job as you were supposed to do. It gives you the feeling that what you do is appreciated and it pushes you a step forward. But new assignments
are lacking, and he says, I haven't received any extra work
since winning the award. Story News winner Santi Palacio
echoes the lack of work resulting from the award, ...although it
is always helpful that your work has international exposure.
But Doumany is circumspect about photographing a difficult
subject like the civil war in Syria, Most photographers in Syria
remain freelancers and it's very rare to find someone with a
permanent contract. Sure, participating in contests leads you
to improving your work and reaching a wider audience which
is exactly what is needed since internet connectivity is limited
here and it can be challenging for us as photographers and
journalists to promote our work on our own.
VERDICT
With a total purse of $50,000 in prize money spread

amongst twelve awards, the Instanbul Photo Awards have
created immediate legitimacy in only a few years. The
contest jury is impressive and well-connected within the
photojournalism world.
25
Zeiss Photography Award

In 2016, heralded lens manufacturer Zeiss joined forces with the World Photography Organisation to create the eponymous award with a different annual theme. Unlike
most other contests, Zeiss seeks 5-10 images, which makes it a perfect vehicle for longer and richer stories.
DEADLINE
February 7, 2017
Winners announced: May
PRIZES
Choice of Zeiss lenses valued at 12,000,

airfare to London to attend the Sony World
Photography Awards ceremony
ENTRY FEES
None
PROMISED EXPOSURE
Exhibited at Somerset House, London during the 2017 Sony

World Photography Awards Exhibition, and image plus an
interview featured on the sites homepage
Inaugural winner Tamina-Florentine Zuch says the prize package of Zeiss lenses have changed her photography, I would
never have thought about spending such a huge amount of
money on camera equipment/lenses, but now I work with
them I can see the difference and would not want to get back
to my old equipment again. She also believes the association
between Zeiss and the World Photography Association was
a smart pairing, [The contest] got huge exposure and the
winning photographs even got exhibited in Somerset House
in London which was amazing. Zuch compliments the quality
of the jury and recommends the contest to anyone, not only
with the aim to win a prize, but to get the chance to show
your work to experienced people.
Tamina Florentine Zuch, Germany, Winner, 2016 ZEISS Photography Award
VERDICT
No entry fee, a trip to the awards ceremony, an exhibition at

the Somerset House, and 12,000 in Zeiss lenses? Oh, and a
three-year limit on use of the image to promote the contest.
Every new contest should be this good.
26
Audubon Photography Awards

With its legacy of bird conservation around the world, its no surprise that the Audubon recognizes the power of photography in elevating the natural world in our collective
conscience. Although the contest is limited to residents of the US and Canada, the winners receive worldwide exposure, and the contest has served as a major springboard
for past winners.
DEADLINE
Mid-February
Winners announced: April
PRIZES
$5,000
for Grand Prize
ENTRY FEES
$15-$20 for single image
PROMISED EXPOSURE
Published in "Audubon" magazine, "Nature's Best Photography" magazine, and displayed in the 2016 Nature's Best
Photography Exhibition at the Smithsonian in Washington, D.C.
2016 Grand Prize Winner Bonnie Block says the exposure from
the award was nothing short of amazing. Major news outlets
around the world pick up the winners and feature them. The
Smithsonian Natural History Museum does hang prints of
the winners of the Audubon contest in coordination with the
Natures Best Photography Awards for a year. The win helped
generate more than a handful of sales (a lot of the time from
my PhotoShelter site) as well as speaking engagements to
birding and photography organizations.
2015 Grand Prize Winner Melissa Groo says the exposure was
invaluable, Winning absolutely led to more work, but, as with
anything, partly due to my finding ways to take advantage of
it. You have to actively promote yourself in all possible ways.
Since her win, Groo has joined the contest jury, and has helped
to guide what she calls much-needed attention to the ethics
behind the shot, a consideration sorely lacking from many
contests these days.
Melissa Groo
VERDICT
For birders and naturalists alike, there is no better contest

than the Audubon. The prize money is solid, the ethical
guidelines show a commitment to wildlife, and the competition provides a high bar to aspire to.
27
PDN Photo Annual

The PDN Photo Annual awards the best in photography, featuring winning images in ten different categories ranging from editorial assignments, photojournalism, portraiture,
advertising, photo books, student work and fine art. Of the many contests that PDN runs throughout the year, the Photo Annual is arguably the most prestigious and most
widely anticipated. To be clear, though, being selected as a winner in a given category doesnt bring a bounty of prizes. Only those winning the special prizes earn cash.
DEADLINE
February
PRIZES
$15,000
Arnold Newman Prize for New Directions

in Photographic Portraiture
The Epson Creativity Award of $1,000 and

an Epson printer
The Marty Forscher Fellowship Fund
cash award to one professional and one
student winner
The PDN Publishers Choice Award of
$1,500 and a one-page promo in PDN
ENTRY FEES
$45 for a single entry

$55 per series; special student rate of
$25 per entry.
PROMISED EXPOSURE
Winning images published in PDN's Photo Annual issue (sent

to 5,000+ creatives) and pdnonline.com's gallery archive;
"work seen by top photo industry judges."
Greg Kahn, winner of the Personal Work category in 2016,

says, I try to be picky when it comes to pay-by-the-entry
contests, because the fees can add up quickly. That being said,
I always enter the PDN Photo Annual. To me, this is one is a
must. Kahn cites PDNs reputation and the exposure that the
publication brings, PDN is a prominent and respected industry
publication, and the contest covers a variety of photographic
categories, so you have things like documentary and commercial work existing in the same space. As a result, a wider net is
cast for who sees the winning images. 2016 Arnold Newman
Prize winner Sian Davey says winning felt like a huge achievement and gave me a real boost in confidence. The significant
cash prize has allowed her to continue with my personal practice, paying for film, paper, scanning etc. Ive also been able to
invest in a technician to start working through my backlog of
negatives that have been sitting in files due to lack of time.
Greg Kahn
VERDICT
Its hard to compare winning a special award vs winning a category. One offers thousands of dollars in prize money, while
the other one gets you a free subscription to PDN. Apples and
oranges aside, buyers and photo editors consistently tell us
that they pay attention to these awards, and one could argue
that this qualified exposure is as meaningful as cash.
28
Leica Oskar Barnack Award

Since 1979, the Leica Oskar Barnack Award has been presented to a photographer whose unerring powers of observation capture and express the relationship between man
and the environment in the most graphic form. The contest attracts a very international crowd and the past winners are diverse in their styles and approaches to photography.
DEADLINE
April
Winners announced: September
PRIZES
25,000
plus Leica M and 10,000 lens
ENTRY FEES
None
*Photo must be taken in past calendar

year; only one entry per person;
Professional photographers only
PROMISED EXPOSURE
Inclusion at the Leica Booth during Paris Photo
2016 Leica Oskar Barnack Award Winner Scarlett Coten

believes the prize is is one of the most prestigious
recognitions for photographers, and that the generous prize
is true support to pursue our personal projects. Coten felt
certain that the exposure through Paris Photo for her and
the Newcomer Award winner Clmentine Schneidermann will
lead to exhibitions, publications, sales, international Internet
exposure, and all things that are essential to pursue our
careers.
VERDICT
You can complain about the price of a Leica, but you cant
complain about the prizes in this contest. The diversity of
winners (both in terms of geography and subject matter) keep
this contest interesting and relevant.
Scarlett Coten
29
GDT European Wildlife Photographer of the Year

The Society of German Nature Photographers hosts the 2nd largest wildlife photography competition in Europe. Entrants must reside in Europe and be members of GDT. The
organization also hosts the GDT Nature Photographer of the Year and the Fritz Plking Prize, named after the great German nature photographer and founder of GDT.
DEADLINE
Mid-March
PRIZES
3000
for Overall Winner + travel/

accommodations for awards ceremony
ENTRY FEES
30
free for Young Photographer category
PROMISED EXPOSURE
Exhibition at the International Nature Photography Festival

(GDT) in Lnen, Germany.
Richard Peters, the 2015 GDT European Wildlife Photographer

of the Year, says that although the contest is restricted to
European residents, its still an important contest that is considered as not only the second biggest competition of its type,
but by many, as the one that leads the way in showcasing the
more creative side of nature photography.
VERDICT
Although the contest doesnt receive the worldwide exposure

of others, the prize money is still solid and contest is highly
respected within the wildlife community.
30
Px3
Now celebrating its 10th year, the well-regarded Prix de la Photographie, Paris promotes photography from around the world in a six categories (advertising, photojournalism, book, fine art, nature and portraiture)
DEADLINE
March 30
Winners announced: June
PRIZES
USD$5,000
(professional)
USD$2,000
(non-professional)
ENTRY FEES
$30 per photo

$50 per series
PROMISED EXPOSURE
Winners exhibition in Paris, published in Px3 Annual Book
Rob Gregory won in 2015 for the Best New Talent category.
While I can't say that this competition directly led to more
work, winning and having your work exhibited in Paris is a
great rsum item that helps clients feel more comfortable
when they are considering hiring you.
VERDICT
The well-regarded international competition has attracted a

cadre of photographers like Sergey Ponomarev, Sebastiano
Tomada, and John Keatley in a slew of categories. The prize
money is good, as is inclusion in their annual, but wed like to
see the competition provide more press for their winners.
Rob Gregory
31
Red Bull Illume Image Quest

Red Bull has poured millions of dollars into promoting action and adventure sports. Every three years, the company sponsors the Illume Image Quest contest to find the best
action and adventure sports photography in 11 categories. In 2016, a new mobile category was added. Although the contest wont be held again until 2019, a touring exhibition will travel across the world to showcase the winning images.
DEADLINE
March 2019
PRIZES
40,000 Yodobashi (major Japanese

camera retailer) voucher, 60,000 of
Sony Photo Gear and other prizes from
G-Technology, Tamrac, Broncolor
ENTRY FEES
None
PROMISED EXPOSURE
Exhibited worldwide in the Red Bull Illume Exhibit Tour
Jody MacDonald praises the organization and prize pool, I

dont know of many photo contests that will fly in all 50
finalists from around the world for 3 days of activities and
celebration at the highest level. We didnt win any cash prizes
but we did get a lot of really nice gear that has a high cash
value. While it is too early to tell whether the recent win will
translate into more work, MacDonald notes that I am getting
quite a few interviews requests from different publications
and that is always nice promotion.
VERDICT
There is an undeniable cool about Red Bulls unrelenting

sponsorship of all things adventure. The Red Bull PR machine
generates a ton of publicity for the contest, and winners are
guaranteed eyeballs in a variety of heavily trafficked media
outlets. And theres no denying the allure of 40,000 in gear
for the grand prize winner.
Jody MacDonald
32
Big Picture Natural World Photography Competition

The California Academy of Sciences sponsors this nature photo contest to celebrate and illustrate the rich diversity of life on Earth. Photographers can enter images in seven
different categories including the new Photo Essay: Coral Reefs to highlight one of the most pressing ecological challenges of our time.
DEADLINE
March 31
Winners announced: July
PRIZES
USD$5,000
grand prize
$1,000 category prizes
ENTRY FEES
$25 for up to 10 photos

$15 for photo essay category
PROMISED EXPOSURE
Exhibit at the California Academy of Sciences
Francisco Negroni, winner of the Landscapes, Waterscapes

and Flora category in 2016, says, The Big Picture Competition
is one of the most important contests in the world of nature
and landscape photography and it is excellently organized, as
any doubt or query about participation or other matters is
quickly answered. Like with many contests, Negroni believes
that it provides a good way to gauge your skill, Participating in
this contest lets you get a feel of what is going on in the world
of nature photography and is also an opportunity to show off
your abilities and knowledge through a lens.
VERDICT
The quality of winners rivals any nature and wildlife competition in the world. We like the fact that the rights grab is
limited to promotion of the contest and for a fixed duration
of five years.
33
NPPA Best of Photojournalism

The Best of Photojournalism (BOP) competitions are hosted by the National Press Photographers Association (NPPA). These annual competitions recognize the best in the
four categories of still photojournalism, video photojournalism, photojournalism editing and multimedia photojournalism.
DEADLINE
March
Winners announced: late March
PRIZES
Winners plaque
ENTRY FEES
None
PROMISED EXPOSURE
Published in the NPPAs Best of Photojournalism issue of

News Photographer magazine and on the NPPA website
Scott McIntyre, Photographer of the Year (small markets), has

held the contest in high regard since college, and was appreciative of the exposure it brought, Winning Photographer of
the Year was huge for me...It came at the perfect time too, because I was in the middle of transitioning from being on staff
at the Naples Daily News to starting my life as an independent
photographer in Miami. I can't think of any other contests that
showcase the "small market" category, so winning POY (small
market) got my name and work in front of a larger scale audience of photographers and editors.
VERDICT
There is no doubt that the NPPA award has cachet particularly in the US that all but guarantees exposure to top editors. But like Pictures of the Year International, the contest
might struggle to attract top talent when richer prizes with
growing influence are popping up around the world.
Scott McIntyre
34
Kuala Lumpur International Photo Awards

Open to photographers of all levels, the Kuala Lumpur International Photo Awards features a mere two categories: 1) portraiture, and 2) open. In 2016, the contest called for
the deadpan look in the portraiture division, continuing the tradition of putting an annual spin on the category. Although the prize isnt well-known outside Southeast Asia,
the winners have talent to rival any contest.
DEADLINE
March 31
PRIZES
USD$4,000
+ trophy
ENTRY FEES
$15 per image

(discounts and early-bird available)
PROMISED EXPOSURE
Exhibition in Kuala Lumpur
Kathrine Tschirner, First Prize winner in the 2016 Portrait category, says, The KL Photo Awards is more than recommendable. It was noticeable that the organizers have a real interest
in photography. The event has been implemented with great
attention to detail, recognizable by the good prints and a
really masterful hanging in the beautiful rooms of the White
Box Gallery. 2016 Open Category winner Jessica Hines was
surprised and delighted to win with her odd image, and says,
One of the reasons I entered was because of the impressive
list of jurors.
VERDICT
The fee is nominal and the prizes are significant. Plus the
award trophy is truly a work of art, and would look awfully
good on your shelf.
Kathrine Tschirner
35
Insight Astronomy Photographer of the Year

Hosted by the Royal Museums Greenwich in Greenwich, England, the Astronomy Photography of the Year competition awards great images of the sky and space. Now in its
5th year, categories include Earth and Space, Our Solar System, Deep Space and Young Astronomy Photographer of the Year.
DEADLINE
April
PRIZES
2,500
ENTRY FEES
None
PROMISED EXPOSURE
Exhibition at the Royal Observatory Greenwich in the UK; published in the Astronomy Photographer of the Year book.
2016 Astronomy Photographer of the Year Ainsley Bennett says,

The contest was certainly well-organised with very good prizes
considering there was no entry fee. In terms of exposure it was
excellent as my image has now reached far worldwide through
the internet and news agencies. Winning my category with the
added exposure has also seen an increase in my print web sales
(still small) but has also led to enquiries from various companies
to use my image which I am still in discussions with. I would
certainly recommend the competition.
VERDICT
The entry process is clunky and the rights grab doesnt favor
the photographer. But the prize money and press exposure
has grown over the past year, and there really isnt any other
game in town for astrophotography.
36
Nikon Small World Photomicrography Contest

The Nikon Small World Photomicrography Competition is regarded as the leading forum for showcasing lifes beauty and complexity as seen through the light microscope. The
competition is open to anyone with an interest in microscopy and photography.
DEADLINE
April 30, 2017
Winners announced: mid-October
PRIZES
1st Prize:
USD$3,000 towards Nikon equipment;
total of (20) prizes totaling around $10,000.
ENTRY FEES
None
PROMISED EXPOSURE
Small World Exhibit travels throughout North America at

selected museums and centers for science.
2015 Winner and Australian science teacher Ralph Grimm says,

The Nikon Small World award is pretty awesome because it's an
International award that gives unconventional photographers
in the area of photomicrography a chance to showcase their
work to the world. Ironically, Grimms success has led him to
share his images less frequently. In a way, my disappointment
in the prevailing ignorance towards our place on the ecological
stage has lead to a decline of the amount of work that I do with
the microscope and now concentrate more on my profession
as a teacher. The real benefit of having won the award last year
is that it helped me to encourage, motivate and inspire the
students at my school.
Ralph Grimm
VERDICT
Like other forms of nature photography, the Small World

Contest is an amazing niche opportunity for non-professionals
from scientists to school teachers to compete on a world
stage. The contest exemplifies how to produce a contest
with strong prizes and guaranteed exposure in a specialized
field. We bemoan the loss of cash prizes for gear, but youd do
worse than to have some high quality Nikon equipment.
37
Magnum Photography Awards

To help celebrate its 70th anniversary, the venerable Magnum Photos teamed up with LensCulture to create the inaugural award in 2016.
DEADLINE
May
PRIZES
$18,000 in total prize money for the

winners:
$2,000
for a series
$1,000
for a single image
ENTRY FEES
$60 per series

$20 per single
PROMISED EXPOSURE
Magnum Online Exhibition, Magnum Photography Awards

Printed Annual, International Press and Exhibition exposure
Aaron Hardin, winner of the Fine Art category, believes the value
of the contest isnt just about the prizes. The most significant
part of winning the Magnum Photography Award wasn't the
money or exposure. It was knowing that someone like Martin
Parr, president of Magnum and leading authority on the
photobook, not only saw my work, but agreed with the other six
esteemed judges that I should be recognized. I never thought
that my little project about becoming a father in rural west
Tennessee would illicit such a positive response.
VERDICT
The brand is formidable and the jury is undeniably accomplished and renown. Images may only be used in promotion
with the contest, and the entry fee is reasonable. This new
contest shows a lot of promise in its inaugural year.
Aaron Hardin
38
On the Move International Award

The Cortona On the Move International Photography Festival in Tuscany uses a beautiful backdrop of medieval architecture to promote an increasingly popular photo circuit
destination. The Festival sponsors the On the Move International Award in conjunction with Consorzio Vino Chianti the Chianti winegrowers syndicate.
DEADLINE
May
Winners announced: mid-July
PRIZES
4,000
ENTRY FEES
10
PROMISED EXPOSURE
Exhibition at next years festival
Klaus Pichler won the 2016 award with his project Golden Days
Before They End, which captures life within small bars and inns
near Vienna. Pichler saw a significant increase of interest in his
working following the win. Winning has definitely lead to more
interest in my projects, especially in Italy. The award has, as I
have learned from the numerous newspaper requests I received
afterwards, a very high reputation in Italy and is also very well
noticed in other countries. My project has been presented in the
most important Italian newspapers and magazines and numerous online magazines and blogs, the selling of the book in Italy
has risen and I have received some messages with notes and
requests on the project.
VERDICT
The relatively unknown contest celebrated its fifth anniversary

in 2016, and continues to celebrate contemporary photography in a decidedly old school setting. If the thrill of seeing your
winning photos in a medieval town isnt exciting enough, were
pretty sure the cash prize will tickle your fancy.
Klaus Pichler
39
Barcelona International Photography Awards

Galera Valid Foto launched the inaugural year of the BIPA with no restrictions on who could enter, or the types of photography that could be submitted. It stated goal is
showcasing international contemporary photography and forming collaborative links between countries and photographic communities. The Festival sponsors the On the
Move International Award in conjunction with Consorzio Vino Chianti the Chianti winegrowers syndicate.
DEADLINE
Mid-May
PRIZES
Potential representation by Galera Valid

Foto BCN
ENTRY FEES
$50 per portfolio
PROMISED EXPOSURE
Exhibition at the Galera Valid Foto in Barcelona & at DOCfield Festival, published on LensCulture
Although its still too early to determine whether the award will lead to more work, BIPA 2016 winner Lola
Montserrat says, Its a good way to publicize your project. And, of course, Im happy to be one of the winners
amongst so many with great work.
VERDICT
The exhibition at the DOCfield Festival will certainly generate eyeballs for the winners, and seems to have
solid traction in Spain. But the high entry fee and lack of prizes makes the current incarnation difficult to
recommend.
40
International Drone Photography Awards

Suffice it to say, drones are now ubiquitous and photographers are capturing some incredible imagery. The rise of a drone-specific contest was an inevitability, and dronestagram was smart in partnering with National Geographic to increase the reach and give an immediate legitimacy to the contest.
DEADLINE
June
PRIZES
1st Prize:
Parrot Bebop drone + Sky Controller,
Kodak Pixpro sp 360, 1-year Adobe
Creative Cloud Photography subscription,
150 offered by Picanova on a print on
canvas, aluminum or plexiglas.
ENTRY FEES
None
PROMISED EXPOSURE
Featured in National Geographic website, photo published in

National Geographic magazine French edition
Nature and Wildlife winner Michael B. Rassmussen says, I

think winning a mid-range consumer drone from 3DR and a
high quality print from Zeinberg in France is a great price for
both amateurs and professionals. Unsurprisingly, the burgeoning interest in drones brought the winners tremendous
press recognition. Rassmussen comments, The exposure
winning the contest has been more than I could ever dream of.
The weeks after the winners were announced, I saw my image
popping up on all the big news site around the world. Some of
the pages where my winning photo was published was on BBC,
Los Angeles Times, The Sun, Fox News, etc. An endless list to
be honest, and not to mention being on the frontpage of the
National Geographic webpage for a few days.
Michael B. Rasmussen
VERDICT
2016 saw an explosion in the use of and interest in drones and

drone photography. The timeliness of the award couldnt have
been better, and the medias interest in the winners is proof of
that. Whether or not exposure for the winners will continue at
such a high clip remains to be seen. That said, the rights grab
is fairly broad, and the prizes are modest.
41
IAFOR Documentary Photography Award

Started in 2015, the award seeks to identify and support emerging photojournalists (applicants must be younger than 31 years old or enrolled in a part-time or full-time
program) and documentary photographers. Over 150 photographers from 30 countries submitted work for the 2016 contest.
DEADLINE
Early June
Winners announced: mid-July
PRIZES
1,000 cash award
plus added to list of nominees for World

Press Photo Joop Swart Masterclass,
MediaStorm workshop
ENTRY FEES
None
PROMISED EXPOSURE
Exhibition in the UK and Japan
2016 Grand Prize winner Alexey Furman (10/7) says, I have

won prizes from numerous photography contests, including
some of the biggest ones in the industry. But rarely does a
photography award treat winners as great as IAFOR Documentary Photography Award does. Furman praises the
exposure the award has brought him in his nascent career.
My project, Life after Injury, has been featured in the British
Journal of Photography. The Grand Prize winner also gets
nominated for the next year's Joop Swart Masterclass. It is
extremely difficult to think of an award that would be that
supportive of emerging photojournalists. I would definitely
encourage everyone to apply.
VERDICT
Alexey Furman
Given the low number of applicants and the relatively rich cash
award, this is a great contest for young photojournalists to
sink their teeth into. The jury is top notch and their expertise
spans a range of documentary styles. The 2016 winners covered topics from around the world indicating the jurys broad
appetite for subject matter.
42
National Geographic Traveler Photo Contest

One of the best brands in photography also has one of the most popular contests. Judges sifted through over 18,000 entries showcasing landscapes, portraits, diverse
cultures and surprising moments all over the world to award ten top prizes in 2015.
DEADLINE
June 30
PRIZES
Seven-Day National Geographic Photo

Expedition: Polar Bear Safari for Two at
Churchill Wild-Seal River Heritage Lodge,
a Nat Geo Unique Lodge of the World
(~USD$20,000 value)
ENTRY FEES
$15 per entry
PROMISED EXPOSURE
Featured in National Geographic Traveler and online
Anthony Lau took the Grand Prize in 2016 for his image of
a Mongolian horsemen. National Geographic is a name
immediately recognizable to a vast number of audiences, from
organizations, professional photographers to even my sons (7
& 10). I am not a full time professional, but after winning the
placement in this contest, a lot of different opportunities came
to me, ranging from charity events, contest judges, photo
talks and other projects. But the value of the contest exceeds
the prizes for Lau. While the prizes are definitely worth the
participation, I think the real deal is the opportunities and
possibilities that comes after and I would wholeheartedly
recommend this contest everyone!
VERDICT
Anthony Lau
Weve never liked the rights grab language which allows the
use of downloadable wallpaper from the NatGeo website for
all entries. But like many large circulation magazines, the photo contest targets consumers, not professional photographers
who would undoubtedly cringe at this stipulation. NatGeo has
unmistakable prestige and value of the 7-day cruise package
is pretty sweet.
43
Black & White Spider Awards

The same people who produce the International Color Awards go full desaturation to bring you the Black & White Spider Awards.
DEADLINE
Late June
Winners announced: November
PRIZES
Certificate of Achievement, Winner Medal
ENTRY FEES
$35 (Professional)
$30 (Amateur)
PROMISED EXPOSURE
Published in Black & White Awards Journal
Oysten Glenne Kristiansen shot medium format film on his

Hasselblad 501 to take first place in the Nature category.
While he enjoyed the accolades, he says It should have been
a prize either of money, travel or photo equipment in my
opinion. But in the end, hes good humored about the win. I
have indeed tried to focus on this one prize in my CV and [I
was written up] in the local newspaper, and I try to use this as
a way of branding. But people ask me, What did you win? I
have to answer: Just honour!
VERDICT
The jury list is international and diverse, and in normal circumstances, would be a cause for celebration. But we simply cant
understand why a contest that charges such a large entry
fee cant offer anything more than a piece of paper as a prize.
And if you were hoping to put a copy of awards catalog, The
Journal, on your shelf, youre out of luck. Its only available as a
downloadable PDF.
Oysten Glenne Kristiansen
44
APA Awards
APA is one of the most important trade organizations for commercial photographers with both national and local chapters around the US. Their annual awards is a veritable whos who of commercial and advertising photography with work that youve probably seen in the wild.
DEADLINE
July
PRIZES
Best of Show Winner receives over

$12,000 in Prizes, including the Grand
Prize, a Canon EOS 5DS Camera body.
The APA Awards provide over $100,000 in
Prizes across 34 winners.
ENTRY FEES
Tiered by membership level.

$30 (Leaders)
$35 (Professionals/Associates)
$40 (Supporters)
$45 (Contributors)
$60 (Non-members)
PROMISED EXPOSURE
Online gallery of winners at APA website
Matt Sartain, winner of the Conceptual/Altered category in

2016 says, Often prestige is the only award, but this time I actually received a bundle of really useful prizes! He believes the
exposure from the award is one of the key differentiators. I
think there are a lot of contests out there, sometimes it's hard
to tell which ones are worth the entry fee, but APA National is
a trusted contest and I got a much bigger response from this
win versus some of my previous wins that were not APA National. Emerging category winner Danielle Tsi echoes the value
of the exposure and prizes, To be honest I didn't think about
the prizes when I entered so I was pleasantly surprised by the
long list of prizes I received. Beyond actual prizes though what
makes this competition a cut above the rest is in the level of
industry exposure it gives to the winners.
VERDICT
The entry fee is relatively high (especially for non-members),

but the fees are offset by a large prize pool, which seems to
have pleasantly surprised the winners. Plus youll be competing with the cream of the crop.
Matt Sartain
* Disclosure: PhotoShelter provides an award for the competition.
45
Epson International Pano Awards

Epson sponsors this contest which bills itself as the largest competition for panoramic photography. Now entering its 7th year, the contest attracts thousands of entrants from around the world in three categories.
DEADLINE
Mid-July
Winners announced: Mid-October
PRIZES
USD$3,000
Epson SureColor P-7070, Nodal Ninja 9m

Carbon Fiber Pole Bundle, trophy, Triple
Scoop Music voucher (open awards);
$5000 Carolyn Mitchum Fine Art Prize

2016 total prize pool valued at
USD$60,000.
ENTRY FEES
$20 per image (open)

$16 per image (amateur)
*Amateurs (anyone earning <$20,000) + Pros
PROMISED EXPOSURE
Max Rive
Exhibited at The Digital Show in Melbourne
2015 Major Open Award Winner Max Rive believes the contest is efficiently run and well-regarded, but ironically thinks the prize is ill-conceived. The main
prize, the printer [Epson Stylus Pro], is so big it doesn't fit in any persons house. I stored it in a garage somewhere and it is still there. And while the prize
didnt directly lead to more work, he believes the association is worthwhile, saying I'm using the title which might influence others perception about me as
a photographer.
VERDICT
The Epson Pano Awards serve a very specific niche and offer a ton of great prizes in a number of different categories with very photographer-friendly terms.
You might have to leave the printer in the garage, but were pretty sure you can use the cash for something interesting.
46
Photo Camera Clara

The Camera Clara award is strictly for unpublished work taken with large format view cameras, and seeks to reward the slow process that is required through large
format photography.
DEADLINE
July
Winners announced: November
PRIZES
6,000
ENTRY FEES
None
PROMISED EXPOSURE
Potential exhibition
2015 First Prize winner, Yann Laubscher, was not only

impressed by the organization of the prize, but also by the
panel of judges. What was important for me is the composition
of the jury (personalities from the world of photography such
a Michel Poivert) and of course this is one of the only awards
to recognize a photographic work with large format cameras.
Laubscher says the prize money was important, Yes the
money received allowed me to continue my project. And
through meeting a member of the jury, my job was put forward
for other awards in France.
VERDICT
In the digital age, its rare to find anyone touting the benefits
of large format photography, let alone handing out a huge
monetary prize. But Camera Clara does just that, and the winners work reflects a quietness afforded by the deliberate and
slow process.
Yann Laubscher
47
International Photography Award

The International Photography Award (IPA) is an annual competition for professional, non-professional and student photographers. Its goal is to award achievements, discover new and emerging talent, and promote a general appreciation of photography.
DEADLINE
August
Winners announced: October
PRIZES
USD$10,000
for International Photographer of the Year
$5,000 for Discovery of the Year

$5,000 for Deeper Perspective of the Year
$2,500 for Moving Image Photographer of
the Year
ENTRY FEES
$35 per image (professional)

$25 per image (non-professional)
$15 per image (student)
PROMISED EXPOSURE
Best of Show exhibition in multiple cities around the world;

published in IPA book
Multiple-award winner Maxine Helfman regularly submits her

work to the IPA, and says. Over the years, I have entered IPA
many times. My main goal has always been exposure to their
outstanding roster of judges. Helfman compliments the contest and prizes. The winning galleries are a wonderful resource,
and the contest sponsors a week of great events including IPA
Best of Show, and the Lucie Awards. London-based advertising photographer Greg White enters the contest for exposure,
not prizes. Ultimately I'm looking for exposure of my work
and feel that the IPA [which is] based in the states has a global
presence...I'm never really considering prizes when entering.
The prizes to me are the exposure and prestige of having your
name and work out there to a wider audience.
VERDICT
The entry fee could be a little lower, but $10,000 is pretty

sweet bait for entering the IPA. Winners have been previously
published on websites like BuzzFeed and EYEMAZING. Plus,
the exhibition and press release provide a chance to get a good
number of eyeballs on your work.
Maxine Helfman
48
Moran Contemporary Photographic Prize

Founded in 1988 in celebration of Australias bicentennial, the Moran Prize is Australias richest contest with a AUD$50,000 grand prize. The only stipulation for
entry is that the photographer must be an Australian citizen.
DEADLINE
Late-August
Winners announced: October
PRIZES
AUD$50,000
all finalists receive $1,000
ENTRY FEES
$25 per entry
PROMISED EXPOSURE
Exhibition at Juniper Hall in Paddington NSW + traveling exhibition
You wont find much dissent from the winners of the Moran. 2016
Winner Johannes Reinhardt says, Winning the prize was an
amazing experience and the exposure I had is incredible. It was in
the news, all major newspapers around the country and naturally
my facebook went a bit viral tooand we havent even touched
the AU$50.000 prize money yet. Suzanne McCorkell, winner
of the 2014 prize, speaks highly of the generous prize and the
efforts of the Moran Foundation to promote art within Australia.
[The award] has certainly promoted me as an artist within the
Photographic Community, for which I am grateful.
VERDICT
For a country with a relatively small population, Australia has

a number of great photo contests, and the Moran is no exception. Although the contest is limited to Australian citizens, it is
a fantastic example of an incredibly well-funded competition
with restricted rights demands. Its unclear whether the winners gain international attention, but AUS$50,000 can buy a
lot of plane tickets.
Johannes Reinhardt
49

The Travel Photographer of the Year (TPOTY) and the Royal Geographic Society have partnered to produce one of the premier travel photography competitions, attracting
both amateurs and professionals. The competition awards a diversity of travel imagery, including a glimpse at various culture, cityscapes, landscapes, wildlife and more.
DEADLINE
Early October
Winners announced: December
PRIZES
2,500
trophy, Plastic Sandwich portfolio case for

ENTRY FEES
15 (portfolio, new talent, HD short)

7.50 (one shot, smart shot)
free (young TPOTY)
PROMISED EXPOSURE
Exhibition at the Royal Geographic Society in London
2016 Travel Photographer of the Year, Marcel van Oosten, likes

the contest format. Most photography competitions do single
images only, but TPOTY has several categories where you can
only enter series...Shooting a great image is one thing, but trying
to create a series of images that are all great and complement
each other, thats a lot more difficult. You cant just select four of
your best images of any given subject and think that its going
to work as a series - it wont. Van Oosten also compliments the
prizes and exposure, saying, Some of the most prestigious photo
competitions will only give you a certificate, so its nice if you can
win some cash or a trip for instance.
VERDICT
TPOTY is the UKs well-known equivalent of the National

Geographic competition. The prizes are decent and an exhibition at the Royal Geographic Society in London attracts tens of
thousands of visitors per year.
Marcel van Oosten

Note: Van Oostens company, Squiver, specialises in wildlife and landscape photography
tours for small groups of all experience levels to destinations worldwide.
50
LensCulture Emerging Talent Awards

For 10 years, LensCulture has been an advocate and voice for contemporary photography. The awards are open to anyone from amateur to professional who considers
themselves to be an emerging artist on a global stage. LensCulture seeks to provide exposure to talented photographers that can connect them to valuable opportunities.
DEADLINE
Mid-October
Winners announced:
4-5 weeks after deadline
PRIZES
$2500
grants (8)
ENTRY FEES
$60 for a related series of 10 images

(30% discount for students)
PROMISED EXPOSURE
Digital gallery exhibition at the International Center of Photography Museum in New York City, and opportunities for exposure at
over 50 international photography festivals
Grant winner Joshua Rashad McFadden speaks highly of the

organization, The LensCulture network provides many useful
resources for photographers. In addition to winning the contest,
photographers have access to portfolio reviews, interviews, and
a wide range of type of photography. McFadden was pleased
with the interest in his work following the award, and says "After
it Selma gained worldwide exposure which lead to assignments,
and I travel the country to speak about my work.
VERDICT
The Emerging Photographer Awards are slightly anomalous

in that each of the 8 highly distinguished judges bequeath a
grant onto a single photographer of their choice. Mechanics
aside, the award, website and network undoubtedly bring
positive benefits to the winners.
Joshua Rashad McFadden
51
International Color Awards

The International Color Awards are the leading international award honoring color photography. The annual contest showcases the best professional and amateur photographers during a red carpet annual event called the Photoshow.
DEADLINE
November
Winners announced: February
PRIZES
USD$1,500
for Photographer of the Year
ENTRY FEES
$35 per image (professional)

$30 per image (amateur)
PROMISED EXPOSURE
Publication in The Journal
Like with many contests, 2016 International Color Awards

winner Piers Golden says its hard to evaluate whether
winning lead directly to more work, but he notes, I think it
definitely helps to create more of a buzz around ones brand
& provides new opportunities to contact potential & existing
clients because you have something newsworthy to announce.
In addition to a physical awards certificate, Golden notes that
the Color Awards provide editable press releases for the
winners to utilise for their own P.R purposes.
VERDICT
If anything positive can be said about the International Color

Awards, its that they are fantastic self-marketers. They have,
to their credit, amassed a noteworthy jury. And year after year,
they convince thousands of photographers to pony up $35
to enter a contest that generates almost no benefit for the
winners and offers scant prizes and virtually no exposure. But
at least they're eco-conscious, right? The winners catalog, The
Journal, is only available as a download.
Piers Golden
52
National Geographic Nature Photographer of the Year

The National Geographic Photo Contest rallies amatuer and professional photographers from all over the world to submit their work to three categories: people, place and
nature. In 2014, the contest received 22,000 entries from photographers in over 150 different countries all of which you can see online before the judging takes place.
DEADLINE
November 4
Winners announced: December
PRIZES
10-day trip for two to the Galapagos;

$2,500 for each category winner
ENTRY FEES
$15 per photo
PROMISED EXPOSURE
Publication on National Geographic website
Storm photographer James Smart won the 2015 contest with a

stunning photo of an anti-cyclonic tornado near Simla, CO. He
praises the massive exposure he received from the well-known
publication. There are a lot of people who follow National
Geographic through social media so you get a good bit of exposure
from winning. I was flown to Washington DC to the photography
seminar where I got to see where they lay out the magazine, so
that was very cool, something I would never see otherwise. The
win generated a few extra print sales, but no new commissions.
Still, Smart is realistic about his genre saying, Landscape/storm
photography isnt really an area where work is wantedif you win
with a portrait image then Im sure there will be much more of a
chance of getting work.
James Smart
VERDICT
Formerly known as the National Geographic Photo Contest,

the current incarnation has been rechristened as the Nature
Photographer of the Year. Gone is the $10,000 cash prize and
invitation to the invite-only Photography Seminar in January.
Instead, the new prize aligns itself with the Traveler contest
with an extended cruise. Pros will undoubtedly bemoan the
loss of the cash prize, but there are worse things than a 10day trip to the Galapagos.
53
Smithsonian Photo Contest

Photographers from 93 countries submitted over 26,000 images for the 12th annual contest. The Smithsonian contest is one of the few that requires a model release
for images with recognizable faces.
DEADLINE
November 30
Winners announced: Spring
PRIZES
USD$2,500
Grand Prize
United Eco-skies Sustainable Travel category offers (2) round trip tickets in the US,
Caribbean, Mexico and Central America
ENTRY FEES
None
PROMISED EXPOSURE
Publication on Smithsonian website
2015 Grand Prize Winner Albert Ivan Damanik captured an

jaw-dropping image of Mount Sinabung in North Sumatra
mid-eruption. He was pleased to be associated with the
publication, stating This competition is prestigious among
photographers in the world. I think the prize is [good] fortune
[for the fatigue I endured while photographing] the Sinabung
volcano with the fierceness of its constant eruption. Damanik
recommended the contests to several friends to to introduce
us to the jury and the world.
VERDICT
Smithsonian is a reputable magazine and the contest attracts

some really stunning photography from around the world. But
we still cant get behind the onerous rights grab which allows
them to use the winning photos in ways that have nothing to
do with the contest.
Albert Ivan Damanik
54
Aperture Portfolio Prize

The Aperture Portfolio Prize is open to anyone who is a print subscriber or online member of Aperture. The award seeks to identify trends in contemporary photography
and highlight artists whose work deserves greater recognition.
DEADLINE
December 2
Winners announced: March
PRIZES
USD$3,000
ENTRY FEES
None
PROMISED EXPOSURE
Exhibition at Aperture Gallery
2016 Prize Winner Eli Durst commended Aperture for its strong
promotional efforts saying, From the time I was announced as
a finalist up until the exhibition, they helped me design and publicize the show a great deal. I feel extremely thankful to have had
the opportunity to work with the Aperture team. The win has led
to a number of inquiries for Durst. a bunch of different people
from the photo world, including photo editors, collectors, and
other photographers, reached out to me.
VERDICT
If it wasnt Aperture, wed have a hard time swallowing the

membership in lieu of an entry fee strategy (a minimum $150
membership), which ends up being more expensive than most
contests. But its hard to dispute the value of the brand and
the important eyeballs that will see the work of the winners.
Plus a number of editorial creative directors have told us this is
one of the awards they pay attention to each year to discover
new faces in contemporary photography.
Eli Durst
55
Wildlife Photographer of the Year

The UK Natural History Museum sponsors the annual Wildlife Photographer of the Year competition to promote the discovery and understanding of the natural world
through photography. Although many contests focus on the natural world, few have as rich a prize and the prestige and press to go with it.
DEADLINE
December 15
Winners announced: Mid-October
PRIZES
10,000
plus trophy and personalised certificate
ENTRY FEES
30.00
PROMISED EXPOSURE
Exhibition at Londons Natural History Museum before touring

more than 60 cities around the world. The organization estimates
the contest message reaches almost a billion people annually
through press coverage.
National Geographic contributor Tim Laman won the 2016 prize

for his image of an endangered orangutan ascending a strangler
fig tree. He says the cash award is substantial enough to make
it worthwhile, and likes the favorable terms for photographers, I
especially appreciate the fact that they pay a fee for inclusion of
your winning image in their book, and separately for each product they create with your picture on it, whether it be calendars,
notebooks, or [refrigerator] magnets. So in the end you dont feel
exploited at all. Finally, he thinks the exposure is unique, Their
exhibit travels to 60 venues in 20 countries, so exposure is huge.
And their media connections are very good, so coverage of winners is very extensive. Far greater than any other wildlife photography contest by a mile.
Tim Laman
VERDICT
The monetary prize alone would be enough to warrant our

recommendation. But the contests reputation and guaranteed exposure make this a no-brainer. This is one of the most
widely respected contests in photography.
56
I Shot It: The Best Photo Competition

In 2013, Leica majority shareholder Dr. Andreas Kaufmann, acquired a 25.1% stake in the I Shot It platform, which allows users to create an account, upload photos, and
enter themed competitions including landscapes, wildlife, cats, dogs, and flowers. Each category has its own specialist judge (or two at the most) who picks the winner.
DEADLINE
Rolling
Winners announced:
~2 weeks after deadline
PRIZES
varies by category
ENTRY FEES
varies by category
PROMISED EXPOSURE
None
Michael Jolliffe was initially skeptical of the contest, I did a bit of

research into the terms and conditions as I was most concerned
about retaining the rights to my images, which turned out that
with I Shot It, the terms were very clear and straightforward. Jolliffe was intrigued by the prize, which he says is outside my usual
means of purchase. His practical advice could be extended to any
contest, Weighing up the entry fee vs what the prize could do for
you is very important, allowing you to be more selective in what
to enter and what not to waste your time on.
VERDICT
I Shot It is unique with its rolling format, sliding entry fees,

and variable prizes. The level of competition is often, well,
amateurish, so in some ways, it should be a no-brainer for
talented photographers to enter the categories that feature
rich prizes. In the black-and-white category alone, four Leica M
bodies (retail value USD$8,000) are awarded each year! Hope
youre saving your pennies for that Noctilux...
Michael Jolliffe
57
PART IV
Conclusion
here are many photo contests out there almost too many to choose from. So before
entering, you should make sure its the right
one for your business and brand. Take time to think
through first why you want to enter your work and
what youd like to get out of the experience. Are you
looking for exposure? Feedback? Prizes? Do you have
high regards for those who have won in the past? Have
you researched the jury? Make sure you read through
the contests Terms and Conditions, FAQs, plus look
at previous winners work to decide if it might be a
good fit. Remember that some photo contests are better than others (hopefully our verdicts helped!). Youll
want to align yourself with the competitions that are
well-regarded and respected in the industry.
58
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PART I

42 PHOTO CONTESTS TO CONSIDER (OR AVOID)

WPPI 16x20 Print Competition

Nikon Small World Photomicrography Contest

2016 PhotoShelter, Inc

Get 20% off

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THE 2017 PHOTOGRAPHERS

Four competitions to choose from

Sony digital imaging equipment

Student Focus: December 5, 2016

Enter for free now at worldphoto.org/swpa

Entry fees are sometimes used as a way for contests

Contests should offer cash and/or equipment prizes

Oysten Glenne Kristiansen

Good contests restrict their rights-grabbing

THE 2017 PHOTOGRAPHERS GUIDE TO PHOTO CONTESTS

Tamina Florentine Zuch, Germany, Winner, 2016 ZEISS Photography Award

THE 2017 PHOTOGRAPHERS GUIDE TO PHOTO CONTESTS

Feedback from past winners:

THE 2017 PHOTOGRAPHERS GUIDE TO PHOTO CONTESTS

On Manipulation & Ethics

While some contests allow categories of photo-illustrative images, other contests

THE 2017 PHOTOGRAPHERS GUIDE TO PHOTO CONTESTS

About the World

or this guide weve partnered up with one

The Sony World Photography Awards

The Sony World Photography Awards (#SWPA),

Professional - 10 categories, judged on a

Open - 10 categories, rewarding the best

Student Focus - for those studying photography

THE 2017 PHOTOGRAPHERS GUIDE TO PHOTO CONTESTS

Hi Russ. Tell us about your journey to becoming

It was an exciting introduction to the industry,

I studied photography at University, then through

THE 2017 PHOTOGRAPHERS GUIDE TO PHOTO CONTESTS

Be conscious of your contemporaries and competition, try and choose something

THE 2017 PHOTOGRAPHERS GUIDE TO PHOTO CONTESTS

There is a lot to be excited about for the coming year,

and lenses that have appeared at the end of this

THE 2017 PHOTOGRAPHERS GUIDE TO PHOTO CONTESTS

I want a picture that tells me what you

For me the compelling qualities of photography are that there is so much to

THE 2017 PHOTOGRAPHERS GUIDE TO PHOTO CONTESTS

Youve judged a variety of different photography competitions in the past.

Photography is a means of communicating so I want a picture that tells me what

For me any philosophy around photography has to involve an acceptance of

THE 2017 PHOTOGRAPHERS GUIDE TO PHOTO CONTESTS

42 Photo Contests to Consider

*Contests organized by deadline

WPPI 16x20 Print Competition

plus a full pass to WPPI, one year Photo+

All winners are published in Rangefinder magazine and online,

WHAT THE WINNERS SAY

Jacob Atmodjojo took first place honors in the Creative Division

When it comes to wedding and portrait photography, no one

THE 2017 PHOTOGRAPHERS GUIDE TO PHOTO CONTESTS

Underwater Photographer of the Year

5 GBP for up to 3 images

Exhibition at the London International Dive Show and the Fox

WHAT THE WINNERS SAY

2016 Underwater Photographer of the Year Davide Lopresti

The niche contest attracts strong photography, but compared