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3.

JT 3, October 3, 2016
Project 1, Reharmonization, chord/scales, voicings, styles discussion
*Oct. 24 rescheduled on Jan. 25 for recording of project 4
PART I: assign and discuss Project 1: DUE DATE October 17
Reharmonization of a Standard: EITHER All the Things You
Are or How Deep is the Ocean? using:
a) iiV key center approach with diatonically non-related common
tone major, minor, dominant chord technique
b) Triads over bass notes and modal chords from either the Major
scale or melodic minor scale system
PART II: Review
- chord/scale connection for Stella, discuss chord/scale
connection discuss common names for melodic minor modes
Observations from homework to mention always put chord
symbols on page ABOVE staff, use only 5 note voicings, discuss
common chord alterations in specific metric/root movement
locations, use more melodic minor, avoid 6 on minor chords, discuss
proper pitch area for 3/7, discuss linear voice leading, linear
rhythmic phrasing, development of energy
PART III: EAR TRAINING:
chord tensions, melodic minor modes and related chords, diatonic
chord progressions, upper structure triads
PART IV: ANALYSIS:
- review melodic Minor modes and chord/scale applications in Stella
- review 5 note chord voicings
- Discuss upper structure triads in Major and Mel Min system
- Discuss major pentatonic scales in Major and Mel Min system
- chord/scale names in Mel Min
- Diminished Scale use
- discuss Don Grolnicks tune Pools for Diminished and Mel Min
usage

PART V: LISTENING/HISTORY DISCUSSION (give me more ideas!)


Styles and major artists in the style; differences between styles in
terms of Mel, harm, rhythmic style, subdivision,form, instrumentation,
and what else?
*ELECTRIC/FUSION/FUNKY (Weather Report, Chick Corea &
Return to Forever, Zawinul Syndicate, Wayne Shorter, Herbie Hancock,
Miles Davis, John McLaughlin, John Scofield, Jim Beard, Michael Brecker,
Randy Brecker, Mike Stern, Don Grolnick, Bill Evans (sax), Marcus Miller,
David Sanborn, Yellowjackets)
*MODERN JAZZ ORCHESTRA (Gil Evans, Jim McNeely, Bob
Brookmeyer, Thad Jones, Maria Schneider, Mike Holober, Bert Joris, Bob
Mintzer, Vince Mendoza, Darcy James Argue)
*MODAL/NON-DIATONIC/LYRICAL (Kenny Wheeler, Ralph
Towner, Wayne Shorter, Keith Jarrett, Pat Metheny, Jan Garbarek, John
Abercrombie, Eberhard Weber, Paul McCandless, John Taylor, Peter
Erskine)
*POST-HARD BOP NON-DIATONIC (John Coltrane, Charles
Mingus, Bill Evans, Joe Henderson, Wayne Shorter, Woody Shaw, Herbie
Hancock, David Liebman, Richie Beirach, Fritz Pauer, Jaco Pastorius,
Michael Brecker, Randy Brecker, Freddie Hubbard, Kenny Barron, Fritz
Pauer, Kenny Garrett)
*FREE/VERY OPEN (Ornette Coleman, Keith Jarrett, Don
Cherry, Albert Ayler, Pat Metheny, Paul Bley)
*YOUNGER COMPOSERS (Kurt Rosenwinkel, Chris Potter, Brad
Mehldau, Danilo Perez, Seamus Blake, Dave Douglas, Tigran Hamasyan,
Renee Rosnes, Tino Derado, Klmn Olh, Andy Middleton, Ben Wendel)
Handout:
1. Reharmonization handout
HAUSAUFGABE:
1. Levine Jazz Theorie Buch, Kapitel 6, Seite 107 133: chord/
scales and melodic sequence
2. re-harmonize A Foggy Day with non-related diatonic chords

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